seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

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Birth of John Buckley, Composer & Pedagogue

John Buckley, Irish composer and pedagogue, is born in Templeglantine, County Limerick, on December 19, 1951. He is a co-founder of the Ennis Summer School and a member of Aosdána, Ireland’s state-sponsored academy of creative artists.

Buckley grows up in a rural environment and is introduced to traditional music learning the button accordion from the local player Liam Moloney when he is 9 years of age. In 1969 he moves to Dublin to study for the Teacher’s Diploma at St. Patrick’s College, Drumcondra. Here he has his first opportunity to hear live classical and modern music including contemporary and avantgarde works by Irish composers including Aloys Fleischmann, Brian Boydell, John Kinsella, and Seóirse Bodley, as well as works by international composers such as Krzysztof Penderecki. He becomes a student at the Royal Irish Academy of Music, Dublin (1969–74), studying the flute with Doris Keogh and composition with A. J. Potter and James Wilson. He continues his musical studies with Alun Hoddinott in Cardiff, Wales (1978–82), Aloys Fleischmann in Cork (M.A. in composition, 1980), and briefly with John Cage during a summer school for composers and choreographers at Guildford, Surrey, in 1981. Initially working as secondary school teacher, from 1982 he is able to work independently as a composer.

In 1983, Buckley is the co-founder, with James Wilson, of the annual Ennis Summer School for composition, which becomes an influential training ground for aspiring young Irish composers; pupils include Michael Alcorn, Rhona Clarke, and Gráinne Mulvey. He becomes a member of Aosdána in 1984. Since 2001 he has been a lecturer in music at St. Patrick’s College, Drumcondra. From the National University of Ireland at Maynooth (now Maynooth University) he receives a PhD in 2002 and a DMus in 2007.

Apart from membership in Aosdána, Buckley is honoured with the Varming Prize (1976), the Macaulay Fellowship (1978), the Arts Council‘s Composers’ Bursary (1982) and the Marten Toonder Award (1991).

Buckley’s output includes many commissions for solo instruments, chamber ensembles, choirs, bands and orchestra. His music has been widely performed and broadcast in Ireland and in more than fifty countries worldwide. He has represented Ireland at the UNESCO International Rostrum of Composers on five occasions and at the 1990 Prix Italia. His music has also been performed at five International Society for Contemporary Music (ISCM) festivals.

Buckley’s music does not adhere to any particular compositional school. He acknowledges the influence of Luciano Berio, Witold Lutoslawski, György Ligeti, and Olivier Messiaen. His harmonic approach is freely atonal. Structurally, there is frequently a gradual build-up from initially very limited pitch material to large formal constructions. Many compositions work towards a climax in the fourth quarter of a piece and then return to initial pitch sequences. In a number of early works he explores the Celtic myths of his native Ireland in orchestral scores such as Taller than Roman Spears (1977) and Fornocht do chonac thú (1980) and in small-scale works such as Oileáin (1979) for piano, Boireann (1983) for flute and piano, or I am Wind on Sea (1987) for mezzo-soprano and percussion. Later this aspect becomes less important for him. Works since the late 1980s display “a textural subtlety in marked contrast to the more robust sonorities explored in Buckley’s earlier keyboard works,” a “French refinement of sound, and an elevation of timbre as central characteristics” and “a concern with achieving a greater degree of formal unity” and “an exploration of analogies between sound and light.” O’Leary (2013) describes his style as “characterised by a broad harmonic idiom, contrasting consonance and dissonance in a non-tonal but strongly coloured soundworld.”

In 2010, Buckley arranges a number of Irish traditional songs for flute, some with harp, viola, percussion and string quartet. These are skilled and tasteful settings in a tonal harmonic language, quite unlike his original compositions.


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Birth of Jonathan Swift, Essayist, Pamphleteer, Poet & Cleric

Jonathan Swift, satirist, essayist, political pamphleteer, poet and cleric who becomes Dean of St. Patrick’s Cathedral, Dublin, is born in Dublin on November 30, 1667.

Swift’s father, an attorney, also named Jonathan Swift, dies just two months before he is born. Without steady income, his mother struggles to provide for her newborn. Moreover, he is a sickly child. It is later discovered that he suffers from Ménière’s disease, a condition of the inner ear that leaves the afflicted nauseous and hard of hearing. In an effort to give her son the best upbringing possible, Swift’s mother gives him over to Godwin Swift, her late husband’s brother and a member of the respected professional attorney and judges group Gray’s Inn. Godwin Swift enrolls his nephew with one of his cousins in Kilkenny College, which is perhaps the best school in Ireland at the time. He arrives there at the age of six, where he is expected to have already learned the basic declensions in Latin. He has not, and thus begins his schooling in a lower form. He graduates in 1682, when he is 15. His transition from a life of poverty to a rigorous private school setting proves challenging. He does, however, make a fast friend in William Congreve, the future poet and playwright.

In 1682, Swift commences his undergraduate studies at Trinity College, Dublin. In 1686, he receives a Bachelor of Arts degree and goes on to pursue a master’s degree. Not long into his research, huge unrest breaks out in Ireland. The king of Ireland, England and Scotland is soon to be overthrown. What becomes known as the Glorious Revolution of 1688 spurs him to move to England and start anew. For 10 years, Swift works in Surrey‘s Moor Park and acts as an assistant to Sir William Temple, 1st Baronet.

During his Moor Park years, Swift meets the daughter of Temple’s housekeeper, an 8-year-old named Esther Johnson, known as “Stella.” They become lovers for the rest of their lives until Johnson’s death in 1728. It is rumored that they marry in 1716 and that Swift keeps of lock of Johnson’s hair in his possession at all times.

During his decade of work for Temple, Swift returns to Ireland twice. On a trip in 1695, he takes all necessary requirements to become an ordained priest in the Anglican tradition. Under Temple’s influence, he also begins to write, first short essays and then a manuscript for a later book. Temple dies in 1699. Swift completes the task of editing and publishing Temple’s memoirs. He then leans on his priestly qualifications and finds work ministering to a pea-sized congregation just 20 miles outside of Dublin. For the next ten years, he gardens, preaches and works on the house provided to him by the church. He also returns to writing. His first political pamphlet is titled A Discourse on the Contests and Dissentions in Athens and Rome.

In 1704, Swift anonymously releases A Tale of a Tub and The Battle of the Books. Tub, although widely popular with the masses, is harshly disapproved of by the Church of England. Ostensibly, it criticizes religion, but Swift means it as a parody of pride. Nonetheless, his writings earn him a reputation in London and when the Tories come into power in 1710, they ask him to become editor of The Examiner, their official paper. After a time, he becomes fully immersed in the political landscape and begins writing some of the most cutting and well-known political pamphlets of the day, including The Conduct of the Allies, an attack on the Whigs. Privy to the inner circle of Tory government, he lays out his private thoughts and feelings in a stream of letters to his beloved Stella. They are later published as The Journal to Stella.

When he sees that the Tories will soon fall from power, Swift returns to Ireland. In 1713, he takes the post of Dean at St. Patrick’s Cathedral, Dublin. While leading his congregation at St. Patrick’s, he begins to write what would become his best-known work. In 1726, at last finished with the manuscript, he travels to London and benefits from the help of several friends, who anonymously publish it as Travels into Several Remote Nations of the World, in Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships, more simply known as Gulliver’s Travels. The book is an immediate success and has not been out of print since its first run.

Not long after the celebration of this work, Esther Johnson, falls ill. She dies in January 1728. Her death moves Swift to write The Death of Mrs. Johnson.

In 1742, Swift suffers a stroke and loses the ability to speak. He dies on October 19, 1745. He is laid to rest next to Esther Johnson inside Dublin’s St. Patrick’s Cathedral.


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Death of William Rokeby, Statesman, Cleric & Archbishop of Dublin

William Rokeby, a leading statesman and cleric in early sixteenth-century Ireland, dies at Kirk Sandall, near Doncaster in South Yorkshire, on November 29, 1521. He holds the offices of Bishop of Meath, Archbishop of Dublin and Lord Chancellor of Ireland. He is commemorated in the Rokeby Chapels in two Yorkshire churches, St. Oswald’s Church, Kirk Sandall, and Halifax Minster.

Rokeby is born at Kirk Sandall, eldest of the five sons of John Rokeby (died 1506). His younger brother, Sir Richard Rokeby (died 1523), is Comptroller of the Household to Cardinal Thomas Wolsey and later Treasurer of Ireland. He retains a deep affection for Kirk Sandall and returns there to die. He goes to school at Rotherham, studies at the University of Oxford and becomes a fellow of King’s Hall, later Trinity College, Cambridge. He becomes vicar of his home parish in 1487 and is transferred to Halifax, another town for which he has a deep attachment, in about 1499. In 1507 he is made Bishop of Meath.

On the death of Walter Fitzsimon in 1511, Rokeby becomes Archbishop of Dublin. It has been suggested that his elevation is due at least in part to his English birth, as the Crown is anxious to place Englishmen high up in the Irish hierarchy. No doubt his brother’s close connection to Wolsey also plays a part. He is Lord Chancellor of Ireland from 1512 to 1513 and from 1516 to 1522.

Writer Roderick J. O’Flanagan believes that Rokeby is a good and diligent Lord Chancellor, although he does not leave behind many written judgments. He is clearly a trusted servant of the Crown; in particular, Thomas Howard, 2nd Duke of Norfolk, the Lord Deputy, Surrey, with the approval of Henry VIII, choose Rokeby in 1520 as mediator in the feud between Maurice FitzGerald, 9th Earl of Desmond, and Piers Butler, 8th Earl of Ormond, which has become exceptionally bitter.

As Archbishop Rokeby makes a reputation as a peacemaker, settling a long and bitter dispute between the Dean and Chapter of St. Patrick’s Cathedral, Dublin. He gives permission to Gerald FitzGerald, 9th Earl of Kildare, for the original foundation of Maynooth College, which is suppressed in 1535. He is frequently at the English Court, so often indeed that he is accused of neglecting his official duties back in Ireland. He participates in the christening of the future Queen Mary I in 1516 and the ceremony by which Wolsey receives his cardinal’s hat.

As Archbishop of Dublin, Rokeby is best remembered for the Synod of 1518. The Synod prohibits the use of any tin chalice at Mass, and the disposal of Church property by laymen; and attempts to regulate the procedure for dealing with intestate estates, the payment of tithes and burial fees and the rules for admission to the clergy. Rather comically, he strictly forbids clergymen to play football.

Rokeby is appointed Archdeacon of Surrey on March 27, 1519. By 1521 his health is failing, and he retires to Kirk Sandall, where he dies on November 29. In his will he leaves £200 to rebuild St. Mary’s Church, Beverley, whose tower had collapsed the previous year.

Rokeby makes elaborate provisions in his will for the disposal of his remains. In accordance with his wishes, his body is buried in St. Oswald’s Church, Kirk Sandall, but his heart and bowels are buried in the Church of St. John the Baptist, Halifax (now known as Halifax Minster). Mortuary chapels are erected at both spots, which still exist today.

O’Flanagan praises Rokeby as a good man, a good bishop and, so far as we can tell from the scanty records, a good judge. Irish author F. Elrington Ball, while acknowledging his good qualities, suggests that he was a failure as Irish Lord Chancellor, due partly to his frequent absences in England.

(Pictured: Halifax Minster, where Rokeby’s heart is buried)


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Birth of Emily Lawless, Irish Novelist & Poet

The Honourable Emily Lawless, Irish novelist and poet, is born at Lyons Demesne below Lyons Hill, Ardclough, County Kildare, on June 17, 1845. According to Betty Webb Brewer, writing in 1983 for the journal of the Irish American Cultural Institute, Éire/Ireland, “An unflagging unionist, she recognised the rich literary potential in the native tradition and wrote novels with peasant heroes and heroines, Lawless depicted with equal sympathy the Anglo-Irish landholders.”

Lawless’s grandfather is Valentine Lawless, 2nd Baron Cloncurry, a member of the Society of United Irishmen and son of a convert from Catholicism to the Church of Ireland. Her father is Edward Lawless, 3rd Baron Cloncurry, thus giving her the title of “The Honourable.” In contrast, her brother Edward Lawless is a landowner with strong Unionist opinions, a policy of not employing Roman Catholics in any position in his household, and chairman of the Property Defence Association set up in 1880 to oppose the Irish National Land League and “uphold the rights of property against organised combination to defraud.” The prominent Anglo-Irish unionist and later nationalist, Home Rule politician Horace Plunkett is a cousin. Lord Castletown, Bernard FitzPatrick, 2nd Baron Castletown is also a cousin. It is widely believed that she is a lesbian and that Lady Sarah Spencer, dedicatee of A Garden Diary (1901) is her lover.

Lawless spends part of her childhood with the Kirwans of Castle Hackett, County Galway, her mother’s family, and draws on West of Ireland themes for many of her works. She occasionally writes under the pen name “Edith Lytton.”

Lawless writes nineteen works of fiction, biography, history, nature studies and poetry, many of which are widely read at the time. She is most famous today for her Wild Geese poems (1902).

Some critics identify a theme of noble landlord and noble peasant in her fourth book, Hurrish, a Land War story set in The Burren of County Clare which is read by William Ewart Gladstone and said to have influenced his policy. It deals with the theme of Irish hostility to English law. In the course of the book a landlord is assassinated, and Hurrish’s mother, Bridget, refuses to identify the murderer, a dull-witted brutal neighbour. The book is criticised by Irish-Ireland journals for its “grossly exaggerated violence,” its embarrassing dialect, staid characters.

Her reputation is damaged by William Butler Yeats who accuses her in a critique of having “an imperfect sympathy with the Celtic nature” and for adopting “theory invented by political journalists and forensic historians.” Despite this, Yeats includes her novels With Essex in Ireland (1890) and Maelcho (1894) in his list of the best Irish novels.

Lawless dies at Gomshall, a village in the borough of Guildford in Surrey, England, on October 19, 1913. Her papers are preserved in Marsh’s Library in Dublin.


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The Death of Stopford Brooke, Chaplain & Writer

Stopford Augustus Brooke, churchman, royal chaplain and writer, dies in Ewhurst, Surrey, England, on March 18, 1916.

Brooke is born in the rectory of Glendoen, near Letterkenny, County Donegal on November 14, 1832, the eldest son of the Rev. Richard Sinclair Brooke, later incumbent of the Mariners’ Church, Kingstown (now Dún Laoghaire). His maternal grandfather, Joseph Stopford, is then rector of the parish. He is educated at Trinity College, Dublin. He is ordained in the Church of England in 1857, and holds various charges in London. From 1863 to 1865 he is chaplain to Victoria, Princess Royal in Berlin. In 1869, with his brother Edward, he makes long tours of Counties Donegal and Sligo, and spends much time at Kells, County Meath studying Irish antiquities. Between 1866 and 1875 he is the minister at St. James’s Chapel, a proprietary chapel. After it closes he takes services at Bedford Chapel, Bloomsbury where he continues to attract large congregations. In 1875, he becomes chaplain in ordinary to Queen Victoria. But in 1880 he secedes from the Church, being no longer able to accept its leading dogmas, and officiates as an independent preacher for some years at Bedford Chapel, Bloomsbury.

Bedford Chapel is pulled down about 1894, and from that time Brooke has no church of his own, but his eloquence and powerful religious personality continues to make themselves felt among a wide circle. A man of independent means, he is always keenly interested in literature and art, and a fine critic of both. The two-volume Life and Letters of Stopford Brooke, written by his son-in-law L. P. Jacks and published in 1917, contains many details of different facets of his life.

In 1890-1891 Brooke takes the lead in raising the funds to purchase Dove Cottage, William Wordsworth’s home in Grasmere from 1800 to 1808, and establishing it “for the eternal possession of those who love English poetry all over the world.” Dove Cottage is now administered by the Wordsworth Trust.

Brooke publishes in 1865 his Life and Letters of FW Robertson (of Brighton), and in 1876 writes an admirable primer of English Literature, followed in 1892 by The History of Early English Literature down to the accession of Alfred the Great, and English Literature from the Beginnings to the Norman Conquest (1898).

Brooke gives the inaugural lecture to the Irish Literary Society, London, on “The Need and Use of Getting Irish Literature into the English Tongue” at Bloomsbury House, March 11, 1893. He delivers a sermon on “The Kingdom of God Within” to the International Council of Unitarian and Other Liberal Religious Thinkers and Workers, meeting in London in May 1901. He continues preaching at Bedford Chapel and to unitarian congregations throughout Britain until forced to retire because of ill-health in 1895.

Brooke lives in London until 1914 and then retires to Ewhurst, Surrey, where he dies on March 18, 1916. His published letters record that his work brought him into touch with most of his famous contemporaries – including Alfred, Lord Tennyson, Philip Burne-Jones, William Morris, James Bryce, 1st Viscount Bryce, James Martineau and Matthew Arnold.


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Death of Novelist Shan Fadh Bullock

Novelist Shan Fadh Bullock dies in Sutton, Surrey, on February 27, 1935. His works include fourteen novels set in Ulster and he is admired by James Matthew Barrie and Thomas Hardy.

Bullock is born on May 17, 1865 at Inisherk, County Fermanagh just outside the County Cavan border near Belturbet, in what is now Northern Ireland. His father, Thomas Bullock, is a strict man who has eleven children and drives several to emigration because of his stern demeanour. Thomas Bullock works on the Crom Castle estate which runs along the Cavan/Fermanagh border and has both Catholic and Protestant workers. Protestant workers have the prime jobs and are employed as craftsmen and supervisors while Catholics work in the outer area of the estate at unskilled jobs. Folk memories of the Battle of Newtownbutler in 1689 remain long in the memory in the area where up to 1,500 Jacobite troops are hacked down or drowned in Upper Lough Erne when pursued by the Williamite cavalry. Many of the Williamite army is drawn from the local Protestant population.

Bullock is educated at Crom estate primary school run by the Church of Ireland and Farra School near Bunbrosna, County Westmeath. He fails the entrance exams at the University of Dublin. He tries his hand at farming but finds he is not suited. He moves to London in 1883 and becomes a Civil Service clerk. He takes to journalism to supplement his salary and publishes his first book of stories, The Awkward squads, in 1893. His stories are centered on Irish Catholic and Protestant small farmers and labourers and their struggles and tensions. He marries Emma Mitchell in 1899 and they have a son and daughter.

Bullock is well respected in literary circles but his books are never successful enough for him to become a full time writer. He says that the English are not interested in Irish stories and that there is no reading public in Ireland. He dislikes Orange sectarianism and is ambivalent to Irish nationalism. His novel The Red Leaguers looks at sectarianism conflict and Robert Thorne examines the lives of London clerks which is a popular theme at the time. His last and best novel The Loughsiders is published in 1924 and is the story of a conniving smallholder based on William Shakespeare’s Richard III.

Bullock’s wife dies in 1922. He spends the final years of his life in Sutton, Surrey and dies there on February 27, 1935.

Bullock’s daughter presents his literary papers, including two unpublished novels, two plays, numerous short stories and essays, and some correspondence to the Queen’s University Belfast library in the 1960s. A portrait of Bullock by Dermod O’Brien, RHA, is also at Queen’s University Belfast. His correspondence with Sir Horace Plunkett is in the archives of the Plunkett Foundation, Long Hanborough Business Park, Woodstock, Oxfordshire. Enniskillen public library has a collection of cuttings on Bullock, including some photocopied letters.


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Death of Gobnait Ní Bhruadair, Irish Republican & Lifelong Radical

Gobnait Ní Bhruadair, Irish republican and lifelong radical, dies in Sneem, County Kerry, on January 16, 1955. She campaigns passionately for causes as diverse as the reform of nursing, protection and promotion of the Irish language and the freedom of Ireland from British rule.

Ní Bhruadair is born the Hon. Albinia Lucy Brodrick on December 17, 1861 at 23 Chester Square, Belgrave, London, the fifth daughter of William Brodrick, 8th Viscount Midleton (1830–1907), and his wife, Augusta Mary (née Freemantle), daughter of Thomas Fremantle, 1st Baron Cottesloe. She spends her early childhood in London until the family moves to their country estate in Peper Harow, Surrey in 1870. Educated privately, she travels extensively across the continent and speaks fluent German, Italian and French, and has a reading knowledge of Latin.

Ní Bhruadair’s family is an English Protestant aristocratic one which has been at the forefront of British rule in Ireland since the 17th century. In the early twentieth century it includes leaders of the Unionist campaign against Irish Home Rule. Her brother, St. John Brodrick, 1st Earl of Midleton, is a nominal leader of the Irish Unionist Alliance from 1910 until 1918 when he and other Unionists outside Ulster establish the Irish Unionist Anti-Partition League.

The polar opposite of Ní Bhruadair, her brother is consistent in his low opinion of the Irish and holds imperialist views that warmly embrace much of the jingoism associated with social Darwinism. The young Albinia Lucy Brodrick conforms to her familial political views on Ireland, if her authorship of the pro-Unionist song “Irishmen stand” is an indicator. However, by the start of the twentieth century she becomes a regular visitor to her father’s estate in County Cork. There she begins to educate herself about Ireland and begins to reject the views about Ireland that she had been raised on. In 1902 she writes about the need to develop Irish industry and around the same time she begins to develop an interest in the Gaelic revival. She begins to pay regular visits to the Gaeltacht where she becomes fluent in Irish and is horrified at the abject poverty of the people.

From this point on, Ní Bhruadair’s affinity with Ireland and Irish culture grows intensely. Upon her father’s death in 1907 she becomes financially independent and in 1908 purchases a home near West Cove, Caherdaniel, County Kerry. The same year she establishes an agricultural cooperative there to develop local industry. She organises classes educating people on diet, encourages vegetarianism and, during the smallpox epidemic of 1910, nurses the local people. Determined to establish a hospital for local poor people, she travels to the United States to raise funds.

There Ní Bhruadair takes the opportunity to study American nursing, meets leading Irish Americans and becomes more politicised to Ireland’s cause. Upon her return to Kerry she establishes a hospital in Caherdaniel later in 1910. She renames the area Ballincoona (Baile an Chúnaimh, ‘the home of help’), but it is unsuccessful and eventually closes for lack of money. She writes on health matters for The Englishwoman and Fortnightly, among other journals, is a member of the council of the National Council of Trained Nurses and gives evidence to the royal commission on venereal disease in 1914.

Ní Bhruadair is a staunch supporter of the 1916 Easter Rising. She joins both Cumann na mBan and Sinn Féin. She visits some of the 1,800 Irish republican internees held by the British in Frongoch internment camp in Wales, and writes to the newspapers with practical advice for intending visitors. She canvasses for various Sinn Féin candidates during the 1918 Irish general election and is a Sinn Féin member on Kerry county council (1919–21), becoming one of its reserve chairpersons. During the Irish War of Independence she shelters Irish Republican Army (IRA) volunteers and consequently her home becomes the target for Black and Tans attacks.

Along with Dr. Kathleen Lynn she works with the Irish White Cross to distribute food to the dependents of IRA volunteers. By the end of the Irish War of Independence she has become hardened by the suffering she has seen and is by now implacably opposed to British rule in Ireland. She becomes one of the most vociferous voices against the Anglo-Irish Treaty of December 6, 1921. She becomes a firebrand speaker at meetings in the staunchly republican West Kerry area. In April 1923 she is shot by Irish Free State troops and arrested. She is subsequently imprisoned in the North Dublin Union, where she follows the example of other republicans and goes on hunger strike. She is released two weeks later. Following the formation of Fianna Fáil by Éamon de Valera in 1926, she continues to support the more hardline Sinn Féin.

In October 1926 Ní Bhruadair represents Munster at the party’s Ardfheis. She owns the party’s semi-official organ, Irish Freedom, from 1926–37, where she frequently contributes articles and in its later years acts as editor. Her home becomes the target of the Free State government forces in 1929 following an upsurge in violence from anti-Treaty republicans against the government. She and her close friend Mary MacSwiney leave Cumann na mBan following the decision by its members at their 1933 convention to pursue social radicalism. The two then establish an all-women’s nationalist movement named Mná na Poblachta, which fails to attract many new members.

Ní Bhruadair continues to speak Irish and regularly attends Conradh na Gaeilge branch meetings in Tralee. Although sympathetic to Catholicism, she remains a member of the Anglican Church of Ireland, and regularly plays the harmonium at Sneem’s Church of Ireland services. Described by a biographer as “a woman of frugal habits and decided opinions, she was in many ways difficult and eccentric.” She dies on January 16, 1955, and is buried in the Church of Ireland graveyard in Sneem, County Kerry.

In her will Ní Bhruadair leaves most of her wealth (£17,000) to republicans “as they were in the years 1919 to 1921.” The vagueness of her bequest leads to legal wrangles for decades. Finally, in February 1979, Justice Seán Gannon rules that the bequest is void for remoteness, as it is impossible to determine which republican faction meets her criteria.


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The Kilcommon Ambush

On the morning of the December 16, 1920 during the Irish War of Independence, an eight man Royal Irish Constabulary (RIC) foot patrol under the command of Sergeant Thomas Bray, leaves the barracks at Kilcommon Cross, County Tipperary, to retrieve mail from the Post Office in Kilcommon village, a mile away.

As they approach the crest of a hill on the narrow road between the Cross and the village, approximately twenty men of the Irish Republican Army (IRA) 1st Tipperary Brigade open fire on them. The object of the attack is apparently quite simple – to kill members of the police, and in particular Sergeant Bray.

The ambush, although triggered early, is successful, with the deaths of four of the constables and the serious wounding of one other. The remaining three policemen are able to take cover and return to the barracks, including the Sergeant. Two RIC rifles are lost and there are no casualties on the IRA side.

The dead constables are Patrick Joseph Halford (27) of Meath, Ernest Frederick Harden (21) of Essex, Albert Holman Palmer (24) of Surrey, and Arthur Smith (22) of London. Constable Alfred Edwin Bundy of Gloucestershire is seriously wounded and requires hospital care. He is pensioned out early, in June 1921, as a result of his injuries.

There is some suggestion that the local IRA units are not at all keen on an ambush in their area, for fear of retribution. The brigade commanders push ahead with it however, and the inevitable ‘unofficial reprisals’ are carried out, with the killing of some livestock and the burning of some dwellings, including the home of one of the IRA volunteers.

The total strength in Kilcommon RIC Barracks at this time was around 16 police. Most of them are British recruits – Black and Tans – and under the control of only one Sergeant. Immediately after the ambush a further six men are drafted in as replacements.

Two of the eight police involved in the incident that day remain to be identified. But present in Kilcommon barracks during the period are two constables who are later to have careers in the Palestine Gendarmerie, Arthur Charles Howard and Arthur Fisher. Fisher becomes an officer in the Arab Section of the Palestine Gendarmerie and later the Transjordan Frontier Force (TJFF).

(From: “The Kilcommon Ambush, 16 December 1920” by Peter Mc, The Royal Irish Constabulary Forum, irishconstabulary.com | Pictured: The vicinity of the ambush site)


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Birth of Mariga Guinness, Co-founder of the Irish Georgian Society

Mariga Guinness, architectural conservationist and socialite, and co-founder of the Irish Georgian Society, is born in London on September 21, 1932.

Guinness is born Hermione Maria-Gabrielle von Urach, the only child of the marriage of Albrecht von Urach, from Lichtenstein Castle, a member of the royal house of Wurtemberg, and Rosemary Blackadder (1901–1975) from Berwickshire in Scotland, a journalist and artist, who are married in Oslo, Norway in 1931. For the first few months of her life she is very ill. In 1934, her parents, both working as journalists, move the family to Venice. They later move again, to Japan. Her mother develops depression, and in 1937 tries to gain uninvited access to Emperor Hirohito‘s palace with her daughter. This results in her mother being arrested, sedated, and deported, which is the beginning of a decline in her mental health which culminates in a lobotomy in 1941 and spending the rest of her life in private mental institutions. Urach is returned to Europe, where she is raised by her godmother, Hermione Ramsden, in Surrey and Norway. She is educated by as many as seventeen governesses, with brief spells in boarding schools. Until the age of eighteen she is known as Gabrielle.

Urach meets Desmond Guinness in 1951, when she is nineteen, and they are married in Oxford in 1954. They have two children, Patrick (born 1956) and Marina (born 1957).

The couple moves to Ireland in 1955 where they rent Carton House, County Kildare. They share a love of Georgian architecture which results in them buying Leixlip Castle in 1958, and establishing the Irish Georgian Society on February 21 of the same year. Through the society they campaign for the restoration and protection of architectural sites such as Mountjoy Square, the gateway to the Dromana estate in County Waterford, the Tailors’ Hall in Dublin, and Conolly’s Folly in County Kildare. In 1967 they purchase Castletown House, also in County Kildare, with a plan to restore it, and make it a base for the Irish Georgian Society.

During the 1960s Leixlip Castle is a hub for those interested in architecture and conservation, and the Guinnesses work hands-on on a range of projects. By 1969, their marriage is in difficulties and Guinness moves to London. She later moves to Glenarm, County Antrim to live with Hugh O’Neill, and when that relationship ends, she returns to Leixlip Castle, but a divorce is finalised in 1981. Having lived in Dublin for a time, she rents Tullynisk House, the dower house of Birr Castle in County Offaly in 1983. Guinness becomes isolated and develops a problem with alcohol. While returning to Ireland from Wales on a car ferry on May 8, 1989 she has a massive heart attack which is compounded by a reaction to an injection of penicillin. She is buried at Conolly’s Folly.

Through Patrick, Guiness becomes grandmother of the fashion model Jasmine Guinness. Her daughter Marina is a patron of the arts and of Irish musicians including Glen Hansard, Damien Rice, and the band Kíla. Marina has three children of her own: Patrick (by Stewart Copeland of The Police), Violet (by photographer Perry Ogden), and Finbar (by record producer Denny Cordell).

In 2020, a new film on Guinness’s life and work, entitled Memory of Mariga, receives its United States premiere as part of the Elizabethtown Film Festival on Saturday, September 19, at the Crowne Pointe Theatre in Elizabethtown, Kentucky. In 2021, the same film receives its Irish premiere at the Fastnet Film Festival.


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Birth of Richard Sankey, Officer in the Madras Engineer Group

Lieutenant-General Sir Richard Hieram Sankey KCB, officer in the Madras Engineer Group in the East India Company‘s army in British India, is born on March 22, 1829 at Rockwell Castle, County Tipperary.

Sankey is the fourth son of Eleanor and Matthew Sankey. His mother is herself from a family of military men, her father being Colonel Henry O’Hara, J.P of O’Hara Broom, County Antrim. His father is a barrister at Bawnmore, County Cork and Modeshil, County Tipperary. He does his schooling at Rev. Flynn’s School on Harcourt Street in Dublin and enters the East India Company’s Addiscombe Military Seminary at Addiscombe, Surrey in 1845. At Addiscombe he is awarded for his excellence at painting.

Sankey is commissioned as a second lieutenant in the Madras Engineer Group in November 1846, and is then trained in military engineering with the Royal Engineers at Chatham, Kent from January 1, 1847, holding temporary rank as an ensign in the British Army. He then arrives in India in November 1848. After two years of service at Mercatur, he officiates in 1850 as Superintending Engineer at Nagpur. During this time he makes a small collection of fossils of Glossopteris from the Nagpur district and writes a paper on the geology of the region in 1854. The collection is moved from the Museum of Practical Geology to the British Museum in 1880.

In 1856, Sankey is promoted as the Superintendent of the East Coast Canal at Madras. In May 1857, he is promoted Under-Secretary of the Public Works Department under Col. William Erskine Baker in Calcutta. During the Indian Rebellion of 1857, he is commissioned as the Captain of the Calcutta Cavalry Volunteers, but is soon despatched to Allahabad where he leads the construction of several embankments and bridges across the Yamuna and Ganges. He is involved in the construction of shelters to advancing troops along the Grand Trunk Road to aid the quelling of the Indian Rebellion of 1857. He arrives in course of this work at Cawnpore (now Kanpur) a day before the Second Battle of Cawnpore. He also is involved in crucial civil works that aid the quelling of the rebellion by bridging the Ghaghara and Gomti rivers at Gorakhpur and Phulpur that enable the Gurkha regiment to cross these rivers.

Sankey receives several commendations from his commanders here and later in the taking of the fort at Jumalpur, Khandua nalla and Qaisar Bagh, vital actions in the breaking of the Siege of Lucknow. For his actions at Jumalpur he is recommended for the Victoria Cross, although he does not receive this honour. He receives a medal for the Indian Rebellion of 1857 and is promoted to second captain on August 27, 1858, and given brevet promotion to major the following day for his services in the quelling of the rebellion. He is sent to the Nilgiris due to ill-health during this time.

Sankey spends a year in Burma as the executive engineer and Superintendent of the jail at Moulmein. On June 29, 1861, he is promoted to substantive captain and is posted as the Garrison Engineer at Fort William, Calcutta and later as the assistant to Chief Engineer, Mysore until 1864, when he is made the Chief Engineer. During this period he creates a system within the irrigation department to deal with old Indian water catchment systems, surveying the catchment area and determining the area drained and the flows involved. Due to the reorganisation of the armed forces following the assumption of Crown rule in India he is transferred to the Royal Engineers on April 29, 1862.

In 1870, at the request of the Victorian Colonial Government in Australia, in view of his experience with hydrological studies in Mysore, Sankey is invited to be Chairman of the Board of Enquiry on Victorian Water Supply. During this visit, he also gives evidence to the Victorian Select Committee on Railways, as well as reports on the Yarra River Floods, and the Coliban Water Supply, and later contributes to the report on the North West Canal. While in Australia, he is also invited to the colony of South Australia to report on the water supply of Adelaide.

Sankey is appointed as an under-secretary to the Government of India in 1877, which earns him the Afghanistan Medal. In 1878, he is promoted as the Secretary in the public works department at Madras, and is promoted substantive colonel on December 30. He is appointed Companion of the Order of the Bath on July 25, 1879, and also commands the Royal Engineers on the advance from Kandahar to Kabul during the Second Anglo-Afghan War. For about five years he is in Madras where he becomes a member of the legislative council in Madras and is elected as a Fellow of the University of Madras. He also helps in the creation and improvements of the Marina, the gardens and the Government House grounds. He is promoted major general on June 4, 1883, and retires from the army on January 11, 1884 with the honorary rank of lieutenant general. He also receives the distinguished service award in India.

After retirement, Sankey returns to Ireland, where he becomes the Chairman of the Board of Works. He is promoted Knight Commander of the Order of the Bath on May 25, 1892 for his work in Ireland. He also undertakes projects in Mexico. Later he settles in London where he dies at St. George’s Hospital on November 11, 1908 and is interred at Hove, East Sussex.

Sankey is memorialised in Phoenix Park, Dublin. A circle of trees bears the name Sankey’s Wood. A plaque dated 1894 lies half-hidden in the undergrowth there.