Praeger works in the National Library of Ireland in Dublin from 1893 to 1923. He co-founds and edits The Irish Naturalist, and writes papers on the flora and other aspects of the natural history of Ireland. He organises the Lambay Survey in 1905-06 and, from 1909 to 1915, the wider Clare Island Survey. He is an engineer by qualification, a librarian by profession and a naturalist by inclination.
Praeger is instrumental in developing advanced methodologies in Irish botany by inviting Knud Jessen, the acclaimed Danish expert in Glacial and Post-Glacial flora, to undertake research and teaching in Ireland. This leads to the establishment of “paleoecology” as a distinct field of study in Ireland.
A vice-county system is adopted by Praeger, dividing Ireland into forty vice-counties based on the counties. However, the boundaries between them does not always correspond to the administrative boundaries and there are doubts as to the correct interpretation of them.
Praeger dies in a Belfast hospital on May 5, 1953 and is buried in Dean’s Grange Cemetery, Dublin, together with his wife Hedwig. His younger sister Rosamond Praeger is a sculptor and botanical artist.
(Pictured: Portrait of Robert Lloyd Praeger by Sarah Cecilia Harrison, National Museums Northern Ireland)
Though Gregg is instinctively conservative, his awareness of contemporary trends make him responsive to demands for change: he supports the resolution for women to hold parochial office and presents a petition to the General Synod in 1914, signed by 1,400 women. Though the motion is lost, he perseveres undaunted, and a bill for the ecclesiastical enfranchisement of women is finally carried in 1920. A unionist, he is also one of three Anglican and seventeen Catholic bishops to sign the declaration against partition in 1917, which is organised by the Catholic Bishop of Derry, Charles McHugh.
From the 1920s the Irish church is dominated by Gregg, first as Archbishop of Dublin (1920–39) and later as Archbishop of Armagh and Primate of All Ireland (1939–59). He provides stability to the church during a turbulent period of political and social change and is outspoken in defence of its interests, pragmatically espousing policies that will lead to the greater integration of the Protestant community into the new Irish state, as in his acceptance of the teaching of compulsory Irish in national schools. Despite a declining Protestant community in the south of Ireland, he maintains the unity of the church, overcoming the political division of the country into two entities. He regrets constitutional change but pledges the loyalty of the church to the Irish Free State. While recognising that the Protestant ethos is different from that of the majority of Irishmen, he maintains that “whatever our religious or political outlook may be, here is our home, and we have a right to be here.” He is elected to the first Irish Free State senate, and is subsequently consulted by Éamon de Valera, who later describes him as “a most learned and kindly gentleman, and . . . a highly valued friend,” in framing the text of the 1937 constitution. In 1949, he adapts, albeit with sadness, the state prayers to fit the republican form of government, observing that “the republic is a fact” and that “in our prayers, above all, there must be reality.”
Gregg is an able administrator, and his courage and integrity in facing difficult situations and his scholarship and devotion to the church earn him respect in the councils of the wider Anglican communion. He is known as “the churchman’s bishop” for his emphasis on doctrinal orthodoxy, ecclesiastical discipline, and loyalty to the clergy. Though conservative in his approach to church unity, he seeks closer relations between the Christian churches and frequently visits the reformed churches of the Iberian Peninsula, where a portrait plaque is unveiled in 1950 in St. John’s Church, Vila Nova de Gaia, Portugal. A baptistry in St. Paul’s Cathedral, Lisbon, is dedicated to his memory. Well known in England as a writer and preacher, he is appointed select preacher at the University of Cambridge (1916, 1930, 1936) and the University of Oxford (1946, 1947) and supports the institution of annual theological lectures at Queen’s University Belfast (QUB). His publications include Epistle of St. Clement of Rome (1899) and The Primitive Faith and Roman Catholic Developments (1909) – a minor classic which is used as a textbook for ordinands of the Church of England. He writes the introduction and notes to the revised version of the Wisdom of Solomon for the Cambridge Bible for Schools (1909) and publishes sermons and articles in religious journals. Elected Member of the Royal Irish Academy (MRIA) in 1914, he is elected to honorary fellowship in 1934 by Christ’s College, Cambridge, is awarded an honorary Doctor of Divinity (DD) in 1949 by QUB, and is created Order of the Companions of Honour (CH) in 1957.
A commanding figure, tall, thin, with raven-black hair, piercing eyes, and fine features, Gregg has an air of sacerdotal austerity, lightened on occasion by his dry sense of humour. He maintains a well regulated daily timetable and keeps a diary, writing his most personal thoughts in Greek. He makes time for recreation, a daily walk of two miles, tennis, and (from 1929) sailing, and holidays in Ireland and on the Continent. He has a great love of English literature and church music. In 1959, he retires to the Woodhouse, Rostrevor, County Down. Though incapacitated by blindness, deafness, and lameness, he never complains, and according to his wife, his life of prayer is enriched. He dies on May 2, 1961, at his home and is buried in Enniskerry, County Wicklow, beside his first wife and son.
Gregg marries Anna Alicia Jennings on November 26, 1902. They have two sons and two daughters. Anna dies in 1945. On January 22, 1947, he marries secondly Leslie Alexandra, daughter of the Rev. T. J. McEndoo, dean of Armagh, who officiates at the marriage of his daughter and of his archbishop.
(From: “Gregg, John Allen Fitzgerald” by Helen Andrews, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Devlin is born into a Roman Catholic family and attends St. Patrick’s Girls Academy in Dungannon. She is studying Psychology at Queen’s University Belfast (QUB) in 1968 when she takes a prominent role in a student-led civil rights organisation, People’s Democracy. She is subsequently excluded from the university.
After engaging on the side of the residents in the Battle of the Bogside, Devlin is convicted of incitement to riot in December 1969, for which she serves a short jail term.
Having witnessed the events of Bloody Sunday, Devlin is infuriated that she is consistently denied the floor in the House of Commons by the Speaker Selwyn Lloyd, despite the fact that parliamentary convention decrees that any MP witnessing an incident under discussion would be granted an opportunity to speak about it. She slaps Reginald Maudling, the Home Secretary in the Conservative government, across the face when he states in the House of Commons that the paratroopers had fired in self-defence on Bloody Sunday.
In 1971, Devlin gives birth to a daughter, Róisín, which costs her some political support because she is unmarried. She later marries Róisín’s father, Michael McAliskey, on her 26th birthday on April 23, 1973.
McAliskey stands as an independent candidate in support of the prisoners at Long Kesh prison in the 1979 European Parliament elections in Northern Ireland and wins 5.9% of the vote. She is a leading spokesperson for the Smash H-Block Campaign, which supports the hunger strikes of 1980 and 1981.
On January 16, 1981, McAliskey and her husband are shot by members of the Ulster Defence Association (UDA), who break into their home near Coalisland, County Tyrone. She is shot fourteen times in front of her children. British soldiers are watching the McAliskey home at the time but fail to prevent the assassination attempt. The couple are taken by helicopter to a hospital in nearby Dungannon for emergency treatment and then transported to the Musgrave Park Hospital, Military Wing, in Belfast, under intensive care. The attackers, all three members of the South Belfast UDA, are captured by the army patrol and subsequently jailed.
In 1982, McAliskey twice fails in an attempt to be elected to the Dublin North–Central constituency of Dáil Éireann. In 2003, she is barred from entering the United States and is deported on the grounds that the United States Department of State has declared that she “poses a serious threat to the security of the United States,” apparently referring to her conviction for incitement to riot in 1969.
On May 12, 2007, McAliskey is the guest speaker at Éirígí‘s first Annual James Connolly commemoration in Arbour Hill, Dublin. She currently co-ordinates a not-for-profit community development organisation based in Dungannon, the South Tyrone Empowerment Programme, and works with migrant workers to improve their treatment in Northern Ireland.
Dillon leaves school at the age of fourteen and for seven years works as a painter and decorator, mostly in London. From an early age he is interested in art, cinema, and theatre. About 1936 he starts out as an artist.
Dillon’s Connemara landscapes provide the viewer with context, portraits of the characters who work the land, atmosphere and idiosyncratic colour interpretations. At the age of 18, he goes to London, initially working as a decorator. With the outbreak of World War II, he returns to Belfast. Over the next five years he develops as a painter in Dublin and Belfast. His works during this period are more than simple depictions of the life and people around him, they are reactions and interactions in paint.
In 1942, Dillon’s first solo exhibition is opened by his friend and fellow artist, Mainie Jellett, at The Country Shop, St. Stephen’s Green, Dublin. “Father, Forgive Them Their Sins” depicts his concerns about the new war that has broken out. Despite a growing reputation, he returns to London in 1944 to work on demolition gangs to restore his finances. In the late 1940s and during the 1950s, he finds himself favouring the town of Roundstone, County Galway. In 1951 he is introduced to Noreen Rice by her piano teacher. She has no formal training and takes Dillon and George Campbell as her mentors for decades and her work is of a similar surrealistic and primitive style.
In 1958, Dillon has the double honour of representing Ireland at the Guggenheim International, and Great Britain at the Pittsburg International Exhibition. He and his sister, Mollie, have a property on Abbey Road in 1958. They let out part of the house to Arthur Armstrong and they let a flat to Noreen Rice and her brother. He and Noreen tour junk yards to find objects like leather and string that they include in their artwork.
Dillon travels widely in Europe and teaches for brief periods in the London art schools.
In 1967, Dillon suffers a stroke and spends six weeks in hospital. From this time his work changes direction. A notion of imminent death sends his work almost into another world, a realm of dreams and paintings intimating his death. In 1968 he is back in Dublin, where he helps to design sets and costumes for Seán O’Casey‘s play Juno and the Paycock. He continues to paint and also to make tapestries, sitting at his Singersewing machine.
In 1969, Dillon pulls his artworks from the Belfast leg of the Irish Exhibition of Living Art in purported protest during the Troubles against the “arrogance of the Unionist mob.” However, he does send work to Ulster when he donates work to Sheelagh Flanagan who had organised an exhibition for the relief of victims of the Belfast riots, in October 1969. His picture is hanged alongside the donated works of T. P. Flanagan, William Scott, F. E. McWilliam, Deborah Brown and Carolyn Mulholland as well as more than twenty others. Michael Longley retorts in a further letter, “Belfast needed creativity, it needed people like Gerard Dillon.” During his last years, he is invited to be involved in a children’s art workshop in the National Gallery of Ireland.
Dillon dies of a second stroke at the age of 55 on June 14, 1971. His grave, as requested, is unmarked in Belfast’s Milltown Cemetery. Danlann Gerard Dillon/The Gerard Dillon Gallery in Cultúrlann McAdam Ó Fiaich is named in his honour.
In his biography of the artist, James White briefly touches on the artists homosexuality: “such was his religious feeling that although he was drawn to people of that type, if he once had an encounter I believe that it never occurred again.” The artist’s nephew, Martin Dillon, recalls that after his uncle’s death he found a diary entry describing a homosexual encounter with a sense of guilt, but the author Gerard Keenan insists he was “a very well-adjusted homosexual.” Reihill expands on this, pointing to a probably unrequited love for the painter Daniel O’Neill and also highlights Dillon’s association with Basil Rákóczi and The White Stag Group‘s Kenneth Hall both strong gay connections. Pictures with both overt and covert references are known.
Mac Airt first becomes involved in Irish republicanism as a boy when he joins the Fianna Éireann. His first imprisonment is in 1942 when he is sent to jail for illegal military foot drilling. He Is later interned during the IRA’s Border Campaign of 1956-1962.
Having retired at some earlier point, Mac Airt returns to the republican movement in 1969, throwing his lot in with the newly established Provisional Irish Republican Army (PIRA) and their political arm Provisional Sinn Féin. Indeed, in early 1970 his Patrick Pearsecumann, which he sets up in the Clonard area of the Falls Road, is the first branch of Provisional Sinn Féin established in Belfast and proves central to the growth of the dissident party in the city. In August 1970, he Is appointed editor of the Belfast-based Republican News, succeeding Jimmy Steele who had died soon after being appointed editor. Despite his advancing age Mac Airt also becomes involved in the gun battles that rage between the republicans from Falls and loyalists from the neighbouring Shankill Road. As a consequence, he becomes one of the leaders of the nascent PIRA in Belfast. He is publicly named as a leading republican by General Anthony Farrar-Hockley who commands the British Army present during the clashes and with whom Mac Airt has held failed negotiations at the scene of conflict. He serves as Adjutant to Billy McKee, who is first commander of the Provisional IRA Belfast Brigade. According to Brendan Hughes, Mac Airt’s Kane Street home doubles as Belfast Brigade headquarters at the early stage in the movement’s history.
On April 15, 1971, Mac Airt, along with Billy McKee, is arrested by the British Army when found in possession of a handgun. Both men are sentenced under the Explosive Substances Act 1883 and sent to Crumlin Road Gaol. In the prison the two men are recognised as the leaders of the republican prisoners, a role held by Gusty Spence on the loyalist side. They co-operate informally with Spence to maintain order until they agree to establish an official Camp Council. The make-up of this group sees Mac Airt and McKee representing the PIRA, Spence and an associate identified only as “Robert” representing the Ulster Volunteer Force (UVF) and Ned McCreery and James Craig as Ulster Defence Association (UDA) delegates, with members of the Official IRA (OIRA) and Irish National Liberation Army (INLA) eventually added.
Mac Airt is involved in the talks held between republicans and clergymen from various Protestant churches held at Feakle, County Clare, on December 12, 1974. While the talks produced little, he Is one of those who maintains contact with the clergymen. Indeed, on January 19, 1975, one of the ministers, Rev William Arlow of the Irish Council of Churches (ICC), even introduces Mac Airt and his ally Jimmy Drumm to British government officials Michael Oatley and James Allan in an attempt to have the republican grievances heard.
Although a new generation of leaders emerges in the Provisional IRA and Sinn Féin, Mac Airt remains an influential veteran. He is close to Danny Morrison and Tom Hartley and helps to ensure the removal of Seán Caughey from the editorship of Republican News in 1975 and his replacement by Morrison.
In 1968, Mac Airt records two vocal songs, “Croppy Boy” and “Flag of the Fianna” on the LP record Irish Songs of Freedom produced for the Outlet Recording Co. Ltd, Belfast.
Mac Airt dies on January 8, 1992, at the age of 69. The President of Sinn Féin, Gerry Adams, delivers the graveside oration at his funeral, describing him as “a radical in the Connolly tradition.”
It is the first parade of the marching season along the controversial route where nationalist residents oppose loyal order marches through their area.
One band and some fifteen members of the Apprentice Boys take part in the parade from Ballynafeigh to the Ormeau Bridge, where police have erected barriers across the road. The Apprentice Boys then board buses to go to the organisation’s main parade in Ballymena, County Antrim.
The police presence on the bridge is low-key as the Apprentice Boys previously said they would abide by the ruling and the Lower Ormeau Concerned Community group (LOCC) said it would not hold any protest.
The Apprentice Boys hand in a letter of protest to the Royal Ulster Constabulary (RUC), and Worthington McGrath, of the Ballynafeigh Walkers Club of the Apprentice Boys, saying they are “bitterly disappointed” they cannot walk into the city centre through the lower Ormeau.
“We have gone to great lengths to try and meet the wishes of the Parades Commission, and we have been rebuffed,” McGrath says. He hopes they might be able to walk down the Lower Ormeau Road on another occasion this year. They are having “ongoing meetings with the greater community in the Ormeau area” in an attempt to satisfy the Commission, he says.
Gerard Rice, of the LOCC, welcomes the Apprentice Boys’ action, but says the loyal orders will have to meet his group if the issue is to be resolved. “Turning away at the bridge will not resolve the issue. Direct dialogue is necessary.”
Rice says that if the Parades Commission followed its own guidelines, there could be no marches on the Ormeau Road in 1998 because the loyal orders refused to talk to residents.
The Parades Commission banned the march ten days earlier on the basis that it would have harmful effects on “relationships with the community.” In the ruling, the Commission says it hopes at least one parade will go ahead on the Ormeau Road this year.
The chairman of the Parades Commission, Alistair Graham, who watches the parade, says he is encouraged by the “mature and sensible action” taken by the Apprentice Boys. Alisdair McDonnell, a Social Democratic and Labour Party (SDLP) councillor, says he welcomes the Commission’s decision and urges the Apprentice Boys and the Orange Order to talk to residents’ groups about future marches. The RUC’s sub-divisional commander in the area, Supt. Steven Graham, says the Apprentice Boys have shown “a high degree of integrity.”
(From: “Apprentice Boys parade passes off without incident” by Theresa Judge, The Irish Times, http://www.irishtimes.com, April 14, 1998)
A railway engineer by training, Crofts introduces railway themes into many of his stories, which are notable for their intricate planning. Although Raymond Chandler, Agatha Christie, and authors of the so-called golden age of detective fiction are more famous, he is esteemed by those authors, and many of his books are still in print.
Crofts is born at 26 Waterloo Road, Dublin. His father, also named Freeman Wills Crofts, is a surgeon-lieutenant in the Army Medical Services but dies of fever in Honduras before the young Freeman Wills Crofts is born. In 1883, his mother, Celia Frances (née Wise), marries the Venerable Jonathan Harding, Vicar of Gilford, County Down, later Archdeacon of Dromore, and Crofts is raised in the vicarage at Gilford. He attends Methodist College and Campbell College in Belfast. In 1912, he marries Mary Bellas Canning, daughter of the manager of the Coleraine branch of the Provincial Bank. They have no children.
In 1896, at the age of seventeen, Crofts is apprenticed to his maternal uncle, Berkeley Deane Wise, who is chief engineer of the Belfast and Northern Counties Railway. In 1899, he is appointed Junior Assistant on the construction of the Londonderry and Strabane Extension of the Donegal Railway. In 1900, he becomes District Engineer at Coleraine for the London, Midland and Scottish Railway (LMS) Northern Counties Committee at a salary of £100pa, living at 11 Lodge Road in the town. In 1922, he is promoted to Chief Assistant Engineer of the railway, based in Belfast. He lives at “Grianon” in Jordanstown, a quiet village some six miles north of Belfast, where it is convenient for him to travel by train each day to the railway’s offices at York Road. One of the projects he works on is the design of the “Bleach Green Viaduct” in Whiteabbey, close to his Jordanstown home. This is a significant ten arch reinforced concrete viaduct approved in 1927 and completed in 1934. It carries a new loop line which eliminates the need for trains between Belfast and the northwest to reverse at Greenisland. He continues his engineering career until 1929. In his last task as an engineer, he is commissioned by the Government of Northern Ireland to chair an inquiry into the Bann and Lough Neagh Drainage Scheme.
In 1919, during an absence from work due to a long illness, Crofts writes his first novel, The Cask (1920), which establishes him as a new master of detective fiction. He continues to write steadily, producing a book almost every year for thirty years, in addition to a number of short stories and plays.
Crofts is remembered best for his fictional detective, Inspector Joseph French, who is introduced in his fifth book, Inspector French’s Greatest Case (1924). Inspector French always solves each of the mysteries presented him in a workmanlike, precise manner – this method sets him apart from most other fictional sleuths.
In 1929, Crofts abandones his railway engineering career and becomes a full-time writer. He settles in the village of Blackheath, near Guildford, in Surrey, and a number of his books are set in the Guildford area, including The Hog’s Back Mystery (1933) and Crime at Guildford (1935). Many of his stories have a railway theme, and his particular interest in the apparently unfalsifiable alibi often emphasizes the intricacies of railway timetables. Near the end of his life, he and his wife relocate to Worthing, West Sussex, in 1953, where they live until his death in 1957, the year in which his last book is published.
Crofts also writes one religious book, The Four Gospels in One Story, several short stories, and short plays for the BBC.
Crofts is not only a railway engineer and writer, but also an accomplished musician. He is organist and choirmaster in Killowen Parish Church, Coleraine, St. Patrick’s Church, Jordanstown, and the parish church of St. Martin’s in Blackheath.
Crofts is esteemed, not only by his regular readers, but also by his fellow writers of the so-called Golden Age of Detective Fiction. Agatha Christie includes parodies of Inspector French alongside Sherlock Holmes and her own Hercule Poirot in Partners in Crime (1929).
Raymond Chandler describes Crofts as “the soundest builder of them all when he doesn’t get too fancy” (in The Simple Art of Murder). His attention to detail and his concentration on the mechanics of detection makes him the forerunner of the “police procedural” school of crime fiction. However, it has also given rise to a suggestion of a certain lack of flair – Julian Symons describing him as of “the humdrum school.” This may explain why his name has not remained as familiar as other more imaginative Golden Age writers, although he has fifteen books included in the Penguin Books “green” series of the best detective novels and 36 of his books are in print in paperback in 2000.
Fisher is the sixteenth of seventeen children to Jane and Abraham Fisher. The Fishers are a Quaker family with a business in Youghal. They are noted for their charitable works, especially during the Great Famine.
Fisher and Haslam marry on March 20, 1854, in Cork Registry Office. Their marriage is mainly celibate as a result of them not wanting to have children. In later writings Thomas argues in favour of chastity for men. The couple shares a belief in equality for men and women and he supports her campaigns.
Both of the Haslams are expelled from the Society of Friends due to their interests in social reform but both maintain links with the community. Thomas is said to have been disowned for harbouring ideas contrary to Quaker teachings. In 1868, he publishes a pamphlet called “The Marriage Problem,” in which he raises and supports the idea of family limitation and outlines a number of contraceptive methods including the safe period. He dies on January 30, 1917, in his ninety-second year.
Haslam is best remembered today for her work for votes for women. She is a pioneer in every 19th century Irish feminist campaign and fights for votes for women from the year 1866. In 1872, she organises the “General Meeting of the members and friends of the Irish Society for Women’s Suffrage” in Blackrock, Dublin, which is chaired by George Owens and attended by MPs Maurice Brooks (a Home Ruler) and William Johnston (a northern Orangeman) and by the future Liberal Unionist Party MP Thomas Spring Rice, 2nd Baron Monteagle of Brandon. The Haslams are founding members of the Dublin Women’s Suffrage Association (DWSA) in 1876. This marks the start of a remarkable campaign in Dublin for votes for women. Haslam, along with the writing of her husband, continues the campaign and in 1896 women in Ireland win the right to be elected as Poor Law Guardians, members of the official bodies which administer the Poor Law. Ireland’s early women’s rights activists have a close relationship with their English correlatives and share the same discrimination in education, employment, sexual freedom and political participation. The DWSA organises the introduction of a private member’s bill to remove disqualification “by sex or marriage” for election or serving as a poor law guardian. The bill passes in 1896 and the association immediately writes to the newspapers and publishes leaflets explaining the process on how to register to vote and stand for election and encouraged qualified women to go forward as candidate.
By 1900, there are nearly 100 women guardians. Haslam then leads a campaign to encourage qualified women to stand for election in 1898. Women win eligibility to vote in local government elections, and to stand for elections as rural and urban district councillors. In 1913, she steps down as secretary of the Association and is elected life-president.
One of Haslam’s longest campaigns, working alongside the Belfast suffragist Isabella Tod, is for repeal of the Contagious Diseases Acts of 1864. The acts allow for state regulation of prostitutes in areas in which the army is stationed. The act permits compulsory internment of women for up to three months, which is later extended to one year. Medical treatment is also enforced on the women. The act seeks only to reduce the spread of sexually transmitted diseases among the military. She opposes the act as she feels it legitimises prostitution, commoditises women and undermines family life. It is finally repealed following eighteen years of campaigning.
Haslam is involved in the 1866 petition and gathers 1,499 signatures to extend suffrage to women as well as men. In 1867, male suffrage is extended but it is not until 1911 that the Suffrage movement achieves the significant victory of securing the right of women to stand for election as local councillors.
In 1918, a woman of almost ninety, Haslam goes to the polls “surrounded by flowers and flags,” with women who unite in her honour to celebrate the victory of the vote. This display of unity by activist women from all shades of political opinion acknowledge her role in the fight for the right to vote. The same year in which she dies, in 1922, the Irish Free State extends the vote to all men and women over the age of 21.
Haslam dies on November 28, 1922, at her home in Carlton Terrace, Dublin, of “cardiac dropsy” at the age of 93. She is buried next to her husband in the Quaker burying ground at the Friends Burial Ground in Temple Hill, Blackrock, Dublin.
A memorial seat to Anna and Thomas Haslam is erected in 1923 in St. Stephen’s Green, Dublin, with the inscription “in honour of their long years of public service chiefly devoted to the enfranchisement of women.”
Shillington originally plans to join the Northern Ireland Civil Service, however he wants a more varied career. He joins the Royal Ulster Constabulary on February 8, 1933, as a cadet officer. He completes his training at the Newtownards depot in County Down. He is promoted to district inspector in 1935, and serves as officer in charge of D District in Belfast. In 1944, he is promoted to 1st Class District Inspector and is posted to Derry, County Londonderry.
In 1953, after nine years in Derry, Shillington is promoted to County Inspector and returns to Belfast. There, he joins the Inspector General’s Headquarters and serves in an administrative post. On January 16, 1961, he is appointed Commissioner of Belfast City.
In 1969, Shillington is appointed Deputy Inspector-General of the RUC, as second-in-command to the Inspector-General, Anthony Peacocke, who, like Shillington, had been educated at Sedbergh and Cambridge. When the Battle of the Bogside breaks out in Derry in August 1969, he requests permission to use CS gas for the first time in the United Kingdom. When that does not halt the rioting, he requests that the British Army be brought in. He telephones Peacocke on August 13 in order to persuade him of this. Peacocke, who has long denied the need for army involvement, eventually agrees, but his reputation never recovers and following the publication of the Hunt Report in October he resigns as Inspector-General.
Shortly thereafter, Sir Arthur Young is seconded from the City of London Police to be the last Inspector-General and the first Chief Constable of the RUC. James Callaghan, then Home Secretary, sends him to implement the Hunt Report. Young’s measures introduce the standard British rank system for police officers in Northern Ireland and disbands the Ulster Special Constabulary (USC). Shillington remains as Young’s deputy, and when the latter returns to the mainland in 1970 he succeeds him to become the RUC’s second Chief Constable.
Shillington marries Mary (Peggy) Bulloch in 1935. They have two sons and a daughter. He dies on August 14, 2001, at the age of 90, in a County Armagh nursing home.
In 1992, Flanagan returns to duty with the RUC as Assistant Chief Constable of Operations, later taking on the responsibilities of Operational Commander for Belfast. He is appointed as head of Special Branch in 1994 and is promoted to Acting Deputy Chief Constable the following year. He becomes the Deputy Chief Constable proper in 1996, and when Chief Constable Hugh Annesley retires later that year, he succeeds him. When the PSNI is established in 2001, he serves as Chief Constable until his retirement the following year. He is replaced by Hugh Orde.
Since then Flanagan has served in Her Majesty’s Inspectorate of Constabulary and is appointed as HM Chief Inspector of Constabulary in 2005. He is tasked to review the police arrangements in Iraq in December 2005 as part of the British involvement there. Following his retirement in December 2008, Denis O’Connor succeeds him as Her Majesty’s Acting Chief Inspector of Constabulary.
Flanagan denies any wrongdoing or acting with any knowledge of the events in question. He agrees that these events had taken place. In the aftermath of the ombudsman’s report, Irish nationalist politicians say he should be forced to resign from his job as Chief Inspector of Constabulary.
The Police Ombudsman criticises Flanagan’s role in the RUC inquiry into the Omagh Bombing of August 15, 1998, in a report published in 2001, to which his response is that he would “publicly commit suicide” if he believed her report was correct, though he later apologises for the form of words he used.
In July 2010, Flanagan appears before the Iraq Inquiry into the UK’s role in the Iraq War. In 2005, he had conducted a review into the UK’s contribution to policing reform in Iraq. As he gives evidence, he has to apologise for the amount of acronyms in his report on Iraq, which is presented to the government in January 2006:
“In my view, and I would like to almost apologise for the number of acronyms in this report – but it wasn’t written with a view to being read publicly. It was written for the people who invented the acronyms…”
seamus dubhghaill 