seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of John Kells Ingram, Economist & Poet

CREATOR: gd-jpeg v1.0 (using IJG JPEG v62), quality = 90John Kells Ingram, economist and poet who starts his career as a mathematician, is born into an Ulster Scots family on July 7, 1823 at the Rectory of Templecarne (Aghnahoo), just south of Pettigo, County Donegal. He has been co-credited, along with John William Stubbs, with introducing the geometric concept of inversive geometry.

Ingram enters Trinity College, Dublin on October 13, 1837. He is elected a Scholar of Trinity College in 1840, graduates with a BA in mathematics in 1842, and is awarded an MA in 1850. In 1852 he becomes a professor of oratory at Trinity and writes extensively on Shakespeare. He shows considerable promise in both mathematics and classics and achieves early popularity as a poet. He has a distinguished career at Trinity, spanning over fifty-five years, as a student, fellow and professor, successively of Oratory, English Literature, Jurisprudence and Greek, subsequently becoming the College Librarian and ultimately its Vice Provost.

One evening in March 1843 Ingram writes a poem for which he is best remembered, a political ballad called “The Memory of the Dead” in honour of the Irish Rebellion of 1798 led by the Society of United Irishmen. The poem is published anonymously on April 1, 1843 in Thomas Davis‘s The Nation newspaper although its authorship is an open secret in Dublin. It is set to music for voice and piano in 1845 by John Edward Pigot and becomes a popular Irish nationalist anthem. It is one of the best-known of Irish Republican songs and is often played by the piper at Republican funerals.

In 1847 Ingram helps to found the Statistical and Social Inquiry Society of Ireland. His early economic writings deal mainly with the Poor Law, which in theory is supposed to provide relief for the poor but in reality does little to alleviate the distress in Ireland. Strongly influenced by the French sociologist Auguste Comte, he rejects the more isolated approach of classical economics which builds on the assumption that people try to do the best they can. Instead he seeks to develop a unified theory of economics along the lines of Comtean positivist philosophy, which seeks ways for economic policies to contribute to the good of society. His writings on this topic include the essay “Present Position and Prospects of Political Economy” (1878) and A History of Political Economy (1888).

John Kells Ingram dies on May 1, 1907 in his home at 38 Upper Mount Street, Dublin, where he had lived since 1884. He is buried in Mount Jerome Cemetery.


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Birth of Benjamin Lee Guinness

benjamin-lee-guinnessSir Benjamin Lee Guinness, 1st Baronet, Irish brewer and philanthropist, is born in Dublin on November 1, 1798.

Guinness is the third son of Arthur Guinness II (1768–1855), and his wife Anne Lee, and a grandson of the first Arthur (1725–1803), who had bought the St. James’s Gate Brewery in 1759. He joins his father in the business in his late teens, without attending university, and from 1839 he takes sole control within the family. From 1855, when his father dies, he has become the richest man in Ireland, having built up a huge export trade and by continually enlarging his brewery.

In 1851 Guinness is elected the first Lord Mayor of Dublin under the reformed corporation. In 1863 he is made an honorary LL.D. (Doctor of Laws) by Trinity College Dublin, and on April 15, 1867 is created a baronet by patent, in addition to which, on May 18, 1867, by royal licence, he has a grant of supporters to his family arms.

Guinness is elected to the House of Commons of the United Kingdom in 1865 as a Conservative Party representative for Dublin City, serving until his death. His party’s leader is Edward Smith-Stanley, 14th Earl of Derby. Previously he had supported the Liberal Party‘s Henry John Temple, 3rd Viscount Palmerston, but in the 1860s the Liberals propose higher taxation on drinks such as beer. Before 1865 the Irish Conservative Party does not entirely support British conservative policy, but does so after the Irish Church Act 1869. The government’s most notable reform is the Reform Act 1867 that expands the franchise.

From 1860 to 1865, Guinness undertakes at his own expense, and without hiring an architect, the restoration of the city’s St. Patrick’s Cathedral, an enterprise that costs him over £150,000. In 1865 the building is restored to the dean and chapter, and reopens for services on February 24. The citizens of Dublin and the dean and chapter of St. Patrick’s present him with addresses on December 31, 1865, expressive of their gratitude for what he has done for the city. The addresses are in two volumes, which are afterwards exhibited at the Paris Exhibition.

In recognition of his generosity, Guinness is made a baronet in 1867. He is one of the ecclesiastical commissioners for Ireland, a governor of Simpson’s Hospital, and vice-chairman of the Dublin Exhibition Palace. He dies the following year, on May 19, 1868, at his Park Lane home in London. At the time of his death he is engaged in the restoration of Marsh’s Library, a building which adjoins St. Patrick’s Cathedral. The restoration is completed by his son Arthur.

Guinness is buried in Mount Jerome Cemetery, Dublin, in the family vault, on May 27, 1868. His personalty is sworn under £1,100,000 on August 8, 1868. A bronze statue of him by John Henry Foley is erected by the Cathedral Chapter in St. Patrick’s churchyard, on the south side of the cathedral, in September 1875, which is restored in 2006.


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Death of Activist James Haughton

james-haughtonJames Haughton, Irish social reformer and temperance activist, dies in Dublin on February 20, 1873.

Haughton, son of Samuel Pearson Haughton (1748–1828), by Mary, daughter of James Pim of Rushin, Queen’s County (now County Laois), is born in Carlow, County Carlow, and educated at Ballitor, County Kildare, from 1807 to 1810, under James White, a quaker. After filling several situations to learn his business, in 1817 he settles in Dublin, where he becomes a corn and flour factor, in partnership with his brother William. He retires in 1850. Although educated as a Friend, he joins the Unitarians in 1834, and remains throughout his life a strong believer in their tenets.

Haughton supports the anti-slavery movement at an early period and takes an active part in it until 1838, going in that year to London as a delegate to a convention. Shortly after the Temperance campaigner Father Theobald Mathew takes the pledge, on April 10, 1838, Haughton becomes one of his most devoted disciples. For many years he gives most of his time and energies to promoting total abstinence and to advocating legislative restrictions on the sale of intoxicating drinks.

In December 1844 Haughton is the chief promoter of a fund which is raised to pay some of the debts of Father Mathew and release him from prison. About 1835 he commences a series of letters in the public press which make his name widely known. He writes on temperance, slavery, British India, peace, capital punishment, sanitary reform, and education. His first letters are signed “The Son of a Water Drinker,” but he soon commences using his own name and continues to write until 1872.

Haughton takes a leading part in a series of weekly meetings which are held in Dublin in 1840, when so numerous are the social questions discussed that a newspaper editor calls the speakers the “Anti-everythingarians.” In association with Daniel O’Connell, of whose character he has a very high opinion, he advocates various plans for the amelioration of the condition of Ireland and the Repeal of the Union, but is always opposed to physical force.

Haughton becomes a vegetarian in 1846, both on moral and sanitary grounds. For two or three years before his death he is president of the Vegetarian Society of the United Kingdom. He is one of the first members of the Statistical Society of Dublin (1847), a founder of the Dublin Mechanics’ Institute (1849), in the same year is on the committee of the Dublin Peace Society, aids in abolishing Donnybrook Fair in 1855, and takes a chief part in 1861 in opening the National Botanic Gardens at Glasnevin on Sundays.

James Haughton dies at 35 Eccles Street, Dublin, on February 20, 1873, and is buried in Mount Jerome Cemetery on February 24 in the presence of an immense crowd of people.

Haughton’s son, Samuel Haughton, publishes a memoir of his father’s life including extracts from his public correspondence in 1877.


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Death of George Petrie, Painter & Musician

george-petrieGeorge Petrie, Irish painter, musician, antiquary and archaeologist of the Victorian era dies on January 17, 1866.

Petrie is born and grows up in Dublin, living at 21 Great Charles Street, just off Mountjoy Square. He is the son of the portrait and miniature painter James Petrie, a native of Aberdeen, Scotland, who had settled in Dublin. He is interested in art from an early age. He is sent to the Royal Dublin Society‘s schools, being educated as an artist, where he wins the silver medal in 1805 at the age of fourteen.

After an abortive trip to England in the company of Francis Danby and James Arthur O’Connor, both of whom are close friends of his, he returns to Ireland where he works mostly producing sketches for engravings for travel books including among others, George Newenham Wright‘s guides to Killarney, Wicklow and Dublin, Thomas Cromwell‘s Excursions through Ireland, and James Norris Brewer‘s Beauties of Ireland.

In the late 1820s and 1830s, Petrie significantly revitalises the Royal Irish Academy‘s antiquities committee. He is responsible for their acquisition of many important Irish manuscripts, including an autograph copy of the Annals of the Four Masters, as well as examples of insular metalwork, including the Cross of Cong. His writings on early Irish archaeology and architecture are of great significance, especially his essay on the Round Towers of Ireland, which appear in his 1845 book titled The Ecclesiastical Architecture of Ireland. He is often called “the father of Irish archaeology.” His survey of the tombs at Carrowmore still informs study of the site today.

From 1833 to 1843 Petrie is employed by Thomas Frederick Colby and Thomas Larcom as head of the Topographical Department of the Irish Ordnance Survey. Amongst his staff are John O’Donovan, one of Ireland’s greatest ever scholars, and Eugene O’Curry. A prizewinning essay submitted to the Royal Irish Academy in 1834 on Irish military architecture is never published, but his seminal essay On the History and Antiquities of Tara Hill is published by the Academy in 1839. During this period Petrie is himself the editor of two popular antiquarian magazines, the Dublin Penny Journal and, later, the Irish Penny Journal.

Another major contribution of Petrie’s to Irish culture is the collection of Irish traditional airs and melodies which he records. William Stokes’s contemporary biography includes detailed accounts of Petrie’s working methods in his collecting of traditional music: “The song having been given, O’Curry wrote the Irish words, when Petrie’s work began. The singer recommenced, stopping at a signal from him at every two or three bars of the melody to permit the writing of the notes, and often repeating the passage until it was correctly taken down …”

As an artist, Petrie’s favourite medium is watercolour which, due to the prejudices of the age, is considered inferior to oil painting. Nonetheless, he can be considered as one of the finest Irish Romantic painters of his era. Some of his best work is in the collections of the National Gallery of Ireland, such as his watercolour painting Gougane Barra Lake with the Hermitage of St. Finbarr, County Cork (1831).

Petrie is awarded the Royal Irish Academy’s prestigious Cunningham Medal three times: firstly in 1831 for his essay on the round towers, secondly in 1834 for the now lost essay on Irish military architecture, and thirdly in 1839 for his essay on the antiquities of Tara Hill.

The closing years of Petrie’s life are devoted to the publication of a portion of his collection of Irish music. He dies at the age of 77 at Rathmines, Dublin, on January 17, 1866. He is buried in Mount Jerome Cemetery.


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Birth of Edward Pakenham, 6th Earl of Longford

Francis Pakenham, 7th Earl of LongfordEdward Arthur Henry Pakenham, 6th Earl of Longford and an Irish peer, politician, and littérateur, is born on December 29, 1902. Also known as Eamon de Longphort, he is a member of the fifth Seanad Éireann, the upper house of the Oireachtas, in the 1940s.

Pakenham is the elder son of Thomas Pakenham, 5th Earl of Longford and Mary, Countess of Longford, née Child-Villiers. He is the only one of the Pakenham children on whom his mother dotes, apparently because he is to succeed to the earldom on his father’s death and because he is always in delicate health.

As a pupil at Eton College, where he twice received the Wilder Divinity Prize, Pakenham succeeds to the earldom when his father is killed in action at the Battle of Gallipoli on August 21, 1915. He is an Irish Nationalist since his days at Eton, taking inspiration from the Easter Rising in 1916 and the Russian Revolution of 1917. He learned Irish and adopted the name Eamon de Longphort.

Pakenham becomes an undergraduate at Christ Church, Oxford and meets his future wife, Christine Patti Trew, an Oxford “undergraduette.” They are married on July 18, 1925. His political views make him unpopular at both Eton and Christ Church, where he is famously put in “Mercury,” the pond containing a statue of Mercury in Tom Quad.

Pakenham becomes Chairman of the Gate Theatre in Dublin in 1930 and continues to work for the theatre until 1936, when he founds the Longford Players. His plays include Ascendancy, The Melians, The Vineyard, and Yahoo. An excellent linguist and Classical scholar, he translates Le Bourgeois gentilhomme, Le Malade Imaginaire, L’école des femmes, Tartuffe, Le Barbier de Séville, Agamemnon and Oedipus Rex and adapts the novella Carmilla for the stage.

Pakenham also has several volumes of poetry published, some at the expense of his mother when he is still at Eton, but he is not considered to have been a very good poet.

Pakenham is an Anglo-Catholic who never leaves the Church of Ireland. On November 13, 1946 he is nominated by the Taoiseach, Éamon de Valera, as a member of 5th Seanad Éireann, filling a vacancy caused by the death of Professor William Magennis. He is not re-appointed to the 6th Seanad.

Pakenham often collaborates with his wife with whom he is also responsible for redecorating Pakenham Hall, now Tullynally Castle, in Chinese style. Pakenham Hall is often the scene of gatherings of Oxford-educated intellectuals such as John Betjeman, Evelyn Waugh, and Maurice Bowra.

Edward Pakenham dies without issue on February 4, 1961, and is succeeded by his younger brother Frank. He is buried at Mount Jerome Cemetery in Dublin.


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Death of Irish Language Writer Máirtín Ó Cadhain

Máirtín Ó Cadhain, one of the most prominent Irish language writers of the twentieth century, dies on October 18, 1970. Perhaps best known for his 1949 work Cré na Cille, Ó Cadhain plays a key role in bringing literary modernism to contemporary Irish language literature.

Born in Connemara, County Galway, Ó Cadhain becomes a schoolteacher but is dismissed due to his membership in the Irish Republican Army (IRA). In the 1930s he serves as an IRA recruiting officer, enlisting fellow writer Brendan Behan, and participates in the land campaign of the native speakers, which leads to the establishment of the Ráth Cairn neo-Gaeltacht in County Meath. Subsequently, he is arrested and interned in the Curragh Camp in County Kildare during the Emergency years due to his continued involvement in the violent activities of the IRA.

Ó Cadhain’s politics are a nationalist mix of Marxism and social radicalism tempered with a rhetorical anti-clericalism. In his writings concerning the future of the Irish language he is, however, practical about the position of the Catholic Church as a social and societal institution, craving rather for a wholehearted commitment to the language cause even among Catholic churchmen. It is his view that, as the Church is there anyway, it would be better if it were more willing to address the Faithful in the national idiom.

As a writer, Ó Cadhain is acknowledged to be a pioneer of Irish language modernism. His Irish is the dialect of Connemara but he is happy to cannibalise other dialects, classical literature and even Scots Gaelic for the sake of linguistic and stylistic enrichment of his own writings. Consequently, much of what he writes is reputedly hard to read for a non-native speaker.

Ó Cadhain is a prolific writer of short stories. His collections of short stories include Cois Caoláire, An Braon Broghach, Idir Shúgradh agus Dháiríre, An tSraith Dhá Tógáil, An tSraith Tógtha and An tSraith ar Lár. He also writes three novels, of which only Cré na Cille is published during his lifetime. The other two, Athnuachan and Barbed Wire, appear in print only recently. He translates Charles Kickham‘s novel Sally Kavanagh into Irish as Saile Chaomhánach, nó na hUaigheanna Folmha. He also writes several political or linguo-political pamphlets. His political views can most easily be discerned in a small book about the development of Irish nationalism and extremism since Theobald Wolfe Tone, Tone Inné agus Inniu. In the early 1960s he writes, partly in Irish, partly in English, a comprehensive survey of the social status and actual use of the language in the west of Ireland, published as An Ghaeilge Bheo – Destined to Pass. In August 1969 he delivers a speech, published as Gluaiseacht na Gaeilge: Gluaiseacht ar Strae, in which he speaks of the role Irish speakers should take in ‘Athghabháil na hÉireann’, or the Re-Conquest of Ireland as James Connolly first coins the term.

He and Diarmaid Ó Súilleabháin are considered the two most innovative Gaelic authors to emerge in the 1960s. He has frequent difficulties to get his work edited, but unpublished writings have appeared at least every two years since the publication of Athnuachan in the mid-nineties.

Máirtín Ó Cadhain dies on October 18, 1970 in Dublin and is buried in Mount Jerome Cemetery.

A lecture hall at Trinity College, Dublin is named after Ó Cadhain who was professor of Irish. A bronze bust is also located in the Irish department.


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Birth of Thomas Davis, Founder of Young Ireland Movement

Thomas Osborne Davis, Irish writer and the chief organiser and poet laureate of the Young Ireland movement, is born in Mallow, County Cork, on October 14, 1814.

Davis is the son of a Welsh father, a surgeon in the Royal Artillery, and an Irish mother. Through his mother he is descended from the Gaelic noble family of O’Sullivan Beare. His father dies one month after his birth and his mother moves to Warrington Place near Mount Street bridge in Dublin. In 1830, they move to 67 Lower Baggot Street. He attends school in Lower Mount Street before studying at Trinity College, Dublin. He graduates in Law and received an Arts degree in 1836, before being called to the Irish Bar in 1838.

Davis gives a voice to the 19th-century foundational culture of modern Irish nationalism. Formerly it is based on the republicans of the 1790s and on the Catholic emancipation movement of Daniel O’Connell in the 1820s-30s, which has little in common with each other except for independence from Britain. Davis aims to create a common and more inclusive base for the future. He establishes The Nation newspaper with Charles Gavan Duffy and John Blake Dillon.

He writes some stirring nationalistic ballads, originally contributed to The Nation and afterwards republished as Spirit of the Nation, as well as a memoir of Curran, the Irish lawyer and orator, prefixed to an edition of his speeches, and a history of King James II‘s parliament of 1689. He has formed many literary plans which are unfinished at the time of his early death.

Davis supports O’Connell’s Repeal Association from 1840, hoping to recreate the old Parliament of Ireland. They split during a debate on the proposed new Queen’s University of Ireland, when Davis is reduced to tears by O’Connell’s superior debating skill. Davis is in favour of a university that would inclusively educate all Irish students. O’Connell and the Catholic hierarchy prefer a separate system for Catholic students within Ireland that would remain under church control.

O’Connell generally refers to his inexperienced allies as “Young Ireland,” initially as a dismissive term, that from the 1870s becomes the accepted term for nationalists inspired by Davis. He also prefers a federal arrangement with Britain in the 1840s while Davis seeks a greater degree of autonomy. Both agree that a gradual and non-violent process is the best way forward. Despite their differences, O’Connell is distraught at Davis’s early death.

Davis is a Protestant, but preaches unity between Catholics and Protestants. To him, it is not blood that makes a person Irish, but the willingness to be part of the Irish nation. He is to the fore of Irish nationalist thinking and it has been noted by later nationalist notables, such as Patrick Pearse, that while Theobald Wolfe Tone laid out the basic premise that Ireland as a nation must be free, Davis is the one who built this idea up promoting the Irish identity.

He is the author of influential songs such as The West’s Awake, A Nation Once Again and In Bodenstown Churchyard. He also writes The Lament for Owen Roe O’Neill.

Thomas Davis dies from scarlet fever on September 16, 1845, at the age of thirty. He is buried in Mount Jerome Cemetery, Dublin.


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Birth of Walter Frederick Osborne, Landscape & Portrait Painter

Walter Frederick Osborne, impressionist and Post-Impressionism landscape and portrait painter, is born in Rathmines, Dublin on June 17, 1859.

Most of Osborne’s paintings are figurative and focus on women, children, the elderly, the poor, and the day-to-day life of ordinary people on Dublin streets, as well as series of rural scenes. He also produces city-scapes, which he paints from both sketches and photographs. A prolific artist, he produces oils, watercolours, and numerous pencil sketches. He is best known for his documentary depictions of late 19th century working class life.

Osborne is the second of three sons of William Osborne, a successful animal painter who specialises in portraying horses and dogs for the then prosperous Irish landlords. He is educated at Rathmines School and at the Royal Hibernian Academy school. He learns from his father that there is money to be earned from painting animals. He produces quite a few, including of children with their pets, notably his 1885 A New Arrival, and a series of impressionistic works on cows.

Osborne wins the Taylor Prize in 1881 and 1882, the highest student honour in Ireland of the time, while studying at the Royal Academy of Fine Arts in Antwerp. He is influenced by the Flemish painter Peter Paul Rubens, and the French realist, plein-air painter, Jules Bastien-Lepage, as well as Berthe Morisot.

In 1883, Osborne moves from Antwerp to Brittany where he paints his famous Apple Gathering, Quimperlé, now in the National Gallery of Ireland. Soon after, he moves to England where he works alongside Nathaniel Hill and Augustus Burke at Walberswick. During his period he often returns to Dublin to make preparatory sketches for what becomes his most renowned series, of the everyday lives of the city’s poor. Although highly regarded today, these documentary, street paintings are not commercially successful, and Osborne supplements his income through portrait paintings of the middle class, which are not as artistically satisfying.

In 1886, he is elected to the Royal Hibernian Academy and receives many commissions for portraits. This is an important source of income, as he has no private means of his own. After his sister dies he is involved in looking after her daughter, and his own parents become increasingly financially dependent on him.

In 1892, he returns to Ireland to live in the family residence, and he also keeps a studio at No. 7 St. Stephen’s Green. He spends a considerable amount of time painting outdoors, in Dublin around St. Patrick’s Cathedral or in the country. He is well liked in social circles and counts the surgeon Sir Thornely Stoker, brother of Bram Stoker, among his best friends.

Osborne’s mother becomes ill in the early 1900s, and Walter spends significant periods caring for her. In 1903, while gardening, he overheats himself and catches a chill, which he neglects, and which develops into pneumonia. He dies prematurely from the illness at the age of 43 on April 24, 1903. He is buried in Mount Jerome Cemetery in Dublin.

Some critics have suggested that at the time of his death he is on the brink of his artistic maturity. His final work Tea in the Garden, a fusion of naturalism and impressionism, remains unfinished at his death and is now in the collection of the Hugh Lane Gallery in Dublin. Today his work is highly sought after by collectors.


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Birth of Artist Sarah Henrietta Purser

Sarah Henrietta Purser, Irish artist mainly noted for her work with stained glass, is born on March 22, 1848, in Kingstown (now Dún Laoghaire) in County Dublin, and raised in Dungarvan, County Waterford. She is educated in Switzerland and afterwards studies at the Metropolitan School of Art in Dublin and in Paris at the Académie Julian.

Purser works mostly as a portraitist. She is also associated with the stained glass movement, founding a stained glass workshop, An Túr Gloine, in 1903. Some of her stained glass work is commissioned from as far as New York City, including a window at Christ Church, Pelham dedicated to the memory of Katharine Temple Emmet and Richard Stockton Emmet, grandson of the Irish patriot, Thomas Addis Emmet. Through her talent and energy, and owing to her friendship with the Gore-Booths, she is very successful in obtaining commissions, famously commenting, “I went through the British aristocracy like the measles.”

In 1977 Bruce Arnold noted, “some of her finest and most sensitive work was not strictly portraiture, for example, An Irish Idyll in the Ulster Museum, and Le Petit Déjeuner (in the National Gallery of Ireland).”

Sarah Purser becomes wealthy through astute investments, particularly in Guinness. She is very active in the art world in Dublin and is involved in the setting up of the Hugh Lane Municipal Gallery, persuading the Irish government to provide Charlemont House to house the gallery. In 1923 she becomes the first female member of the Royal Hibernian Academy.

Until her death she lives for years in Mespil House, a Georgian mansion with beautiful plaster ceilings on Mespil Road, on the banks of the Grand Canal. After her death in Dublin on August 7, 1943, it is demolished and is developed into apartments. She is buried in Mount Jerome Cemetery in Dublin.

(Pictured: Stained glass window in St. Patrick’s Cathedral, Dublin, by Sarah Purser made in 1906: a depiction of King Cormac of Cashel)


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Birth of Richard John Griffith, Author of Griffith’s Valuation

richard-john-griffithRichard John Griffith, Irish geologist, mining engineer, and chairman of the Board of Works of Ireland, is born in Hume Street, Dublin, on September 20, 1784. He completed the first complete geological map of Ireland and is author of the valuation of Ireland, known ever since as Griffith’s Valuation.

Griffith goes to school in Portarlington and later, while attending school in Rathangan, his school is attacked by the rebels during the Irish Rebellion of 1798. He also studies in Edinburgh, Scotland.

In 1799 he obtains a commission in the Royal Irish Artillery, but a year later, when the corps is incorporated with that of England, he retires, and devotes his attention to civil engineering and mining. He studies chemistry, mineralogy, and mining for two years in London under William Nicholson and afterwards examines the mining districts in various parts of England, Wales, and Scotland.

While in Cornwall he discovers ores of nickel and cobalt in material that has been rejected as worthless. He completes his studies under Robert Jameson and others at Edinburgh, is elected a Fellow of the Royal Society of Edinburgh in 1807, a member of the newly established Geological Society of London in 1808, and in the same year he returns to Ireland.

In 1809, he is appointed by the commissioners to inquire into the nature and extent of the bogs in Ireland and the means of improving them. In 1812 he is elected Professor of Geology and Mining Engineer to the Royal Dublin Society. Shortly afterwards he expresses his intention of preparing a geological map of Ireland. During subsequent years he makes many surveys and issues many reports on mineral districts in Ireland. These form the foundation of his first geological map of the country in 1815. He also succeeds Dr. Richard Kirwan as government inspector of mines in Ireland. In 1822 Griffith becomes engineer of public works in Cork, Kerry, and Limerick, and is occupied until 1830 in repairing old roads and in laying out many miles of new roads in some of the most inaccessible parts of the country.

Meanwhile, in 1825, he is appointed by the government to carry out a boundary survey of Ireland. He is to mark the boundaries of every county, barony, civil parish, and townland in preparation for the first Ordnance Survey. He is also called upon to assist in the preparation of a parliamentary Bill to provide for the general valuation of Ireland, which passes in 1826. Griffith is appointed Commissioner of Valuation in 1827, but does not start work until 1830 when the new 6″ maps become available from the Ordnance survey and which he is required to use as provided for by statute. He continues to work on this until 1868. On Griffith’s valuation the various local and public assessments are made.

His extensive investigations furnish him with ample material for improving his geological map and the second edition is published in 1835. A third edition on a larger scale (1 in. to 4 m.) is issued under the Board of Ordnance in 1839 and it is further revised in 1855. For this great work and his other services to science Griffith is awarded the Wollaston Medal by the Geological Society in 1854. In 1850 he is made chairman of the Irish Board of Works and in 1858 he is created a baronet.

Griffith dies at the age of 95 at his residence in Dublin on September 22, 1878. At the time of his death, he is the oldest surviving fellow of the Geological Society of London and is the last survivor of the long-since disbanded Royal Irish Regiment of Artillery. He is buried alongside his wife, Maria Jane, in Mount Jerome Cemetery, Harold’s Cross, Dublin.