seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


Leave a comment

Birth of Robert Ballagh, Artist, Painter & Designer

Robert “Bobby” Ballagh, artist, painter and designer, is born in Dublin on September 22, 1943. His painting style is strongly influenced by pop art. He is particularly well known for his hyperealistic renderings of well known Irish literary, historical or establishment figures.

Ballagh grows up in a ground-floor flat on Elgin Road in Ballsbridge, the only child of a Presbyterian father and a Catholic mother. He studies at Bolton Street College of Technology and becomes an atheist while attending Blackrock College. Before turning to art as a profession, he is a professional musician with the Irish showband Chessmen. He meets artist Michael Farrell during this period, and Farrell recruits him to assist with a large mural commission, which is painted at Ardmore Studios.

Ballagh represents Ireland at the 1969 Biennale de Paris. Among the theatre sets he has designed are sets for Riverdance, I’ll Go On, Gate Theatre (1985), Samuel Beckett‘s Endgame (1991) and Oscar Wilde‘s Salomé (1998). He also designs over 70 Irish postage stamps and the last series of Irish banknotes, “Series C,” before the introduction of the euro. He is a member of Aosdána and his paintings are held in several public collections of Irish painting including the National Gallery of Ireland, the Hugh Lane Gallery, the Ulster Museum, Trinity College, Dublin, and Nuremberg‘s Albrecht Dürer House.

In 1991, he co-ordinates the 75th anniversary commemoration of the 1916 Easter Rising, during which he claims he is harassed by the Special Branch of the Garda Síochána.

He is the president of the Ireland Institute for Historical and Cultural Studies, which promotes international republicanism. It is based at the new Pearse centre at 27 Pearse Street, Dublin, which is the birthplace of Pádraig Pearse in 1879.

In July 2011 it is reported that he might consider running for the 2011 Irish Presidential election with the backing of Sinn Féin and the United Left Alliance. A Sinn Féin source confirms there has been “very informal discussions” and that Ballagh’s nomination is “a possibility” but “very loose at this stage.” However, on July 25 Ballagh rules out running in the election, saying that he has never considered being a candidate. His discussions with the parties had been about the election “in general” and he has no ambitions to run for political office.

That same month, Ballagh breaks ranks with his colleagues in the travelling production of Riverdance in their decision to perform in Israel. He is an active member of the Ireland Palestine Solidarity Campaign, which insists that artists and academics participate in boycotts of Israeli businesses and cultural institutions.

In July 2012, Ballagh says he is “ashamed and profoundly depressed” at the en masse closure of Irish galleries and museums. He cites an example of some Americans and Canadians on holiday in Ireland. “They described most of the National Gallery as being closed along with several rooms in the Hugh Lane Gallery. I’m glad they didn’t bother going out to the Museum of Modern Art in Kilmainham because that’s closed too. At the point I met them, they were returning from Galway where they had found the Nora Barnacle Museum closed too.” He condemns the hypocrisy of political leaders, saying, “I know arts funding is not a big issue for people struggling to put food on the table but we are talking about the soul of the nation.”

Advertisements


Leave a comment

Birth of Walter Frederick Osborne, Landscape & Portrait Painter

Walter Frederick Osborne, impressionist and Post-Impressionism landscape and portrait painter, is born in Rathmines, Dublin on June 17, 1859.

Most of Osborne’s paintings are figurative and focus on women, children, the elderly, the poor, and the day-to-day life of ordinary people on Dublin streets, as well as series of rural scenes. He also produces city-scapes, which he paints from both sketches and photographs. A prolific artist, he produces oils, watercolours, and numerous pencil sketches. He is best known for his documentary depictions of late 19th century working class life.

Osborne is the second of three sons of William Osborne, a successful animal painter who specialises in portraying horses and dogs for the then prosperous Irish landlords. He is educated at Rathmines School and at the Royal Hibernian Academy school. He learns from his father that there is money to be earned from painting animals. He produces quite a few, including of children with their pets, notably his 1885 A New Arrival, and a series of impressionistic works on cows.

Osborne wins the Taylor Prize in 1881 and 1882, the highest student honour in Ireland of the time, while studying at the Royal Academy of Fine Arts in Antwerp. He is influenced by the Flemish painter Peter Paul Rubens, and the French realist, plein-air painter, Jules Bastien-Lepage, as well as Berthe Morisot.

In 1883, Osborne moves from Antwerp to Brittany where he paints his famous Apple Gathering, Quimperlé, now in the National Gallery of Ireland. Soon after, he moves to England where he works alongside Nathaniel Hill and Augustus Burke at Walberswick. During his period he often returns to Dublin to make preparatory sketches for what becomes his most renowned series, of the everyday lives of the city’s poor. Although highly regarded today, these documentary, street paintings are not commercially successful, and Osborne supplements his income through portrait paintings of the middle class, which are not as artistically satisfying.

In 1886, he is elected to the Royal Hibernian Academy and receives many commissions for portraits. This is an important source of income, as he has no private means of his own. After his sister dies he is involved in looking after her daughter, and his own parents become increasingly financially dependent on him.

In 1892, he returns to Ireland to live in the family residence, and he also keeps a studio at No. 7 St. Stephen’s Green. He spends a considerable amount of time painting outdoors, in Dublin around St. Patrick’s Cathedral or in the country. He is well liked in social circles and counts the surgeon Sir Thornely Stoker, brother of Bram Stoker, among his best friends.

Osborne’s mother becomes ill in the early 1900s, and Walter spends significant periods caring for her. In 1903, while gardening, he overheats himself and catches a chill, which he neglects, and which develops into pneumonia. He dies prematurely from the illness at the age of 43 on April 24, 1903. He is buried in Mount Jerome Cemetery in Dublin.

Some critics have suggested that at the time of his death he is on the brink of his artistic maturity. His final work Tea in the Garden, a fusion of naturalism and impressionism, remains unfinished at his death and is now in the collection of the Hugh Lane Gallery in Dublin. Today his work is highly sought after by collectors.


Leave a comment

Birth of Irish Artist Patrick Scott

patrick-scottPatrick Scott, Irish artist, is born in Kilbrittain, County Cork, on January 24, 1921. He is perhaps best known for his gold paintings, abstracts incorporating geometrical forms in gold leaf against a pale tempura background. He also produces tapestries and carpets.

He has his first exhibition in 1944, but trains as an architect and does not become a full-time artist until 1960. He works for fifteen years for the Irish architect Michael Scott, assisting, for example, in the design of Busáras, the central bus station in Dublin. He is also responsible for the orange livery of Irish intercity trains.

His paintings are in several important collections including the Museum of Modern Art in New York City. He wins the Guggenheim Award in 1960 and represents Ireland in the 1960 Venice Biennale. The Douglas Hyde Gallery holds a major retrospective of his work in 1981 and the Hugh Lane Gallery in Dublin holds a major survey in 2002. His works are distinguished by their purity and sense of calm, reflecting his own interest in Zen Buddhism.

In October 2013, Scott weds his companion of 30 years, Eric Pearce, in a civil ceremony at the Dublin Registry Office.

On July 11, 2007, Scott, who is a founding member of Aosdána, is conferred with the title of Saoi, the highest honour that can be bestowed upon an Irish artist. The President of Ireland, Mary McAleese, makes the presentation, placing a gold torc, the symbol of the office of Saoi, around his neck. No more than seven living members may hold this honour at any one time.

Patrick Scott dies in Ballsbridge, Dublin, on February 14, 2014 at the age of 93. He is survived by his partner.


Leave a comment

Death of Irish Painter Sir John Lavery

john-laverySir John Lavery, Irish painter best known for his portraits and wartime depictions, dies of natural causes at the age of 84 in Kilmoganny, County Kilkenny, on January 10, 1941.

Born in Belfast on March 10, 1856, Lavery attends Haldane Academy in Glasgow in the 1870s and the Académie Julian in Paris in the early 1880s. He returns to Glasgow and is associated with the Glasgow School. In 1888 he is commissioned to paint the state visit of Queen Victoria to the Glasgow International Exhibition of Science, Art and Industry. This launches his career as a society painter and he moves to London soon thereafter. In London he becomes friends with James McNeill Whistler and is clearly influenced by him.

Like William Orpen, Lavery is appointed an official artist in World War I. Ill-health, however, prevents him from travelling to the Western Front. A serious car crash during a Zeppelin bombing raid also keeps him from fulfilling this role as war artist. He remains in Britain and mostly paints boats, aeroplanes, and airships. During the war years he is a close friend of H.H. Asquith‘s family and spends time with them at their Sutton Courtenay Thames-side residence, painting their portraits and idyllic pictures like Summer on the River (Hugh Lane Gallery).

After the war Lavery is knighted and in 1921 he is elected to the Royal Academy of Arts.

michael-collins-love-of-irelandDuring this time, he and his wife, Hazel, are tangentially involved in the Irish War of Independence and the Irish Civil War. They give the use of their London home to the Irish negotiators during the negotiations leading to the Anglo-Irish Treaty. After Michael Collins is assassinated, Lavery paints Michael Collins, Love of Ireland, now in the Hugh Lane Gallery. In 1929, Lavery makes substantial donations of his work to both the Ulster Museum and the Hugh Lane Gallery and in the 1930s he returns to Ireland. He receives honorary degrees from the University of Dublin and Queen’s University Belfast. He is also made a free man of both Dublin and Belfast. A long-standing member of Glasgow Art Club, Lavery exhibits at the club’s annual exhibitions, including its exhibition in 1939 in which his The Lake at Ranelagh is included.

Sir John Lavery dies in Rossenarra House, Kilmoganny, County Kilkenny on January 10, 1941, and is interred in Putney Vale Cemetery.