seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Soprano Catherine Hayes

Catherine Hayes, world-famous Irish soprano of the Victorian era, is born in Limerick, County Limerick, on October 25, 1818. According to London‘s Daily Express, “Hayes was the ‘Madonna‘ of her day; she was the 19th-century operatic equivalent of the world’s most famous pop star.”

Hayes is born into abject poverty. After five years of vocal study in Paris and Milan she makes her debut at the Italian Opera in Marseilles, in Vincenzo Bellini‘s I Puritani in May 1845, followed by performances of Gaetano Donizetti‘s Lucia di Lammermoor and Gioachino Rossini‘s Mosé in Egitto.

Her debut at La Scala in Milan quickly followed in 1845 with phenomenal success. Shortly thereafter the young Giuseppe Verdi becomes interested in her for one of his new operas. Her great success continues in Vienna, as well as in Venice, Florence, Genoa, Rome and other cities in Italy, where she becomes the most sought after Lucia di Lammermoor.

Early in 1849, Hayes accepts a contract to sing at the Royal Opera House, Covent Garden, London where she makes her debut in Linda di Chamounix in April. In June 1849, she receives an invitation to sing at Buckingham Palace for Queen Victoria and 500 guests. After an evening of Italian music, when the Queen requests an encore, Hayes with a smile sings the beautiful Irish rebel songKathleen Mavourneen.”

During Ireland’s Great Famine in November 1849, her emotional return to her native country results in rave notices for her performance in Lucia di Lammermoor and other operas and concerts in Dublin, Limerick and Cork. Her success is now almost complete.

In 1851 Hayes goes to the United States, where Jenny Lind is creating such a wave of success. Hayes gives concerts in New York City, Boston, Toronto, Philadelphia, Washington, D.C., Charleston, Savannah and New Orleans and forty-five other places including the river towns along the Mississippi River, with equal success. She meets presidents, statesmen and business leaders along the way. She is also destined to meet her future lover and husband in America, Jenny Lind’s former manager. Her travels take her to the “gold rush” in the San Francisco area in the 1850s, where her presence creates a furor, singing for the miners and the elite of San Francisco. The great showman P.T. Barnum sponsors her tour.

She sings in opera and concerts in Peru and Chile, then travels to Hawaii where she gives a concert before continuing on to Australia. Hayes is the first great European opera star to visit Australia. She is mentioned in most Australian history books about early culture in the young colony.  She also travels to Calcutta, India where she performs for the British Military and then on to Singapore and Batavia (Java) before returning to Australia for more opera and concerts.

Hayes returns to England in August 1856, after an absence of five years.  On October 8, 1857, at St. George’s, Hanover Square, she marries William Avery Bushnell. He soon falls into ill-health and dies at Biarritz, France, on July 2, 1858. After her husband’s death she takes part in concerts in London and the country towns.

Catherine Hayes dies in the house of a friend, Henry Lee, at Roccles, Upper Sydenham, Kent, on August 11, 1861, and is buried in Kensal Green Cemetery.

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Laying of the Cornerstone for the White House

The cornerstone is laid for the White House in the newly designated capital city of Washington, D.C., on October 13, 1792. Earlier in the year, work begins on the neoclassical White House building at 1600 Pennsylvania Avenue under the guidance of Irish American architect James Hoban, whose design is influenced by Leinster House in Dublin and by a building sketch in James GibbsA Book of Architecture.

Hoban is an Irish Catholic raised on an estate belonging to the Earl of Desart in Cuffesgrange, near Callan, County Kilkenny. He works there as a wheelwright and carpenter until his early twenties, when he is given an “advanced student” place in the Dublin Society‘s Drawing School on Lower Grafton Street. He studies under Thomas Ivory. He excels in his studies and receives the prestigious Duke of Leinster‘s medal from the Dublin Society for drawings of “Brackets, Stairs, and Roofs” in 1780. Later, Hoban finds a position as an apprentice to Ivory, from 1779 to 1785.

Following the American Revolutionary War, Hoban emigrates to the United States, and establishes himself as an architect in Philadelphia, Pennsylvania in 1785.

Hoban is in South Carolina by April 1787, where he designs numerous buildings including the Charleston County Courthouse. President George Washington admires Hoban’s work on his Southern Tour and summons the architect to Philadelphia, the temporary national capital, in June 1792.

In July 1792, Hoban is named winner of the design competition for the White House. His initial design seems to have had a 3-story facade, nine bays across, much like the Charleston courthouse. Under Washington’s influence, Hoban amends this to a 2-story facade, eleven bays across, and, at Washington’s insistence, the whole presidential mansion is faced with stone. It is unclear whether any of Hoban’s surviving drawings are actually from the competition.

In 1800, President John Adams becomes the first president to reside in the executive mansion, which soon becomes known as the “White House” because its white-gray Virginia freestone contrasts strikingly with the red brick of nearby buildings.


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Death of John Barry, Father of the American Navy

John Barry, an officer in the Continental Navy during the American Revolutionary War and later in the United States Navy, dies on September 13, 1803 in present day Philadelphia, Pennsylvania. He comes to be widely credited as “The Father of the American Navy,” a moniker he shares with John Paul Jones and John Adams, and is appointed a captain in the Continental Navy on December 7, 1775. He is the first captain placed in command of a U.S. warship commissioned for service under the Continental flag.

After the war, Barry becomes the first commissioned U.S. naval officer, at the rank of commodore, receiving his commission from President George Washington in 1797.

Barry is born on March 25, 1745, in Tacumshane, County Wexford. When his family is evicted from their home by their British landlord, they move to Rosslare on the coast, where his uncle works a fishing skiff. As a young man, Barry determines upon a life as a seaman and he starts out as a ship’s cabin boy.

Barry receives his first captain’s commission in the Continental Navy on March 14, 1776, signed by John Hancock, president of the Continental Congress. Barry is a religious man and begins each day at sea with a reading from the Bible. He has great regard for his crew and their well being and always makes sure they are properly provisioned while at sea.
During his naval career Barry commands the USS Delaware, USS Lexington, USS Raleigh, and USS Alliance.

On February 22, 1797, he is issued Commission Number 1 by President George Washington, backdated to June 4, 1794. His title is thereafter “commodore.” He is recognized as not only the first American commissioned naval officer but also as its first flag officer.

Appointed senior captain upon the establishment of the U.S. Navy, he commands the frigate USS United States in the Quasi-War with the French Republic. This ship transports commissioners William Richardson Davie and Oliver Ellsworth to France to negotiate a new Franco-American alliance.

Barry’s last day of active duty is March 6, 1801, when he brings USS United States into port, but he remains head of the Navy until his death.

Barry dies of asthma on September 13, 1803, at Strawberry Hill, in present-day Philadelphia, and is buried in the graveyard of Old St. Mary’s Roman Catholic Church in Center City, Philadelphia.

(Pictured: Portrait of Commodore John Barry, US Navy, by V. Zveg, 1972, from the 1801 portrait by Gilbert Stuart.)


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Death of Charles Thomson, Secretary of the Continental Congress

Charles Thomson, Irish-born Patriot leader in Philadelphia during the American Revolution and the secretary of the Continental Congress (1774–1789) throughout its existence, dies in Lower Merion Township, Pennsylvania, on August 16, 1824.

Thomson is born in Gorteade townland, Maghera parish, County Londonderry, to Scots-Irish parents. After the death of his mother in 1739, his father emigrates to the British colonies in America with Charles and his brothers. His father dies at sea and the penniless boys are separated in America. Charles is cared for by a blacksmith in New Castle, Delaware, and is educated in New London Township, Pennsylvania. In 1750 he becomes a tutor in Latin at the Philadelphia Academy.

During the French and Indian War, Thomson is an opponent of the Pennsylvania proprietors’ American Indian policies. He serves as secretary at the Treaty of Easton (1758), and writes An Enquiry into the Causes of the Alienation of the Delaware and Shawanese Indians from the British Interest (1759), which blames the war on the proprietors. He is allied with Benjamin Franklin, the leader of the anti-proprietary party, but the two men part politically during the Stamp Act crisis in 1765. Thomson becomes a leader of Philadelphia’s Sons of Liberty. He is married to the sister of Benjamin Harrison V, another signer, as delegate, of the Declaration of Independence.

Thomson is a leader in the revolutionary crisis of the early 1770s. John Adams calls him the “Samuel Adams of Philadelphia.” Thomson serves as the secretary of the Continental Congress through its entirety. Through those 15 years, the Congress sees many delegates come and go, but Thomson’s dedication to recording the debates and decisions provides continuity. Along with John Hancock, president of the Congress, Thomson’s name (as secretary) appears on the first published version of the Declaration of Independence in July 1776.

Thomson’s role as secretary to Congress is not limited to clerical duties. Thomson is also noted for designing, with William Barton, the Great Seal of the United States. The Great Seal plays a prominent role in the January 14, 1784 ratification of the Treaty of Paris. Britain’s representatives in Paris initially dispute the placement of the Great Seal and Congressional President Thomas Mifflin‘s signature, until mollified by Benjamin Franklin.

But Thomson’s service is not without its critics. James Searle, a close friend of John Adams, and a delegate, begins a cane fight on the floor of Congress against Thomson over a claim that he is misquoted in the “Minutes” that results in both men being slashed in the face. Such brawls on the floor are not uncommon, and many of them are promoted by argument over Thomson’s recordings. Political disagreements prevent Thomson from getting a position in the new government created by the United States Constitution. Thomson resigns as secretary of Congress in July 1789 and hands over the Great Seal, bringing an end to the Continental Congress.

Thomson spends his final years at Harriton House in Bryn Mawr, Pennsylvania working on a translation of the Bible. He also publishes a synopsis of the four evangelists in 1815. In retirement, Thomson also pursues his interests in agricultural science and beekeeping. According to Thomas Jefferson, writing to John Adams, Thomson becomes senile in his old age, unable to recognize members of his own household.


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King James I Grants License for Old Bushmills Distillery

King James I grants a license to Sir Thomas Phillips, landowner and Governor of County Antrim, for the Old Bushmills distillery on April 20, 1608. The distillery is thought to date from at least 1276 making it the oldest distillery in the world.

The Bushmills Old Distillery Company itself is not established until 1784 by Hugh Anderson. Bushmills suffers many lean years with numerous periods of closure with no record of the distillery being in operation in the official records both in 1802 and in 1822. In 1860 a Belfast spirit merchant named Jame McColgan and Patrick Corrigan purchase the distillery and in 1880 they form a limited company. In 1885, the original Bushmills buildings are destroyed by fire but the distillery is quickly rebuilt. In 1890, the steamship SS Bushmills, owned and operated by the distillery, makes its maiden voyage across the Atlantic to deliver Bushmills whiskey to America. It calls at Philadelphia and New York City before heading on to Singapore, Hong Kong, Shanghai and Yokohama.

In the early 20th century, the United States is a very important market for Bushmills, as well as for other Irish Whiskey producers. American Prohibition in 1920 comes as a large blow to the Irish Whiskey industry, but Bushmills manages to survive. Wilson Boyd, Bushmills’ director at the time, predicts the end of prohibition and has large stores of whiskey ready to export. After the World War II, the distillery is purchased by Isaac Wolfson and, in 1972, it is taken over by Irish Distillers, meaning that Irish Distillers controls the production of all Irish whiskey at the time. In June 1988, Irish Distillers is bought by French liquor group Pernod Ricard.

In June 2005, the distillery is bought by Diageo for £200 million. Diageo announces a large advertising campaign in order to regain market share for Bushmills.

In May 2008, the Bank of Ireland issues a new series of sterling banknotes in Northern Ireland which all feature an illustration of the Old Bushmills Distillery on the obverse side, replacing the previous notes series which depicts Queen’s University Belfast.

In November 2014 it is announced that Diageo is to trade the Bushmills brand with Jose Cuervo in exchange for the 50% of the Don Julio brand of tequila that Diageo does not already own.

Some Bushmills offerings have performed well at international Spirits ratings competitions. In particular, its Black Bush Finest Blended Whiskey receives double gold medals at the 2007 and 2010 San Francisco World Spirits Competitions. It also receives a well-above-average score of 93 from the Beverage Testing Institute in 2008 and 2011.


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Birth of John Millington Synge, Poetic Dramatist

John Millington Synge, a leading figure in the Irish Literary Revival, is born at Rathfarnham, near Dublin, on April 16, 1871. He is a poetic dramatist of great power who portrays the harsh rural conditions of the Aran Islands and the western Irish seaboard with sophisticated craftsmanship.

After studying at Trinity College and at the Royal Irish Academy of Music in Dublin, Synge pursues further studies from 1893 to 1897 in Germany, Italy, and France. In 1894 he abandons his plan to become a musician and instead concentrates on languages and literature. He meets William Butler Yeats while studying at the Sorbonne in Paris in 1896. Yeats inspires him with enthusiasm for the Irish renaissance and advises him to stop writing critical essays and instead to go to the Aran Islands and draw material from life. Already struggling against the progression of Hodgkin’s lymphoma which is untreatable at the time and eventually causes his death, Synge lives in the islands during part of each year between 1898 and 1902, observing the people and learning their language, recording his impressions in The Aran Islands (1907) and basing his one-act plays In the Shadow of the Glen and Riders to the Sea (1904) on islanders’ stories. In 1905 his first three-act play, The Well of the Saints, is produced.

Synge’s travels on the Irish west coast inspire his most famous play, The Playboy of the Western World (1907). This morbid comedy deals with the moment of glory of a peasant boy who becomes a hero in a strange village when he boasts of having just killed his father but who loses the villagers’ respect when his father turns up alive. In protest against the play’s unsentimental treatment of the Irishmen’s love for boasting and their tendency to glamorize ruffians, the audience riots at its opening at Dublin’s Abbey Theatre. Riots of Irish Americans accompany its opening in New York City in 1911, and there are further riots in Boston and Philadelphia. Synge remains associated with the Abbey Theatre, where his plays gradually win acceptance, until his death. His unfinished Deirdre of the Sorrows, a vigorous poetic dramatization of one of the great love stories of Celtic mythology, is performed there in 1910.

John Millington Synge dies at the Elpis Nursing Home in Dublin on March 24, 1909, at the age of 37, and is buried in Mount Jerome Cemetery and Crematorium, Harold’s Cross, Dublin.

In the seven plays he writes during his comparatively short career as a dramatist, Synge records the colourful and outrageous sayings, flights of fancy, eloquent invective, bawdy witticisms, and earthy phrases of the peasantry from Kerry to Donegal. In the process he creates a new, musical dramatic idiom, spoken in English but vitalized by Irish syntax, ways of thought, and imagery.


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Opening Night of “The Playboy of the Western World”

playboy-of-the-western-worldThe Playboy of the Western World, a three-act play written by Irish playwright John Millington Synge, is first performed at the Abbey Theatre, Dublin, on January 26, 1907. The play is set in Michael James Flaherty’s public house in County Mayo during the early 1900s. It tells the story of Christy Mahon, a young man running away from his farm, claiming he killed his father. The locals are more interested in vicariously enjoying his story than in condemning the immorality of his murderous deed, and in fact, Christy’s tale captures the romantic attention of the bar-maid Pegeen Mike, the daughter of Flaherty. The play is best known for its use of the poetic, evocative language of Hiberno-English, heavily influenced by the Irish language, as Synge celebrates the lyrical speech of the Irish.

The Playboy Riots occur during and following the opening performance of the play. The riots are stirred up by Irish nationalists who view the contents of the play as an offence to public morals and an insult against Ireland. The riots take place in Dublin, spreading out from the Abbey Theatre, and are finally quelled by the actions of the Dublin Metropolitan Police.

The fact that the play is based on a story of apparent patricide also attracts a hostile public reaction. Egged on by nationalists, including Sinn Féin leader Arthur Griffith, who believe that the theatre is not sufficiently political and describes the play as “a vile and inhuman story told in the foulest language we have ever listened to from a public platform,” and with the pretext of a perceived slight on the virtue of Irish womanhood in the line “a drift of females standing in their shifts” (a shift being a female undergarment), a significant portion of the crowd riots, causing the remainder of the play to be acted out in dumbshow. Nevertheless, press opinion soon turns against the rioters and the protests peter out.

Years later, William Butler Yeats declares to rioters against Seán O’Casey‘s pacifist drama The Plough and the Stars, in reference to the Playboy Riots, “You have disgraced yourself again. Is this to be the recurring celebration of the arrival of Irish genius?”

In the 1965 film Young Cassidy, a riot occurs during a play by the fictitious playwright Cassidy, following which the character W.B. Yeats refers to Synge and speaks similar words, starting with “You have disgraced yourselves again.”

The production of Synge’s play meets with more disturbances in the United States in 1911. On opening night in New York City, hecklers boo, hiss and throw vegetables and stink bombs while men scuffle in the aisles. The company is later arrested in Philadelphia and charged with putting on an immoral performance. The charges are later dismissed.