seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Joseph Thomas Sheridan Le Fanu, Journalist & Novelist

joseph-sheridan-le-fanuJoseph Thomas Sheridan Le Fanu, journalist, novelist, and short story writer, often called the father of the modern ghost story, is born in Dublin on August 28, 1814. He is the leading ghost story writer of the nineteenth century and is central to the development of the genre in the Victorian era. His best known works include Uncle Silas (1864), a suspense story, and The House by the Churchyard (1863), a murder mystery. His vampire story Carmilla, which influences Bram Stoker’s Dracula, has been filmed several times.

Le Fanu is born at 45 Lower Dominick Street in Dublin to Thomas Philip Le Fanu and Emma Lucretia Dobbin, a literary family of Huguenot, Irish, and English descent. Within a year of his birth the family moves to the Royal Hibernian Military School in Phoenix Park where his father, a Church of Ireland clergyman, is appointed to the chaplaincy of the establishment.

In 1826, the family moves to Abington, County Limerick, where Le Fanu’s father takes up his second rectorship. Le Fanu uses his father’s library to educate himself and by the age of fifteen he was writing poetry.

The disorders of the Tithe War (1831–1836) affect the region in 1832 and the following year the family temporarily moves back to Dublin, where Le Fanu works on a Government commission. Although Thomas Le Fanu tries to live as though he is well-off, the family is in constant financial difficulty. At his death, Thomas has almost nothing to leave to his sons and the family has to sell his library to pay off some of his debts.

Le Fanu studies law at Trinity College, Dublin, where he is elected Auditor of the College Historical Society. He is called to the bar in 1839, but never practices and soon abandons law for journalism. In 1838 he begins contributing stories to the Dublin University Magazine, including his first ghost story, The Ghost and the Bone-Setter (1838). He becomes owner of several newspapers from 1840, including the Dublin Evening Mail and the Warder.

In 1847, Le Fanu supports John Mitchel and Thomas Francis Meagher in their campaign against the indifference of the government to the Irish Famine. Others involved in the campaign include Samuel Ferguson and Isaac Butt. Butt writes a forty-page analysis of the national disaster for the Dublin University Magazine in 1847. Le Fanu’s support costs him the nomination as Tory Member of Parliament (MP) for County Carlow in 1852.

In 1856 the family moves from Warrington Place to the house of his wife Susanna’s parents at 18 Merrion Square. His personal life becomes difficult at this time, as his wife suffers from increasing neurotic symptoms. She suffers from anxiety after the deaths of several close relatives, including her father two years previous. In April 1858, Susanna suffers a “hysterical attack” and dies the following day. She is buried in the Bennett family vault in Mount Jerome Cemetery beside her father and brothers. He does not write any fiction from this point until the death of his mother in 1861.

He becomes the editor and proprietor of the Dublin University Magazine in 1861 and begins to take advantage of double publication, first serializing in the Dublin University Magazine, then revising for the English market. He publishes both The House by the Churchyard and Wylder’s Hand in this manner. After lukewarm reviews of The House by the Churchyard, which is set in the Phoenix Park area of Dublin, Le Fanu signs a contract with Richard Bentley, his London publisher, which specifies that future novels be stories “of an English subject and of modern times,” a step Bentley thinks necessary for Le Fanu to satisfy the English audience. Le Fanu succeeds in this aim in 1864, with the publication of Uncle Silas, which is set in Derbyshire. In his very last short stories, however, Le Fanu returns to Irish folklore as an inspiration and encourages his friend Patrick Kennedy to contribute folklore to the Dublin University Magazine.

Le Fanu dies in his native Dublin on February 7, 1873, at the age of 58. Today there is a road and a park in Ballyfermot, near his childhood home in south-west Dublin, named after him.

 


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First Production of the Irish Literary Theatre

CREATOR: gd-jpeg v1.0 (using IJG JPEG v62), quality = 75The first production of the Irish Literary Theatre, The Countess Cathleen, is performed on May 8, 1899. Like many of William Butler Yeats’ plays, it is inspired by Irish folklore. In a time of famine, demons sent by Satan come to Ireland to buy the souls of the starving people. The saintly Cathleen disposes of her vast estates and wealth in order to feed the peasants, yet the demons thwart her at every turn. At last, she sacrifices her own soul to save those of the poor.

Yeats, Lady Gregory and Edward Martyn publish a “Manifesto for Irish Literary Theatre” in 1897, in which they proclaim their intention of establishing a national theatre for Ireland. The Irish Literary Theatre is founded by Yeats, Lady Gregory, Martyn and George Moore in Dublin in 1899. It proposes to give performances in Dublin of Irish plays by Irish authors.

In 1899 Lady Gregory secures a temporary licence for a play to be given at the Antient Concert Rooms in Great Brunswick Street (now Pearse Street) in Dublin, and so enables the Irish Literary Theatre to give its first production. The play chosen is The Countess Cathleen by Yeats. It is done by a very efficient London company that includes May Whitty (Dame May Webster) and Ben Webster. The next production given is Martyn’s play The Heather Field.

In the following year the Irish Literary Theatre produces three plays at the Gaiety Theatre in Dublin: Maeve by Edward Martyn, The Last Feast of Fianna by Alice Milligan and The Bending of the Bough by George Moore. The Bending of the Bough is staged during the Second Boer War which begins on October 11, 1899.

The Irish Literary Theatre project lasts until 1901, when it collapses due to lack of funding.

The use of non-Irish actors in these productions is perceived to be a failure, and a new group of Irish players is put together by the brothers William and Frank Fay, among others. These go on to form the Irish National Theatre Society, which leads to the founding of the Abbey Theatre in Dublin in 1904.


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Birth of Peadar Toner Mac Fhionnlaoich, Irish Language Writer

peadar-toner-mac-fhionnlaoichPeadar Toner Mac Fhionnlaoich, Irish language writer during the Gaelic revival known as Cú Uladh (The Hound of Ulster), is born in Allt an Iarainn, County Donegal on October 5, 1857. He writes stories based on Irish folklore, some of the first Irish language plays, and regularly writes articles in most of the Irish language newspapers such as An Claidheamh Soluis.

Mac Fhionnlaoich is the son of Micheal McGinley and Susan Toner. He attends school locally until he is seventeen. He then attends Blackrock College in Dublin for two years. Upon leaving school he enters into the British Civil Service becoming an Inland Revenue Officer. In 1895 he marries Elizabeth Woods (Irish: Sibhéal Ní Uadhaigh) and they have twelve children. He speaks Irish from an early age and keeps an interest in the language throughout his life, first publishing an Irish language short story and poem in The Donegal Christmas Annual 1883. It is not until 1895 while living in Belfast that he becomes involved in the Gaelic Movement.

It is in Mac Fhionnlaoich’s Belfast home that the first meeting of the Ulster branch of the Conradh na Gaeilge takes place in 1895. From this point on he becomes very involved in Conradh na Gaeilge becoming the organisations president on several occasions.

Mac Fhionnlaoich is a member of Seanad Éireann from 1938 to 1942 when he is nominated by Taoiseach Éamon de Valera.

Mac Fhionnlaoich dies at the age of 84 on July 1, 1942 in Dublin. He is buried in Glasnevin Cemetery, Dublin.


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Birth of Thomas Crofton Croker

thomas-crofton-crokerThomas Crofton Croker, antiquarian and folklorist, is born on January 15, 1798 in Cork, County Cork. His collections of songs and legends form a storehouse for writers of the Irish Literary Revival.

The son of an army major, Croker has little school education but does read widely while working in merchant trade. For some years Croker holds a position in the Admiralty, where his distant relative, John Wilson Croker, is his superior.

Croker devotes himself largely to the collection of ancient Irish poetry and Irish folklore. He assists in founding the Percy Society and the Camden Society. He and his wife’s testimonies about funereal customs, particularly the tradition of keening the deceased are among the earliest and most significant contributions to the understanding of the Irish language lament and the accompanying traditions. The first part of his Fairy Legends and Traditions of the South of Ireland is published in 1825. It grows to six editions and is translated into German by the Brothers Grimm (Irische Elfenmärchen, 1826). Parts two and three follow in 1828, the latter including Croker’s translation of the long Grimm preface to part one.

Croker publishes Legends of the Lakes: Or, Sayings and Doings at Killarney in 1829, in which he features discussions of the music of his friend, the Irish piper James Gandsey.

Thomas Crofton Croker dies on August 8, 1854 and is buried in Brompton Cemetery, London.


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Death of Philologist Eugene O’Curry

eugene-ocurryEugene O’Curry, philologist and antiquary, dies of a heart attack in Dublin on July 30, 1862.

O’Curry is born at Doonaha, near Carrigaholt, County Clare, the son of Eoghan Ó Comhraí, a farmer, and his wife Cáit. Eoghan has spent some time as a traveling peddler and has developed an interest in Irish folklore and music. Unusual for someone of his background, he is literate and is known to possess a number of Irish manuscripts. It is likely that Eoghan is primarily responsible for his son’s education.

Having spent some years working on his father’s farm and as a school teacher, O’Curry moves to Limerick in 1824 and spends seven years working there at a psychiatric hospital. He marries Anne Broughton, daughter of John Broughton of Killaderry near Broadford, County Limerick on October 3, 1824. He is a supporter of Catholic emancipation and in 1828 writes a poem congratulating Daniel O’Connell on his election as an MP.

During this period O’Curry is establishing a reputation for his knowledge of the Irish language and Irish history, and, by 1834, is in correspondence with the antiquary John O’Donovan. He is employed, from 1835 to 1842, on O’Donovan’s recommendation, in the topographical and historical section of Ordnance Survey Ireland. O’Donovan goes on to marry O’Curry’s sister-in-law, Mary Anne Broughton, in 1840. O’Curry spends much of the remainder of his life in Dublin and earns his living by translating and copying Irish manuscripts. The catalogue of Irish manuscripts in the British Museum (1849) is compiled by him for a fee of £100. He is responsible for the transcripts of Irish manuscripts from which O’Donovan edits the Annals of the Four Masters between 1848 and 1851.

In 1851 O’Curry is elected a member of the Royal Irish Academy and, on the founding of the Catholic University of Ireland in 1854, he is appointed professor of Irish history and archaeology. He works with George Petrie on the Ancient Music of Ireland (1855). In 1852, he and O’Donovan propose the Dictionary of the Irish Language, which is eventually begun by the Royal Irish Academy in 1913 and finally completed in 1976.

O’Curry’s lectures are published by the university in 1860, and give a better knowledge of Irish medieval literature than can be obtained from any other one source. Three other volumes of lectures are published posthumously, under the title On the Manners and Customs of the Ancient Irish (1873). His voluminous transcripts, notably eight huge volumes of early Irish law, testify to his unremitting industry. The Celtic Society, of the council of which he is a member, publishes two of his translations of medieval tales.

Eugene O’Curry dies of a heart attack at his home in Dublin on July 30, 1862, and is survived by two sons and two daughters. He is buried at Glasnevin Cemetery in Dublin. O’Curry Road in the Tenters area of Dublin 8 is named in his honour.