The Solomons come to Ireland from England in 1824. Solomons is the son of Maurice Solomons (1832–1922), an optician whose practice is mentioned in James Joyce‘s Ulysses. His grandmother, Rosa Jacobs Solomons (1833–1926), is born in Hull in England. His elder brother Edwin (1879–1964) is a stockbroker and prominent member of the Dublin Jewish community. His sister Estella Solomons (1882–1968) is a leading artist, and a member of Cumann na mBan during the 1916 Easter Rising. She marries poet and publisher Seumas O’Sullivan. His younger sister Sophie is a trained opera singer.
Solomons attends St. Andrew’s College, Dublin, where he is very interested in rugby. He earns ten international rugby caps for Ireland between 1908 and 1910. He studies medicine at Trinity College, Dublin, becomes a medical doctor, and is Master of the Rotunda Hospital in Dublin from 1926 to 1933, surprising those who felt that a Jew would never hold the post. When his term ends in 1933, his name is intimately linked with that of the hospital when James Joyce writes in Finnegans Wake, “in my bethel of Solyman’s I accouched my rotundaties.” He serves as president of the Royal College of Physicians of Ireland (RCPI) in the late 1940s and practices from No. 30 Lower Baggot Street.
In a biography of Solomons he is described as “World famous obstetrician & gynaecologist, Rugby international, horseman, leader of Liberal Jewry & of Irish literary & artistic renaissance.”
Following a brief courtship, Solomons marries Gertrude Levy, who had studied with his sister Sophie at the Royal Academy of Music, London, in the liberal synagogue in London in 1916. His second son, Dr. Michael Solomons (1919–2007), is a distinguished gynaecologist, a pioneer of family planning in Ireland, and a veteran of the bitter and divisive 1983 constitutional amendment campaign.
Solomons is a friend of the founder of Sinn Féin and TD, Arthur Griffith. He contributes to the purchase of a house for Griffith. He is a founding member and the first president of the Liberal Synagogue in Dublin. He establishes a dispensary for Jewish women with Ada Shillman. In retirement he is inspector of qualifying examinations and visitor of medical schools in midwifery for the general medical council. A volume of memoirs is published in 1956. He is an art collector, including the works of Jean Cooke.
Solomons dies on September 11, 1965, at his home, Laughton Beg, Rochestown Avenue, Dún Laoghaire. The Bethel Solomons medal is awarded annually to an outstanding student in midwifery at the hospital.
Aengus Fanning, Irish journalist and editor of the Sunday Independent from 1984 until his death, dies on January 17, 2012, following a battle with lung cancer. He is also a former editor of farming for the Irish Independent. He is listed at number 31 on a list of “most influential people” in Irish society compiled for Village magazine.
Fanning is born on April 22, 1944, in the family home at Cloonbeg Terrace, Tralee, County Kerry, the fourth child among five sons and one daughter of Arnold (‘Paddy’) Fanning, a teacher, and his wife Clara (née Connell). Originally from Rostrevor, County Down, his mother is born a Presbyterian and converts to Catholicism to marry his father, though neither is religious. His father is a noted organiser of local theatrical productions, having written a one-act play, Vigil, which is staged in the Abbey Theatre in 1929.
Fanning has a keen interest in sport, having represented Kerry in Gaelic football in his youth. He is also passionate about cricket. He also plays the clarinet, and is a jazz fan. He is a graduate of University College Cork (UCC).
In May 1964 Fanning is hired as a reporter by his uncle, James Fanning, the owner of the Midland Tribune in Birr, County Offaly, and pursues an unglamorous beat covering court sittings, local authority meetings and GAA matches. Needing a better salary to start a family, he joins Independent Newspapers (IN) in Dublin as a general reporter in May 1969, and soon after marries Mary O’Brien from Streamstown, County Offaly. They settle in Dún Laoghaire, County Dublin, and have three sons.
Fanning covers the Northern Irelandtroubles during 1969–70, before reporting increasingly on farming matters, becoming the IN group’s agricultural correspondent in 1973, as Ireland’s European Economic Community (EEC) accession sparks a farming boom. He is made head of news analysis at the Irish Independent in 1982, improving the op-ed page and using it to advocate more market-driven economic policies.
Fanning is appointed editor of the mid-to-upmarket Sunday Independent in 1984 from. Under his leadership, the newspaper adopts what Irish newspaper historian John Horgan calls a “new emphasis on pungent opinion columns, gossip and fashion” which results in the paper overtaking its main rival, The Sunday Press. For a time, his deputy editor is journalist Anne Harris.
In a 1993 interview with Ivor Kenny in the book Talking to Ourselves, Fanning describes himself as a classical liberal who is opposed to both Ulster loyalist and Provisional Irish Republican Army terrorism. He also expresses a strong advocacy of the free market, arguing that the goal of a good newspaper is to be as commercially successful as possible:
“If three or four papers out of 15 are successful and the others are not, they might say they’re not driven by the market, they have some higher vocation: to serve the public interest or some pompous stuff like that. That’s how they feel good about themselves. Fair enough, if that’s how they want to explain the world. It’s a grand excuse for relative failure… I think we live or die by the market, it will always win through.”
Fanning recruits a number of noted writers to contribute to the newspaper, including historians Conor Cruise O’Brien and Ronan Fanning, journalists Shane Ross and Gene Kerrigan, poet Anthony Cronin and novelist Colm Tóibín. However, his editorship is not without controversy. The columns published by Eamon Dunphy and Terry Keane draw criticism. Michael Foley notes some Irish commentators criticised Fanning’s Sunday Independent, claiming the newspaper was publishing “a mix of sleaze and prurience.”
Fanning also defends the controversial Mary Ellen Synon, who calls the Paralympics games “perverse.” One of the more bizarre incidents occurs in 2001 when he is involved in a fisticuffs with a colleague at the newspaper – operations editor Campbell Spray.
Diagnosed with lung cancer in April 2011, Fanning spends his last months undergoing treatment in St. Vincent’s University Hospital, Dublin, dying there on January 17, 2012, at the age of 69. His remains are cremated at Mount Jerome Crematorium.
Anne Harris, Fanning’s second wife, succeeds him as editor and lasts three years. As well as pioneering changes in the domestic print media’s role, Fanning’s Sunday Independent led Irish society’s turn towards free market hedonism, catching the public mood better than its more conventionally liberal rivals by rendering this cultural transformation in an exuberant, somewhat parodied form, and without regard for lingering post-Catholic inhibitions.
O’Connor is educated in St. Mary’s College, Dublin, and then in Clongowes Wood College, County Kildare, a public school run by the Jesuit order. It is also attended by the man who later condemns O’Connor to death, his close friend Kevin O’Higgins. He studies experimental physics, logic, and metaphysics. He also attends the College of Science, Merrion Street. He takes a BA (1906) and receives a B.Eng (1911). In 1910, he takes his Bachelor of Engineering and Bachelor of Arts degrees at University College Dublin (UCD), then known as the National University. Prominent in the university’s Literary and Historical Society, he advocates militant constitutional nationalism as one of the many society members active in the Young Ireland branch of the United Irish League.
During the subsequent Irish War of Independence (1919-21) O’Connor is Director of Engineering of the Irish Republican Army (IRA), a military organisation descended from the Irish Volunteers. The specialist skills of engineering and signaling are essential to the development of the 5th Battalion, Dublin Brigade. Its men are forbidden frontline duty as their contribution is regarded as vital, their number too small. But units only expand on an incremental local basis, disappointing General Richard Mulcahy.
O’Connor is also involved in the Republican breakout from Strangeways Prison in Manchester, England, on October 25, 1919. Michael Collins takes a particular interest in the escape, and actually visits Austin Stack in the prison under a false name to finalise the arrangements. IRA men hold up traffic while a ladder is propped up against the outside of a prison wall. In all six prisoners escape, among them Piaras Beaslaí.
O’Connor refuses to accept the Anglo-Irish Treaty of 1921, which establishes the Irish Free State. It is ratified by a narrow vote in Dáil Éireann, the Irish parliament. He and many like him feel that the Treaty copper-fastens the partition of the six counties of Northern Ireland and undermines the Irish Republic declared in 1916.
On January 10, a meeting is held at O’Connor’s home in Monkstown, Dublin. In attendance are all senior anti-Treaty IRA officers except Liam Mellows. O’Connor is appointed to chair this grouping, known as the Republican Military Council. It is agreed that an IRA convention should be called without delay; failing this, a separate GHQ will be formed. At a further meeting in O’Connor’s office on March 20, a temporary IRA GHQ staff is elected under Liam Lynch as chief of staff. O’Connor remains in charge of engineering.
On March 26, 1922, the anti-Treaty officers of the IRA hold a convention in Dublin, in which they reject the Treaty and repudiate the authority of the Dáil. However, they are prepared to discuss a way forward. The convention meets again on April 9. It creates a new army constitution and places the army under a newly elected executive of 16 men, including O’Connor, that are to choose an army council and headquarters staff. Asked by a journalist if this development means the anti-Treatyites ware proposing a “military dictatorship” in Ireland, O’Connor replies, “You can take it that way if you want.”
On April 14, 1922, O’Connor is one of a number of IRA leaders in a 200-strong force that occupies the Four Courts building in the centre of Dublin in defiance of the Provisional Government. They intend to provoke the British troops, who are still in the country, into attacking them, which they believe will restart the war with Britain and re-unite the IRA against their common enemy. They also occupy other smaller buildings regarded as being associated with the former British administration, such as the Ballast Office and the Freemasons‘ Hall in Molesworth Street, but the Four Courts remains the focus of interest. On June 15, O’Connor sends out men to collect the rifles that belong to the mutineers of the Civic Guards.
Michael Collins tries desperately to persuade the IRA men to leave the Four Courts. At the Third IRA Convention on June 18, the Executive is split over whether the Irish Government should demand that all British troops leave within 72 hours. A motion to this effect, opposed by Lynch, is narrowly defeated, whereupon O’Connor and others leave the meeting to set up a separate GHQ. The IRA effectively splits into two factions opposed to the government.
On June 22, 1922, Sir Henry Wilson is assassinated in London by two IRA men, Reginald Dunne and Joseph O’Sullivan, each a former British soldier. Some now argue that this was done on the orders of Michael Collins, who had been a close friend of Dunne’s in the London Irish Republican Brotherhood (IRB). Prime MinisterDavid Lloyd George writes an angry letter to Collins, which includes the line “…still less can Mr. Rory O’Connor be permitted to remain his followers and his arsenal in open rebellion in the heart of Dublin… organizing and sending out from this centre enterprises of murder not only in the area of your Government…”
On June 28, 1922, after the Four Courts garrison has kidnapped J. J. “Ginger” O’Connell, a general in the National Army, Collins gives orders for the shelling of the Four Courts with borrowed artillery lent by Winston Churchill. The shelling leads to the Four Courts catching fire, damaging parts of the building in addition to destroying numerous government documents. O’Connor is one of 130 men that surrender on June 30, some of whom are arrested and imprisoned in Mountjoy Prison. This incident marks the official start of the Irish Civil War, as fighting breaks out openly around the country between pro- and anti-Treaty factions.
On December 8, 1922, along with three other republicans, Liam Mellows, Richard Barrett and Joe McKelvey, captured with the fall of the Four Courts, O’Connor is executed by firing squad in reprisal for the anti-Treaty IRA’s killing of Free State Teachta Dála (TD) Sean Hales. The execution order is signed by Kevin O’Higgins. O’Connor had been best man at O’Higgins’s wedding on October 27, 1921. Their deaths remain a symbol of the bitterness and division of the Irish Civil War. O’Connor, one of 77 republicans executed by the Provisional Government, is seen as a martyr by the Republican movement in Ireland.
On O’Connor’s execution, the equestrienne Joan de Sales La Terriere, a close friend of his, names her son in his honour. “Rory O’Connor Place” in Arklow is named in his honour. There is also a pub in Crumlin, Dublin, named after him and a housing estate near Dún Laoghaire, County Dublin, called “Rory O’Connor Park.” A Sinn Féincumann (UCD) is named after him.
(Pictured: Rory O’Connor addressing members of the IRA’s Dublin City Brigade at Smithfield, April 1922)
Brooke is born in the rectory of Glendoen, near Letterkenny, County Donegal on November 14, 1832, the eldest son of the Rev. Richard Sinclair Brooke, later incumbent of the Mariners’ Church, Kingstown (now Dún Laoghaire). His maternal grandfather, Joseph Stopford, is then rector of the parish. He is educated at Trinity College, Dublin. He is ordained in the Church of England in 1857, and holds various charges in London. From 1863 to 1865 he is chaplain to Victoria, Princess Royal in Berlin. In 1869, with his brother Edward, he makes long tours of Counties Donegal and Sligo, and spends much time at Kells, County Meath studying Irish antiquities. Between 1866 and 1875 he is the minister at St. James’s Chapel, a proprietary chapel. After it closes he takes services at Bedford Chapel, Bloomsbury where he continues to attract large congregations. In 1875, he becomes chaplain in ordinary to Queen Victoria. But in 1880 he secedes from the Church, being no longer able to accept its leading dogmas, and officiates as an independent preacher for some years at Bedford Chapel, Bloomsbury.
Bedford Chapel is pulled down about 1894, and from that time Brooke has no church of his own, but his eloquence and powerful religious personality continues to make themselves felt among a wide circle. A man of independent means, he is always keenly interested in literature and art, and a fine critic of both. The two-volume Life and Letters of Stopford Brooke, written by his son-in-law L. P. Jacks and published in 1917, contains many details of different facets of his life.
In 1890-1891 Brooke takes the lead in raising the funds to purchase Dove Cottage, William Wordsworth’s home in Grasmere from 1800 to 1808, and establishing it “for the eternal possession of those who love English poetry all over the world.” Dove Cottage is now administered by the Wordsworth Trust.
Brooke publishes in 1865 his Life and Letters of FW Robertson (of Brighton), and in 1876 writes an admirable primer of English Literature, followed in 1892 by The History of Early English Literature down to the accession of Alfred the Great, and English Literature from the Beginnings to the Norman Conquest (1898).
Brooke gives the inaugural lecture to the Irish Literary Society, London, on “The Need and Use of Getting Irish Literature into the English Tongue” at Bloomsbury House, March 11, 1893. He delivers a sermon on “The Kingdom of God Within” to the International Council of Unitarian and Other Liberal Religious Thinkers and Workers, meeting in London in May 1901. He continues preaching at Bedford Chapel and to unitarian congregations throughout Britain until forced to retire because of ill-health in 1895.
Adrian Hardiman, Irish judge who serves as a Judge of the Supreme Court of Ireland from 2000 to 2016, dies in Portobello, Dublin, on March 7, 2016. He writes a number of important judgments while serving on the Court. He also presides, as does each Supreme Court judge on a rotating basis, over the Court of Criminal Appeal.
Hardiman joins Fianna Fáil while a student in University College Dublin, and stands unsuccessfully for the party in the local elections in Dún Laoghaire in 1985. In 1985, he becomes a founder member of the Progressive Democrats, but leaves the party when he is appointed to the Supreme Court. He remains very friendly with the former party leader and ex-Tánaiste, Michael McDowell, who is a close friend at college, a fellow founding member of the party, and best man at his wedding.
Hardiman is called to the Irish Bar in 1974 and receives the rare honour of being appointed directly from the Bar to Ireland’s highest court. Prior to his elevation to the Supreme Court in 2000, he has a successful practice as a barrister, focusing on criminal law and defamation.
Politically, Hardiman supports the liberal side in Ireland’s debates over abortion, being active in the “anti-amendment” campaign during the 1982 Abortion Referendum and later represents the Well Woman Centre in the early 1990s. After his death, he is described by Joan Burton as a liberal on social issues. But he could be an outspoken opponent of Political Correctness, such as when he rejects the Equality Authority‘s attempt to force Portmarnock Golf Club to accept women as full members. He also believes that certain decisions, such as those involving public spending, are better left to elected politicians rather than unelected judges, regardless of how unpopular that might sometimes be in the media (which he tends to hold in low esteem) and among what he describes as the “chattering classes.”
Hardiman’s concern for individual rights is not confined to Ireland. In February 2016, he criticizes what he describes as the radical undermining of the presumption of innocence, especially in sex cases, by the methods used in the UK‘s Operation Yewtree inquiry into historical sex allegations against celebrities, and he also criticizes “experienced lawyer” and then United States presidential candidate Hillary Clinton for allegedly declaring in January that “every accuser was to be believed, only to amend her view when asked if it applied to women who had made allegations against her husband”, former U.S. PresidentBill Clinton.
In a tribute following his death in 2016, PresidentMichael D. Higgins says Justice Hardiman “was one of the great legal minds of his generation”, who was “always committed to the ideals of public service.” He is described as a “colossus of the legal world” by Chief JusticeSusan Denham.
One commentator writes that “Hardiman’s greatest contribution …was the steadfast defence of civil liberties and individual rights” and that “He was a champion of defendants’ rights and a bulwark against any attempt by the Garda Síochána to abuse its powers.”
Like other literary civil servants of the period, Wall often takes a satirical view of bureaucracy. Unlike Brian O’Nolan, however, he can play the bureaucrats at their own game and by most accounts he is a highly efficient public servant in his own right. His late novel Hermitage (1982) has some sharp sidelights on the world of Green Tape.
Wall makes his mark mainly as a novelist, but he begins as a playwright and has at least two works performed in the Abbey Theatre. His first real success comes in 1946 with The Unfortunate Fursey, in which he creates a mythical monk who is tormented by the Devil. The picaresque humour and fantasy of the story are enjoyed by the public as essentially good-natured farce, but it is possible that he also intends it as oblique satire on the Irish clergy in general, at a time when any open criticism of them might invite trouble. Fergus Linehan later turns it into a successful musical.
The first Fursey book has successors, and all of them are published in a single volume in 1985, entitled The Complete Fursey. During the 1950s Wall writes two “serious” novels of social criticism, Leaves for the Burning and No Trophies Raise, in which his satirical sense takes a more direct route. They are praised at the time by respected critics and are still well worth rereading.
Apart from his writing, Wall has a distinguished career in Radio Éireann, where he and his colleagues, the novelist Francis MacManus and the poet Roibeard O Farachain, make up a literary and administrative trio nicknamed “Frank, Incense and Mer” by a staff wit. He later becomes secretary of the Arts Council, a sometimes difficult job which he handles with tact and fairness.
Wall is himself a witty, observant, sometimes catty man in a generation famous for its wit. He and his wife Fanny, who is known as a leading music critic, are for decades an almost indispensable duo in Dublin cultural and social life, although Wall, in spite of his various public roles, is at heart a home loving and industrious man who never seeks publicity.
If and when a fullscale cultural history of Ireland in the 1940s and 1950s comes to be written, Wall’s place in it should be assured. As a successful, long term civil servant, he learned how to work the system in favour of literature and the arts in an age when patronage of them was thin on the ground.
Although born in Dublin, Bourke lives most of his life in Tibradden, County Dublin. His father, a doctor, is in practice in the city. The children have an Irish-speaking nanny. His early exposure to Irish continues throughout his education, attending Colaiste Mhuire, Parnell Square, Dublin. He later attends University College Dublin for a course in Agricultural Science. He does not take his degree but always retains an interest in farming.
After leaving university Bourke meets two of his future bandmates in The Dubliners, Ronnie Drew and Barney McKenna, who invite him to join their sessions in O’Donoghue’s Pub where he plays tin whistle, mouth organ and guitar, and sings. Luke Kelly, who had been singing around the clubs in England, returns to Dublin and joins them, with the four gaining local popularity. Taking the name The Dubliners, the group puts together the first folk concert of its kind in Dublin. The concert is a success, then a theatrical production called “A Ballad Tour of Ireland” is staged at the Gate Theatre shortly afterwards. In 1964 fiddle player John Sheahan joins the band and this becomes known as the original Dubliners line-up.
Bourke is responsible for bringing a Gaelic element to The Dubliners’ music with songs such as “Peggy Lettermore” and “Sé Fáth Mo Bhuartha” being performed in the Irish language. He also sings a number of the group’s more lighthearted and humorous numbers such as “Jar of Porter,” “The Dublin Fusiliers,” “The Limerick Rake,” “Mrs. McGrath,” “Darby O’Leary,” “All For Me Grog” and “The Ballad of Ronnie’s Mare,” as well as patriotic songs such as “Roddy McCorley,” “The Enniskillen Dragoons,” “Take It Down From The Mast” and “Henry Joy.”
On April 5, 1974 The Dubliners travel to Eastbourne where they are to appear in concert. Kelly is worried by the way Bourke keeps moving his head about, as if trying to alleviate increasing pain. Four minutes into the second half, it is decided he cannot continue with the show. Kelly insists that a doctor should be phoned and instructs to await their return to the Irish Club at Eaton Square. The roadie for the trip, John Corry, thinks that it is better to drive straight to St. George’s Hospital in London, where the doctors diagnose a brain aneurysm. He is transferred to the Atkinson Morley Hospital in Wimbledon, while doctors wait for his wife to return from a trip to Ghana, to get her signature before operating. She is told that there is danger of further haemorrhaging. He is operated on at the earliest opportunity. The bleeding begins again while he is on the table which means that they cannot repair the damage, only staunch the bleeding. This leaves him paralysed down his left side and confused as to where he is and what has happened.
Bourke receives intensive therapy, attending a clinic in Dún Laoghaire, County Dublin. He is heartened by his progress and insists on rejoining The Dubliners on their next tour of the Continent in November that year.
Bourke’s continued insistence that he is fit enough to join them on the forthcoming German tour causes them considerable disquiet. They prefer he ease himself back to work, with a few small shows in Ireland. The tour gradually begins to take its toll on him, and it is decided that for the sake of his health he should return home. He flies from Brussels to Dublin.
Bourke makes his last public appearance on Ireland’s RTÉ One during The Late Late Show‘s tribute to The Dubliners in 1987. Despite his lingering paralysis he recites “The Lament for Brendan Behan” after which everyone in the studio, led by Ronnie Drew, sing “The Auld Triangle.”
Bourke dies on May 10, 1988 after a long illness. From 1974 until his death he had continued to be paid by the band. A fifth member of the group is not recruited until after his death.
After months of negotiations and two special delegate conferences, Democratic Left merges with the Labour Party on January 24, 1999.
Democratic Left is formed after a split in the Workers’ Party of Ireland, which in turn has its origins in the 1970 split in Sinn Féin and, after seven years in existence, it is incorporated into the Labour Party in 1999. Although never formally styled as a communist party, the Workers’ Party has an internal organisation based on democratic centralism, strong links with the Soviet Union, and campaigns for socialist policies. However between 1989 and 1992 the Workers’ Party is beset by a number of problems.
On February 15, 1992, a special conference is held in Dún Laoghaire to reconstitute the party. A motion proposed by Proinsias De Rossa and general secretary Des Geraghty seek to stand down the existing membership, elect an 11-member provisional executive council and make several other significant changes in party structures but it is defeated by nine votes.
After the conference it is clear a split is inevitable. At an Ard Chomhairle meeting held on February 22, 1992 in Wynn’s Hotel in Dublin, six of the party’s TDs resign from the party along with more than half of the Ard Chomhairle. The new breakaway party is provisionally named New Agenda with De Rossa becoming leader of the party.
In the 1997 Irish general election Democratic Left loses two of its six seats, both of its by-election victors, Eric Byrne in Dublin South-Central and Kathleen Lynch in Cork North-Central, being unseated. The party wins 2.5% of the vote. The party also is in significant financial debt because of a lack of access to public funds, due to its size. Between 1998 and 1999 the party enters discussions with the Labour Party which culminates in the parties’ merger in 1999, keeping the name of the larger partner but excluding members in Northern Ireland from organising. This leaves Gerry Cullen, their councillor in Dungannon Borough Council, in a state of limbo, representing a party for whom he can no longer seek election.
The launch of the merged party is in the Pillar Room of the Rotunda Hospital in Dublin on January 24, 1999. Labour Party leader Ruairi Quinn remains leader of the unified party, while De Rossa takes up the largely titular position of party president. Only 10% of Democratic Left delegates at the special conference had voted against the merger. De Rossa successfully contests the 1999 European Parliament election in Dublin. He holds his Dáil seat until he stands down at the 2002 Irish general election. He holds his European Parliament seat in the 2004 election and 2009 election.
In 2002, former Democratic Left TDs Pat Rabbitte and Liz McManus are elected as Labour Party leader and deputy leader respectively. When Rabbite steps down as Labour leader after the 2007 Irish general election, Eamon Gilmore is elected unopposed as his successor.
The party archives are donated to the National Library of Ireland by the Labour Party in 2014. The records can be accessed by means of the call number: MS 49,807.
The Purser family had come to Ireland from Gloucestershire in the eighteenth century. Purser is born in Kingstown (now Dún Laoghaire) in County Dublin on March 22, 1848. She is raised in Dungarvan, County Waterford, one of the numerous children of Benjamin Purser, a prosperous flour miller and brewer, and his wife Anne Mallet. She is related to Sir Frederic William Burton, RHA (1816-1900), who is a son of Hannah Mallet. Two of her brothers, John and Louis, become professors at Trinity College Dublin. Her niece Olive Purser, daughter of her brother Alfred, is the first woman scholar at Trinity.
At thirteen Purser attends the Moravian school, Institution Evangélique de Montmirail, Switzerland where she learns to speak fluent French and begins painting. In 1873 her father’s business fails and she decides to become a full-time painter. She attends classes at the Dublin Metropolitan School of Art and joins the Dublin Sketching Club, where she is later appointed an honorary member. In 1874 she distinguishes herself in the National Competition. In 1878 she again contributes to the Royal Hibernian Academy, and for the next fifty years becomes a regular exhibitor, mainly portraits, and shows an average of three works per show.
Purser becomes wealthy through astute investments, particularly in Guinness, for which several of her male relatives have worked over the years. She is very active in the art world in Dublin and is involved in the setting up of the Municipal Gallery of Modern Art, persuading the Irish government to provide Charlemont House in Parnell Square to house the gallery.
Purser works mostly as a portraitist. Through her talent and energy, and owing to her friendship with the Gore-Booths, she is very successful in obtaining commissions. When the Lord Lieutenant of Ireland commissions her to portray his children in 1888, his choice reflects her position as the country’s foremost portraitist. Various portraits painted by Purser are held in the National Gallery of Ireland.
Purser finances An Túr Gloine (The Tower of Glass), a stained glass cooperative, at 24 Upper Pembroke and runs it from its inauguration in 1903 until her retirement in 1940. Michael Healy is the first of a number of distinguished recruit, such as Catherine O’Brien, Evie Hone, Wilhelmina Geddes, Beatrice Elvery and Ethel Rhind. She is determined the stained glass workshop should adhere to true Arts and Crafts philosophy. An Túr Gloine archive is held in the Centre for the Study of Irish Art, National Gallery of Ireland.
Purser does not produce many items of stained glass herself. Most of the stained glass works are painted by other members of the co-operative, presumably under her direction. Two early works are St. Ita (1904) for St. Brendan’s Cathedral, Loughrea and The Good Shepard (1904) for St. Columba’s College, Dublin. Her last stained glass work is believed to be The Good Shepard and the Good Samaritan (1926) for the Church of Ireland at Killucan, County Westmeath.
Until her death Purser lives for many years in Mespil House, a Georgian mansion with beautiful plaster ceilings on Mespil Road, on the banks of the Grand Canal. Here she is “at home” every Tuesday afternoon to Dublin’s writers and artists. Her afternoon parties are a fixture of Dublin literary life.
Purser dies in Dublin on August 7, 1943 and is buried in Mount Jerome Cemetery beside her brothers John and Louis. Mespil House is demolished after her death and developed into apartments.
Purser is the second woman to sit on the Board of Governors and Guardians, National Gallery of Ireland, 1914-1943. She is made an Honorary Member of the Royal Hibernian Academy in 1890, becoming the first female Associate Member in 1923 and the first female Member in 1924. Also in 1924 she initiates the movement for the launching of the Friends of the National Collection of Ireland. Archives relating to Sarah Purser are housed in the Centre for the Study of Irish Art, National Gallery of Ireland.
(Pictured: Portrait of Sarah Purser by John Butler Yeats, c. 1880–1885)
Scott’s family originates in the province of Munster. His father, William Scott, is a school inspector from near Sneem on the Iveragh Peninsula in County Kerry. His mother is from County Cork. He is educated at Belvedere College in Dublin. There he first demonstrates his skills at painting and acting. Initially he wants to pursue a career as a painter but his father points out that it might make more financial sense to become an architect.
Scott becomes an apprentice for the sum of £375 per annum to the Dublin architectural firm Jones and Kelly. He remains there from 1923 until 1926, where he studies under Alfred E. Jones. In the evenings after work, he also attends the Metropolitan School of Art and the Abbey School of Acting, and appears in many plays there until 1927, including the first productions of Seán O’Casey’s Juno and the Paycock and The Plough and the Stars. On completing his pupilage he becomes an assistant to Charles James Dunlop and then has a brief spell as an assistant architect in the Office of Public Works.
In 1931 Scott partners with Norman D. Good to form Scott and Good, and they open an office in Dublin. They design the hospital at Tullamore (1934–1937) and Portlaoise General Hospital (1935). Between 1937 and 1938, he is the President of the Architectural Association of Ireland (AAI). He founds his company, Michael Scott Architects, in 1938. That same year he also designs his house Geragh, at Sandycove, County Dublin.
Scott’s most important pre-war commission is the Irish Pavilion for the 1939 New York World’s Fair. He produces a shamrock shaped building constructed in steel, concrete and glass. It is selected by an International jury as the best building in the show. As a result, he is presented with a silver medal for distinguished services and given honorary citizenship of the city of New York by then Mayor Fiorello H. La Guardia. Other better known architects who design national pavilions for this World Fair include Alvar Aalto of Finland and Oscar Niemeyer of Brazil.
Scott has three major commissions from the Córas Iompair Éireann CIÉ, the Inchicore Chassis Works, the Donnybrook Bus Garage and, most famously, the Dublin Central Bus Station, to be known as àras Mhic Dhiarmada or Busáras. Though initially controversial, Busáras wins Scott the Royal Institute of the Architects of Ireland Triennial Gold Medal for Architecture.
Scott, who spends most of his life living at Sandycove Point, just south of Dún Laoghaire in south Dublin, dies in Dublin on January 24, 1989 and is buried near Sneem in County Kerry.
seamus dubhghaill 