seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Death of Dramatist John Millington Synge

John Millington Synge, a leading figure in the Irish Literary Revival, dies in Dublin, on March 24, 1909. He is a poetic dramatist of great power who portrays the harsh rural conditions of the Aran Islands and the western Irish seaboard with sophisticated craftsmanship.

Synge is born in Newtown Villas, Rathfarnham, County Dublin, on April 16, 1871. He is the youngest son in a family of eight children. His parents are members of the Protestant upper middle class. His father, John Hatch Synge, who is a barrister, comes from a family of landed gentry in Glanmore Castle, County Wicklow.

Synge is educated privately at schools in Dublin and Bray, and later studies piano, flute, violin, music theory and counterpoint at the Royal Irish Academy of Music. He enters Trinity College, Dublin, in 1889. He graduates with a BA in 1892, having studied Irish and Hebrew, as well as continuing his music studies and playing with the Academy Orchestra in the Antient Concert Rooms.

After studying at Trinity College and at the Royal Irish Academy of Music in Dublin, Synge pursues further studies from 1893 to 1897 in Germany, Italy, and France. In 1894 he abandons his plan to become a musician and instead concentrates on languages and literature. He meets William Butler Yeats while studying at the Sorbonne in Paris in 1896. Yeats inspires him with enthusiasm for the Irish renaissance and advises him to stop writing critical essays and instead to go to the Aran Islands and draw material from life. Already struggling against the progression of Hodgkin’s lymphoma which is untreatable at the time and eventually leads to his death, Synge lives in the islands during part of each year between 1898 and 1902, observing the people and learning their language, recording his impressions in The Aran Islands (1907) and basing his one-act plays In the Shadow of the Glen and Riders to the Sea (1904) on islanders’ stories. In 1905 his first three-act play, The Well of the Saints, is produced.

Synge’s travels on the Irish west coast inspire his most famous play, The Playboy of the Western World (1907). This morbid comedy deals with the moment of glory of a peasant boy who becomes a hero in a strange village when he boasts of having just killed his father but who loses the villagers’ respect when his father turns up alive. In protest against the play’s unsentimental treatment of the Irishmen’s love for boasting and their tendency to glamorize ruffians, the audience riots at its opening at Dublin’s Abbey Theatre. Riots of Irish Americans accompany its opening in New York City in 1911, and there are further riots in Boston and Philadelphia. Synge remains associated with the Abbey Theatre, where his plays gradually win acceptance, until his death. His unfinished Deirdre of the Sorrows, a vigorous poetic dramatization of one of the great love stories of Celtic mythology, is performed there in 1910.

John Millington Synge dies at the Elpis Nursing Home in Dublin on March 24, 1909, at the age of 37, and is buried in Mount Jerome Cemetery and Crematorium, Harold’s Cross, Dublin.

In the seven plays he writes during his comparatively short career as a dramatist, Synge records the colourful and outrageous sayings, flights of fancy, eloquent invective, bawdy witticisms, and earthy phrases of the peasantry from County Kerry to County Donegal. In the process he creates a new, musical dramatic idiom, spoken in English but vitalized by Irish syntax, ways of thought, and imagery.

 

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Birth of Lady Gregory, Writer & Playwright

lady-gregoryIsabella Augusta, Lady Gregory (née Isabella Augusta), Irish playwright, folklorist and theatre manager, is born on March 15, 1852 at Roxborough, County Galway. Her translations of Irish legends, her peasant comedies and fantasies based on folklore, and her work for the Abbey Theatre, play a considerable part in the late 19th-century Irish Literary Revival.

Augusta is the youngest daughter of the Anglo-Irish gentry family Persse. Her mother, Frances Barry, is related to Standish O’Grady, 1st Viscount Guillamore, and her family home, Roxborough, is a 6,000-acre estate located between Gort and Loughrea, the main house of which is later burned down during the Irish Civil War. She is educated at home, and her future career is strongly influenced by the family nanny, Mary Sheridan, a Catholic and a native speaker of the Irish language, who introduces the young Augusta to the history and legends of the local area.

In 1880 Augusta marries Sir William Henry Gregory, a neighbouring landowner who had previously served as a Member of Parliament and as governor of Ceylon. He is a well-educated man with many literary and artistic interests, and his estate at Coole Park houses a large library and extensive art collection, both of which Lady Gregory is eager to explore. He also has a house in London, where the couple spends a considerable amount of time.

Lady Gregory’s literary career does not begin until after Sir Gregory’s death in 1892. In 1896 she meets William Butler Yeats and becomes his lifelong friend and patron. She takes part in the foundation of the Irish Literary Theatre in 1899 and becomes a director of the Abbey Theatre in 1904, which owes much of its success to her skill at smoothing the disputes among its highly individualistic Irish nationalist founders. As a playwright, she writes pleasant comedies based on Irish folkways and picturesque peasant speech, offsetting the more tragic tones of the dramas of Yeats and John Millington Synge.

Lady Gregory writes or translates nearly forty plays. Seven Short Plays (1909), her first dramatic works, are among her best, vivid in dialogue and characterization. The longer comedies, The Image and Damer’s Gold, are published in 1910 and 1913 and her strange realistic fantasies, The Golden Apple and The Dragon, in 1916 and 1920. She also arranges and makes continuous narratives out of the various versions of Irish sagas, translating them into an Anglo-Irish peasant dialect that she labels “Kiltartan.” These are published as Cuchulain of Muirthemne (1902) and Gods and Fighting Men (1904).

Lady Gregory returns to live in Galway after ill health forces her retirement from the Abbey Theatre board in 1928, although she continues to visit Dublin regularly. The house and demesne at Coole Park is sold to the Irish Forestry Commission in 1927, with Lady Gregory retaining life tenancy. Her Galway home had long been a focal point for the writers associated with the Irish Literary Revival, and this continues after her retirement. On a tree in what were the grounds of the house, one can still see the carved initials of Synge, Æ, Yeats and his artist brother Jack, George Moore, Seán O’Casey, George Bernard Shaw, Katharine Tynan and Violet Martin.

Lady Gregory, whom Shaw once described as “the greatest living Irishwoman,” dies at the age of 80 on May 22, 1932 at home from breast cancer. She is buried in the New Cemetery in Bohermore, County Galway. The entire contents of Coole Park are auctioned three months after her death, and the house is demolished in 1941.


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Birth of George Moore, Writer, Poet & Dramatist

george-augustus-mooreGeorge Augustus Moore, novelist, short story writer, poet, art critic, memoirist, and dramatist, is born in Moore Hall, near Lough Carra, County Mayo on February 24, 1852. He is considered an innovator in fiction in his day.

Moore comes from a distinguished Catholic family of Irish landholders. When he is 21, he leaves Ireland for Paris to become a painter. His Reminiscences of the Impressionist Painters (1906) vividly describes the Café Nouvelle-Athènes and the circle of Impressionist painters who frequent it. He is particularly friendly with Édouard Manet, who sketches three portraits of him. Another account of the years in Paris, in which he introduces the younger generation in England to his version of fin de siècle decadence, is his first autobiography, Confessions of a Young Man (1888).

Deciding that he has no talent for painting, Moore returns to London in 1882 to write. His first novels, A Modern Lover (1883) and A Mummer’s Wife (1885), introduce a new note of French Naturalism into the English scene, and he later adopts the realistic techniques of Gustave Flaubert and Honoré de Balzac. Esther Waters (1894), his best novel, deals with the plight of a servant girl who has a baby out of wedlock. It is a story of hardship and humiliation illumined by the novelist’s compassion. It is an immediate success, and he follows it with works in a similar vein: Evelyn Innes (1898) and Sister Teresa (1901).

In 1901 Moore moves to Dublin, partly because of his loathing for the South African War and partly because of the Irish Literary Revival spearheaded by his friend, the poet William Butler Yeats. In Dublin he contributes notably to the planning of the Abbey Theatre. He also produces The Untilled Field (1903), a volume of fine short stories reminiscent of Ivan Turgenev’s writing that focuses on the drudgery of Irish rural life, and a short poetic novel, The Lake (1905). The real fruits of his life in Ireland, however, come with the trilogy Hail and Farewell (Ave, 1911; Salve, 1912; Vale, 1914). Discursive, affectionate, and satirical by turns, it reads like a sustained monologue that is both a carefully studied piece of self-revelation and an acute, though not always reliable, portrait gallery of his Irish acquaintance, which included Yeats, George William Russell, and Lady Gregory. Above all it is a perfectly modulated display of the comic spirit.

The increasing narrowness of the Irish mind, politics, and clericalism sends Moore back to England in 1911. After Hail and Farewell he makes another literary departure. Aiming at epic effect he produces The Brook Kerith (1916), an elaborate and stylish retelling of the Gospel story that is surprisingly effective despite some dull patches. He continues his attempts to find a prose style worthy of epic theme in Héloïse and Abélard (1921). His other works include A Story-Teller’s Holiday (1918), a blend of autobiography, anecdote, Irish legend, and satire, Conversations in Ebury Street (1924), autobiography, The Pastoral Loves of Daphnis and Chloe (1924) and Ulick and Soracha (1926), an Irish legendary romance.

George Moore dies at his home at Ebury Street in the London district of Belgravia on January 21, 1933, leaving a fortune of £70,000. He is cremated in London at a service attended by Ramsay MacDonald among others. An urn containing his ashes is interred on Castle Island in Lough Carra in view of the ruins of Moore Hall, which had been burned by anti-treaty forces in 1923, during the final months of the Irish Civil War.


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Death of Teresa Deevy, Playwright & Writer

teresa-deevyTeresa Deevy, deaf Irish playwright, short story writer, and writer for radio, dies in Waterford, County Waterford on January 19, 1963.

Deevy is born on January 21, 1894 in Waterford. She is the youngest of 13 siblings, all girls. Her mother is Mary Feehan Deevy and her father is Edward Deevy who passes away when she is two years old.

Deevy attends the Ursuline Convent in Waterford and in 1913, at the age of 19, she enrolls in University College Dublin, to become a teacher. However, that same year, she becomes deaf through Ménière’s disease and has to relocate to University College Cork so she can receive treatment in the Cork Ear, Eye, and Throat Hospital, while also being closer to the family home. In 1914 she goes to London to learn lip reading and returns to Ireland in 1919. She starts writing plays and contributing articles and stories to the press around 1919.

Deevy’s return to Ireland takes place during the Irish War of Independence and this heavily influences her writing and ideology as she is heavily involved in the nationalistic cause. She heavily admires Constance Markievicz and joins Cumann na mBan, an Irish women’s Republican group and auxiliary to the Irish Volunteers.

In 1930 Deevy has her first production at the Abbey Theatre, Reapers. Many more follow in rapid succession, such as In Search of Valour, Temporal Powers, The King of Spain’s Daughter and Katie Roche, the play she is perhaps best known for. Her works are generally very well received with some of them winning competitions, becoming headline performances, or being revived numerous times. After a number of plays staged in the Abbey, her relationship with the theater sours over the rejection of her play, Wife to James Whelan in 1937.

After Deevy stops writing plays for the Abbey, she mainly concentrates on radio, a remarkable feat considering she had already become deaf before radio had become a popular medium in Ireland in the mid-to-late 1920s. She has a prolific output for twenty years on Raidio Éireann and on the BBC.

Deevy is elected to the prestigious Irish Academy of Letters in 1954, as a recognition to her contribution to the Irish theater. Her sister, Nell, with whom she had lived in Dublin, dies in the same year, so she returns to Waterford. She becomes a familiar figure in Waterford as she cycles around the city on her “High Nelly” bike.

When Deevy’s health begins to fail she is eventually admitted to the Maypark Nursing Home in Waterford. She dies there on January 19, 1963, at the age of 68, two days before her birthday.


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Birth of Playwright St. John Greer Ervine

st-john-greer-ervineSt. John Greer Ervine, unionist playwright, author, critic, and manager of the Abbey Theatre from 1915 to 1916, is born in Ballymacarrett, Belfast on December 28, 1883. He is considered to be the founding father of modern Northern Irish drama.

Although accepted to study at Trinity College, Dublin, circumstances force Ervine to leave school at the age of 15 to begin working in an insurance office.

Two years later, Ervine immigrates to London, where he discovers a love for the theatre. He begins his writing career with Mixed Marriage (1911), an Ulster tragedy, and produces three plays between 1911 and 1915. In 1915, after a meeting with William Butler Yeats in London, he becomes the director of the Abbey Theatre in Dublin. It is however, not a happy appointment as his personality and politics clash with the management of the theatre.

Ervine then joins the Royal Dublin Fusiliers and fights in Flanders, losing a leg in the conflict. Returning home, he feels increasingly alienated by nationalism and more attracted to the unionism of his family background. He becomes a vehement detractor of the south, describing Ireland in a letter to George Bernard Shaw as brimming with “bleating Celtic Twilighters, sex-starved Daughters of the Gael, gangsters and gombeen men.”

Ervine is a distinctively Ulster orientated writer, focusing on a naturalistic portrayal of rural and urban life. His most famous and popular work amongst his Northern Irish audience is Boyd’s Shop (1936), which becomes one of the Ulster Group Theatre’s stalwart productions. The play is a classic of the homely yet sincere Ulster genre and centres around the struggles of the folk that Ervine grew up with in his grandmother’s shop on the Albertbridge Road. Ervine creates in Boyd’s Shop a template for Ulster theatre that is to dominate until the advent of Samuel Thompson‘s Over the Bridge.

Ervine’s reactionary unionism and anti-southern hatred becomes more pronounced as he ages and eclipses his more subtle characteristics and abilities as a writer. Although many of his novels and plays are at times clouded by his prejudices, they are also very often capable of tremendous feeling and humanity showing he is a writer of note.

St. John Greer Ervine dies at the age of 87 in London on January 24, 1971.


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Birth of Hugh Leonard, Dramatist, Writer & Essayist

hugh-leonardHugh Leonard, Irish dramatist, television writer and essayist, is born in Dublin on November 9, 1926. In a career that spans 50 years, he writes nearly 30 full-length plays, 10 one-act plays, three volumes of essays, two autobiographies, three novels and numerous screenplays and teleplays, as well as writing a regular newspaper column.

After birth, Leonard is put up for adoption. Raised in Dalkey, a suburb of Dublin, by Nicholas and Margaret Keyes, he changes his name to John Keyes Byrne. For the rest of his life, despite the pen name of “Hugh Leonard” which he later adopts and becomes well known by, he invites close friends to call him “Jack.”

Leonard is educated at the Harold Boys’ National School, Dalkey, and Presentation College, Glasthule, winning a scholarship to the latter. He works as a civil servant for fourteen years. During that time he both acts in and writes plays for community theatre groups. His first play to be professionally produced is The Big Birthday, which is mounted by the Abbey Theatre in Dublin in 1956. His career with the Abbey Theatre continues until 1994. After that his plays are produced regularly by Dublin’s theatres.

Leonard moves to Manchester for a while, working for Granada Television before returning to Ireland in 1970. There he settles in Dalkey.

During the 1960s and 1970s, Leonard is the first major Irish writer to establish a reputation in television, writing extensively for television including original plays, comedies, thrillers and adaptations of classic novels for British television. He is commissioned by RTÉ to write Insurrection, a 50th anniversary dramatic reconstruction of the Easter Rising of 1916. His Silent Song, adapted for the BBC from a short story by Frank O’Connor, wins the Prix Italia in 1967. He writes the script for the RTÉ adaptation of Strumpet City by James Plunkett.

Three of Leonard’s plays have been presented on Broadway: The Au Pair Man (1973), which stars Charles Durning and Julie Harris, Da (1978) and A Life (1980). Of these, Da, which originates off-off-Broadway at the Hudson Guild theatre before transferring to the Morosco Theatre, is the most successful, running for 20 months and 697 performances, then touring the United States for ten months. It earns Leonard both a Tony Award and a Drama Desk Award for Best Play. It is made into a film in 1988, starring Martin Sheen and Barnard Hughes, who reprises his Tony Award-winning Broadway performance.

Leonard writes two volumes of autobiography, Home Before Night (1979) and Out After Dark (1989). Some of his essays and journalism are collected in Leonard’s Last Book (1978) and A Peculiar People and Other Foibles (1979). In 1992 the Selected Plays of Hugh Leonard is published. Until 2006 he writes a humorous weekly column, “The Curmudgeon,” for the Irish Sunday Independent newspaper. He has a passion for cats and restaurants, and an abhorrence of broadcaster Gay Byrne.

Even after retiring as a Sunday Independent columnist, Leonard displays an acerbic humour. In an interview with Brendan O’Connor, he is asked if it galls him that Gay Byrne is now writing his old column. His reply is, “It would gall me more if he was any good at it.” He is a patron of the Dublin Theatre Festival.

In 1994, Leonard appears in a televised interview with Gerry Adams, president of Sinn Féin, an Irish political party associated with the Provisional Irish Republican Army. He has long been an opponent of political violence and a critic of the IRA. However, on the show and afterwards he is criticised for being “sanctimonious and theatrical” towards Adams. At one point he refers to Sinn Féin as “dogs.”

Hugh Leonard – Odd Man In, a film on his life and work is shown on RTÉ in March 2009. Leonard’s final play, Magicality, is not performed during his lifetime. A rehearsed reading of the second act is staged at the Dalkey Castle and Heritage Centre in June 2012.

Hugh Leonard dies after a long illness on February 12, 2009 in his hometown of Dalkey at the age of 82, leaving €1.5 million in his will.


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Birth of Actress Sara Ellen Allgood

sara-allgoodSara Ellen Allgood, Irish American actress,is born to a Catholic mother and Protestant father in Dublin on October 31, 1879.

Allgood joins Inghinidhe na hÉireann (“Daughters of Ireland”), where she first begins to study drama under the direction of Maud Gonne and William Fay. She begins her acting career at the Abbey Theatre and is in the opening of the Irish National Theatre Society. Her first big role is in December 1904 at the opening of Lady Gregory‘s Spreading the News. By 1905 she is a full-time actress, touring England and North America.

In 1915 Allgood is cast as the lead in Peg o’ My Heart which tours Australia and New Zealand in 1916. She marries her leading man, Gerald Henson, in September 1916 in Melbourne, however, her happiness is short lived. She gives birth to a daughter named Mary in January 1918, who dies just a day later. Her husband dies of influenza during an outbreak in November 1918. After her return to Ireland she continues to perform at the Abbey Theatre. Her most memorable performance is in Seán O’Casey‘s Juno and the Paycock in 1923. She wins acclaim in London when she plays Bessie Burgess in O’Casey’s The Plough and the Stars in 1926.

Allgood is frequently featured in early Alfred Hitchcock films, such as Blackmail (1929), Juno and the Paycock (1930), and Sabotage (1936). She also has a significant role in Storm in a Teacup (1937).

After many successful theatre tours in the United States, she settles in Hollywood in 1940 to pursue an acting career. She is nominated for the Academy Award for Best Supporting Actress for her role as Beth Morgan in the 1941 film How Green Was My Valley. She also has memorable roles in the 1941 retelling of Dr. Jekyll and Mr. Hyde, It Happened in Flatbush (1942), Jane Eyre (1943), The Lodger (1944), The Keys of the Kingdom (1944), The Spiral Staircase (1946), The Fabulous Dorseys (1947), and the original Cheaper by the Dozen (1950).

Allgood becomes a United States citizen in 1945 and dies of a heart attack on September 13, 1950 in Woodland Hills, California.

(Note: Many accounts give October 31, 1879 as her date of birth. Her headstone also gives 1879 as her year of birth. However, her sister Margaret is born on August 1, 1879, meaning she could not have been born in that year. Sara Allgood may have been born on October 31, 1880 but her parents may have been late registering her.)