seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Irish Language Scholar Osborn Bergin

CREATOR: gd-jpeg v1.0 (using IJG JPEG v62), quality = 100Osborn Joseph Bergin, a scholar of the Irish language and early Irish literature, is born in Cork, County Cork on November 26, 1873.

Bergin is the sixth child and eldest son of Osborn Roberts Bergin and Sarah Reddin, and is educated at Queen’s College Cork, now University College Cork. He then goes to Germany for advanced studies in Celtic languages, working with Heinrich Zimmer at the Friedrich Wilhelm University in Berlin, now the Humboldt University of Berlin, and later with Rudolf Thurneysen at the University of Freiburg, where he writes his dissertation on palatalization in 1906. He then returns to Ireland and teaches at the School of Irish Learning and at University College Dublin.

Within one year of becoming Director of the School of Irish Studies in the Dublin Institute for Advanced Studies, Bergin resigns both the senior professorship and his office of director. The reason for his resignation is never made public.

Bergin, who never uses the name Joseph except when signing with his initials, does not seem to have felt the need of institutional religion, and during his lifetime, he rarely attends religious services. He develops Irish nationalist sympathies and remains a firm nationalist all his life but without party affiliations. From the number of Irish-speakers living in Cork, he quickly masters the spoken Irish of West Munster. By 1897, his knowledge of spoken and literary Modern Irish is so strong that he is appointed lecturer in Celtic in Queen’s College, Cork. It is during this time that he becomes an active member of the Gaelic League.

Bergin publishes extensively in the journal for Irish scholarship, Ériu. He is best known for his discovery of Bergin’s Law, which states that while the normal order of a sentence in Old Irish is verb-subject-object, it is permissible for the verb, in the conjunct form, to be placed at the end of the sentence. His friend Frank O’Connor writes humorously that while he discovers the law “he never really believed in it.” He writes poetry in Irish and makes a number of well-received translations of Old Irish love poetry.

Bergin is celebrated in Brian O’Nolan‘s poem Binchy and Bergin and Best, originally printed in the Cruiskeen Lawn column in The Irish Times and now included in The Best of Myles. He is noted for his feuds with George Moore and William Butler Yeats, but he enjoys a lifelong friendship with George William Russell. Frank O’Connor describes Bergin’s eccentricities affectionately in his memoir My Father’s Son.

Osborn Bergin dies in a nursing home in Dublin at the age of 76 on October 6, 1950, having never married.


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Birth of Fenian John O’Leary

john-o-learyJohn O’Leary, Irish republican and a leading Fenian, is born on July 23, 1830 in Tipperary, County Tipperary. He is imprisoned in England during the nineteenth century for his involvement in the Irish Republican Brotherhood.

O’Leary, born a Catholic, is educated at the local Protestant grammar school, The Abbey School, and later the Catholic Carlow College. He identifies with the views advocated by Thomas Davis and meets James Stephens in 1846.

He begins his studies in law at Trinity College, Dublin, in 1847, where, through the Grattan Club, he associates with Charles Gavan Duffy, James Fintan Lalor and Thomas Francis Meagher.

After the failure of the Young Irelander Rebellion of 1848, O’Leary attempts to rescue the Young Ireland leaders from Clonmel Gaol, and is himself imprisoned for a week from September 8, 1849. He takes part in a further attempted uprising in Cashel on September 16, 1849, but this proves abortive.

O’Leary abandons his study of law at Trinity College because he is unwilling to take the oath of allegiance required of a barrister. He enrolls at Queen’s College, Cork in 1850, to study medicine, later moving to Queen’s College, Galway, then on to further studies at Meath Hospital in Dublin, in Paris and in London. In 1855, he visits Paris, where he becomes acquainted with Kevin Izod O’Doherty, John Martin and the American painter, James Abbott McNeill Whistler. He subsequently becomes financial manager of the newly formed Irish Republican Brotherhood (IRB), and is joint editor of the IRB paper The Irish People.

On September 16, 1865, O’Leary is arrested and later tried on charges of high treason, eventually reduced to “treason felony.” He is sentenced to twenty years of penal servitude, of which five years are spent in English prisons, prior to his release and exile in January 1871. During his exile, he lives mainly in Paris, also visiting the United States, remains active in the IRB and its associated organisations, and writes many letters to newspapers and journals.

On the expiration of his 20-year prison term and therefore of the conditions associated with his release in 1885, O’Leary returns to Ireland. He and his sister, the poet Ellen O’Leary, both become important figures within Dublin cultural and nationalist circles, which include William Butler Yeats, Maud Gonne, Rose Kavanagh, Rosa Mulholland, George Sigerson, and Katharine Tynan. He also functions as an elder statesman of the separatist movement, being active in the Young Ireland Society, and acts as president of the Irish Transvaal Committee, which supports the Boer side in the Second Boer War.

John O’Leary dies at his residence in Dublin on the evening of March 16, 1907. He is referred to famously by W.B. Yeats in his poem September 1913: “Romantic Ireland’s dead and gone/It’s with O’Leary in the grave.”

(Pictured: Painting of John O’Leary, a favorite subject of John Butler Yeats (1904). The National Gallery of Ireland owns three oil portraits of O’Leary.)


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Birth of Seumas O’Sullivan, Poet & Editor

seamus-o-sullivanSeumas O’Sullivan, Irish poet and editor of The Dublin Magazine born James Sullivan Starkey, is born in Dublin on July 17, 1879.

O’Sullivan spends his adult life in the Dublin suburb of Rathgar. In 1926 he marries the artist Estella Solomons, sister of Bethel Solomons. Her parents are opposed to the marriage as Seumas is not Jewish.

O’Sullivan’s books include Twilight People (1905), Verses Sacred and Profane (1908), The Earth Lover (1909), Selected Lyrics (1910), Collected Poems (1912), Requiem (1917), Common Adventures (1926), The Lamplighter (1929), Personal Talk (1936), Poems (1938), Collected Poems (1940), and Dublin Poems (1946). Terence de Vere White praises him as “a true poet,” and is critical of William Butler Yeats for leaving him out of his anthology of Irish poets, which he thinks a particularly strange decision since Yeats and O’Sullivan are friends, although they quarrel from time to time. In 1936 a version of a play by Irish playwright Teresa Deevy called The King of Spain’s Daughter is included in The Dublin Magazine which is edited by Seumas O’Sullivan.

O’Sullivan and B.J. Brimmer Company are accredited within the ‘Acknowledgments’ of People and Music by Thomasine C. McGehee, published via Allyn & Bacon within the Junior High School Series and edited by James M. Glass, 1929 and 1931 respectively, for both the frontispiece In Mercer Street and the excerpt from Ballad of a Fiddler on page 93.

O’Sullivan has a great admiration for Patrick Kavanagh, and in the 1940s he is one of the very few Irish editors who is prepared to publish his poetry.

O’Sullivan’s father, William Starkey (1836-1918), a physician, is also a poet and a friend of George Sigerson.

O’Sullivan is a friend of most of the leading literary figures in Dublin, including William Butler Yeats, James Stephens and George William Russell. His “at homes” on Sunday afternoons are a leading feature of Dublin literary life, as are Russell’s Sunday evenings and Yeats’s Monday evenings. He is inclined to be quarrelsome due to his heavy drinking and on one occasion he insults James Stephens publicly at a literary dinner. Even the kind-hearted Russell admits that “Seumas drinks too much.” Yeats’ verdict is that “the trouble with Seumas is that when he’s not drunk, he’s sober.”

Seumas O’Sullivan dies on March 24, 1958.

(Pictured: Portrait of Seumas O’Sullivan by Estella Frances Solomons)


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Birth of Author Violet Florence Martin

violet-florence-martinViolet Florence Martin, Irish author, is born at Ross House in Connemara, County Galway on June 11, 1862. She is the co-author of a series of novels with cousin Edith Somerville under the pen name of Martin Ross in the late nineteenth and early twentieth centuries.

Martin is the youngest of sixteen children of James Martin of Ross (1804–1872). The Martin family, a branch of the Martyn family – one of the Tribes of Galway – had settled at Ross by the early seventeenth century, having previously inhabited the town of Galway for some three hundred years. Her father is a Protestant, his grandfather having converted from the Catholic faith in order to retain the family estates under the Penal Laws. Nevertheless, each child of the family is secretly ‘baptised’ by the family servants.

Martin is a kinswoman of Richard Martin and her contemporary, Edward Martyn, two other notable members of the tribe. Her older brother, Robert Jasper Martin, is a noted songwriter and a well-regarded member of the Tory party in London. She shares a great-grandmother with the writer Maria Edgeworth, whose use of Irish vernacular speech she follows in her work.

Martin’s father manages to save both his estate and his tenants during the Great Famine boasting that not one of his people died during the disaster, but at the cost of bankruptcy. Following his death in 1872, the family moves to Dublin and only returns to Ross in 1888 following revelations of financial fraud of the estate by their agent.

Martin and Edith Somerville are second cousins. They originally meet on January 17, 1886 at Castletownshend, after which they become lifelong companions and literary partners. They come to share a home in Drishane, County Cork. In 1889, Violet adopts the pseudonym Martin Ross, which comprises her surname and the name of her ancestral home. Thus the authors are called Somerville and Ross. Their works include The Real Charlotte (1889), Some Reminiscences of an Irish R.M. and In The Vine Country.

Martin is a convinced Irish Unionist, in opposition to Somerville’s open nationalism. Both she and her brother Robert are well-regarded members of the literary circle in Irish unionism. However, unlike her brother, Martin is a convinced suffragette, becoming vice-president of the Munster Women’s Franchise League. While on friendly terms with the leading members of the Gaelic literary revival such as W.B. Yeats and Lady Gregory, she objects to their romantic version of Irish peasantry. She is on good terms with Edward Martyn, partner of Gregory and Yeats – and her kinsman – and shares his love of the Irish language and culture.

Martin is seriously injured in a riding accident in November 1898, from which she never fully recovers. This is a contributing factor to her death in Drishane, County Cork, on December 21, 1915. Edith Somerville continues to write under their joint literary names, claiming that they are still in contact. The two women leave thousands of letters and 116 volumes of diaries, detailing their lives, much of them yet unpublished. Edith dies at Castletownshend in October 1949, aged 91, and is buried alongside Violet Florence Martin at Saint Barrahane’s Church, Castletownsend, County Cork.


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Birth of Helen Waddell, Poet & Playwright

helen-waddellHelen Jane Waddell, Irish poet, translator and playwright, is born in Tokyo, Japan on May 31, 1889.

Waddell is the tenth and youngest child of Hugh Waddell, a Presbyterian minister and missionary who is lecturing in the Imperial University. She spends the first eleven years of her life in Japan before her family returns to Belfast. Her mother dies shortly afterwards, and her father remarries. Hugh Waddell himself dies and leaves his younger children in the care of their stepmother. Following the marriage of her elder sister Meg, she is left at home to care for her stepmother, whose health is deteriorating by this time.

Waddell is educated at Victoria College for Girls and Queen’s University Belfast, where she studies under Professor Gregory Smith, graduating in 1911. She follows her BA with first class honours in English with a master’s degree, and in 1919 enrolls in Somerville College, Oxford, to study for her doctorate. A traveling scholarship from Lady Margaret Hall in 1923 allows her to conduct research in Paris. It is at this time that she meets her life-long friend, Maude Clarke.

Waddell is best known for bringing to light the history of the medieval goliards in her 1927 book The Wandering Scholars, and translating their Latin poetry in the companion volume Medieval Latin Lyrics. A second anthology, More Latin Lyrics, is compiled in the 1940s but not published until after her death. Her other works range widely in subject matter. For example, she also writes plays. Her first play is The Spoiled Buddha, which is performed at the Opera House, Belfast, by the Ulster Literary Society. Her The Abbe Prevost is staged in 1935. Her historical novel Peter Abelard is published in 1933. It is critically well received and becomes a bestseller.

Waddell also writes many articles for the Evening Standard, The Manchester Guardian and The Nation, and does lecturing and broadcasting.

Waddell is the assistant editor of The Nineteenth Century magazine. Among her circle of friends in London, where she is vice-president of the Irish Literary Society, are William Butler Yeats, Virginia Woolf, Rose Macaulay, Max Beerbohm and George William Russell. Her personal and professional friendship with Siegfried Sassoon apparently makes the latter’s wife suspicious. Although she never marries, she has a close relationship with her publisher, Otto Kyllmann of Constable & Company.

Waddell receives honorary degrees from Columbia, Belfast, Durham and St. Andrews and wins the Benson Medal of the Royal Society of Literature.

A serious debilitating neurological disease puts an end to her writing career in 1950. She dies in London on March 5, 1965 and is buried in Magherally churchyard, County Down, Northern Ireland. A prize-winning biography of her by the Benedictine nun Dame Felicitas Corrigan is published in 1986.


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Birth of John Jordan, Poet & Writer

john-jordanJohn Jordan, Irish poet, short-story writer and broadcaster, is born in the Rotunda Hospital, Dublin on April 8, 1930.

Jordan is educated at Synge Street CBS, University College Dublin (UCD) and Pembroke College, Oxford. In his teens he acts on the stage of the Gate Theatre, Dublin, before winning a Scholarship in English and French to the University of Oxford from UCD. In the mid-1950s he returns to UCD as a lecturer in English and teaches there until the end of the 1960s. He also lectures on sabbatical leave at the Memorial University of Newfoundland and briefly at Princeton University in the United States. He is a founding member of Aosdána. He is a celebrated literary critic from the late 1950s until his death on June 6, 1988 in Cardiff, Wales, where he had been participating in the Merriman Summer School.

In 1962 Jordan re-founds and edits the literary magazine Poetry Ireland in hopes of contributing towards the recreation of Dublin as a literary centre. In this journal, he introduces a number of poets who are to become quite famous later, including Paul Durcan, Michael Hartnett and Seamus Heaney. This series of Poetry Ireland lasts until 1968–69.

In 1981 Jordan becomes the first editor of the new magazine published by the Poetry Ireland Society, called Poetry Ireland Review. He serves as a reviewer of novels for The Irish Times, writes a column for Hibernia, contributes to Envoy, A Review of Literature and Art and The Irish Press among others, a serves as a TV presenter and arts interviewer. He is a defender of Gaelic literature, translates Pádraic Ó Conaire, edits The Pleasures of Gaelic Literature (Mercier Press, 1977), and champions the later plays of Seán O’Casey. His translation of one of Aogán Ó Rathaille‘s essays is published in The Pleasures of Gaelic Poetry (London: Allen Lane, 1982).

Jordan’s Collected Poems (Dedalus Press) and Collected Stories (Poolbeg Press) are edited by his literary executor, Hugh McFadden, and published in Dublin in 1991. His Selected Prose, Crystal Clear, also edited by McFadden, is published by The Lilliput Press in Dublin in 2006. His Selected Poems, edited with an introduction by McFadden, is published in February 2008 by Dedalus Press. Uncollected stories appear in Penguin Book of Irish Short Stories, Cyphers, and The Irish Press, among other places.

Jordan’s literary papers and letters are held in the National Library of Ireland. In 1953 the young Irish artist Reginald Gray is commissioned by University College Dublin to design the decor and costumes for their production of “The Kings Threshold” by William Butler Yeats. The leading role is given to Jordan. During the preparations for the production, Gray starts a portrait of Jordan, which he never finishes. This work now hangs in the Dublin Writers Museum.

(Pictured: John Jordan, by Patrick Swift, c. 1950)


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Premiere of “Cathleen ni Houlihan”

cathleen-ni-houlihanCathleen ni Houlihan, a one-act play written by William Butler Yeats and Lady Gregory, is first performed in Dublin on April 2, 1902 with Maud Gonne in the leading role. It is first published in the October 1902 number of Samhain magazine.

The play centers on the Irish Rebellion of 1798. The play is startlingly nationalistic, in its last pages encouraging young men to sacrifice their lives for the heroine Cathleen ni Houlihan, who represents an independent and separate Irish state. The title character first appears as an old woman at the door of a family celebrating their son’s wedding. She describes her four “beautiful green fields,” representing the four provinces of Ireland, that have been unjustly taken from her. With little subtlety, she requests a blood sacrifice, declaring that “many a child will be born and there will be no father at the christening” and that “they that have red cheeks will have pale cheeks for my sake, and for all that, they will think they are well paid.” She convinces the future groom, Michael, to give up the wedding and go fight.

After the youth leaves the safety of his home to fight for her, she appears as an image of youth with “the walk of a queen,” professing of those who fight for her: “They shall be remembered forever, They shall be alive forever, They shall be speaking forever, The people shall hear them forever.”

Death is common during the time around the rising, but becoming a martyr is somethings that is admirable, so oftentimes people welcome death so they can create themselves a heroic memory. The martyrs will be remembered forever, which is why this theme is so ingrained into this play.

Cathleen ni Houlihan is such a simple play that contains many symbols and has the goal of convincing men to fight for Ireland. While the play is written about the rising of 1798, it is meant to inspire people for the 1916 Easter Rising. Throughout the whole play, there is constant reference to memory and its influence on the public. The men that die while fighting for Ireland are considered heroes, which is why memory and martyrdom are such important themes that are incorporated into works about revolution.

Cathleen ni Houlihan is about Irish Independence, but there are themes of martyrdom in other works, like the musicals about American Independence, Hamilton and 1776.

(Pictured: Scene from a production of “Cathleen ni Houlihan,” circa 1912)