seamus dubhghaill

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Death of Cearbhall Ó Dálaigh, the Fifth President of Ireland

Cearbhall Ó Dálaigh, Fianna Fáil politician, judge and barrister who serves as the fifth president of Ireland from December 1974 to October 1976, dies on March 21, 1978, in Sneem, County Kerry. He serves as Attorney General of Ireland from 1946 to 1948 and from 1951 to 1953, a Judge of the Supreme Court of Ireland from 1953 to 1973, Chief Justice of Ireland from 1961 to 1973 and a Judge of the European Court of Justice from 1973 to 1974.

Ó Dálaigh, one of four children, is born on February 12, 1911, in Bray, County Wicklow. His father, Richard O’Daly, is a fishmonger with little interest in politics. His mother is Una Thornton. His birth name is registered in English as Carroll O’Daly, which he uses during his legal career, and which is recorded by some publications.

Ó Dálaigh has an elder brother, Aonghus, and two younger sisters, Úna and Nuala. He goes to Saint Cronan’s Boys’ National School in Bray, and later to Synge Street CBS in Dublin. While attending University College Dublin (UCD), he becomes auditor of An Cumann Gaelach and of the Literary and Historical Society. He also becomes Irish language editor of The Irish Press.

Ó Dálaigh is a committed Fianna Fáil supporter who serves on the party’s National Executive in the 1930s. He becomes Ireland’s youngest Attorney General in 1946, under Taoiseach Éamon de Valera, serving until 1948. Unsuccessful in Dáil and Seanad elections in 1948 and 1951, he is re-appointed as Attorney General of Ireland in 1951. In 1953, he is nominated as the youngest-ever member of the Supreme Court by his mentor, de Valera. Less than a decade later, he becomes Chief Justice of Ireland, on the nomination of Taoiseach Seán Lemass. He is a keen actor in his early years, and becomes a close friend of actor Cyril Cusack. It is commonly stated that Ó Dálaigh and Cusack picketed the Dublin launch of Disney‘s Darby O’Gill and the Little People in 1959, for what they felt was the film’s stereotyping of Irish people. However, there is no known contemporary reference to this having occurred.

Ó Dálaigh is an opponent of the United States bombing of North Vietnam.

In 1972, Taoiseach Jack Lynch suggests to the opposition parties that they agree to nominate Ó Dálaigh to become President of Ireland when President de Valera’s second term ends in June of the following year. Fine Gael, confident that its prospective candidate, Tom O’Higgins, will win the 1973 presidential election, having almost defeated de Valera in 1966, turn down the offer. Fianna Fáil’s Erskine H. Childers goes on to win the election that follows.

When Ireland joins the European Economic Community (EEC), Lynch appoints Ó Dálaigh as Ireland’s judge on the European Court of Justice. When President Childers dies suddenly in 1974, all parties agree to nominate Ó Dálaigh to replace him.

Ó Dálaigh’s tenure as president proves to be contentious. While popular with Irish language speakers and with artists, and respected by many republicans, he has a strained relationship with the Government of the 20th Dáil, particularly with Minister Conor Cruise O’Brien and Taoiseach Liam Cosgrave.

Ó Dálaigh’s decision in 1976 to exercise his power to refer a bill to the Supreme Court to test its constitutionality brings him into conflict with the Fine Gael-Labour National Coalition. Following the assassination of the British Ambassador to Ireland, Christopher Ewart-Biggs, by the Provisional Irish Republican Army (IRA), on July 23, 1976, the government announces its intention to introduce legislation extending the maximum period of detention without charge from two to seven days.

Ó Dálaigh refers the resulting bill, the Emergency Powers Bill, to the Supreme Court. When the court rules that the bill is constitutional, he signs the bill into law on October 16, 1976. On the same day, an IRA bomb in Mountmellick, County Laois, kills Michael Clerkin, a member of the Garda Síochána, the country’s police force. Ó Dálaigh’s actions are seen by government ministers to have contributed to the killing of this Garda. On the following day, Minister for Defence Paddy Donegan, visiting a barracks in Mullingar, County Westmeath, to open a canteen, attacks the President for sending the bill to the Supreme Court, calling him a “thundering disgrace.”

Ó Dálaigh’s private papers show that he considered the relationship between the President (as Commander-in-Chief of the Defence Forces) and the Minister for Defence had been “irrevocably broken” by the comments of the Minister in front of the army Chief of Staff and other high-ranking officers. Donegan offers his resignation, but Taoiseach Liam Cosgrave refuses to accept it. This proves the last straw for Ó Dálaigh, who believes that Cosgrave had additionally failed to meet his constitutional obligation to regularly brief the President. He resigns from the presidency on October 22, 1976, “to protect the dignity and independence of the presidency as an institution.” He is succeeded as President of Ireland by Patrick Hillery.

Ó Dálaigh dies of a heart attack on March 21, 1978, less than two years after resigning the presidency. He is buried in Sneem, County Kerry.


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Birth of Jonathan Christian, Irish Judge

Jonathan Christian, Irish judge, is born in Carrick-on-Suir, County Tipperary, on February 17, 1808. He serves as Solicitor-General for Ireland from 1856 to 1858. He is a judge of the Court of Common Pleas (Ireland) from 1858 to 1867 when he is appointed Lord Justice of Appeal in Chancery. On the creation of the new Irish Court of Appeal in 1878 he serves briefly on that Court but retires after a few months.

Christian is considered one of the best Irish lawyers of his time, but as a judge, he regularly courts controversy. His bitter and sarcastic temper and open contempt for most of his colleagues leads to frequent clashes both in Court and in the Press. Though he is rebuked for misconduct several times by the House of Commons, no serious thought seems to be given to removing him from office.

Christian is the third son of George Christian, a solicitor, and his wife Margaret Cormack. He is educated at the Trinity College Dublin, enters Gray’s Inn in 1831 and is called to the Bar of Ireland in 1834. He marries Mary Thomas in 1859 and they have four sons and four daughters. He lives at Ravenswell, Bray, County Wicklow.

Christian’s early years at the Bar are not successful, and he admits to being near to despair at times about his prospects. His practice lays in the Court of Chancery (Ireland). Chancery procedures are extremely complex and he finds them at first almost unintelligible. Gradually he masters the intricacies of Chancery practice and becomes a leader of the Bar, taking silk in 1841. It is said that his expertise in Chancery procedures leaves even the Lord Chancellor himself quite unable to argue with him.

Christian is appointed Law Adviser to the Lord Lieutenant of Ireland, an influential post which involves assisting the Attorney General and Solicitor General in advising the Crown in 1850, but resigns after only a few months, on the ground that it interferes with his private practice. He is appointed Third Sergeant later the same year but resigns in 1855, allegedly because he is disappointed at not receiving further promotion. Promotion does in time come his way. He is appointed Solicitor General the following year and a judge of the Court of Common Pleas in 1858. He is unusual in having no strong political loyalty. It is said that his political allegiance is known only to himself.

As a judge of the Court of Common Pleas, Christian gets on well with his colleagues, and any dissenting judgements he writes are short and courteous. It is after his appointment as a Lord Justice of Appeal in Chancery in 1867 that his behaviour begins to attract unfavourable comment, as he goes out of his way to court controversy on a wide variety of topics.

Christian develops a deep contempt for the Irish Reports, castigating them in open Court as “nonsense,” “worthless rubbish” and “disjointed twaddle.” All attempts by colleagues to get him to moderate his language fail. He threatens to refuse to let his judgements be reported, and in his last years, his relations with the law reporters are so bad that they simply publish their uncorrected notes of his decisions rather than sending them to the judge for revision.

In 1867 a new office of Vice-Chancellor for Ireland is created. It is filled throughout its existence by one man, Hedges Eyre Chatterton, who retires in 1904. Despite his length of service, he is not considered a judge of the first rank, and Christian evidently combines feelings of professional contempt with a personal dislike for him. Christian usually votes on appeals to overturn his judgments, and frequently adds personal attacks on Chatterton, despite protests from his colleagues. The feud between the two judges reaches the Press in 1870 when The Irish Times, without naming them, quotes one judge’s opinion that another is “lazy, stupid, conceited and dogmatic.” Although Christian denies it, it is universally believed that he is the author of the remarks, which are aimed at Chatterton. Chatterton is fortunate in enjoying the support of the Lord Chancellor of Ireland, Thomas O’Hagan, 1st Baron O’Hagan, who is also on bad terms with Christian.

Christian had worked well with Abraham Brewster, O’Hagan’s predecessor, whom he respected. For O’Hagan on the other hand, he feels the same dislike and contempt which he felt for Chatterton. Although they served together in the Court of Common Pleas without any obvious conflict, Christian considers O’Hagan’s appointment as Lord Chancellor to be a purely political act, and that he is unfit to be either head of the judiciary or an appeal judge in Chancery. He also complains of what he sees as O’Hagan’s laziness, which puts an extra burden on him. During O’Hagan’s first term as Chancellor, Christian subjects him to constant criticism. Unwisely he does not confine these attacks to the Courtroom but publishes numerous pamphlets, which is widely seen as improper conduct in a judge. When O’Hagan becomes Chancellor for the second time, a friend congratulates him on escaping from “the misnamed Christian” who had retired two years earlier.

It is probably Christian’s feud with O’Hagan which leads to his extraordinary decision to publicly attack the House of Lords for reversing, by a majority including O’Hagan, his judgment in O’Rorke v Bolingbroke. In a letter to The Times in 1877, whose content has been described as “astounding,” he questions the Law Lords knowledge of equity. While he singles out Lord Blackburn for criticism, it is likely that he also intends to harm O’Hagan’s reputation.

A major source of contention between Christian and O’Hagan is the Landlord and Tenant (Ireland) Act 1870, which O’Hagan steers through Parliament. The Act provides for compensation for tenants in the event of eviction. Christian, though he is not a landowner and is not as a rule much interested in politics, objects strongly to the policy of the Act, which he believes to be most unjust to landlords. His attacks from the Bench on the Act lead to serious rebukes both from the House of Commons and from the Press, which comment on the impropriety of a judge attacking an Act of Parliament, which it is his duty to enforce.

O’Hagan’s retirement does nothing to lessen Christian’s ill-temper. Other judges come in for attack, including Lord Chief Justice of Ireland James Whiteside, whom he accuses of speaking constantly on matters of which he is ignorant. In his later years, he seems to be a lonely and isolated figure. His vigorous opposition to the Supreme Court of Judicature (Ireland) Act 1877 is entirely unsuccessful. A feeling of isolation may partly explain his decision to retire, though certainly his increasing deafness also plays a part.

Christian dies in Dublin on October 29, 1887.

V.T.H. Delaney praises Christian as a great master of equity, a man of great learning and a judge with a great desire to see justice done, but he does not deny that Christian loved controversy. Even his supporters spoke of “arrows too sharply pointed.” Critics spoke of his “spirit of personal sarcasm, cold, keen and cynical.” No doubt Christian was genuinely concerned to uphold high standards of judicial conduct, but as Daire Hogan points out, his own conduct struck most observers as far more improper than anything he complained of in others.


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Birth of Clare Marsh, Still Life & Portrait Artist

Clare Marsh, still life and portrait artist, is born Emily Cecil Clare Marsh on January 13, 1875, at New Court, Bray, County Wicklow, the house of her maternal grandfather, Andrew McCullagh, a wine merchant.

Marsh’s parents are Arthur and Rachel Marsh (née McCullagh). She has four siblings. Her family is descended from the Anglo-Irish aristocracy, specifically from Francis Marsh of Edgeworth, Gloucestershire, with his wife the great-aunt of James II‘s first wife. The family later moves to Raheen, Clondalkin, and later to Cappaghmore, Clondalkin. There is little information about her early life although she is involved in the suffrage movement.

Marsh meets Mary Swanzy at Mary Manning‘s art classes, with Swanzy remembering Marsh as being from “a background of impecuniosity, which did not apparently worry them in spite of a more affluent upbringing.” She is influenced artistically by her aunt and John Butler Yeats, with whom she becomes close friends. In the summer of 1898, Yeats paints Marsh’s portrait at Manning’s studio. She is more drawn to the work of Yeats than of his son, Jack, and models her portraits on that of the older Yeats. He mentors her, encouraging her to see other artists’ work as much as possible and saying “to produce a picture will force you to think.” He urges her to paint more industriously. She exhibits with the Royal Hibernian Academy (RHA) for the first time in 1900 with East wind effect and Roses. Yeats later claims that Marsh helped him with “line drawing or sketching, by putting him on the track of bulk drawing.”

Alongside Manning’s classes, Marsh takes night classes in sculpture with John Hughes and Oliver Sheppard at the Metropolitan School of Art. Aside from a trip to Paris in 1910 or 1911, she is taught exclusively in Dublin throughout her 20s. She takes a course at Norman Garstin‘s studio in Penzance, and stays in North Wales in 1914, painting two Trearddur Bay scenes. She paints still life and portraits, including one of Lily Yeats. It appears that her portraits of children and dogs are popular based on her submitted works to the RHA, exhibiting without a break from 1900 to 1921. The Hugh Lane Gallery holds her portrait of Lord Ashbourne, which demonstrates her painting style of loose brush strokes with an air of informality. Yeats suggests that she spend some time in the United States, where he is living at the time. She spends two months in New York City, staying with cousins at White Plains and then moves into a room neighbouring that of Yeats in Petitpas. Her uncle strongly disproves of this living arrangement, so she leaves and returns to Ireland in January 1912, which upsets Yeats greatly.

Upon her return from New York, Marsh starts holding classes at her studio at South Anne Street which Swanzy recalls are “well liked and always full,” with Susan Yeats becoming a pupil. She becomes the Professor of Fine Arts at Alexandra College in 1916. In the same year, she paints the fires and destruction of the 1916 Easter Rising. She paints a portrait of Jack Butler Yeats in 1918, which is now held by the Highlanes Gallery. John Butler Yeats later sympathises with her in a letter that she and other women are not elected members of the RHA. Knowing that Yeats is in financial difficulty, she sells some of his drawings and sends the money to him. It appears that over time, she works more with colour, as demonstrated in her portrait of Susan Yeats. Her final paintings are night studies, some of which show a possible influence from Swanzy with whom she shares a studio in the autumn of 1920. She is also believed to be one of the founding members of the Society of Dublin Painters.

Marsh dies on May 5, 1923. A posthumous exhibition of her work is held in October 1923. Due to her early death, she largely falls into obscurity until one of her works is included in the 1987 “Irish Women Artists from the Eighteenth Century to the Present Day” exhibition and publication from the National Gallery of Ireland. The National Gallery of Ireland holds a selection of sketches and paintings by Marsh, and a sketch of her by Swanzy. She is included in an exhibition of art by women artists at the Highlanes Gallery in 2012.

(Pictured: “Self-Portrait” by Clare Marsh, oil on canvas, circa 1900, National Gallery of Ireland)


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Founding of the Irish National Liberation Army (INLA)

The Irish National Liberation Army (INLA, Irish: Arm Saoirse Náisiúnta na hÉireann), an Irish republican socialist paramilitary group, is founded at the Spa Hotel in Lucan, Dublin, on December 10, 1974, during the 30-year period of conflict known as “the Troubles.” The group seeks to remove Northern Ireland from the United Kingdom and create a socialist republic encompassing all of Ireland. With membership estimated at 80–100 at their peak, it is the paramilitary wing of the Irish Republican Socialist Party (IRSP), which is founded the same day. The IRSP’s foundation is made public but the INLA’s is kept a secret until the group can operate effectively.

The INLA is founded by former members of the Official Irish Republican Army who oppose that group’s ceasefire. It is initially known as the “People’s Liberation Army” or “People’s Republican Army.” The INLA wages a paramilitary campaign against the British Army and Royal Ulster Constabulary (RUC) in Northern Ireland. It is also active to a lesser extent in the Republic of Ireland, Great Britain and Continental Europe. High-profile attacks carried out by the INLA include the Droppin Well bombing (1982), the Shankill Road killings (1994) and the assassinations of Airey Neave (1979) and Billy Wright (1997). However, the INLA is smaller and less active than the main republican paramilitary group, the Provisional Irish Republican Army (IRA). It is also weakened by feuds and internal tensions. Members of the group use the covernames People’s Liberation Army, People’s Republican Army, and Catholic Reaction Force for attacks its volunteers carry out but for which the INLA does not want to claim responsibility. The INLA becomes a proscribed group in the United Kingdom on July 3, 1979, under the 1974 Prevention of Terrorism Act.

After a 24-year armed campaign, the INLA declares a ceasefire on August 22, 1998. In August 1999, it states that “There is no political or moral argument to justify a resumption of the campaign.” On October 11, 2009, speaking at the graveside of its founder Seamus Costello in Bray, the INLA formally announces an end to its armed campaign, stating the current political framework allows for the pursuit of its goals through peaceful, democratic means and begins decommissioning its weapons.

The IRSP supports a “No First Strike” policy, that is allowing people to see the perceived failure of the Northern Ireland peace process for themselves without military actions.

The INLA is a proscribed organisation in the United Kingdom under the Terrorism Act 2000 and an illegal organisation in the Republic of Ireland.

(Pictured: INLA logo consisting of the Starry Plough and the Flag of Ireland with a red star and a fist holding an AK-47-derivative rifle)


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Death of Molly Keane, Novelist & Playwright

Molly Keane, Irish novelist and playwright who writes as M. J. Farrell, dies on April 22, 1996 in Ardmore, County Waterford.

Keane is born Mary Nesta Skrine on July 20, 1904 in Ryston Cottage, Newbridge, County Kildare. Her mother is a poet who writes under the pseudonym Moira O’Neill. Her father is a fanatic for horses and hunting. She grows up at Ballyrankin House on the banks of the River Slaney, a few miles southeast of Bunclody, County Wexford and refuses to go to boarding school in England as her siblings had done. She is educated by her mother, governesses, and at a boarding school in Bray, County Wicklow. Relationships between her and her parents are cold and she states that she had no fun in her life as a child. Her own passion for hunting and horses is born out of her need for fun and enjoyment. Reading does not feature much in her family, and, although her mother writes poetry, it is of a sentimental nature, “suitable to a woman of her class.”

Keane claims she had never set out to be a writer, but at seventeen she is bed bound due to suspected tuberculosis, and turns to writing out of sheer boredom. It is then she writes her first book, The Knight of Cheerful Countenance, which is published by Mills & Boon. She writes under the pseudonym “M. J. Farrell,” a name over a pub that she had seen on her return from hunting. She explains writing anonymously because “for a woman to read a book, let alone write one was viewed with alarm: I would have been banned from every respectable house in County Carlow.”

In her teenage years Keane spends much of her time in the Perry household in Woodruff, County Tipperary. Here she befriends the two children of the house, Sylvia and John Perry. She later collaborates with John in writing a number of plays. Among them is Spring Meeting, directed by John Gielgud in 1938, and one of the hits of the West End that year. She and Gielgud become life long friends.

It is through the Perry family that Keane meets Bobby Keane, whom she marries in 1938. He belongs to a Waterford squirearchical family, the Keane baronets. The couple goes on to have two daughters, Sally and Virginia.

Keane loves Jane Austen, and like Austen’s, her ability lay in her talent for creating characters. This, with her wit and astute sense of what lay beneath the surface of people’s actions, enables her to depict the world of the big houses of Ireland in the 1920s and 1930s. She “captured her class in all its vicious snobbery and genteel racism.” She uses her married name for her later novels, several of which (including Good Behaviour and Time After Time) have been adapted for television. Between 1928 and 1956, she writes eleven novels, and some of her earlier plays, under the pseudonym “M. J. Farrell.” She is a member of Aosdána.

Keane’s husband dies suddenly in 1946, and, following the failure of a play, she publishes nothing for twenty years. In 1981 Good Behaviour comes out under her own name. The manuscript, which had languished in a drawer for many years, is loaned to a visitor, the actress Peggy Ashcroft, who encourages Keane to publish it. The novel is warmly received and is short-listed for the Booker Prize.

Following the death of her husband, Keane moves to Ardmore, County Waterford, a place she knows well, and lives there with her two daughters. She dies on April 22, 1996 in her Cliffside home in Ardmore at the age of 91. She is buried beside the Church of Ireland church, near the centre of the village.


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Birth of Emmet Dalton, Soldier & Film Producer

James Emmet Dalton MC, Irish soldier and film producer, is born in Fall River, Massachusetts, on March 4, 1898. He serves in the British Army in World War I, reaching the rank of captain. However, on his return to Ireland he becomes one of the senior figures in the Dublin Brigade of the Irish Republican Army (IRA) which fights against British rule in Ireland.

Dalton is born to Irish American parents James F. and Katharine L. Dalton. The family moves back to Ireland when he is two years old. He grows up in a middle-class Catholic background in Drumcondra in North Dublin and lives at No. 8 Upper St. Columba’s Road. He is educated by the Christian Brothers at O’Connell School in North Richmond Street. He joins the nationalist militia, the Irish Volunteers, in 1913 and the following year, though only fifteen, is involved in the smuggling of arms into Ireland.

Dalton joins the British Army in 1915 for the duration of the Great War. His decision is not that unusual among Irish Volunteers, as over 20,000 of the National Volunteers join the British New Army on the urgings of Nationalist leader John Redmond. His father, however, disagrees with his son’s decision. He initially joins the 7th battalion of the Royal Dublin Fusiliers (RDF) as a temporary 2nd Lieutenant. By 1916 he is attached to the 9th Battalion, RDF, 16th (Irish) Division under Major-General William Hickie, which contains many Irish nationalist recruits.

During the Battle of the Somme in September 1916, Dalton is involved in bloody fighting during the Battle of Ginchy, in which over 4,000 Irishmen are killed or wounded. He is awarded the Military Cross for his conduct in the battle. Afterwards he is transferred to the 6th Battalion, Leinster Regiment, and sent to Thessaloniki then Palestine, where he commands a company and then supervises a sniper school in el-ʻArīsh. In 1918 he is re-deployed again to France, and in July promoted to captain, serving as an instructor.

On demobilisation in April 1919, Dalton returns to Ireland. There, finding that his younger brother Charlie had joined the IRA, he himself follows suit. He later comments on the apparent contradiction of fighting both with and against the British Army by saying that he had fought for Ireland with the British and fought for Ireland against them.

Dalton becomes close to Michael Collins and rises swiftly to become IRA Director of Intelligence and is involved in The Squad, the Dublin-based assassination unit. On May 14, 1921, he leads an operation with Paddy Daly that he and Collins had devised. It is designed to rescue Gen. Seán Mac Eoin from Mountjoy Prison using a hijacked British armoured car and two of Dalton’s old British Army uniforms.

Dalton follows Collins in accepting the Anglo-Irish Treaty in 1922 and is one of the first officers, a Major General, in the new National Army established by the Irish Provisional Government of the Irish Free State. The Treaty is opposed by much of the IRA and Civil War between pro and anti-treaty factions eventually results.

Dalton is in command of troops assaulting the Four Courts in the Battle of Dublin which marks the start of the war in June 1922. At Collins’ instigation he, as Military liaison officer with the British during the truce, takes control of the two 18 pounder guns from the British that are trained on the buildings. He becomes commander of the Free State Army under Richard Mulcahy‘s direction. He is behind the Irish Free State offensive of July–August 1922 that dislodges the Anti-Treaty fighters from the towns of Munster. He proposes seaborne landings to take the Anti-Treaty positions from the rear and he commands one such naval landing that takes Cork in early August. In spite of firm loyalty to the National Army, he is critical of the Free State’s failure to follow up its victory, allowing the Anti-Treaty IRA to regroup resuming the guerrilla warfare started in 1919.

On August 22, 1922, he accompanies Collins in convoy, touring rural west Cork. The convoy is ambushed near Béal na Bláth and Collins is killed in the firefight. He had advised Collins to drive on, but Collins, who is not an experienced combat veteran, insists on stopping to fight.

Dalton is married shortly afterwards, on October 9, 1922, to Alice Shannon in Cork’s Imperial Hotel. By December 1922 he has resigned his command in the Army. He does not agree with the execution of republican prisoners that mark the latter stages of the Civil War. After briefly working as clerk of the Irish Senate, Seanad Éireann, he leaves the job to work in the movie industry.

Over the following forty years, Dalton works in Ireland and the United States in film production. In 1958 he founds Irish Ardmore Studios in Bray, County Wicklow. His company helps produce films such as The Blue Max, The Spy Who Came In from the Cold and The Lion in Winter, all of which are filmed in Ireland. His daughter is Irish actress Audrey Dalton.

Dalton dies in his daughter Nuala’s house in Dublin on March 4, 1978, his 80th birthday, never having seen the film that Cathal O’Shannon of RTÉ had made on his life. During the making of the film they visit the battlefields in France, Kilworth Camp in Cork, Béal Na Bláth, and other places that Dalton had not visited since his earlier years. He wishes to be buried as near as possible to his friend Michael Collins in Glasnevin Cemetery in Dublin and is buried there in March 1978 after a military funeral. None of the ruling Fianna Fáil government ministers or TDs attend.

(Pictured: Dalton photographed in lieutenant’s uniform, Royal Dublin Fusiliers, taken circa. 1914-1918)


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Birth of Tony Ward, Former Rugby Union & Association Football Player

Anthony Joseph Patrick Ward, Irish former rugby union and association football player during the 1970s and 1980s commonly referred to as Tony Ward, is born in Dublin on October 8, 1954. He plays rugby as a fly-half for, among others, Munster, Leinster, Ireland, the British & Irish Lions and the Barbarians. He is selected 1979 European rugby player of the year.

Ward wins 19 caps for Ireland between 1978 and 1987. He makes his international debut against Scotland at Lansdowne Road on January 21, 1978 at the age of 23. He helps Ireland win 12–9 and during the 1978 Five Nations Championship he scores 38 points, a record for a debutant. He makes one major tour with Ireland, to Australia in 1979. During his career as an Ireland international he scores 113 points, including 29 penalties, 7 conversions and 4 drop goals. He plays his last game for Ireland on June 3, 1987 in a 32–9 win over Tonga during the 1987 Rugby World Cup.

Leinsterman Ward also inspires Munster to a legendary win over New Zealand, scoring two drop goals and a conversion in a 12–0 victory at Thomond Park on October 31, 1978. To date Munster are the only Irish provincial men’s team ever to beat the All-Blacks, although having played them far more frequently than any other province and joining dozens of smaller Welsh clubs and English regions who defeated mid-week All Black teams over the same period.

Ward also plays one Test game for the British & Irish Lions during the 1980 South Africa tour. He sets a Lions Test record by scoring 18 points, including 5 penalties and a drop goal. It is also a record for any player against South Africa.

Ward is the first ever recipient of a European Rugby Player of the Year award for his performances in the 1979 Five Nations Championship.

Ward also plays association football for both Shamrock Rovers and Limerick United. In his last season with Rovers, 1974–75, he scores 6 league goals. He plays for Limerick United in the 1981–82 UEFA Cup and in 1982 he helps them win the FAI Cup.

While playing rugby Ward is a geography and PE teacher at St. Andrews School in Booterstown, Dún Laoghaire–Rathdown. During the 1990s, he is a highly valued and well respected coach for St. Andrews.

Since retiring as a sportsman, Ward has worked as a sports journalist, most notably with the Irish Independent, and as a rugby commentator for Raidió Teilifís Éireann (RTÉ). He starts as a co-commentator for the 1988 Five Nations Championship, and remains in that role for many years.

Ward is currently involved in St. Gerard’s School in Bray, County Wicklow, where he is coaching the Senior Rugby team and has been doing so for a number of years. He constantly downplays his fame and success and does not even want to be in the room if another coach plays video footage of his legendary tries.


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Birth of Novelist & Playwright Molly Keane

Molly Keane, née Mary Nesta Skrine, Irish novelist and playwright who writes as M. J. Farrell, is born in Ryston Cottage, Newbridge, County Kildare, on July 20, 1904.

Keane’s mother is a poet who writes under the pseudonym Moira O’Neill. Her father is a fanatic for horses and hunting. She grows up at Ballyrankin in County Wexford and refuses to go to boarding school in England as her siblings had done. She is educated by her mother, governesses, and at a boarding school in Bray, County Wicklow. Relationships between her and her parents are cold and she states that she had no fun in her life as a child. Her own passion for hunting and horses is born out of her need for fun and enjoyment. Reading does not feature much in her family and, although her mother writes poetry, it is of a sentimental nature, “suitable to a woman of her class.”

Keane claims she had never set out to be a writer, but at seventeen she is bedbound due to suspected tuberculosis, and turns to writing out of sheer boredom. It is then she writes her first book, The Knight of Cheerful Countenance, which is published by Mills & Boon. She writes under the pseudonym “M. J. Farrell,” a name over a pub that she had seen on her return from hunting. She explains writing anonymously because “for a woman to read a book, let alone write one was viewed with alarm: I would have been banned from every respectable house in County Carlow.”

In her teenage years Keane spends much of her time in the Perry household in Woodruff, County Tipperary. Here she befriends the two children of the house, Sylvia and John Perry. She later collaborates with John in writing a number of plays. Among them is Spring Meeting, directed by John Gielgud in 1938, and one of the hits of the West End that year. She and Gielgud become life long friends.

It is through the Perry family that Molly meets Bobby Keane, whom she marries in 1938. He belongs to a County Waterford squirearchical family, the Keane baronets. The couple goes on to have two daughters, Sally and Virginia.

Keane loves Jane Austen, and like Austen’s, her ability lay in her talent for creating characters. This, with her wit and astute sense of what lay beneath the surface of people’s actions, enables her to depict the world of the big houses of Ireland in the 1920s and 1930s. She “captured her class in all its vicious snobbery and genteel racism.” She uses her married name for her later novels, several of which, including Good Behaviour and Time After Time, have been adapted for television. Between 1928 and 1956, she writes eleven novels, and some of her earlier plays, under the pseudonym “M. J. Farrell.” She was a member of Aosdána.

Keane’s husband dies suddenly in 1946, after which she moves to Ardmore, County Waterford, a place she knows well, and lives there with her two daughters. Following the failure of a play shortly after her husband’s death, she publishes nothing for twenty years. In 1981 Good Behaviour comes out under her own name. The manuscript, which had languished in a drawer for many years, is lent to a visitor, the actress Peggy Ashcroft, who encourages her to publish it. The novel is warmly received and is short-listed for the Man Booker Prize.

Keane dies at the age of 91 on April 22, 1996 in her Cliffside home in Ardmore. She is buried beside the Church of Ireland church, near the centre of the village.


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Birth of Isaac Weld, Writer, Explorer & Artist

Isaac Weld, Irish topographical writer, explorer, and artist, is born on Fleet Street, Dublin on March 15, 1774. He is a member of the Royal Dublin Society.

Weld’s name stems from his great-grandfather Nathanael Weld’s close friendship with Sir Isaac Newton, and as such both his grandfather and father are also named Isaac. His father is a close friend of Charles James Fox. His sister marries George Ensor, and their half-brother is Charles Richard Weld, traveler and author of A Vacation Tour in the United States and Canada (London, 1855), which is dedicated to his brother, Isaac. He is sent to the school of Samuel Whyte at Grafton Street and from there to another private school Barbauld at Palgrave near the town of Diss in Norfolk. From Diss he proceeds to Norwich as a private pupil of Dr. William Enfield. He leaves Norwich in 1793.

In 1795 he sails to Philadelphia from Dublin and spends two years traveling in the United States and Canada, partly as an adventure and partly as research into suitable countries to which the Irish can emigrate. He visits Monticello and Mount Vernon and meets George Washington and Thomas Jefferson. He travels on horseback, by coach and by canoe in Canada with local native guides. He returns in 1797 “without entertaining the slightest wish to revisit it.” He finds the Americans to be obsessed with material things and prefers Canada. His published Travels (1799) quickly goes into three editions and is translated into French, German, Italian, and Dutch.

Weld writes on slavery that “there will be an end to slavery in the United States…[as] negroes will not remain deaf to the inviting call of liberty forever.” With regard to Americans in general, he states, “Civility cannot be purchased from them on any terms; they seem to think that it is incompatible with freedom.” On Washington, D.C., he writes “If the affairs of the United States go on as rapidly as they have done, it will become the grand emporium of the West, and rival in magnitude and splendour the cities of the whole world.”

Weld visits Killarney, navigates the lakes in a boat he made from compressed brown paper, and publishes Scenery of Killarney (1807), illustrated with his own drawings. He is also well known for his drawings of American life and, in particular, the Niagara Falls.

In May 1815 Weld sails from Dún Laoghaire to London in the 14 horsepower (10 kW) steamboat Thames, the first such vessel to make the passage. He compiles the Statistical Survey of the County of Roscommon (1838) for the Royal Dublin Society, of which he is Honorary Secretary and Vice-President. In later life, he spends much time in Italy and particularly Rome, where he develops a friendship with Antonio Canova.

Weld dies at his home, Ravenswell, near Bray, County Wicklow, on August 4, 1856, and is buried in Mount Jerome Cemetery, Dublin.

Weld is part of the Weld family of New England. His ancestor, Thomas Welde, is a Puritan minister from Suffolk, England who is one of three brothers who emigrated to Roxbury, Massachusetts in 1632. His great-great-grandfather, Thomas Weld, helps to publish the Bay Psalm Book, the first book published in America. His great-grandfather, Nathaniel, is graduated at Harvard College. He leaves Massachusetts for Kinsale and then Blarney Castle, County Cork, in 1655 to be a Puritan Chaplain with Oliver Cromwell. He later moves to Dublin.

The family that stays in America grows in wealth and influence and includes such notables as Governor of Massachusetts William Weld, Isabel Weld Perkins, and Theodore Dwight Weld.


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Death of Paul Funge, Painter & Arts Enthusiast

paul-fungePaul Funge, internationally respected painter and arts enthusiast, dies at Loughlinstown Hospital in the south Dublin suburb of Loughlinstown on February 21, 2011 after a short illness.

A native of Gorey, County Wexford, Funge is a founder of the Project Arts Centre in Dublin and the founder of Gorey Arts Centre in 1970. He is also a founder of the Belltable Arts Centre in Limerick while the regional arts officer for the midwest. In addition he establishes the Gorey Arts Festival, a three-week summer arts festival, and runs it for more than fifteen years. He is remembered as the man who brought U2 to play at the Gorey Arts Festival in the days before they became an international success.

A painter of portraits and landscapes, Funge teaches art in many schools including Clongowes Wood College and Newbridge College. He also lectures at the National College of Art and Design (NCAD), the University of California, and Kunsthistorisch Instituut in Amsterdam. He is also an inspector for art in the Department of Education for a number of years.

As a portrait artist Funge’s sitters included U2’s Adam Clayton, Frank McGuinness and Colm Tóibín as well as many ministers and academics.

Funge suffers a fall before Christmas 2010, badly fracturing his leg and he is admitted to St. Vincent’s Hospital. On January 6, he transfers from Vincent’s to recuperate at a nursing home in Bray. In early February he takes a turn and develops chest problems. His condition deteriorates and he is admitted to the ICU in Loughlinstown Hospital. Initially he appears to be making a reasonable recovery, but his condition deteriorates again in the days prior to his death.

Following Funge’s death, Eamon Carter, director of Gorey School of Art, pays tribute to him as a visionary who felt passionate about decentralising the arts to areas outside of Dublin.

Carter adds that it had just been announced that the Gorey School of Art is linking up with NCAD to provide a masters in fine arts and it is sad that in the week it receives such good news it also receives the sad news of Funge’s death. “I’m saddened that he wasn’t here to see that because he would have been chuffed obviously,” he said.