In 1910 Day forms the local Irish Women’s Franchise League branch in Cork as an activist group for women’s suffrage. The following year she leaves that group and founds the non-militant Munster Women’s Franchise League. Her new interest in politics leads to her winning the election of poor law guardians the same year. Her later writings reveal that she sees the Cork workhouses as an expensive self-perpetuating evil run by amateurs. This leads to her first novel, The Amazing Philanthropists (1916). From 1913 to 1917 she writes three plays for the Abbey Theatre in collaboration with Geraldine Cummins, Broken Faith (1913), The Way of the World (1914), and Fox and Geese (1917), which is the most successful of the three.
The Battle of Verdun lasts most of 1916 and during that time Day is amongst a group from the Society of Friends who cares for the wounded. She is in France for fifteen months and uses the experience to create her 1918 book Round about Bar-le-Duc. Where the Mistral Blows is published in 1933 and describes her time in Provence in France.
Day works as a member of the fire service in London during World War II. She lives in Cork, France and London. At the time of her death she is living at 47 Argyle Road, Kensington, London. She dies in the Cromer and District Hospital on May 26, 1964.
The work of Suzanne Rouviere Day and Geraldine Cummins has been described as a mixture of paganism and melodrama and has been suggested as a precursor to John B. Keane.
(Pictured: Suzanne R. Day in the cast of the 1901 production of The Mikado, Cork, County Cork)
Dillon is the eldest of five children of Sir James Charles Mathew and Elizabeth Blackmore Mathew. Her family is related to the Butler family, but she does not visit Ireland until 1886. Living in Queen’s Gate Gardens, Kensington, London, she is educated at home. From a young age she attends the ladies’ gallery of the House of Commons, while mixing a busy social life with charitable works.
Dillon begins keeping a diary in 1879, which she continues to write until her death. Her ancestor, Mary Mathew, is also a diarist and keeps the diary for the discipline of the daily activity. She soon begins to write for the love of it, and some have surmised she wrote with the intention her diaries would be read by others. She attends lectures in Old English and literature at King’s College, London from late 1882 to 1884, and begins to learn Irish in 1893.
Dillon’s father supports land reform in Ireland, chairs the evicted tenants commission in 1892, and is a huge influence on her politics. She makes her first political reference on February 25, 1883 when she notes the arrest of the Invincibles, and she then regularly comments on land reform. She travels to Ireland for the first time in August 1886, staying in Killiney, County Dublin. In October 1886, she meets John Dillon, and begins to follow the Plan of Campaign so that she can discuss it with him during his visits to the Mathew house in London.
During this time, John Dillon is deeply immersed in politics, and is imprisoned on a number of occasions. Being a careful follower of Irish politics, she becomes an anti-Parnellite. She confronts John Dillon in autumn 1895 about their relationship, saying that they can no longer meet as they had become the subject of gossip. He proposes within two weeks, and they are married on November 21, 1895 in Brompton Oratory. They are busy and often apart, with Dillon spending time in a warm climate due to his ill health. She tries to accompany him when she can, but the couple’s large family makes that difficult. They have one daughter and five sons, John Dillon (1896-1970), Anne Elizabeth Dillon (born October 29, 1897), Theobald Wolfe Tone (1898-1946), Myles, James, and Brian.
Finances are strained until John’s uncle Charles bequeaths him his house, 2 North Great George’s Street, Dublin in 1898, and a business in Ballaghaderreen, County Mayo is bequeathed him by a cousin, Anne Deane, in 1905. Dillon runs the business successfully, while also carrying out duties as a politician’s wife such as opening the Belfast ladies’ branch of the United Irish League in June 1905. Her busy life results in her neglecting her diary.
Dillon dies on May 14, 1907 in Dublin, having given birth to a stillborn daughter that morning. Pneumonia is given as the cause of death, but it could have been medical incompetence. She is buried in the family vault in Glasnevin Cemetery. Her husband writes of her death in June 1907, A short narrative of the illness and death of my dearest love. Trinity College Dublin holds her diary and correspondence. Her diaries, edited by Brendan Ó Cathaoir, are published in 2019.
Richard Lalor Sheil, Irish politician, writer and orator, is born at Drumdowney, Slieverue, County Kilkenny on August 17, 1791. The family is temporarily domiciled at Drumdowney while their new mansion at Bellevue, near Waterford, is under construction.
Shiel’s father is Edward Sheil, who acquires considerable wealth in Cadiz in southern Spain and owns an estate in County Tipperary. His mother is Catherine McCarthy of Springhouse, near Bansha, County Tipperary, a member of the old aristocratic family of Mac Cárthaigh Riabhach of Springhouse, who in their time were Princes of Carbery and Counts of Toulouse in France. He is taught French and Latin by the Abbé de Grimeau, a French refugee. He is then sent to a Catholic school in Kensington, London, presided over by a French nobleman, M. de Broglie. For a time he attends the lay college in St. Patrick’s College, Maynooth. In October 1804, he is removed to Stonyhurst College, Lancashire, and in November 1807 enters Trinity College, Dublin, where he specially distinguishes himself in the debates of the Historical Society.
After taking his degree in 1811 Sheil is admitted a student of Lincoln’s Inn, and is called to the Irish bar in 1814. He is one of the founders of the Catholic Association in 1823 and draws up the petition for inquiry into the mode of administering the laws in Ireland, which is presented in that year to both Houses of Parliament.
In 1825, Sheil accompanies Daniel O’Connell to London to protest against the suppression of the Catholic Association. The protest is unsuccessful, but, although nominally dissolved, the association continues its propaganda after the defeat of the Catholic Relief Bill in 1825. He is one of O’Connell’s leading supporters in the agitation persistently carried on until Catholic emancipation was granted in 1829.
In the same year Shiel is returned to Parliament for Milborne Port, and in 1831 for County Louth, holding that seat until 1832. He takes a prominent part in all the debates relating to Ireland, and although he is greater as a platform orator than as a debater, he gradually wins the somewhat reluctant admiration of the House. In August 1839, he becomes Vice-President of the Board of Trade in Lord Melbourne‘s ministry.
After the accession of Lord John Russell to power in 1846, Shiel is appointed Master of the Mint, and in 1850 he is appointed minister at the court of Tuscany. He dies in Florence on May 23, 1851. His remains are conveyed back to Ireland by a British ship-of-war, and interred at Long Orchard, near Templetuohy, County Tipperary.
George W. E. Russell says of Shiel, “Sheil was very small, and of mean presence; with a singularly fidgety manner, a shrill voice, and a delivery unintelligibly rapid. But in sheer beauty of elaborated diction not O’Connell nor any one else could surpass him.”
Shiel’s play, Adelaide, or the Emigrants, is performed at the Crow Street Theatre in Dublin, on February 19, 1814, with success, and, on May 23, 1816, it is performed at Covent Garden in London. The Apostate, produced at the latter theatre on May 3, 1817, establishes his reputation as a dramatist. His other principal plays are Bellamira (written in 1818), Evadne (1819), Huguenot (produced in 1822) and Montini (1820).
In 1822, Sheil begins, with William Henry Curran, to contribute to The New Monthly Magazine a series of papers entitled “Sketches of the Irish Bar.” Curran, in fact, does most of the writing. These pieces are edited by Marmion Wilme Savage in 1855 in two volumes, under the title of Sketches Legal and Political. Sheil’s Speeches are edited in 1845 by Thomas MacNevin.
In 1816, Shiel marries a Miss O’Halloran, niece of Sir William MacMahon, Master of the Rolls in Ireland. They have one son, who predeceases Sheil. His wife dies in January 1822. In July 1830, he marries Anastasia Lalor Power, a widow. He then adds the middle name Lalor.
Irish painter Sir Frederic William BurtonRHA is born in County Wicklow on April 8, 1816. The third son of Samuel Frederick Burton and his wife Hanna Mallett, he is taken by his parents to live in County Clare on the west coast of Ireland at the age of six. The old Burton seat is Clifden House, Corofin, County Clare, which is built around the middle of the eighteenth century. The artist’s grandparents were Major Edward William Burton, Clifden, who was High Sheriff of Clare in 1799, and his wife, Jane Blood of nearby Roxton, County Clare. In his youth he has strong sympathy with the Young Ireland movement.
Educated in Dublin, Burton is elected an associate of the Royal Hibernian Academy at the age of twenty-one and an academician two years later. In 1842 he begins to exhibit at the Royal Academy. A visit to Germany and Bavaria in 1842 is the first of a long series of trips to various parts of Europe, which give him a profound knowledge of the works of the Old Masters. From 1851 he spends seven years working as a painter in the service of Maximilian II of Bavaria.
Burton works with George Petrie on archaeological sketches and is on the council of the Royal Irish Academy and the Archaeological Society of Ireland. He is elected an associate of the Royal Society of Painters in Watercolours in 1855, and a full member in the following year. He resigns in 1870, and is reelected as an honorary member in 1886.
During the twenty years that Burton holds this post he is responsible for many important purchases, among them Leonardo da Vinci‘s Virgin of the Rocks, Raphael‘s Ansidei Madonna, Anthony van Dyck‘s Equestrian portrait of Charles I, Hans Holbein the Younger‘s Ambassadors, and the Admiral Pulido Pareja, by Diego Velázquez (this subsequently attributed to Velázquez’s assistant Juan Bautista Martínez del Mazo). He also adds to the noted series of Early Italian pictures in the gallery. The number of acquisitions made to the collection during his period of office exceeds 500.
Burton’s best-known watercolours, The Aran Fisherman’s Drowned Child (1841) and The Meeting on Turret Stairs (1864) are in the National Gallery of Ireland. The Meeting on Turret Stairs is voted by the Irish public as Ireland’s favourite painting in 2012 from among ten works shortlisted by critics. A knighthood is conferred on him in 1884, and the degree of LL.D. of Dublin in 1889.
To make up for a deficiency in their living Hannay writes a short story and sends it to a London publisher. It is accepted for publication and he receives a check of ￡10. On his wife’s advice, he gives up writing fiction and commits himself to the study of Christian theology with her. This bears fruit with the publications of The Spirit and Origin of Christian Monasticism (1903) and The Wisdom of the Desert (1904).
Hannay then serves as rector of Holy Trinity Church in Westport, County Mayo. It is here that he makes his debut as a novelist. His early writings raise the ire of nationalist Catholics, and he withdraws from the Gaelic League in the wake of ongoing protests about the tour of his successful play General John Regan.
Hannay becomes rector of Kildare parish from 1918 to 1920, and after serving as chaplain to the Lord Lieutenant of Ireland, he joins the British ambassadorial team in Budapest in 1922. He returns to officiate at Mells, Somerset from 1924 to 1934, after which he is appointed vicar of Holy Trinity Church in the London suburb of Kensington where he serves from 1934 until his death in London on February 2, 1950.
Hannay enjoys sailing, and is taught the rudiments by his father and grandfather in Belfast. When he is based in Westport, the financial success of his writing enables him to purchase a boat, a Dublin Bay Water Wag. In recognition of Hannay, the Water Wag Club of Dun Laoghaire returns to Westport and Clew Bay in 2016. In the frontispiece of his book The Inviolable Sanctuary Hannay includes a picture of the Water Wag.
When World War I breaks out in 1914 Lea-Wilson joins the British army where he reaches the rank of captain in the 18th Royal Irish Regiment. An injury during the war forces him back to Ireland where he is stationed in Dublin, just in time for the Easter Rising in 1916.
When the week long rising ends, the rebels who had fought in the Four Courts and the GPO are marched to the Rotunda Hospital where they are kept overnight under the glare of British troops. Among those detained are leaders of the rebellion such as Sean Mac Diarmada and Tom Clarke. Clarke is singled out and subjected to public humiliation by 28-year-old British army Captain Percival Lea-Wilson.
Lea-Wilson and his soldiers walk among the captured rebels and he picks the 58-year-old Clarke out of the group. He marches Clarke to the steps of the hospital where he orders soldiers to strip him bare as nurses look on in horror from the windows above. Clarke is beaten and left there overnight in his tattered clothes. One of the prisoners, Michael Collins, who witnesses Clarke’s mistreatment at the hands of the British captain vows vengeance.
In the years following the Easter Rising, Lea-Wilson settles in Wexford where he attains the role of RIC district inspector.
On the morning of June 15, 1920, Lea-Wilson is walking back home after paying a visit to the RIC barracks in Gorey. Dressed in his civilian clothes, he stops at the local railway station where he purchases a newspaper and meets Constable Alexander O’Donnell, who accompanies him on part of his walk home.
O’Donnell and Lea-Wilson part company at the railway bridge on Ballycanew Road while further up that very same stretch of road there is a number of men standing around a parked car with its hood raised. Michael Collins had sent Liam Tobin and Frank Thornton from Dublin to meet with Joe McMahon, Michael McGrath and Michael Sinnott in Enniscorthy. They were then driven by Jack Whelan to Ballycanew Road to carry out the assassination of Lea-Wilson.
Unaware of his assassins lying in wait , Lea-Wilson is reading his paper while strolling along the road. The men by the parked car pull out revolvers when their target comes into range and two bullets strike him down. He manages to quickly get back on his feet and attempts to make an escape but his six assassins run after him and finally bring him down in a hail of bullets. A coroner’s report later states that Lea-Wilson had been shot seven times.
When the shooting ends, one of Lea-Wilson’s executioners calmly walks up to the body to make sure he is dead. He then picks up the newspaper from the ground and takes it with him. Later that evening Michael Collins is in the Wicklow Hotel in Dublin when word reaches him from Wexford of the shooting death of Lea-Wilson. Collins greets the news with glee and mentions to one of his comrades, “Well we finally got him!”
Percival Lea-Wilson is buried in Putney Vale Cemetery in southwest London. His grave is marked by a plaque which mentions his assassination in Gorey in 1920, a death which has its roots in the Easter Rising four years previously.
Born Margaret Power, she is a daughter of Edmund Power and Ellen Sheehy, small landowners. She is “haphazardly educated by her own reading and by her mother’s friend Ann Dwyer.” Her childhood is blighted by her father’s character and poverty, and her early womanhood made wretched by a compulsory marriage at the age of fifteen to Captain Maurice St. Leger Farmer, an English officer whose drunken habits finally bring him as a debtor to the King’s Bench Prison, where he dies by falling out of a window in October 1817. She had left him after three months of marriage.
Marguerite later moves to Hampshire, England to live for five years with the family of Thomas Jenkins, a sympathetic and literary sea captain. Jenkins introduces her to the Irishman Charles John Gardiner, 1st Earl of Blessington, a widower with four children and seven years her senior. They marry at St. Mary’s, Bryanston Square, Marylebone, on February 16, 1818, only four months after the death of her first husband.
Of rare beauty, charm and wit, Lady Blessington is no less distinguished for her generosity and for the extravagant tastes she shares with her second husband, which results in encumbering his estates with debt. On August 25, 1822 they set out for a continental tour with Marguerite’s youngest sister, the 21-year-old Mary Anne, and servants. On the way they meet Count Alfred D’Orsay, who had first become an intimate of Lady Blessington in London in 1821, in Avignon on November 20, 1822, before settling at Genoa for four months from March 31, 1823. There they meet Lord Byron on several occasions, giving Lady Blessington material for her Conversations with Lord Byron.
It is in Italy, on December 1, 1827, that Count D’Orsay marries Harriet Gardiner, Lord Blessington’s only daughter by his former wife. The Blessingtons and the newly-wed couple move to Paris towards the end of 1828, taking up residence in the Hôtel Maréchal Ney, where the Earl suddenly dies at the age of 46 of an apoplectic stroke in 1829. D’Orsay and Harriet then accompanied Lady Blessington to England, but the couple separates soon afterwards amidst much acrimony. D’Orsay continues to live with Lady Blessington until her death. Their home, first at Seymour Place, and afterwards Gore House, Kensington, now the site of the Royal Albert Hall, become a centre of attraction for all that is distinguished in literature, learning, art, science and fashion. Benjamin Disraeli writes Venetia whilst staying there, and it is at her home that Hans Christian Andersen first meets Charles Dickens.
After her husband’s death Lady Blessington supplements her diminished income by contributing to various periodicals as well as by writing novels. She is for some years editor of The Book of Beauty and The Keepsake, popular annuals of the day. In 1834 she publishes her Conversations with Lord Byron. Her Idler in Italy (1839–1840), and Idler in France (1841) are popular for their personal gossip and anecdotes, descriptions of nature and sentiment.
Early in 1849, Count D’Orsay leaves Gore House to escape his creditors. Subsequently the furniture and decorations are sold in a public sale successfully discharging Lady Blessington’s debts. She joins the Count in Paris, where she dies on June 4, 1849 of a burst heart. On examination it is discovered that her heart is three times normal size.
(Pictured: Marguerite, Countess of Blessington, painted by Sir Thomas Lawrence in 1822)
Growing up in London, he excels on stage at the National Youth Theatre, before being accepted at the Bristol Old Vic Theatre School, which he attends for three years. Despite his traditional actor training at the Bristol Old Vic, he is considered to be a method actor, known for his constant devotion to and research of his roles. He often remains completely in character for the duration of the shooting schedules of his films, even to the point of adversely affecting his health. He is one of the most selective actors in the film industry, having starred in only five films since 1998, with as many as five years between roles. Protective of his private life, he rarely gives interviews and makes very few public appearances.
In 2008, while receiving the Academy Award for Best Actor for There Will Be Blood from Helen Mirren, who presented the award, Day-Lewis kneels before her and she taps him on each shoulder with the Oscar statuette, to which he quips, “That’s the closest I’ll come to ever getting a knighthood.” In November 2014, Day-Lewis is formally knighted by Prince William, Duke of Cambridge at Buckingham Palace for services to drama.
James Owen Hannay, Irish 
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