seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Irish Artist Charles Harper

skellig-arrival-by-charles-harperIrish artist Charles Harper is born on July 30, 1943 on Valentia Island in County Kerry. He studies at the National College of Art and Design, Limerick School of Art and Design and the Graphic Studio in Dublin. He is taught by Maurice MacGonigal and Seán Keating. He also studies filmmaking in Germany.

Harper exhibits regularly in Ireland and abroad. His paintings are well known for their metaphoric themes, including boats, the human form, landscape and angels usually in painterly expressive form.

Harper is influenced by Francis Bacon and David Hockney which is apparent in his portrait work. In his treatment of the human head, the influence of Bacon is obvious as is the work of the Irish artist Louis Le Brocquy. He is also influenced by the Irish artist Patrick Collins. For Harper the actual act of painting is what matters as he sees the actual process as one of exploration and discovery. He says, “the process, the making excites me more than any end product.”

Harper represents Ireland at International Biennials in many countries throughout his career. He receives many national awards for his painting, including first prize for his work commemorating the 1916 Easter Rising at the Municipal Gallery of Modern Art in Dublin, the Carrols Open Award at the Irish Exhibition of Living Art in Dublin and The Arts councils Bonn an Uachtarain de Hide at the Oireachtas Art Exhibition. More recently he is awarded the BulBulia Award at the Royal Hibernian Academy in 2008.

Harper’s work is included in many important public and private collections including the San Francisco Museum of Modern Art, the Irish Museum of Modern Art and the Irish Arts Council. He is also a member of Aosdána and the Royal Hibernian Academy.

“Painting being a cultural and creative activity should be accessible to all. Though it may also confuse the viewer. I find this totally understandable and acceptable, as art should challenge our perception and established aesthetic.”

(Pictured: Skellig Arrival, acrylic on linen by Charles Harper)


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Birth of Author Eilís Dillon

eilis-dillonEilís Dillon, Irish author of 50 books, is born in Galway, County Galway on March 7, 1920. Her work has been translated into 14 languages.

Dillon is the third of five children of Professor Thomas Dillon and his wife Geraldine (née Plunkett), who is the sister of Joseph Mary Plunkett. She is raised at Dangan House outside of Galway City before moving to the small fishing village of Barna. She attends the local primary school where she becomes proficient in the Irish language and gains an intimate knowledge of tradition in the Connemara. Her family is involved in Irish revolutionary politics. Her uncle, Joseph Mary Plunkett, is a signatory of the 1916 Proclamation of the Irish Republic and is executed after the Easter Rising.

Educated by the Ursuline nuns in Sligo, she works briefly in the hotel and catering trade. In 1940 she marries Cormac Ó Cuilleanáin, an academic from University College Cork and 17 years her senior. They have at least three children, including the Irish poet and Trinity College Dublin professor Eiléan Ní Chuilleanáin and her brother, Cormac Ó Cuilleanáin, also a Trinity professor, who writes novels as Cormac Millar.

Dillon’s first books are written in Irish including An Choill Bheo, published in 1948, Oscar agus an Cóiste sé nEasóg in 1952 and Ceol na coille in 1955. After the success of The Lost Island, published in 1952, she writes almost exclusively in English. Most of her books are aimed at teen readers with themes of self-discovery and problem solving evident.

Dillon’s adult fiction career begins in 1953 with the publication of the detective novel Death at Crane’s Court. This is followed by Sent to His Account in 1954 and Death in the Quadrangle in 1956. These novels are known for their depiction of contemporary Ireland. Over the following decade Dillon publishes many novels including The Bitter Glass (1959), Across the Bitter Sea (1973) and The Wild Geese (1981).

In 1964 she moves to Rome due to her husband’s poor health. While there she acts as adviser to International Commission on English in the Liturgy. She returns to Cork with her husband in 1969 where he dies the following year. She continues to visit Italy over the next several years, setting some of her stories there including Living in Imperial Rome (1974) and The Five Hundred (1972), though these are not as popular as her Irish books. In 1974 she marries the American-based critic and professor Vivian Mercier, dividing her time between California, Italy and Dublin.

In her later years Dillon plays a prominent role in Irish culture. She is a Fellow of the Royal Society for Literature and a member of Aosdána, serves on the Irish Arts Council 1974–1979, chairs the Irish Writers’ Union and the Irish Writers’ Centre, and founds the Irish Children’s Book Trust. In 1987 she and her husband move permanently to Dublin where she supports up and coming Irish authors. Her last story is Children of Bach published in 1993.

Eilís Dillon dies on July 19, 1994 and is buried beside her second husband in Clara, County Offaly. A prize in her memory is given annually as part of the Bisto Book of the Year Awards.


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Death of Author Eilís Dillon

Eilís Dillon, Irish author of 50 books, dies on July 19, 1994. Her work has been translated into fourteen languages.

Dillon is the third of five children of Professor Thomas Dillon and his wife Geraldine née Plunkett, who is the sister of Joseph Mary Plunkett. She is raised at Dangan House outside of Galway before moving to the small fishing village of Barna. She attends the local primary school where she becomes proficient in Irish and gains an intimate knowledge of tradition in the Connemara. Dillon’s family is involved in Irish revolutionary politics. Her uncle, Joseph Mary Plunkett, is a signatory of the 1916 Proclamation of the Irish Republic and is executed after the Easter Rising.

Educated by the Ursuline nuns in Sligo, she works briefly in the hotel and catering trade. In 1940 she marries Cormac Ó Cuilleanáin, an academic from University College Cork and seventeen years her senior. They have at least three children, including the Irish poet and Trinity College, Dublin professor Eiléan Ní Chuilleanáin and her brother, Cormac Ó Cuilleanáin, also a Trinity professor, who writes novels as Cormac Millar.

Dillon’s first books are written in Irish including An Choill Bheo, published in 1948, Oscar agus an Cóiste sé nEasóg in 1952 and Ceol na coille in 1955. After the success of The Lost Island, published in 1952, she writes almost exclusively in English. Most of her books are aimed at teen readers with themes of self-discovery and problem solving evident.

In 1964 she moves to Rome due to her husband’s poor health. While there she acts as adviser to International Commission on English in the Liturgy. She returns to Cork with her husband in 1969 where he dies the following year. She continues to visit Italy over the next several years, setting some of her stories there including Living in Imperial Rome (1974) and The Five Hundred (1972), though these are not as popular as her Irish books. In 1974 she marries the American-based critic and professor Vivian Mercier, dividing her time between California, Italy and Dublin.

Dillon’s adult fiction career begins in 1953 with the publication of the detective novel Death at Crane’s Court. This is followed by Sent to His Account in 1954 and Death in the Quadrangle in 1956. These novels are known for their depiction of contemporary Ireland. Over the following decade Dillon publishes many novels including The Bitter Glass (1959), Across the Bitter Sea (1973) and The Wild Geese (1981).

In her later years Dillon plays a prominent role in Irish culture. She is a Fellow of the Royal Society for Literature and a member of Aosdána, serves on the Irish Arts Council from 1974 until 1979, chairs the Irish Writers’ Union and the Irish Writers’ Centre, and founds the Irish Children’s Book Trust.

In 1987 Dillon and her husband move permanently to Dublin where she supports up and coming Irish authors. Her last story is Children of Bach published in 1993. Eilís Dillon dies on July 19, 1994 and is buried beside her second husband in Clara, County Offaly. A prize in her memory is given annually as part of the Bisto Book of the Year Awards.