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Death of Brendan O’Reilly, Athlete, Journalist, Actor & Singer

Brendan O’Reilly, Olympic high jumper, journalist, actor, singer-songwriter, dies in Dublin on April 1, 2001.

O’Reilly is born on May 14, 1929, in Granard, County Longford, one of six children of James P. O’Reilly, shopkeeper and musician, and Catherine O’Reilly (née Donegan). The family moves to Dublin when he is nine years old. He is educated at the Christian Brothers school in James’s Street, where he excels at Gaelic football and develops an interest in drama and music. Toward the end of his schooldays he begins to participate in athletics, particularly the high jump, and is coached by Jack Sweeney, a leading athletics coach.

Always a man of many talents and interests, after leaving school O’Reilly combines working in the insurance business with an athletics career with Donore Harriers and evening drama classes. He wins several Irish titles, including the high jump, javelin, and decathlon, and sets a national record in the high jump. In 1954 he wins the British AAA Championships high jump title, beating the Commonwealth champion into second place, and setting a championship record of 6 ft. 5 in. (1.96 m). As a result, he secures a United States athletics scholarship to the University of Michigan, Ann Arbor, where he takes a degree in liberal arts, majoring in speech and drama. While at Michigan he improves his Irish record to 6 ft. 7 in. (2.007 m). His athletic career, however, is dogged with bad luck. He is selected to compete in the high jump at the European Athletics Championships in Bern, Switzerland, in 1954 but fractures an ankle in practice and fails to advance beyond the qualifying round. Although he competes at international level for ten years (1952–62), he is unlucky to never take part in the Olympic Games. A victim of sporting politics in 1952, as an NCAA athlete he is not entitled to compete. He is selected for the 1956 Summer Olympics in Melbourne but is unable to attend when, at the last minute, his club cannot provide the finance for him to attend. Earlier that year he wins the Big Ten Conference high jump title.

On leaving Michigan O’Reilly moves to New York City, where he embarks on an acting career with the Irish Players, but he returns to Dublin in 1959, where, after brief spells working as a teacher and for an advertising agency, he applies to Ireland’s new television station for a position. He is looking for an acting job but ends up being offered a position as a presenter, joining Teilifís Éireann in 1961 as an announcer/interviewer. His relaxed and unobtrusive style appeals to viewers and his light entertainment show, The Life of O’Reilly, is the most popular programme on Irish television in the day, eclipsing even a fledgling The Late Late Show. It is as a sports presenter and commentator, however, that O’Reilly is primarily remembered, as he becomes the face of sport on RTÉ Television for many years. He attends five Olympic Games as a broadcaster, from Mexico in 1968 to Los Angeles in 1984, commentating on athletics and gymnastics. The first presenter of RTÉ’s flagship Saturday afternoon sports programme Sports Stadium in 1984, he continues to present it over its fourteen-year life, co-presenting the final programme in December 1997. He also is the regular presenter of RTÉ’s Wimbledon Championships tennis coverage for many years, the sports results on news broadcasts on TV and radio, and Sunday Sport on RTÉ Radio, as well as commentating on individual sports such as ice-skating.

Although sports presenting is a natural progression for an athlete with his talents, O’Reilly’s real love is the arts. He continues to act, playing the part of Detective Inspector Michael Roarke in the classic children’s film Flight of the Doves (1971) with Ron Moody and Willie Rushton. He is also an accomplished singer and songwriter, and writes and performs his own one-man show, Across the Spectrum, comprising his own poems and songs in 1992. As well as a book of poems, The Great Explosion (1977), he releases a number of albums and tops the charts with his own song, “The Ballad of Michael Collins,” in 1981. He has a great admiration for Michael Collins and this leads to his becoming the first non-political figure to give the oration at the annual Collins commemoration at Béal na Bláth, County Cork, in 1981. He also writes the song “Let the Nations Play” (1985), inspired by the boycotts of the Olympic games of 1980 and 1984, and the song is adopted as an anthem of the international Olympic movement.

Tall and slim in build, O’Relly is affable, modest, and self-deprecating in character. His relaxed style is no mere public affectation. He often exasperates colleagues by turning up just in time for broadcasts, and his ability to ad-lib is important in a live television environment. He once describes himself as “a champion high-jumper who could enunciate properly and keep my hair neatly combed” (The Irish Times, April 7, 2001). Despite the disappointments in his sporting career, he maintains that his other interests more than compensated. In relation to the Olympics he is quoted as saying, “If you asked me whether I’d have preferred to win a medal or have written the song, I’d honestly say I would have preferred to have written the song” (Longford Leader, April 6, 2001).

O’Reilly lives in Ranelagh, Dublin, and is married twice. He meets his first wife Linda Herbst (née Kuhl) in New York in the late 1950s. His second marriage is to Johanna Lowry. He has four children. After a lenghty illness, he dies on April 1, 2001, in St. Vincent’s Hospital, Fairview, Dublin. He is buried at Mount Venus cemetery, Rathfarnham.

(From: “O’Reilly, Brendan” by Jim Shanahan, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Murder of Vincent Patrick Fovargue

Vincent Patrick Fovargue, a company officer in the Dublin brigade of the Irish Republican Army (IRA) during the Irish War of Independence, is shot dead at a golf course near London, England by the IRA on April 2, 1921. The IRA accuses him of being a British spy.

Fovargue is born on August 22, 1900 at 2 Rutland Place, Clontarf, Dublin, to Robert Fovargue, an engineer/fitter, and Elizabeth (Lillie) Larkin.

An intelligence officer with the 4th Battalion of the Dublin Brigade of the IRA in the Ranelagh area, he is captured by the British Army in Dublin. Under interrogation, he allegedly leaks information that results in the arrest of the other members of his unit a few days later. In return for this information, the Intelligence Corps allegedly allow him to escape during a staged ambush in Dublin’s South Circular Road.

This attempted ruse however does not go unnoticed by Michael Collins‘ informants in the Crown’s security forces. On the night of the escape, Detective Constable David Neligan of the Dublin Metropolitan Police‘s “G” Division is on duty in Dublin Castle when he is passed a telephone message on a police form. The message, issued by the British Military Headquarters, states that a “Sinn Féin” suspect named Fovargue had escaped from three Intelligence Corps officers in a car while en route to prison. It gives a description of his appearance and asks that the British Army be notified in the event of his recapture by the Dublin Metropolitan Police.

Joe Kinsella is the I/O of the 4th Battalion. He is temporarily transferred to take care of munitions under Seán Russell for a few weeks and Fovargue is put in his place. In Kinsella’s statement to the BMH, he writes:

“From the outset I personally did not place a lot of trust in him, because on the morning that he took over from me he appeared to me, to be too inquisitive about the movements of Michael Collins and the GHQ staff generally. He wanted to know where they could be located at any time. He said that he had big things in view, and that it would be to the advantage of the movement generally if he was in a position to get in touch with the principal men with the least possible delay. From his attitude I there and then formed the opinion, rightly or wrongly, that he was inclined to overstep his position. I did not feel too happy about him and I discussed him with Sean Dowling. It transpired that my impressions of this man were correct. I told him of two meeting places of Intelligence staff, one of Company Intelligence held at Rathmines Road and one of Brigade Intelligence held at Saville Place. A short time after giving him this information both these places were raided…I was now confirmed in my suspicions that Fovargue was giving away information. He was later shot in England by the IRA.”

Neligan is not fooled by this either, as he explains:

“Now if they had said that this man (who was completely unknown to both of us) had escaped from one I.O. it might have sounded reasonable enough. But to tell us that an unarmed man had escaped out of a motor-car in the presence of three presumably armed men was imposing a strain on our credulity. Both of us thought this story too good to be true.”

The two men retype the message and pass it to Collins the following day. Meanwhile, Fovargue has been sent to England where he adopts the alias of Richard Staunton. Fovargue has in fact been sent to England by Intelligence Corps Colonel Ormonde Winter to infiltrate the IRA in Britain.

Sean Kavanagh, a Kilkenny IRA man, claims that Fovargue is put in a cell with him in Kilmainham in 1921 in order to try to extract information from him.

On April 2, 1921, a boy walking on the golf links of the Ashford Manor Golf Club in Ashford, Middlesex discovers the body of Fovargue, who had been shot through the chest. Discovered near the corpse is a small piece of paper on which had been scribbled in blue pencil the words “Let spies and traitors beware – IRA.”

In the Neil Jordan film Michael Collins, Fovargue’s assassination is depicted onscreen. Fovargue is tracked down while working out at the golf course, allowed to say the Act of Contrition, and then fatally shot by Liam Tobin (Brendan Gleeson).


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Birth of Arthur Armstrong, Landscape & Still Life Painter

Arthur Armstrong, landscape and still life painter who often works in a Cubist style, is born in Carrickfergus, County Antrim, Northern Ireland, on January 12, 1924. A prolific painter, completing up to 300 paintings a year, in oils, watercolour and mixed media, he regards himself first and foremost as an abstract artist.

Armstrong is the son of a house painter and attends Strandtown Primary School. Later he studies architecture at Queen’s University Belfast, but after two years he moves to study art at Belfast School of Art. The influence of Cubism and the School of Paris can be clearly seen in his work, which takes him to England, France and Spain. He also travels and paints in the west of Ireland and Connemara inspires some of his best work. In 1950 his work is exhibited in the Grafton Gallery in Dublin, and subsequent exhibitions take place in England, Spain and the United States, as well as in Belfast and Dublin. In 1957 he is awarded a travelling scholarship from the Council for the Encouragement of Music and the Arts (CEMA), a forerunner of the Arts Council of Great Britain, and goes to Spain. He eventually settles in Dublin in 1962 and begins showing work at the Royal Hibernian Academy.

In 1968 Armstrong is awarded the Douglas Hyde Gold Medal at the Oireachtas Exhibition. In 1969 he designs sets, with George Campbell and Gerard Dillon, for the Seán O’Casey play, Juno and the Paycock, at the Abbey Theatre in Dublin. He becomes a member of the Royal Hibernian Academy in 1972 and in 1973 he is awarded the Art in Context prize from the Arts Council of Northern Ireland. He becomes a member of Aosdána in 1981, the same year that a retrospective exhibition of his work from 1950 to 1980 is held by the Arts Council of Northern Ireland.

From 1971 Armstrong lives at 28 Chelmsford Avenue, Ranelagh, Dublin, in a house he shares with Gerard Dillon. A bachelor, Armstrong dies in a Dublin hospital on January 13, 1996. The contents of his studio are sold February 3, 1998.

(Pictured: “Glendalough” by Arthur Armstrong, oil on board)


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Birth of Ken Doherty, Snooker World Champion

Ken Doherty, Irish professional snooker player, sports commentator and radio presenter, is born in Ranelagh, County Dublin, on September 17, 1969.

As an amateur, Doherty wins the Irish Amateur Championship twice (1987 and 1989), the IBSF World Under-21 Snooker Championship (1989) and the IBSF World Amateur Snooker Championship (1989). Having turned professional in 1990, Doherty wins a total of six ranking tournaments, including the 1997 World Snooker Championship in which he defeats Stephen Hendry of Scotland 18-12, inflicting Hendry’s first loss in a world final. This makes him the first and only player in the history of the game to be the world amateur, world under–21 and the world professional champion.

The following year, Doherty comes very close to breaking the Crucible curse, which refers to the fact that every first-time snooker world champion has failed to retain the title the following year. He reaches the final of the 1998 World Snooker Championship where he loses out to John Higgins of Scotland. He reaches his third final at the 2003 World Snooker Championship, but is narrowly defeated by Mark Williams of Wales. In other Triple Crown events, he is a three-time UK Championship runner-up (1994, 2001, 2002) and a two-time Masters runner-up (1999, 2000).

An intelligent tactician and prolific break-builder, Doherty has compiled more than 300 century breaks in professional competition. Since 2009, he has combined his playing career with commentating and punditry work.

Doherty currently represents an Irish poker site, appearing on radio commercials, and regularly playing in tournaments, where the players on the site receive a bonus for knocking him out.

In partnership with Sean Francis O’Donoghue and Karl Leon Paul, Doherty set up an online cue sports equipment-marketing company.

Doherty has been a World Professional Billiards and Snooker Association (WPBSA) player director since 2012.


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Death of Michael Dwyer, Journalist & Film Critic

Michael Dwyer, journalist and film critic who writes for The Irish Times for more than 20 years, dies following a lengthy illness on January 1, 2010. He previously fills this role for the Sunday Tribune, The Sunday Press and the magazine In Dublin.

Born on May 2, 1951, Dwyer is originally from Saint John’s Park in Tralee, County Kerry. His mother, Mary, outlives him. He has two sisters, Anne and Maria. As a young man in the early 1970s he takes part in the Tralee Film Society, for which he provides notes to The Kerryman. At this time he is employed by the County Library in Tralee. He begins working for In Dublin followed by the Sunday Tribune and The Sunday Press.

Dwyer first travels to the Cannes Film Festival in 1982 and attends every one until 2009, months before his death. In 1985, he co-founds the Dublin Film Festival and directs it until the mid-1990s. In 2002, he co-founds the Dublin International Film Festival, of which he is the chairman. In later life he serves on the board of the Irish Museum of Modern Art.

In the 1990s, Dwyer presents the film show Freeze Frame for public service broadcaster RTÉ. The show results from a friendship he had formed with Alan Gilsenan and Martin Mahon of Yellow Asylum Films. He is also known for his appearances on the radio shows Morning Ireland and The Marian Finucane Show. The editor of The Irish Times, Geraldine Kennedy, speaking after Dwyer’s death, says he was an “enthusiastic advocate” of both national and international cinema and had once said he was “one of those lucky people in life who was able to pursue his interests and call them work.”

Dwyer becomes unwell following a trip to the Cannes Film Festival in May 2009. He takes a break from writing for The Irish Times, returning in December 2009 to contribute his first, and what is to be his last ever, piece in six months to weekly entertainment supplement The Ticket. The article is a review of cinema in 2009 and of the 2000s, and in his contribution he references the ill health which had haunted him for much of the previous year and which had prevented him from viewing any cinema releases between June and September.

Dwyer dies at the age of 58 on January 1, 2010. His partner of 24 years, Brian Jennings, survives him. Irish Minister for Arts, Sport and Tourism Martin Cullen says Dwyer was “the most singular, significant influence on cinema in Ireland for more than three decades.” President of the Labour Party Michael D. Higgins says his work was “incalculable […] he was an activist in promoting a knowledge and appreciation of film in all its forms.” Ireland’s former Director of Film Classification at the Irish Film Classification Office John Kelleher says it was “a huge loss for the world of Irish film.” There are tributes from Gabriel Byrne, Daniel Day-Lewis, Brendan Gleeson, Jonathan Rhys Meyers, Cillian Murphy and Jim Sheridan. The Irish Times publishes tribute pieces on his life.

A ceremony takes place at the Church of the Holy Name in Ranelagh where Dwyer lived. The event is attended by notable politicians, journalists, artists, actors, writers and musicians. RTÉ newsreader Aengus Mac Grianna, a colleague of Jennings, reads a tribute to Dwyer. Daniel Day-Lewis gives a very special tribute at the church service to his dear friend of over 20 years, calling for the Jameson International Dublin Film Festival to be renamed in Dwyer’s honour.

Dwyer is cremated after the funeral on January 5, 2010.


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Birth of Grace Gifford Plunkett, Artist & Irish Republican

grace-gifford-plunkettGrace Evelyn Gifford Plunkett, artist and cartoonist who is active in the Republican movement, is born in Rathmines, Dublin on March 4, 1888. She marries her fiancé, Joseph Plunkett, in Kilmainham Gaol only a few hours before he is executed for his part in the 1916 Easter Rising.

Gifford is the second youngest of 12 children born to Frederick Gifford, a solicitor and a Roman Catholic, and Isabella Julia Burton Gifford, a Protestant. The boys are baptised as Catholics and the girls as Protestant, but effectively the children are all raised as Protestants with the girls attending Alexandra College in Earlsfort Terrace.

At the age of 16, Gifford goes to the Dublin Metropolitan School of Art, where she studies under the Irish artist William Orpen. Orpen regards her as one of his most talented pupils. Around this time, her talent for caricature is discovered and developed. In 1907 she attends the course in Fine Art at the Slade School of Fine Art, London.

Gifford returns to Dublin in 1908 and, with great difficulty, tries to earn a living as a caricaturist, publishing her cartoons in The Shanachie, Irish Life, Meadowstreet and The Irish Review, which is edited from 1913 by Joseph Plunkett. She considers emigrating but gives up the idea. Nora Dryhurst, a journalist from London, brings her to the opening of the new bilingual school Scoil Éanna in Ranelagh, Dublin. It is here that she meets Plunkett for the first time. He is a friend of her brother-in-law, another of the future leaders of the 1916 Easter Rising, Thomas MacDonagh, who is married to her sister Muriel.

Gifford’s growing interest in the Roman Catholic religion leads to the deepening of Gifford and Plunkett’s relationship as she begins to discuss Catholic mystical ideas with him. Plunkett proposes to her in 1915 and she accepts and takes formal instruction in Catholic doctrine. She is received into the Catholic Church in April 1916. The couple plans to marry on Easter Sunday that year, in a double wedding with his sister and her fiancé.

After the Rising, Gifford’s brother-in-law Thomas MacDonagh is shot with Patrick Pearse and Thomas Clarke by firing squad on May 3. That day, she hears that Plunkett is to be shot at dawn. She purchases a ring in a jeweler’s shop in Dublin and, with the help of a priest, persuades the military authorities to allow them to marry. She and Joseph are married on the night of May 3 in the chapel of Kilmainham Gaol, a few hours before he is executed.

Grace Plunkett decides to devote herself through her art to the promotion of Sinn Féin policies and resumes her commercial work to earn a living. She is elected to the Sinn Féin executive in 1917.

During the Irish Civil War, Plunkett is arrested with many others in February 1923 and interned at Kilmainham Gaol for three months. She paints pictures on the walls of her cell, including one of the Blessed Virgin and the Christ Child. She is released in May 1923.

When the Civil War ends, Plunkett has no home of her own and little money. Like many Anti-Treaty Republicans, she is the target of social ostracism and has difficulty finding work. Her talent as an artist is her only real asset and her cartoons are published in various newspapers and magazines. She moves from one apartment to another and eats in the city-centre restaurants but has no wish to remarry. Her material circumstances improve in 1932 when she receives a Civil List pension from Éamon de Valera‘s Fianna Fáil government. She lives for many years in a flat in Nassau Street with a balcony overlooking the sports ground of Trinity College.

Plunkett’s in-laws refuse to honour her husband’s will, in which he leaves everything to his widow. Legally, the will is invalid because there is only one witness, rather than the required two, and the marriage takes place after the will is made, automatically revoking it. For years she receives nothing, so she begins legal proceedings against her in-laws in 1934. The Count and Countess Plunkett settle out of court and she is paid £700, plus costs.

At around this time Plunkett joins the Old Dublin Society, where she meets the noted Irish harpsichord maker Cathal Gannon. When Cathal marries, she gives him and his wife Margaret a present of two single beds and a picture. From the late 1940s onwards, her health declines. In 1950 she is brought to St. Vincent’s Hospital. She convalesces in a nursing home, which she does not like, mainly because it restricts her freedom.

Grace Gifford Plunkett dies suddenly on December 13, 1955 in her apartment in South Richmond Street, Portobello. Her body is removed to St. Kevin’s Church, Harrington Street and among the attendees at her funeral is President Seán T. O’Kelly. She is buried with full military honours close to the republican plot in Glasnevin Cemetery.


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Death of Actress Maureen O’Hara

maureen-oharaMaureen O’Hara, Irish actress and singer, dies peacefully in her sleep at her home in Boise, Idaho on October 24, 2015. The famously red-headed O’Hara is known for her beauty and playing fiercely passionate but sensible heroines, often in westerns and adventure films. She works on numerous occasions with director John Ford and longtime friend John Wayne, and was one of the last surviving stars from the Golden Age of Hollywood.

O’Hara is born Maureen FitzSimons on August 17, 1920, in Ranelagh, County Dublin and grows up in an “eccentric” devout Catholic family, and aspires to become an actress from a very young age. She trains with the Rathmines Theatre Company from the age of 10 and at the Abbey Theatre from the age of 14. She is given a screen test, which is deemed unsatisfactory, but Charles Laughton sees potential and arranges for her to co-star with him in Alfred Hitchcock‘s Jamaica Inn in 1939. She moves to Hollywood the same year to appear with him in the production of The Hunchback of Notre Dame, and is given a contract by RKO Pictures. From there, she goes on to enjoy a long and highly successful career, and acquires the nickname “The Queen of Technicolor,” which she detests, believing that people see her only for her beauty rather than talent.

O’Hara gains a reputation in Hollywood for bossiness and prudishness, avoiding the partying lifestyle. She appears in films such as How Green Was My Valley (1941), her first collaboration with John Ford, The Black Swan (1942) with Tyrone Power, The Spanish Main (1945), Sinbad the Sailor (1947), the Christmas classic Miracle on 34th Street (1947) with John Payne and Natalie Wood and Comanche Territory (1950).

O’Hara appears in her first film with John Wayne, the actor with whom she is most closely associated, with Rio Grande (1950). This is followed by The Quiet Man (1952), her best-known film, and The Wings of Eagles (1957), by which time her relationship with Ford has deteriorated. Such is her strong chemistry with Wayne that many assume they are married or in a relationship. In the 1960s O’Hara increasingly turns to more motherly roles as she ages, appearing in films such as The Deadly Companions (1961), The Parent Trap (1961), and The Rare Breed (1966).

O’Hara retires from the industry in 1971 after starring with Wayne one final time in Big Jake, but returns 20 years later to appear with John Candy in Only the Lonely (1991). In the late 1970s, O’Hara helps run her third husband’s flying business in St. Croix in the American Virgin Islands, and edits a magazine, but later sells them to spend more time in Glengariff in Ireland. She is married three times and has one daughter, Bronwyn, born in 1944 to her second husband.

Her autobiography, ‘Tis Herself, is published in 2004 and becomes a New York Times Bestseller. In November 2014, she is presented with an Honorary Academy Award with the inscription “To Maureen O’Hara, one of Hollywood’s brightest stars, whose inspiring performances glowed with passion, warmth and strength.”

Maureen O’Hara dies of natural causes in her sleep at the age of 95 on October 24, 2015, at her home in Boise, Idaho. O’Hara is buried at Arlington National Cemetery in Virginia next to her late husband Charles F. Blair, Jr..


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Birth of Peter Sutherland, Barrister & Politician

File source: http://commons.wikimedia.org/wiki/File:Peter-Sutherland-2011.jpgPeter Denis Sutherland, businessman, barrister and politician, is born in Foxrock, Dublin on April 25, 1946. He is a barrister by profession and a Senior Counsel of the Bar Council of Ireland. He is known for serving in a variety of international organisations, political and business roles.

Sutherland is educated at Gonzaga College, Ranelagh, Dublin. He is of partial Scottish ancestry. He graduates in Civil Law at University College Dublin and practices at the Irish Bar between 1969 and 1980. He marries Maruja Sutherland, a Spaniard, in 1974.

Sutherland makes his entry into politics when he is appointed Attorney General of Ireland in June 1981. He resigns in March 1982 only to take the post again between December 1982 and December 1984.

Sutherland is appointed to the European Commission in 1985. He is Chairman of the Committee that produces The Sutherland Report on the completion of the Internal Market of the European Economic Community (EEC), commissioned by the European Commission and presented to the European Council at its Edinburgh meeting in 1992.

Sutherland serves as United Nations Special Representative of the Secretary-General for International Migration from January 2006 until March 2017. He is responsible for the creation of the Global Forum on Migration and Development (GFMD). He also serves as President of the International Catholic Migration Commission, as well as member of the Migration Advisory Board of the International Organisation for Migration.

In 1993, Sutherland becomes Director-General of the General Agreement on Tariffs and Trade, now the World Trade Organization. He serves as Chairman of Allied Irish Banks (AIB) from 1989 to 1993 and as Chairman of Goldman Sachs from 1995 to 2015.

In September 2016, Sutherland suffers a heart attack while on his way to Mass at a Catholic Church in London. Six months later, he resigns from his post as United Nations Special Representative of the Secretary-General for International Migration because of poor health. After a long illness, he dies at St. James’s Hospital in Dublin on January 7, 2018, of complications from an infection, at the age of 71. He is buried in Kilternan Cemetery Park in Dublin.

Peter Sutherland received numerous awards including European Person of the Year Award (1988).

(Pictured: Peter D. Sutherland, Chairman, Goldman Sachs International, United Kingdom; Member of the Foundation Board of the World Economic Forum, speaks during the session ‘China’s Impact on Global Trade and Growth’ at the Annual Meeting 2011 of the World Economic Forum in Davos, Switzerland, January 27, 2011. Copyright by World Economic Forum swiss-image.ch/Photo by Michael Wuertenberg)


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Birth of William Carleton, Writer & Novelist

william-carleton

William Carleton, Irish writer and novelist, is born in Clogher, County Tyrone on February 20, 1794. He is best known for his Traits and Stories of the Irish Peasantry, a collection of ethnic sketches of the stereotypical Irishman.

Carleton receives a basic education at various hedge schools. Most of his learning is gained from a curate, Father Keenan, who teaches at a classical school at Donagh, County Monaghan which he attends from 1814 to 1816. He studies for the priesthood at Maynooth, but leaves after two years. Around the age of 19 he undertakes one of the religious pilgrimages then common in Ireland. His experiences as a pilgrim make him give up the thought of entering the church.

Carleton’s vacillating ideas as to a mode of life are determined by reading the picaresque novel Gil Blas by Alain-René Lesage. He decides to try what fortune has in store for him and he goes to Killanny, County Louth. For six months he serves as tutor to the family of a farmer named Piers Murphy. After some other experiments he sets out for Dublin, arriving with two shillings and sixpence in his pocket.

Carleton first seeks occupation as a bird-stuffer, but a proposal to use potatoes and meal as stuffing fails to recommend him. He then tries to become a soldier, but the colonel of the regiment dissuades him. After staying in a number of cheap lodgings, he eventually finds a place in a house on Francis Street which contains a circulating library. The landlady allows him to read from 12 to 16 hours a day. He obtains some teaching and a clerkship in a Sunday School office, begins to contribute to journals. “The Pilgrimage to Lough Derg,” which is published in the Christian Examiner, attracts great attention.

In 1830 Carleton publishes his first full-length book, Traits and Stories of the Irish Peasantry (2 volumes), which is considered his best achievement. A second series (3 volumes) appears in 1833, and Tales of Ireland in 1834. From that time until a few years prior to his death he writes constantly. “Fardorougha the Miser, or the Convicts of Lisnamona” appears in 1837–1838 in the Dublin University Magazine.

Carleton remained active publishing in Dublin magazines through the 1830s and 1840s writing many ethnic stories often drawn from the south Tyrone locality. He also writes a lot of fiction. During the last months of his life he begins an autobiography which he brings down to the beginning of his literary career. This forms the first part of The Life of William Carleton by David James O’Donoghue, which contains full information about his life, and a list of his scattered writings.

Carleton’s later years are characterised by drunkenness and poverty. In spite of his considerable literary production, he remains poor, but receives a pension in 1848 of £200 a year granted by Lord John Russell in response to a memorial on Carleton’s behalf signed by numbers of distinguished persons in Ireland.

William Carleton dies at his home at Woodville, Sandford Road, in Ranelagh, Dublin on January 30, 1869, and is interred at Mount Jerome Cemetery, Harold’s Cross, Dublin. The house, now demolished, is close to the entrance to the Jesuit residence at Milltown Park. Despite his conversion to Protestantism, Carleton remains on friendly terms with one of the priests there, Reverend Robert Carbery, who offers to give him the Last Rites of the Catholic Church. In the final weeks before his death, Carleton politely declines the offer, stating he had not been a Roman Catholic “for half a century and more.”

(Pictured: Portrait of Irish author William Carleton (1794-1869) by John Slattery (fl. 1850s))


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Birth of Nell McCafferty, Journalist & Feminist

nell-mccaffertyNell McCafferty, Irish journalist, playwright, civil rights campaigner and feminist, is born in Derry, County Londonderry, Northern Ireland on March 28, 1944. In her journalistic work she has written for The Irish Press, The Irish Times, Sunday Tribune, Hot Press and The Village Voice.

McCafferty is born to Hugh and Lily McCafferty, and spends her early years in the Bogside area of Derry. She is admitted to Queen’s University Belfast, where she takes a degree in Arts. After a brief spell as a substitute English teacher in Northern Ireland and a stint on an Israeli kibbutz, she takes up a post with The Irish Times.

McCafferty is a founding member of the Irish Women’s Liberation Movement. Her journalistic writing on women and women’s rights reflect her beliefs on the status of women in Irish society. In 1971, she travels to Belfast with other members of the Irish Women’s Liberation Movement in order to protest the prohibition of the importation and sale of contraceptives in the Republic of Ireland.

After the disintegration of the Irish Women’s Liberation Movement, McCafferty remains active in other women’s rights groups, as well as focusing her journalism on women’s rights. Her most notable work is her coverage of the Kerry Babies case, which is recorded in her book, A Woman to Blame. She contributes the piece “Coping with the womb and the border” to the 1984 anthology Sisterhood Is Global: The International Women’s Movement Anthology, edited by Robin Morgan.

In 1990, McCafferty wins a Jacob’s Award for her reports on the 1990 FIFA World Cup for RTÉ Radio 1‘s The Pat Kenny Show. She publishes her autobiography, Nell, in 2004. In it, she explores her upbringing in Derry, her relationship with her parents, her fears about being gay, the joy of finding a domestic haven with the love of her life, the Irish writer Nuala O’Faolain, and the pain of losing it.

In 2009, after the publication of the Murphy Report into the abuse of children in the Dublin archdiocese, McCafferty confronts Archbishop Diarmuid Martin asking him why the Catholic Church has not, as a “gesture of redemption,” relinquished titles such as “Your Eminence” and “Your Grace.”

McCafferty causes a controversy in 2010 with a declaration in a live Newstalk radio interview that the then Minister for Health, Mary Harney, is an alcoholic. This allegation leads to a court case in which Harney is awarded €450,000 the following year. McCafferty has very rarely been featured on live radio or television in Ireland as a commentator since the incident, despite being ever present in those media from 1990 forward. However, she has been featured on a number of recorded programs.

The Irish Times writes that “Nell’s distinctive voice, both written and spoken, has a powerful and provocative place in Irish society.”

McCafferty receives an honorary doctorate of literature from University College Cork on November 2, 2016 for “her unparalleled contribution to Irish public life over many decades and her powerful voice in movements that have had a transformative impact in Irish society, including the feminist movement, campaigns for civil rights and for the marginalised and victims of injustice.”

McCafferty lives in Ranelagh, an area of Dublin.