Yelverton is the eldest son of Francis Yelverton of Kanturk, County Cork, and Elizabeth Barry, daughter of Jonas Barry of Kilbrin (now Ballyclogh, County Cork). His father dies when he is only ten. His mother reaches a great age, dying only a year before her son. He goes to school in Charleville and Midleton College, and attends Trinity College Dublin, where he takes a degree of Bachelor of Arts in 1757 and of Bachelor of Laws in 1761. His family lacks wealth and social position and he is for some years an assistant master under Andrew Buck in the Hibernian Academy. This menial occupation is later a source of great embarrassment to him, as his enemies love to ridicule him as “Buck’s usher.”
In 1761, Yelverton marries Mary Nugent, daughter of William Nugent of Clonlost, County Westmeath, and his wife Ursula Aglionby, a lady of some fortune, and is thus enabled to read for the Irish Bar, entering the Middle Temple. He is called to the Bar in 1764. Despite his lack of family connections, his success in his profession is rapid, due to his legal ability, charm and remarkable eloquence, and he takes silk eight years afterward.
Yelverton is elected to the Irish House of Commons as member for Donegal Borough from 1774 to 1776. In the latter year, he is elected for both Belfast and Carrickfergus. He chooses to sit for the latter constituency and represents Carrickfergus until 1784. Although few examples of his oratory survive, all contemporaries agree on his eloquence, which gives him a dominant position in the Commons. He also serves as Recorder of Carrickfergus from 1778 until his death. This is not a Crown appointment as the Recorder is elected by a vote of the entire town corporation.
Yelverton gives his support to Henry Grattan and the Whigs during the greater part of his parliamentary career. He is a strong supporter of the demand for an independent Irish Parliament, but later changes his stance.
Yelverton plays a crucial role in the reforms which are collectively called the Irish Constitution of 1782. In particular he sponsors the Act 21 and 22 of George III, An Act to regulate the manner of passing bills and to prevent delays in summoning of Parliaments – which is popularly known as “Yelverton’s Act.” This radically modifies Poynings’ Law of 1495 by which all legislation to be passed by the Irish Parliament has to be drafted by the Privy Council of Ireland, then sent to the English privy council for approval. Under Yelverton’s Act, the role of the Irish Privy Council is abolished and legislation is commenced in the normal way in the Irish Parliament, which for the last 17 years of its existence enjoys a wide measure of independence.
In his latter days, Yelverton becomes identified with the court party and votes for the Act of Union 1800, for which his viscounty is a reward. For this he is never forgiven by many of his former friends. Sir Jonah Barrington, who continues to regard Yelverton with affection and respect, regrets that this action should have destroyed his reputation forever, but he argues that such a mistake of judgment is understandable in a man who lacks worldly wisdom, and despite his many good qualities, does not have a strong moral sense.
Yelverton becomes Attorney-General for Ireland in 1782, and is elevated to the bench as Lord Chief Baron of the Irish Exchequer in 1783. He is created Baron Yelverton in 1795, and in 1800 Viscount Avonmore in the Peerage of Ireland. As Chief Baron, he leads the opposition to the proposal to increase the number of judges in each of the courts of common law from three to four, on the practical ground that four-judge courts often divide evenly and thus cannot reach an effective decision. Despite this common-sense view, the new judges are eventually appointed.
In 1797, Yelverton attains a degree of infamy for presiding over what is widely regarded as a “show trial” which leads to the execution of the United Irishman, William Orr, although he is said to have shed tears when passing the death sentence on Orr. Orr is charged with administering the United Irish oath to a soldier called Hugh Wheatly. This had recently become a capital offence. In fact, it is generally believed that another man, William McKeever, administered the oath. Wheatly, who is the principal witness for the prosecution, later confesses that he had perjured himself, but despite a superb defence by John Philpot Curran, Orr is found guilty and hanged. Yelverton may have formed an early impression of Orr’s guilt and acted on it – even his admirers admitted that as a judge he lacks impartiality.
Peter Finnerty, a journalist, is later convicted of seditious libel for publishing an attack on Yelverton over his conduct of Orr’s trial and this does nothing to enhance the judge’s reputation.
Yelverton dies on August 19, 1805, at his mansion, Fortfield House, Terenure, County Dublin, which he had built at great expense around 1785. He is buried nearby in Rathfarnham.
Gannon is born on August 1, 1910, in Harold’s Cross, Dublin, into a craftsmen family of carpenters, many of whom worked in the famous Guinness Brewery. His education, in two local schools, is rudimentary and at the age of fifteen he starts working as an apprentice carpenter in the Guinness Brewery. His apprenticeship involves learning to make office furniture and attending evening classes in nearby colleges, where he is able to improve his education in a more congenial atmosphere. A love of music and the arts had been encouraged by two maiden aunts. His parents subsequently purchase an upright piano and he learns to play it at the Read Pianoforte School. When his apprenticeship is completed and he is on the dole for some years, he spends much of his spare time buying pictures, books, antiques and old clocks and watches in the various auction rooms and antique shops in Dublin.
While reading a series of articles about Tibet in a magazine, Gannon stumbles across an article, which, he believes, is by Violet Gordon-Woodhouse, a British harpsichordist and clavichord player of the period. The article is about the revival of the harpsichord, which interests him. He asks permission to examine the harpsichords on display in the National Museum of Ireland, Dublin, but is given no encouragement by the staff. He is finally allowed to see the instruments when he is in his early twenties. Dismayed, he concludes that they are too expensive to buy and too complicated to make.
In London with Margaret, who is visiting her parents, Gannon goes to the Benton Fletcher collection of keyboard instruments, which is then in Chelsea, and measures a harpsichord by Jacob and Abraham Kirckman. Back home, he makes a copy of the instrument in a tiny conservatory at the back of his house in the Dublin suburb of Rialto. The harpsichord is played by John S. Beckett for the first time in public in 1959 as the continuo for Johann Sebastian Bach‘s St. Matthew Passion and is praised in the national press. Beckett subsequently persuades the authorities in the Guinness Brewery to provide Gannon with a special workshop, in which he makes five harpsichords and restores several antique pianos. The first harpsichord made in the Brewery is donated to the Royal Irish Academy of Music in Dublin. The second is sold to Harrods of London, and the third is sold to Ireland’s national radio and television station RTÉ. This third instrument is used regularly by the RTÉ Symphony and Concert orchestras and also by the well-known composer and performer of Irish traditional music, Seán Ó Riada.
Gannon continues to make many more harpsichords and restore more pianos during the years to come. In all, he completes twenty harpsichords during his lifetime – the final four are completed by a friend, Patrick Horsley, in England. One of the harpsichords made by Gannon-Horsley returns to Ireland and is presented to NUI Maynooth. A piano of note that he restores is a Broadwood square piano owned by the poet and composer, Thomas Moore, which belonged to Lord and Lady Elveden (later Iveagh).
Gannon is the subject of several RTÉ radio programmes, three RTÉ television programmes (including The Late Late Show) and a television programme, Gallery, made by BBC Northern Ireland. He befriends a great many people, including the artist, writer and conservationist Peter Pearson, and regular musical evenings are held at the family home in Bryan Guinness‘s grounds in the suburbs of Dublin. Because of his interest in antique clocks and watches, he becomes a member of the Irish branch of the Antiquarian Horological Society, founded by his friend William Stuart.
In 1978, Trinity College Dublin (TCD) gives Gannon an honorary MA degree for his contribution to the authentic performance of early music in Ireland. Two years later, he is invited to travel with the New Irish Chamber Orchestra to China, where he tunes and maintains one of his harpsichords and celebrates his seventieth birthday. In 1989, a second honorary MA is given to him, this time by NUI Maynooth.
Following Gannon’s 80th birthday, which is attended by fifty people, he finally settles down to retirement. A series of minor strokes follow, which eventually lead to dementia and ultimately to his death, aged 88, on May 23, 1999.
The Cathal Gannon Early Music Room is opened in the Royal Irish Academy of Music in May 2003. It contains a harpsichord and clavichord made by Gannon, a Broadwood grand piano restored by him, and a square piano.
Part of a transmitted RTÉ programme, Nationwide (January 17, 2007), features archive footage of Gannon and his instruments. Three RTÉ radio programmes, Bowman: Sunday Morning, broadcast in November 2006, feature a 1983 interview with Gannon.
O’Riordan is born at 37 Pope’s Quay, Cork, County Cork, on November 11, 1917, the youngest of five children. His parents come from the West Cork Gaeltacht of Ballingeary–Gougane Barra. Despite his parents being native speakers of the Irish language, it is not until he is interned during World War II that he learns Irish.
As a teenager, O’Riordan joins the republican youth movement, Fianna Éireann, and then the Irish Republican Army (IRA). Much of the IRA at the time is inclined toward left-wing politics. A lot of its activity at the time involves street fighting with the quasi-fascistBlueshirt movement, and he fights the Blueshirts on the streets of Cork in 1933–34. He Is friends with left-wing inclined republicans such as Peadar O’Donnell and Frank Ryan, and in 1934, he follows them into the Republican Congress – a short-lived socialist republican party.
O’Riordan joins the Communist Party of Ireland (1933) in 1935 while still in the IRA and works on the communist newspaper The Irish Workers’ Voice. In 1937, following the urgings of Peadar O’Donnell, several hundred Irishmen, mostly IRA or ex-IRA men, go to fight for the Spanish Republic in the Spanish Civil War with the XVth International Brigade. They are motivated in part by enmity towards the 800 or so Blueshirts, led by Eoin O’Duffy who went to Spain to fight on the “nationalist” side in the Irish Brigade. He accompanies a party led by Frank Ryan. In the Republic’s final offensive of July 25, 1938, he carries the flag of Catalonia across the River Ebro. On August 1 he is severely injured by shrapnel on the Ebro front. He is repatriated to Ireland the following month, after the International Brigades are disbanded.
In 1938, O’Riordan is offered an Irish Army commission by the Irish Free State but chooses instead to train IRA units in Cork. As a result of his IRA activities during World War II, he is interned in the Curragh Camp from 1939 until 1943 where he is Officer Commanding of the Cork Hut and partakes in Máirtín Ó Cadhain‘s Gaelic League classes as well as publishes Splannc (Irish for “Spark”, named after Vladimir Lenin‘s newspaper). He is secretary of the “Connolly group,” composed of leftist internees. Following his release from internment, he terminates his IRA membership.
In 1944, O’Riordan is founding secretary of the Liam Mellows Branch of the Labour Party. This branch becomes infamous for what is regarded during the period as its controversial nature and becomes an intractable enemy of Branch Chair Timothy Quill. The branch is initially established by former members of the Curragh Camp’s Communist Group, including Bill Nagle and Jim Savage. During this time, the Irish Transport and General Workers’ Union (ITGWU) disaffiliates from the Labour Party and the National Labour Party is established on the basis that communists have infiltrated the party. Quill, who is made branch chair by the Labour Party, allegedly has O’Riordan and his fellow members expelled, with the branch being dissolved. O’Riordan later accuses Quill of antisemitism and both Quill and Timothy J. Murphy of “red-baiting.” In 2001, he claims that any attempt to raise the issue of defence of communist Spain “was shouted down at Labour Party Conferences.” In 1945, he is a founding secretary of the Cork Socialist Party.
O’Riordan subsequently works as a bus conductor in Cork and is active in the ITGWU. He stands as a Cork Socialist Party candidate in the 1946 Cork Boroughby-election, placing third behind Fianna Fáil‘s Patrick McGrath and Fine Gael‘s Michael O’Driscoll with 3,184 votes. Afterward, he moves to Dublin where he lives in Victoria Street with his wife Kay, and continues to work as a bus conductor and remains active in the ITGWU.
In 1948, O’Riordan is a founding secretary of the Irish Workers’ League and general secretary thereafter, and of its successor organisation the Irish Workers’ Party from 1962 to 1970.
O’Riordan meets and befriends folk musician Luke Kelly, and the two develop a “personal-political friendship.” Kelly endorses him for election, and holds a rally in his name during campaigning in 1965.
In all O’Riordan runs for election five times, campaigning throughout for the establishment of a socialist republic in Ireland but given Ireland’s Catholic conservatism and fear of communism, he does so without success. He does, however, receive playwright Seán O’Casey‘s endorsement in 1951. O’Casey writes: “Mr. O’Riordan is his own message. He has nothing to sell but his soul. But he hasn’t done that, though he will be told he’ll lose it by holding on to it.”
O’Riordan’s participation in the Spanish Civil War is always an important part of his political identity. In 1966, he attends the International Brigades’ Reunion in Berlin and is instrumental in having Frank Ryan’s remains repatriated from Germany to Ireland in 1979.
O’Riordan is a member of the Irish Chile Solidarity Committee and attends the 1st Party Congress of the Communist Party of Cuba in 1984. He also campaigns on behalf of the Birmingham Six and attends their appeal trial in 1990. He serves between 1970 and 1983 as General Secretary of the Communist Party of Ireland (CPI) and from 1983 to 1988 as National Chairman of the party publishing many articles under the auspices of the CPI. Hus staunchly pro-Soviet direction of the party leads to a number of members leaving to form the EurocommunistIrish Marxist Society.
O’Riordan’s last major public outing is in 2005 at the re-dedication of the memorial outside Dublin’s Liberty Hall to the Irish veterans of the Spanish Civil War. With other veterans, he Is received by President of IrelandMary McAleese. He is also presented with Cuba’s Medal of Friendship by the Cuban Consul Teresita Trujillo to Ireland on behalf of Cuban President Fidel Castro.
In 1969, according to Soviet dissident Vasili Mitrokhin, O’Riordan is approached by IRA leaders Cathal Goulding and Seamus Costello with a view to obtaining guns from the Soviet KGB to defend Irish republican areas of Belfast during the communal violence that marked the outbreak of the Troubles. Mitrokhin alleges that O’Riordan then contacts the Kremlin, but the consignment of arms does not reach Ireland until 1972. The operation is known as Operation Splash.
In the meantime, the IRA has split into the Provisional IRA and the Official IRA and it is the latter faction who receives the Soviet arms. Mitrokhin’s allegations are repeated in Boris Yeltsin‘s autobiography. After the split in the Republican movement, O’Riordan unsuccessfully attempts to bring about a reunification of the two sides.
O’Riordan’s book, Connolly Column: The Story of the Irishmen who fought for the Spanish Republic, 1936–1939, published in 1979, deals with the Irish volunteers of the International Brigade who fought in support of the Spanish Republic against Francisco Franco in the Spanish Civil War (1936–39). An updated version of the book is reprinted in 2005 and is launched by the Lord Mayor of Dublin, Cllr. Michael Conaghan at a book launch at SIPTU headquarters, Liberty Hall. The book is the inspiration for Irish singer-songwriter Christy Moore‘s famous song Viva la Quinta Brigada.
In 1991, O’Riordan’s wife, Kay Keohane of Clonakilty, County Cork dies at their home at the age of 81. He continues to live in their family home before moving to Glasnevin in 2000 to be close to his son Manus who lives nearby. In 1999, he describes himself as an atheist and believes that communism will rise again. He lives there until falling ill in November 2005 and is taken to the Mater Hospital. His health rapidly deteriorates and he quickly develops Alzheimer’s disease. Soon afterward he is moved to St. Mary’s Hospital in the Phoenix Park where he spends the final few months of his life, before his death at the age of 88 on May 18, 2006. Then Labour Party leader Ruairi Quinn praises O’Riordan after his death, saying, “As leader of the Labour Party I had the honour of ensuring he received a special citation at our 2001 national conference. Michael O’Riordan stood out against the tide of Irish conservatism and clerical domination that kept Ireland backward and isolated in the 1930s, 1940s and 1950s.”
O’Riordan’s funeral at Glasnevin Crematorium is attended by over a thousand mourners. Following a wake the previous night at Finglas Road, hundreds turn up outside the house of his son and traffic grinds to a halt as family, friends and comrades – many of whom are waving the red flag of the Communist Party of Ireland – escort O’Riordan to Glasnevin Cemetery. A secular ceremony takes place led by Manus O’Riordan (Head of Research at SIPTU) with contributions from O’Riordan’s family, Communist Party general secretary Eugene McCartan and IBMT representative Pauline Frasier.
Deasy is the third among six sons of William Deasy, seaman, and Mary Deasy (née Murray). He is educated locally at Ballinadee before leaving school at the age of thirteen to work in nearby Bandon.
During the Irish War of Independence (1919–21), Deasy is adjutant of the IRA’s 3rd Cork Brigade (West Cork). He serves under Tom Barry in one of the unit’s best known actions, the Crossbarry ambush in March 1921. His younger brother, Pat, dies in action at the Kilmichael ambush in November 1920, an engagement at which Deasy is not present. He also takes part in the Tooreen ambush.
Deasy opposes the Anglo-Irish Treaty. In the months that follow he tries to persuade Collins to renegotiate aspects of the treaty, especially to remove an oath to the British king from the constitution of the new Irish Free State. When fighting breaks out in Dublin in June 1922 between pro and anti-Treaty forces, he sides with the Anti-Treaty IRA in the ensuing Irish Civil War. However, he is reluctant to fight his former comrades and voices the opinion that the fighting should have ended with the Free State seizure of the Four Courts.
In late July 1922, Deasy commands 1,500 anti-Treaty fighters who hold a line around Kilmallock south of Limerick city against about 2,000 Free State troops under Eoin O’Duffy. His men are the most experienced IRA fighters of the 1919-21 war and hold their position until August 8, when they are outflanked by seaborne landings on the southern coast. His men then disperse. He goes on the run in the southeast of the country.
In August 1922, Deasy is in command of a band of republican guerrillas in West Cork when they hear that Collins is in the area. Deasy has his men prepare an ambush for Collins’ convoy at Béal na Bláth, should it return by the same route it had taken earlier.
Deasy and most of his men do not take part in the ambush as they had retired to a nearby pub, assuming that they had missed Collins. However, Collins arrives as the last of Deasy’s men are clearing the mine and barricade that had been erected on the road at Béal na Bláth. Collins is killed in the ensuing firefight. Deasy later writes in his memoirs that he profoundly regrets the death of his former commander.
In January 1923, by which time Deasy has become Deputy Chief of Staff of the IRA, he is captured by Free State forces near Clonmel, County Tipperary, and sentenced to death. He is aware that the newly formed government plans on wholesale executions and knows that the IRA will retaliate with reprisals. He decides that it is now time to end the war. He signs a document (written by his captors) ordering the men under his command to surrender themselves and their arms to the government. He is spared execution. On the day that his order is published, Free State authorities demand that the prisoners in a jail in Limerick sign a statement agreeing to unconditional surrender, threatening wholescale executions to those who refused. Some republicans denounce Deasy as a traitor and a coward for this action, but he argues in his book, Brother against Brother, that he was opposed to continuing the civil war anyway and would have called on republicans to surrender whether or not he had been captured.
Deasy takes no further part in politics following the end of the Irish Civil War. In 1924, he sets up a business making weatherproof textiles. On November 24, 1927, he marries Margaret Mary O’Donoghue. They have three daughters together.
During The Emergency, Deasy serves in the Irish Army from 1940 to 1945, reaching the rank of commandant. He later writes two memoirs about his experiences during the revolutionary period: Toward Ireland Free and Brother against Brother, the latter being published after his death.
Deasy dies at St. Anne’s Hospital, Northbrook Road, Dublin, on August 20, 1974. He is buried in Bohernabreena Cemetery in Dublin.
Though Gregg is instinctively conservative, his awareness of contemporary trends make him responsive to demands for change: he supports the resolution for women to hold parochial office and presents a petition to the General Synod in 1914, signed by 1,400 women. Though the motion is lost, he perseveres undaunted, and a bill for the ecclesiastical enfranchisement of women is finally carried in 1920. A unionist, he is also one of three Anglican and seventeen Catholic bishops to sign the declaration against partition in 1917, which is organised by the Catholic Bishop of Derry, Charles McHugh.
From the 1920s the Irish church is dominated by Gregg, first as Archbishop of Dublin (1920–39) and later as Archbishop of Armagh and Primate of All Ireland (1939–59). He provides stability to the church during a turbulent period of political and social change and is outspoken in defence of its interests, pragmatically espousing policies that will lead to the greater integration of the Protestant community into the new Irish state, as in his acceptance of the teaching of compulsory Irish in national schools. Despite a declining Protestant community in the south of Ireland, he maintains the unity of the church, overcoming the political division of the country into two entities. He regrets constitutional change but pledges the loyalty of the church to the Irish Free State. While recognising that the Protestant ethos is different from that of the majority of Irishmen, he maintains that “whatever our religious or political outlook may be, here is our home, and we have a right to be here.” He is elected to the first Irish Free State senate, and is subsequently consulted by Éamon de Valera, who later describes him as “a most learned and kindly gentleman, and . . . a highly valued friend,” in framing the text of the 1937 constitution. In 1949, he adapts, albeit with sadness, the state prayers to fit the republican form of government, observing that “the republic is a fact” and that “in our prayers, above all, there must be reality.”
Gregg is an able administrator, and his courage and integrity in facing difficult situations and his scholarship and devotion to the church earn him respect in the councils of the wider Anglican communion. He is known as “the churchman’s bishop” for his emphasis on doctrinal orthodoxy, ecclesiastical discipline, and loyalty to the clergy. Though conservative in his approach to church unity, he seeks closer relations between the Christian churches and frequently visits the reformed churches of the Iberian Peninsula, where a portrait plaque is unveiled in 1950 in St. John’s Church, Vila Nova de Gaia, Portugal. A baptistry in St. Paul’s Cathedral, Lisbon, is dedicated to his memory. Well known in England as a writer and preacher, he is appointed select preacher at the University of Cambridge (1916, 1930, 1936) and the University of Oxford (1946, 1947) and supports the institution of annual theological lectures at Queen’s University Belfast (QUB). His publications include Epistle of St. Clement of Rome (1899) and The Primitive Faith and Roman Catholic Developments (1909) – a minor classic which is used as a textbook for ordinands of the Church of England. He writes the introduction and notes to the revised version of the Wisdom of Solomon for the Cambridge Bible for Schools (1909) and publishes sermons and articles in religious journals. Elected Member of the Royal Irish Academy (MRIA) in 1914, he is elected to honorary fellowship in 1934 by Christ’s College, Cambridge, is awarded an honorary Doctor of Divinity (DD) in 1949 by QUB, and is created Order of the Companions of Honour (CH) in 1957.
A commanding figure, tall, thin, with raven-black hair, piercing eyes, and fine features, Gregg has an air of sacerdotal austerity, lightened on occasion by his dry sense of humour. He maintains a well regulated daily timetable and keeps a diary, writing his most personal thoughts in Greek. He makes time for recreation, a daily walk of two miles, tennis, and (from 1929) sailing, and holidays in Ireland and on the Continent. He has a great love of English literature and church music. In 1959, he retires to the Woodhouse, Rostrevor, County Down. Though incapacitated by blindness, deafness, and lameness, he never complains, and according to his wife, his life of prayer is enriched. He dies on May 2, 1961, at his home and is buried in Enniskerry, County Wicklow, beside his first wife and son.
Gregg marries Anna Alicia Jennings on November 26, 1902. They have two sons and two daughters. Anna dies in 1945. On January 22, 1947, he marries secondly Leslie Alexandra, daughter of the Rev. T. J. McEndoo, dean of Armagh, who officiates at the marriage of his daughter and of his archbishop.
(From: “Gregg, John Allen Fitzgerald” by Helen Andrews, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Elvery is the second among seven children of William Elvery , merchant, and Theresa Elvery (née Moss), singer and music teacher, whose parents are English Quakers. Her father’s ancestors were silk merchants from Spain, called Alvarez. Her early childhood is spent in Carrickmines, County Dublin. In 1896 the family moves to Foxrock and she attends the Dublin Metropolitan School of Art. Her mother’s family is artistic – one aunt is the artist Phoebe Anna Traquair – and she and her sisters are talented artists and singers. Her younger sister, Dorothy Kay, becomes a noted portrait painter in South Africa. At the age of sixteen, she wins a three-week scholarship to study at the Royal College of Art in South Kensington, London. Back in Dublin, she models for William Orpen, then teaching in the school. They become friends, and she regrets never studying painting under him. She concentrates on sculpture under John Hughes and has great success, winning the Taylor scholarship three years in a row (1901–03). The first year she wins, the judges, seeking evidence that she had worked unaided, asks her to model a head from life in their presence.
Elvery’s first exhibit in the Royal Hibernian Academy (RHA) is a bronze statuette of a boy in 1902. Thereafter she is a lifelong exhibitor with the RHA, showing almost annually until her death. Friendship with the older Sarah Purser introduces her to Dublin’s artistic milieu and to the arts and crafts movement. In the movement’s 1904 exhibition she shows ten items, including terracotta statuettes, a holy water stoup, and a plaster cast of a lectern, which is cast in bronze in Paris that year and placed in her former parish church in Carrickmines. The movement’s historian, Paul Larmour, calls this lectern “a remarkable piece of organic Art Nouveau . . . There is nothing else like it in Ireland.”
In 1904, after a brief period studying in Paris with her sister and fellow students Estella Solomons and Frances “Cissie” Beckett, Elvery takes lessons in stained glass from Alfred E. Child, and is then persuaded by Purser to join her Tower of Glass (An Túr Gloine) studio. She remains six years, executing windows for St. Stephen’s Church, Mount Street, Dublin; St. Nicholas Church, Carrickfergus; and a war memorial at the Church of Ireland church, Carrickmines. Although her work is generally well received, she does not rate her skill in the medium highly – “I never got the right feeling for glass or the detached, austere quality necessary for ecclesiastical art” – and her window for a Gortconvent leads to a critical review of Purser’s studio by W. B. Yeats. She does not, however, confine herself to glass but also designs for silversmiths and illustrated books for children. For Iosagán agus Sgealta Eile (1907), by Patrick Pearse, she provides a black-and-white frontispiece and four colour illustrations. For the Cuala Press, run by Lily and Elizabeth Yeats, she designs calendars, Christmas cards, and fifteen hand-coloured prints, which continue to be issued until after World War II.
Elvery’s social life in Dublin is busy. An active member of the United Arts Club, she is called by Lady Gregory “the beautiful Miss Elvery,” and Orpen’s portrait, showing her long-necked, graceful, and vivacious, bears out this description. Tiring of glass, and wishing to become a painter, she leaves in 1910 for the Slade School of Fine Art in London. There Henry Tonks is less complimentary than her Dublin teachers. He finds her work facile: “The speed, the slickness, the skill. It is horrible!” Orpen also comes to this view: “her only fault was that the transmission of her thoughts from her brain to paper or canvas, clay or stained glass, became so easy to her that all was said in a few hours. Nothing on earth could make her go on and try to improve on her first translation of her thought.”
Back in Dublin, Elvery takes a studio in Kildare Street and teaches for a time in the Metropolitan School of Art, before her parents arrange a marriage with Charles Henry Gordon Campbell, eldest son of the future Lord Chancellor of Ireland, James Campbell. They marry on August 1, 1912, and move to London where he is called to the English bar. It is not initially a love match but they are well-suited – he likes artistic, Bohemian circles and they become friends with D. H. and Frieda Lawrence, the painter Mark Gertler, the publisher John Middleton Murry, and his wife, the writer Katherine Mansfield, who describes Campbell as “a queer mixture for she is loving and affectionate, and yet she is malicious.”
Campbell’s husband becomes secretary of the Department of Industry and Commerce in the Irish Free State and in 1922 the family moves to Clonard, Terenure, Dublin. His government position means that within six months the house is burned down by anti-Treatyites, who are, however, almost comically accommodating – local men, they express distress at the job and allow her to save the children’s Christmas presents. In 1931 she becomes Lady Glenavy after her husband succeeds to his father’s title, an important member of Dublin’s social and artistic scene. She helps establish the Dublin Drama League and assists Shelah Richards in the production of two plays in 1936. Her friendships are wide and varied and her conversation imaginative and engaged. Dressed in beige – what her son calls “variations on a theme of porridge” – she entertains constantly. Her house has what she terms a “caravanserai” character and is constantly full of people.
Appointed an associate of the RHA in 1932, Campbell becomes a full member in 1934 and takes her turn at teaching. She also joins the more radical Society of Dublin Painters and holds in February 1935 a one-person show at their premises, 7 Stephen’s Green, but she never shows with the Irish Exhibition of Living Art, though her work is more avant-garde than that of most academicians. At its best in still lifes and figure compositions, her work has “a sense of drama and an enigmatic or near-surrealist appearance.” Brian Kennedy notes that she is the first Irish painter to go surrealist (though she never thinks of herself in this way) and although she is serious about her work – taking lessons at an advanced age from Patrick Hennessy – she is also diffident. Her memoir does not trace her development as an artist and mentions only one work with approbation – The Intruder (exhibited at the RHA in 1932). Now in the National Gallery of Ireland, it depicts in bold, rich colours a female centaur beckoning a young man from a group of picnickers. It immediately attracts attention. Richard Orpen wants the academy to buy it, but they think it obscene.
About 1941 the Campbells move to a large Georgian house in Rathfarnham, and twenty years later they transfer to a smaller house in Sandycove. After her husband’s death in 1962, she publishes her memoirs, And Today We Will Only Gossip (1964). The title is well chosen as the book is not self-revelatory but full of characters she encountered. Monk Gibbon calls her a “unique mixture: of talent and diffidence; of gregariousness and contempt for the herd; of gentle consideration and a savage determination to wound. Only those who knew her well knew her at all; and even to them she remained something of a mystery” (The Irish Times, December 2, 1980).
Campbell dies in Dublin on May 21, 1970, and is survived by her two sons, the writer and humorist Patrick Campbell and the novelist Michael Campbell, and predeceased by her daughter, Bridget, an Irish international lacrosse player and talented scientist, who is killed by a bomb during the London blitz.
(From: “Campbell, Beatrice Moss” by Bridget Hourican and Pauric J. Dempsey, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Pictured: “Bridgit – a picture of Miss Elvery (Beatrice Elvery),” oil on canvas by William Orpen, 1909)
Byrne is Head of Communications with the Higher Education Authority (HEA) until 2019, and has been Vice-President of the National Youth Council of Ireland. In 2014, he is named as one of the European 40 Under 40, in the European Young Leaders Programme.
In January 2006, The Sun includes Byrne’s picture on the cover of its Irish edition beneath the headline “Bertie‘s FF Man in Gay Web Shame,” revealing that Byrne has a profile on the dating website Gaydar. He responds at the time, “I have not, nor have I ever, done anything illegal and I am not a hypocrite in any way. My views on gay rights issues are well known. I am not married with four children or anything like that, so there is no suggestion of hypocrisy.” His family and political career suffer as a result and he is not selected for candidacy in the 2007 Irish general election following this incident. He later describes how a journalist from The Gorey Echo first approaches him, “The first few questions were about roads. Then the journalist said, ‘Are you aware you have a profile on this dating website?'” When he confirms that the profile is his, he experiences a sleepless night before The Gorey Echo outs him locally: “I was ringing around people I knew and my parents were ringing around people … my grandmother didn’t know and a lot of my extended family and my friends didn’t know.” Gorey Echo group editor Tom Mooney defends the publication by saying he believes Byrne’s behaviour to be “unfitting of a public representative.”
Byrne contests the 2019 European Parliament election for Fianna Fail in the South constituency, having unexpectedly beaten Cork TD Billy Kelleher in the vote for the party’s nomination. However, Kelleher is later added to the ticket. Fianna Fáil then divides the constituency geographically, asking people in counties Carlow, Kilkenny, Laois, Offaly, Tipperary, Waterford, Wexford and Wicklow to vote for Byrne, and those in counties Cork, Kerry, Clare and Limerick to vote for Kelleher. Kelleher wins 11.69% of the first-preference votes (FPV) and is elected on the 17th count. Byrne wins 9.62% of the FPV, and is eliminated on the 16th count.
Byrne is elected as a TD at the 2019 Wexford by-election. Andrew Bolger is co-opted to Byrne’s seat on Wexford County Council following his election to the Dáil. His maiden speech is about housing solutions and the need to address the challenges facing Generation Rent. In an interview he says he can envisage a United Ireland where the 12th of July and Saint Patrick’s Day are public holidays and speaks about how Ireland needs to ensure Unionists feel at home in a new agreed state and that may mean addressing issues such as Ireland joining the Commonwealth.
Byrne loses his Dáil seat at the 2020 Irish general election, following what he calls “a dirty campaign.” His defeat after only 71 days makes him the TD with the second-shortest term of service, after the Anti H-Block TD Kieran Doherty, who dies on hunger strike in August 1981, only 52 days after his election.
On March 31, 2020, Byrne is elected to Seanad Éireann at the 2020 Seanad election. He is named as Fianna Fáil spokesperson on Higher Education, Innovation and Science by TaoiseachMicheál Martin in July 2020.
At the 2024 Irish general election, Byrne is elected to the Dáil. He is subsequently appointed Cathaoirleach of the Joint Committee on Artificial Intelligence.
Byrne is openly gay. As of 2020, he is single and describes politics as “almost like an addiction,” which makes relationships difficult. He lives in Gorey.
In March 2025, Byrne is injured during the theft of his phone in London.
Santry is born in Cork, County Cork, on May 14, 1879, to Denis Santry, Sr., a carpenter and joiner. He studies at the Cork Municipal School of Art from 1894 to 1896 after serving an apprenticeship as a cabinetmaker. In 1895, he also studies at the Crawford School of Art. In 1897, he is articled to architect James Finbarre McMullen. From 1897 to 1898, he studies at the Royal College of Art in London under a Lane scholarship. While he is at the college, he wins the Queen’s prize for freehand drawing. After graduating, he returns to McMullen’s office and works there for the next two years.
Santry comes to South Africa at the end of 1901 due to ill health. He settles in Cape Town and is employed at Tully & Waters, an architectural firm, from 1901 to 1902. He then spends a year working for architect William Patrick Henry Black. In 1903, his cartoons begin to appear in local newspapers and magazines, including the South African Review. He uses the pseudonym “Adam” in his cartoons. He continues to work as an architect until 1910 when he begins working as a cartoonist, as well as a metalworker, sculptor and filmmaker. He then moves to Johannesburg and is employed at the Sunday Times and The Rand Daily Mail as a cartoonist. During World War I, his cartoons are reproduced in several other countries. He becomes a pioneer of animated cartoons in South Africa. He is a member of the Royal Society of Arts and a council member of the South African Society of Artists.
Santry comes to Singapore in 1918 and joins the architectural firm Swan & Maclaren as a partner. While in Singapore, he serves as the architect of several prominent buildings and monuments, including the Sultan Mosque, The Cenotaph, the Maritime Building, the Hongkong and Shanghai Bank Building and the Telok Ayer Chinese Methodist Church. He serves as the first president of the St. Patrick’s Society Singapore, the first president of the Singapore Amateur Boxing Association, the chairman of the Singapore Art Club, a member of the board of control of the Victoria Theatre and Concert Hall, a member of the Censorship Appeal Board and the vice-president of the Straits Settlements Association. He is also a frequent contributor to the Straits Produce, a satirical magazine. He helps to found the Singapore Society of Architects and the Institute of Architects of Malaya and is the founder and the chairman of the Singapore Musical Society. He retires to England in March 1934.
Santry returns to South Africa in 1940. Following the end of World War II, he resumes his practice as a result of lost income caused by the Japanese occupation of Malaya. In 1950, he becomes a member of the Institute of South African Architects. He designs several private houses in Hillcrest, KwaZulu-Natal.
Santry marries Madeline Hegarty in 1904. From 1910 to 1918, he lives in Kleine Schuur on Rhodes Avenue in Johannesburg. The house is designed by prominent architect Herbert Baker. He dies in Durban, South Africa, on April 14, 1960.
Fisher is the sixteenth of seventeen children to Jane and Abraham Fisher. The Fishers are a Quaker family with a business in Youghal. They are noted for their charitable works, especially during the Great Famine.
Fisher and Haslam marry on March 20, 1854, in Cork Registry Office. Their marriage is mainly celibate as a result of them not wanting to have children. In later writings Thomas argues in favour of chastity for men. The couple shares a belief in equality for men and women and he supports her campaigns.
Both of the Haslams are expelled from the Society of Friends due to their interests in social reform but both maintain links with the community. Thomas is said to have been disowned for harbouring ideas contrary to Quaker teachings. In 1868, he publishes a pamphlet called “The Marriage Problem,” in which he raises and supports the idea of family limitation and outlines a number of contraceptive methods including the safe period. He dies on January 30, 1917, in his ninety-second year.
Haslam is best remembered today for her work for votes for women. She is a pioneer in every 19th century Irish feminist campaign and fights for votes for women from the year 1866. In 1872, she organises the “General Meeting of the members and friends of the Irish Society for Women’s Suffrage” in Blackrock, Dublin, which is chaired by George Owens and attended by MPs Maurice Brooks (a Home Ruler) and William Johnston (a northern Orangeman) and by the future Liberal Unionist Party MP Thomas Spring Rice, 2nd Baron Monteagle of Brandon. The Haslams are founding members of the Dublin Women’s Suffrage Association (DWSA) in 1876. This marks the start of a remarkable campaign in Dublin for votes for women. Haslam, along with the writing of her husband, continues the campaign and in 1896 women in Ireland win the right to be elected as Poor Law Guardians, members of the official bodies which administer the Poor Law. Ireland’s early women’s rights activists have a close relationship with their English correlatives and share the same discrimination in education, employment, sexual freedom and political participation. The DWSA organises the introduction of a private member’s bill to remove disqualification “by sex or marriage” for election or serving as a poor law guardian. The bill passes in 1896 and the association immediately writes to the newspapers and publishes leaflets explaining the process on how to register to vote and stand for election and encouraged qualified women to go forward as candidate.
By 1900, there are nearly 100 women guardians. Haslam then leads a campaign to encourage qualified women to stand for election in 1898. Women win eligibility to vote in local government elections, and to stand for elections as rural and urban district councillors. In 1913, she steps down as secretary of the Association and is elected life-president.
One of Haslam’s longest campaigns, working alongside the Belfast suffragist Isabella Tod, is for repeal of the Contagious Diseases Acts of 1864. The acts allow for state regulation of prostitutes in areas in which the army is stationed. The act permits compulsory internment of women for up to three months, which is later extended to one year. Medical treatment is also enforced on the women. The act seeks only to reduce the spread of sexually transmitted diseases among the military. She opposes the act as she feels it legitimises prostitution, commoditises women and undermines family life. It is finally repealed following eighteen years of campaigning.
Haslam is involved in the 1866 petition and gathers 1,499 signatures to extend suffrage to women as well as men. In 1867, male suffrage is extended but it is not until 1911 that the Suffrage movement achieves the significant victory of securing the right of women to stand for election as local councillors.
In 1918, a woman of almost ninety, Haslam goes to the polls “surrounded by flowers and flags,” with women who unite in her honour to celebrate the victory of the vote. This display of unity by activist women from all shades of political opinion acknowledge her role in the fight for the right to vote. The same year in which she dies, in 1922, the Irish Free State extends the vote to all men and women over the age of 21.
Haslam dies on November 28, 1922, at her home in Carlton Terrace, Dublin, of “cardiac dropsy” at the age of 93. She is buried next to her husband in the Quaker burying ground at the Friends Burial Ground in Temple Hill, Blackrock, Dublin.
A memorial seat to Anna and Thomas Haslam is erected in 1923 in St. Stephen’s Green, Dublin, with the inscription “in honour of their long years of public service chiefly devoted to the enfranchisement of women.”
Although born in Cork, Moynihan-Cronin is a native of Killarney, County Kerry. She is educated at St. Brigid’s Secondary School in Killarney, Dominican College Sion Hill in Dublin, and Skerry’s College, Cork. Her father, Michael Moynihan, is a TD for Kerry South from 1981 to 1987 and from 1989 to 1992. She works as a bank official before becoming involved in politics in 1991 when she is elected to Kerry County Council. She is first elected to Dáil Éireann at the 1992 Irish general election as a Labour Party TD for Kerry South, succeeding her father. She is re-elected at every election until 2007.
On October 11, 2005, Moynihan-Cronin announces that she will not stand for re-election at the forthcoming general election due to ill-health. Her decision to retire presents considerable difficulties for the Labour Party to retain her seat, as the party performed poorly at the 2004 Kerry County Council election, failing to elect any councillors within the county. However, on October 28, 2006, she announces that she will stand in the forthcoming general election, having overcome her health difficulties. However, she fails to retain her seat.
In June 2011, Moynihan-Cronin returns to politics when she is co-opted onto Kerry County Council to represent the Killarney area, filling the seat left vacant when Marie Moloney is elected to the 24th Seanad. In 2013, she stands down from the council and is replaced by Sean Counihan.
seamus dubhghaill 