Recriminations over his victory begin almost immediately. Unionist parties come under fire for not mounting an effective challenge. There is also sharp criticism of the failure of the moderate CatholicSocial Democratic and Labour Party (SDLP) to contest the seat. Many believe the absence of an alternative Catholic candidate ensures victory for Sands in a seat with a Catholic majority.
Sands’ election agent, Owen Carron, says the British Government has been sent a message. “The nationalist people have voted against Unionism and against the H-blocks. It is time Britain got out of Ireland and put an end to the torture of this country,” he says.
At the time of his election, Sands, 27, has served four years of a fourteen-year sentence for firearms possession. He began his hunger strike 41 days earlier to press the republican prisoners’ claim to be treated as prisoners of war.
The government has to decide how to respond to Sands’ victory. It can try to have him expelled on the grounds that he is an “unacceptable member.” However, unless he starts to eat again, he is not expected to live for more than another few weeks. He has already lost two stone and is too weak to leave his bed in the prison’s hospital wing.
Sand’s victory is the second time the voters of Fermanagh and South Tyrone have elected a republican prisoner as their MP. The first, Philip Clarke, in 1955, is disqualified because the law then does not allow convicts to take up political office.
In spite of attempts by the European Commission of Human Rights to mediate, Sands dies on May 5, 1981. He is the first of ten republican prisoners to die after hunger strikes. They attract international media attention and sympathy for the republicans.
The hunger strikes come to an end in October 1981. However, the Conservative Government of Margaret Thatcher grants the republicans only a few minor concessions.
(From: “1981: Hunger striker elected MP” on “On The Day 1950-2005,” BBC, news.bbc.co.uk)
Shillington originally plans to join the Northern Ireland Civil Service, however he wants a more varied career. He joins the Royal Ulster Constabulary on February 8, 1933, as a cadet officer. He completes his training at the Newtownards depot in County Down. He is promoted to district inspector in 1935, and serves as officer in charge of D District in Belfast. In 1944, he is promoted to 1st Class District Inspector and is posted to Derry, County Londonderry.
In 1953, after nine years in Derry, Shillington is promoted to County Inspector and returns to Belfast. There, he joins the Inspector General’s Headquarters and serves in an administrative post. On January 16, 1961, he is appointed Commissioner of Belfast City.
In 1969, Shillington is appointed Deputy Inspector-General of the RUC, as second-in-command to the Inspector-General, Anthony Peacocke, who, like Shillington, had been educated at Sedbergh and Cambridge. When the Battle of the Bogside breaks out in Derry in August 1969, he requests permission to use CS gas for the first time in the United Kingdom. When that does not halt the rioting, he requests that the British Army be brought in. He telephones Peacocke on August 13 in order to persuade him of this. Peacocke, who has long denied the need for army involvement, eventually agrees, but his reputation never recovers and following the publication of the Hunt Report in October he resigns as Inspector-General.
Shortly thereafter, Sir Arthur Young is seconded from the City of London Police to be the last Inspector-General and the first Chief Constable of the RUC. James Callaghan, then Home Secretary, sends him to implement the Hunt Report. Young’s measures introduce the standard British rank system for police officers in Northern Ireland and disbands the Ulster Special Constabulary (USC). Shillington remains as Young’s deputy, and when the latter returns to the mainland in 1970 he succeeds him to become the RUC’s second Chief Constable.
Shillington marries Mary (Peggy) Bulloch in 1935. They have two sons and a daughter. He dies on August 14, 2001, at the age of 90, in a County Armagh nursing home.
Hamilton enters Trinity College Dublin on November 17, 1742, at the age of 13 with Thomas McDonnell as his tutor. He graduates Bachelor of Arts (BA) in 1747 and Trinity Master of Arts (MA Dubl) in 1750. He takes the competitive examination for a vacant fellowship of the college in 1750, but the position is secured instead by his friend Richard Murray, who is a few years older. Two fellowships become vacant the following year and Hamilton is elected to one of them at the age of 22. He is appointed Erasmus Smith’s Professor of Natural and Experimental Philosophy at Trinity College Dublin in 1759 and that same year graduates Bachelor of Divinity (BD). He is elected a Fellow of the Royal Society on February 19, 1761, and graduates Doctor of Divinity (DD) in 1762.
Trinity College presents him to the rectory of Kilmacrennan in the diocese of Raphoe, County Donegal, in 1764. This is a small benefice in the gift of the college, for which he resigns his fellowship. He retains the Erasmus Smith’s chair, however, being succeeded in that by Thomas Wilson in 1769. He resigns from Kilmacrenan in 1767 and becomes vicar of St. Ann’s Church in Dublin.
Hamilton then becomes Dean of Armagh, the chief resident cleric of St. Patrick’s Cathedral in Armagh, County Armagh, from April 1768 to 1796. Finding the existing dean’s house inconvenient and poorly situated, he has a new one built in a better location just off Portadown Road, now known as Dean’s Hill. The house, of three stories and a semi-basement, is built in 1772–74. The house is later sold by the church and the present owners provide bed and breakfast accommodation in it. While dean he also acts as treasurer for the infirmary or county hospital, he establishes Sunday schools in the districts of the parish, and he founds a charitable loan for poor tradesmen. He is also instrumental in planning a piped water supply for the town, which is later put into effect. He is one of the 38 original members of the Royal Irish Academy when it is founded in 1785. Gilbert Stuart paints his portrait in about 1790 (pictured above).
Hamilton is promoted to Bishop of Clonfert and Kilmacduagh on January 20, 1796, without seeking it. On January 24, 1799, he is translated to Ossory, where he is bishop until 1805. He dies of a fever at Kilkenny, County Kilkenny, on December 1, 1805. He is buried in the graveyard of St. Canice’s Cathedral at Kilkenny, and there is a memorial to him inside the cathedral.
Hamilton writes a mathematical treatise on conic sections called De Sectionibus Conicis: Tractatus Geometricus, published in 1758. In this book he “was the first to deduce the properties of the conic section from the properties of the cone, by demonstrations which were general, unencumbered by lemmas, and proceeding in a more natural and perspicuous order,” according to writer James Wills in 1847. The work is acclaimed for its lucidity and Leonhard Euler describes it as a perfect book. It is “soon adopted in all the British universities” and is translated from Latin into English as A Geometrical Treatise of the Conic Sections in 1773.
Hamilton also writes Philosophical Essays on Vapours (1767), Four Introductory Lectures on Natural Philosophy (1774), and An Essay on the Existence and Attributes of the Supreme Being (1784). His principal works are collected and republished, with a memoir, as The Works of the Right Rev. Hugh Hamilton by his eldest son, Alexander Hamilton, in two volumes in 1809.
Hamilton marries Isabella, daughter of Hans Widman Wood of Rosmead, County Westmeath, in 1772. Isabella’s mother Frances is the twin sister of Edward King, 1st Earl of Kingston. They have five sons and two daughters. They are Alexander, who was a barrister; Frances; Hans, who is rector of Knocktopher, County Kilkenny, and associated with the Carrickshock incident of 1831; Isabella; Henry; George, who is a biblical scholar; and Hugh, who marries Elizabeth Staples, a daughter of John Staples, a Member of Parliament. The younger Hugh is the great-grandfather of Clive Staples Lewis, better known as C. S. Lewis. Bishop Hugh Hamilton is a great-great-great-grandfather of the mathematicians John Lighton Synge and his brother Edward Hutchinson Synge. Dodgson Hamilton Madden, the High Court judge and noted scholar, is Hamilton’s great-grandson.
(Pictured: “Hugh Hamilton,” oil on canvas by Gilbert Stuart)
McAleese marries Mary Leneghan in 1976. The couple resides in Scholarstown, Dublin, for a short period, and then for almost twelve years near Ratoath, County Meath. In 1980, he returns to full-time education at Trinity College Dublin (TCD), to study as a dentist, subsequently moving back, with his family, to Northern Ireland, where he practises as a dentist in Crossmaglen and Bessbrook, County Armagh.
While his wife serves as President of Ireland, McAleese initiates a series of meetings with senior Ulster loyalistparamilitary leaders to pursue peace negotiations. These actions do not take place without controversy, but are widely viewed as instrumental in bringing loyalist paramilitary groups to peace talks.
In May 2011, McAleese is appointed as a Senator by the Taoiseach Enda Kenny. In August 2011, he is appointed the Chancellor of Dublin City University, taking over from David Byrne.
On February 1, 2013, McAleese announces his intention to resign as a member of Seanad Éireann.
McAleese accepts an appointment as Chairman of the Inter-Departmental Committee which is set up by the Government of Ireland to investigate the Magdalene laundries. His findings have been criticised by some survivors and researchers from the Magdalene Names project.
On October 18-19, 2014, McAleese attends the One Young World Summit in Dublin as a keynote speaker. Here, he hosts a special session for the One Young World Peace and Conflict Resolution Project alongside former Ulster Defence Association (UDA) prisoner Jackie McDonald and former Irish Republican Army (IRA) prisoner Sean Murray. They address young people from 191 countries to share and develop ideas to strengthen efforts at conflict resolution in their own countries.
McAleese and his wife Mary have three children. The family moves to Rostrevor, County Down, in 1987, when he sets up practice in County Armagh.
Mitchel is born in Camnish, near Dungiven, County Derry, on November 3, 1815, the son of a Presbyterian minister. At the age of four, he is sent to a classical school, run by an old minister named Moor, nicknamed “Gospel Moor” by the students. He reads books from a very early age. When a little over five years old, he is introduced to Latin grammar by his teacher and makes quick progress. In 1830, not yet 15 years old, he enters Trinity College, Dublin (TCD) and obtains a law degree in 1834.
In the spring of 1836, Mitchel meets Jane Verner, the only daughter of Captain James Verner. Though both families are opposed to the relationship, they become engaged in the autumn and are married on February 3, 1837, by the Rev. David Babington in Drumcree Church, the parish church of Drumcree.
Mitchel works in a law office in Banbridge, County Down, where he eventually comes into conflict with the local Orange Order. He meets Thomas Davis and Charles Gavan Duffy during visits to Dublin. He joins the Young Ireland movement and begins to write for The Nation. Deeply affected by the misery and death caused by the Great Famine, he becomes convinced that nothing will ever come of the constitutional efforts to gain Irish freedom. He then forms his own paper, United Irishmen, to advocate passive resistance by Ireland’s starving masses.
In May 1848, the British tire of Mitchel’s open defiance. Ever the legal innovators in Ireland, they invent a crime especially for the Young Irelanders – felony-treason. They arrest him for violating this new law and close down his paper. A rigged jury convicts him, and he is deported first to Bermuda and then to Australia. However, in June 1853, he escapes to the United States.
Mitchel works as a journalist in New York City and then moves to the South. When the American Civil War erupts, he is a strong supporter of the Southern cause, seeing parallels with the position of the Irish. His family fully backs his commitment to the Southern cause. He loses two sons in the war, one at the Battle of Gettysburg in 1863 and another at the Battle of Fort Sumter in 1864, and another son loses an arm. His outspoken support of the Confederacy causes him to be jailed for a time at Fort Monroe, where one of his fellow prisoners is Confederate PresidentJefferson Davis.
In 1874, the British allow Mitchel to return to Ireland and in 1875 he is elected in a by-election to be a member of the Parliament of the United Kingdom representing the Tipperary constituency. However, his election is invalidated on the grounds that he is a convicted felon. He contests the seat again in the resulting by-election and is again elected, this time with an increased vote.
Unfortunately, Mitchel, one of the staunchest enemies to English rule of Ireland in history, dies in Newry on March 20, 1875. He is buried in his parents’ grave in the unitarian cemetery, High Street, Newry, where a monument is later erected by his widow. He is also commemorated by a statue in Newry. Thirty-eight years later, his grandson, John Purroy Mitchel, is elected Mayor of New York City.
From the late 1960s until the late 1990s, Northern Ireland undergoes a conflict known as the Troubles, in which more than 3,500 people are killed. More than 700 of those killed are British military personnel, deployed as part of Operation Banner. The vast majority of these British military personnel are killed by the Provisional Irish Republican Army (IRA), which wages an armed campaign to force the British to negotiate a withdrawal from Northern Ireland. In 1997, the IRA calls a final ceasefire and in 1998 the Good Friday Agreement is signed. This is widely seen as marking the end of the conflict.
However, breakaway groups of dissident Irish republicans oppose the ceasefire and continue a low-level armed campaign against the British security forces in Northern Ireland. The main group involved is an IRA splinter group known as the Real IRA. In 2007, the British Army formally ends Operation Banner and greatly reduces its presence in Northern Ireland.
The low-level dissident republican campaign continues. In January 2009, security forces have to defuse a bomb in Castlewellan, County Down, and in 2008 three separate incidents see dissident republicans attempt to kill PSNI officers in Derry, Castlederg and Dungannon. In all three cases, PSNI officers are seriously wounded. Two of the attacks involve firearms while the other involves an under-car booby-trap bomb.
At about 9:40 p.m. on the evening of Saturday, March 7, four off-duty British soldiers of the Royal Engineers walk outside the barracks to receive a pizza delivery from two delivery men. As the exchange is taking place, two masked gunmen in a nearby car open fire with PM md. 63assault rifles. The firing lasts for more than 30 seconds with more than 60 shots being fired. After the initial burst of gunfire, the gunmen walk over to the wounded soldiers lying on the ground and fire again at close range, killing two of them. Those killed are Sappers Mark Quinsey from Birmingham and Patrick Azimkar from London. The other two soldiers and two deliverymen are wounded. The soldiers are wearing desert fatigues and were to be deployed to Afghanistan the following day. A few hours later, the stolen car involved is found abandoned near Randalstown, eight miles (13 km) from the barracks.
A Dublin-based newspaper, the Sunday Tribune, receives a phone call from a caller using a recognised Real IRA codeword. The caller claims responsibility for the attack on behalf of the Real IRA, adding that the civilian pizza deliverymen were legitimate targets as they were “collaborating with the British by servicing them.”
The shootings are the first British military fatalities in Northern Ireland since Lance Bombardier Stephen Restorick was shot dead by the Provisional IRA in February 1997, during the Troubles. The attack comes days after a suggestion by Northern Ireland’s police chief, Sir Hugh Orde, that the likelihood of a “terrorist” attack in Northern Ireland is at its highest level in several years.
Civilian security officers belonging to the Northern Ireland Security Guard Service are criticised for not opening fire during the incident, as a result of which plans are made to retrain and rearm them.
The morning after the attack, worshippers come out of St. Comgall’s Church after mass and keep vigil near the barracks. They are joined by their priest and clerics from the town’s other churches. On March 11, 2009, thousands of people attend silent protests against the killings at several venues in Northern Ireland.
The killings are condemned by all mainstream political parties in Northern Ireland, as well as the Irish government, the United States government and Pope Benedict XVI. Sinn Féin condemns the killings, but is criticised for being less vehement than others in its condemnation.
On March 14, 2009, the PSNI arrests three men in connection with the killings, one of whom is former IRA prisoner Colin Duffy. He had broken away from mainstream republicanism and criticised Sinn Féin’s decision to back the new PSNI. On March 25, 2009, after a judicial review of their detention, all the men are ordered to be released by the Belfast High Court. Duffy is immediately re-arrested on suspicion of murder. On March 26, 2009, Duffy is charged with the murder of the two soldiers and the attempted murder of five other people. The following day he appears in court for indictment and is remanded in custody to await trial after it is alleged that his full DNA profile had been found on a latex glove inside the vehicle used by the gunmen. There is also soil found in the car they drove that matches the soil on the ground in front of the barracks.
Brian Shivers, a cystic fibrosis sufferer, is charged with the soldiers’ murders and the attempted murder of six other people. He is also charged with possession of firearms and ammunition with intent to endanger life. He is arrested in Magherafelt, County Londonderry, in July 2009.
In January 2012, Shivers is convicted of the soldiers’ murders, but Duffy is acquitted. In January 2013, Shivers’s conviction is overturned by Northern Ireland’s highest appeals court. A May 2013 retrial finds Shivers not guilty. He is cleared of all charges and immediately released from jail. The judge questions why the Real IRA would choose Shivers as the gunman, with his cystic fibrosis and his engagement to a Protestant woman.
The barracks are shut down in 2010 as part of the reduction of the British Army presence in Northern Ireland.
Conor is born on May 9, 1881, in Fortingale Street, Belfast, the third son and fourth child of William Connor, a tinsmith and sheet metal worker, who later becomes a gas fitter, and Mary Connor (née Wallace). He is educated at the Clifton Park central national school, where his artistic abilities are noticed by his music teacher. In 1894, he enrolls at the Belfast government school of design. He is a very successful student, and by 1903 has become an assistant teacher. He completes his studies in 1904, and begins an apprenticeship with the Belfast firm of lithographers, David Allen and Son. Through his work in the poster design department he develops an enthusiasm for using crayons on a textured surface. This becomes a characteristic feature of his later drawings. In these early years he first starts recording images of Belfast life, often sketched from behind a folded newspaper in the street. Influenced by the Gaelic revival, in the years 1907–9 he signs his name in several different ways such as “Liam” and “Liam Conor.” In later years he signs himself simply “Conor.”
Having abandoned his career as a lithographer around 1910, Conor concentrates his efforts on painting professionally. He begins exhibiting with the Belfast Art Society in 1910, and in the period that follows he spends time in Craigavad, County Down, the Blasket Islands in County Kerry, Dublin, and Donegal. During a visit to Paris, which he later recalls as being in 1912 and 1913, he meets the painter André Lhote. After his return to Belfast he is elected to the committee of the Belfast Art Society in 1913. On the outbreak of World War I, he is commissioned by the British government to record the everyday activities of munitions workers and soldiers in Ulster. His pictures mostly show soldiers in training and various scenes from the home front, including the work of women in munitions factories and hospitals. Described as “vigorous and personable, if rather folksy . . . effectively uniformed versions of the tinkers and shipyard workers for which he subsequently became known,” these paintings are exhibited and subsequently, in 1916, auctioned for the Ulster Volunteer Patriotic Fund. His long association with the Royal Hibernian Academy (RHA) begins in 1918 and he shows up to 200 works at the academy over the next forty-nine years.
In 1921, Conor moves to London, where he becomes acquainted with, among others, Sir William Orpen, Sir John Lavery, and Augustus John. He becomes a member of the Chelsea Arts Club, and contributes four paintings to the National Portrait Society as part of its spring exhibition in 1921. His friendship with Lavery is significant. Through him Conor receives a commission to paint the opening of the first Northern Ireland parliament in June 1921. He goes on to exhibit with a variety of influential bodies, including the Royal Academy of Arts, the Société Nationale des Beaux-Arts in Paris, and the Royal Society of Portrait Painters. In 1922, The Twelfth, executed c.1918, is shown in the Galerie Barbazanges in Paris, under the title Le cortège Orangiste à Belfast, as part of the World Congress of the Irish Race. He is represented at the Paris salon in 1923 and the following year he has a successful exhibition at the St. Stephen’s Green Gallery, Dublin.
In 1926, Conor travels to Philadelphia and New York, where, during his nine-month stay, he receives numerous commissions for portraits and has work shown in the Babcock Galleries, the Brooklyn Art Gallery, and the American Irish Historical Society. In 1932, he designs the costumes for the principals in the Pageant of St. Patrick, which marks the 1,500th anniversary of the saint’s coming to Ireland. That year also sees the unveiling of his muralUlster Past and Present at the Belfast Municipal Museum and Art Gallery. Measuring 2.8 by 7.4 metres, it is at the time the largest mural in the country. During World War II he is again appointed an official war artist and his work is represented at the exhibition of war artists at the National Gallery, London, in 1941. His book The Irish Scene is published in 1944, and though it sells well, the subsequent bankruptcy of his publishers mean that Conor receives no royalties. He also provides the illustrations for books by Lynn C. Doyle, the pseudonym of his friend Leslie Montgomery.
Although Conor is best known for his depictions of the everyday life of people in his native Belfast, in which he attempts to capture the “flash of humour which lightens their daily toil,” he also produces landscapes and portraits. His sitters included Douglas Hyde, St. John Greer Ervine, Charles D’Arcy, and Charles Vane-Tempest-Stewart, 7th Marquess of Londonderry. The Council for the Encouragement of Music and the Arts organises several successful Conor exhibitions. Their one-man show of 1945 becomes the first to tour the province, while their exhibition of his work in 1954 has an attendance in excess of 2,800. Conor closes his long-established studio on Stranmillis Road in 1960 but continuea to exhibit, notably with the Bell Gallery in 1964, 1966, and 1967.
(From: “Conor, William” by Frances Clarke, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Pictured: “William Conor,” oil on canvas by Gladys Maccabe, Ulster Folk Museum)
Hanna is born on February 25, 1821, near Dromara, County Down, the eldest among three sons and two (possibly three) daughters of Peter Hanna, of Dromara farming stock, and his wife Ellen (née Finiston), whose father served in the Black Watch regiment during the Napoleonic Wars. In the 1820s, leaving their children behind, his parents move to Belfast, where his father establishes a business turing out horse–cars. Hanna does not join them until the mid-1830s. His education reflects the modest nature of his upbringing. It is patchy and always combined with paid employment. In the 1830s he attends Bullick’s Academy, a privately run commercial college in Belfast. In the 1840s, seemingly with the intention of preparing for the Presbyterian ministry, he takes classes at Belfast Academical Institution. In 1847, he enters the general assembly’s newly established Theological College and, after some absences, obtains his licence to preach in 1851. During this time he works, first as a woolen draper‘s assistant in High Street and then, after 1844, as a teacher in the national school associated with Townsend Street Presbyterian Church, where he is a member. He resigns his teaching post in January 1852, only a month before being ordained to full-time ministry. On August 25, 1852, he marries Frances (‘Fanny’) Spence Rankin, daughter of James Rankin, a Belfast salesman. Together they have four daughters and two sons.
Hanna’s first, and only, pastorate is in a congregation that emerges out of the evangelistic efforts he and other Townsend Street members had conducted among the working people of north Belfast. In 1852, they begin meeting in the old Berry Street church and quickly grow from 75 to over 750 families. By 1869 a new building is essential and in 1870 the foundation stone for St. Enoch’s church is laid in Carlisle Circus, on property purchased from the Belfast Charitable Society. Opened in 1872 at a cost of nearly £10,000, it seats over 2,000 people and has two galleries. With 800 families and 2,500 Sunday-school scholars, it is one of the largest congregations in Belfast.
Hanna’s influence as the leader of such a large flock is not translated into advancement within the Presbyterian church. Although he serves as the Presbyterian chaplain to the Belfast garrison (1869–91) and as moderator of the presbytery (1879) and synod (1870–71) of Belfast, he does not achieve any position of note within the denomination as a whole. This is most likely because of his penchant for public controversy. Letters to the newspapers, calls for action in presbytery, and public platform debates over issues such as public-house licensing laws, Sabbath observance and property rights, brand him a destablising force. It is no doubt for this reason, rather than for his open-air preaching, of which he does very little, that he acquires his famous sobriquet, “Roaring Hugh.” His aggressive manner in debate is noted by the Belfast News Letter early in his career.
Hanna’s political views contribute to his reputation as an intolerant firebrand. He is part of a small group of Presbyterian clergy, led by the Rev. Henry Cooke, who are staunch defenders of the Protestant interest and active supporters of the conservative cause. He hosts ”anti-popery” lectures in his church and joins the Orange Order, serving briefly, in 1871, as the deputy grand chaplain for Belfast (County Grand Lodge). His determination to uphold the “right” of Protestants to preach in the open air sparks a series of violent sectarian riots and a government inquiry in Belfast in 1857. As the century progresses, and as the Presbyterian community’s political allegiances begin to shift, he becomes one of a group of prominent figures associated with two populist campaigns: opposition in the 1860s to the disestablishment of the Church of Ireland and subsequently to the introduction of home rule. In 1886, as one of the honorary secretaries of the Ulster Constitutional Club, he helps to found the Ulster Loyalist Anti-Repeal Union, a forerunner of what eventually becomes the Ulster Unionist Party.
Such activity overshadows Hanna’s impressive contribution to education. Within St. Enoch’s he establishes an enormous network of Sunday schools and evening classes, including a training institute for teachers. As a former teacher, and later as a commissioner of national education (1880–92), he is a firm advocate of the national system, and sets up six national schools in north and west Belfast.
Hanna receives only two honours: a Doctor of Divinity (DD) from the theological faculty of the Presbyterian Church in Ireland (1885) and a Doctor of Laws (LL.D.) from Galesville University in Galesville, Wisconsin (1888). In good health throughout his life, he dies suddenly of a heart attack on February 3, 1892. Buried with much fanfare in Balmoral Cemetery, Belfast, he is clearly held in high regard by surviving friends and colleagues. In 1892, the Orange Order approves the naming of LOL 1956 as the “Hanna Memorial,” and in 1894 a bronze statue depicting him in full ecclesiastical garb is erected in Carlisle Circus. Since then, his achievements have fallen on hard times. In March 1970, an Irish Republican Army bomb blast topples his statue from its plinth; several high-profile attempts to re-erect it fail. After an arson attack in 1985, and with falling numbers, the decision is taken in 1992 to demolish St. Enoch’s and unite with the neighbouring Duncairn church in a new, much smaller, building on the site.
(From: “Hanna, Hugh” by Janice Holmes, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Pictured: Portrait of Reverend Hugh Hanna by Augustus George Whichelo in 1876, which is part of the collection owned by the National Museums Northern Ireland and is located in the Ulster Museum)
Colin MiddletonMBE, Northern Irishlandscape artist, figure painter, and surrealist, is born on January 29, 1910, in Victoria Gardens in north Belfast. Hus prolific output in an eclectic variety of modernist styles is characterised by an intense inner vision, augmented by his lifelong interest in documenting the lives of ordinary people. He has been described as “Ireland’s greatest surrealist.”
Middleton is the only child of damask designer Charles Middleton. He attends the nearby Belfast Royal Academy until 1927 and then continues his studies with night classes at Belfast School of Art where he trains in design under the Cornish artist Newton Penprase. However, he finds the college too traditional in outlook, as his first influence, his father, had been a follower of European Modernism, particularly the Impressionists.
Middleton shows his first works with the Ulster Academy of Arts in 1931, where he exhibits frequently until the late nineteen-forties. He first comes to public attention with the inclusion of his works in the groundbreaking inaugural exhibition of the Ulster Unit at Locksley Hall, Belfast, in December 1933. The Ulster Unit is a short-lived grouping of Ulster artists who take their inspiration from Paul Nash’s Unit One formed earlier in the same year. Just two years thereafter in the same year, he marries Maye McLain, also an artist and a domestic science teacher, who unfortunately dies four years later. He is also a poet and writer, whom along with his wife, is an active member of the Northern Drama League in the 1930s, with whom he designs sets. After the death of his first wife he destroys all of his early paintings and enters a period of seclusion at his mother’s home outside Belfast. He becomes a follower of Vincent van Gogh and James Ensor after viewing exhibitions in London and Belgium respectively. On his return to Ulster he begins to experiment with styles derived from European Modernism, the antithesis to traditional academism. Throughout the 1930s he is also a keen follower of Paul Nash, Tristam Hillier and Edward Wadsworth. After exposure to the works of Salvador Dalí, he declares himself “the only surrealist painter working in Ireland.”
Middleton’s work first appears at the Royal Hibernian Academy in 1938 where he shows intermittently until the final year of his life. He participates in an exhibition at 36 Arthur Street, Belfast, with the Czech artist Otakar Gregor, Joan Loewenthal and Sidney Smith in aid of the war effort at the end of 1940. He completes three paintings immediately after the Belfast Blitz and the trauma of the events prevent him from working for six months before his work is included in a portfolio of lithographs published by the Ulster Academy in December 1941 to raise money for rebuilding the Ulster Children’s and Women’s Hospital which had been destroyed in the Blitz earlier in the year.
Middleton’s first solo exhibition is given by the Belfast Municipal Museum and Art Gallery in 1943. It is the first exhibition staged at the gallery when it re-opens after the Belfast Blitz. At the time it is the largest one-person show the gallery has staged comprising one hundred fifteen works and it is also the first solo exhibition accorded to a local contemporary artist by the gallery. In an interview with Patrick Murphy in 1980, he says that the paintings represent “a first endeavour to harmonize the seemingly opposed and conflicting tendencies in human nature.” Dickon Hall says of this period that “Middleton’s painting is dominated by the female form; it is only rarely that men appear in his work. In part these women reflect his experience of Belfast and the difficult conditions that so many lived through.” This can be seen in the three female figures of The Poet’s Garden (1943), and even more so in The Conspirators (1942), both of which are featured in the 1943 exhibition. “The female form, pictorially and symbolically, becomes the landscape and the life force.”
The Belfast exhibition is followed by his first one-man show at the Grafton Galleries, Dublin, in 1944. In the following year he debuts at the Irish Exhibition of Living Art where he returns on a number of occasions, particularly in the periods 1949–55 and 1963–71. In 1945, he is married for the second time, to Kate Giddens, after both are named co-respondents at the Belfast High Court a few months earlier, in civil servant Lionel P. Barr’s application for a decree nisi. The suit is undefended and the couple has costs awarded against them. In the same year Middleton returns to the Belfast Museum for a solo exhibition arranged by the Council for the Encouragement of Music and the Arts. He is a founding member of the Northern Ireland branch of the Artists’ International Association, who show at the Belfast Municipal Gallery in spring 1945. Other members include Joan Loewenthal, Kathleen Crozier, Pat Hicking, Trude Neu, Sidney Smith, Nevill Johnston, George Campbell and Gerard Dillon.
Middleton’s work is displayed in New York‘s Associated American Artists gallery in 1947 with a selection of works chosen by Dublin art critic Theodore Goodman that includes paintings by his Northern contemporaries Daniel O’Neill, George Campbell, Gerard Dillon and Patrick Scott. He also retires from the family business that year to devote his time to painting, having worked at the business since his father’s death in 1933. He then takes his wife and child to live and work on John Middleton Murry’sSuffolk commune for a short period, before returning to Belfast in 1948. Their life in Suffolk is not a success as the family suffers from ill health, but the experience of working the land is to prove a profound influence on his future work.
In 1949, Middleton shows his first works at the Oireachtas na Gaeilge, where he returns periodically until 1977. Upon their return from Suffolk, his wife sends Victor Waddington photos of his work whereupon Waddington comes to represent him for a period of five years, until the Waddington Galleries face financial hardship in 1958. It is Waddington’s patronage that enables the Middleton family to live and work in Ardglass, County Down, for four years from 1949, which Middleton later describes as the happiest time of his life. When his works are displayed at Victor Waddington’s Dublin gallery in that same year, it acts as a springboard that opens Middleton’s work to an international audience. Group exhibitions in Boston and London follow in 1950 and 1951 respectively.
Middleton’s first solo show at London’s Tooth Gallery takes place in 1952, where his work had been shown in the previous year.
In 1953, Middleton moves to Bangor, County Down, where he designs for Marjery Mason‘s The Repertory Theatre. He later designs sets for the Circle Theatre and the Lyric Theatre, including the sets for a series of W. B. Yeats’s plays in 1970, and Seán O’Casey‘s Red Roses for Me in 1972, both at the latter. In 1952, he exhibits alongside Daniel O’Neill, Nevill Johnson, Gerard Dillon and Thurloe Connolly at the Tooth Galleries in London. He begins his career as an art teacher by the invitation of James Warwick who offers him a one year part-time post at the Belfast College of Art in 1954. That year he shows forty-two works at the Belfast Municipal Gallery under the auspices of the Council for the Encouragement of Music and the Arts. In the following year he delivers full-time classes at the Coleraine Technical School, before becoming head of art at Friends’ School, Lisburn in 1961 where he remains until 1970. He lives on Plantation Avenue in Lisburn for nine years next door to fellow artist and pedagogueDennis Osborne, who presents a portrait of Middleton at the annual exhibition of the Royal Ulster Academy in 1965.
A poet and musician, Middleton also produces murals, mosaics and posters. One such mural is commissioned for a house in Ballymena designed by the architect Noel Campbell in an international modernist style in 1951, and other works include a mosaic for a school in Lisburn, and a mural in a health clinic. He shows in many group shows throughout the fifties including the Royal Academy of Arts in 1955, in addition to more solo exhibitions at the Waddington Galleries in 1955, and his first showing at the Richie Hendricks Gallery in 1958. Of the Waddington exhibition TheDublin Magazine writes: “Apart from the brilliance of his paint, he has one rare quality in his inexhaustible capacity for wonder.”
Middleton shows in the Arts Council of Northern Ireland‘s gallery in 1965 with additional works at the Bell Gallery and his Bruges Series is shown at Alice Berger Hammerschlag’s New Gallery upon his return from a Belgian trip in 1966. The Arts Council of Northern Ireland suffers an extensive fire at their storage facility in south Belfast in autumn 1967 which decimates their collection of contemporary art and theatre costumes. Losses include several of Middleton’s paintings, in addition to the works of many other leading Ulster artists such as William Conor and T. P. Flanagan. He Is among the prizewinners at the Arts Council of Northern Ireland’s 4th Open Painting Exhibition in 1968. In the same year, John Hewitt curatea a joint exhibition of his paintings with T. P. Flanagan at the Herbert Art Gallery and Museum in Coventry.
The Arts Council hosts a joint retrospective of Middleton’s work in co-operation with the Scottish Arts Council in 1970. A major retrospective is to follow at the Ulster Museum and the Hugh Lane Municipal Gallery of Modern Art in Dublin in 1976. Comprising almost three hundred exhibits, the show is accompanied by a monograph written by Middleton’s lifelong friend, the patron and poet John Hewitt. Hewitt later bequeaths his art collection, including several of Middleton’s paintings to the Ulster Museum.
The Royal Mail uses Middleton’s painting of Slieve na Brock in the Mourne Mountains to commemorate the Ulster ’71 exhibition in a series of postage stamps that also feature the work of Thomas Carr and T. P. Flanagan. In 1972, Middleton tours extensively with his wife visiting Australia for two months and shows his works from the trip at the McClelland International Galleries on Belfast’s Lisburn Road the following year. In 1973 he also visits Barcelona and later shows a series of surrealist works inspired by the two trips at the Tom Caldwell Gallery in Belfast.
Middleton lives the last twelve years of his life in Bangor, County Down.
Middleton dies of leukemia in Belfast City Hospital on December 23, 1983. He is survived by his wife Kate, their daughter and a step-daughter. His son predeceases him by a year. Christie’s of London is entrusted with the sale of his studio works in 1985. The works are displayed before auction in both Dublin and Belfast during August 1985. In 2005, the Ulster History Circle unveils a commemorative blue plaque at his former home on Victoria Road in Bangor.
In September 2023, eighty years since the ground-breaking exhibition Middleton held at the Belfast Museum and Art Gallery, now the Ulster Museum, and forty years after his death, the Ulster Museum holds a new exhibition of his works, celebrating his association with Belfast, the city of which he says, “I belong here as I never belonged anywhere else in the country.” This exhibition brings together works held in the public collection with those from private lenders to provide a full picture of the artist’s talent and life.
Middleton wins the Royal Dublin Society‘s Taylor Scholarship worth £50 in 1932, and two further awards of £10 in 1933. In 1935, he is elected associate of the Ulster Academy, inducted alongside Helen Brett, Kathleen Bridle, Patrick Marrinan, Maurice Wilks, Romeo Toogood and William St. John Glenn,and in 1948 he becomes an elected Academician at the same.
In 1968, Middleton is appointed MBE in the Queen’s birthday honours list, and in 1969 he is elected an associate at the Royal Hibernian Academy with full membership conferred just a year later. He is awarded an honoraryMaster of Arts degree from Queen’s University Belfast in 1972. The Arts Council of Northern Ireland grants him a substantial subsistence award in 1970 which covers two years enabling him to retire from teaching to concentrate on painting full-time. In the same year, the Arts Council of Northern Ireland also commissions him to paint a portrait of their director, Kenneth Jamison.
In 1956, Whitaker is appointed Secretary of the Department of Finance, at the age of thirty-nine. His appointment takes place at a time when Ireland’s economy is in deep depression. Economic growth is non-existent, inflation apparently insoluble, unemployment rife, living standards low and emigration at a figure not far below the birth rate. He believes that free trade, with increased competition and the end of protectionism, will become inevitable and that jobs will have to be created by a shift from agriculture to industry and services. He forms a team of officials within the department which produce a detailed study of the economy, culminating in a plan recommending policies for improvement. The plan is accepted by the government and is transformed into a white paper which becomes known as the First Programme for Economic Expansion, and quite unusually is published with his name attached in November 1958. The programme becomes known as the “Grey Book” which many argue brings the stimulus of foreign investment into the Irish economy. However, other reforms such as the Department of Industry and Commerce‘s export profits tax relief introduced in 1956, are opposed by Whitaker.
In 1977, Taoiseach Jack Lynch nominates Whitaker as a member of the 14th Seanad. He serves as a Senator from 1977 to 1981, where he sits as an independent member.
In 1981, Whitaker is nominated to the 15th Seanad by Taoiseach Garret FitzGerald, where he serves until 1982. FitzGerald also appoints him to chair a Committee of Inquiry into the Irish penal system, and he chairs a Parole Board or Sentence Review Group for several years.
Whitaker also serves as Chancellor of the National University of Ireland (NUI) from 1976 to 1996. He was also President of the Royal Irish Academy (RIA) and as such, a member of the Board of Governors and Guardians of the National Gallery of Ireland, from 1985 to 1987. He has a very strong love for the Irish language throughout his career and the collection of Irish poetry, An Duanaire: Poems of the Dispossessed 1600–1900, edited by Seán Ó Tuama and Thomas Kinsella is dedicated to Whitaker. From 1995 to 1996 he chairs the Constitution Review Group, an independent expert group established by the government, which publishes its report in July 1996.
Whitaker receives many national and international honours and tributes for his achievements during his lifetime, most notably the conferral of “Irishman of the 20th Century” in 2001 and Greatest Living Irish Person in 2002. In November 2014, the Institute of Banking confers an Honorary Fellowship on him and creates an annual T. K. Whitaker Scholarship in his name. In April 2015, he is presented with a lifetime achievement award by University College Dublin‘s Economics Society for his outstanding contribution to Ireland’s economic policy.
In November 2016, to mark his centenary year, Dún Laoghaire–Rathdown County Council acknowledges Whitaker’s “outstanding and progressive contribution to Irish public service and to society.” The Cathaoirleach of Dún Laoghaire–Rathdown, Cormac Devlin, presents a special award to Whitaker which is accepted by Ken Whitaker on behalf of his father.
Whitaker marries Nora Fogarty in 1941 and they have six children. After his wife’s death in 1994, he remarries, to Mary Moore in 2005. The couple is invited to Áras an Uachtaráin in 2006 for his 90th birthday by the President of IrelandMary McAleese. Mary Moore Whitaker dies in 2008. T. K. Whitaker turns 100 in December 2016 and dies a month later on January 9, 2017, having survived both of his wives. He is buried at Shanganagh Cemetery, Shankill, Dublin.
seamus dubhghaill 