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Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of León Ó Broin, Civil Servant, Historian & Author

León Ó Broin, senior civil servant, historian, and author, is born Leo Byrne on November 10, 1902 at 21 Aungier Street, Dublin, the second of four sons of James P. Byrne, a potato factor’s bookkeeper, and Mary Byrne (née Killeen), daughter of a seaman who abandoned his family.

After early education in convent school, Ó Broin attends Synge Street CBS, where he is especially adept at languages. After working in several minor clerical employments, he becomes a clerk in the Kingsbridge headquarters of the Great Southern Railway. Joining a local Sinn Féin club, he canvasses for the party in the College Green ward during the 1918 Irish general election. Sent from an early age to Irish language classes by his father, he attends the Irish summer college in Spiddal, County Galway, and joins the Gaelic League, becoming by early 1921 secretary of central branch. He writes articles for the league’s successive weekly organs, each in its turn suppressed by the authorities. Despite regarding such writing as practice work within a language he is yet learning, he is selected best writer of Irish at the 1920 Dublin feis.

Arrested with his father and two brothers just before Christmas 1920 when Black and Tans discover a letter in Irish on his person during a house raid, Ó Broin is imprisoned for several weeks in Wellington Barracks. Leaving his railway job, he works as a clerk in the clandestine office of the Dáil Éireann Department of Agriculture (1921–22). During the Irish Civil War, with departmental work at a standstill, he joins the National Army as a commissioned officer assigned to general headquarters staff at Portobello Barracks. Having recently commenced legal studies at the King’s Inns and University College Dublin (UCD), he handles army legal matters, such as compensation claims for damage to property.

Called to the bar in 1924, Ó Broin enters the civil service. Assigned to the Department of Education (1925–27), he was involved in launching the Irish language publishing imprint An Gúm, intended to redress the paucity of reading material, apart from school texts, in the language. Transferred to the Department of Finance (1927), he serves as estimates officer and parliamentary clerk, and is assistant secretary of the economy committee established by the Cumann na nGaedheal government to make recommendations on reductions in current expenditure. Appointed private secretary to the Minister for Finance (1931–32), he serves both Ernest Blythe and the first Fianna Fáil minister, Seán MacEntee. Promoted to assistant principal (1932), and to principal officer (1939), he represents the department on the Irish Folklore Commission, and serves on the interdepartmental committee that, after the disastrous Kirkintilloch bothy fire in 1937, investigates seasonal migration to Scotland. During the emergency he is regional commissioner for Galway and Mayo (1940–45), one of eight such officers charged with organising contingency preparations for dealing with the likely collapse of central administration in the event of invasion by any of the wartime belligerents.

Transferred out of Finance, Ó Broin becomes assistant secretary (1945–48) and secretary (1948–67) of the Department of Posts and Telegraphs, administering both the postal service and telecommunications. He works closely with Fianna Fáil minister Patrick Little to improve the range and quality of music offered by the broadcasting service, playing a large part in the decision to form and adequately staff a full Radio Éireann symphony orchestra. He represents Ireland in several post-war conferences in Europe and America that reorganise the international regulation of broadcasting activities. He is elected to the European Broadcasting Union‘s administrative council (1953). He establishes and serves on a departmental committee in 1953 that studies all facets of launching a television service.

A devout but liberal Catholic, Ó Broin is prominent for many years in the Legion of Mary, founded by his close friend and civil-service colleague Frank Duff. President of a legion presidium of writers, actors, and artists, he is first editor (1937–47) of the quarterly organ Maria Legionis. Sharing Duff’s ecumenism, he belongs to the Mercier Society, the Pillar of Fire Society, and Common Ground, groups organised by Duff in the early 1940s to facilitate discussion between Catholics and, respectively, protestants, Jews, and secular intellectuals. The first two are suspended amid disapproval by the Catholic Archbishop of Dublin, John Charles McQuaid.

On retirement from the civil service in 1967, Ó Broin concentrates on the parallel career of research and writing that he had cultivated over many years. Having begun writing articles and short stories in Irish from his earliest years in the Gaelic League, he publishes his first collection of short stories, Árus na ngábhad, in 1923. With the establishment of An Gúm, he publishes three more collections of original short stories and translations of such masters of the genre as Alexander Pushkin, Prosper Mérimée, Guy de Maupassant, and Jerome K. Jerome. He translates several popular modern novels, including Robert Louis Stevenson‘s Kidnapped and H. G. Wells‘s The War of the Worlds. Active as secretary, actor, and writer with the state-subsidised Gaelic Drama League (An Comhar Drámaíochta), which produces Irish language plays, he publishes many plays in Irish, both original and translated. His best-selling book in Irish is Miss Crookshank agus coirp eile (1951), about the mummified corpses in the vaults of St. Michan’s Church, Dublin.

Ó Broin writes prolifically on modern Irish history and biography. His Irish language biography of Charles Stewart Parnell (1937), the first full-scale study of its kind in Irish since the commencement of the language revival, is a landmark publication, praised for the quality of its prose by such critics as Frank O’Connor and Seán Ó Faoláin. His biography of Robert Emmet, published in Irish in 1954, and awarded the Douglas Hyde prize, pioneers the scholarly subversion of the romantic myth surrounding its subject, and includes consideration of the political and social context. The subjects of subsequent biographies include Richard Robert Madden, Charles Gavan Duffy, Joseph Brenan, Michael Collins, and Frank Duff.

Ó Broin takes a largely biographical approach to historical writing, researching neglected aspects of pivotal historical events, and basing his studies on previously unexploited primary sources, often the papers of a single individual, whose career serves as the linchpin of his narrative, filtering events through the perspective of that person. Another vein of his scholarship is his primary research into the history of Irish separatism, especially with sources in the Irish State Paper Office.

Ó Broin receives an honorary LL.D from the National University of Ireland (NUI) in 1967. Elected a member of the Royal Irish Academy (RIA) in 1971, he is a council member (1974–76) and senior vice-president (1976–77), and chairs the group whose recommendations results in the academy’s establishment of the National Committee on International Affairs. He is president of the Irish Historical Society (1973–74), and a member of the Irish Manuscripts Commission.

In 1925 Ó Broin marries Cait Ní Raghallaigh, an office assistant reared in Baltinglass, County Wicklow, whom he met in the Gaelic League. They have two sons and three daughters. After residing in the south city suburbs, they move to Booterstown, County Dublin in the 1930s, and from there to the Stillorgan Road in the 1950s.

Ó Broin dies February 26, 1990 in Dublin, and is buried in Deans Grange Cemetery. His papers are in the National Library of Ireland (NLI). His eldest son, Eimear Ó Broin, is an accomplished musicologist and assistant conductor of the several Radio Éireann orchestras (1953–89).

(From: “Ó Broin, León” by Lawrence William White, Dictionary of Irish Biography, http://www.dib.ie)


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Funeral of Economist Dr. T. K. Whitaker

The funeral of Dr. T. K. Whitaker, former civil servant and economist, takes place in Dublin on January 13, 2017. Regarded as the architect of the modern Irish economy, he dies at age 100 on January 9. President Michael D. Higgins, Tánaiste Frances Fitzgerald, Minister for Finance Michael Noonan, Chief Justice Susan Denham, and Fianna Fáil Leader Micheál Martin are among those attending the requiem mass for Dr. Whitaker at Donnybrook Church.

Whitaker is born in Rostrevor, County Down, to Roman Catholic parents on December 8, 1916, and reared in Drogheda, County Louth, in modest circumstances. His mother, Jane O’Connor, comes from Ballyguirey East, Labasheeda, County Clare. His father, Edward Whitaker, hails from County Westmeath and is assistant manager of a linen mill. He receives his primary and secondary education at the local CBS in Drogheda. He studies mathematics at University College Dublin.

In 1956, Whitaker is appointed Secretary of the Department of Finance. His appointment takes place at a time when Ireland’s economy is in deep depression. Economic growth is non-existent, inflation apparently insoluble, unemployment rife, living standards low and emigration at a figure not far below the birth rate. He believes that free trade, with increased competition and the end of protectionism, will become inevitable and that jobs will have to be created by a shift from agriculture to industry and services. He forms a team of officials within the department which produces a detailed study of the economy, culminating in a plan recommending policies for improvement. The plan is accepted by the government and is transformed into a white paper which becomes known as the First Programme for Economic Expansion. Quite unusually this is published with his name attached in November 1958. The programme which becomes known as the “Grey Book” brings the stimulus of foreign investment into the Irish economy. Before devoting himself to poetry, Thomas Kinsella is Whitaker’s private secretary.

In 1977, Taoiseach Jack Lynch nominates Whitaker as a member of the 14th Seanad Éireann. He serves as a Senator from 1977–81, where he sits as an independent Senator.

In 1981, Whitaker is nominated to the 15th Seanad Éireann by Taoiseach Garret FitzGerald, where he serves until 1982. FitzGerald also appoints him to chair a Committee of Inquiry into the Irish penal system, and he chairs a Parole Board or Sentence Review Group for several years.

Whitaker also serves as Chancellor of the National University of Ireland from 1976 to 1996. He is also President of the Royal Irish Academy and as such, a member of the Board of Governors and Guardians of the National Gallery of Ireland, from 1985 to 1987. He has a very strong love for the Irish language throughout his career and the collection of Irish poetry, An Duanaire: Poems of the Dispossessed 1600–1900, edited by Seán Ó Tuama and Thomas Kinsella, is dedicated to Whitaker. From 1995–96 he chairs the Constitution Review Group, an independent expert group established by the government, which publishes its report in July 1996.

Whitaker receives many national and international honours and tributes for his achievements during his lifetime, most notably the conferral of “Irishman of the 20th Century” in 2001 and Greatest Living Irish Person in 2002. In November 2014, the Institute of Banking confers an Honorary Fellowship on Whitaker and creates an annual T.K. Whitaker Scholarship in his name. In April 2015, he is presented with a lifetime achievement award by University College Dublin’s Economics Society for his outstanding contribution to Ireland’s economic policy.

In November 2016, to mark his centenary year, Dún Laoghaire-Rathdown County Council acknowledges Whitaker’s “outstanding and progressive contribution to Irish public service and to society.” The Cathaoirleach of Dún Laoghaire Rathdown, Cormac Devlin, presents a special award to Whitaker which is accepted by Ken Whitaker on behalf of his father.


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Funeral of Tom McEllistrim, Fianna Fáil TD

fianna-fail-logoPresident Mary McAleese and former Taoiseach Charles Haughey are among the many people to pay tribute at the funeral of Kerry North Fianna Fáil Teachta Dála (TD) and former minister, Tom McEllistrim, on February 27, 2000.

Born in Boherbee, County Kerry on January 15, 1926, McEllistrim is the son of the Fianna Fáil politician and Irish War of Independence veteran, Tom McEllistrim. He succeeds his father when he is elected to Dáil Éireann as a Fianna Fáil Teachta Dála (TD) for the Kerry North constituency at the 1969 general election. At the 1977 general election he is elected along with his running mate Kit Ahern. This is the first time that Fianna Fáil wins two seats in the three seat Kerry North constituency. McEllistrim, who is given much credit for this feat, is disappointed not to receive a promotion to a Minister of State.

McEllistrim becomes disillusioned with the Taoiseach and party leader Jack Lynch from then and begins to believe that Charles Haughey is the right candidate for the party leadership. He believes that Lynch is about to retire and is particularly uncomfortable at the thought of George Colley succeeding Lynch. Like his father before him he believes Colley is not right for the role of leader of the party. He is particularly vocal with regard to party policy towards Northern Ireland and, as he sees it, Lynch’s apparent lack of sympathy towards the northern nationalist community.

McEllistrim is a member of the so-called “gang of five” along with Seán Doherty, Mark Killilea Jnr, Jackie Fahey and Albert Reynolds who start a lobbying campaign in favour of Haughey on the backbenches of the party. After Lynch loses two by-elections in his native County Cork he resigns as party leader in December 1979. The leadership contest is called two days later and is a two-way race between Haughey and Colley. Haughey wins the leadership contest by a decisive margin and McEllistrim is rewarded by being appointed Minister of State at the Department of Finance with special responsibility for the Office of Public Works. He serves as a Minister of State again in 1982, this time at the Department of Fisheries and Forestry.

McEllistrim loses his seat at the 1987 general election by four votes to Dick Spring. After being nominated to Seanad Éireann he regains his seat at the 1989 general election but does not retain it at the 1992 general election when he loses to constituency colleague Denis Foley.

McEllistrim dies aged 74 on February 25, 2000. His son, Tom McEllistrim, is a TD for Kerry North from 2002 to 2011.


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Establishment of the Central Bank of Ireland

central-bank-of-irelandThe Central Bank of Ireland is established on February 1, 1943, when the Central Bank Act 1942 comes into effect which renames the Currency Commission.

The Central Bank of Ireland is Ireland’s central bank, and as such part of the European System of Central Banks (ESCB). It is also the country’s financial services regulator for most categories of financial firms. It is the issuer of Irish pound banknotes and coinage until the introduction of the euro currency, and now provides this service for the European Central Bank.

The Central Bank, however, does not initially acquire many of the characteristics of a central bank:

  • It is not given custody of the cash reserves of the commercial banks
  • It has no statutory power to restrict credit, though it can promote it
  • The Bank of Ireland remains the government’s banker
  • The conditions for influencing credit through open-market operations does not yet exist
  • Ireland’s external monetary reserves are largely held as external assets of the commercial banks

The mid-1960s see the Bank take over the normal day-to-day operations of exchange control from the Department of Finance. The Central Bank broadens its activities over the decades, but it remains in effect a currency board until the 1970s.

Since January 1, 1972 the Central Bank has been the banker of the Government of Ireland in accordance with the Central Bank Act 1971, which can be seen in legislative terms as completing the long transition from a currency board to a fully functional central bank.

Its head office is located on Dame Street, Dublin, where the public may exchange non-current Irish coinage and currency, both pre- and post-decimalization, for euros. It also operates from premises in Spencer Dock, Iveagh Court, and College Green. The Currency Centre at Sandyford is the currency manufacture, warehouse, and distribution site of the bank.

By March 2017 its city centre staff will move to a new building at North Wall Quay.


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Free State Government Purchases Copyright to “The Soldiers Song”

amhran-na-bhfiannThe Irish Free State government purchases the copyright of Peadar Kearney‘s The Soldiers Song on October 20, 1933, which becomes the Irish national anthem Amhrán na bhFiann. The song has three verses, but only the choral refrain is officially designated the national anthem.

A Soldiers’ Song is composed in 1907, with words by Peadar Kearney and music by Kearney and Patrick Heeney. The text is first published in Irish Freedom by Bulmer Hobson in 1912. It is used as a marching song by the Irish Volunteers and is sung by rebels in the General Post Office (GPO) during the Easter Rising of 1916. Its popularity increases among rebels held in Frongoch internment camp after the Rising, and the Irish Republican Army (IRA) in the Irish War of Independence (1919–21). After the establishment of the Irish Free State in 1922, a large proportion of the IRA’s men and apparatus become the National Army. The Soldiers’ Song remains popular as an Army tune, and is played at many military functions.

The Free State does not initially adopt any official anthem. The delicate political state in the aftermath of the Irish Civil War provokes a desire to avoid controversy. Ex-Unionists continue to regard God Save the King as the national anthem, as it has been for the rest of the British Empire. W. T. Cosgrave, President of the Executive Council of the Irish Free State expresses opposition to replacing The Soldiers’ Song, which is provisionally used within the State.

There is concern that the lack of an official anthem is giving Unionists an opportunity to persist with God Save the King. The Soldiers’ Song is widely if unofficially sung by nationalists. On July 12, 1926, the Executive Council of the Irish Free State decides to adopt it as the National Anthem, with Cosgrave the driving force in the decision. However, this decision is not publicised.

In 1928, the Army band establishes the practice of playing only the chorus of the song as the Anthem, because the longer version is discouraging audiences from singing along.

The anthem is played by Radio Éireann at closedown from its inception in 1926. Cinemas and theatres do so from 1932 until 1972. Peadar Kearney, who has received royalties from publishers of the text and music, issues legal proceedings for royalties from those now performing the anthem. He is joined by Michael Heeney, brother of Patrick Heeney, who had died in 1911. In 1934, the Department of Finance acquires the copyright of the song for the sum of £1,200. Copyright law changes in 1959, such that the government has to reacquire copyright in 1965, for £2,500. As per copyright law, the copyright expires in December 2012, following the 70th anniversary of Kearney’s death. In 2016, three Fianna Fáil senators introduce a private member’s bill intended to restore the state’s copyright in the anthem.


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First Prisoners Arrive at Kilmainham Gaol

kilmainham-gaolKilmainham Gaol in Dublin receives its first prisoners on August 12, 1796. When it is first built in 1796, Kilmainham Gaol is called the “New Gaol” to distinguish it from the old prison it is intended to replace. It is officially called the County of Dublin Gaol, and is originally run by the Grand Jury for County Dublin.

Originally, public hangings take place at the front of the prison. However, from the 1820s onward very few hangings, public or private, take place at Kilmainham. A small hanging cell, located on the first floor between the west wing and the east wing, is built in the prison in 1891.

There is no segregation of prisoners as men, women, and children are incarcerated up to five in each cell, with light and heat provided by a single candle which has to last for two weeks. The cells are roughly 28 square metres in area.

At Kilmainham the poor conditions in which women prisoners are kept provide the spur for the next stage of development. Remarkably, for an age that prides itself on a protective attitude for the “weaker sex,” the conditions for women prisoners are persistently worse than for men. Male prisoners are supplied with iron bedsteads while females lay on straw on the floor. Half a century later, however, there is little improvement.

Many Irish revolutionaries, including the leaders of the 1916 Easter Rising, are imprisoned and executed in the prison by the British.

Kilmainham Gaol is decommissioned as a prison by the Irish Free State government in 1924. Seen principally as a site of oppression and suffering at the time, there is no declared interest in its preservation as a monument to the struggle for national independence. The jail’s potential function as a location of national memory is also undercut and complicated by the fact that the first four republican prisoners executed by the Free State government during the Irish Civil War are shot in the prison yard.

The Irish Prison Board contemplates reopening it as a prison during the 1920s but the plans are abandoned in 1929. In 1936 the government considers the demolition of the prison but the price of this undertaking is seen as prohibitive.

In February 1960 detailed plans submitted by the Kilmainham Gaol Restoration Society for the restoration of Kilmainham, which notably also envisions the site’s development as a tourist attraction, receive the approval of the notoriously parsimonious Department of Finance. Restoration work begins in May of the same year. The final restoration of the site is completed in 1971 when Kilmainham Gaol chapel is re-opened to the public.

Kilmainham Gaol now houses a museum on the history of Irish nationalism and offers guided tours of the building. An art gallery on the top floor exhibits paintings, sculptures, and jewelry of prisoners incarcerated in prisons all over contemporary Ireland.  It is run by the Office of Public Works, an agency of the Government of Ireland.