Twomey lives at 6 Sevastopol Street in the Falls district. Known as “Thumper” owing to his short temper and habit of banging his fist on tables, he receives little education and is a bookmaker‘s “runner.” His father is a volunteer in the 1920s. In Belfast he lives comfortably with his wife, Rosie, whom he marries in 1946. Together they have sons and daughters.
Twomey begins his involvement with the Irish Republican Army in the 1930s and is interned in Northern Ireland during the 1940s on the prison ship HMS Al Rawdah and later in Crumlin Road Jail in Belfast. Rosie, his wife, is also held prisoner at the women prison, Armagh Jail, in Northern Ireland. He opposes the left-wing shift of Cathal Goulding in the 1960s, and in 1968, helps set up the breakaway Andersonstown Republican Club, later the Roddy McCorley Society.
In 1969, Twomey is prominent in the establishment of the Provisional Irish Republican Army. By 1972, he is Officer Commanding (OC) of the Provisional IRA Belfast Brigade when it launches its bomb campaign of the city, including Bloody Friday when nine people are killed. During the 1970s, the leadership of the Belfast Brigade of the IRA is largely in the hands of Twomey and Ivor Bell.
In March 1973, Twomey is first appointed IRA Chief of Staff after the arrest of Joe Cahill. He remains in this position until his arrest in October 1973 by the Garda Síochána. Three weeks later, on October 31, 1973, the IRA organises the helicopter escape of Twomey and his fellow IRA members J. B. O’Hagan and Kevin Mallon, when an active service unit hijacks and forces the pilot at gunpoint to land the helicopter in the training yard of Mountjoy Prison. After his escape, he returns to his membership of IRA Army Council.
By June/July 1974, Twomey is IRA Chief of Staff for a second time. He takes part in the Feakle talks between the IRA and Protestant clergymen in December 1974. In the IRA truce which follows in 1975, he is largely unsupportive and wants to fight on in what he sees as “one big push to finish it once and for all.”
IRA informer Sean O’Callaghan claims that on January 5, 1976, Twomey and Brian Keenan give the go-ahead for the sectarian Kingsmill massacre, when ten unarmed Ulster Protestant workmen are executed by the Provisional IRA in retaliation for a rash of loyalist killings of Catholics in the area. It is Keenan’s view, O’Callaghan claims, that “The only way to knock the nonsense out of the Prods is to be ten times more savage.”
Twomey is dedicated to paramilitarism as a means of incorporating Northern Ireland into the Republic of Ireland. In an interview with French television on July 11, 1977, he declares that although the IRA had waged a campaign for seven years at that point, it can fight on for another 70 against the British state in Northern Ireland and in England. He supports the bombing of wealthy civilian targets, which he justifies on class lines. On October 29, 1977, for example, a no-warning bomb at an Italian restaurant in Mayfair kills one diner and wounds 17 others. Three more people are killed in similar blasts in Chelsea and Mayfair the following month. He says, “By hitting Mayfair restaurants, we were hitting the type of person that could bring pressure to bear on the British government.”
In December 1977, Twomey is captured in Sandycove, Dublin, by the Garda Síochána, who had been tipped off by Belgian police about a concealed arms shipment, to be delivered to a bogus company with an address in the area. They swoop on a house in Martello Terrace to discover Twomey outside in his car, wearing his trademark dark glasses. After a high-speed pursuit, he is recaptured in the centre of Dublin. The Gardaí later find documents in his possession outlining proposals for the structural reorganisation of the IRA according to the cell system. His arrest ends his tenure as IRA chief of staff. In the 1986 split over abstentionism, Twomey sides with the Gerry Adams leadership and remains with the Provisionals.
After a long illness from a heart condition, Twomey dies in Dublin on September 12, 1989. He is buried in the family plot in Milltown Cemetery, Belfast. His funeral is attended by about 2,000 people.
Following the outbreak of the Troubles in the late 1960s, the Provisional IRA conducts an armed campaign that seeks to create a united Ireland by ending Northern Ireland‘s status as part of the United Kingdom. As a result of increasing levels of violence in Northern Ireland, internment without trial is introduced there in August 1971, and in the Republic of Ireland the coalition government led by Fine Gael’s Liam Cosgrave is attempting to curb IRA activity. Fine Gael had come to power on a law and order ticket, with a policy of “getting tough on crime.” Suspected IRA members are arrested and accused of IRA membership by a superintendent in the Garda Síochána, a crime under the Offences against the State Acts. They are tried at the juryless Special Criminal Court in Dublin, where the traditional IRA policy of not recognising the court results in a fait accompli as no defence is offered and IRA membership carries a minimum mandatory one-year sentence, resulting in internment in all but name. In September 1973 IRA Chief of Staff Seamus Twomey appears at the Special Criminal Court charged with IRA membership, and states, “I refuse to recognise this British-orientated quisling court.” He is found guilty and receives a five-year sentence. By October 1973 the IRA’s command structure is seriously curbed, with Twomey and other senior republicans J. B. O’Hagan and Kevin Mallon all being held in Mountjoy Prison.
The IRA immediately begins making plans to break Twomey, O’Hagan and Mallon out of the prison. The first attempt involves explosives that had been smuggled into the prison, which are to be used to blow a hole in a door which will give the prisoners access to the exercise yard. From there, they are to scale a rope ladder thrown over the exterior wall by members of the IRA’s Dublin Brigade who are to have a getaway car waiting to complete the escape. The plans when the prisoners cannot gain access to the exercise yard and the rope ladder is spotted, so the IRA begins making new escape plans. The idea of using a helicopter in an escape had been discussed before in a plot to break Gerry Adams out of Long Kesh internment camp but had been ruled out because of faster and more sophisticated British Army helicopters being stationed at a nearby base. The IRA’s GHQ staff approves the plan to break out Twomey, O’Hagan and Mallon, and arrangements are made to obtain a helicopter. A man with an American accent calling himself Mr. Leonard approaches the manager of Irish Helicopters at Dublin Airport, with a view to hiring a helicopter for an aerial photographic shoot in County Laois. After being shown the company’s fleet of helicopters, Leonard arranges to hire a five-seater Alouette II for October 31.
Leonard arrives at Irish Helicopters on October 31 and is introduced to the pilot of the helicopter, Captain Thompson Boyes. Boyes is instructed to fly to a field in Stradbally, in order to pick up Leonard’s photographic equipment. After landing Boyes sees two armed, masked men approaching the helicopter from nearby trees. He is held at gunpoint and told he will not be harmed if he follows instructions. Leonard leaves with one gunman, while the other gunman climbs aboard the helicopter armed with a pistol and an ArmaLite rifle. Boyes is instructed to fly towards Dublin following the path of railway lines and the Royal Canal, and is ordered not to register his flight path with Air Traffic Control. As the helicopter approaches Dublin, Boyes is informed of the escape plan and is instructed to land in the exercise yard at Mountjoy Prison.
In the prison’s exercise yard, the prisoners are watching a football match. Shortly after 3:35 p.m. the helicopter swings in to land in the prison yard, with Kevin Mallon directing the pilot using semaphore. A prison officer on duty initially takes no action as he believes the helicopter contains the Minister for Defence, Paddy Donegan. After prisoners surround the eight prison officers in the yard, fights break out as the officers realise an escape attempt is in progress. As other prisoners restrain the officers, Twomey, Mallon and O’Hagan board the helicopter. As the helicopter takes off, in the confusion one officer shouts, “Close the gates, close the fucking gates.” The helicopter flies north and lands at a disused racecourse in the Baldoyle area of Dublin, where the escapees are met by members of the IRA’s Dublin Brigade. Boyes is released unharmed, and the escapees are transferred to a taxi that had been hijacked earlier and are transported to safe houses.
The escape makes headlines around the world and is an embarrassment for Cosgrave’s government, which is criticised for “incompetence in security matters” by opposition party Fianna Fáil. An emergency debate on security is held in Dáil Éireann on November 1.
The IRA releases a statement on the escape, which reads, “Three republican prisoners were rescued by a special unit from Mountjoy Prison on Wednesday. The operation was a complete success and the men are now safe, despite a massive hunt by Free State forces.” Shortly after the escape Twomey gives an exclusive interview to German magazine Der Spiegel, where the reporter says people throughout Europe are joking about the incident as “the escape of the century.” Irish rebel band the Wolfe Tones writes a song celebrating the escape called “The Helicopter Song,” which is immediately banned by the government yet still tops the Irish Singles Chart after selling twelve thousand copies in a single week.
The escape results in all IRA prisoners being held at Mountjoy Prison and Curragh Camp being transferred to the maximum security Portlaoise Prison. In order to prevent any further escapes the perimeter of the prison is guarded by members of the Irish Army, and wires are erected over the prison yard to prevent any future helicopter escape. Cosgrave states there will be “no hiding place” for the escapees, and a manhunt involving twenty thousand members of the Irish Defence Forces and Garda Síochána ensues.
Mallon is recaptured at a Gaelic Athletic Association dance in a hotel near Portlaoise on December 10, 1973, and imprisoned in Portlaoise Prison. He escapes from there in a mass break-out on August 18, 1974, when nineteen prisoners escape after overpowering guards and using gelignite to blast through the gates. He is recaptured in Foxrock in January 1975 and returned to Portlaoise Prison. O’Hagan is recaptured in Dublin in early 1975, and also imprisoned in Portlaoise Prison. After the end of his original twelve-month sentence, he is immediately arrested and sentenced to a further two years imprisonment for escaping. Twomey evades recapture until December 2, 1977, when he is spotted sitting in a car in Sandycove by members of the Garda’s Special Branch who are investigating an arms shipment after a tip-off from police in Belgium. He drives away after spotting the officers, before being recaptured in the centre of Dublin after a high-speed car chase. He is also imprisoned in Portlaoise Prison until his release in 1982.
In 2021, Brendan Hughes publishes an autobiography Up Like a Bird, an account of the planning and organisation of the escape, co-authored with Doug Dalby.
Casement is born into an Anglo-Irish family, and lives his very early childhood at Doyle’s Cottage, Lawson Terrace, Sandycove. His father, Captain Roger Casement of the (King’s Own) Regiment of Dragoons, is the son of Hugh Casement, a Belfast shipping merchant who goes bankrupt and later moves to Australia. After the family moves to England, Casement’s mother, Anne Jephson (or Jepson), of a DublinAnglican family, purportedly has him secretly baptised at the age of three as a Roman Catholic in Rhyl, Wales.
The family lives in England in genteel poverty. Casement’s mother dies when he is nine years old. His father takes the family back to County Antrim in Ireland to live near paternal relatives. His father dies when he is thirteen years old. He is educated at the Diocesan School, Ballymena (later the Ballymena Academy). He leaves school at 16 and goes to England to work as a clerk with Elder Dempster Lines, a Liverpool shipping company headed by Alfred Lewis Jones.
Casement is a British consul in Portuguese East Africa (1895–98), Angola (1898–1900), Congo Free State (1901–04), and Brazil (1906–11). He gains international fame for revealing atrocious cruelty in the exploitation of native labour by white traders in the Congo and the Putumayo River region of Peru. His Congo report, published in 1904, leads to a major reorganization of Belgian rule in the Congo in 1908, and his Putumayo report of 1912 earns him a knighthood, which is ultimately forfeited on June 29, 1916.
Ill health forces Casement to retire to Ireland in 1912. Although he comes from an Ulster Protestant family, he has always sympathized with the predominantly Roman Catholic Irish nationalists. Late in 1913 he helps form the National Volunteers, and in July 1914 he travels to New York City to seek American aid for that anti-British force. After World War I breaks out in August, he hopes that Germany might assist the Irish independence movement as a blow against Great Britain. On arriving in Berlin in November 1914, he finds that the German government is unwilling to risk an expedition to Ireland and that most Irish prisoners of war would refuse to join a brigade that he intends to recruit for service against England.
Later, Casement fails to obtain a loan of German army officers to lead the Irish rising planned for Easter 1916. In a vain effort to prevent the revolt, he sails for Ireland on April 12 in a German submarine. Put ashore near Tralee, County Kerry, he is arrested on April 24 and taken to London, where, on June 29, he is convicted of treason and sentenced to death. An appeal is dismissed, and he is hanged at London’s Pentonville Prison on August 3, 1916, despite attempts by influential Englishmen to secure a reprieve in view of his past services to the British government. During this time, diaries reputedly written by Casement and containing detailed descriptions of homosexual practices are circulated privately among British officials. After years of dispute over their authenticity, the diaries are made available to scholars by the British home secretary in July 1959. It is generally considered that the passages in question are in Casement’s handwriting.
In 1965 Casement’s remains are repatriated to Ireland. Despite the annulment, or withdrawal, of his knighthood in 1916, the 1965 UK Cabinet record of the repatriation decision refers to him as “Sir Roger Casement.”
Casement’s last wish is to be buried at Murlough Bay on the north coast of County Antrim, in present-day Northern Ireland, but Prime MinisterHarold Wilson‘s government had released the remains only on condition that they could not be brought into Northern Ireland, as “the government feared that a reburial there could provoke Catholic celebrations and Protestant reactions.”
Casement’s remains lay in state at the Garrison Church, Arbour Hill (now Arbour Hill Prison) in Dublin for five days, close to the graves of other leaders of the 1916 Easter Rising. After a state funeral, his remains are buried with full military honours in the Republican plot in Glasnevin Cemetery in Dublin, alongside other Irish republicans and nationalists. The President of Ireland, Éamon de Valera, then the last surviving leader of the Easter Rising, attends the ceremony, along with an estimated 30,000 others.
Michael Hartnett, Irish poet who writes in both English and Irish, is born in Croom Hospital in Croom, County Limerick, on September 18, 1941. He is one of the most significant voices in late 20th-century Irish writing and has been called “Munster‘s de facto poet laureate.”
Although Hartnett’s parents’ name is Harnett, he is registered in error as Hartnett on his birth certificate. In later life he declines to change this as his legal name is closer to the Irish Ó hAirtnéide. He grows up in the Maiden Street area of Newcastle West, County Limerick, spending much of his time with his grandmother, Bridget Halpin, who resides in the townland of Camas, in the countryside nearby. He claims that his grandmother is one of the last native speakers to live in County Limerick, though she is originally from northern County Kerry. Although she speaks to him mainly in English, he listens to her conversing with her friends in Irish, and as such, he is quite unaware of the imbalances between English and Irish. When he begins school, he is made aware of the tensions between both languages, and is surprised to discover that Irish is considered an endangered language, taught as a contrived, rule-laden code, with little of the literary attraction which it holds for him. He is educated in the local national and secondary schools in Newcastle West. He emigrates to England the day after he finishes his secondary education and goes to work as a tea boy on a building site in London.
Hartnett has started writing by this time and his work comes to be known of the poet John Jordan, who is professor of English at University College Dublin. Jordan invites him to attend the university for a year. While back in Dublin, he co-edits the literary magazine Arena with James Liddy. He also works as curator of James Joyce‘s tower at Sandycove for a time. He returns briefly to London, where he meets Rosemary Grantley on May 16, 1965, and they are married on April 4, 1966. His first book, Anatomy of a Cliché, is published by Poetry Ireland in 1968 to critical acclaim and he returns to live permanently in Dublin that same year.
Hartnett works as a night telephonist at the telephone exchange on Exchequer Street. He now enters a productive relationship with New Writers Press, run by Michael Smith and Trevor Joyce. They publish his next three books. The first of these is a translation from the Irish, The Old Hag of Beare (1969), followed by Selected Poems (1970) and Tao (1972). This last book is a version of the Chinese Tao Te Ching. His Gypsy Ballads (1973), a translation of the Romancero Gitano of Federico García Lorca, is published by the Goldsmith Press.
In 1974 Hartnett decides to leave Dublin and return to his rural roots, as well as deepen his relationship with the Irish language. He goes to live in Templeglantine, five miles from Newcastle West, and works for a time as a lecturer in creative writing at Thomond College of Education, Limerick.
In his 1975 book, A Farewell to English, Hartnett declares his intention to write only in Irish in the future, describing English as “the perfect language to sell pigs in.” A number of volumes in Irish follow including Adharca Broic (1978), An Phurgóid (1983) and Do Nuala: Foighne Chrainn (1984). A biography on this period of his life entitled A Rebel Act Michael Hartnett’s Farewell To English by Pat Walsh is published in 2012 by Mercier Press.
In 1984 Hartnett returns to Dublin to live in the suburb of Inchicore. The following year marks his return to English with the publication of Inchicore Haiku, a book that deals with the turbulent events in his personal life over the previous few years. This is followed by a number of books in English including A Necklace of Wrens (1987), Poems to Younger Women (1989) and The Killing of Dreams (1992).
Hartnett also continues working in Irish, and produces a sequence of important volumes of translation of classic works into English. These include Ó Bruadair, Selected Poems of Dáibhí Ó Bruadair (1985) and Ó Rathaille The Poems of Aodhaghán Ó Rathaille (1999). His Collected Poems appear in two volumes in 1984 and 1987 and New and Selected Poems in 1995.
Hartnett dies from Alcoholic Liver Syndrome on October 13, 1999. A new Collected Poems appears in 2001.
Every April a literary and arts festival is held in Newcastle West in honour of Hartnett. Events are organised throughout the town and a memorial lecture is given by a distinguished guest. Former speakers include Nuala O’Faolain, Paul Durcan, David Whyte and Fintan O’Toole. The annual Michael Hartnett Poetry Award of € 4,000 also forms part of the festival. Funded by the Limerick City and County Council Arts Office and the Arts Council of Ireland, it is intended to support and encourage poets in the furtherance of their writing endeavours. Previous winners include Sinéad Morrissey and Peter Sirr.
During the 2011 Éigse, Paul Durcan unveils a bronze life-sized statue of Hartnett sculpted by Rory Breslin, in the Square, Newcastle West. Hartnett’s son Niall speaks at the unveiling ceremony.
Maureen Toal, Irish stage and television actress whose professional career lasts for more than sixty years, is born on September 7, 1930 in Fairview, Dublin.
Another playwright, John B. Keane, writes the role of Mame Fadden in his play, The Change in Mame Fadden, specifically for Toal. Hugh Leonard also pens characters in his plays A life and Great Big Blonde with the intention of casting Toal in the parts. She is best known to Irish television audiences for her role as Teasy McDaid on RTÉ One‘s Glenroe during the 1990s.
In 1952, Toal marries fellow Irish actor Milo O’Shea. They divorce in 1974.
Toal dies in her sleep at her home in Sandycove, Dublin, on August 24, 2012, two weeks before her 82nd birthday. She is survived by her sons, Steven and Colm O’Shea, two sisters, one brother, and three grandchildren.
Bloomsday is a commemoration and celebration of the life of Irish writer James Joyce, observed annually in Dublin and elsewhere on June 16, the day his novel Ulysses (1922) takes place in 1904, the date of his first outing with his wife-to-be, Nora Barnacle, and named after its protagonist Leopold Bloom.
The first mention of such a celebration is found in a letter by Joyce to Miss Weaver of June 27, 1924, which refers to “a group of people who observe what they call Bloom’s day – 16 June.”
The day involves a range of cultural activities, including Ulysses readings and dramatisations, pub crawls and other events, some of it hosted by the James Joyce Centre in North Great George’s Street. Enthusiasts often dress in Edwardian costume to celebrate Bloomsday, and retrace Bloom’s route around Dublin via landmarks such as Davy Byrne’s pub. Hard-core devotees have even been known to hold marathon readings of the entire novel, some lasting up to 36 hours.
The James Joyce Tower and Museum at Sandycove, site of the opening chapter of Ulysses, hosts many free activities around Bloomsday including theatrical performances, musical events, tours of the iconic tower and readings from Joyce’s masterpiece.
In 1954, on the 50th anniversary of the events in the novel, artist, critic, publican and founder of Envoy magazine, John Ryan, and the novelistBrian O’Nolan organise what is to be a daylong pilgrimage along the Ulysses route. They are joined by Patrick Kavanagh, Anthony Cronin, Tom Joyce (Joyce’s cousin, representing the family interest) and A. J. Leventhal, a lecturer in French at Trinity College, Dublin. Ryan engages two horse-drawn cabs, of the old-fashioned sort, in which in Ulysses Mr. Bloom and his friends drive to Paddy Dignam’s funeral. The party are assigned roles from the novel. They plan to travel around the city through the day, starting at the Martello tower at Sandycove where the novel begins, visiting in turn the scenes of the novel, ending at night in what had once been the brothel quarter of the city, the area which Joyce called Nighttown. The pilgrimage is abandoned halfway through when the weary pilgrims succumb to inebriation and rancour at the Bailey pub in the city centre, which Ryan owns at the time, and at which in 1967 he installs the door to No. 7 Eccles Street (Leopold Bloom’s front door), having rescued it from demolition. A Bloomsday record of 1954, informally filmed by John Ryan, follows this pilgrimage.
A five-month-long festival, ReJoyce Dublin 2004, takes place in Dublin between April 1 and August 31, 2004. On the Sunday before the 100th “anniversary” of the fictional events described in the book, 10,000 people in Dublin are treated to a free, open-air, full Irish breakfast on O’Connell Street consisting of sausages, rashers, toast, beans, and black and white puddings.
The 2006 Bloomsday festivities are cancelled, the day coinciding with the funeral of former TaoiseachCharles Haughey.
(Pictured: Firstbloom (L to R) John Ryan, Anthony Cronin, Brian O’Nolan, Patrick Kavanagh and Tom Joyce (James Joyce’s cousin); Sandymount, 1954)
Scott’s family originates in the province of Munster. His father, William Scott, is a school inspector from near Sneem on the Iveragh Peninsula in County Kerry. His mother is from County Cork. He is educated at Belvedere College in Dublin. There he first demonstrates his skills at painting and acting. Initially he wants to pursue a career as a painter but his father points out that it might make more financial sense to become an architect.
Scott becomes an apprentice for the sum of £375 per annum to the Dublin architectural firm Jones and Kelly. He remains there from 1923 until 1926, where he studies under Alfred E. Jones. In the evenings after work, he also attends the Metropolitan School of Art and the Abbey School of Acting, and appears in many plays there until 1927, including the first productions of Seán O’Casey’s Juno and the Paycock and The Plough and the Stars. On completing his pupilage he becomes an assistant to Charles James Dunlop and then has a brief spell as an assistant architect in the Office of Public Works.
In 1931 Scott partners with Norman D. Good to form Scott and Good, and they open an office in Dublin. They design the hospital at Tullamore (1934–1937) and Portlaoise General Hospital (1935). Between 1937 and 1938, he is the President of the Architectural Association of Ireland (AAI). He founds his company, Michael Scott Architects, in 1938. That same year he also designs his house Geragh, at Sandycove, County Dublin.
Scott’s most important pre-war commission is the Irish Pavilion for the 1939 New York World’s Fair. He produces a shamrock shaped building constructed in steel, concrete and glass. It is selected by an International jury as the best building in the show. As a result, he is presented with a silver medal for distinguished services and given honorary citizenship of the city of New York by then Mayor Fiorello H. La Guardia. Other better known architects who design national pavilions for this World Fair include Alvar Aalto of Finland and Oscar Niemeyer of Brazil.
Scott has three major commissions from the Córas Iompair Éireann CIÉ, the Inchicore Chassis Works, the Donnybrook Bus Garage and, most famously, the Dublin Central Bus Station, to be known as àras Mhic Dhiarmada or Busáras. Though initially controversial, Busáras wins Scott the Royal Institute of the Architects of Ireland Triennial Gold Medal for Architecture.
Scott, who spends most of his life living at Sandycove Point, just south of Dún Laoghaire in south Dublin, dies in Dublin on January 24, 1989 and is buried near Sneem in County Kerry.
Scott is born in Drogheda on June 24, 1905. His family originates in the province of Munster. His father, William Scott, is a school inspector from near Sneem on the Iveragh Peninsula in County Kerry. His mother is from County Cork. He is educated at Belvedere College in Dublin. There he first demonstrates his skills at painting and acting. Initially he wants to pursue a career as a painter but his father points out that it might make more financial sense to become an architect.
Scott becomes an apprentice for the sum of £375 per annum to the Dublin architectural firm Jones and Kelly. He remains there from 1923 until 1926, where he studies under Alfred E. Jones. In the evenings after work, he also attends the Metropolitan School of Art and the Abbey School of Acting, and appears in many plays there until 1927, including the first productions of Seán O’Casey’s Juno and the Paycock and The Plough and the Stars. On completing his pupilage he becomes an assistant to Charles James Dunlop and then has a brief spell as an assistant architect in the Office of Public Works.
In 1931 Scott partners with Norman D. Good to form Scott and Good, and they open an office in Dublin. They design the hospital at Tullamore (1934–1937) and Portlaoise General Hospital (1935). Between 1937 and 1938, he is the President of the Architectural Association of Ireland (AAI). He founds his company, Michael Scott Architects, in 1938. That same year he also designs his house Geragh, at Sandycove, County Dublin.
Scott’s most important pre-war commission is the Irish Pavilion for the 1939 New York World’s Fair. He produces a shamrock shaped building constructed in steel, concrete and glass. It is selected by an International jury as the best building in the show. As a result, he is presented with a silver medal for distinguished services and given honorary citizenship of the city of New York by then Mayor Fiorello H. La Guardia. Other better known architects who design national pavilions for this World Fair include Alvar Aalto of Finland and Oscar Niemeyer of Brazil.
Scott has three major commissions from the Córas Iompair Éireann CIÉ, the Inchicore Chassis Works, the Donnybrook Bus Garage and, most famously, the Dublin Central Bus Station, to be known as àras Mhic Dhiarmada or Busáras. Though initially controversial, Busáras wins Scott the Royal Institute of the Architects of Ireland Triennial Gold Medal for Architecture.
Scott, who spends most of his life living at Sandycove Point, just south of Dún Laoghaire in south Dublin, dies in Dublin on January 24, 1989 and is buried near Sneem in County Kerry.
Maureen Toal, stage and television actress whose professional career lasts for more than sixty years, dies on August 24, 2012.
Toal is born in Fairview, Dublin on September 7, 1930. She begins performing at the Abbey Theatre in Dublin in 1946, when she is just sixteen years old. She becomes a fixture at the theater, portraying some of the strongest roles on the stage including Bessie Burgess in The Plough and the Stars and the Widow Quinn in The Playboy of the Western World. She also appears in several one woman shows, including Baglady, which is written by Irish playwrightFrank McGuinness.
In 1952, Toal marries fellow Irish actor Milo O’Shea. They divorce in 1974.
Playwright John B. Keane writes the role of Mame Fadden in his play The Change in Mame Fadden specifically for Toal. Hugh Leonard also pens characters in his plays A Life and Great Big Blonde with the intention of casting Toal in the roles. Toal is best known to Irish television audiences for her role as Teasy McDaid on RTÉ One‘s Glenroe during the 1990s.
In 2010, Toal is awarded an honorary doctorate in literature at University College Dublin for which McGuinness delivers the citation, describing her as “our greatest actress.” He also praises her performances including Maggie in Arthur Miller‘s After the Fall and particularly her lead roles in his own plays, The Factory Girls and Baglady, where, he says, she tells the toughest of stories with devastating honesty. “Hers is the look out of which were fashioned the masks of comedy and tragedy.”
Maureen Toal dies in her sleep at her home in Sandycove, Dublin, on August 24, 2012, two weeks before her 82nd birthday. She is survived by her son, Colm O’Shea, two sisters, one brother, and three grandchildren.
seamus dubhghaill 