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Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Death of Gerald Griffin, Novelist, Poet & Playwright

Gerald Griffin (Irish: Gearóid Ó Gríofa), Irish novelist, poet and playwright, dies of typhus fever on June 12, 1840. His novel The Collegians is the basis of Dion Boucicault‘s play The Colleen Bawn, or The Brides of Garryowen. Feeling he is “wasting his time” writing fiction, he joins the Congregation of Christian Brothers, a Catholic religious congregation founded by Edmund Ignatius Rice, to teach the children of the poor.

Griffin is born in Limerick, County Limerick, on December 12, 1803, the youngest son of thirteen children of a substantial Catholic farming family. Patrick Griffin, his father, also makes a living through brewing, and he participates as one of Henry Grattan‘s Irish Volunteers (18th century). His mother comes from the ancient O’Brien dynasty, and first introduces him to English literature. When he is aged seven, the family moves to Fairy Lawn, a house near Loghill, County Clare, which sits on a hill above the bank of the Shannon Estuary, about twenty-seven miles from Limerick. Here he has an idyllic childhood and receives a classical education.

In 1820 the family at Fairy Lawn is broken up. The parents with several of the children emigrate to the United States and settle in Pennsylvania. Griffin, with one brother and two sisters, is left behind under the care of his elder brother William, a practicing physician in Adare, County Limerick. He meets John Banim in Limerick. Inspired by the successful production of Banim’s play Damon and Pythias (1821), Griffin, at nineteen years of age, moves to London in 1823. After an unsuccessful attempt at becoming a playwright, he endures years of poverty in London, managing only to scrape by through writing reviews for periodicals and newspapers. At the end of two years he obtains steady employment in the publishing house as reader and reviser of manuscripts, and in a short time becomes frequent contributor to some of the leading periodicals and magazines. His early pieces in The Literary Gazette vividly describe the rural setting of his childhood, recount Irish folklore, translate the Celtic Irish language for the English readers, and, as Robert Lee Wolff observes, “waxed richly sardonic about Irishmen who tried to be more English than the English.”

Griffin’s Holland-Tide or Munster Popular Tales is published by Simpkin & Marshall in 1827. Holland-Tide is a collection of seven short stories, all of which are told in the house of a hospitable Munster farmer during All Hallows’ Eve in Munster. Holland-Tide establishes his reputation and he returns to Ireland, where he writes Tales of the Munster Festivals in Pallaskenry to which his brother William has moved.

Experience leads Griffin to modify his expectations in relation to literary work, and, with a view to the legal profession, he enters the University of London as a law student, but in a short time removes to Dublin for the study of ancient Irish history, preparatory to his work The Invasion, which is published in 1832. This work has a good sale and is highly praised by scholars, but never becomes popular.

With the exception of a tour through Scotland and a short trip on the European continent, Griffin lives with his brother, keeping up to some extent his literary labours. By 1833, he is increasingly concerned that he is wasting his time, and begins to devote himself to teaching the poor children of the neighborhood. In 1838, hes all of his unpublished manuscripts and joins the Congregation of Christian Brothers, a Catholic religious order which has as its special aim the education of children of the poor. Writing to an old friend he says he feels a great deal happier in the practice of this daily routine than he ever did while roving about the great city, absorbed in the modest project of rivaling Shakespeare and throwing Scott in the shade. In June 1839, he is transferred from Dublin to Cork, where he dies of typhus fever at the age of thirty-six on June 12, 1840.

Griffin’s play Gisippus is produced posthumously at Theatre Royal, Drury Lane on February 23, 1842 by William Macready, and it runs to a second edition in print.

One of Griffin’s most famous works is The Collegians, a novel based on a trial that he had reported on, involving the murder of a young Irish Catholic girl (Ellen Hanley) by a Protestant Anglo-Irish man (John Scanlon). The novel is later adapted for the stage as The Colleen Bawn by Dion Boucicault.

Griffin has a street named after him in Limerick and another in Cork. Loughill/Ballyhahill GAA club in west Limerick plays under the name of Gerald Griffins.

(Pictured: “Portrait of Gerald Griffin (1803-1840), Poet and Novelist,” painting by Richard Rothwell (1800-1868), National Gallery of Ireland)


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Birth of Dion Boucicault, Playwright & Actor

dionysius-boucicault

Dionysius Lardner “Dion” Boucicault, Irish American playwright and actor and a major influence on the form and content of American drama, is born in Dublin on December 26, 1820.

Educated in England, Boucicault begins acting in 1837 and in 1840 submits his first play to Lucia Elizabeth Vestris at Covent Garden, however it is rejected. His second play, London Assurance (1841), which foreshadows the modern social drama, is a huge success and is frequently revived into the 20th century. Other notable early plays were Old Heads and Young Hearts (1844) and The Corsican Brothers (1852).

In 1853 Boucicault and his second wife, Agnes Robertson, arrive in New York City, where his plays and adaptations are long popular. He leads a movement of playwrights that produces in 1856 the first copyright law for drama in the United States. His play The Poor of New York, based on the panics of 1837 and 1857, has a long run at Wallack’s Theatre in 1857 and is presented elsewhere as, for example, The Poor of Liverpool. The Octoroon (1859) causes a sensation with its implied attack on slavery.

Boucicault and his actress wife join Laura Keene’s theatre in 1860 and begin a series of his popular Irish plays — The Colleen Bawn, or The Brides of Garryowen (1860), Arrah-na-Pogue (1864), The O’Dowd (1873), and The Shaughraun (1874). Returning to London in 1862, he provides Joseph Jefferson with a successful adaptation of Rip Van Winkle (1865). In 1872 he returns to the United States, where he remains, except for a trip to Australia that results in his third marriage (for which he renounced the legitimacy of his second marriage). Among his associates in the 1870s is the young David Belasco. At the time of his death on September 18, 1890, in New York City, he is a poorly paid teacher of acting. He is buried in Mount Hope Cemetery, Hastings, Westchester County, New York.

About 150 plays are credited to Boucicault, who, as both writer and actor, raises the stage Irishman from caricature to character. To the American drama he brings a careful construction and a keen observation and recording of detail. His concern with social themes prefigures the future development of drama in both Europe and America.

(Pictured: Dionysius Boucicault, taken 1890 or before. Photograph: Harvard Theatre Collection/Wikimedia Commons)