seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of David James O’Donoghue, Biographer & Editor

David James O’Donoghue, Irish biographer, editor, and bookseller, is born in Chelsea, London, England on July 22, 1866.

O’Donoghue is born to Irish parents and grows up in the Hans Town area of Chelsea. He is the son of John O’Donoghue, a bricklayer from Kilworth, County Cork, and Bridget Griffin, who is from County Tipperary. He is the third of nine children, and has four brothers, Thomas, John, James, and Edmund, and four sisters, Mary, Ellen, Katherine, and Agnes. He is first an upholsterer‘s apprentice from the age of sixteen before becoming a journalist and author.

O’Donoghue attends a Catholic school and furthers his education at the British Museum. He begins his journalistic work by writing for the Dublin papers upon subjects relating to Irish music, art, and literature. A founder-member of the Irish Literary Society in London, he is also vice president of the National Literary Society, Dublin, and the compiler of a biographical dictionary, The Poets of Ireland (1891–93; revised edition, 1912), with entries on 2,000 authors. His published works also include Irish Poetry of the Nineteenth Century (1894), Humor of Ireland (1894), List of 1300 Irish Artists (1894), The Life and Writings of James Clarence Mangan (1897), Bibliographical Catalogue of Collections of Irish Music (1899), and Geographical Distribution of Irish Ability (1906).

O’Donoghue publishes an edition of James Fintan Lalor‘s writings (1895) and an edition of William Carleton‘s Traits and Stories of the Irish Peasantry (four volumes, 1896–97). He edits the works of Samuel Lover (six volumes, 1898–99) and the prose works (1903) and poems (1904) of James Clarence Mangan. He writes biographies on William Carleton (1896), Richard Pockrich (1899), and Robert Emmet (1902).

In 1896 O’Donoghue moves to Dublin. In 1909 he becomes librarian of University College Dublin. He is co-editor of Catalogue of the Gilbert Library (in Dublin; 1918). William Butler Yeats writes of him in his Autobiographies of William Butler Yeats (1938).

O’Donoghue dies suddenly on June 27, 1917 at his home on Auburn Avenue, Donnybrook, Dublin. He is buried in Dublin’s Glasnevin Cemetery.


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Birth of Novelist & Playwright Molly Keane

Molly Keane, née Mary Nesta Skrine, Irish novelist and playwright who writes as M. J. Farrell, is born in Ryston Cottage, Newbridge, County Kildare, on July 20, 1904.

Keane’s mother is a poet who writes under the pseudonym Moira O’Neill. Her father is a fanatic for horses and hunting. She grows up at Ballyrankin in County Wexford and refuses to go to boarding school in England as her siblings had done. She is educated by her mother, governesses, and at a boarding school in Bray, County Wicklow. Relationships between her and her parents are cold and she states that she had no fun in her life as a child. Her own passion for hunting and horses is born out of her need for fun and enjoyment. Reading does not feature much in her family and, although her mother writes poetry, it is of a sentimental nature, “suitable to a woman of her class.”

Keane claims she had never set out to be a writer, but at seventeen she is bedbound due to suspected tuberculosis, and turns to writing out of sheer boredom. It is then she writes her first book, The Knight of Cheerful Countenance, which is published by Mills & Boon. She writes under the pseudonym “M. J. Farrell,” a name over a pub that she had seen on her return from hunting. She explains writing anonymously because “for a woman to read a book, let alone write one was viewed with alarm: I would have been banned from every respectable house in County Carlow.”

In her teenage years Keane spends much of her time in the Perry household in Woodruff, County Tipperary. Here she befriends the two children of the house, Sylvia and John Perry. She later collaborates with John in writing a number of plays. Among them is Spring Meeting, directed by John Gielgud in 1938, and one of the hits of the West End that year. She and Gielgud become life long friends.

It is through the Perry family that Molly meets Bobby Keane, whom she marries in 1938. He belongs to a County Waterford squirearchical family, the Keane baronets. The couple goes on to have two daughters, Sally and Virginia.

Keane loves Jane Austen, and like Austen’s, her ability lay in her talent for creating characters. This, with her wit and astute sense of what lay beneath the surface of people’s actions, enables her to depict the world of the big houses of Ireland in the 1920s and 1930s. She “captured her class in all its vicious snobbery and genteel racism.” She uses her married name for her later novels, several of which, including Good Behaviour and Time After Time, have been adapted for television. Between 1928 and 1956, she writes eleven novels, and some of her earlier plays, under the pseudonym “M. J. Farrell.” She was a member of Aosdána.

Keane’s husband dies suddenly in 1946, after which she moves to Ardmore, County Waterford, a place she knows well, and lives there with her two daughters. Following the failure of a play shortly after her husband’s death, she publishes nothing for twenty years. In 1981 Good Behaviour comes out under her own name. The manuscript, which had languished in a drawer for many years, is lent to a visitor, the actress Peggy Ashcroft, who encourages her to publish it. The novel is warmly received and is short-listed for the Man Booker Prize.

Keane dies at the age of 91 on April 22, 1996 in her Cliffside home in Ardmore. She is buried beside the Church of Ireland church, near the centre of the village.


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Birth of Joseph Campbell, Poet & Lyricist

Joseph Campbell, Irish poet and lyricist, is born in Belfast on July 15, 1879. He writes under the Gaelic form of his name Seosamh Mac Cathmhaoil (also Seosamh MacCathmhaoil), as Campbell is a common anglicisation of the old Irish name MacCathmhaoil. He is now remembered best for words he supplied to traditional airs, such as “My Lagan Love” and “Gartan Mother’s Lullaby.” His verse is also set to music by Arnold Bax and Ivor Gurney.

Campbell is born into a Catholic and Irish nationalist family from County Down. He is educated at St. Malachy’s College, Belfast. After working for his father he teaches for a while. He travels to Dublin in 1902, meeting leading nationalist figures. His literary activities begin with songs, as a collector in Antrim, County Antrim and working with the composer Herbert Hughes. He is then a founder of the Ulster Literary Theatre in 1904. He contributes a play, The Little Cowherd of Slainge, and several articles to its journal Uladh edited by Bulmer Hobson. The Little Cowherd of Slainge is performed by the Ulster Literary Theatre at the Clarence Place Hall in Belfast on May 4, 1905, along with Lewis Purcell’s The Enthusiast.

Campbell moves to Dublin in 1905 and, failing to find work, moves to London the following year where he is involved in Irish literary activities while working as a teacher. He marries Nancy Maude in 1910, and they move shortly thereafter to Dublin, and then later to County Wicklow. His play Judgement is performed at the Abbey Theatre in April 1912.

Campbell takes part as a supporter in the Easter Rising of 1916, doing rescue work. The following year he publishes a translation from Irish of the short stories of Patrick Pearse, one of the leaders of the Rising.

Campbell becomes a Sinn Féin Councillor in Wicklow in 1921. Later in the Irish Civil War he is on the Republican side, and is interned in 1922-23. His marriage breaks up, and he emigrates to the United States in 1925 where he settles in New York City. He lectures at Fordham University, and works in academic Irish studies, founding the University’s School of Irish Studies in 1928, which lasts four years. He is the editor of The Irish Review (1934), a short lived “magazine of Irish expression.” The business manager is George Lennon, former Officer Commanding of the County Waterford Flying Column during the Irish War of Independence. The managing editor is Lennon’s brother-in-law, George H. Sherwood.

Campbell returns to Ireland in 1939, settling at Glencree, County Wicklow. He dies at Lacken Daragh, Enniskerry, County Wicklow on June 6, 1944.


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Birth of Sebastian Barry, Novelist, Playwright & Poet

Sebastian Barry, novelist, playwright and poet, is born in Dublin on July 5, 1955. He is noted for his lyrical literary writing style and is considered one of Ireland’s finest writers. He is named Laureate for Irish Fiction, 2019–2021.

Barry’s mother is acclaimed actress Joan O’Hara. He is educated at Catholic University School and Trinity College, Dublin, where he reads English and Latin. His literary career begins in poetry before he begins writing plays and novels.

Barry starts his literary career with the novel Macker’s Garden in 1982. This is followed by several books of poetry and a further novel, The Engine of Owl-Light (1987), before his career as a playwright begins with his first play produced in the Abbey Theatre, Boss Grady’s Boys (1988).

Barry’s maternal great-grandfather, James Dunne, provides the inspiration for the main character in his most internationally known play, The Steward of Christendom, which wins the Christopher Ewart-Biggs Memorial Prize, the Lloyd’s Private Banking Playwright of the Year Award and other awards. The main character in the play, Thomas Dunne, is the chief superintendent of the Dublin Metropolitan Police from 1913 to 1922. He oversees the area surrounding Dublin Castle until the Irish Free State takeover on January 16, 1922. One of his grandfathers belonged to the British Army Corps of Royal Engineers while the other is a painter, a Nationalist, and a devotee of Éamon de Valera.

Both The Steward of Christendom and the novel The Whereabouts of Eneas McNulty, are about the dislocations, physical and otherwise, of loyalist Irish people during the political upheavals of the early 20th century. The title character of the latter work is a young man forced to leave Ireland by his former friends in the aftermath of the Irish War of Independence.

Barry has been twice shortlisted for the Man Booker Prize for his novels A Long Long Way (2005) and The Secret Scripture (2008), the latter of which wins the 2008 Costa Book of the Year and the James Tait Black Memorial Prize. His fifth novel, On Canaan’s Side (2011), is longlisted for the 2011 Man Booker Prize and wins the 2012 Walter Scott Prize. In January 2017, he is awarded the Costa Book of the Year prize for Days Without End (2016), becoming the first novelist to win the prestigious prize twice. The novel also wins The Walter Scott Prize and The Independent Booksellers’ Prize, and is longlisted for the Man Booker Prize 2017.

Barry’s play Andersen’s English is inspired by children’s writer Hans Christian Andersen coming to stay with Charles Dickens and his family in the Kent marshes. Directed by Max Stafford-Clark and produced by the Out of Joint Theatre Company and Hampstead Theatre, the play tours in the United Kingdom from February 11 to May 8, 2010. Our Lady of Sligo is directed in 1998 by Stafford-Clark at the Royal National Theatre co−produced by Out of Joint.

In 2001, Barry establishes his personal and professional archive at the Harry Ransom Center. More than sixty boxes of papers document his diverse writing career and range of creative output which includes drawings, poetry, short stories, novels, essays, and scripts.

Barry has been awarded honorary degrees from NUI Galway, the Open University and the University of East Anglia. His academic posts include Honorary Fellow in Writing at the University of Iowa (1984), Heimbold Visiting Professor at Villanova University (2006) and Writer Fellow at Trinity College, Dublin (1995–1996).

Barry lives in County Wicklow with his wife, actor and screenwriter Alison Deegan.


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Death of Leland Bardwell, Poet, Novelist & Playwright

Constan Olive Leland Bardwell, Irish poet, novelist, and playwright, dies at the age of 94 on June 28, 2016 in Sligo, County Sligo.

Bardwell is born Leland Hone in India on February 25, 1922 to Irish parents William Hone and Mary Collise, and moves to Ireland at the age of two. Her father’s family are of the Anglo-Irish Hone family. She grows up in Leixlip, County Kildare. She is educated at Alexandra School and later at the University of London.

Bardwell realises from childhood that a writing life is inevitable. In her memoirs she records: “Since the age of six writing had been not an ambition but a condition.” However, there are years of editorial rejections before she blossoms into a writer of the poetry, short stories for radio, plays and autobiographical novels that flowed, due in part to the encouragement of the coterie assembled there, from her basement flat in Dublin.

Bardwell’s five volumes of acclaimed poetry are The Mad Cyclist (1970), The Fly and the Bed Bug (1984), Dostoevsky’s Grace (1991), her “new and selected” The White Beach (1998) and The Noise of Masonry Settling (2005).

Bardwell is considered an important poet by her contemporaries. On the publication of her fourth collection of poetry, The White Beach, Eiléan Ní Chuilleanáin states, “it is good to see her work of the decades collected – it has inspired many Irish poets, male and female, and should be much more widely known,” adding that her work is “witty, full of sharp intimate honesty, full of truth and surprises.”

In 1975, along with Pearse Hutchinson, Eiléan Ní Chuilleanáin, and Macdara Woods, she co-founds the long running literary magazine Cyphers.

Bardwell’s novel Girl on a Bicycle, originally published in 1977, is republished by Irish publisher Liberties Press in 2009.

Bardwell lives in Sligo and is a member of Aosdána. She dies in Sligo on June 28, 2016. One of her children is the composer John McLachlan.

(Photo by Pat Boran)


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Birth of Elizabeth Bowen, Novelist & Short Story Writer

Elizabeth Dorothea Cole Bowen CBE, Anglo-Irish novelist and short story writer notable for her fiction about life in wartime London, is born at 15 Herbert Place in Dublin on June 7, 1899.

Bowen is baptised in St. Stephen’s Church on Upper Mount Street. Her parents, Henry Charles Cole Bowen and Florence (née Colley) Bowen, later bring her to Bowen’s Court at Farahy, near Kildorrery, County Cork, where she spends her summers. When her father becomes mentally ill in 1907, she and her mother move to England, eventually settling in Hythe. After her mother dies in 1912 she is raised by her aunts. She is educated at Downe House School under the headship of Olive Willis. After some time at art school in London she decides that her talent lay in writing. She mixes with the Bloomsbury Group, becoming good friends with Rose Macaulay who helps her seek out a publisher for her first book, a collection of short stories entitled Encounters (1923).

In 1923 Bowen marries Alan Cameron, an educational administrator who subsequently works for the BBC. The marriage has been described as “a sexless but contented union.” She has various extra-marital relationships, including one with Charles Ritchie, a Canadian diplomat seven years her junior, which lasts over thirty years. She also has an affair with the Irish writer Seán Ó Faoláin and a relationship with the American poet May Sarton. She and her husband first live near Oxford, where they socialize with Maurice Bowra, John Buchan and Susan Buchan, and where she writes her early novels, including The Last September (1929). Following the publication of To the North (1932) they move to 2 Clarence Terrace, Regent’s Park, London, where she writes The House in Paris (1935) and The Death of the Heart (1938). In 1937, she becomes a member of the Irish Academy of Letters.[3]

In 1930 Bowen becomes the first (and only) woman to inherit Bowen’s Court, but remains based in England, making frequent visits to Ireland. During World War II she works for the British Ministry of Information, reporting on Irish opinion, particularly on the issue of neutrality. Her political views tend towards Burkean conservatism. During and after the war she writes among the greatest expressions of life in wartime London, The Demon Lover and Other Stories (1945) and The Heat of the Day (1948). She is awarded the CBE the same year.

Bowen’s husband retires in 1952 and they settle in Bowen’s Court, where he dies a few months later. Many writers visit her at Bowen’s Court from 1930 onwards, including Virginia Woolf, Eudora Welty, Carson McCullers, Iris Murdoch, and the historian Veronica Wedgwood. For years Bowen struggles to keep the house going, lecturing in the United States to earn money. In 1957 her portrait is painted at Bowen’s Court by her friend, painter Patrick Hennessy. She travels to Italy in 1958 to research and prepare A Time in Rome (1960), but by the following year she is forced to sell her beloved Bowen’s Court, which is demolished in 1960. In the following months, she writes for CBS the narrative of the documentary titled Ireland the Tear and the Smile which is realized in collaboration with Robert Monks as cameraman and associate producer. After spending some years without a permanent home, she finally settles at “Carbery”, Church Hill, Hythe, in 1965.

Bowen’s final novel, Eva Trout, or Changing Scenes (1968), wins the James Tait Black Memorial Prize in 1969 and is shortlisted for the Man Booker Prize in 1970. Subsequently, she is a judge that awards the 1972 Man Booker Prize to John Berger for G. She spends Christmas 1972 at Kinsale, County Cork with her friends, Major Stephen Vernon and his wife, Lady Ursula, daughter of Hugh Grosvenor, 2nd Duke of Westminster, but is hospitalised upon her return. Here she is visited by Cyril Connolly, Lady Ursula Vernon, Isaiah Berlin, Rosamund Lehmann, and her literary agent, Spencer Curtis Brown, among others.

In 1972 Bowen develops lung cancer. She dies at the age of 73 in University College Hospital in London on February 22, 1973. She is buried with her husband in St. Colman’s churchyard in Farahy, close to the gates of Bowen’s Court, where there is a memorial plaque to the author at the entrance to St. Colman’s Church, where a commemoration of her life is held annually.


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Birth of William Trevor, Novelist, Playwright & Short Story Writer

William Trevor KBE, Irish novelist, playwright and short story writer, is born William Trevor Cox in Mitchelstown, County Cork, on May 24, 1928. One of the elder statesmen of the Irish literary world, he is widely regarded as one of the greatest contemporary writers of short stories in the English language.

Trevor is born to a middle-class, Anglo-Irish Protestant family. They move several times to other provincial towns, including Skibbereen, Tipperary, Youghal and Enniscorthy, as a result of his father’s work as a bank official. He is educated at St. Columba’s College, Dublin, and at Trinity College, Dublin, from which he receives a degree in history. He works as a sculptor under the name Trevor Cox after his graduation from Trinity College, supplementing his income by teaching. He marries Jane Ryan in 1952 and emigrates to Great Britain two years later, working as a copywriter for an advertising agency. It is during this time that he and his wife have their first son.

Trevor’s first novel, A Standard of Behaviour, is published in 1958 by Hutchinson of London, but has little critical success. He later disowns this work and, according to his obituary in The Irish Times, “refused to have it republished.” It was, in fact, republished in 1982 and in 1989.

In 1964, at the age of 36, Trevor wins the Hawthornden Prize for Literature for The Old Boys. The win encourages him to become a full-time writer. He and his family then move to Devon in South West England, where he resides until his death. In 2002, he makes honorary KBE for services to literature. Despite having spent most of his life in England, he considers himself to be “Irish in every vein.”

Trevor writes several collections of short stories that are well received. His short stories often follow a Chekhovian pattern. The characters in his work are typically marginalised members of society. The works of James Joyce influence his short-story writing, and “the odour of ashpits and old weeds and offal” can be detected in his work, but the overall impression is not of gloominess since, particularly in his early work, his wry humour offers the reader a tragicomic version of the world. He adapts much of his work for stage, television and radio. In 1990, Fools of Fortune is made into a film directed by Pat O’Connor, along with a 1999 film adaptation of Felicia’s Journey, which is directed by Atom Egoyan.

Trevor’s stories are set in both England and Ireland. They range from black comedies to tales based on Irish history and politics. His early books are peopled by eccentrics who speak in a pedantically formal manner and engage in hilariously comic activities that are recounted by a detached narrative voice. Instead of one central figure, the novels feature several protagonists of equal importance, drawn together by an institutional setting, which acts as a convergence point for their individual stories. The later novels are thematically and technically more complex. The operation of grace in the world is explored, and several narrative voices are used to view the same events from different angles.

Trevor wins the Whitbread Prize three times and is nominated five times for the Booker Prize, the last for his novel Love and Summer (2009), which is also shortlisted for the International Dublin Literary Award in 2011. His name is also mentioned in relation to the Nobel Prize in Literature. In 2014, he is bestowed Saoi by the Aosdána.

William Trevor dies peacefully in his sleep at the age of 88 on November 20, 2016 in Somerset, England.


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Birth of Caitlín Maude, Poet, Actress & Singer

Caitlín Maude, Irish poet, activist, teacher, actress and traditional singer, is born in Casla, County Galway on May 22, 1941.

Maude is reared in the Irish language. Her mother, Máire Nic an Iomaire, is a school teacher from Ballyfinglas. She receives her primary education from her mother on a small island off the coast of Rosmuc, Connemara. Her father, John Maude, is from Cill Bhriocáin in Rosmuc. She attends University College Galway, where she excels in French. She becomes a teacher, working in schools in Counties Kildare, Mayo, and Wicklow. She also works in other capacities in London and Dublin.

Maude is widely praised as an actor. She acts at the University, at An Taibhdhearc in Galway and the Damer in Dublin, and is particularly successful in a production of An Triail by Máiréad Ní Ghráda in 1964, in which she plays the protagonist of the story, Máire Ní Chathasaigh. She herself is a playwright and co-authors An Lasair Choille with poet Michael Hartnett.

Maude begins writing poetry in Irish in secondary school and develops a lyrical style closely attuned to the rhythms of the voice. Though not conventionally religious, she says in an interview that she has a deep interest in the spiritual and that this leaves its mark on her poetry. She is noted as a highly effective reciter of her own verse. Géibheann is the best-known of her poems, and is studied at Leaving Certificate Higher Level Irish in the Republic of Ireland. A posthumous collected edition, Caitlín Maude, Dánta, is published in 1984, Caitlín Maude: file in 1985 in Ireland and Italy, and Coiscéim in 1985.

As a member of the Dublin Irish-speaking community Maude is active in many campaigns, including the establishment of the Gaelscoil (Irish-medium primary school) Scoil Santain in Tallaght, County Dublin.

Maude is a sean-nós singer of distinction. She makes one album in this genre, Caitlín, released in 1975 on Gael Linn Records and now available as a CD. It contains both traditional songs and a selection of her poetry.

Maude marries Cathal Ó Luain in 1969. They have one child, their son Caomhán.

Maude dies of complications from cancer at the age of 41 on June 6, 1982. She is buried in Bohernabreena graveyard overlooking the city on the Dublin Mountains.

In 2001, a new writers’ centre in Galway, Ionad Schribhneoiri Chaitlin Maude, Gaillimh, is named in her memory.


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Birth of Austin Clarke, Poet, Playwright & Novelist

Austin Clarke, considered at his death to be the greatest poet of his generation after W. B. Yeats, is born in 83 Manor Street, Stoneybatter, Dublin, on May 9, 1896. He also writes plays, novels and memoirs. His main contribution to Irish poetry is the rigour with which he uses technical means borrowed from classical Irish language poetry when writing in English.

Effectively, this means writing English verse based not so much on metre as on complex patterns of assonance, consonance, and half rhyme. Describing his technique to Robert Frost, Clarke says, “I load myself down with chains and try to wriggle free.”

Clarke’s early poetry clearly shows the influence of Yeats. His first book, The Vengeance of Fionn, is a long narrative poem retelling an Ossianic legend. It meets with critical acclaim and, unusually for a first book of poetry, goes to a second edition. Between this and the 1938 volume Night and Morning, he publishes a number of collections, all of which, to one extent or another, can be seen as being written in the shadow of Yeats. There is, however, one significant difference. Unlike the older poet, Clarke is a Catholic, and themes of guilt and repentance run through this early work.

Between 1938 and 1955, Clarke publishes no new lyric or narrative poetry. He is co-founder of the Lyric Theatre, Dublin and writes a number of verse plays for them. He also works as a journalist and has a weekly poetry programme on RTÉ radio. It seems likely that he also experiences some kind of personal crisis during this time and this has significant consequences for his later poetry.

Clarke returns to publishing poetry with the 1955 collection Ancient Lights, and is to continue writing and publishing prolifically for the remainder of his life. Although he continues to use the same Gaelic-derived techniques, this late poetry is markedly different from his earlier work. Many of the later poems are satires of the Irish church and state, while others are sensual celebrations of human sexuality, free of the guilt of the earlier poems. He also publishes the intensely personal Mnemosyne Lay in Dust, which is a poem sequence detailing the fictional Maurice Devanes’s nervous breakdown and subsequent recovery.

Clarke also comes to admire the work of more avant-garde poets like Ezra Pound and Pablo Neruda, both of whom he writes poems about. A number of the late long poems, such as, for instance, the 1971 Tiresias, show the effects of studying these poets and their looser formal structures. He sets up the Bridge Press to publish his own work, which allows him the freedom to publish work that many mainstream Irish publishers of the time might have been reluctant to handle. His Collected Poems is published in 1974 and a Selected Poems in 1976.

In addition to some twenty volumes of poetry and numerous plays, Clarke publishes three novels: The Bright Temptation (1932), The Singing Men at Cashel (1936), and The Sun Dances at Easter (1952). All of these are banned by the Censorship of Publications Board (Ireland). He also publishes two volumes of memoirs, Twice Round the Black Church (1962) and A Penny in the Clouds (1968), and a number of scattered critical essays and book reviews. While all of these prose writings are of interest, his reputation rests firmly on his poetry.

In 1920 Clarke marries Cornelia (Lia) Cummins. The marriage effectively lasts only a few days, and he spends several months in St. Patrick’s Hospital recovering from it, but they do not divorce before Cummins dies in 1943. He meets, has three sons with, and later marries (1945) Norah Esmerelda Patricia Walker (1900–1985), granddaughter of Matthew Harris, MP for East Galway from 1885 to 1890.

Clarke lives in Bridge House beside Templeogue Bridge which spans the River Dodder in the south Dublin suburb of Templeogue. After his death on March 19, 1974, there is a proposal to preserve the house and his library of 6,500 books as a memorial. This is not possible owing to long-term plans to demolish the house and widen the road. The old Templeogue Bridge, built in 1800, and Bridge House are removed. A new bridge is opened by Councillor Bernie Malone, Chairman Dublin City Council, on December 11, 1984, which is renamed Austin Clarke Bridge in his honour.


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Birth of Roma Downey, Actress, Producer & Author

Roma Downey, actress, producer, and author, is born in the Bogside district of Derry, County Londonderry, Northern Ireland, on May 6, 1960.

Downey attends Thornhill College, a Catholic girls school. Her mother, Maureen O’Reilly Downey, a homemaker with an interest in the performing arts, dies of a heart attack at age 48 when Downey is 10 years old. Her father, Patrick Downey, is a schoolteacher by training but works as a mortgage broker. He dies when Downey is 20. Originally, she plans to be a painter and earns a Bachelor of Arts at Brighton College of Art. She studies BA(Hons) Expressive Arts at Brighton Polytechnic, which later becomes the University of Brighton. Based at the Falmer campus she combines Art and Drama for her degree.

Downey joins the Abbey Players in Dublin and tours the United States in a production of The Playboy of the Western World. She moves to New York after an agent, whom she met during the tour of The Playboy of the Western World, suggests she has potential for success there. She takes a job as a coat checker at an Upper West Side restaurant before getting cast in Broadway shows. The production leads to a nomination during the Broadway run for the Helen Hayes Award for Best Actress in 1991. She also stars on Broadway in The Circle with Rex Harrison and also at the Roundabout Theater and The Public Theater in New York City.

For nine seasons Downey plays Monica, the tender-hearted angel and employee of Tess (played by Della Reese), on the CBS television series Touched by an Angel (1994-2003), for which she earns multiple Emmy and Golden Globe Best Actress nominations. She plays the leading role of Jacqueline Kennedy Onassis in the miniseries A Woman Named Jackie for NBC.

Downey stars in and is executive producer for a number of hit television movies for the CBS network. She is an ambassador for Operation Smile, a nonprofit medical service organization. On August 11, 2016 she is honored for her work as an actress and producer with a star on the Hollywood Walk of Fame. In her acceptance speech, she dedicates her star to the people of Derry and anyone who ever “walked Hollywood Boulevard with a dream in their hearts.”

As President of Lightworkers Media, the family and faith division of MGM, Downey and her husband, Mark Burnett, produce the Emmy-nominated miniseries The Bible for History channel, which airs in 2013 and is watched by over 100 million people in the United States. She also stars in the miniseries in the role of Mary, mother of Jesus. They also executive-produce the feature films Son of God (2014), Little Boy (2015), Woodlawn (2015), and Ben-Hur (2016) starring Jack Huston, Toby Kebbell and Morgan Freeman.

Variety recognizes Downey and Burnett as “Trailblazers” and lists Downey as one of Variety’s “100 Most Powerful Women in Hollywood.” The Hollywood Reporter includes the couple in their “Most Influential People of 2013” and Downey as one of the “100 Women in Entertainment Power” in 2014. She is honored on Variety‘s “Women of Impact in 2014.” Downey and Burnett also produce The Dovekeepers (2015) based on the best selling book by Alice Hoffman for CBS and A.D. The Bible Continues (2015) for NBC, Women of the Bible for Lifetime, and Answered Prayers (2015) for TLC. Downey is the executive producer of the documentary “Faithkeepers” about the persecution of Christians in the Middle East.

Downey is the author of two books, Love Is a Family (2001) and Box of Butterflies: Discovering the Unexpected Blessing All Around Us (2018).