seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Death of Joan Denise Moriarty, Ballet Dance & Choreographer

joan-denise-moriartyJoan Denise Moriarty, Irish ballet dancer, choreographer, teacher of ballet and traditional Irish dancer and musician, dies on January 24, 1992. She is a key figure in the development of both amateur and professional ballet in Ireland.

Little is known of Moriarty’s early life. Her year of birth is estimated between 1910 and 1913 but no documentation has been found. The place of her birth is also unknown, and even the country is uncertain. She grows up as the daughter of Michael Augustus Moriarty, an alumnus of Stonyhurst College and contemporary of Sir Arthur Conan Doyle, and his wife, Marion (née McCarthy). The Moriartys are originally from Mallow, County Cork, where her grandfather John Moriarty was a successful solicitor.

Moriarty is brought up in England. She studies ballet until her early teens with Dame Marie Rambert. She is an accomplished Irish step-dancer and traditional musician, and becomes the champion Irish step-dancer of Britain on April 24, 1931. She also wins a swimming championship. She is a member of the Liverpool branch of the Conradh na Gaeilge.

In the autumn of 1933 Moriarty returns with her family to their native Mallow in County Cork. In 1934, she sets up her first school of dance there. From 1938 she also gives weekly classes in Cork in the Gregg Hall and Windsor School. During the 1930s she takes part in the Cork Feis, annual arts competitions with a focus on traditional dance and music, competing in Irish step-dancing, warpipes and operatic solo singing. She performs on the warpipes in various public concerts and gives at least two broadcasts. In 1938 she is invited by Seán Neeson, lecturer in Irish music at University College Cork, to perform at a summer school which the Music Department organises for primary school teachers.

Moriarty’s mother dies in February 1940. The following November she moves to Cork where she sets up the Moriarty School of Dancing. The early years during the war are very difficult financially. In the early 1940s she performs with her dancers in musicals and variety shows at the Cork Opera House.

In 1945 the composer Aloys Fleischmann invites Moriarty to perform in his Clare’s Dragoons for baritone, war pipes, choir and orchestra, which had been commissioned by the national broadcasting company, Radio Éireann, for the Thomas Davis centenary. Moriarty agrees, on condition that his Cork Symphony Orchestra would play for her Ballet Company’s annual performances, which marks the beginning of a lifelong collaboration.

Branches of the Moriarty School of Dance are established in Bandon, Clonmel, Fermoy, Killarney, Mallow, Tralee, Waterford, and Youghal. Moriarty bequeaths her Cork school to Breda Quinn, a long-standing member of the Cork Ballet Company, who runs it with another Moriarty student, Sinéad Murphy, who creates a new dance school, Cork School of Dance, after Breda’s death in 2009.

Moriarty founds the Cork Ballet Group in 1947, the members recruited from her school. It gives its first performance in June of that year at the Cork Opera House. In 1954 the group is registered as a company under the name “Cork Ballet Company.” The company’s final season is 1993, the year following Moriarty’s death.

Irish Theatre Ballet is founded by Moriarty in the summer of 1959, and gives its first performance in December 1959. It is a small touring company of 10 to 12 dancers, which travels all over Ireland, going to some 70 venues annually with extracts from the classical ballets, contemporary works and folk ballets. In an attempt to resolve the constant financial difficulties, the Arts Council in 1963 insists on a merger with Patricia Ryan’s Dublin National Ballet. The amalgamation does not bring a solution to the financial problems besetting both companies and, after one joint season, the amalgamated company, Irish National Ballet, has to be disbanded in March 1964.

In 1973, the Irish government decides to fund a professional ballet company, the Irish Ballet Company, and entrusts it to Moriarty. Like Irish Theatre Ballet, it is a touring company which travels all over Ireland in two annual seasons. The company has a number of striking successes between 1978 and 1981. In 1983 the name of the company is changed to Irish National Ballet. The severe recession in Ireland during the 1980s and shrinking funds force the Irish National Ballet to disband in 1989.

Moriarty spends almost 60 years working for ballet in Ireland. Her amateur Cork Ballet Company is still the longest-lasting ballet company the country’s history. Her two professional touring companies bring ballet to all parts of Ireland for 21 years. She receives numerous awards for her work, among them an honorary doctorate from the National University of Ireland in 1979.

During the last years of her life, Moriarty suffers ill-health, but continues her work with the Cork Ballet Company, bringing the shows to towns in the county. She dies on January 24, 1992 in Dublin.

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Birth of Irish Artist Nano Reid

nano-reid-crumphan-achillNano Reid, Irish landscape artist, figure painter and portraitist, is born in Drogheda, County Louth on March 1, 1900. An individual, expressionistic artist, Reid is acknowledged to be one of the finest Irish woman painters of twentieth-century visual art in Ireland. Her works are represented in many public collections throughout Ireland.

In 1920, Reid wins a scholarship to study fine art painting and drawing at the Dublin Metropolitan School of Art, now the National College of Art and Design, under Harry Clarke. At the time, she is, in the words of fellow student Hilda van Stockum, “a fierce redhead…uncompromising and looking for truth.” In 1925 she starts showing at the Royal Hibernian Academy (RHA), submitting a total of 42 canvases until the late 1960s.

In 1928, Reid goes to Paris and enrolls briefly at the Académie de la Grande Chaumière, after which she spends a year in London studying fine art at the Central School of Arts and Crafts under Bernard Meninsky. She returns to Ireland in 1931 and once more begins exhibiting her landscape painting at the RHA.

In 1950, with Norah McGuinness, Reid represents Ireland at the Venice Biennale. This is followed by the Exhibition of Contemporary Irish Art in Aberystwyth, Wales (1953), and the Mostra Internazionale di Bianco e Nero in Lugano, Switzerland (1956), the Guggenheim International Award Exhibition in New York City (1960) and the Twelve Irish Painters show in New York City (1963). In 1974, the Arts Council and the Arts Council of Northern Ireland stage a major retrospective of Reid’s artworks.

Nano Reid dies in Drogheda in 1981. Retrospectives are held at Taylor Galleries in Dublin (1984), Droichead Arts Centre in Drogheda (1991), and at Linenhall Arts Centre in Castlebar, County Mayo (1999).

(Pictured: “Crumphan, Achill,” oil on canvas)


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Founding of the Arts Council of Ireland

The Arts Council (An Chomhairle Ealaíon), sometimes called the Arts Council of Ireland, is established on May 8, 1951 by the Government of Ireland. The Council’s purpose is to encourage interest in Irish art, including visual art, music, performance, and literature, and to channel funding from the state to Irish artists and arts organisations. This includes encouragement of traditional Irish arts, support for contemporary Irish arts, and finance for international arts events in Ireland. The council is modeled on the Arts Council of Great Britain, founded in 1946, and works closely with the Arts Council of Northern Ireland, formed by the British government in Northern Ireland in 1962 to fulfil a similar role.

The Arts Council consists of twelve members and a chair, each appointed for a five-year term by the Minister for Arts, Heritage, Regional, Rural and Gaeltacht Affairs. The Chair of the Arts Council is entitled to an annual fee of €8,978 and ordinary members are entitled to a fee of €5,985, although some members choose to waive this fee.

The ongoing work of the Arts Council is delivered by the executive. In addition to the Director, a staff of 41 full-time equivalents carries out the daily functions of the organisation. Arts advisers, who provide additional expertise and strategic advice on different aspects of the arts, are retained on a consultancy basis.

The Arts Council of Ireland is the official “Cultural Contact Point” between the European Commission‘s Cultural Programme and Ireland and is a founding member of the International Federation of Arts Councils and Culture Agencies. Visual Artists Ireland, the all-Ireland non-governmental organisation representing Irish artists nationally and internationally, is supported by the Arts Council of Ireland.

For additional information, visit the Arts Council’s website at http://www.artscouncil.ie/home/.


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Birth of Cecil Day-Lewis, Poet & Poet Laureate of the U.K.

Cecil Day-Lewis, poet, novelist, critic, and the Poet Laureate of the United Kingdom from 1968 to 1972, is born in Ballintubbert, County Laois, on April 27, 1904. He also writes mystery stories under the pseudonym of Nicholas Blake and is the father of actor Daniel Day-Lewis and documentary filmmaker and television chef Tamasin Day-Lewis.

Day-Lewis is the son of Frank Day-Lewis, Church of Ireland Rector of the parish, and Kathleen Blake. His father takes the surname “Day-Lewis” as a combination of the surnames of his own birth father (Day) and his adoptive father (Lewis). After the death of his mother in 1906, Day-Lewis is brought up in London by his father, with assistance of an aunt, spending summer holidays with relatives in County Wexford. He is educated at Sherborne School and at Wadham College, Oxford. In Oxford, Day-Lewis becomes part of the circle gathered around W. H. Auden and helps him to edit Oxford Poetry 1927. His first collection of poems, Beechen Vigil, appears in 1925.

In 1928, Day-Lewis marries Constance Mary King, the daughter of a Sherborne teacher, and works as a schoolmaster in three schools, including Larchfield School in Helensburgh, Scotland. During the 1940s he has a long and troubled love affair with the novelist Rosamond Lehmann. His first marriage is dissolved in 1951, and he marries actress Jill Balcon, daughter of Michael Balcon.

During World War II he works as a publications editor in the Ministry of Information, an institution satirised by George Orwell in his dystopian Nineteen Eighty-Four. During this time his work is now no longer as heavily influenced by Auden and he develops a more traditional style of lyricism. Some critics believe that he reaches his full stature as a poet in Word Over All (1943), when he finally distances himself from Auden. After the war he joins the publisher Chatto & Windus as a director and senior editor.

In 1946, Day-Lewis is a lecturer at Cambridge University, publishing his lectures in The Poetic Image (1947). He later teaches poetry at the University of Oxford, where he is Professor of Poetry from 1951 until 1956. He is the Norton Professor at Harvard University from 1962 to 1963, and is appointed Poet Laureate in 1968, in succession to John Masefield.

Day-Lewis is chairman of the Arts Council Literature Panel, vice-president of the Royal Society of Literature, an Honorary Member of the American Academy of Arts and Letters, a Member of the Irish Academy of Letters, and a Professor of Rhetoric at Gresham College, London.

Cecil Day-Lewis dies of pancreatic cancer on May 22, 1972, at Lemmons, the Hertfordshire home of Kingsley Amis and Elizabeth Jane Howard, where he and his family are staying. Being a great admirer of Thomas Hardy, he arranges to be buried as close as possible to the author’s grave at St. Michael’s Church in Stinsford, Dorset.