seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Ciarán Bourke, Founding Member of The Dubliners

Ciarán Bourke, Irish musician and one of the founding members of the Irish folk band The Dubliners, is born in Dublin on February 18, 1935.

Although born in Dublin, Bourke lives most of his life in Tibradden, County Dublin. His father, a doctor, is in practice in the city. The children have an Irish-speaking nanny. His early exposure to Irish continues throughout his education, attending Colaiste Mhuire, Parnell Square, Dublin. He later attends University College Dublin for a course in Agricultural Science. He does not take his degree but always retains an interest in farming.

After leaving university Bourke meets two of his future bandmates in The Dubliners, Ronnie Drew and Barney McKenna, who invite him to join their sessions in O’Donoghue’s Pub where he plays tin whistle, mouth organ and guitar, and sings. Luke Kelly, who had been singing around the clubs in England, returns to Dublin and joins them, with the four gaining local popularity. Taking the name The Dubliners, the group puts together the first folk concert of its kind in Dublin. The concert is a success, then a theatrical production called “A Ballad Tour of Ireland” is staged at the Gate Theatre shortly afterwards. In 1964 fiddle player John Sheahan joins the band and this becomes known as the original Dubliners line-up.

Bourke is responsible for bringing a Gaelic element to The Dubliners’ music with songs such as “Peggy Lettermore” and “Sé Fáth Mo Bhuartha” being performed in the Irish language. He also sings a number of the group’s more lighthearted and humorous numbers such as “Jar of Porter,” “The Dublin Fusiliers,” “The Limerick Rake,” “Mrs. McGrath,” “Darby O’Leary,” “All For Me Grog” and “The Ballad of Ronnie’s Mare,” as well as patriotic songs such as “Roddy McCorley,” “The Enniskillen Dragoons,” “Take It Down From The Mast” and “Henry Joy.”

On April 5, 1974 The Dubliners travel to Eastbourne where they are to appear in concert. Kelly is worried by the way Bourke keeps moving his head about, as if trying to alleviate increasing pain. Four minutes into the second half, it is decided he cannot continue with the show. Kelly insists that a doctor should be phoned and instructs to await their return to the Irish Club at Eaton Square. The roadie for the trip, John Corry, thinks that it is better to drive straight to St. George’s Hospital in London, where the doctors diagnose a brain aneurysm. He is transferred to the Atkinson Morley Hospital in Wimbledon, while doctors wait for his wife to return from a trip to Ghana, to get her signature before operating. She is told that there is danger of further haemorrhaging. He is operated on at the earliest opportunity. The bleeding begins again while he is on the table which means that they cannot repair the damage, only staunch the bleeding. This leaves him paralysed down his left side and confused as to where he is and what has happened.

Bourke receives intensive therapy, attending a clinic in Dún Laoghaire, County Dublin. He is heartened by his progress and insists on rejoining The Dubliners on their next tour of the Continent in November that year.

Bourke’s continued insistence that he is fit enough to join them on the forthcoming German tour causes them considerable disquiet. They prefer he ease himself back to work, with a few small shows in Ireland. The tour gradually begins to take its toll on him, and it is decided that for the sake of his health he should return home. He flies from Brussels to Dublin.

Bourke makes his last public appearance on Ireland’s RTÉ One during The Late Late Show‘s tribute to The Dubliners in 1987. Despite his lingering paralysis he recites “The Lament for Brendan Behan” after which everyone in the studio, led by Ronnie Drew, sing “The Auld Triangle.”

Bourke dies on May 10, 1988 after a long illness. From 1974 until his death he had continued to be paid by the band. A fifth member of the group is not recruited until after his death.


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Democratic Left Merges with the Labour Party

After months of negotiations and two special delegate conferences, Democratic Left merges with the Labour Party on January 24, 1999.

Democratic Left is formed after a split in the Workers’ Party of Ireland, which in turn has its origins in the 1970 split in Sinn Féin and, after seven years in existence, it is incorporated into the Labour Party in 1999. Although never formally styled as a communist party, the Workers’ Party has an internal organisation based on democratic centralism, strong links with the Soviet Union, and campaigns for socialist policies. However between 1989 and 1992 the Workers’ Party is beset by a number of problems.

On February 15, 1992, a special conference is held in Dún Laoghaire to reconstitute the party. A motion proposed by Proinsias De Rossa and general secretary Des Geraghty seek to stand down the existing membership, elect an 11-member provisional executive council and make several other significant changes in party structures but it is defeated by nine votes.

After the conference it is clear a split is inevitable. At an Ard Chomhairle meeting held on February 22, 1992 in Wynn’s Hotel in Dublin, six of the party’s TDs resign from the party along with more than half of the Ard Chomhairle. The new breakaway party is provisionally named New Agenda with De Rossa becoming leader of the party.

In the 1997 Irish general election Democratic Left loses two of its six seats, both of its by-election victors, Eric Byrne in Dublin South-Central and Kathleen Lynch in Cork North-Central, being unseated. The party wins 2.5% of the vote. The party also is in significant financial debt because of a lack of access to public funds, due to its size. Between 1998 and 1999 the party enters discussions with the Labour Party which culminates in the parties’ merger in 1999, keeping the name of the larger partner but excluding members in Northern Ireland from organising. This leaves Gerry Cullen, their councillor in Dungannon Borough Council, in a state of limbo, representing a party for whom he can no longer seek election.

The launch of the merged party is in the Pillar Room of the Rotunda Hospital in Dublin on January 24, 1999. Labour Party leader Ruairi Quinn remains leader of the unified party, while De Rossa takes up the largely titular position of party president. Only 10% of Democratic Left delegates at the special conference had voted against the merger. De Rossa successfully contests the 1999 European Parliament election in Dublin. He holds his Dáil seat until he stands down at the 2002 Irish general election. He holds his European Parliament seat in the 2004 election and 2009 election.

In 2002, former Democratic Left TDs Pat Rabbitte and Liz McManus are elected as Labour Party leader and deputy leader respectively. When Rabbite steps down as Labour leader after the 2007 Irish general election, Eamon Gilmore is elected unopposed as his successor.

The party archives are donated to the National Library of Ireland by the Labour Party in 2014. The records can be accessed by means of the call number: MS 49,807.


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Death of Irish Artist Sarah Henrietta Purser

sarah-purser-by-john-butler-yeatsSarah Henrietta Purser, Irish artist mainly noted for her work with stained glass, dies in Dublin on August 7, 1943.

The Purser family had come to Ireland from Gloucestershire in the eighteenth century. Purser is born in Kingstown (now Dún Laoghaire) in County Dublin on March 22, 1848. She is raised in Dungarvan, County Waterford, one of the numerous children of Benjamin Purser, a prosperous flour miller and brewer, and his wife Anne Mallet. She is related to Sir Frederic William Burton, RHA (1816-1900), who is a son of Hannah Mallet. Two of her brothers, John and Louis, become professors at Trinity College Dublin. Her niece Olive Purser, daughter of her brother Alfred, is the first woman scholar at Trinity.

At thirteen Purser attends the Moravian school, Institution Evangélique de Montmirail, Switzerland where she learns to speak fluent French and begins painting. In 1873 her father’s business fails and she decides to become a full-time painter. She attends classes at the Dublin Metropolitan School of Art and joins the Dublin Sketching Club, where she is later appointed an honorary member. In 1874 she distinguishes herself in the National Competition. In 1878 she again contributes to the Royal Hibernian Academy, and for the next fifty years becomes a regular exhibitor, mainly portraits, and shows an average of three works per show.

In 1878-1879, Purser studies at the Académie Julian in Paris where she meets the German painter Louise Catherine Breslau, with whom she becomes a lifelong friend.

Purser becomes wealthy through astute investments, particularly in Guinness, for which several of her male relatives have worked over the years. She is very active in the art world in Dublin and is involved in the setting up of the Municipal Gallery of Modern Art, persuading the Irish government to provide Charlemont House in Parnell Square to house the gallery.

Purser works mostly as a portraitist. Through her talent and energy, and owing to her friendship with the Gore-Booths, she is very successful in obtaining commissions. When the Lord Lieutenant of Ireland commissions her to portray his children in 1888, his choice reflects her position as the country’s foremost portraitist. Various portraits painted by Purser are held in the National Gallery of Ireland.

Purser finances An Túr Gloine (The Tower of Glass), a stained glass cooperative, at 24 Upper Pembroke and runs it from its inauguration in 1903 until her retirement in 1940. Michael Healy is the first of a number of distinguished recruit, such as Catherine O’Brien, Evie Hone, Wilhelmina Geddes, Beatrice Elvery and Ethel Rhind. She is determined the stained glass workshop should adhere to true Arts and Crafts philosophy. An Túr Gloine archive is held in the Centre for the Study of Irish Art, National Gallery of Ireland.

Purser does not produce many items of stained glass herself. Most of the stained glass works are painted by other members of the co-operative, presumably under her direction. Two early works are St. Ita (1904) for St. Brendan’s Cathedral, Loughrea and The Good Shepard (1904) for St. Columba’s College, Dublin. Her last stained glass work is believed to be The Good Shepard and the Good Samaritan (1926) for the Church of Ireland at Killucan, County Westmeath.

Until her death Purser lives for many years in Mespil House, a Georgian mansion with beautiful plaster ceilings on Mespil Road, on the banks of the Grand Canal. Here she is “at home” every Tuesday afternoon to Dublin’s writers and artists. Her afternoon parties are a fixture of Dublin literary life.

Purser dies in Dublin on August 7, 1943 and is buried in Mount Jerome Cemetery beside her brothers John and Louis. Mespil House is demolished after her death and developed into apartments.

Purser is the second woman to sit on the Board of Governors and Guardians, National Gallery of Ireland, 1914-1943. She is made an Honorary Member of the Royal Hibernian Academy in 1890, becoming the first female Associate Member in 1923 and the first female Member in 1924. Also in 1924 she initiates the movement for the launching of the Friends of the National Collection of Ireland. Archives relating to Sarah Purser are housed in the Centre for the Study of Irish Art, National Gallery of Ireland.

(Pictured: Portrait of Sarah Purser by John Butler Yeats, c. 1880–1885)


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Birth of Architect Michael Scott

michael-scottMichael Scott, Irish architect whose buildings include the Busáras building in Dublin, Cork Opera House, the Abbey Theatre and both Tullamore and Portlaoise Hospitals, is born in Drogheda on June 24, 1905.

Scott’s family originates in the province of Munster. His father, William Scott, is a school inspector from near Sneem on the Iveragh Peninsula in County Kerry. His mother is from County Cork. He is educated at Belvedere College in Dublin. There he first demonstrates his skills at painting and acting. Initially he wants to pursue a career as a painter but his father points out that it might make more financial sense to become an architect.

Scott becomes an apprentice for the sum of £375 per annum to the Dublin architectural firm Jones and Kelly. He remains there from 1923 until 1926, where he studies under Alfred E. Jones. In the evenings after work, he also attends the Metropolitan School of Art and the Abbey School of Acting, and appears in many plays there until 1927, including the first productions of Seán O’Casey’s Juno and the Paycock and The Plough and the Stars. On completing his pupilage he becomes an assistant to Charles James Dunlop and then has a brief spell as an assistant architect in the Office of Public Works.

In 1931 Scott partners with Norman D. Good to form Scott and Good, and they open an office in Dublin. They design the hospital at Tullamore (1934–1937) and Portlaoise General Hospital (1935). Between 1937 and 1938, he is the President of the Architectural Association of Ireland (AAI). He founds his company, Michael Scott Architects, in 1938. That same year he also designs his house Geragh, at Sandycove, County Dublin.

Scott’s most important pre-war commission is the Irish Pavilion for the 1939 New York World’s Fair. He produces a shamrock shaped building constructed in steel, concrete and glass. It is selected by an International jury as the best building in the show. As a result, he is presented with a silver medal for distinguished services and given honorary citizenship of the city of New York by then Mayor Fiorello H. La Guardia. Other better known architects who design national pavilions for this World Fair include Alvar Aalto of Finland and Oscar Niemeyer of Brazil.

Scott has three major commissions from the Córas Iompair Éireann CIÉ, the Inchicore Chassis Works, the Donnybrook Bus Garage and, most famously, the Dublin Central Bus Station, to be known as àras Mhic Dhiarmada or Busáras. Though initially controversial, Busáras wins Scott the Royal Institute of the Architects of Ireland Triennial Gold Medal for Architecture.

Later, Ronnie Tallon and Robin Walker become partners, and the firm is renamed Scott Tallon Walker in 1975, shortly after the firm wins the Royal Institute of British Architects (RIBA) Royal Gold Medal.

Scott, who spends most of his life living at Sandycove Point, just south of Dún Laoghaire in south Dublin, dies in Dublin on January 24, 1989 and is buried near Sneem in County Kerry.


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Death of Architect Michael Scott

michael-scottMichael Scott, Irish architect whose buildings include the Busáras building in Dublin, Cork Opera House, the Abbey Theatre and both Tullamore and Portlaoise Hospitals, dies on January 24, 1989.

Scott is born in Drogheda on June 24, 1905. His family originates in the province of Munster. His father, William Scott, is a school inspector from near Sneem on the Iveragh Peninsula in County Kerry. His mother is from County Cork. He is educated at Belvedere College in Dublin. There he first demonstrates his skills at painting and acting. Initially he wants to pursue a career as a painter but his father points out that it might make more financial sense to become an architect.

Scott becomes an apprentice for the sum of £375 per annum to the Dublin architectural firm Jones and Kelly. He remains there from 1923 until 1926, where he studies under Alfred E. Jones. In the evenings after work, he also attends the Metropolitan School of Art and the Abbey School of Acting, and appears in many plays there until 1927, including the first productions of Seán O’Casey’s Juno and the Paycock and The Plough and the Stars. On completing his pupilage he becomes an assistant to Charles James Dunlop and then has a brief spell as an assistant architect in the Office of Public Works.

In 1931 Scott partners with Norman D. Good to form Scott and Good, and they open an office in Dublin. They design the hospital at Tullamore (1934–1937) and Portlaoise General Hospital (1935). Between 1937 and 1938, he is the President of the Architectural Association of Ireland (AAI). He founds his company, Michael Scott Architects, in 1938. That same year he also designs his house Geragh, at Sandycove, County Dublin.

Scott’s most important pre-war commission is the Irish Pavilion for the 1939 New York World’s Fair. He produces a shamrock shaped building constructed in steel, concrete and glass. It is selected by an International jury as the best building in the show. As a result, he is presented with a silver medal for distinguished services and given honorary citizenship of the city of New York by then Mayor Fiorello H. La Guardia. Other better known architects who design national pavilions for this World Fair include Alvar Aalto of Finland and Oscar Niemeyer of Brazil.

Scott has three major commissions from the Córas Iompair Éireann CIÉ, the Inchicore Chassis Works, the Donnybrook Bus Garage and, most famously, the Dublin Central Bus Station, to be known as àras Mhic Dhiarmada or Busáras. Though initially controversial, Busáras wins Scott the Royal Institute of the Architects of Ireland Triennial Gold Medal for Architecture.

Later, Ronnie Tallon and Robin Walker become partners, and the firm is renamed Scott Tallon Walker in 1975, shortly after the firm wins the Royal Institute of British Architects (RIBA) Royal Gold Medal.

Scott, who spends most of his life living at Sandycove Point, just south of Dún Laoghaire in south Dublin, dies in Dublin on January 24, 1989 and is buried near Sneem in County Kerry.


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Birth of Stopford Brooke, Chaplain & Writer

stopford-brookeStopford Augustus Brooke, churchman, royal chaplain and writer, is born in the rectory of Glendoen, near Letterkenny, County Donegal on November 14, 1832. His maternal grandfather, Joseph Stopford, is then rector of the parish.

Brooke is the eldest son of the Rev. Richard Sinclair Brooke, later incumbent of the Mariners’ Church, Kingstown (now Dún Laoghaire), and is educated at Trinity College, Dublin. He is ordained in the Church of England in 1857, and holds various charges in London. From 1863 to 1865 he is chaplain to Victoria, Princess Royal in Berlin. In 1869, with his brother Edward, he makes long tours of Counties Donegal and Sligo, and spends much time at Kells, County Meath studying Irish antiquities. Between 1866 and 1875 he is the minister at St. James’s Chapel, a Proprietary Chapel. After it closes he takes services at Bedford Chapel, Bloomsbury where he continues to attract large congregations. In 1875, he becomes chaplain in ordinary to Queen Victoria. But in 1880 he secedes from the Church, being no longer able to accept its leading dogmas, and officiates as an independent preacher for some years at Bedford chapel, Bloomsbury.

Bedford chapel is pulled down about 1894, and from that time Brooke has no church of his own, but his eloquence and powerful religious personality continues to make themselves felt among a wide circle. A man of independent means, he is always keenly interested in literature and art, and a fine critic of both. The two-volume Life and Letters of Stopford Brooke, written by his son-in-law L. P. Jacks and published in 1917, contains many details of different facets of his life.

In 1890-1891 Brooke takes the lead in raising the funds to purchase Dove Cottage, William Wordsworth’s home in Grasmere from 1800 to 1808, and establishing it “for the eternal possession of those who love English poetry all over the world.” Dove Cottage is now administered by the Wordsworth Trust.

Brooke publishes in 1865 his Life and Letters of FW Robertson (of Brighton), and in 1876 writes an admirable primer of English Literature, followed in 1892 by The History of Early English Literature down to the accession of Alfred the Great, and English Literature from the Beginnings to the Norman Conquest (1898).

Brooke gives the inaugural lecture to the Irish Literary Society, London, on “The Need and Use of Getting Irish Literature into the English Tongue” at Bloomsbury House, March 11, 1893. He delivers a sermon on “The Kingdom of God Within” to the International Council of Unitarian and Other Liberal Religious Thinkers and Workers, meeting in London in May 1901.

Stopford Brooke dies on March 18, 1916. His published letters record that his work brought him into touch with most of his famous contemporaries – including Alfred, Lord Tennyson, Philip Burne-Jones, William Morris, James Bryce, 1st Viscount Bryce, James Martineau and Matthew Arnold.


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Death of Liam Cosgrave, 6th Taoiseach of Ireland

liam-cosgraveLiam Cosgrave, politician who serves as Taoiseach from February 1973 to July 1977, dies at the age of 97 in Tallaght, Dublin on October 4, 2017. He is the longest-lived Taoiseach, dying at the age of 97 years, 174 days.

Born in Castleknock, Dublin on April 13, 1920, Cosgrave is the son of William Thomas Cosgrave, the first President of the Executive Council and head of the government of the Irish Free State during the first 10 years of its existence (1922–32). He is educated at Castleknock College, Dublin, studies law at King’s Inns, and is called to the Irish bar in 1943. In that same year he enters Dáil Éireann (the lower house of the Oireachtas, the Irish parliament), and he retains his seat until his retirement from politics in 1981.

In 1948, when the first inter-party government replaces Éamon de Valera’s Fianna Fáil regime, which had been in power for the previous 16 years, Cosgrave becomes Parliamentary Secretary to the Taoiseach and to the Minister for Industry and Commerce. It is a short-lived administration, going out of power in 1951 after three years of rule. But in a second inter-party government (1954–57), he becomes Minister for External Affairs and leads the first Irish delegation to the United Nations General Assembly in 1956.

Cosgrave succeeds James Dillon as leader of the Fine Gael party in 1965. Eight years later, as leader of a coalition government in which Fine Gael combines forces with the Labour Party, he becomes Taoiseach. He and British Prime Minister Edward Heath are the main participants in the intergovernmental conference at Sunningdale in December 1973 that gives birth to Northern Ireland’s first, though short-lived, power-sharing executive (1973–74). A devout Roman Catholic, he is intensely conservative on social issues and shocks his cabinet colleagues by voting against his own government’s bill on liberalizing the sale of contraceptives in 1974. The National Coalition is defeated in the 1977 Irish general election, largely on the economic issues of inflation and unemployment.

Cosgrave retires at the 1981 Irish general election. In 1981, he retires as Dáil Deputy for Dún Laoghaire to be replaced by his son, Liam T. Cosgrave. He reduces his involvement in public life but makes occasional appearances and speeches.

Liam Cosgrave dies on October 4, 2017 at the age of 97 of natural causes. He had been at Tallaght Hospital for several months prior to his death there. His funeral is held on October 7, 2017, after which he is interred alongside his father at Inchicore‘s Goldenbridge Cemetery.


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Birth of James Owen Hannay, Clergyman & Novelist

Generated by IIPImageJames Owen Hannay, Irish clergyman and prolific novelist who writes under the pen name of George A. Birmingham, is born on July 16, 1865 in Belfast. Today the house where he is born is a part of the administration building of Queen’s University Belfast.

Hannay receives his education in England. He enters Temple Grove School near the River Thames at the age of nine, and later studies at a public school called Haileybury School. He then returns to Ireland to enter the Divinity School of Trinity College Dublin. He is ordained in 1889 as a Church of Ireland (Anglican) minister and starts working as a curate for Delgany, County Wicklow, a seaside town south of Dublin.

To make up for a deficiency in their living Hannay writes a short story and sends it to a London publisher. It is accepted for publication and he receives a check of £10. On his wife’s advice, he gives up writing fiction and commits himself to the study of Christian theology with her. This bears fruit with the publications of The Spirit and Origin of Christian Monasticism (1903) and The Wisdom of the Desert (1904).

Hannay then serves as rector of Holy Trinity Church in Westport, County Mayo. It is here that he makes his debut as a novelist. His early writings raise the ire of nationalist Catholics, and he withdraws from the Gaelic League in the wake of ongoing protests about the tour of his successful play General John Regan.

Hannay becomes rector of Kildare parish from 1918 to 1920, and after serving as chaplain to the Lord Lieutenant of Ireland, he joins the British ambassadorial team in Budapest in 1922. He returns to officiate at Mells, Somerset from 1924 to 1934, after which he is appointed vicar of Holy Trinity Church in the London suburb of Kensington where he serves from 1934 until his death in London on February 2, 1950.

Hannay enjoys sailing, and is taught the rudiments by his father and grandfather in Belfast. When he is based in Westport, the financial success of his writing enables him to purchase a boat, a Dublin Bay Water Wag. In recognition of Hannay, the Water Wag Club of Dun Laoghaire returns to Westport and Clew Bay in 2016. In the frontispiece of his book The Inviolable Sanctuary Hannay includes a picture of the Water Wag.


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The Munitions Strike

dublin-dock-strike-1920In May 1920, East London dockers refuse to load the SS Jolly George, a ship intended to carry arms to be used against the new Bolshevik state. The Munitions Strike begins in Dublin on May 20, 1920 when dock workers follow suit and refuse to handle war material. They are soon joined by members of the Irish Transport and General Workers Union.

When news of the proposed radical action is brought to trade unionist William O’Brien’s desk on May 19, he informs Thomas Foran, General President of the union. The following day, the men standing around waiting to begin work are told that the work is not to start.

On hearing of the political action at the Dublin docks, a second ship was diverted to Dun Laoghaire. There, the military are on hand to unload its cargo, but when the cargo arrives at Westland Row station, workers there refuse to handle the goods. While the dockworkers are casual workers who can be reallocated elsewhere, the railwaymen are permanent employers and members of the separate National Union of Railwaymen.

In the following days, the action taken in Dublin and Dun Laoghaire is replicated elsewhere. To sections of the conservative press, the behaviour of dockers and railwaymen is scandalous. The ever reliable Punch illustrated news produces a sketch in a June 1920 edition showing an IRA gunman hiding behind a rural wall, joined by a railway worker, or “the blameless accomplice.”

The brave stand that began on the docks of Dublin spreads nationwide, largely thanks to the militancy of railway workers. From arms in storage, the strike is widened to include the carrying of men holding arms representing Crown Forces.

The munitions strike is an effective tactic, proven by the infuriated responses to it from the upper-echelons of the British military and political class. In November, the British Government begins closing rail lines, including the Limerick to Waterford and Limerick to Tralee lines,as well as trains into Galway, which instigate a fear among the public that the Irish railway system could be shut down in its entirety.

In the absence of sympathetic strike action in Britain, and with increasingly vicious physical assaults on railwaymen, the Irish leadership feels increasingly vulnerable in the dispute, which eventually winds down in December.


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Liam Cosgrave Elected Taoiseach of Ireland

liam-cosgraveLiam Cosgrave is elected the sixth Taoiseach of Ireland on March 14, 1973. He serves in the position from March 1973 to July 1977.

Cosgrave is born on April 13, 1920 in Castleknock, County Dublin. His father, William Thomas Cosgrave, was the first President of the Executive Council and head of the government of the Irish Free State during the first 10 years of its existence (1922–32). The eldest son, he is educated at Synge Street CBS, Castleknock College, Dublin, studies law at King’s Inns, and is called to the Irish bar in 1943. In that same year he enters Dáil Éireann (the lower house of the Oireachtas, the Irish parliament), and he retains his seat until his retirement from politics in 1981.

In 1948, when the first inter-party government replaces Éamon de Valera’s Fianna Fáil regime, which had been in power for the previous 16 years, Cosgrave becomes parliamentary secretary to the Taoiseach and to the Minister for Industry and Commerce. It is a short-lived administration, going out of power in 1951 after three years of rule. But in a second inter-party government (1954–57), he becomes Minister for External Affairs and leads the first Irish delegation to the United Nations General Assembly in 1956.

Cosgrave succeeds James Dillon as leader of the Fine Gael party in 1965. Eight years later, as leader of a coalition government in which Fine Gael combines forces with the Labour Party, he becomes Taoiseach. He and British Prime Minister Edward Heath are the main participants in the intergovernmental conference at Sunningdale in December 1973 that gives birth to Northern Ireland’s first, though short-lived, power-sharing executive (1973–74).

A devout Roman Catholic, Cosgrave is intensely conservative on social issues and shocks his cabinet colleagues by voting against his own government’s bill on liberalizing the sale of contraceptives in 1974. The National Coalition is defeated in the general election of June 1977, largely on the economic issues of inflation and unemployment.

In 1981, Cosgrave retires as Dáil Deputy for Dún Laoghaire to be replaced by his son, Liam T. Cosgrave. He reduces his involvement in public life but he makes occasional appearances and speeches. In October 2010 he attends the launch of The Reluctant Taoiseach, a book about former Taoiseach John A. Costello written by David McCullagh. He also appears in public for the Centenary of the Easter Rising in 2016, watching from a car as the military parade marches through Dublin. On May 8, 2016, in a joint appearance with the grandsons of Éamonn Ceannt and Cathal Brugha, he unveils a plaque commemorating the 1916 Rising at St. James’s Hospital, the former site of the South Dublin Union.

Liam Cosgrave dies on October 4, 2017 at the age of 97 of natural causes. He had been at Tallaght Hospital for several months prior to his death there. His funeral is held on October 7, 2017, after which he is interred alongside his father at Inchicore‘s Goldenbridge Cemetery.

Taoiseach Leo Varadkar says “Liam Cosgrave was someone who devoted his life to public service; a grateful country thanks and honours him for that and for always putting the nation first. Throughout his life he worked to protect and defend the democratic institutions of our State, and showed great courage and determination in doing so. He always believed in peaceful co-operation as the only way of achieving a genuine union between the people on this island, and in the 1970s he celebrated that this country had embarked, in his own words, ‘on a new career of progress and development in the context of Europe’. I had the honour on a few occasions to meet and be in the presence of Liam Cosgrave, and I was always struck by his commanding presence and great humility, which in him were complementary characteristics.”