Kelly resumes his role as colonel of his regiment as more senior officers return to the brigade. However, with the death of Colonel Richard Byrnes at the Battle of Cold Harbor in 1864, he again commands the brigade. At the age of 42, he dies during the Siege of Petersburg on June 16, 1864 when he is shot through the head while leading the Irish Brigade forward against Confederate earthworks. His body is recovered and sent back to New York for his funeral. He is buried in Calvary Cemetery in Woodside, Queens, New York.
In 1885, Gildea founds the Soldiers and Sailors Families Association, which becomes the Soldiers, Sailors, Airmen and Families Association in 1919. He serves as its chairman and treasurer until his death.
Gildea is appointed Companion of the Order of the Bath (CB) in the 1898 New Year Honours and Commander of the Royal Victorian Order (CVO) in 1901. Knighted in 1902, he is later appointed Knight Commander of the Royal Victorian Order (KCVO), and in the 1920 civilian war honours is appointed Knight Grand Cross of the Order of the British Empire (GBE).
James Gildea dies on November 6, 1920 at Earl’s Court, London.
Dolores Keane, folk singer and occasional actress, is born on September 26, 1953 in the small village of Sylane, near Tuam, in rural County Galway. She is a founding member of the successful group De Dannan, and has since embarked on a very successful solo career, establishing herself as one of the most loved interpreters of Irish song.
Keane is raised from the age of four by her aunts Rita and Sarah Keane, who are also well-known sean-nós singers. She starts her singing at a very young age, due to the influence of her musical aunts. She makes her first recording for Radio Éireann in 1958 at the age of five. This early start sets her on the path to a career in music. Her brother, Seán, also goes on to enjoy a successful music career.
In 1975, Keane co-founds the traditional Irish band De Dannan, and they release their debut album Dé Danann in that same year. The group gains international recognition and enjoys major success in the late 1970s in the United States. She tours with the band and their single “The Rambling Irishman” is a big hit in Ireland. In early 1976, after a short two-year spell, she leaves De Dannan and is replaced by Andy Irvine, who records live with the band on April 30, 1976, during the 3rd Irish Folk Festival in Germany. Soon thereafter, she marries multi-instrumentalist John Faulkner, with whom she subsequently records three albums of folk music.
Keane lives and works in London for several years with Faulkner before they move to Ireland in the early 1980s. They work on a series of film scores and programmes for the BBC and form two successful bands, The Reel Union and Kinvara. During this period she records her first solo album, There Was a Maid in 1978. This is followed by two other releases, Broken Hearted I’ll Wander (1979) and Farewell to Eirinn (1980), which gives credit to Faulkner. In the mid-1980s she rejoins De Dannan and records the albums Anthem and Ballroom with them.
Keane turns her attention, once again, to her solo career in 1988. It sees the release of the eponymous Dolores Keane album. Her follow-up album, A Lion in a Cage (1989), features a song written by Faulkner called “Lion in a Cage” protesting the imprisonment of Nelson Mandela. It serves as Keane’s second Irish number one and she performs the hit at the celebration of his release. This exposure expands her reputation and popularity worldwide. A new facet is added to her career when she plays the female lead in the Dublin production of Brendan Behan‘s The Hostage. The opening night is attended by Mary Robinson, the President of Ireland at the time.
In 1992, Keane is among the many female Irish singers to lend their music to the record-smashing anthology A Woman’s Heart. The album goes on to become the biggest-selling album in Irish history. A Woman’s Heart Vol.2 is released in late 1994 and emulates its predecessor in album charts the world over. Also in 1994, a solo album, Solid Ground, is released on the Shanachie Records label and receives critical acclaim in Europe and America.
In August 1995, Keane is awarded the prestigious Fiddler’s Green Hall of Fame award in Rostrevor, County Down, for her “significant contribution to the cause of Irish music and culture.” In that same year, she takes to the stage in the Dublin production of John Millington Synge‘s The Playboy of the Western World. She contributes to the RTÉ/BBC television production “Bringing It All Back Home,” a series of programmes illustrating the movement of Irish music to America.
In August 1997, Keane goes to number one again in the Irish album charts with a compilation album with her most loved songs. And another studio album, Night Owl, is released in 1998. It sees her returning to her traditional Irish roots and it does well in Europe and America. Despite a healthy solo career, she goes on tour with De Dannan again in the late 1990s, where she plays to packed audiences in venues such as Birmingham, Alabama and New York City.
Keane puts an end to recording and touring in the late 1990s, due to depression and alcoholism, for which she receives extensive treatment. As of June 2014, she is given the all clear after suffering from cancer.
Michael “Mick” Lally, Irish stage, film and television actor, dies in Dublin on August 31, 2010. He departs from a teaching career for acting during the 1970s. Though best known in Ireland for his role as Miley Byrne in the television soap Glenroe, his stage career spans several decades, and he is involved in feature films such as Alexander and the Academy Award-nominated The Secret of Kells. Many reports cite him as one of Ireland’s finest and most recognisable actors.
In 1982, Lally stars in the TV series The Ballroom of Romance alongside Brenda Fricker. From 1983 he plays the role of Miley Byrne in the RTÉ soap Glenroe, reprising the character that he played earlier in Bracken in 1978. In 1979, he wins a Jacob’s Award for his performance as Miley in Bracken. He also has some musical success when “The By-road to Glenroe” goes to the top of the Irish charts in 1990. He is also involved in voice-over work, including a noted advertisement for Kilmeaden Cheese during the 1990s. Other TV appearances include roles in Tales of Kinvarna, The Year of the French and Ballykissangel.
In 1994, Lally plays the character Hugh in The Secret of Roan Inish, and in 1995 portrays Dan Hogan in the film adaptation of Maeve Binchy‘s Circle of Friends. Other film roles included Poitín, Our Boys, The Outcasts, A Man of No Importance and others. In later years, he provides the voice of Brother Aidan in the Academy Award-nominated The Secret of Kells, an animated film directed by Tomm Moore.
Lally appears in several TV advertisements encouraging elderly people to “release the equity tied up in their homes” during the Celtic Tiger.
Mick Lally dies on the morning of August 31, 2010, after a short stay in the hospital. The cause of death is reported as heart failure, arising from an underlying emphysema condition. His funeral takes place in Dublin on September 2, 2010. The Irish Examiner comments that the “nation has lost one of its favourite uncles.” Personalities from TV, film, theatre and politics attend, while President of IrelandMary McAleese sends a letter and Lally receives a standing ovation at the end.
Murphy attends the local Archbishop McHale College and later becomes a metalwork teacher. He begins writing in the late 1950s, saying, “In 1958, my best friend said to me, why don’t we write a play? I didn’t think it was an unusual question, because in 1958 everyone in Ireland was writing a play.” His second play, A Whistle in the Dark, is written in his Tuam kitchen on his free Friday and Saturday nights. It is entered into a competition for amateur plays, which it wins, and is eventually performed at the Theatre Royal Stratford East in London in 1961. It causes considerable controversy both there and in Dublin when it is later given its Irish premiere at the Abbey having initially been rejected by its artistic director.
Though Murphy is religious as a boy, education by the Christian Brothers leaves him largely irreligious. His 1975 play The Sanctuary Lamp is produced in the Abbey Theatre and receives a hostile reception due to its anti-Catholic nature, with theatregoers walking out and much negative criticism in the media.
Considered by many to be Ireland’s greatest living playwright, a title also often given to Brian Friel prior to his death in 2015, Murphy is honoured by the Abbey Theatre in 2001 by a retrospective season of six of his plays. His plays include the historical epic Famine (1968) which deals with the Irish Potato Famine between 1846 and spring 1847, the anti-clerical The Sanctuary Lamp (1975), The Gigli Concert (1983) and for many his masterpiece, the lyrical Bailegangaire and the bar-room comedy Conversations on a Homecoming (both 1985).
Murphy’s work is characterised by a constant experimentation in form and content from the apparently naturalistic A Whistle in the Dark to the surreal The Morning After Optimism and the spectacularly verbal The Gigli Concert. Recurring themes include the search for redemption and hope in a world apparently deserted by God and filled with suffering. Although steeped in the culture and mythology of Ireland, Murphy’s work does not trade on familiar clichés of Irish identity, dealing instead with Dostoyevskian themes of violence, nihilism and despair while never losing sight of the presence of laughter, humour and the possibilities of love and transcendence.
Delia Murphy Kiernan, singer and collector of Irish ballads, is born on February 16, 1902 in Ardroe, Roundfort, County Mayo. She records several 78 rpm records in the 1930s, 1940s and 1950s. In 1962 she records her only LP, The Queen of Connemara, for Irish Prestige Records, New York, on the cover of which her name appears alongside the LP title.
Delia’s father, John Murphy, from nearby Hollymount, makes his fortune in the Klondike Gold Rush. While in America, he marries Ann Fanning from Roscrea, County Tipperary. They return to Ireland in 1901 and purchase the large Mount Jennings Estate in Hollymount. John encouraged Delia’s interest in singing ballads from a young age. He also allows Irish travellers to camp on the estate. According to her own account, she learns her first ballads at their campfires.
Delia is educated at Presentation Convent in Tuam, Dominican College in Dublin and University College Galway (UCG), where she graduates with a Bachelor of Commerce degree. In UCG she meets Dr. Thomas J. Kiernan, and they marry in 1924, on her 22nd birthday. Kiernan then joins the Irish diplomatic service, where his first posting is to London. While there Delia sings at many venues including many gatherings of Irish emigrants and becomes quite well-known. In 1939 she records The Blackbird, The Spinning Wheel and Three Lovely Lassies for HMV.
In 1941 Kiernan is appointed Irish Minister Plenipotentiary to the Holy See in Rome. The Irish legation is the only English-speaking legation to remain open after the United States enters World War II. Delia becomes one of those who assist Hugh O’Flaherty in hiding Jews and escapes allied soldiers from the Nazis. In 1943, when Italy changes sides, many escaped POWs are helped by the legation to leave Italy. In 1946 she is awarded to Dame Commander of the Equestrian Order of the Holy Sepulchre.
Kiernan later serves as Irish High Commissioner and later first Ambassador in Australia, and later to West Germany, Canada, and the United States. In 1961, while she is living in Ottawa, Delia makes the recording of The Queen of Connemara produced by Ken Goldstein. The Kiernans purchase a farmhouse in Jasper, Ontario, near the Rideau Canal where she spends most of her time, even after Kiernan is posted to Washington, D.C. Tom Kiernan dies in December 1967.
By 1969 Delia’s health is in decline. In November of that year she sells her farmhouse in Canada and returns to Ireland. She lives in a cottage in Strawberry Beds, Chapelizod, County Dublin. She dies of a massive heart attack on February 11, 1971, five days before her 69th birthday. She records upwards of 100 songs during her lifetime.
Nolan becomes involved in the nascent home rule campaign of the Home Rule League. On February 8, 1872 he is elected MP for Galway County in a by-election, defeating by a large majority the Conservative William Le Poer Trench. Of the 4,686 available electors, who are chiefly Catholic, 2,823 vote for Nolan and 658 for Trench.
Trench appeals the result, claiming on petition that there is widespread intimidation during the election campaign. The local Catholic bishops and clergy had strongly supported Nolan, chiefly because the family of his opponent, a Captain Trench, was active in proselytism. The trial of the Galway County Election Petition begins, before Judge William Keogh, on April 1 and ends on May 21, 1872.
Judge Keogh finds that Nolan had been elected by the undue influence and intimidation and in his report states that he found 36 persons guilty of undue influence and intimidation, including John MacHale, the Archbishop of Tuam, the Bishop of Clonfert, Patrick Duggan, and the Bishop of Galway, John McEvilly, and twenty nine named priests, such intimidation being in some cases exercised in the very churches. As a result, Nolan is unseated on June 13, with the seat going to Trench. The judgement causes an uproar. The judge is threatened with removal from the bench and his reputation never recovers.
Nolan retakes the seat at the 1874 election. He remains MP after the 1885 constituency reforms as MP for Galway North until 1895.
When the Irish Parliamentary Party splits over Charles Stewart Parnell‘s long-term family relationship with Katharine O’Shea, the separated wife of a fellow MP, Nolan sides with his deposed leader and seconds the motion to retain Parnell as chairman at the ill-fated party meeting in Committee Room 15 of the House of Commons. He goes on to become whip of the pro-Parnellite rump of the split party, the Irish National League. He loses the Galway North seat to an Anti-Parnellite, Denis Kilbride, in 1895 and stands unsuccessfully as a Parnellite for South Louth in 1896. He is re-elected unopposed at Galway North after the reunification of the Parliamentary Party in 1900, but loses the seat again for the final time in 1906 when he stands as an Independent Nationalist.
Davy Carton, singer, songwriter, and rhythm guitarist, is born in Islington, London, on April 10, 1959. He is best known as a core member of The Saw Doctors, the folk-rock band he co-founds with Leo Moran and others in 1987.
Carton moves permanently to Tuam, County Galway, with his family in 1966. As a teenager he attends Tuam’s Christian Brothers school, where he forms the punk band Blaze X with fellow students Paul Cunniffe, Paul Ralph, and Ja Keating. He works in a local textile factory after leaving school, but continues to play with Blaze X until the band dissolves in 1981, the year Carton marries his girlfriend Trisha.
Working full-time in the textile factory throughout Ireland’s economically bleak 1980s, Carton largely puts his musical career on hold to support his wife and three young sons.
In the late 1980s, Carton gets together for a pint with Leo Moran, formerly of Irish reggae band Too Much for the White Man. Carton and Moran begin gigging around Galway with a handful of their own rootsy-rock compositions.
The duo adopts the name Saw Doctors — travellers who earn money by sharpening saws in old Ireland — until they can think of something better. As the band grows, the opportunity to find a better name never arises.
Carton finally gives up his day job in 1989, when the Saw Doctors rise to prominence and begin touring with bands including The Waterboys, Hothouse Flowers, and The Stunning.
Carton’s achievements with the Saw Doctors include six studio albums, two live albums, a concert DVD, several compilation albums, and extensive tours throughout Europe and the United States. Noted for his witty, rapacious lyrics, Carton has co-written almost all of the band’s songs, including “I Useta Lover,” one of the all-time best-selling singles in Ireland.
The Saw Doctors’ lyrics tend to stay out of political issues. “I’m not a politician, and I never will be a politician,” Carton tells the website PopMatters in 2003. “What I like to do is go into a room of people and make them sing along and whatever. I’m not going to tell them how to vote – there’s enough people doing that already. I’d rather talk about girlfriends and football. We don’t like to write about things we don’t really know about. We know about rejection from girls and all that, so we can write about that.”
Delia Murphy Kiernan, singer and collector of Irish ballads, dies of a massive heart attack on February 11, 1971, five days before her 69th birthday. She records several 78 RPM records in the 1930s, 1940s, and 1950s. In 1962 she records her only LP record, The Queen of Connemara, for Irish Prestige Records, New York, on the cover of which her name appears alongside the LP title. Her notable voice gives her the nickname the “Queen of Connemara.”
Murphy is born on February 16, 1902, in Ardroe, Roundfort, County Mayo, to a well-off family. Her father, John Murphy, from nearby Hollymount, makes his fortune in the Klondike Gold Rush. While in America, he marries Ann Fanning from Roscrea, County Tipperary. They return to Ireland in 1901 and purchase the large Mount Jennings Estate in Hollymount. Murphy’s father encourages her interest in singing ballads from a young age. He also allows Irish travellers to camp on the estate. According to her own account, she learns her first ballads at their campfires.
Murphy is educated at Presentation Convent in Tuam, Dominican College in Dublin, and University College Galway (UCG), where she graduates with a Bachelor of Commerce degree. While at UCG she meets Dr. Thomas J. Kiernan, and they marry in 1924, on her 22nd birthday. Kiernan then joins the Irish diplomatic service, where his first posting is to London. While there Murphy sings at many venues including many gatherings of Irish emigrants and becomes quite well-known. In 1939 she records The Blackbird, The Spinning Wheel, and Three Lovely Lassies for HMV.
In 1941, Kiernan is appointed Irish Minister Plenipotentiary to the Holy See in Rome. The Irish legation is the only English-speaking legation to remain open after the United States enters World War II. Murphy becomes one of those who assist Monsignor Hugh O’Flaherty in saving the lives of 6,500 Allied soldiers and Jews. In 1943, when Italy changes sides, many escaped POWs are helped by the legation to leave Italy.
Kiernan later serves as Irish High Commissioner and later first Ambassador in Australia, and later to West Germany, Canada, and the United States. In 1961, while living in Ottawa, Murphy makes the recording of The Queen of Connemara produced by Ken Goldstein. Murphy and Kiernan purchase a farmhouse in Jasper, Ontario, near the Rideau Canal where she spends most of her time, even after Kiernan is posted to Washington, D.C.. Tom Kiernan dies in December 1967.
By 1969 Murphy’s health is in decline. In November of that year she sells her farmhouse in Canada and returns to Ireland. She lives in a cottage in Strawberry Beds, Chapelizod, County Dublin, until her death. During her lifetime she records upwards of 100 songs.
Lally is born at Romans-sur-Isère, Dauphiné, the son of Sir Gerald Lally, one of the original “Wild Geese” of 1691 and an Irish Jacobite from Tuam, County Galway, who married a French lady of noble family. His title is derived from the Lally’s ancestral home, Castel Tullendally in County Galway where the Lally’s, originally called O’Mullallys, are prominent members of the Gaelic Aristocracy who can trace their ancestry back to the second century High King of Ireland, Conn of the Hundred Battles.
Entering the French army in 1721 he serves in the war of 1734 against Austria. He is present at the Battle of Dettingen in 1743, and commands the regiment de Lally in the famous Irish brigade in the Battle of Fontenoy in May 1745. He is made a brigadier on the field by Louis XV of France.
When war breaks out with Britain in 1756 Lally is appointed governor-general of French India and commands a French expedition to India, made up of four battalions, two of whom are from his own Regiment of Lally of the Irish Brigade. He reaches Pondicherry in April 1758, and within six weeks has pushed the British back from the coast to Madras, the headquarters of the British East India Company.
He is a man of courage and a capable general, but his pride and ferocity make him unpopular with his officers and men. He is unsuccessful in an attack on Tanjore, and as he lacks French naval support he has to retire from the Siege of Madras in 1758, owing to the timely arrival of the British fleet. He is defeated by Sir Eyre Coote at the Battle of Wandiwash in 1760, and besieged in Pondicherry, where he is forced to capitulate in 1761.
Lally is sent to England as a prisoner of war. Public opinion in France is very hostile, blaming him for the defeat by the British, and there are widespread calls for Lally to be put on trial. While in London, he hears that he is accused of treason in France, and insists, against advice, on returning on parole to stand trial. He is kept prisoner for nearly two years before the trial begins in 1764. When the Advocate General of the Paris ParlementJoseph Omer Joly de Fleury begins the prosecution, Lally has not received any documentation of the charges and is not allowed a defence lawyer. Throughout the trial, which lasts for two years, Lally fights against Joly de Fleury’s charges but on May 6, 1766 he is convicted and sentenced to death.
Lally makes an unsuccessful attempt at suicide in prison after his sentencing. On May 9, 1766, three days after his conviction, he is gagged to prevent him from protesting his innocence further and is transported in a garbage cart to the Place de Grève to be beheaded. The executioner’s first blow only slices open his skull and it takes a second blow to kill him.
Colonel Patrick Kelly of the Union Army‘s Irish Brigade (The Fighting Irish) dies on June 16, 1864 at the Siege of Petersburg during the American Civil War while leading the Irish Brigade forward against a Confederate position.
Captain 
