Born on January 5, 1944 in Waterford, County Waterford, Stewart grows up in Dublin. He begins playing guitar when he is thirteen, influenced by guitarists Les Paul and Barney Kessel. He begins his professional career performing in Dublin showbands. In 1968, he wins an award as the most outstanding soloist at the Montreux Jazz Festival. Soon after, he spends three years with Benny Goodman.
In 1981, ahead of Stewart’s debut in the United States as a leader, The New York Times states, “Mr. Stewart seems to have his musical roots in bebop. He leans toward material associated with Charlie Parker and he spins out single-note lines that flow with an unhurried grace, colored by sudden bright, lively chorded phrases. His up-tempo virtuosity is balanced by a laid-back approach to ballads, which catches the mood of the piece without sacrificing the rhythmic emphasis that keeps it moving.”
Stewart is prominently featured in Norman Mongan’s book, The History Of The Guitar In Jazz, in a chapter devoted to guitarists who are considered to be contemporary masters (along with players such as Jim Hall, Pat Martino, and George Benson). In a review of his live album Overdrive (Hep, 1993), AllMusic states, “Louis Stewart is one of the all-time greats, and it is obvious from the first notes he plays on any occasion.”
Stewart receives an honorary doctorate from Trinity College, Dublin, in 1998. In 2009, he becomes only the second jazz musician to be elected to Aosdána, an Irish affiliation of people engaged in literature, music, and visual arts that was established by the Irish Arts Council in 1981 to honour those whose work has made an outstanding contribution to the creative arts in Ireland.
In 2015, Stewart is diagnosed with cancer and dies on August 20, 2016 in Harold’s Cross, Dublin, at the age of 72.
In 2017, award-winning artist Vera Klute is commissioned by the National Gallery of Ireland to create a portrait of Hynes as part of the 2015 Hennessey Portrait Prize. The bust, made of porcelain, concrete and timber (with a dimension of 164cm x 54cm x 45cm), is unveiled to the public in April 2017 and is currently on display as part of the Gallery’s National Portrait Collection.
In 1998 Hynes wins the Tony Award for Direction for The Beauty Queen of Leenane, the first woman to receive the award. She is a recipient of many other Theatre Awards, including The Irish Times/ESB Irish Theatre Award for Best Director (2002) and a The Irish Times Special Tribute Award for her contribution to Irish Theatre in February 2005.
Stronge (86) and his son, James (48), are watching television in the library of Tynan Abbey when members of the Provisional Irish Republican Army, armed with machine guns, use grenades to break down the locked heavy doors to the home.
The Stronge family home is then burned to the ground as a result of two bomb explosions. On seeing the explosions at the house, as well as a flare Stronge lit in an attempt to alert the authorities, the Royal Ulster Constabulary and British Army troops arrive at the scene and establish a roadblock at the gate lodge. They encounter at least eight fleeing gunmen. A twenty-minute gunfight ensues in which at least two hundred shots are fired. There are no casualties among the security forces but the gunmen escape. The bodies of the father and son are later discovered in the library of their burning home, each with gunshot wounds in the head. It is not known who died first, Norman or James. Under the legal fiction known as the doctrine of survival, James is still listed as succeeding to the baronetcy.
The village of Tynan is crowded for the joint funeral of Stronge and his son. Mourners come from throughout the province and from England, including lords, politicians, policemen, judges and church leaders. The coffin is carried by the 5th Battalion the Royal Irish Rangers, the successors to his old regiment. The sword and cap of the Lord Lieutenant of Tyrone, Major John Hamilton-Stubber, are placed on his coffin in lieu of his own, which had been destroyed with his other possessions in the fire. During the service, a telegram sent from Queen Elizabeth II to one of Sir Norman’s daughters, is read. After the service, the chief mourners move out into the churchyard where the “Last Post” is sounded and a Royal British Legion farewell is given. The two coffins are laid in the family plot, where Lady Stronge, Sir Norman’s wife and mother of James, was buried a year previously.
The IRA releases a statement in Belfast, quoted in The Times, claiming that “This deliberate attack on the symbols of hated unionism was a direct reprisal for a whole series of loyalist assassinations and murder attacks on nationalist peoples and nationalist activities.” This follows the loyalist attempted murder of Bernadette McAliskey and her husband Michael McAliskey on January 16, and the loyalist assassinations of four republican activists (Miriam Daly, John Turnley, Noel Lyttle and Ronnie Bunting) which had taken place since May 1980.
Stronge is described at the time of his death by Social Democratic and Labour Party politician Austin Currie as having been “even at 86 years of age … still incomparably more of a man than the cowardly dregs of humanity who ended his life in this barbaric way.”
The ruins of Tynan Abbey are demolished in 1998, having stood for 249 years.
Brian Moore, novelist and screenwriter who is acclaimed for the descriptions in his novels of life in Northern Ireland after World War II, is born in Belfast, Northern Ireland on August 25, 1921. He has been described as “one of the few genuine masters of the contemporary novel.”
In 1948 Moore emigrates to Canada to work as a reporter for the Montreal Gazette, and becomes a Canadian citizen. While eventually making his primary residence in California, he continues to live part of each year in Canada up to his death.
Moore lives in Canada from 1948 to 1958, where he meets his first wife, Jacqueline (“Jackie”) Sirois, a French Canadian and fellow-journalist. They marry in 1952. He moves to New York City in 1959 to take up a Guggenheim Fellowship and remains there until his divorce in October 1967. He then moves to the west coast of the United States, settling in Malibu, California, with his new wife Jean Denney, a former commentator on Canadian TV. There he teaches creative writing at UCLA.
Moore writes his first novels in Canada. His earliest novels are thrillers, published under his own name or using the pseudonyms Bernard Mara or Michael Bryan. His first novel outside the genre, Judith Hearne, remains among his most highly regarded. The book is rejected by ten American publishers before being accepted by a British publisher. It is made into a film, with British actress Maggie Smith playing the lonely spinster who is the book/film’s title character.
Some of Moore’s novels feature staunchly anti-doctrinaire and anti-clerical themes, and in particular he speaks strongly about the effect of the Church on life in Ireland. A recurring theme in his novels is the concept of the Catholic priesthood. On several occasions he explores the idea of a priest losing his faith. At the same time, several of his novels are deeply sympathetic and affirming portrayals of the struggles of faith and religious commitment, Black Robe most prominently.
Moore dies at his Malibu home, which is celebrated in Seamus Heaney‘s poem Remembering Malibu, on January 11, 1999 from pulmonary fibrosis. His widow, Jean, lives on in the house until it is destroyed in 2018 in the Woolsey Fire.
At the time of his death, Moore is working on a novel about the 19th-century French symbolist poet Arthur Rimbaud. His last published work before his death is an essay entitled “Going Home.” It is a reflection inspired by a visit he made to the grave in Connemara of his family friend, the Irish nationalist Bulmer Hobson. The essay is commissioned by Granta and published in The New York Times on February 7, 1999.
In 1996, the Brian Moore Short Story Awards is launched by the Creative Writers Network in Northern Ireland and is open to all authors of Irish descent. Previous judges have included Glenn Patterson, Lionel Shriver, Carlo Gébler and Maeve Binchy.
In 1975 Moore arranges for his literary materials, letters and documents to be deposited in the Special Collections Division of the University of Calgary Library, an inventory of which is published by the University of Calgary Press in 1987. His archives, which include unfilmed screenplays, drafts of various novels, working notes, a 42-volume journal (1957–1998), and his correspondence, are housed at the Harry Ransom Center at the University of Texas at Austin.
Born Kathleen Annie Josephine Madden, she is the only daughter of banker Paul J. Madden, who is Mayor of Cork in 1885–1886 and a friend of Charles Stewart Parnell, and Eliza Madden (née Dwyer). She is educated privately at her family home, Wood’s Gift, Blackrock Road.
On February 16, 1901, five weeks after her father’s death, she marries the writer Ernest Temple Thurston. They separate in 1907 and are divorced in 1910 on grounds of his adultery and desertion. The suit goes undefended. Thurston “complained that she was making more money by her books than he was, that her personality dominated his, and had said that he wanted to leave her.”
Thurston’s novels achieve success in Britain and the United States. Her best-known work is a political thriller entitled John Chilcote, M.P. (as The Masquerader in the United States), published in 1904 and on The New York Times bestseller list for two years, ranking as third best-selling book for 1904 and seventh best in 1905. Her next book, The Gambler, comes out in 1905 and it too makes the U.S. best-selling lists for that year. This is the first time The New York Times had recorded any author, female or male, as having two top-ten books in a single year. In 1910, she is back on the same list at No. 4 with her novel Max, the story of a young Russian princess, who flees disguised as a boy to the Montmartre Quarter of Paris, on the night before her arranged marriage.
John Chilcote, M.P. is adapted for the stage by John Hunter Booth and opens on Broadway in 1917. It is filmed four times, the first silent film by American Pathé in 1912 under the title The Compact and starring Crane Wilbur. The second film is a 1920 Russian/French co-production entitled Chlen parlamenta. Two more films are made using the American book title The Masquerader, in 1922 and then by The Samuel Goldwyn Company in 1933 as a “talkie” starring Ronald Colman.
An epileptic, Thurston’s blossoming career is cut short at the age of 36 when she is found dead in her hotel room in Cork on September 5, 1911. The official enquiry the following day gives the cause of death as asphyxia as result of a seizure. She had been due to remarry later in the month to Dr. A. T. Bulkeley Gavin. She is buried in St. Joseph’s Cemetery, Cork. The story of her final years and her relations with Bulkeley Gavin are the subject of a published thesis by C. M. Copeland, written while studying at the Napier University, Edinburgh.
McGee is born into a middle-class family at 2 Edward Street in Armagh. The eldest of five children, he is educated at St. Patrick’s Grammar School, Armagh. He changes the spelling of his surname to Magee when he begins performing, most likely to avoid confusion with another actor.
Magee’s first stage experience in Ireland is with Anew McMaster’s touring company, performing the works of William Shakespeare. It is here that he first works with Pinter. He is then brought to London by Tyrone Guthrie for a series of Irish plays. He meets Beckett in 1957 and soon records passages from the novel Molloy and the short story From an Abandoned Work for BBC Radio. Impressed by “the cracked quality of Magee’s distinctly Irish voice,” Beckett requests copies of the tapes and writes Krapp’s Last Tape especially for the actor. First produced at the Royal Court Theatre in London on October 28, 1958, the play stars Magee and is directed by Donald McWhinnie. A televised version is later broadcast by BBC Two on November 29, 1972.
In 1964, Magee joins the Royal Shakespeare Company, after Pinter, directing his own play, The Birthday Party, specifically requests him for the role of McCann. In 1965 he appears in Peter Weiss‘s Marat/Sade, and when the play transfers to Broadway he wins a Tony Award. He also appears in the 1966 RSC production of Staircase opposite Paul Scofield.
Magee’s early film roles include Joseph Losey‘s The Criminal (1960) and The Servant (1963), the latter an adaptation scripted by Pinter. He also appears as Surgeon-Major James Henry Reynolds in Zulu (1964), Séance on a Wet Afternoon (1964), Anzio (1968), and in the film versions of Marat/Sade (1967) and The Birthday Party (1968). He is perhaps best known for his role as the victimised writer Frank Alexander, who tortures Alex DeLarge with Ludwig van Beethoven‘s music, in Stanley Kubrick’s film A Clockwork Orange (1971). His other role for Kubrick is as Redmond Barry’s mentor, the Chevalier de Balibari, in Barry Lyndon (1975).
Patrick McGee dies of a heart attack at his flat in Fulham, London on August 14, 1982 at the age of 60, according to obituaries in The Herald and The New York Times. On July 29, 2017 a blue plaque is unveiled in Edward Street, Armagh to mark Patrick McGee’s birthplace.
McGee’s first stage experience in Ireland is with Anew McMaster’s touring company, performing the works of William Shakespeare. It is here that he first works with Pinter. He is then brought to London by Tyrone Guthrie for a series of Irish plays. He meets Beckett in 1957 and soon records passages from the novel Molloy and the short story From an Abandoned Work for BBC Radio. Impressed by “the cracked quality of Magee’s distinctly Irish voice,” Beckett requests copies of the tapes and writes Krapp’s Last Tape especially for the actor. First produced at the Royal Court Theatre in London on October 28, 1958, the play stars McGee and is directed by Donald McWhinnie. A televised version is later broadcast by BBC Two on November 29, 1972.
In 1964, McGee joins the Royal Shakespeare Company, after Pinter, directing his own play, The Birthday Party, specifically requests him for the role of McCann. In 1965 he appears in Peter Weiss‘s Marat/Sade, and when the play transfers to Broadway he wins a Tony Award. He also appears in the 1966 RSC production of Staircase opposite Paul Scofield.
McGee’s early film roles include Joseph Losey‘s The Criminal (1960) and The Servant (1963), the latter an adaptation scripted by Pinter. He also appears as Surgeon-Major James Henry Reynolds in Zulu (1964), Séance on a Wet Afternoon (1964), Anzio (1968), and in the film versions of Marat/Sade (1967) and The Birthday Party (1968). He is perhaps best known for his role as the victimised writer Frank Alexander, who tortures Alex DeLarge with Ludwig van Beethoven‘s music, in Stanley Kubrick’s film A Clockwork Orange (1971). His other role for Kubrick is as Redmond Barry’s mentor, the Chevalier de Balibari, in Barry Lyndon (1975).
Patrick McGee dies from a heart attack at his flat in Fulham, London on August 14, 1982 at the age of 60, according to obituaries in The Herald and The New York Times. On July 29, 2017 a blue plaque is unveiled in Edward Street, Armagh to mark Patrick McGee’s birthplace.
Stewart grows up in Dublin. He begins playing guitar when he is thirteen, influenced by guitarists Les Paul and Barney Kessel. He begins his professional career performing in Dublin showbands. In 1968 he wins an award as best soloist at the Montreux Jazz Festival. Soon after, he spends three years with Benny Goodman.
In 1981, ahead of his debut in the United States as a leader, The New York Times states, “Mr. Stewart seems to have his musical roots in be-bop. He leans toward material associated with Charlie Parker and he spins out single-note lines that flow with an unhurried grace, colored by sudden bright, lively chorded phrases. His up-tempo virtuosity is balanced by a laid-back approach to ballads, which catches the mood of the piece without sacrificing the rhythmic emphasis that keeps it moving.” In a review of Stewart’s 1995 album Overdrive, AllMusic states, “Louis Stewart is one of the all-time greats, and it is obvious from the first notes he plays on any occasion.”
Stewart receives an honorary doctorate from Trinity College, Dublin, in 1998. In 2009, he is elected to Aosdána, an Irish affiliation of people engaged in literature, music, and visual arts that was established by the Arts Council of Ireland in 1981 to honour those whose work has made an outstanding contribution to the creative arts in Ireland.
Frank Delaney, Irish novelist, journalist and broadcaster, is born in County Tipperary on October 24, 1942. He is the author of The New York Times best-seller Ireland, the non-fiction book Simple Courage: A True Story of Peril on the Sea, and many other works of fiction, non-fiction and collections.
Delaney begins working as a newsreader for the Irish state radio and television network RTÉ in 1970. In the early 1970s he becomes a news reporter for the BBC in Dublin, and covers an intense period of violence known as the Troubles. After five years of reporting on the violence, he moves to London to work in arts broadcasting. In 1978 he creates the weekly Bookshelf programme for BBC Radio 4, which covers books, writers and the business of publishing. Over the next five-and-a-half years he interviews over 1,400 authors, including Anthony Burgess, John Updike, Margaret Atwood, Christopher Isherwood and Stephen King.
On television, Delaney writes and presents for Omnibus, the BBC’s weekly arts series. He serves as the Literature Director of the Edinburgh Festival in 1980, and hosts his own talk show Frank Delaney in the early 1980s, which features many cultural and literary personalities. Afterward, he creates and presents Word of Mouth, the BBC’s radio programme about language, as well as a variety of radio and television documentaries including specials on James Joyce, Robert Graves, Ernest Hemingway in Paris, and the Shakespeare industry. He presents The Book Show on the Sky News satellite channel for many years.
Delaney’s first book, James Joyce’s Odyssey (1981), is well received and becomes a best-seller in the UK and Ireland. He writes and presents the six-part documentary series The Celts: Rich Traditions and Ancient Myths (1987) for the BBC, and writes the accompanying book. He subsequently writes five books of non-fiction (including Simple Courage), ten novels (including Ireland, Venetia Kelly’s Traveling Show and Tipperary), one novella, and a number of short stories. He also edits many compilations of essays and poetry.
After moving to the United States and settling in Kent, Connecticut in 2002, Delaney writes the screenplay for an adaptation of Goodbye, Mr. Chips (2002), which stars Martin Clunes and is shown on ITV in Britain, and in the Masterpiece Theatre series in the United States. His articles are published by newspapers in United States, the UK and Ireland, including on the Op-ed pages of The New York Times. He is a frequent public speaker, and is a contributor and guest on National Public Radio (NPR) programmes.
On Bloomsday 2010, Delaney launches Re:Joyce, a series of short weekly podcasts that go page-by-page through James Joyce’s Ulysses, discussing its allusions, historical context and references.
Sheridan is born in Bohola, County Mayo on March 28, 1881. At 6’3″ and 194 lbs., Sheridan is the best all-around athlete of the Irish American Athletic Club, and like many of his teammates, serves with the New York City Police Department from 1906 until his death. He is so well respected in the NYPD, that he serves as the Governor’s personal bodyguard when the governor is in New York City.
A five-time Olympic gold medalist, with a total of nine Olympic medals, Sheridan is called “one of the greatest figures that ever represented this country in international sport, as well as being one of the most popular who ever attained the championship honor.” He wins the discus throw event at the 1904, 1906, and 1908 Summer Olympic Games as well as the shot put at the 1906 Olympics and the Greek discus in 1908. At the 1906 Intercalated Games in Athens, Greece he also wins silver medals in the standing high jump, standing long jump and the stone throw.
In 1907, Sheridan wins the National Amateur Athletic Union discus championship and the Canadian championship, and in 1908 he wins the Metropolitan, National and Canadian championships as well as two gold medals in the discus throw and bronze in the standing long jump at the 1908 Olympic Games.
There are claims that Sheridan fuels a controversy in London in 1908, when flagbearer Ralph Rose refuses to dip the flag to King Edward VII. Sheridan supports Rose by explaining “This flag dips to no earthly king,” and it is claimed that his statement exemplifies both Irish and American defiance of the British monarchy. However, careful research has shown that this is first reported in 1952. Sheridan himself makes no mention of it in his published reports on the Games and neither does his obituary.
Martin Sheridan dies in Manhattan, New York City on March 27, 1918, a very early casualty of the 1918 flu pandemic. He is buried in Calvary Cemetery, Queens, New York. The inscription on the granite Celtic Cross monument marking his grave says in part: “Devoted to the Institutions of his Country, and the Ideals and Aspirations of his Race. Athlete. Patriot.” He is part of a group of Irish American athletes known as the “Irish Whales.”
