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Death of Thomas Antisell, Physician, Scientist, Professor & Young Irelander

Thomas Antisell, physician, scientist, professor, and Young Irelander, dies in Washington, D.C., on June 14, 1893. He fights in the American Civil War, and serves as an advisor to the Japanese Meiji government.

Antisell is born in Dublin on January 16, 1817, the youngest son of Thomas Christopher Antisell KC (home circuit) and Margaret (née) Daly. He attends the Dublin School of Medicine, the Apothecaries’ Hall of Ireland, and the Royal College of Surgeons of England in London, graduating from the latter with an MD in November 1839. He studies chemistry in Paris and Berlin in 1844. Upon his return to Dublin in 1845, he secures a lectureship in botany at the Peter St. School of Medicine, teaching there until 1848. After this, he opens a clinic at his residence of 25 Richmond Street, Portobello. He works as an assistant to Robert Kane, and between 1845 and 1847, produces textbooks on Irish geology and chemistry. He becomes a member of the Royal Dublin Society (RDS) in 1844.

Antisell is a member of the Young Ireland movement of the 1840s, and joins the Irish Confederation in 1847. With a group of five friends in the republican movement, including Richard D’Alton Williams and Kevin O’Doherty, he sets up a short-lived revolutionary newspaper, The Irish Tribune, in June 1848 to take the place of the suppressed United Irishman, founded by John Mitchel. The paper is closed down on the grounds of sedition in July 1848 after just five issues. Following the closure of the paper, he emigrates to the United States, arriving in New York City on November 22, 1848. Some sources claim this departure is to evade arrest or charges relating to sedition. Although he is no longer politically active following his departure from Ireland, he is a close friend of John Mitchel and his family. He marries his first wife, Eliza Ann Nowlan, in 1841. She dies shortly after their arrival in the United States.

Antisell sets up and operates a clinic and medical laboratory in New York City from 1848 to 1854, while also lecturing in chemistry in a number of medical colleges in Massachusetts and Vermont. He takes up a post as expedition geologist and botanist on state surveys in southern Arizona, New Mexico, and California, working primarily with Lt. John Parke investigating the proposed routes for the Southern Pacific Railroad from 1854 to 1856. His work on the geology of the region adds to greater understanding of the science in America. In 1856, he is employed as chief examiner in the U.S. Patent Office in Washington, D.C., with responsibility for chemical inventions. This work allows him to also lecture in chemistry at Georgetown University, eventually covering other subjects such as toxicology, military surgery, physiology, hygiene, and pathology, over the periods 1858 to 1869, and 1880 to 1882.

Breaking with Mitchel who, as defender of slavery, supports the southern secessionist cause, Antisell serves in the Union Army during the American Civil War. He is a brigade surgeon in the United States Volunteers from 1861, and later the medical director of the 12th army corps. He concludes his service as surgeon-in-charge of Harewood Hospital, Washington, D.C., in October 1865, being granted a brevet commission as colonel. From 1866 to 1871, he is chief chemist in the U.S. Department of Agriculture. He marries his second wife, Marion Stuart Forsyth from Detroit, in 1854. They go on to have twelve children, six daughters and six sons.

In 1848, Antisell is Professor of Chemistry at Berkshire Medical College in Pittsfield, Massachusetts. In 1854 he is Professor of Chemistry at the Medical College at Woodstock, Vermont. From 1869 to 1870 he is Professor of Chemistry at Maryland Agricultural College.

Antisell is one of several scientists that are hired in 1871 as foreign government advisors to work in Hokkaido in northern Japan under Horace Capron. He is selected for his strong background in chemistry coupled with geology. However, he disagrees with Capron on whether or not Hokkaido’s severe winter climate will hinder development, and he also comes into conflict with the Japanese government over his salary. As a result, Hokkaido Colonisation Office hires another geologist, and Antisell’s report is excluded in the 1875 compilation of official reports. He serves his remaining time in Japan as a chemist for the Ministry of Finance, where he develops inks used for the printing of paper currency. For his services, he is awarded the Order of the Rising Sun by Emperor Meiji before his departure in 1876.

Upon returning to the United States, Antisell is conferred with a PhD in 1876 by Georgetown University, and once again takes up duties at the Patent Office, remaining there until his retirement. He publishes widely in numerous journals on topics such as agricultural chemistry, botany, oceanography, city sanitation, and animal disease, but he does not publish a significant treatise.

Antisell dies in Washington, D.C., on June 14, 1893, and is buried in the Congressional Cemetery.


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Birth of Bindon Blood Stoney, Civil Engineer

Bindon Blood Stoney FRS, a civil engineer who also makes some significant contributions to astronomy, is born on June 13, 1828, at Oakley Park, King’s County (now County Offaly).

Stoney is the younger son of George Stoney and Anne Blood, second daughter of Bindon Blood of Cranagher and Rockforest, County Clare. His brother is the physicist George Johnstone Stoney, known for coining the term electron for the fundamental unit of electricity. He is also the uncle of another Irish physicist George Francis FitzGerald, the son of his sister Anne Frances. His nieces are Edith Anne Stoney, a pioneer medical physicist, and Florence Stoney, the first female radiologist in the United Kingdom. Both serve in hospitals near the front line during World War I.

Stoney is privately educated at home while his father’s properties lose value in the post-Napoleonic depression and are sold during the famine of 1845–49. He then attends Trinity College Dublin (TCD), where in 1850 he obtains his BA and a diploma in civil engineering with distinction. He marries Susannah Frances Walker on October 7, 1879; they have four children.

In 1850–52, prior to beginning his engineering work, Stoney assists William Parsons, 3rd Earl of Rosse at Parsonstown. There he accurately maps the spiral form of the Andromeda Galaxy and observes 105 New General Catalogue (NGC) objects and 8 Index Catalogues (IC) objects. Ninety-one of the NGC objects and all of the IC objects are new. On March 1, 1851, he discovers the spiral galaxy NGC 5609, which is the most distant visually observed galaxy in the NGC catalogue.

Bindon’s career in engineering commences when he works on surveys for the Aranjuez to Almansa railway in Spain from 1852 to 1853. Upon returning to Ireland in 1854, he is appointed as resident engineer under James Barton on the Boyne railway viaduct until its completion in 1855. This viaduct claims to have the longest span in the world and has the world’s longest girders at the time.

Bindon’s groundbreaking work building a metal bridge with a span of such dimensions using shock-absorbent wrought-iron latticed bars instead of a continuity of plate with Barton is possibly the first of its kind. It is the basis for his later two-volume publication The theory of strains in girders and similar structures, with observations on the strength and other properties of materials (1866), nicknamed “Stoney on strains” and reproduced in two further editions.

Bindon becomes an associate of the Institution of Civil Engineers (ICE) in January 1858 and a full member in November 1863.

In 1856, Bindon is appointed as assistant engineer to George Halpin, Jr. at the Ballast Board on Westmoreland Street and in 1859 he is appointed as Executive Engineer. He is ambitious and an engineering innovator who comes up with a cheap way to develop the Dublin Port – something appreciated by the board but they also do not want to upset Halpin. When Halpin retires, Stoney becomes the new inspector of works and in 1868, becomes the first chief engineer of the newly constituted Dublin Port and Docks Board.

Bindon designs a large dredging plant and rebuilds nearly 7,000 feet of quay walls along both north and south banks of the River Liffey, replacing the tidal berths by deep water berths. Additionally, the northern quays are lengthened eastward and the formation of Alexandra Basin begins in 1871 and is partially completed by 1885. In addition to harbour works, he is in charge of the design and construction of two major bridges that cross the River Liffey. In 1872–1875 he largely rebuilds Essex Bridge, designed in the 1750s by George Semple to his own flamboyant design. It is renamed Grattan Bridge after Henry Grattan. In 1877–80 he redesigns the 1790s Carlisle Bridge of James Gandon, renamed O’Connell Bridge after Daniel O’Connell, to provide a crossing linking Sackville (later O’Connell) Street with the converging streets to the south. He builds a new iron swing bridge in 1877–1879, just west of The Custom House named Beresford Bridge.

Stoney invents a diving bell, and means to use precast concrete. Toward the end of his career, he erects the North Bull Lighthouse (1877–80) to replace the inadequate light on the Bull Wall marking the northern side of the Dublin port channel entrance opposite Poolbeg Lighthouse before finally retiring in 1898.

Stoney is admitted to the Royal Irish Academy (RIA) in 1857. He is given an honorary degree by University College Dublin (UCD) in recognition of his achievements and is later elected President of the Institution of Engineers of Ireland in 1871. In 1874, he is awarded the Telford Medal and Telford premium of the Institution of Civil Engineers for a paper documenting his work on the northern quays. He is elected Fellow of the Royal Society on June 2, 1881.

Stoney dies in Dublin on May 5, 1909, and he is buried in Mount Jerome Cemetery. Stoney Road in East Wall is named after him.


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Birth of Kevin McNamara, Catholic Archbishop of Dublin

Kevin McNamara, a senior Catholic academic and bishop who serves for three years as Archbishop of Dublin, is born on June 10, 1926, in Newmarket-on-Fergus, County Clare. In the early 1980s he is seen as one of the most outspoken members of the Irish hierarchy on issues such as abortion and divorce.

McNamara is ordained a priest in St. Patrick’s College Maynooth in June 1949. His natural academic talent is recognised and he is soon appointed to teach moral theology rising to become Professor of Dogmatic Theology.

In 1976, McNamara is appointed by Pope Paul VI to succeed Bishop Eamon Casey in the Diocese of Kerry and is ordained bishop in November 1976 from Cardinal William Conway.

In office, McNamara and the neighbouring Bishop of Limerick, Jeremiah Newman, become the most outspoken conservative voices in the Irish hierarchy. They are seemingly out of step with the more diplomatic Archbishop of Armagh and Primate of All Ireland, Tomás Ó Fiaich, and with the Archbishop of Dublin and Primate of Ireland, Dermot Ryan.

McNamara and Newman are particularly outspoken on the issue of a proposed anti-abortion amendment to the Constitution of Ireland. While other bishops advocate people vote with their conscience in the referendum on the issue, McNamara and Newman instruct Catholics that they have a duty to “vote yes” to the referendum.

In 1984, the Archdiocese of Dublin becomes vacant when Archbishop Ryan is given a senior appointment in the Roman Curia. Ryan is expected to be made a cardinal as a result of the appointment but dies suddenly in office before a consistory can be held. McNamara’s selection to replace the more liberal Ryan in Dublin creates media reports linking his appointment to the ongoing tensions between the papal nuncio in Ireland, Archbishop Gaetano Alibrandi, and the liberal Fine Gael–Labour Party coalition under Garret FitzGerald. Relations between Alibrandi and the coalition break down, with the government requesting that Alibrandi be removed because of his suspected closeness to Irish republicans in Sinn Féin and to the opposition Fianna Fáil party and in particular its leader, Charles Haughey. Critics accused Alibrandi of engineering McNamara’s appointment in the belief that the outspoken McNamara can help derail the coalition’s liberal policies on divorce and contraception.

McNamara, as expected, takes a far more outspoken stance of issues than had Ryan previously. While the coalition succeeds in liberalising the law on contraception, its efforts to amend the constitution on divorce are defeated.

McNamara’s service in Dublin is short-lived. Already suffering from what proves to be terminal cancer, he dies on April 8, 1987 after a three year battle with the disease, months after the Fine Gael minority government is defeated in the 1987 Irish general election. He is succeeded as archbishop by a university lecturer, Desmond Connell.

In the early 2000s, amid growing scandals within the Catholic Church in Ireland about clerical sex abuse, it is revealed that as archbishop McNamara had sought legal advice as to the Church’s liability arising from such abuse.


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Birth of Dudley Digges, Irish Stage Actor, Director & Producer

John Dudley Digges, Irish stage actor, director, and producer as well as a film actor, is born in Ranelagh, Dublin, on June 9, 1879. Although he gains his initial theatre training and acting experience in Ireland, the vast majority of his career is spent in the United States, where over the span of 43 years he works in hundreds of stage productions and performs in over 50 films.

Digges is the child of James Digges and Catherine Forsythe. He becomes acquainted with theatre directors William and Frank Fay and takes an interest in acting. He joins W. G. Fay’s Irish National Dramatic Company, along with others including Máire Nic Shiubhlaigh, James H. Cousins, Frederick Ryan and Maire Quinn (who becomes his wife). Their first production, Cathleen Ni Houlihan, with Maud Gonne in the lead role, and Déirdre, is on April 2, 1902. The company, which has no funds to speak of, acquires a couple of bare rooms at 34 Lower Camden Street, which with the help of friends from Irish-revival societies they turn into a small theatre. However, this proves too small for the plays they are planning to stage. They rehearse at the Coffee Palace in Westmoreland Street and also use the Molesworth Hall for productions.

In 1903, the playwrights and most of the actors and staff from these productions go on to form the Irish National Theatre Society, which has its registered offices in Camden Street. The society founds the Abbey Theatre.

Digges goes to the United States with a group of fellow-actors in 1904, and becomes successful as both actor and producer. He is stage manager for a time to both Charles Frohman and George Arliss, and by the 1920s he has become a notable performer on Broadway. One of his best-known roles there is as Ficsur in the original 1921 production of Ferenc Molnár‘s Liliom (later adapted into the musical Carousel by Rodgers and Hammerstein). In 1924, in Woodstock, New York, he founds the Maverick Theater with the assistance of Hervey White, who had established the Maverick Arts Colony. He is also artistic director of a company that includes Helen Hayes and Edward G. Robinson.

Digges expands his career into films by 1929, and over nearly two decades he performs in more than 50 films, including the original pre-Hays Code adaptation of The Maltese Falcon (1931). He Is cast in that feature as Casper Gutman, the character later portrayed by Sydney Greenstreet in the 1941 version. In The Invisible Man (1933) he plays the Chief Detective who plots to capture the title character, opposite the unseen Claude Rains. He plays the role of the Heavenly Examiner in both the original Broadway production and the 1930 screen version of Sutton Vane‘s Outward Bound. He also works as a director on Broadway.

Digges marries only once, to Irish actress Maire Quinn. The couple wed on August 27, 1907, in New York City and remain together until Maire’s death in August 1947. On October 24, 1947, just two months after his wife’s death, he dies of a stroke in his Manhattan apartment at 1 West 64th Street. He is survived by three siblings, all living in Ireland: a sister, Mrs. Mai Gannen, and two brothers, James and Ernst. Following a requiem mass at Blessed Sacrament Roman Catholic Church on October 28, he is buried next to his wife at Gate of Heaven Cemetery in Hawthorne, New York.

(Pictured: Digges as Boss Mangan in the 1920 Broadway production Heartbreak House, which he also directs)


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Birth of Seán McCaughey, Militant & Irish Republican Activist

Seán McCaughey (Irish: Seán Mac Eóchaidh), Irish militant and Republican activist, is born on June 8, 1915, in Aughnacloy, County Tyrone. He is an Irish Republican Army (IRA) leader in the 1930s and 1940s and a hunger striker.

In 1921, McCaughey’s family moves to the Ardoyne district in north Belfast. Hus father is a founding member of the Irish republican Dungannon Clubs and organizes the first branch of Sinn Féin in County Tyrone. As a teenager he joins the Gaelic League and Sinn Féin and also becomes a long time student and teacher of the Irish language in the Glens of Antrim. He joins the IRA in 1935 and in 1938 is promoted to Officer Commanding (O/C) of its Northern Command, headquartered near the town of Carrickmore, County Tyrone, which is the ancestral home of Joseph McGarrity and Patrick McCartan, both leaders of the Irish republican organization Clan na Gael. In December 1939, he is arrested and imprisoned at the Curragh Camp. After being released in 1940 he returns to the Northern Command of the IRA. He is held in high regard and is considered to be one of the best officers of the northern IRA. At the time of his arrest in Rathmines, Dublin, on September 2, 1941, he is acting Chief of Staff.

In September 1941, McCaughey is found guilty by a Dublin court of having detained and assaulted Stephen Hayes, IRA Chief of Staff, who was accused of being a spy for the Irish Free State government. Hayes escapes and later testifies against him at a Military Court. He is sentenced to death by firing squad. His sentence is commuted to a life sentence of penal servitude.

Imprisoned in Portlaoise Prison on July 24, 1941, McCaughey joins other IRA prisoners in the ongoing blanket protest. Refusing to wear a criminal’s prison clothes, he is kept in solitary confinement and spends nearly five years naked except for a blanket. This form of resistance by Irish republican prisoners is also used in the 1980s blanket protests in the Maze prison (also known as “Long Kesh”) and the HM Prison Armagh (women’s prison) in Northern Ireland. He and other Irish republican prisoners endure years of hardships. Sitting month after month, year after year in bleak solitary cells, they are taken out once a week for a bath, and for the rest of the week live the life of an animal trapped in a burrow. That they do not go mad is a remarkable comment on mans capacity for survival. During his almost five years in Portlaoise, he Is never permitted to have visitors.

McCaughey commences a hunger strike on April 19, 1946. After ten days, he stops taking water and dies on May 11, 1946, the twenty-third day of his protest. An inquest is held in the prison at which the prison doctor admits that during his over four and a half years of imprisonment that McCaughey had never been allowed out in the fresh air or sunlight and that “he would not treat his dog the way Seán McCaughey had been treated in Portlaoise.”

Sean McCaughey’s funeral cortege passes through large crowds in the streets of Dublin and proceeds north to Belfast where it is met by thousands of mourners at Holy Cross Church, Ardoyne. He Is buried in a family grave in Milltown Cemetery, which is under the care of the National Graves Association, Belfast.

McCaughey is the last person to die on hunger strike in the Irish state. There is a long history of hunger striking in Ireland – within the 20th century a total of 22 Irish republicans die on hunger strike with survivors suffering long-term health and psychological effects. Four men die during the 1920 Cork hunger strike. The largest hunger strike in Irish history is the 1923 Irish hunger strikes, during which five men die. Ten men die during the 1981 Irish hunger strike.

(Pictured: Seán McCaughey (right) and Charlie McGlade, O’Connell Street, Dublin, 1941)


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Birth of Andrew O’Connor, American-Irish Sculptor

Andrew O’Connor, an American-Irish sculptor, is born in Worcester, Massachusetts, on June 7, 1874. His work is represented in museums in the United States, Ireland, Britain, and France.

O’Connor’s father, Andrew O’Connor (1846–1924), of Lanarkshire, Scotland, is a stonecutter who becones a professional sculptor. As a teenager, he apprentices to his father, helping him to design monuments for cemeteries.

For a time, O’Connor is in the London studio of the painter John Singer Sargent, and later works for the architects McKim, Mead & White in America and with the sculptor Daniel Chester French. Settling in Paris in the early years of the 20th century, he exhibits annually at the Paris Salon. In 1906 he is the first foreign sculptor to win the Second Class medal for his statue of General Henry Ware Lawton, now in Garfield Park in Indianapolis, Indiana. In 1928 he achieves a similar distinction by being awarded the Gold Medal for his Tristan and Iseult, a marble group now in the Brooklyn Museum. His work is also part of the sculpture event in the art competition at the 1928 Summer Olympics in Amsterdam.

A number of his plaster casts are in the Hugh Lane Gallery, Dublin, and there are works in Tate Britain, the Walters Art Museum, Baltimore, the Corcoran Gallery of Art, the Metropolitan Museum of Art and the Musée d’Art Moderne, Paris.

O’Connor is involved in a minor controversy in 1909 when he is commissioned to design a statue for Commodore John Barry, of the American Revolutionary-era navy. His first design is heatedly attacked by Irish American groups. He submits a second version, but it too is ultimately rejected, and the sculptor John J. Boyle received the commission.

O’Connor dies in Dublin on June 9, 1941.


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Death of Caitlín Maude, Poet, Actress & Language Revival Activist

Caitlín Maude, Irish language poet, language revival activist, and actress, dies in County Dublin on June 6, 1982. She is also well-known for her campaigns to improve the lives of women in Ireland.

Maude is born on May 22, 1941, in Casla, County Galway, and reared in the Irish language. Her mother, Máire Nic an Iomaire, is a school teacher, and she receives her primary education from her on a small island off the coast of Rosmuc. Her father, John Maude, is from Cill Bhriocáin township near Rosmuc. She attends secondary school at Coláiste Chroí Mhuire, Spiddal, an all-Irish language school in County Galway. She later credits one of her Irish language teachers there, Sister Ailbhe, as an early influence in cultivating her writing confidence.

Maude attends University College Galway, where she studies English, Irish, French, and Mathematics. She becomes a teacher, working in schools in Counties Kildare, Mayo, and Wicklow. She also works in other capacities in London and Dublin.

Maude begins writing modern literature in Irish in secondary school and develops a rhythm of poetry closely attuned to the rhythms of the Conamara Theas dialect of Connacht Irish, spoken in her native district. Though not conventionally religious, she admits in an interview that she has a deep interest in spirituality and that this has left its mark on her poetry. She is noted as a highly effective reciter of her own verse. Géibheann is the best-known of her poems, and is studied at Leaving Certificate Higher Level Irish in the Republic of Ireland. A posthumous collected edition, Caitlín Maude, Dánta, is published in 1984, Caitlín Maude: file in 1985 in Ireland and Italy, and Coiscéim in 1985.

Maude is widely known as an actress. She acts at the university, at An Taibhdhearc in Galway and the Damer Theatre in Dublin, and is particularly successful in a production of An Triail by Máiréad Ní Ghráda at the Damer Theatre in 1964. She plays the protagonist, Máire Ní Chathasaigh, an unmarried mother who experiences family rejection, a stay in a Magdalene laundry, and ultimately murders her infant child followed by suicide. In 2017, Former Irish Minister For Justice Máire Geoghegan-Quinn cites this performance as “pathbreaking”: “Caitlín Maude played the role, when nobody talked about the issue and when, as we know, women were still devalued, still caricatured, still incarcerated and disenfranchised if they became mothers out of wedlock.” Maude herself is a playwright and co-authors An Lasair Choille with poet Michael Hartnett.

Maude is very active in the  Celtic Revival. She founds An Bonnán Buí, an Irish-speaking social club in the 1970s in Dublin. As a member of the Dublin Metropolitan Gaelgeoir community, she is active in many direct action campaigns by the language revival organization Gluaiseacht Chearta Sibhialta na Gaeltachta, including the campaign that forces the Irish State to establish a Gaelscoil (Irish-medium primary school) Scoil Santain in the suburb of Tallaght, County Dublin. A second Irish language school, Scoil Chaitlin Maude, opens in Tallaght in 1985 shortly after her death. It begins as a two-room school with 35 children and has grown to a 16 room new building serving 345 children as of 2023.

Maude is also a distinguished sean-nós singer. She makes one album in this genre, Caitlín, released in 1975 on Gael Linn Records and now available as a CD. It contains both traditional songs and a selection of readings of her poetry.

Maude marries Cathal Ó Luain in 1969. They have one child Caomhán, their son.

Maude dies of complications from cancer on June 6, 1982, at the age of 41. She is buried in Bohernabreena graveyard, which overlooks the city from the Wicklow Mountains.

In 2001, a new writers’ centre in Galway is named after her: Ionad Scríbhneoirí Chaitlín Maude, Gaillimh.

Since Maude’s death, critics in several languages have continued to study her literary works. Irish writer and The Irish Times columnist Michael Harding cites her as one of a few examples of groundbreaking women to “spin the hurt and wound of their oppression, and weave new loves songs and laments.” Irish Studies professor Sarah McKibben notes that Maude’s innovation in the poem represents an instance of recent Irish writers transgressing “literary, nationalistic, sociolinguistic and gender norms to craft new ways of writing in Irish.”

According to Louis de Paor, “Although no collection of her work was published during her lifetime, Caitlín Maude had a considerable influence on Irish language poetry and poets, including Máirtín Ó Direáin, Micheál Ó hAirtnéide, Tomás Mac Síomóin, and Nuala Ní Dhomhnaill. That influence is a measure of the dramatic force of her personality, her exemplary ingenuity and commitment to the language, and her ability as a singer to embody the emotional disturbance at the heart of a song. Her collected poems are relatively slight, including incomplete drafts and fragments, but reveal a poetic voice confident of its own authority, drawing on the spoken language of the Connemara Gaeltacht but rarely on its conventions of oral composition or, indeed, on precedents in Irish poetry in either language. The best of her work is closer to the American poetry of the 1960s in its use of looser forms that follow the rhythms of the spoken word and the sense of the poem as direct utterance without artifice, a technique requiring a high degree of linguistic precision and formal control.”

Maude’s work has also been translated into English and Spanish. Spanish language critic Pura Coloma notes that Maude’s work played a role in preserving Connemaran culture, as she “utilizes her own style to replicate the deep rhythms and tonalities of the regional voice.”


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Birth of Irish Actor F. J. McCormick

F. J. McCormick (real name Peter Christopher Judge), an Irish actor who becomes known for his work at Dublin‘s Abbey Theatre, is born in Skerries, County Dublin, on June 1, 1890. He acquires the stage name “F.J. McCormick” to disguise his identity from his current and future employers, and to avoid parental disapproval. He joins the Abbey at age 19, and acts in some 500 productions there. He is especially remembered for his work in the plays of Seán O’Casey.

After living in Skerries in his early years, at age ten McCormick moves to Dublin and proceeds to live there for the majority of the duration of his life. He is educated locally in Skerries. His father, Michael Judge, is a maltser and later becomes a brewery manager. He is of medium height, with “expressive eyes” and thick brown hair. As a young man, he begins writing by contributing articles to the press. He works briefly as a post office clerk in London but returns to Dublin to work as a junior clerk in the Civil Service. He resigns from his public service career in 1918 and decides to embrace acting as a full-time career as a member of the Abbey Theatre at age 19.

McCormick’s mother dies when he is 2 years old. He and his family move to Dublin when he is 10 or 12 years old. He is raised in Skerries and attends the Holy Faith Convent for primary education. He describes his childhood in Skerries “as a very happy one.” He marries Eileen Crowe on December 2, 1925, in Rathdown. They meet at the Abbey where Crowe is also an actor. In describing their performances together, Seamus De Burca writes, “F. J. McCormick and Eileen Crowe lived a life together of perfect bliss.” The couple has two children, a son, David, and a daughter, Marie.

After moving briefly to London, McCormick returns to Dublin, where he works in the Civil Service. He also takes acting roles in the Workmen’s Club on York Street, and for the first time under the pseudonym by which he becomes known for roles with the Queen’s Theatre, Dublin. By May 1919, he has a leading role in an independent production of The Curate of St. Chad’s by Constance Powell Anderson at the Abbey Theatre. An attack on Irish acting by Edward Martyn is answered by McCormick in the pages of the journal Banba in June 1921.

McCormick acts in over 500 plays at the Abbey Theatre, becoming particularly associated with the plays of Sean O’Casey staged there. From 1923 to 1925, he is also stage manager at the Abbey. Of his performance as Seumus Sheilds in The Shadow of a Gunman, O’Casey says that the actor created a character greater than that which he had written. He plays Capt. Brennan in the filmed version of O’Casey’s The Plough and the Stars but it is his return to film in Carol Reed‘s Odd Man Out (1947) that sees him singled out for praise in contemporaneous reviews. The Irish Times writes that “the acting of the Irish players was unremittingly professional, and, in the case of F. J. McCormick, as Shell, a weak-minded and elderly corner-boy, quite outstanding.” The Times of London finds “it is Mr. F. J. McCormick as a sly, bird-like creature, who stops just the right side of informing, who catches most surely at the imagination.”

In their review of the film Hungry Hill (1947), The New York Times writes, “As the butler who served John Brodrick, his sons, and their sons in turn, the late F. J. McCormick is truly magnificent, giving an even more subtle portrayal of Irish character than he did as the wily tramp in Odd Man Out.”

In the last five years of McCormick’s life he continues to work in the Abbey where he acts in over 70 plays before his death. He only stars in one play in the theatre in the final year of his life, the play They Got What They Wanted playing the role of Bartley Murnaghan. He secures more leading roles in the film industry. He dies in Dublin at the age of 56 from a brain tumour on April 24, 1947. He is buried in Dean’s Grange Cemetery, Deansgrange, County Dublin. He continues to work right up until his death.

It is said that people regarded McCormick as one of the greatest actors in his era. This comes from his work in 500 plays and 4 films over his career. A year after his death, Barry Fitzgerald says he only knew of two actors with the gift that McCormick had and they were Charles Laughton and Charlie Chaplin.

There are many popular plays and films that McCormick is part of which are still remembered to this day by many, some of them include the original The Plough and the Stars in 1926 where he originates the role of Commandant Jack Clitheroe. He also plays the role of Captain Brennan in the John Ford film version of the play in 1936. In his appreciation for McCormick, Gabriel Fallon remembers him as both a great actor and a great man.

It is said that McCormick was one of the most versatile actors of his generation, his early death was a huge loss to the Irish arts and more specifically the Abbey Theatre where he carried most of his work.


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Death of Edward Hutchinson Synge, Irish Physicist

Irish physicist Edward Hutchinson Synge dies in a Dublin nursing home on May 26, 1957. He publishes a complete theoretical description of the near-field scanning optical microscope, an instrument used in nanotechnology, several decades before it is experimentally developed. He never completes university yet does significant original research in both microscopy and telescopy. He is the first to apply the principle of scanning in imaging, which later becomes important in a wide range of technologies including television, radar, and scanning electron microscopy.

Synge is born on June 1, 1890, in south Dublin, to Edward Synge and Ellen Frances Price. He is familiarly known as “Hutchie.” He is the nephew of playwright John Millington Synge and the older brother of distinguished mathematician and theoretical physicist John Lighton Synge who edits the collected works of Sir William Rowan Hamilton at Synge’s urging. He and brother John are great-great-great-grandsons of Irish bishop Hugh Hamilton. He is also the uncle of the mathematician Cathleen Synge Morawetz. Throughout his life he is very physically active, pursuing walking, cycling, swimming and sailing. In his later life, he takes up painting and is quite good at it.

In 1908, Synge enters Trinity College Dublin (TCD) to study Mathematics and Old Irish. For three years he is a brilliant student and wins several prizes and a Foundation Scholarship in mathematics in 1910. At the end of his third year, he comes into an inheritance from his uncle John Millington Synge, and in 1913 he drops out of university.

Starting in 1928, with encouragement from Albert Einstein, Synge launches on a period of intense productivity during which he lays the foundation for new kinds of microscopes and telescopes. Nobody, including his famous brother John, appreciates his achievements at the time. His work is overlooked for decades, but is now better-known thanks to the book The Life and Works of Edward Hutchinson Synge published by Living Edition in 2012.

On April 22, 1928, Synge writes to Einstein about an idea he has for a new microscopic imaging method in which an optical field scattered from a tiny gold particle can be used as a radically new light source. Einstein replies that although Synge’s method appears essentially unworkable, the basic ideas seem correct and he should publish his research.

There follows a remarkable period from 1928 to 1932 in which Synge produces all of his key works which he publishes in the Dublin Philosophical Magazine and Journal of Science. Remarkably, he does all of this work alone, without a laboratory, and while living at his home in Dundrum in the suburbs of Dublin. By 1932 he has laid out the theory of the near-field microscope and his description is incredibly accurate.

The idea is ahead of its time. In 1956, a similar theory is developed by John A. O’Keefe and in 1972, Eric Ash gives the first experimental demonstration of the technique using electromagnetic radiation. It is not until Synge’s original papers re-emerge in the 1980s that his priority is finally recognised.

Synge proposes a design for very large astronomical telescopes, based on multiple mirrors, an idea realised much later in Tucson, Arizona, and elsewhere. He also invents a new kind of remote sensing technique using searchlights. Today this is known as Lidar and uses pulsed lasers.

According to the people who know him best, Synge suffers from what today would be called Asperger syndrome. Becoming increasingly socially isolated, he drops out of university in 1913 and works alone without any support from the academic community until all work stops in 1932. In 1936, he has a mental breakdown and is committed to a Dublin nursing home where he remains until his death on May 26, 1957. He is buried with his parents in Dublin’s Mount Jerome Cemetery, with only a few relatives attending. It is much later that his niece, Cathleen Synge Morawetz, arranges to have “Scientist and Inventor” inscribed on the gravestone.