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Death of Author Abraham “Bram” Stoker

Abraham “Bram” Stoker, Irish author best known today for his 1897 Gothic fiction novel Dracula, dies in London on April 20, 1912.

is born on November 8, 1847 in Clontarf, Dublin. During his lifetime, he is better known as the personal assistant of actor Henry Irving and business manager of the Lyceum Theatre, London, which Irving owns.

Stoker’s father, Abraham Stoker, is a civil servant and his mother, Charlotte Mathilda Blake Thornley, is a charity worker and writer. Stoker is a sickly child and is bedridden with an unknown illness until he starts school at the age of seven, when he makes a complete recovery. Growing up his mother tells him a lot of horror stories which may have influence on his later writings.

In 1864 Stoker enters Trinity College, Dublin. While attending college he begins working as an Irish civil servant. He also works part time as a free lance journalist and drama critic. In 1876 he meets Henry Irving, a famous actor, and they soon become friends. Not long after that, Stoker meets and falls in love with an aspiring actress named Florence Balcombe whom he marries on December 4, 1878 at St. Anne’s Parish Church, Dublin. In 1878 he accepts a job working in London as Irving’s personal secretary.

On December 9, Stoker and his new wife move to England to join Irving. His first book The Duties of Clerks of Petty Sessions in Ireland, though written while he is still in Dublin, is published in 1879. On December 30, 1879 Stoker and his wife have their only child, a son Noel. While in England Stoker also writes several novels and short stories. His first book of fiction, Under the Sunset, is published in 1881.

Stoker visits the English coastal town of Whitby in 1890, a visit that is said to be part of the inspiration for Dracula. Before writing Dracula, he meets Ármin Vámbéry, a Hungarian writer and traveler. Dracula likely emerges from Vámbéry’s dark stories of the Carpathian Mountains. Stoker then spends several years researching European folklore and mythological stories of vampires.

Dracula is an epistolary novel, written as a collection of realistic but completely fictional diary entries, telegrams, letters, ship’s logs, and newspaper clippings, all of which add a level of detailed realism to the story, a skill which Stoker develops as a newspaper writer. At the time of its publication, Dracula is considered a “straightforward horror novel” based on imaginary creations of supernatural life.

The original 541-page typescript of Dracula is believed to have been lost until it is found in a barn in northwestern Pennsylvania in the early 1980s. It consists of typed sheets with many emendations, plus handwritten on the title page is “THE UN-DEAD.” The author’s name is shown at the bottom as Bram Stoker. The typescript is purchased by Microsoft co-founder Paul Allen.

After suffering a number of strokes, Abraham “Bram” Stoker dies at No. 26 St. George’s Square, London on April 20, 1912. Some biographers attribute the cause of death to tertiary syphilis, others to overwork. He is cremated and his ashes are placed in a display urn at Golders Green Crematorium in north London.


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Birth of Composer Michael William Balfe

michael-william-balfeMichael William Balfe, Irish composer best remembered for his opera The Bohemian Girl, is born in Dublin on May 15, 1808.

Balfe’s musical gifts become apparent at an early age. He receives instruction from his father, a dancing master and violinist, and the composer William Rooke. His family moves to Wexford when he is a child.

In 1817, Balfe appears as a violinist in public, and in this year composes a ballad, first called “Young Fanny” and afterwards, when sung in Paul Pry by Lucia Elizabeth Vestris, “The Lovers’ Mistake”. In 1823, upon the death of his father, he moves to London and is engaged as a violinist in the orchestra of the Theatre Royal, Drury Lane. He eventually becomes the leader of that orchestra. While there, he studies violin with Charles Edward Horn and composition with Charles Frederick Horn.

While still playing the violin, Balfe pursues a career as an opera singer. He debuts unsuccessfully at Norwich in Carl Maria von Weber‘s Der Freischütz. In 1825, Count Mazzara takes him to Rome for vocal and musical studies and introduces him to Luigi Cherubini. In Italy, he also pursues composing, writing his first dramatic work, a ballet, La Perouse. He becomes a protégée of Gioachino Rossini‘s, and at the close of 1827, he appears as Figaro in The Barber of Seville at the Italian opera in Paris.

Balfe soon returns to Italy, where he is based for the next eight years, singing and composing several operas. In 1829 in Bologna, he composes his first cantata for the soprano Giulia Grisi, then 18 years old. He produces his first complete opera, I rivali di se stessi, at Palermo in the carnival season of 1829—1830.

Balfe returned to London in May 1835. His initial success takes place some months later with the premiere of The Siege of Rochelle on October 29, 1835 at Drury Lane. Encouraged by his success, he produces The Maid of Artois in 1836, which is followed by more operas in English. In July 1838, Balfe composes a new opera, Falstaff, for The Italian Opera House, based on The Merry Wives of Windsor, with an Italian libretto by S. Manfredo Maggione.

In 1841, Balfe founds the National Opera at the Lyceum Theatre, but the venture is a failure. The same year, he premieres his opera, Keolanthe. He then moves to Paris, presenting Le Puits d’amour in early 1843, followed by his opera based on Les quatre fils Aymon for the Opéra-Comique and L’étoile de Seville for the Paris Opera. Meanwhile, in 1843, he returns to London where he produces his most successful work, The Bohemian Girl, on November 27, 1843 at the Theatre Royal, Drury Lane. The piece runs for over 100 nights, and productions are soon mounted in New York, Dublin, Philadelphia, Vienna, Sydney, and throughout Europe and elsewhere.

From 1846 to 1852, Balfe is appointed musical director and principal conductor for the Italian Opera at Her Majesty’s Theatre. There he first produces several of Giuseppe Verdi‘s operas for London audiences. He conducts for Jenny Lind at her opera debut and on many occasions thereafter.

In 1851, in anticipation of The Great Exhibition in London, Balfe composes an innovative cantata, Inno Delle Nazioni, sung by nine female singers, each representing a country. He continues to compose new operas in English, including The Armourer of Nantes (1863), and writes hundreds of songs. His last opera, nearly completed when he dies, is The Knight of the Leopard and achieves considerable success in Italian as Il Talismano.

Balfe retires in 1864 to Hertfordshire, where he rents a country estate. He dies at his home in Rowney Abbey, Ware, Hertfordshire, on October 20, 1870 and is buried at Kensal Green Cemetery in London, next to fellow Irish composer William Vincent Wallace. In 1882, a medallion portrait of him is unveiled in Westminster Abbey.

In all, Balfe composes at least 29 operas. He also writes several cantatas and a symphony. His only large-scale piece that is still performed regularly today is The Bohemian Girl.

 


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Birth of Ninette de Valois, Dancer & Choreographer

ninette-de-valoisDame Ninette de Valois, Irish-born British ballet dancer, choreographer, and founder of the company that in October 1956 becomes the Royal Ballet, is born Edris Stannus at Baltyboys House in Blessington, County Wicklow on June 6, 1898. She is influential in establishing ballet in England.

In 1908, at the age of ten, de Valois starts attending ballet lessons. At the age of thirteen she begins her professional training at the Lila Field Academy for Children. It is at this time that she changes her name and makes her professional debut as a principal dancer in pantomime at the Lyceum Theatre in the West End.

In 1919, at the age of 21, de Valois is appointed principal dancer of the Beecham Opera Company, which is then the resident opera company at the Royal Opera House. She continues to study ballet with notable teachers, including Edouard Espinosa, Enrico Cecchetti and Nicholas Legat.

In 1923, de Valois joins Sergei Diaghilev’s Ballets Russes as a soloist. At age 26, however, she quits performing after learning she is suffering from an undiagnosed case of childhood polio. In 1926 she founds her own school, the Academy of Choreographic Art, in London. She also produces dances for Lennox Robinson at the Abbey Theatre in Dublin and for Terence Gray at the Cambridge Festival Theatre.

The success of de Valois’s ballet Job: A Masque for Dancing for the Camargo Society in 1931, followed by her association with Lilian Baylis, director of the Old Vic Theatre, leads to the founding in 1931 of the Vic-Wells Ballet Company and the Sadler’s Wells School. She traces the history of the company, from its founding until it becomes the Royal Ballet in 1956, in Invitation to the Ballet (1937) and Come Dance with Me (1957).

Besides directing the company that she created, de Valois choreographs numerous ballets, including Checkmate (1937) and Don Quixote (1950). By drawing from English tradition for her choreographic material, as in The Rake’s Progress (1935), inspired by William Hogarth’s series of engravings, and The Prospect Before Us (1940), modeled on Thomas Rowlandson’s caricature of the same name, she creates a uniquely national ballet company. Her narrative ballets include prominent roles for male dancers, giving them artistic opportunities often neglected by other choreographers.

In 1963 de Valois retires as director of the Royal Ballet, although she remains head of the school until 1972. She is created a Dame of the British Empire in 1951 and is named Companion of Honour in 1980.

de Valois keeps her private life very distinct from her professional life, making only the briefest of references to her marriage to Dr. Arthur Blackall Connell, a physician and surgeon from Wandsworth, in her autobiographical writings. In April 1964 she is the subject of This Is Your Life, when she is surprised by Eamonn Andrews at the home of the dancer Frederick Ashton in London. She continues to make public appearances until her death in London on March 8, 2001 at the age of 102.

(Pictured: Ninette de Valois, circa early 1920s)


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Death of Composer Michael William Balfe

michael-william-balfeMichael William Balfe, Irish composer best remembered for his opera The Bohemian Girl, dies in Dublin on October 20, 1870.

Balfe is born in Dublin on May 15, 1808, where his musical gifts become apparent at an early age. He receives instruction from his father, a dancing master and violinist, and the composer William Rooke. His family moves to Wexford when he is a child.

In 1817, Balfe appears as a violinist in public, and in this year composes a ballad, first called “Young Fanny” and afterwards, when sung in Paul Pry by Lucia Elizabeth Vestris, “The Lovers’ Mistake”. In 1823, upon the death of his father, he moves to London and is engaged as a violinist in the orchestra of the Theatre Royal, Drury Lane. He eventually becomes the leader of that orchestra. While there, he studies violin with Charles Edward Horn and composition with Charles Frederick Horn.

While still playing the violin, Balfe pursues a career as an opera singer. He debuts unsuccessfully at Norwich in Carl Maria von Weber‘s Der Freischütz. In 1825, Count Mazzara takes him to Rome for vocal and musical studies and introduces him to Luigi Cherubini. In Italy, he also pursues composing, writing his first dramatic work, a ballet, La Perouse. He becomes a protégée of Gioachino Rossini‘s, and at the close of 1827, he appears as Figaro in The Barber of Seville at the Italian opera in Paris.

Balfe soon returns to Italy, where he is based for the next eight years, singing and composing several operas. In 1829 in Bologna, he composes his first cantata for the soprano Giulia Grisi, then 18 years old. He produces his first complete opera, I rivali di se stessi, at Palermo in the carnival season of 1829—1830.

Balfe returned to London in May 1835. His initial success takes place some months later with the premiere of The Siege of Rochelle on October 29, 1835 at Drury Lane. Encouraged by his success, he produces The Maid of Artois in 1836, which is followed by more operas in English. In July 1838, Balfe composes a new opera, Falstaff, for The Italian Opera House, based on The Merry Wives of Windsor, with an Italian libretto by S. Manfredo Maggione.

In 1841, Balfe founds the National Opera at the Lyceum Theatre, but the venture is a failure. The same year, he premieres his opera, Keolanthe. He then moves to Paris, presenting Le Puits d’amour in early 1843, followed by his opera based on Les quatre fils Aymon for the Opéra-Comique and L’étoile de Seville for the Paris Opera. Meanwhile, in 1843, he returns to London where he produces his most successful work, The Bohemian Girl, on November 27, 1843 at the Theatre Royal, Drury Lane. The piece runs for over 100 nights, and productions are soon mounted in New York, Dublin, Philadelphia, Vienna, Sydney, and throughout Europe and elsewhere.

From 1846 to 1852, Balfe is appointed musical director and principal conductor for the Italian Opera at Her Majesty’s Theatre. There he first produces several of Giuseppe Verdi‘s operas for London audiences. He conducts for Jenny Lind at her opera debut and on many occasions thereafter.

In 1851, in anticipation of The Great Exhibition in London, Balfe composes an innovative cantata, Inno Delle Nazioni, sung by nine female singers, each representing a country. He continues to compose new operas in English, including The Armourer of Nantes (1863), and writes hundreds of songs. His last opera, nearly completed when he dies, is The Knight of the Leopard and achieves considerable success in Italian as Il Talismano.

Balfe retires in 1864 to Hertfordshire, where he rents a country estate. He dies at his home in Rowney Abbey, Ware, Hertfordshire, on October 20, 1870 and is buried at Kensal Green Cemetery in London, next to fellow Irish composer William Vincent Wallace. In 1882, a medallion portrait of him is unveiled in Westminster Abbey.

In all, Balfe composes at least 29 operas. He also writes several cantatas and a symphony. His only large-scale piece that is still performed regularly today is The Bohemian Girl.


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Birth of John Brougham, Actor & Dramatist

john-broughamJohn Brougham, Irish American actor and dramatist, is born in Dublin on May 9, 1814.

Brougham’s father is an amateur painter, and dies young. His mother is the daughter of a Huguenot, whom political adversity has forced into exile. He is the eldest of three children. Both of his siblings die in youth, and, the father being dead and the widowed mother left penniless, he is reared in the family and home of an uncle.

Brougham is prepared for college at an academy at Trim, County Meath, twenty miles from Dublin, and subsequently is sent to the University of Dublin. There he acquires classical learning, and forms interesting and useful associations and acquaintances. He also becomes interested in private theatricals. He falls in with a crowd that puts on their own shows, cast by drawing parts out of a hat. Though he most always trades off larger roles so he can pay attention to his studies, he takes quite an interest in acting. He is a frequent attendant, moreover, at the Theatre Royal in Hawkins Street.

Brougham is educated with the intention of his becoming a surgeon and walks the Peth Street Hospital for eight months. However, misfortune comes upon his uncle so he is obliged to provide for himself. Before leaving the university he, by chance, becomes acquainted with the actress Lucia Elizabeth Vestris.

Brougham goes to London in 1830 and, after a brief experience of poverty, suddenly determines to become an actor. He is destitute of everything except fine apparel and he has actually taken the extreme step of offering himself as a cadet in the service of the East India Company. But, being dissuaded by the enrolling officer, who lends him a guinea and advises him to seek other employment, and happening to meet with a festive acquaintance, he seeks recreation at the Tottenham Theatre where Madame Vestris is acting.

Brougham’s acquaintance with Madame Vestris leads to him being engaged at the theatre, and he thus makes his first appearance on the London stage in July in Tom and Jerry, in which he plays six characters. In 1831 he is a member of Madame Vestris’s company and writes his first play, a burlesque. He remains with Madame Vestris as long as she and Charles Mathews retain Covent Garden Theatre, and he collaborates with Dion Boucicault in writing London Assurance, the role of Dazzle being one of those with which he becomes associated. His success at small or “low” comic roles such as Dazzle earn him the nickname “Little Johnny Brougham,” a moniker which he embraces and which boosts his popularity with working-class audiences.

In 1840 Brougham manages the Lyceum Theatre, for which he writes several light burlesques, but in 1842 he moves to the United States, where he becomes a member of William Evans Burton‘s company, for which he writes several comedies, including Met-a-mora; or, the Last of the Pollywogs, a parody of John A. Stone and Edwin Forrest’s Metamora; or The Last of the Wamponoags, and Irish Yankee; or, The Birthday of Freedom.

Later Brougham is the manager of Niblo’s Garden, and in 1850 opens Brougham’s Lyceum, which, like his next speculation, the lease of the Bowery Theatre, is not a financial success, despite the popularity of such works as Po-ca-hon-tas; or, The Gentle Savage. He is later connected with James William Wallack‘s and Augustin Daly‘s theatres, and writes plays for both.

In 1860 Brougham returns to London, where he adapts or writes several plays, including The Duke’s Motto for Charles Fechter. In November 1864 he appears at the Theatre Royal in his native Dublin in the first performance of Dion Boucicault’s Arrah-na-Pogue with Boucicault, Samuel Johnson and Samuel Anderson Emery in the cast.

After the American Civil War Brougham returns to New York City. Brougham’s Theatre is opened in 1869 with his comedies Better Late than Never and Much Ado About a Merchant of Venice, but this managerial experience is also a failure due to disagreements with his business partner, James Fisk. He then takes to playing the stock market. His last appearance onstage is in 1879 as “O’Reilly, the detective” in Boucicault’s Rescued.

John Brougham dies in Manhattan on June 7, 1880.

 


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Birth of Irish Author Abraham “Bram” Stoker

Abraham “Bram” Stoker, Irish author best known today for his 1897 Gothic fiction novel Dracula, is born on November 8, 1847 in Clontarf, Dublin. During his lifetime, he is better known as the personal assistant of actor Henry Irving and business manager of the Lyceum Theatre, London, which Irving owns.

Stoker’s father, Abraham Stoker, is a civil servant and his mother, Charlotte Mathilda Blake Thornley, is a charity worker and writer. Stoker is a sickly child and is bedridden with an unknown illness until he starts school at the age of seven, when he makes a complete recovery. Growing up his mother tells him a lot of horror stories which may have influence on his later writings.

In 1864 Stoker enters Trinity College, Dublin. While attending college he begins working as an Irish civil servant. He also works part time as a free lance journalist and drama critic. In 1876 he meets Henry Irving, a famous actor, and they soon become friends. Not long after that, Stoker meets and falls in love with an aspiring actress named Florence Balcombe whom he marries on December 4, 1878 at St. Anne’s Parish Church, Dublin. In 1878 he accepts a job working in London as Irving’s personal secretary.

On December 9, Stoker and his new wife move to England to join Irving. His first book The Duties of Clerks of Petty Sessions in Ireland though written while he is still in Dublin, is published in 1879. On December 30, 1879 Stoker and his wife have their only child, a son Noel. While in England Stoker also writes several novels and short stories. His first book of fiction, Under the Sunset, is published in 1881.

Stoker visits the English coastal town of Whitby in 1890, a visit that is said to be part of the inspiration for Dracula. Before writing Dracula, he meets Ármin Vámbéry, a Hungarian writer and traveller. Dracula likely emerges from Vámbéry’s dark stories of the Carpathian Mountains. Stoker then spends several years researching European folklore and mythological stories of vampires.

Dracula is an epistolary novel, written as a collection of realistic but completely fictional diary entries, telegrams, letters, ship’s logs, and newspaper clippings, all of which add a level of detailed realism to the story, a skill which Stoker develops as a newspaper writer. At the time of its publication, Dracula is considered a “straightforward horror novel” based on imaginary creations of supernatural life.

The original 541-page typescript of Dracula is believed to have been lost until it is found in a barn in northwestern Pennsylvania in the early 1980s. It consists of typed sheets with many emendations, plus handwritten on the title page is “THE UN-DEAD.” The author’s name is shown at the bottom as Bram Stoker. The typescript is purchased by Microsoft co-founder Paul Allen.

After suffering a number of strokes, Abraham “Bram” Stoker dies at No. 26 St. George’s Square, London on April 20, 1912. Some biographers attribute the cause of death to tertiary syphilis, others to overwork. He is cremated and his ashes are placed in a display urn at Golders Green Crematorium in north London.


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Birth of Stage Actress Julia Betterton Glover

julia-betterton-gloverJulia Betterton Glover, Irish-born stage actress well known for her comic roles in the late 18th and 19th centuries, is born on January 8, 1779 in Newry, Northern Ireland.

“Betterton” is not her real name, despite her father`s promotion of the fiction. She is born Julianna Butterton, the daughter of the Newry`s theatre manager William Butterton. His venture fails and he decides there will be financial benefit to him if her name is changed to “Betterton,” claiming links to a famous actor and long dead Thomas Betterton. With this deception he and his family travel round the theatres and the young Julia is acclaimed as an infant acting prodigy in York, the West Country, Bath, and elsewhere.

In 1787, she joins the York Circuit under manager Tate Wilkinson and appears as the Page in Thomas Otway‘s The Orphan, as well as the Duke of York with George Frederick Cooke in Richard III. When Cooke is cast as Glumdalca, the Queen of the Giants, in Henry Fielding‘s burlesque play Tom Thumb, Cooke chooses Julia to play the title role.

In 1790, at age nine, she makes her debut in Scotland at the Dumfries Theatre Royal. In 1795 she goes to Bath and plays the parts of Juliet, Imogen, Desdemona, Lady Macbeth, and Lydia Languish. She becomes well known, particularly praised for her comic role as Languish, and news of her success reaches London. A number of job offers are made, but they are declined by her father. He eventually accepts a lucrative offer, taking her salary for himself, for which she makes her London début in 1797 as Percy by Hannah More.

In 1800, her father sells her in marriage to Samuel Glover, the son of an industrial family from Birmingham, for £1, 000, although the money is never paid. Unhappily married, she has eight children, four of whom survive childhood. In 1820, she plays Hamlet at the Lyceum Theatre to critical acclaim. In 1822, she appears as Nurse in Romeo and Juliet at the Theatre Royal, Drury Lane. Her daughter Phyllis plays Juliet. On February 8, 1837, her father, with whom she has had an unhappy relationship, dies.

One of her sons is Edmund Glover and another is William Howard Glover. In 1850, Glover announces her retirement from the stage. After two weeks confined to her bed, she appears at Drury Lane for her farewell benefit performance on July 12, 1850 as Mrs. Malaprop in The Rivals. She is noticeably ill and weak during her performance and is unable to stand to receive her applause at the end of the play. Instead, the curtain rises to reveal Glover seated, surrounded by the rest of the cast. She dies in London four days later on July 16, 1850. She is buried in St. George’s Churchyard Gardens in London.


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Publication of Bram Stoker’s “Dracula”

dracula-1st-editionThe Gothic horror novel Dracula, written by Bram Stoker of Dublin, is first published on May 26, 1897. The novel tells the story of Dracula’s attempt to move from Transylvania to England so that he may find new blood and spread the undead curse, and of the battle between Dracula and a small group of men and women led by Professor Abraham Van Helsing.

Between 1879 and 1898, Stoker is a business manager for the world-famous Lyceum Theatre in London, where he supplements his income by writing a large number of sensational novels, including the vampire tale Dracula. Parts of the novel are set around the town of Whitby, where he spends summer holidays.

Throughout the 1880s and 1890s, authors such as H. Rider Haggard, Rudyard Kipling, Robert Louis Stevenson, Arthur Conan Doyle, and H. G. Wells write many tales in which fantastic creatures threaten the British Empire. Invasion literature is at a peak, and Stoker’s formula of an invasion of England by continental European influences is very familiar by 1897 to readers of fantastic adventure stories. Victorian readers enjoy Dracula as a good adventure story like many others, but it does not reach its iconic legendary status until later in the 20th century when film versions begin to appear.

Before writing Dracula, Stoker spends seven years researching European folklore and stories of vampires, being most influenced by Emily Gerard‘s 1885 essay Transylvania Superstitions. Later he also claims that he has a nightmare, caused by eating too much crab meat covered with mayonnaise sauce, about a “vampire king” rising from his grave.

Despite being the most widely known vampire novel, Dracula is not the first. It is preceded and partly inspired by Sheridan Le Fanu‘s 1871 Carmilla, about a lesbian vampire who preys on a lonely young woman, and by Varney the Vampire, a lengthy penny dreadful serial from the mid-Victorian period by James Malcolm Rymer. John Polidori creates the image of a vampire portrayed as an aristocratic man, like the character of Dracula, in his tale The Vampyre in 1819.

The Lyceum Theatre where Stoker works between 1878 and 1898 is headed by actor-manager Henry Irving, who is Stoker’s real-life inspiration for Dracula’s mannerisms and who Stoker hopes would play Dracula in a stage version. Irving never does agree to do a stage version, but Dracula’s dramatic sweeping gestures and gentlemanly mannerisms draw their living embodiment from Irving.

The Dead Un-Dead is one of Stoker’s original titles for Dracula, and the manuscript is entitled simply The Un-Dead up until a few weeks before publication. Stoker’s notes for Dracula show that the name of the count is originally “Count Wampyr”, but Stoker becomes intrigued by the name “Dracula” while doing research, after reading William Wilkinson‘s book An Account of the Principalities of Wallachia and Moldavia with Political Observations Relative to Them (London 1820), which he finds in the Whitby Library and consults a number of times during visits to Whitby in the 1890s. The name Dracula is the patronym of the descendants of Vlad II of Wallachia, who takes the name “Dracul” after being invested in the Order of the Dragon in 1431. In the Romanian language, the word dracul can mean either “the dragon” or, especially in the present day, “the devil.”

Dracula is copyrighted in the United States in 1899 with the publication by Doubleday & McClure of New York. However, when Universal Studios purchases the rights, it comes to light that Bram Stoker has not complied with a portion of U.S. copyright law, placing the novel into the public domain. In the United Kingdom and other countries following the Berne Convention on copyrights, the novel is under copyright until April 1962, fifty years after Stoker’s death.

F. W. Murnau‘s unauthorized film adaptation Nosferatu is released in 1922, and the popularity of the novel increases considerably, owing to the controversy caused when Stoker’s widow tries to have the film removed from public circulation. Florence Stoker sues the film company and wins, however, the company is bankrupt, and Stoker only recovers her legal fees and an order by the court for all copies of the film to be destroyed. Some copies survive and find their way into theatres. Eventually, Florence Stoker simply gives up the fight against public displays of the film.

Dracula has been assigned to many literary genres including vampire literature, horror fiction, gothic fiction, and invasion literature. Stoker does not invent the vampire but he defines its modern form, and the novel has spawned numerous theatrical, film, and television interpretations.