seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

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Birth of Thomas Johnson, Politician & Trade Unionist

Thomas Ryder Johnson, Irish Labour Party politician and trade unionist who serves as Leader of the Opposition from 1922 to 1927 and Leader of the Labour Party from 1917 to 1927, is born on May 17, 1872, in Liverpool, England. He serves as a Teachta Dála (TD) for Dublin County from 1922 to 1927. He is a Senator for the Labour Panel from 1928 to 1934.

Johnson works on the docks for an Irish fish merchant, spending much of his time in Dunmore East and Kinsale. It is this way that he picks up ideas about socialism and Irish nationalism, joining a Liverpool branch of the Independent Labour Party in 1893. In 1900 he starts work as a commercial traveller, then moves in 1903 with his family to Belfast where he becomes involved in trade union and labour politics.

In 1907 Johnson helps James Larkin organise a strike in the port, but has to watch in dismay as the strike, which begins with remarkable solidarity between labour, Orange, and nationalist supporters, collapses in sectarian rioting. At various times he is the president, treasurer and secretary of the Irish Trades Union Congress (ITUC) which is, at the time, also the Labour Party in Ireland, until officially founded in 1912 by James Connolly and James Larkin. Johnson becomes Vice-president of the ITUC in 1913, and President in 1915.

Johnson sympathizes with the Irish Volunteers, many of whom are sacked from their jobs, for illegal activities. During the Easter Rising, he notes in his diary that people in Ireland paid little heed to the fate of the defeated revolutionaries. He succeeds as leader of the Labour Party from 1917, when the party does not contest the 1918 Irish general election. When the British government tries to enforce conscription in Ireland in 1918, he leads a successful strike in conjunction with other members of the Irish anti-conscription movement.

Johnson is later elected a TD for Dublin County to the Third Dáil at the 1922 Irish general election and remains leader of the Labour Party until 1927. As such, he is Leader of the Opposition in the Dáil of the Irish Free State, as the anti-treaty faction of Sinn Féin refuses to recognise the Dáil as constituted. He issues a statement of support for the Government of the 4th Dáil when the Irish Army Mutiny threatens civilian control in March 1924.

Johnson is the only Leader of the Labour Party who serves as Leader of the Opposition in the Dáil. He loses his Dáil seat at the September 1927 Irish general election, and the following year he is elected to Seanad Éireann, where he serves until the Seanad’s abolition in 1936.

In 1896 he meets Marie Tregay, then a teacher in St. Multose’s National school, outside Kinsale. A native of Cornwall, she has advanced political views. They marry in 1898 in Liverpool. Their only son, Frederick Johnson, is born in 1899, and becomes a well-known actor. Johnson dies on January 17, 1963, at 49 Mount Prospect Avenue, Clontarf, Dublin.

Each summer, Labour Youth holds the “Tom Johnson Summer School” to host panel discussions, debates and workshops.


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Death of Tony O’Malley, One of Ireland’s Leading Painters

Irish artist Tony O’Malley dies at his home in Physicianstown, Callan, County Kilkenny, on January 20, 2003.

O’Malley is born in Callan, County Kilkenny, on September 25, 1913. He is a self-taught artist, having drawn and painted for pleasure from childhood. He works as a bank officìal until contracting tuberculosis in the 1940s. He begins painting in earnest while convalescing and, though he does at first return to bank work, he continues to paint and in 1951 he begins exhibiting his work.

In 1955 O’Malley holidays in St. Ives, Cornwall, England, then an important center of abstract art, and home to the artists Peter Lanyon, Patrick Heron, and Bryan Wynter, who he meets and works with. He returns again in 1957 and in 1958 retires from the bank to paint full-time. Prompted by a mixture of frustration at the indifference shown in Ireland to his work, an attraction to the sense of freedom he feels among the artists in Cornwall, and an engagement with the attempt to represent natural forms current in their abstraction, he settles in St. Ives in 1960. While he is strongly influenced by the St. Ives artistic community, his relationship is one of engagement rather than direct participation. His painting never completely assimilates the rigour and formality of the British abstract painters. It retains a muscular extravagance which is central to his artistic identity. O’Malley explains:

“Not so much abstract as essence. I could not paint for the sake of the pigment of whatever, but I like abstract form in the painting which instills it with meaning and power. Abstraction does enable you to get under the surface, to get beyond appearance, and to express the mind. But abstraction for its own sake does not interest me.”

O’Malley adopts a sombre palette in the second half of the 1960s and many of his paintings are dedicated to the memory of his friend and mentor, Peter Lanyon, who is killed when the glider he is piloting crashes in 1964.

In 1973 O’Malley marries Jane Harris, and through the mid-70s they spend time in the Bahamas and in O’Malley’s native Callan. During this period, his paintings become less sombre and the Bahamas paintings are extremely colourful and vibrant. In 1990 they move back to Ireland. In 1993 he is elected a Saoi of Aosdána.

O’Malley dies at his home in Physicianstown, County Kilkenny, on January 20, 2003. At the time he is regarded as one of Ireland’s leading painters.

The Irish Museum of Modern Art (IMMA) displays a major retrospective of his work in 2005, a selection from which is exhibited at the Tate St. Ives in 2006. The Butler Gallery, Kilkenny, stages posthumous exhibitions of his visual diaries in 2005, and his constructions in 2010.

In 2010 under the guidance of Jane O’Malley the Royal Hibernian Academy (RHA) establishes an artist’s residency in the house where O’Malley grew up in Callan, County Kilkenny. The studio residency is awarded to artists who work primarily in paint. Previous recipients of the Tony O’Malley Studio Residency Award include Magnhild Opdøl, Ciaran Murphy, Ramon Kassan, Mollie Douthit, David Quinn and Paraic Leahy.


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Death of Evie Hone, Painter & Stained Glass Artist

Eva Sydney Hone RHA, Irish painter and stained glass artist usually known as Evie, dies on March 13, 1955, in Rathfarnham, County Dublin. She is considered to be an early pioneer of cubism, although her best known works are stained glass. Her most notable pieces are the East Window in the Chapel at Eton College, which depicts the Crucifixion, and My Four Green Fields, which is now in the Government Buildings in Dublin.

Hone is born at Roebuck Grove, County Dublin, on April 22, 1894. She is the youngest daughter of Joseph Hone, of the Hone family, and Eva Eleanor, née Robinson, daughter of Sir Henry Robinson and granddaughter of Arthur Annesley, 10th Viscount Valentia. She is related to Nathaniel Hone and Nathaniel Hone the Younger. Shortly before her twelfth birthday she suffers from polio. She is educated by a governess, continuing her education in Switzerland, and goes on tours to Spain and Italy before moving to London in 1913. Her three sisters all marry British Army officers, and all are widowed in World War I.

Hone studies at the Byam Shaw School of Art in London and then under Bernard Meninsky at the Central School of Arts and Crafts. She meets Mainie Jellett when both are studying under Walter Sickert at the Westminster Technical Institute. She works under André Lhote and Albert Gleizes in Paris before returning to become influential in the modern movement in Ireland and become one of the founders of the Irish Exhibition of Living Art. She is considered an early pioneer of Cubism but in the 1930s turns to stained glass, which she studies with Wilhelmina Geddes.

Hone’s most important works are probably the East Window, depicting the Crucifixion, for the Chapel at Eton College, Windsor (1949–1952) and My Four Green Fields, now located in Government Buildings, Dublin. This latter work, commissioned for the Irish Government’s Pavilion, wins first prize for stained glass in the 1939 New York World’s Fair. It graces CIÉ‘s Head Office in O’Connell Street from 1960 to about 1983. The window is then taken into storage by Abbey Glass in Kilmainham, Dublin at the request of the Office of Public Works.

The East Window of Eton College is commissioned following the destruction of the building after a bomb is dropped on the school in 1940 during World War II. She is commissioned to design the East Window in 1949, and the new window is inserted in 1952. This work is featured on an Irish postage stamp in 1969. From December 2005 to June 2006, an exhibition of her work is on display at the National Gallery of Ireland. Saint Mary’s church in Clonsilla also features her stained glass windows.

Hone is extremely devout. She spends time in an Anglican Convent in 1925 at Truro in Cornwall and converts to Catholicism in 1937. This may have influenced her decision to begin working in stained glass. Initially she works as a member of the An Túr Gloine stained glass co-operative before setting up a studio of her own in Rathfarnham.

Hone is elected an honorary member of the Royal Hibernian Academy (RHA) in 1954.

Unmarried, Hone dies on March 13, 1955 while entering her parish church at Rathfarnham. She is survived by two of her sisters. Over 20,000 people visit a memorial exhibition of her work at University College Dublin (UCD), Earlsfort Terrace, Dublin, in 1958.

(Pictured: “My Four Green Fields” by Evie Hone, which depicts the four provinces of Ireland)


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Birth of Nancy Wynne-Jones, Welsh & Irish Landscape Artist

Nancy Wynne-Jones HRHA, Welsh and Irish artist, is born Mary Esperance Wynne-Jones on December 10, 1922 in Penmaenucha, Dolgellau, Wales.

Wynne-Jones is born to landowner Charles Llewellyn Wynne-Jones and Sybil Mary Gella Scott. The family spends half the year in Wales and half the year in Thornhill, Stalbridge, Dorset, England. She has two brothers, Andrew and Ronald (“Polly”), both of whom die in Africa during World War II.

Wynne-Jones is educated at home. Her skill in art leads to her getting lessons in Sherborne from a children’s book illustrator. Her music is encouraged by the family doctor and she begins to compose and study the violin, receiving lessons in Bournemouth with the first violinist of the symphony orchestra and continues in Aberystwyth after the start of World War II. She goes on to study the violin and composition at the Royal Academy of Music, London (1940–43). While in London she also serves as a Voluntary Aid Detachment nurse until 1943 and later as a draughtswoman at the Ordnance Survey.

After the war Wynne-Jones purchases and manages a bookshop on the King’s Road in Chelsea, but it is not a financial success. She returns to painting, studying at the Heatherley School of Fine Art, London (1951-52) and the Chelsea School of Art (1952–55). She travels extensively through Portugal and Italy painting landscapes. An interest in completing landscapes in an abstract manner leads her to study with Peter Lanyon in St. Ives, Cornwall.

Wynne-Jones begins study in Cornwall in 1957 and remains there for fifteen years. Her first public exhibition is in a group show (1957) at the Pasmore Edwards Gallery, Newlyn. Other group shows are Jefferson Place Gallery, Washington, D.C., (1959), and in Falmouth, Cornwall (1960). Her solo exhibitions are at the New Vision Centre, London (1962 and 1965), Florence (1963) and Dolgellau (1964). From the 1960s through the 1990s she exhibits in Great Britain, Italy, Belgium, Germany, Ireland, Spain, Holland, South Africa, and the United States.

In 1962 Wynne-Jones purchases Trevaylor House near Penzance and provides accommodation for other artists including renowned Irish painter Tony O’Malley, sculptor Conor Fallon, and English poet and writer W. S. ‘Sydney’ Graham. In the 1970s she exhibits in Ireland at the Project Arts Centre, Dublin (1970) and at the Emmet Gallery, Dublin (1975 and 1977). During the 1980s she exhibits at the Lincoln and Hendricks galleries in Dublin before joining the Taylor Galleries, run by John and Patrick Taylor. She is elected honorary member of the Royal Hibernian Academy (RHA) in 1994 and becomes a member of Aosdána in 1996. Originally an abstract artist, her contact with the Irish countryside slowly transforms her work to that of a landscape artist, albeit with an influence of abstraction attached to it. She becomes well known in Irish art circles as an eminent Irish landscape artist.

Wynne-Jones is involved with artist Derek Middleton before moving to Cornwall. There she becomes romantically involved with Graham who is in an open marriage, however it is the death of her mentor Peter Lanyon that devastates her. She meets the sculptor Conor Fallon through their mutual friend Tony O’Malley. Fallon had arrived in Cornwall ostensibly to meet Lanyon. They marry in 1966. Their honeymoon in Provence is immortalised in expressionist paintings done by Wynne-Jones. The couple adopts a boy and a girl, siblings, John and Bridget. In 1972 she moves with her family to Kinsale, County Cork. It is in this area that a number of her paintings are created. She moves to Ballard House, near Rathdrum, County Wicklow in 1987. There she paints the mountain visible from her home.

Wynne-Jones dies at the age of 83 on November 9, 2006. She is buried in Ballinatone (Church of Ireland), Rathdrum.

(Pictured: “Klein Constantia with Table Mountain” by Nancy Wynne-Jones, acrylic on paper, 16 1/2″ x 23″)


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Founding of the Celtic League, American Branch

The Celtic League, American Branch (CLAB) is founded in New York City on October 11, 1974.

The Celtic League is a pan-Celtic organisation, founded in 1961, that aims to promote modern Celtic identity and culture in Ireland, Scotland, Wales, Brittany, Cornwall and the Isle of Man – referred to as the Celtic nations. It places particular emphasis on promoting the Celtic languages of those nations. It also advocates further self-governance in the Celtic nations and ultimately for each nation to be an independent state in its own right. The Celtic League is an accredited non-governmental organization (NGO) with roster consultative status to the United Nations Economic and Social Council (ECOSOC).

The present Celtic League grows out of various other pan-Celtic organisations, particularly the Celtic Congress, but with a more political emphasis. Previously, Hugh MacDiarmid and others had suggested something along the same lines.

The Celtic League is started at the 1961 National Eisteddfod of Wales, which is held at Rhosllannerchrugog near Wrexham in northeast Wales. Two of the founding members are Gwynfor Evans and J. E. Jones, who are respectively president and secretary-general of the Welsh nationalist political party Plaid Cymru at the time. Interest is expressed by Scottish parties, and also by Breton nationalists.

There are six main, national branches of the Celtic League in the six Celtic countries, generally known by the Celtic language names of their countries: Ireland is known as Éire, Scotland as Alba, Wales as Cymru, Brittany as Breizh, Cornwall as Kernow and the Isle of Man as Mannin or Mann.

The Celtic League, American Branch (CLAB) is one of various diaspora branches, all of whom play little part in the annual general meetings. American author and linguist Alexei Kondratiev serves as president of the Celtic League, American branch. The CLAB prints its own quarterly newsletter, Six Nations, One Soul, which provides news of branch activities and events within the Celtic communities in the United States, publishes letters from members, and reviews books and recordings of Celtic interest. CLAB publishes at least six issues of a larger semi-annual magazine, Keltoi: A Pan-Celtic Review, from 2006 to 2008. CLAB also produces a wall calendar each year, with art from members, appropriate quotations, and anniversaries. Publication ceases with the 2008 issue.


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Marriage of John Bligh, 3rd Earl of Darnley

john-bligh-3rd-earl-of-darnleyJohn Bligh, 3rd Earl of Darnley and former Member of Parliament (MP) for Athboy, who suffers from the delusion that he is a teapot, marries suddenly and unexpectedly on September 11, 1766 at nearly 50 years of age. Suffering from the delusion that he is a teapot, from the date of his marriage until his death in 1781 he fathers at least seven children “in spite of his initial alarm that his spout would come off in the night.”

Bligh is born on October 1, 1719 near Gravesend, Kent, the son of John Bligh, 1st Earl of Darnley and Lady Theodosia Hyde, later Baroness Clifton (in her own right). At the age of eight he is sent to Westminster School. He matriculates at Merton College on May 13, 1735 and is created MA on July 13, 1738.

Outwardly, Bligh appears “solid” and “capable,” a man “terribly conscious of his own dignity.” His eccentricities do not stop him becoming MP for Athboy, which he represents from 1739 until 1748, and for Maidstone, Kent, which he serves from 1741 to 1747.

After failing to be elected MP for Tregony, Cornwall, in 1754, Bligh never stands again for parliament, either in England or Ireland. The seat that he gains in the House of Lords, in 1765, gives him the opportunity to return to Ireland more frequently.

In Dublin, on September 11, 1766, the “ageing nobleman” of almost 48-years-old, suddenly marries eighteen-year-old Mary Stoyte, a wealthy heiress and only child of John Stoyte, a leading barrister from Streete, County Westmeath. The unexpected marriage, between a sworn bachelor and a young woman, shocks Dublin society.

The new Countess of Darnley has to cope with the odd private behaviour of her touchy husband. According to a manuscript in the possession of the Tighe family, on the night of his marriage, Bligh “imagined himself to be a fine China tea pot, and was under great fears, lest the spout should be broken off before morning!”

In spite of his nocturnal fears, the earl manages to father at least seven children: John (1767), Mary (1768), Edward (1769), Theodosia (1771), Sarah (1772), Catherine (1774), and William (1775).

Each summer, Bligh takes his family to Weymouth, where the seawater is believed to strengthen weak constitutions and help brace nerves.

Despite every precaution, in 1781 Bligh catches malaria. Attempts to treat him with quinine and peppermint-water purges fail, and on July 31, 1781, he dies at the age of 61, his spout supposedly still intact. Mary lives on until 1803.


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Death of Padraic Fallon, Poet & Playwright

padraic-fallonPadraic Fallon, Irish poet and playwright, dies on October 9, 1974 in Aylesford, England.

Fallon is born in Athenry, County Galway on January 3, 1905. His upbringing and his early impressions of the town and the surrounding landscape are intimately described in his poetry. After passing the civil service exams in 1923 he moves to Dublin to work in the Customs House. In Dublin he becomes part of the circle of George William Russell (Æ) who encourages his literary ambitions and arranges for the publication of his early poetry. He forms close friendships with Seumas O’Sullivan, editor of The Dublin Magazine, the poets Austin Clarke, Robert Farren, F.R. Higgins and Patrick McDonagh, and later the novelist James Plunkett.

In 1939, Fallon leaves Dublin to serve as a Customs official in County Wexford, living in Prospect House, near Wexford with his wife, Dorothea (née Maher) and his six sons. During this time he becomes a close friend of the painter Tony O’Malley.

Fallon’s early poetry, short stories and literary criticism are published in The Dublin Magazine and The Bell. He is a regular contributor to Raidió Éireann in the 1940s and 1950s, serving variously as a journalist, scriptwriter and literary critic. A number of his short stories and early dramatic pieces are broadcast by the station during the 1940s. The first of his verse plays for radio, Diarmuid and Gráinne, is broadcast by Raidió Éireann in November 1950. This is followed by The Vision of Mac Conglinne (1953), Two Men with a Face (1953), The Poplar (1953), Steeple Jerkin (1954), The Wooing of Étain (1954), A Man in the Window (1955), Outpost (1955), Deirdre’s King (1956), The Five Stations (1957), The Hags of Clough (1957), The Third Bachelor (1958), At the Bridge Inn (1960) and Lighting up Time (1961).

Three plays adapted from Irish mythology, Diarmuid and Gráinne, The Vision of Mac Conglinne and Deirdre’s King, receive particular contemporary critical acclaim. The landscape, mythology and history of Ireland, interwoven with classical themes and religious symbolism, are frequent themes in his poetry and dramatic works. A number of Fallon’s radio plays are later broadcast on BBC Third Programme and, in translation, in Germany, the Netherlands, and Hungary. The play The Seventh Step is staged at The Globe Theatre in Dublin in 1954. A second one, Sweet Love ’till Morn, is staged at the Abbey Theatre in 1971. He also writes dramatic pieces for television such as A Sword of Steel (1966) and The Fenians (1967), the latter produced by James Plunkett. In a number of his plays and radio dramas he cooperates with contemporary composers providing incidental music, an example being The Wooing of Étain (1954) with music by Brian Boydell.

Fallon retires from the Civil Service in 1963, returning to Dublin before moving to Cornwall in 1967 to live with his son, the sculptor Conor Fallon and his daughter-in-law, the artist Nancy Wynne-Jones. He and his wife return to Ireland in 1971. He spends his last years in Kinsale. He is visiting his son Ivan Fallon in Kent at the time of his death.

While Fallon’s poetry had previously appeared in The Dublin Magazine, The Bell, The Irish Times and a number of anthologies, his first volume of collected poetry, Poems, incorporating a number of previously unpublished poems, is not produced until 1974, months before his death. Three volumes of his poetry, edited by his son, the journalist and critic Brian Fallon, are published after his death: Poems and Versions in 1983, Collected Poems in 1990, and A Look in the Mirror and Other Poems in 2003. In 2005, three of his verse plays, The Vision of Mac Conglinne, The Poplar, and The Hags of Clough, are published in a single volume. A selection of his prose writings and criticism edited by Brian Fallon, A Poet’s Journal, is published in the same year.


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Birth of Padraic Fallon, Poet & Playwright

padraic-fallonPadraic Fallon, Irish poet and playwright, is born in Athenry, County Galway, on January 3, 1905.

Fallon’s upbringing and his early impressions of Athenry and the surrounding landscape are intimately described in his poetry. After passing the civil service exams in 1923 he moves to Dublin to work in the Customs House. In Dublin he becomes part of the circle of George William Russell (Æ) who encourages his literary ambitions and arranges for the publication of his early poetry. His early poetry, short stories, and literary criticism are published in The Dublin Magazine and The Bell.

He forms close friendships with Seumas O’Sullivan, editor of The Dublin Magazine, the poets Austin Clarke, Robert Farren, F.R. Higgins, and Patrick McDonagh and later the novelist James Plunkett. In 1939, Fallon leaves Dublin to serve as a Customs official in County Wexford, living in Prospect House, near Wexford Town with his wife, Dorothea (née Maher) and his six sons. During this time he becomes a close friend of the painter Tony O’Malley.

Fallon is a regular contributor to Radio Éireann in the 1940s and 1950s, serving variously as a journalist, scriptwriter, and literary critic. A number of his short stories and early dramatic pieces are broadcast by the station during the 1940s. The first of Fallon’s verse plays for radio, Diarmuid and Gráinne, is broadcast by Radio Éireann in November 1950. This is followed by The Vision of Mac Conglinne (1953), Two Men with a Face (1953), The Poplar (1953), Steeple Jerkin (1954), A Man in the Window (1955), Outpost (1955), The Wooing of Étain (1955), Deirdre’s King (1956), The Five Stations (1957), The Hags of Clough (1957), The Third Bachelor (1958), At the Bridge Inn (1960), and Lighting up Time (1961).

Three plays adapted from Irish mythology, Diarmuid and Gráinne, The Vision of Mac Conglinne, and Deirdre’s King receive particular contemporary critical acclaim. The landscape, mythology, and history of Ireland, interwoven with classical themes and religious symbolism, are frequent themes in his poetry and dramatic works.

A number of his radio plays are later broadcast on the BBC Third Programme, and, in translation, in Germany, Holland, and Hungary. A stage play, The Seventh Step, is staged at The Globe Theatre in Dublin in 1954. A second stage play, Sweet Love ’till Morn, is staged in the Abbey Theatre in 1971. Fallon also writes dramatic pieces for television such as A Sword of Steel (1966) and The Fenians (1967), the latter produced by James Plunkett.

Fallon retires from the Civil Service in 1963, returning to Dublin before moving to Cornwall in 1967 to live with his son, the sculptor Conor Fallon and his daughter-in-law, the artist Nancy Wynne-Jones. He and his wife return to Ireland in 1971. He spends his last years in Kinsale. He is visiting his son Ivan Fallon in Kent at the time of his death on October 9, 1974.

While his poetry has previously appeared in The Dublin Magazine, The Bell, The Irish Times, and a number of anthologies, his first volume of collected poetry, Poems, incorporating a number of previously unpublished poems, is not produced until 1974, months before his death. Three volumes of his poetry, edited by his son, the journalist and critic Brian Fallon, are published after his death – Poems and Versions (1983), Collected Poems (1990), with an introduction by Seamus Heaney, and A Look in the Mirror and Other Poems (2003), with an introduction by Eavan Boland. In 2005, three of Fallon’s verse plays, The Vision of Mac Conglinne, The Poplar, and The Hags of Clough are published in a single volume. A selection of his prose writings and criticism edited by Brian Fallon, A Poet’s Journal, is published in the same year.


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Birth of Sir Hugh Percy Lane, Gallery Director & Collector

hugh-percy-laneSir Hugh Percy Lane, art dealer, collector, and gallery director, is born in County Cork on November 9, 1875. He is best known for establishing Dublin‘s Municipal Gallery of Modern Art, the first known public gallery of modern art in the world, and for his contribution to the visual arts in Ireland, including the Lane Bequest.

Lane is brought up in Cornwall, England, and begins his career as an apprentice painting restorer and later becomes a successful art dealer in London.

Through regular visits to the home of his aunt, Lady Gregory, in Coole Park, near Gort in County Galway, Lane remains in contact with Ireland. He soon counts among his family, friends, and social circle those who collectively form the core of the Irish cultural renaissance in the early decades of the 20th century.

Extolling the cause of Irish art abroad, Lane also becomes one of the foremost collectors and dealers of Impressionist paintings in Europe, and amongst those works purchased by him for the new gallery are La Musique aux Tuileries by Édouard Manet, Sur la Plage by Edgar Degas, Les Parapluies by Pierre-Auguste Renoir, and La Cheminée by Jean-Édouard Vuillard.

The Municipal Gallery of Modern Art opens in January 1908 in temporary premises in Harcourt Street, Dublin. Lane hopes that Dublin Corporation will run it, but the corporation is unsure if it will be financially viable. Lane does not live to see his gallery permanently located as he dies on May 7, 1915, during the sinking of the RMS Lusitania off the west coast of Cork. The gallery, extended in 2005, is now in Parnell Square in central Dublin.

For his “services to art” in Ireland, Lane is knighted in June 1909 at the comparatively young age of 33.

Following his death, Lane’s will bequeaths his collection to London, but an unwitnessed later codicil bequeaths it to Dublin. Having possession, London’s National Gallery does not recognise the codicil. At the request of Lane’s aunt, Lady Gregory, W.T. Cosgrave, leader of the Irish Government unsuccessfully approaches Ramsay MacDonald on the matter in 1929. When John A. Costello becomes Taoiseach in 1948, he initiates further negotiations with the government of the United Kingdom, eventually leading to a compromise in 1959, under Taoiseach Seán Lemass, whereby half of the Lane Bequest will be loaned and shown in Dublin every five years. In 1993 the agreement is varied so that 31 of the 39 paintings would stay in Ireland. The remaining 8 are divided into two groups, so that four would be loaned for six years at a time to Dublin. In 2008, The National Gallery in London arranges for the entire collection to be on display in Dublin together for the first time.


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Birth of Richard John Griffith, Author of Griffith’s Valuation

richard-john-griffithRichard John Griffith, Irish geologist, mining engineer, and chairman of the Board of Works of Ireland, is born in Hume Street, Dublin, on September 20, 1784. He completed the first complete geological map of Ireland and is author of the valuation of Ireland, known ever since as Griffith’s Valuation.

Griffith goes to school in Portarlington and later, while attending school in Rathangan, his school is attacked by the rebels during the Irish Rebellion of 1798. He also studies in Edinburgh, Scotland.

In 1799 he obtains a commission in the Royal Irish Artillery, but a year later, when the corps is incorporated with that of England, he retires, and devotes his attention to civil engineering and mining. He studies chemistry, mineralogy, and mining for two years in London under William Nicholson and afterwards examines the mining districts in various parts of England, Wales, and Scotland.

While in Cornwall he discovers ores of nickel and cobalt in material that has been rejected as worthless. He completes his studies under Robert Jameson and others at Edinburgh, is elected a Fellow of the Royal Society of Edinburgh in 1807, a member of the newly established Geological Society of London in 1808, and in the same year he returns to Ireland.

In 1809, he is appointed by the commissioners to inquire into the nature and extent of the bogs in Ireland and the means of improving them. In 1812 he is elected Professor of Geology and Mining Engineer to the Royal Dublin Society. Shortly afterwards he expresses his intention of preparing a geological map of Ireland. During subsequent years he makes many surveys and issues many reports on mineral districts in Ireland. These form the foundation of his first geological map of the country in 1815. He also succeeds Dr. Richard Kirwan as government inspector of mines in Ireland. In 1822 Griffith becomes engineer of public works in Cork, Kerry, and Limerick, and is occupied until 1830 in repairing old roads and in laying out many miles of new roads in some of the most inaccessible parts of the country.

Meanwhile, in 1825, he is appointed by the government to carry out a boundary survey of Ireland. He is to mark the boundaries of every county, barony, civil parish, and townland in preparation for the first Ordnance Survey. He is also called upon to assist in the preparation of a parliamentary Bill to provide for the general valuation of Ireland, which passes in 1826. Griffith is appointed Commissioner of Valuation in 1827, but does not start work until 1830 when the new 6″ maps become available from the Ordnance survey and which he is required to use as provided for by statute. He continues to work on this until 1868. On Griffith’s valuation the various local and public assessments are made.

His extensive investigations furnish him with ample material for improving his geological map and the second edition is published in 1835. A third edition on a larger scale (1 in. to 4 m.) is issued under the Board of Ordnance in 1839 and it is further revised in 1855. For this great work and his other services to science Griffith is awarded the Wollaston Medal by the Geological Society in 1854. In 1850 he is made chairman of the Irish Board of Works and in 1858 he is created a baronet.

Griffith dies at the age of 95 at his residence in Dublin on September 22, 1878. At the time of his death, he is the oldest surviving fellow of the Geological Society of London and is the last survivor of the long-since disbanded Royal Irish Regiment of Artillery. He is buried alongside his wife, Maria Jane, in Mount Jerome Cemetery, Harold’s Cross, Dublin.