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Birth of Pat Eddery, Flat Racing Jockey & Trainer

Patrick (Pat) James John Eddery, flat racing jockey and trainer, is born on March 18, 1952, in Newbridge, County Kildare, near the Curragh Racecourse. He is the fifth of twelve children of Jimmy Eddery, a jockey who is Irish Flat Champion in 1954 and 1955, and who rides Panaslipper to win the Irish Derby in 1955. His mother, Josephine, is the daughter of Jack Moylan, also a jockey. His brother Paul goes on to become a successful jockey also. He initially attends the Patrician Brothers’ Primary School in Newbridge, later enrolling in Oatlands Primary School in Stillorgan when the family moves to Blackrock, Dublin.

Devoted from his earliest years to riding horses, Eddery has little interest in school. He begins his career on his fourteenth birthday as an apprentice jockey in Ireland (1966–67) with the stable of Seamus McGrath. In 1967, he moves to England where he is apprenticed to Frenchie Nicholson until 1972. After riding for more than a season without success, he records his first win on April 24, 1969, at Epsom Downs Racecourse on a horse named Alvaro, trained by Major Michael Pope. Alvaro provides Eddery with six wins in succession during the 1969 season.

Eddery finishes the 1971 season as champion apprentice with seventy-one winners, and in 1972 has his first Derby ride, the 50–1 chance Pentland Firth, who finishes third behind Roberto and Rheingold. In 1972 he also has his first victory in a Group 1 race via Erimo Hawk, when awarded the Ascot Gold Cup following the disqualification of Rock Roi for interference.

Eddery rides for the Newmarket trainer Geoffrey Barling in 1972 before becoming the stable jockey for leading trainer, Peter Walwyn, later that year. For Walwyn, he wins his first two English classic races on Polygamy (Oaks) and Grundy (Derby) and is Champion Jockey in four consecutive seasons from 1974 to 1977. While under retainer with Walwyn, he clinches the first of these titles when just twenty-two years old, a record in the post-war era. In 1975, after winning the Irish Derby on Grundy, he rides the horse to a hard-fought victory over Bustino in the King George VI and Queen Elizabeth Stakes at Ascot in what is described by many at the time as “the race of the century.”

Eddery remains as stable jockey to Walwyn for eight years, before joining the Ballydoyle racehorse training facility of legendary Irish trainer Vincent O’Brien, for whom he rides a string of big-race winners, including the brilliant Golden Fleece, owned by Robert Sangster, in the 1982 Epsom Derby.

The O’Brien–Eddery combination experiences controversial defeat in the 1984 Epsom Derby when Eddery rides then unbeaten 2000 Guineas Stakes-winner El Gran Senor and seems to be cruising to victory in the final furlong, only to be caught on the line and beaten by a short head by Secreto, trained by O’Brien’s son David. He later admits that he should have won the race, but when the horses in front of him fell away early in the straight he was left in front too soon and was unable to repel Secreto’s late challenge. He later wins the Irish Derby on El Gran Senor, beating the subsequent Prix de L’Arc de Triomphe winner, Rainbow Quest. During 1984, he also partners the O’Brien-trained and subsequent outstanding stallion, Sadler’s Wells, to two of his three Group 1 successes.

The 1980s represent the pinnacle of Eddery’s career and include victories in the 1983 Arlington Million in Chicago on Tolomeo, the 1985 Breeders’ Cup Turf at Aqueduct Racetrack, New York, on Pebbles, and the 1986 Japan Cup on Jupiter Island, the latter two horses being trained by Clive Brittain. He also has four victories in the Prix de l’Arc de Triomphe: on Detroit in 1980, Rainbow Quest in 1985, the great Dancing Brave, on whom he also wins the King George VI and Queen Elizabeth Stakes in 1986, and Trempolino in 1987. The field for the 1986 ‘Arc’ is extremely strong and Dancing Brave’s late winning run a thrilling spectacle. The race is voted “the greatest ever horserace” in a poll conducted by the Racing Post in 2022.

Rainbow Quest and Dancing Brave are both owned by the Saudi Prince Khalid Abdullah, whose Juddmonte Farms is by then one of the world’s largest racing and breeding organisations. In 1987, Eddery becomes Abdullah’s retained jockey. Highlights of their association, which lasts until 1994, include Quest for Fame winning the 1990 Epsom Derby, and Zafonic, winner of the 1993 2000 Guineas Stakes.

Meanwhile, Eddery continues to win the jockeys’ championships, a task made easier by being retained by Juddmonte in England rather than commuting regularly to Ireland to ride for Vincent O’Brien. His highest seasonal total of wins is 209 in 1990, which is the first time a jockey has exceeded 200 since Sir Gordon Richards in 1952. His epic battle for the championship in 1987 with American Steve Cauthen is particularly intense, with Cauthen securing the title with 197 winners and Eddery coming close at 195. The title would have been shared at 196 winners apiece but for a successful objection by the rider of the third horse to the winner after the last definitive race between Eddery and Cauthen when they finished first and second, respectively. In 1988, Eddery regains the title with 183 winners from just over 480 rides, a remarkable strike rate of over thirty-eight per cent. He wins the championship for the eleventh and final time in 1996. His final classic win is on Silver Patriarch in the St. Leger Stakes of 1997.

Eddery rides major winners outside Europe and the United States, including Jupiter Island in the 1986 Japan Cup, and French Glory in the Canadian International Stakes. He teams up with Lester Piggott, Joe Mercer and French jockeys Freddie Head and Yves Saint-Martin to take part in a series of challenge races under the Ritz Club Challenge Trophy at Singapore and other Asian cities starting in 1983 for several years. His overall total of winners in the UK, Ireland, mainland Europe and overseas, exceeds 6,000. Although fiercely competitive on the racetrack, he is popular with fellow jockeys, trainers, owners and racegoers, who respond to his good-natured personality, courtesy and sense of humour.

Eddery has a distinctive riding style that is not classically elegant but undoubtedly effective and strong in a finish. He rides a number of truly outstanding racehorses including Dancing Brave, El Gran Senor and Pebbles, but maintains that the brilliant and undefeated Derby winner, Golden Fleece, is the greatest of all the horses he partnered throughout his career.

Eddery continues to ride into his fifties, finally retiring in 2003. He is appointed an honorary Order of the British Empire (OBE) in 2005. He sets up an owners’ syndication business and takes out a training licence but has difficulty adjusting to life out of the saddle and becomes increasingly dependent upon alcohol. His training career meets with limited success, though he does train Hearts of Fire to win the Group 1 Gran Criterium of Italy in 2009.

Eddery marries Carolyn Mercer in November 1978. She is the daughter of flat jockey Manny Mercer, niece of jockey Joe Mercer, and granddaughter of jockey Harry Wragg. They have two daughters, Nichola and Natasha, and a son Harry. He has a son from an extramarital relationship, Toby Atkinson, who also becomes a jockey. The marriage with Carolyn breaks down in 2008 and the couple divorces in 2009.

Shortly after his marriage breaks down, Eddery begins living with Emma Owen, a former stable employee, at his 100-acre Musk Hill stud farm near Aylesbury, Buckinghamshire. He becomes progressively estranged from his children due to his continued alcoholism.

Eddery dies of a heart attack at the age of 63 on November 10, 2015. He leaves his £1.3 million estate to Emma Owen. His funeral takes place on December 8, 2015, and his remains are cremated at Oxford. Throughout his career, Eddery rode the winners of 4,632 British flat races, a figure exceeded only by Sir Gordon Richards and was UK Champion Jockey on eleven occasions and Irish Champion Jockey once. A plaque in his honour is unveiled by his children Nichola, Natasha and Harry at Ascot Racecourse in 2016, where he had been champion jockey at the Royal meeting on six occasions. He is inducted into the Qipco British Champions Series Hall of Fame in 2021, the second jockey after Lester Piggott to be so honoured.

(From: “Eddery, Patrick (Pat) James John” by P. Gerry McKenna, Dictionary of Irish Biography, http://www.dib.ie, September 2022)


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Birth of George Berkeley, Anglican Bishop of Cloyne

George Berkeley, Bishop of Cloyne of the Anglican Church of Ireland known as Bishop Berkeley, is born at his family home, Dysart Castle, near Thomastown, County Kilkenny, on March 12, 1685. He is an Anglo-Irish philosopher whose primary achievement is the advancement of a theory he calls “immaterialism” (later referred to as “subjective idealism” by others). This theory denies the existence of material substance and instead contends that familiar objects like tables and chairs are ideas perceived by the mind and, as a result, cannot exist without being perceived. He is also known for his critique of abstraction, an important premise in his argument for immaterialism.

Berkeley is the eldest son of William Berkeley, a cadet of the noble family of Berkeley whose ancestry can be traced back to the Anglo-Saxon period and who had served as feudal lords and landowners in Gloucester, England. Little is known of his mother. He is educated at Kilkenny College and attends Trinity College Dublin, where he is elected a Scholar in 1702, being awarded BA in 1704 and MA and a Fellowship in 1707. He remains at Trinity College after completion of his degree as a tutor and Greek lecturer.

Berkeley’s earliest publication is on mathematics, but the first that brings him notice is his An Essay Towards a New Theory of Vision, first published in 1709. In the essay, he examines visual distance, magnitude, position and problems of sight and touch. While this work raises much controversy at the time, its conclusions are now accepted as an established part of the theory of optics.

The next publication to appear is A Treatise Concerning the Principles of Human Knowledge in 1710, which has great success and gives him a lasting reputation, though few accept his theory that nothing exists outside the mind. This is followed in 1713 by Three Dialogues between Hylas and Philonous, in which he propounds his system of philosophy, the leading principle of which is that the world, as represented by our senses, depends for its existence on being perceived.

For this theory, the Principles gives the exposition and the Dialogues the defence. One of his main objectives is to combat the prevailing materialism of his time. The theory is largely received with ridicule, while even those such as Samuel Clarke and William Whiston, who do acknowledge his “extraordinary genius,” are nevertheless convinced that his first principles are false.

Shortly afterwards, Berkeley visits England and is received into the circle of Joseph Addison, Alexander Pope and Richard Steele. In the period between 1714 and 1720, he intersperses his academic endeavours with periods of extensive travel in Europe, including one of the most extensive Grand Tours of the length and breadth of Italy ever undertaken. In 1721, he takes holy orders in the Church of Ireland, earning his doctorate in divinity, and once again chooses to remain at Trinity College Dublin, lecturing this time in Divinity and in Hebrew. In 1721-22 he is made Dean of Dromore and, in 1724, Dean of Derry.

In 1723, following her violent quarrel with Jonathan Swift, who had been her intimate friend for many years, Esther Vanhomrigh names Berkeley her co-heir along with the barrister Robert Marshall. Her choice of legatees causes a good deal of surprise since she does not know either of them well, although Berkeley as a very young man had known her father. Swift says generously that he does not grudge Berkeley his inheritance, much of which vanishes in a lawsuit in any event. A story that Berkeley and Marshall disregarded a condition of the inheritance that they must publish the correspondence between Swift and Vanhomrigh is probably untrue.

In 1725, Berkeley begins the project of founding a college in Bermuda for training ministers and missionaries in the colony, in pursuit of which he gives up his deanery with its income of £1100.

In 1728, Berkeley marries Anne Forster, daughter of John Forster, Chief Justice of the Irish Common Pleas, and his first wife Rebecca Monck. He then goes to America on a salary of £100 per annum. He lands near Newport, Rhode Island, where he buys a plantation at Middletown – the famous “Whitehall.” He purchases several enslaved Africans to work on the plantation. He also brings John Smibert to New England, the Scottish artist he “discovered” in Italy, who is generally regarded as the founding father of American portrait painting. Meanwhile, he draws up plans for the ideal city he plans to build on Bermuda. He lives at the plantation while he waits for funds for his college to arrive. The funds, however, are not forthcoming and he leaves America and returns to London in 1732.

Berkeley and his wife have four children who survive infancy: Henry, George, William and Julia, and at least two other children who die in infancy. William’s death in 1751 is a great cause of grief to his father.

Berkeley is nominated to be the Bishop of Cloyne in the Church of Ireland on January 18, 1734. He is consecrated as such on May 19, 1734. He is the Bishop of Cloyne until his death on January 14, 1753, although he dies at Oxford.

While living in London’s Saville Street, Berkeley takes part in efforts to create a home for the city’s abandoned children. The Foundling Hospital is founded by royal charter in 1739, and Berkeley is listed as one of its original governors.

Berkeley’s last two publications are Siris: A Chain of Philosophical Reflexions and Inquiries Concerning the Virtues of Tarwater, And divers other Subjects connected together and arising one from another (1744) and Further Thoughts on Tar-water (1752). Pine tar is an effective antiseptic and disinfectant when applied to cuts on the skin, but he argues for the use of pine tar as a broad panacea for diseases. His 1744 work on tar-water sells more copies than any of his other books during Berkeley’s lifetime.

Berkeley remains at Cloyne until 1752, when he retires. With his wife and daughter Julia, he goes to Oxford to live with his son George and supervise his education. He dies soon afterwards and is buried in Christ Church Cathedral, Oxford. His affectionate disposition and genial manners make him much loved and held in warm regard by many of his contemporaries. Anne outlives her husband by many years, dying in 1786.

(Pictured: “Bishop George Berkeley,” oil on canvas portrait by John Smibert, c. 1727)


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Birth of Father Austin Flannery

Father Austin (Liam) Flannery OP, Dominican priest, editor, publisher and social justice campaigner is born Liam Flannery at Rearcross, County Tipperary, on January 10, 1925.

Flannery is the eldest of seven children produced by William K. Flannery and his wife Margaret (née Butler). He is educated at St. Flannan’s College in Ennis, County Clare, completing his secondary education at Dominican College Newbridge in Newbridge, County Kildare.

Flannery joins the Dominican Order in September 1944, leading to studies in theology at St. Mary’s Dominican Priory in Tallaght, Dublin, and then at Blackfriars Priory in Oxford, England. Joining the Dominicans he chooses the name Austin and is ordained a priest in 1950. He continues his studies at the Pontificium Athenaeum Internationale Angelicum in Rome. After his studies he teaches Latin at Newbridge College in Newbridge, County Kildare, and then theology at Glenstal Abbey in Murroe, County Limerick.

Flannery edits the Dominican bi-monthly journal entitled Doctrine and Life from 1958 to 1988, while at St. Saviour’s Priory, Dublin, where he also serves as prior from 1957 to 1960. He also edits the Religious Life Review. He publishes many English language documents on the Second Vatican Council.

Flannery’s campaigning to end apartheid in South Africa leads to involvement with Kader Asmal, and the founding the Irish Anti-Apartheid Movement, of which he serves as chairman and president. In the late 1960s his campaigning on behalf of the Dublin Housing Action Committee, due to its association with republicans and left-wing activists, leads him to being accused of being a communist. He is dismissed in the Dáil by the then Minister for Finance, Charles Haughey, as “a gullible cleric.”

Flannery dies of a heart attack at the age of 83 on October 21, 2008. He is buried in the Dominican plot at Glasnevin Cemetery in Glasnevin, Dublin.


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Death of Composer Brian Patrick Boydell

Brian Patrick Boydell, Irish composer whose works include orchestral pieces, chamber music, and songs, dies on November 8, 2000. He is Professor of Music at Trinity College Dublin for 20 years, founder of the Dowland Consort, conductor of the Dublin Orchestral Players, and a prolific broadcaster and writer on musical matters. He was also a prolific musicologist specialising in 18th-century Irish musical history.

Boydell is born on March 17, 1917, in Howth, County Dublin, into a prosperous Anglo-Irish family. His father James runs the family maltings business while his mother, Eileen Collins, is one of the first women graduates of Trinity College. Following their son’s birth, the Boydells move from Howth and live in a succession of rented houses before settling in Shankill, County Dublin. The young Boydell begins his formal education at Monkstown Park in Dublin and is subsequently sent to the Dragon School at Oxford, England. From there he goes to Rugby School, where he comes under the influence of Kenneth Stubbs, the music master. Although he later speaks of his resentment at the anti-Irish attitude he experiences at Rugby, he appreciates the very good education in science and music he receives there.

Having completed his secondary education, Boydell spends the summer of 1935 developing his musical knowledge at Heidelberg, Germany, where he writes his first songs and also studies organ. He wins a choral scholarship to Clare College, Cambridge, where, perhaps through parental pressure, he studies natural science, graduating in 1938 with a first-class degree.

However, his love of music leads him next to the Royal College of Music where he studies composition under Patrick Hadley, Herbert Howells and Vaughan Williams. Already a good pianist, he also becomes a proficient oboe player during this time.

Upon the outbreak of World War II, Boydell returns to Dublin and achieves further academic success in 1942 with a Bachelor of Music degree from Trinity College. He also takes further lessons in composition from John F. Larchet.

Boydell’s busy working life combines teaching, performing and composing. Following a brief stint in his father’s business, he plunges himself into Dublin’s classical music scene. In 1943, he succeeds Havelock Nelson as conductor of the Dublin Orchestral Players, beginning an association with the amateur orchestra that endures for a quarter of a century (until 1966). In 1944, he is appointed Professor of Singing at the Royal Irish Academy of Music, a position he holds for eight years. Along with fellow composers Edgar M. Deale, Aloys Fleischmann, and Frederick May he founds the Music Association of Ireland in 1948 as a vehicle to promote classical music throughout the country.

Boydell’s interest in Renaissance music, in particular the madrigal, leads in 1959 to founding the Dowland Consort, a vocal ensemble with which he performs for many years and records an LP. In 1962, having obtained a Doctorate in Music, he is appointed Professor of Music at Trinity College, a position he holds until 1982. He immediately revamps the course making it more relevant to the second half of the twentieth century. He also finds time to sit on the Arts Council throughout the 1960s, 70s, and early 80s.

Boydell’s communication skills combined with his infectious enthusiasm makes him a natural broadcaster. The appeal of his programmes on the history and performance of music, first on RTÉ Radio 1 and later on Telefís Éireann, go beyond a specialist audience and are, for many people, their introduction to a new world of aural pleasure.

Boydell has many interests beyond music. As a surrealist painter in the 1940s, having taken lessons from Mainie Jellett, he is a member of The White Stag Group. He is also passionate about cars and photography.

Following retirement from Trinity as Fellow Emeritus, Boydell devotes himself to musical scholarship, writing two books on the music of 18th century Dublin. He also contributes to The New Grove Dictionary of Music and Musicians.

Boydell dies at his home in Howth on November 8, 2000, at the age of 83 and in the company of his wife of 56 years, Mary (née Jones) and their sons, Cormac and Barra. A third son, Marnac, predeceases him.

Boydell is awarded several honorary titles in recognition of his services to music, including the Honorary Doctorate of Music from the National University of Ireland (1974), the Order of Merit of the Italian Republic (1983), the election to Aosdána, Ireland’s academy of creative artists (1984), and Honorary Fellowship of the Royal Irish Academy of Music (1990).


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Birth of Dana Rosemary Scallon, Singer & Former European Parliament Member

Dana Rosemary Scallon, Irish singer, pantomime performer, and a former Member of the European Parliament known as Dana, is born on August 30, 1951 in Islington, London, England, where her Northern Irish family had relocated to find work. She wins the 1970 Eurovision Song Contest with “All Kinds of Everything,” a subsequent worldwide million-seller. She resides in Birmingham, Alabama, for much of the 1990s, hosting a Christian music and interview series on the Eternal Word Television Network (EWTN).

Scallon is born Rosemary Brown, the fifth of seven children of a King’s Cross railway station porter and trumpet player originally from Derry, Northern Ireland. When she is five, the family moves back to Derry where she grows up in the Creggan housing estate and Bogside. She attends St. Eugene’s Primary School and then enrolls at Thornhill College. A singing talent from childhood, she wins several local contests while also participating in local choirs and taking piano, violin and ballet lessons.

In the early 1960s Scallon forms a trio with two of her sisters, often performing at charity concerts organized by their father. When one sister leaves, the remaining duo lands a summer-long booking at the Palladium and a recording contract with Decca Records. Her other sister, however, leaves to join her new husband, a United States airman, in America. Stricken with stage fright, Scallon the solo singer manages to win a folk competition at the Embassy Ballroom with her eyes shut. The contest’s sponsor, teacher and music promoter Tony Johnston, helps her complete her equivalency degree and records a demo that convinces Decca Records to sign her on as a solo artist. She releases a single in 1967 that brings some attention from local TV and radio.

Performing under her school nickname “Dana,” Scallon becomes a fixture in Dublin‘s cabaret and folk clubs. She is crowned “Queen of Cabaret” and feted with a parade and a reception at Clontarf Castle on the Saturday before Easter 1968.

At the suggestion of Decca Record’s local agent, Phil Mitton, Scallon auditions for the Irish National Song Contest, a preliminary for the 1969 Eurovision competition. She reaches the finals in Dublin, but comes in second.

RTÉ Television chief Tom McGrath invites Scallon back to compete the following year. She accepts even though she is preparing to retire from active performing to pursue teaching. The song, “All Kinds of Everything” by Derry Lindsay and Jackie Smith, is picked for her by McGrath and propels her to victory. She goes on to represent Ireland in the 1970 Eurovision contest, held in Amsterdam. She performs perched on a stool on stage and defeats England’s Mary Hopkin and Spain‘s Julio Iglesias to secure Ireland’s victory.

Scallon is given a hero’s welcome upon her return to Ireland, especially in Northern Ireland. “All Kinds of Everything” shoots to #1 on the Irish Singles Chart, as well as the UK Singles Chart. It is also successful in Australia, Austria, Germany, Israel, Malaysia, the Netherlands, New Zealand, Singapore, South Africa, Switzerland and Yugoslavia, on its way to passing 1 million sales. She quickly records an album, with orchestral accompaniment. Her follow-up single, “I Will Follow You,” fails to make much of a splash. Given the choice of giving up, she decides to fight for her recording career, and succeeds with Paul Ryan‘s “Who Put the Lights Out,” which spends eleven weeks on the UK charts.

In 1974 Scallon switches to GTO Records. Her first single on that label, “Please Tell Him That I Said Hello,” returns her to the top 10. Her 1975 holiday single “It’s Gonna be a Cold Cold Christmas” by Roger Greenaway and Geoff Stephens, reaches #4 and remains a classic. Now an established Irish singing star she appears in films and festivals and sells out a week of concerts at the London Palladium. She also maintains her “Queen of the Cabaret” reputation with regular appearances in top London clubs. The BBC gives her two shows of her own: a series called A Day with Dana in 1974 and four-part series of Wake Up Sunday in 1979. BBC Radio follows suit with a series of I Believe in Music in 1977.

Meanwhile, Scallon begins performing stage pantomime in a blockbuster production of Cinderella in Oxford. In September 1976, however, she is hospitalized with a non-malignant growth on her left vocal cord, requiring surgery. The single “Fairytale” is sustained in the charts with the publicity from her dire medical prognosis. The experience strengthens her religious faith. On October 5, 1978 she marries Damien Scallon, a hotel-owner from Newry, at St. Eugene’s Cathedral in Derry.

In 1979, recovered from her surgery, Scallon records a new album entitled The Girl is Back, which has modest success. Pope John Paul II‘s visit to Ireland that year inspires her to write a song based on his personal motto, “Totus Tuus,” which tops the Irish charts. Long associated with Christian causes and Sunday-morning programs, she and her husband look for opportunities to reach a broader market for Christian music, and find one in the United States. They attend the National Religious Broadcasters conference in Washington, D.C. in 1980 and secure a contract with Word Records.

Scallon’s first album of Christian songs, Totally Yours, is released on Word Records in 1981. She continues to record pop music, including the 1982 album Magic and the official 1982 FIFA World Cup song for the Northern Ireland team, “Yer Man.” She also continues her stage career, starring in Snow White and the Seven Dwarfs at Hull and later in London’s West End and Wolverhampton. She tours the United States in 1984, including appearances at Billy Graham‘s Boston crusades. She pens an autobiography in 1985. She performs “Totus Tuus” before a packed Superdome crowd during John Paul II’s visit to New Orleans in 1987.

Also in 1987, after one of her husband’s hotels is damaged for the seventh time by a terrorist bomb, he takes a job managing retreats for EWTN and moves the family to Alabama. They rent a house in the Cherokee Bend area of Mountain Brook and enroll their children at Saint Rose Academy. Scallon is welcomed to the network as well, hosting the Say Yes and We Are One Body programs. She leaves Word Records and signs with Heart Beat Records for her later Catholic albums. In 1993 she again performs for the Pope at a World Youth Day event in Denver, Colorado.

Scallon is naturalized as a dual citizen of the United States and Northern Ireland in 1997, and moves back there a year later because she has been drafted as an independent candidate for President of Ireland. She garners 15% of the popular vote, finishing third in the race won by Mary McAleese, ahead of the Labour Party candidate. Most of her votes come from rural districts where conservative values are more strongly held.

In 1999 Scallon wins a seat on the European Parliament, representing Connacht-Ulster on a family values and anti-abortion platform. During her five-year term she opposes the development of a European constitution. She also speaks out against a 2001 proposal to amend the Irish constitution to legalize the “morning-after pill” and intrauterine contraceptive devices. With the support of the mainstream parties, the amendment is put to a popular referendum, which fails in 2002. That same year she is defeated in a campaign to represent Galway West in the Dáil Éireann, the lower house of the Irish parliament. In 2004 she fails to hold her seat in the European Parliament and also does not secure a nomination for President.

Leaving politics behind, Scallon joins a weight-loss challenge on RTÉ’s The Afternoon Show in 2005. In 2006 she competes with Ronan McCormack on Celebrity Jigs ‘n’ Reels, finishing second on the popular dance contest.

That same year, Scallon and her husband launch their own music label, DS Music Productions, and release a compilation of songs deidcated to John Paul II’s memory. That is followed by Good Morning Jesus: Prayers and Songs for Children of All Ages, which is featured in a special series on EWTN. Heart Beat Records files a lawsuit against DS Music Productions for alleged copyright violations.

In 2007 Scallon appears as a guest judge for Young Star Search, a Belfast CityBeat radio contest. In 2009 she is brought on as a judge for The All Ireland Talent Show. That same year she returns to EWTN as host of Dana and Friends.


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Death of Cecil Ffrench Salkeld, Painter, Printmaker, Critic & Writer

Cecil Ffrench Salkeld, Irish painter, printmaker, critic and writer dies in Dublin on May 11, 1969.

Salkeld is born in Assam, India on July 9, 1904. His parents are Henry Lyde Salkeld, a member of the Indian Civil Service (ICS), and Blanaid Salkeld (née Mullen), a poet. He returns to Ireland with his mother in 1910 following the death of his father in 1909. He attends Mount St. Benedict’s, Gorey, County Wexford, and the Dragon School in Oxford, England. He wins a scholarship to Oundle School in Oundle, North Northhamptonshire, but returns to Dublin where he enters the Dublin Metropolitan School of Art in 1919 to study under Seán Keating and James Sleator. He marries Irma Taesler in Germany in 1922. They have two daughters, Celia and Beatrice. The latter marries Brendan Behan in 1954.

Salkeld works in tempera and oil, as well as etching and wood engraving. In 1921 he travels to Germany to study under Ewald Dulberg at the Kassell Kunstschule. He attends the Union of Progressive International Artists in Düsseldorf in May 1922, and is exhibited at the Internationale Kunstausstellung. Upon his return to Dublin in 1924, he holds his first solo exhibition in the Society of Dublin Painters gallery. He becomes a member of the Dublin Painters in 1927. With Francis Stuart, he co-edits the first two issues of To-morrow in 1924. His studio is in a converted labourer’s cottage at Glencree, County Wicklow. He also exhibits with the New Irish Salon and the Radical Painters’ Group.

Salkeld wins the 1926 Royal Dublin Society‘s Taylor scholarship, and has his first exhibited work with the Royal Hibernian Academy (RHA) in 1929. He lives in Berlin for a year in 1932. He exhibits in Daniel Egan’s Gallery in Dublin in 1935. He has a wide circle of literary friends, including Samuel Beckett and Flann O’Brien. In O’Brien’s At Swim-Two-Birds, the character of Michael Byrne is designed for Salkeld, reflecting his debilitating alcoholism. He also teaches at the Dublin Metropolitan School of Art, teaching artists such as Reginald Gray.

From 1937 to 1946 Salkeld runs a private press called Gayfield Press. This is co-founded with his mother, and operates from a garden shed at their home, 43 Morehampton Road. The press is a small Adana wooden hand press. He illustrates her 1938 The Engine Left Running, as well as Ewart Milne‘s Forty North Fifty West (1938) and Liam O’Flaherty‘s Red Barbara and Other Stories (1928). In 1951, he loans the press to Liam and Josephine Miller to found the Dolmen Press.

Salkeld’s most famous public work is his 1942 three-part mural in Davy Byrne’s pub. He is a co-founder of the Irish National Ballet School in the 1940s in his capacity as a pianist. In 1946 he is appointed an associate member of the RHA. In 1953 his play Berlin Dusk is staged at 37 Theatre Club, Dublin. During the 1950s he is a broadcaster with Radio Éireann as well as a director of cultural events for An Tóstal. He dies on May 11, 1969 in St. Laurence’s Hospital, Dublin.

The National Gallery of Ireland holds a portrait by Salkeld of his daughter, Celia.

(Pictured: “The Climber” by Cecil Ffrench Salkeld, oil on canvas)


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Birth of Anne Butler Yeats, Painter and Costume and Stage Designer

Anne Butler Yeats, Irish painter, costume and stage designer, is born in Dublin on February 26, 1919.

Yeats is the daughter of the poet William Butler Yeats and Georgie Hyde-Lees, a niece of the painter Jack B. Yeats, and of Lily Yeats and of Elizabeth Corbet Yeats. Her birth is commemorated by her father with the poem A Prayer for My Daughter. Her aunts are associated with the arts and crafts movement in Ireland and are associated with the Dun Emer Press, Cuala Press, and Dun Emer industries. Her brother Michael Yeats is a politician. She is known as “feathers” by her family.

Yeats spends her first three years between Ballylee, County Galway, and Oxford before her family moves to 82 Merrion Square, Dublin in 1922. She is very sick as a child and spends three years in two different hospitals, St. Margaret’s Hall, 50 Mespil Road, and Nightingale Hall, Morehampton Road, Dublin. She then goes to the Pension Henriette, a boarding school in Villars-sur-Bex, Switzerland from 1928–30. In 1923 her Aunt Elizabeth “Lolly” gives her brush drawing lessons which aid her in winning first prize in the Royal Dublin Society (RDS) National Art competition for children under eight years old in 1925 and 1926.

Yeats trains in the Royal Hibernian Academy school from 1933 to 1936, and works as a stage designer with the Abbey Theatre in Dublin. In 1936, at the age of 16, she is hired by the Abbey Theatre as assistant to Tanya Moiseiwitsch. She studies for four months at the School of Theatrical Design in Paris with Paul Colin in 1937. At 18, she begins her costume career on sets with Ria Mooney‘s company. At the Abbey, she designs the sets and costumes for revivals of W.B. Yeats’ plays The Resurrection and On Baile’s Strand (1938).

In 1938 Yeats designs the first production of W.B. Yeats’ play Purgatory. The designs for Purgatory are her most successful achievement. Purgatory is the last play that W.B Yeats sees on stage, and when it is performed it is a full house. When working on Purgatory, Hugh Hunt wants to have a moon on the back cloth of the production but she refuses. “If she does not win, she is going to say that she doesn’t wish to have her name on the programme as a designer of the setting.” This could be the main reason why her name is not on many productions that she worked on. She also designs the first play of her uncle Jack Yeats to receive professional production, Harlequin’s Positions.

In 1939 Yeats is promoted to head of design at the Abbey until her departure in May 1941. In 1939 it is commented that her designs are “getting arty” and not in keeping with style of the Abbey. One of her last designs is her father’s last play, The Death of Cuchulain, for the Lyric Theatre on the Abbey stage in 1949. She designs and stage-manages for the Peacock Theatre, the Cork Opera House, the Olympia Theatre, the Gaiety Theatre, the Lyric Theatre, the Abbey Theatre and the Players Theatre.

Among the work Yeats is credited with in the Abbey Theatre, she also works on five productions in the Peacock Theatre with the Theatre Company: Alarm Among the Clerks (1937), The Phoenix (1937), Harlequin’s Positions (1939), The Wild Cat (1940), and Cavaliero (The Life of a Hawk) (1948).

Yeats chooses to move towards painting full-time beginning a brief study at the Dublin Metropolitan School of Art in 1941. She experiments with watercolour and wax. She has a touching naive expressionist style and is interested in representing domestic humanity. She designs many of the covers for the books of Irish language publisher Sáirséal agus Dill over a twenty-year period from 1958. She does illustrations for books by Denis Devlin, Thomas Kinsella and Louis MacNeice, and works with many young designers, such as Louis le Brocquy.

Yeats participates in group exhibitions in the United States, Canada, Germany, the Netherlands, Monaco, and Scotland, along with the Irish Exhibition of Living Art and Taispeántas an Oireachtas.

Yeats dies at the age of 82 on July 4, 2001 and is buried in Shanganagh Cemetery, south Dublin.

The Royal Hibernian Academy holds a retrospective of her work in 1995, as does the National Gallery of Ireland in 2002. She donates her collection of Jack B. Yeats’ sketch books to the National Gallery of Ireland, leading to the creation of the Yeats Museum within the Gallery. Her brother, Michael, in turn, donates her sketchbooks to the Museum.

(Pictured: “Coole Park,” oil on board by Anne Butler Yeats, Duke Street Gallery, Dublin)


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Death of Dame Jean Iris Murdoch, Novelist & Philosopher

Dame Jean Iris Murdoch DBE, Irish and British novelist and philosopher, dies in Oxford, England, on February 8, 1999. She is best known for her novels about good and evil, sexual relationships, morality, and the power of the unconscious. In 2008, The Times ranks her twelfth on a list of “The 50 greatest British writers since 1945.”

Murdoch is born on July 15, 1919 in Phibsborough, Dublin, the daughter of Irene Alice (née Richardson) and Wills John Hughes Murdoch. Her father, a civil servant, comes from a mainly Presbyterian sheep farming family from Hillhall, County Down. In 1915, he enlists as a soldier in King Edward’s Horse and serves in France during World War I before being commissioned as a second lieutenant. Her mother trains as a singer before Iris is born, and is from a middle-class Church of Ireland family in Dublin. Her parents first meet in Dublin when her father is on leave and are married in 1918. Iris is the couple’s only child. When she is a few weeks old the family moves to London, where her father had joined the Ministry of Health as a second-class clerk.  She is a second cousin of the Irish mathematician Brian Murdoch.

Murdoch is brought up in Chiswick and educated in progressive independent schools, entering the Froebel Demonstration School in 1925 and attending Badminton School in Bristol as a boarder from 1932 to 1938. In 1938 she goes up to Somerville College, Oxford, with the intention of studying English, but switches to “Greats“, a course of study combining classics, ancient history, and philosophy. At Oxford she studies philosophy with Donald M. MacKinnon and attends Eduard Fraenkel‘s seminars on Agamemnon. She is awarded a first class honours degree in 1942. After leaving Oxford she goes to work in London for HM Treasury. In June 1944 she leaves the Treasury and goes to work for the United Nations Relief and Rehabilitation Administration (UNRRA). At first she is stationed in London at the agency’s European Regional Office. In 1945 she is transferred first to Brussels, then to Innsbruck, and finally to Graz, Austria, where she works in a refugee camp. She leaves the UNRRA in 1946.

From 1947 to 1948 Murdoch studies philosophy as a postgraduate at Newnham College, Cambridge. She meets Ludwig Wittgenstein at Cambridge but does not hear him lecture, as he had left his Trinity College professorship before she arrives. In 1948 she becomes a fellow of St. Anne’s College, Oxford, where she teaches philosophy until 1963. From 1963 to 1967 she teaches one day a week in the General Studies department at the Royal College of Art.

In 1956 Murdoch marries John Bayley, a literary critic, novelist, and from 1974 to 1992 Warton Professor of English at Oxford University, whom she had met in Oxford in 1954. The unusual romantic partnership lasts more than forty years until Murdoch’s death. Bayley thinks that sex is “inescapably ridiculous.” She in contrast has “multiple affairs with both men and women which, on discomposing occasions, Bayley witnesses for himself.”

Murdoch’s first novel, Under the Net, is published in 1954 and is selected in 1998 as one of Modern Library’s 100 best English-language novels of the 20th century. She had previously published essays on philosophy, and the first monograph about Jean-Paul Sartre published in English. She goes on to produce 25 more novels and additional works of philosophy, as well as poetry and drama.

Murdoch’s 1978 novel The Sea, the Sea wins the Booker Prize. Her other books include The Bell (1958), A Severed Head (1961), The Red and the Green (1965), The Nice and the Good (1968), The Black Prince (1973), Henry and Cato (1976), The Philosopher’s Pupil (1983), The Good Apprentice (1985), The Book and the Brotherhood (1987), The Message to the Planet (1989), and The Green Knight (1993).

In 1976 she is named a Commander of the Order of the British Empire and in 1987 is made a Dame Commander of the Order of the British Empire by Queen Elizabeth II for services to literature. She is awarded honorary degrees by the University of Bath (D.Litt, 1983), University of Cambridge (1993) and Kingston University (1994), among others. She is elected a Foreign Honorary Member of the American Academy of Arts and Sciences in 1982.

Murdoch’s last novel, Jackson’s Dilemma, is published in 1995. She is diagnosed with Alzheimer’s disease in 1997 and dies on February 8, 1999 in Oxford. There is a bench dedicated to her in the grounds of Lady Margaret Hall, Oxford, where she enjoyed walking.


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Birth of Mariga Guinness, Co-founder of the Irish Georgian Society

Mariga Guinness, architectural conservationist and socialite, and co-founder of the Irish Georgian Society, is born in London on September 21, 1932.

Guinness is born Hermione Maria-Gabrielle von Urach, the only child of the marriage of Albrecht von Urach, from Lichtenstein Castle, a member of the royal house of Wurtemberg, and Rosemary Blackadder (1901–1975) from Berwickshire in Scotland, a journalist and artist, who are married in Oslo, Norway in 1931. For the first few months of her life she is very ill. In 1934, her parents, both working as journalists, move the family to Venice. They later move again, to Japan. Her mother develops depression, and in 1937 tries to gain uninvited access to Emperor Hirohito‘s palace with her daughter. This results in her mother being arrested, sedated, and deported, which is the beginning of a decline in her mental health which culminates in a lobotomy in 1941 and spending the rest of her life in private mental institutions. Urach is returned to Europe, where she is raised by her godmother, Hermione Ramsden, in Surrey and Norway. She is educated by as many as seventeen governesses, with brief spells in boarding schools. Until the age of eighteen she is known as Gabrielle.

Urach meets Desmond Guinness in 1951, when she is nineteen, and they are married in Oxford in 1954. They have two children, Patrick (born 1956) and Marina (born 1957).

The couple moves to Ireland in 1955 where they rent Carton House, County Kildare. They share a love of Georgian architecture which results in them buying Leixlip Castle in 1958, and establishing the Irish Georgian Society on February 21 of the same year. Through the society they campaign for the restoration and protection of architectural sites such as Mountjoy Square, the gateway to the Dromana estate in County Waterford, the Tailors’ Hall in Dublin, and Conolly’s Folly in County Kildare. In 1967 they purchase Castletown House, also in County Kildare, with a plan to restore it, and make it a base for the Irish Georgian Society.

During the 1960s Leixlip Castle is a hub for those interested in architecture and conservation, and the Guinnesses work hands-on on a range of projects. By 1969, their marriage is in difficulties and Guinness moves to London. She later moves to Glenarm, County Antrim to live with Hugh O’Neill, and when that relationship ends, she returns to Leixlip Castle, but a divorce is finalised in 1981. Having lived in Dublin for a time, she rents Tullynisk House, the dower house of Birr Castle in County Offaly in 1983. Guinness becomes isolated and develops a problem with alcohol. While returning to Ireland from Wales on a car ferry on May 8, 1989 she has a massive heart attack which is compounded by a reaction to an injection of penicillin. She is buried at Conolly’s Folly.

Through Patrick, Guiness becomes grandmother of the fashion model Jasmine Guinness. Her daughter Marina is a patron of the arts and of Irish musicians including Glen Hansard, Damien Rice, and the band Kíla. Marina has three children of her own: Patrick (by Stewart Copeland of The Police), Violet (by photographer Perry Ogden), and Finbar (by record producer Denny Cordell).

In 2020, a new film on Guinness’s life and work, entitled Memory of Mariga, receives its United States premiere as part of the Elizabethtown Film Festival on Saturday, September 19, at the Crowne Pointe Theatre in Elizabethtown, Kentucky. In 2021, the same film receives its Irish premiere at the Fastnet Film Festival.


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Death of Anne Butler Yeats, Painter, Costume & Stage Designer

Anne Butler Yeats, Irish painter, costume and stage designer, dies in Dublin on July 4, 2001.

Born in Dublin on February 26, 1919, Yeats is the daughter of the poet William Butler Yeats and Georgie Hyde-Lees, a niece of the painter Jack B. Yeats, and of Lily Yeats and of Elizabeth Corbet Yeats. Her aunts are associated with the Arts and Crafts movement in Ireland and are associated with the Dun Emer Press, Cuala Press, and Dun Emer industries. Her brother Michael Yeats is a politician. She is known as “feathers” by her family. Her birth is commemorated by her father with the poem “A Prayer for My Daughter.” She spends her first three years between Ballylee, County Galway and Oxford before her family moves to 82 Merrion Square, Dublin in 1922.

Yeats is very sick as a child, spending three years in two different hospitals. She then goes to the Pension Henriette, a boarding school in Villars-sur-Bex, Switzerland from 1928–1930. In 1923 her Aunt Elizabeth “Lolly” gives her brush drawing lessons which aids her in winning first prize in the RDS National Art competition for children under eight years old in 1925 and 1926.

Yeats trains in the Royal Hibernian Academy school from 1933 to 1936, and works as a stage designer with the Abbey Theatre in Dublin. In 1936, at the age of 16, she is hired by the Abbey Theatre as assistant to Tanya Moiseiwitsch. She studies for four months at the School of Theatrical Design in Paris with Paul Colin in 1937. At 18, she begins her costume career on sets with Ria Mooney‘s company. At the Abbey, she designs the sets and costumes for revivals of W.B. Yeats’ plays The Resurrection and On Baile’s Strand (1938).

In 1938 Yeats designs the first production of W.B. Yeats’ play Purgatory, which is her most successful achievement. Purgatory is the last play that W.B Yeats sees on stage, and when it is performed it is a full house. When working on Purgatory, Hugh Hunt wants to have a moon on the back cloth of the production but Yeats refuses. “If she does not win, she is going to say that she doesn’t wish to have her name on the programme as a designer of the setting.” This could be the main reason why her name is not on many productions that she works on. She also designs the first play of her uncle Jack Yeats to receive professional production, Harlequin’s Positions.

In 1939 Yeats is promoted to head of design at the Abbey until her departure in May 1941. In 1939 it is commented that her designs are “getting arty” and not in keeping with the style of the Abbey. One of her last designs is her father’s last play, The Death of Cuchulain, for the Lyric Theatre on the Abbey stage, in 1949. She designs and stage-manages for the Peacock Theatre, the Cork Opera House, the Olympia Theatre, the Gaiety Theatre, the Austin Clarke Lyric Theatre, the Abbey Theatre and Players’ Theatre.

Among the work Yeats is credited with in the Abbey Theatre, she is also recorded as having worked on five productions in the Peacock Theatre with the Theatre Company: Alarm Among the Clerks (1937), The Phoenix (1937), Harlequin’s Positions (1939), The Wild Cat (1940), and Cavaliero (The Life of a Hawk) (1948).

Yeats chooses to move towards painting full-time beginning a brief study at the Dublin Metropolitan School of Art in 1941. She experiments with watercolour and wax. She has a touching naive expressionist style and is interested in representing domestic humanity. She designs many of the covers for the books of Irish-language publisher Sáirséal agus Dill over a twenty-year period from 1958. She does illustrations for books by Denis Devlin, Thomas Kinsella and Louis MacNeice, and works with many young designers, such as Louis le Brocquy.

Yeats dies at the age of 82 in Dublin on July 4, 2001. She is buried near her brother, Michael Butler Yeats, at Shanganagh Cemetery in Shankill, County Dublin.

The Royal Hibernian Academy holds a retrospective of her work in 1995, as does the National Gallery of Ireland in 2002. She donates her collection of Jack B. Yeats’ sketch books to the National Gallery of Ireland, leading to the creation of the Yeats Museum within the Gallery. Her brother, Michael, in turn, donates her sketchbooks to the Museum.

(Pictured: “Gossip & Scandal,” 1943 oil on canvas, by Anne Butler Yeats)