seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Category Archives: Culture & Heritage


by Leave a comment

Enda Kenny Meets Barack Obama & Joe Biden in Washington, D.C.

On March 15, 2016, acting Taoiseach Enda Kenny is in Washington, D.C. for the traditional festivities to mark Saint Patrick’s Day.

Kenny holds a meeting with U.S. President Barack Obama. This is President Obama’s last Saint Patrick’s Day in the White House and, pending government formation negotiations, it may also be Kenny’s last as Taoiseach. Obama criticises the vicious nature of the current U.S. political cycle and pledges to continue to push for immigration reform while he is still in office. He is speaking as he attends several engagements with Kenny to mark Saint Patrick’s Day.

Earlier in the day at a breakfast reception at Number One Observatory Circle, the official residence of the vice president of the United States, Kenny tells Vice President Joe Biden that Ireland will be able to put together a stable government during the next “short period ahead.” The recent General Election is mentioned several times during speeches from both men. Biden says that he is surprised at the outcome saying “he did a hell of a job, is still the most popular guy, and he lost.” Biden says Kenny had assured him that it was “going to work out.”

The traditional Speaker’s Lunch to mark Saint Patrick’s Day is hosted for the first time by Paul Ryan, the Speaker of the United States House of Representatives.

In the evening, Kenny presents the traditional bowl of shamrock to Obama at a reception at the White House. The bowl is mouth-blown and hand-cut at the House of Waterford Crystal factory in Ireland. The piece is designed by Tom Cooke and inspired by the General Post Office (GPO) in Dublin. It features the five themes of the Irish 2016 Centenary Programme – Remembering, Reconciling, Presenting, Imagining and Celebrating – which are inscribed on the piece.

Kenny also presents Obama with a pair of cufflinks modeled on the buttons of the coat Michael Collins was wearing when he was killed, and a limited-edition, fine-press collection of poetry and art, to celebrate the centenary of the 1916 Easter Rising, published by Stoney Road Press, in association with An Post and Poetry Ireland. First Lady Michelle Obama receives a ring designed by Paul Kelly, inspired by the Ring of Kerry, and a hamper of Irish food items. Daughters Malia and Sasha Obama are given two Newbridge Silverware compact mirrors.

Speaking to reporters after visiting the Oval Office, Kenny says Fine Gael is talking to like-minded parties and individuals on government formation and is working on drawing-up a set of priorities. “We’re actually determining our set of priorities that will be important in the discussions that Fine Gael will have in putting together a government. Some of that comes from our own programme, some of it comes from the parties and the alliances that we’ve been talking to. And some of it clearly comes from the concerns raised by people during the course of the election, like housing and homelessness, health issues and so on.”

Kenny adds, “We expect to have that finalised next week and that gives us really the basis for negotiations and for discussions about putting a government together.”

The following day, Kenny returns to Ireland for a short time before traveling to Brussels for a European Council meeting on Saint Patrick’s Day.

(From: “Kenny meets Obama and Biden in Washington,” RTÉ News, http://www.rte.ie, March 15, 2016)


by Leave a comment

Launch of Irish Language Radio Station RTÉ Raidió na Gaeltachta

RTÉ Raidió na Gaeltachta, abbreviated RnaG, an Irish language radio station owned and operated by Raidió Teilifís Éireann (RTÉ), goes on the air for the first time on April 2, 1972, launched by President Éamon de Valera. The station is available on FM in Ireland and via satellite and on the Internet. The station’s main-headquarters are in Casla, County Galway with major studios also in Gweedore, County Donegal and Dingle, County Kerry.

After the Irish Free State is formed and the Irish Civil War is concluded, the new state sets up a single radio channel named 2RN in 1926, launched by Douglas Hyde. The channel, operating out of Dublin, largely serves the Anglosphere population and at best reaches as far as County Tipperary, a situation that does not change until more powerful transmitters are adopted in the 1930s at Athlone.

In 1943, de Valera, at the time serving as Taoiseach and whose wife Sinéad Ní Fhlannagáin is a keen Conradh na Gaeilge activist, promotes the idea of a Gaeltacht station, but there is no breakthrough. By this time, 2RN has become Radio Éireann and still only has one channel, with limited broadcasting hours, often in competition for listeners with BBC Radio and Radio Luxembourg.

In the 1950s, a general liberalisation and commercialisation, indeed Americanisation begins to occur in Ireland, as a push is made to move Ireland from a rural-agrarian society with a protectionist cultural policy towards a market economy basis, with supply and demand the primarily basis of public communications. In 1960, RTÉ is established and direct control of communications moves from a government ministry position to a non-governmental RTÉ Director-General position, first filled by Edward Roth

In the late 1960s, a civil rights movement in the Gaeltacht emerges, seeking development and services for Irish speakers, including a radio service. Out of the Gluaiseacht Chearta Siabhialta na Gaeltachta‘s advocacy comes the pirate radio station Saor Raidió Chonamara in 1970. This sets the subsequent discourse for Irish language and Gaeltacht issues as a civil rights and minority rights imperative.

Gerry Collins, the Minister for Posts and Telegraphs, announces in Dáil Éireann in February 1971 that a new radio station for the Gaeltacht will be created. Raidió na Gaeltachta begins broadcasting at 3:00 PM on April 2, 1972 as part of an Easter Sunday programming. During the very first broadcast, the main station at Casla, County Galway is not yet finished and the studios in County Kerry and County Donegal are still under construction, so the broadcast originates from Galway. The first Ceannaire (Controller) Pádraic Ó Raghallaigh opens the show, which is followed by a recording from President Éamon de Valera. A recording of Seán Ó Riada‘s Irish language Mass, Ceol an Aifrinn, from the Seipéal Mhic Dara at Carraroe is also played.

At foundation, the station begins with a staff of seven, including six former teachers and a businessman, and broadcasts for only two hours a day and is only available in or near the three largest Gaeltacht districts. The local studio at Derrybeg in Gweedore, County Donegal aids the native Irish music scene there. In the 1970s, Raidió na Gaeltachta gives early coverage to Clannad and Mairéad Ní Mhaonaigh, later the singer for Altan. These groups gain popularity not only in Ireland, but on the international stage, selling millions of records during the 1980s especially. The station is dedicated to bringing the listener general news, both national and international, as well as Gaelic sports coverage and more localised affairs of significance to the community in the Gaeltacht.

For many years RnaG is the only Irish language broadcaster in the country. In recent years it has been joined by a television service, Telefís na Gaeilge (TG4), and by regional community radio stations Raidió na Life in Dublin, Raidió Fáilte in Belfast, and Raidió Rí-Rá.


by Leave a comment

Nollaig na mBan (Women’s Little Christmas)

Little Christmas, traditionally known as Nollaig na mBan or Women’s Little Christmas, takes place on January 6 each year. It is also known more widely as the Feast of the Epiphany, celebrated after the conclusion of the twelve days of Christmastide. It is the traditional end of the Christmas season and until 2013 was the last day of the Christmas holidays for both primary and secondary schools in Ireland.

Owing to differences in liturgical calendars, as early as the fourth century, the churches of the Eastern Roman Empire were celebrating Christmas on January 6, while those of the Western Roman Empire were celebrating it on December 25.

In October 1582, Pope Gregory XIII introduces the Gregorian calendar as a correction the Julian calendar, because the latter has too many leap years that cause it to drift out of alignment with the solar year. This has liturgical significance since calculation of the date of Easter assumes that spring equinox in the Northern Hemisphere occurs on March 21. To correct the accumulated error, he ordains the date be advanced by ten days. Most Roman Catholic countries adopt the new calendar immediately and Protestant countries follow suit over the following 200 years. For this reason, in some parts of the world, the Feast of the Epiphany, which is traditionally observed on January 6, is sometimes referred to as Old Christmas or Old Christmas Day.

In Ireland, Little Christmas is also called Women’s Christmas (Irish: Nollaig na mBan), and sometimes Women’s Little Christmas. The tradition, still strong in counties Cork and Kerry, is so called because Irish men take on household duties for the day. Goose is the traditional meat served on Women’s Christmas. Some women hold parties or go out to celebrate the day with their friends, sisters, mothers and aunts. As a result, parties of women and girls are common in bars and restaurants on this night.

In Ireland and Puerto Rico, it is the traditional day to remove the Christmas tree and decorations. The tradition is not well documented, but one article from a January 1998 issue of The Irish Times, entitled “On the woman’s day of Christmas,” describes both some sources of information and the spirit of this occasion.

A “Little Christmas” is also a figure in Irish set dancing. It refers to a figure where half the set, four dancers, join together with hands linked behind partners lower back, and the whole figure proceeds to rotate in a clockwise motion, usually for eight bars.

So, to all of the women of Ireland and the Irish diaspora, Nollaig na mBan shona daoibh!


by Leave a comment

Founding of the Society for the Preservation of the Irish Language

The Society for the Preservation of the Irish Language (Irish: Cumann Buan-Choimeádta na Gaeilge), a cultural organisation which is part of the Gaelic revival of the period, is formed in Dublin on December 29, 1876.

Present at the initial meeting are Charles Dawson, High Sheriff of Limerick City, Timothy Daniel Sullivan, editor of The Nation, and Bryan O’Looney. Writing in 1937, Douglas Hyde also remembers himself, George Sigerson, Thomas O’Neill Russell, J. J. McSweeney of the Royal Irish Academy, and future MP James O’Connor as being present. Its patron is John MacHale, Archbishop of Tuam, its first president is Lord Francis Conyngham and its first vice-presidents include Isaac Butt and Charles Owen O’Conor.

Unlike similar organisations of the time, which are antiquarian in nature, the SPIL aims at protecting the status of the Irish language, which is threatened with extinction at the time. Its mission statement says that it is “possible and desirable to preserve the Irish Language in those parts of the Country where it is spoken, with a view to its further extension and cultivation.” Hyde writes that the formation of the society can truly be said to be the first attempt made to recruit the common people to the cause of the Irish language. The society succeeds in having Irish included on the curriculum of primary and secondary schools and third-level colleges in 1878.

The membership of the SPIL includes Protestant Ascendancy figures such as John Vesey, 4th Viscount de Vesci, and Colonel W. E. A. Macdonnell. Horace Plunkett represents the Society at the 1901 Pan-Celtic Congress in Dublin. It takes a conciliatory approach to the British government and civil service in pursuing its aims, in contrast to the later Gaelic League, which is anti-British in character.


by Leave a comment

Birth of Eric Bell, Founder Member of Thin Lizzy

eric-bellEric Robin Bell, Northern Irish rock and blues musician, is born on September 3, 1947 in East Belfast, Northern Ireland. He is best known as a founder member and the original guitarist of the rock group Thin Lizzy. After his time in Thin Lizzy, he briefly fronts his own group before joining The Noel Redding Band in the mid-1970s. He has since released several solo albums and performs regularly with a blues-based trio, the Eric Bell Band.

Bell begins his career with local groups around the Belfast area, including the last incarnation of Them to feature Van Morrison, between September and October 1966. He also plays with a number of other bands including Shades of Blue, The Earth Dwellers and The Bluebeats, before joining an Irish showband named The Dreams. He leaves in 1969 having tired of the showband format and, at the end of that year, forms a band with local musicians Phil Lynott, Eric Wrixon and Brian Downey. Bell names the group Thin Lizzy, after Tin Lizzie, a robot character in The Dandy comic.

Organist Eric Wrixon leaves Thin Lizzy after a few months, and the remaining trio later secure a contract with Decca Records. As lead guitarist, Bell plays on Thin Lizzy’s first three albums, Thin Lizzy, Shades of a Blue Orphanage and Vagabonds of the Western World, as well as their hit single “Whiskey in the Jar.” He co-writes a number of songs with Lynott and Downey, including “The Rocker” which becomes a live favourite throughout the band’s career. He also composes one song on his own, “Ray Gun,” from their first album, Thin Lizzy.

Although Thin Lizzy gains in popularity during the early 1970s, the pressures of recording, touring and the excesses of the rock star lifestyle begin to take their toll. Bell leaves the band after a New Year’s Eve concert in 1973, after throwing his guitar into the air in the middle of the concert, pushing the amplifiers into the audience and storming off stage. He states later that he had no regrets about leaving: “I really had to leave because of ill-health. It was exhaustion, and the majority of things that were available to me… I couldn’t really handle it.” He is temporarily replaced by Gary Moore.

In 1974, after a brief period fronting his own Eric Bell Band, Bell is recruited by ex-Jimi Hendrix sideman Noel Redding, along with guitarist/singer Dave Clarke and drummer Les Sampson, to form The Noel Redding Band. He is initially unsure of the musical direction Redding is taking, but goes on to record two albums with the group before they split in 1976. A third album of unused tracks is released in 1995. He composes the song “Love and War” for the second album, Blowin’.

In 1980, Bell reunites with Thin Lizzy to record a tribute song to Jimi Hendrix, “Song for Jimmy,” which is released as an orange flexi disc and given away with Flexipop in August 1981. It is later included on Thin Lizzy’s Vagabonds Kings Warriors Angels box set in 2002, although much of Bell’s lead guitar work is missing from this version as the relevant master tapes cannot be found. He also appears as a guest on Thin Lizzy’s final tour in 1983, and the accompanying live album, Life.

Bell subsequently joins saxophonist Dick Heckstall-Smith‘s eight-piece blues rock ensemble Mainsqueeze. They tour Europe, record a live album in 1983, and later tour as Bo Diddley‘s backing group, recording the Hey… Bo Diddley: In Concert album in 1986.

Bell continues to perform and record with the Eric Bell Band throughout the 1990s and 2000s, releasing several albums. He also records with the Barrelhouse Brothers.

In 2005, Bell joins Gary Moore onstage to perform “Whiskey in the Jar” at the Phil Lynott tribute concert “The Boy Is Back in Town” in the Point Theatre, Dublin. This is released on a DVD called One Night in Dublin: A Tribute to Phil Lynott. In 2010, he moves from London where he had lived for many years to his new home in West Cork, Ireland.


by Leave a comment

Death of Eoin McKiernan, Scholar of Irish Studies

eoin-mckiernanEoin McKiernan, early scholar in the interdisciplinary field of Irish Studies in the United States and the founder of the Irish American Cultural Institute (IACI), dies in Saint Paul, Minnesota on July 18, 2004. He is credited with leading efforts to revive and preserve Irish culture and language in the United States.

Born John Thomas McKiernan in New York City on May 10, 1915, McKiernan adopts the old Irish form of his name, Eoin, early in his life. While in college, he wins a scholarship to study Irish language in the Connemara Gaeltacht in the west of Ireland. In 1938, he marries Jeannette O’Callaghan, whom he met while studying Irish at the Gaelic Society in New York City. They raise nine children.

McKiernan attends seminary at Cathedral College of the Immaculate Conception and St. Joseph’s College in New York, leaving before ordination. He earns degrees in English and Classical Languages (AB, St. Joseph College, NY, 1948), Education and Psychology (EdM, UNH, 1951), and American Literature and Psychology (PhD, Penn State, 1957). Later in life, he is awarded honorary doctorates from the National University of Ireland, Dublin (1969), the College of Saint Rose, Albany (1984), Marist College, Poughkeepsie (1987) and the University of St. Thomas, Saint Paul (1996).

Passion for Irish culture is the dominant undercurrent of a distinguished teaching career in secondary (Pittsfield, NH, 1947–49) and university levels (State University of New York at Geneseo, 1949–59, and University of St. Thomas in Saint Paul, MN, 1959–72). McKiernan serves as an officer of the National Council of College Teachers of English, is appointed by the Governor of New York to a State Advisory Committee to improve teacher certification standards and serves as a Consultant to the U.S. Department of Education in the early 1960s.

McKiernan suggests to the Irish government in 1938 that a cultural presence in the United States would promote a deeper understanding between the two countries, but he eventually realises that if this is to happen, he will have to lead the way. His opportunity comes in 1962, when he is asked to present a series on public television. Entitled “Ireland Rediscovered,” the series is so popular that another, longer series, “Irish Diary,” is commissioned. Both series air nationwide. The enthusiastic response provides the impetus to establish the Irish American Cultural Institute (IACI) in 1962. In 1972 he resigns from teaching to devote his energy entirely to the IACI.

Under McKiernan’s direction, the IACI publishes the scholarly journal Eire-Ireland, with subscribers in 25 countries, and the informational bi-monthly publication Ducas. The IACI still sponsors the Irish Way (an immersion program for U.S. teenagers), several speaker series, a reforestation program in Ireland (Trees for Ireland), theatre events in both countries and educational tours in Ireland. He continues these educational Ireland tours well into his retirement. At his suggestion, the Institute finances the world premiere of A. J. Potter‘s Symphony No. 2 in Springfield, Massachusetts.

Troubled by the biased reporting of events in Northern Ireland in the 1970s, McKiernan establishes an Irish News Service, giving Irish media and public figures direct access to American outlets. In the 1990s, he is invited by the Ditchley Foundation to be part of discussions aimed at bringing peace to that troubled area and is a participant in a three-day 1992 conference in London dealing with civil rights in Northern Ireland. Organized by Liberty, a London civil rights group, the conference is also attended by United Nations, European Economic Community, and Helsinki representatives.

McKiernan also founds Irish Books and Media, which is for forty years the largest distributor of Irish printed materials in the United States. In his eighth decade, he establishes Irish Educational Services, which funds children’s TV programs in Irish and provided monies for Irish language schools in Northern Ireland. Irish America magazine twice names him one of the Irish Americans of the year. In 1999, they choose him as one of the greatest Irish Americans of the 20th century.

McKiernan dies on July 18, 2004 in Saint Paul, Minnesota. On his death, The Irish Times refers to him as the “U.S. Champion of Irish culture and history . . . a patriarch of Irish Studies in the U.S. who laid the ground for the explosion of interest in Irish arts in recent years.”


by Leave a comment

Birth of Dónal Lunny, Irish Folk Musician & Producer

donal-lunnyDónal Lunny, Irish folk musician and producer, is born on March 10, 1947 in Tullamore, County Offaly. He plays left-handed guitar and bouzouki, as well as keyboards and bodhrán. As a founding member of popular bands Planxty, The Bothy Band, Moving Hearts, Coolfin, Mozaik, LAPD, and Usher’s Island, he has been at the forefront of the renaissance of Irish traditional music for over five decades.

Lunny attends secondary school at Newbridge College and, in 1963, joins the Patrician Brothers’ school for the Intermediate Certificate year. As a teenager, he joins an occasional trio called Rakes of Kildare, with his elder brother Frank and Christy Moore. They play mostly in pubs and are also booked for a couple of gigs, one at Hugh Neeson’s pub in Newbridge for Easter Monday in 1966.

In 1965, Lunny enrolls at Dublin‘s National College of Art & Design where he studies Basic Design and Graphic Design. He also develops an interest in metalwork leading him to become a skilled gold-and-silversmith, although he only practises the craft for a short time before devoting his energies fully to music. During his time in Dublin, he plays in a band called The Parnell Folk, with Mick Moloney, Sean Corcoran, Johnny Morrissey and Dan Maher.

When Moving Hearts breaks up in 1985, Lunny diversifies and becomes a producer. He is closely involved in the establishment of a new Irish record label, Mulligan Records (acquired in 2008 by Compass Records), and produces and plays on many of its early releases.

Lunny is the producer and music director of the soundtrack of Bringing It All Back Home, a BBC Television documentary series charting the influence of Irish music throughout the world. He produces albums for Paul Brady, Elvis Costello, Indigo Girls, Sinéad O’Connor, Clannad, Maurice Lennon, Baaba Maal, and Five Guys Named Moe. He appears on the compilation albums The Gathering (1981) and Common Ground (1996). In 1994, he produces Irish Australian singer/songwriter Mairéid Sullivan’s first recording, Dancer.

Lunny pushes new boundaries with his band Coolfin (1998) which includes uilleann piper John McSherry. He appears at the 2000 Cambridge Folk Festival, and the album that commemorates it. In 2001 he collaborates with Frank Harte on the album My Name is Napoleon Bonaparte. He produces the album Human Child (2007) by Faeroese Eivør Pálsdóttir, which is published in two versions, one English and one Faeroese.

As an arranger, Lunny works for The Waterboys, Fairground Attraction and Eddi Reader. Journey (2000) is a retrospective album. During 2003–2005, he is part of the reunited Planxty concert tour. He also produces Jimmy MacCarthy‘s album entitled Hey-Ho Believe, which is released on November 12, 2010.

Lunny is the brother of musician and producer Manus Lunny. He has a son, Shane, whose mother is singer Sinéad O’Connor.

(Pictured: Dónal Lunny at the Craiceann Bodhrán Festival 2016, Inis Oirr)


by Leave a comment

The Allihies Copper Mine Museum

engine-house-allihiesOn January 7, 2000, experts underline the important heritage value of a 19th Century relic that stands on the site of a disused copper mine. A conservation appeal is launched to safeguard a unique engine house at a mountain mine in the Beara peninsula. A rare surviving symbol of Cornish type mining technology, the structure is the primary surviving embodiment of a once thriving copper mining industry in Allihies, County Cork.

The industrial mines in Allihies date back to 1812, when they are first opened by John Puxley. Mining activity reaches its peak there in 1845, when the mines employ around 1,600 people, after which the mines suffer with the local area during the Great Famine. The mines are operational until 1962, when they are finally closed. Large Cornish engine houses are constructed around the mining site, ruins of which survive today. These are used to pump out water to allow for deeper mining, and to transport miners and equipment down shafts that go below sea level. The site still contains a number of engine houses, mining shafts and a church. These are constructed by and for the Cornish miners who are brought to the area in the 1800s to mine copper ore. Once the mine becomes unprofitable, many of the miners emigrate to Butte, Montana.

The Allihies Copper Mine Museum (ACMM) is housed in a renovated Methodist church dating from 1845. It is officially opened by President Mary McAleese on September 13, 2007, after ten years of work by the Allihies Mines Co-op, a group that is formed to preserve the history of the area and mining heritage in the Allihies area, supported by the Mining Heritage Trust of Ireland.

The exhibitions cover all aspects of the history of copper mining in the area, from prehistoric times all the way up to the nineteenth century and the Industrial Revolution. The displays also cover the local geology and the social history of the mining heritage. The collections contain examples of mining equipment and tools from the various eras of activity. The exhibition space is also used to display artworks, with local artists such as Charles Tyrrell, Cormac Boydell, Rachel Parry and Tim Goulding exhibiting there.

(Pictured: Engine House, Allihies by John Gibson, view of the 1862 house for the 36″-cylinder beam engine that powered the man-engine and winder on Mountain Mine)


by Leave a comment

Birth of Charles O’Conor, Writer & Antiquarian

charles-o-conor-of-belanagareCharles O’Conor, Irish writer and antiquarian who is enormously influential as a protagonist for the preservation of Irish culture and history in the eighteenth century, is born on January 1, 1710 in Killintrany, County Sligo. He combines an encyclopaedic knowledge of Irish manuscripts and Gaelic culture in demolishing many specious theories and suppositions concerning Irish history.

O’Conor is born into a cadet branch of the land-owning family of O’Conor Don and is sent for his education to Father Walter Skelton’s school in Dublin. He grows up in an environment that celebrates Gaelic culture and heritage. He begins collecting and studying ancient manuscripts at an early age.

His marriage brings him financial stability so that he can devote himself to his writing, but he is widowed in 1750, within a year of his father’s death. When his eldest son Denis marries in 1760, he gives up the residence at Bellanagare to him and moves into a small cottage that he had built on the estate. He devotes the remainder of his life to the collection and study of Irish manuscripts, to the publication of dissertations, and especially to the cause of Irish and Catholic emancipation.

O’Conor is well known in Ireland from his youth as a civil-tongued, but adamant, advocate of Gaelic culture and history. He garners fame outside Ireland through his Dissertations on the ancient history of Ireland (1753), which is generally well received. When Samuel Johnson is made aware of it, he is moved to write a letter to O’Conor in 1755, complimenting the book, complimenting the Irish people, and urging O’Conor to write on the topic of Celtic languages.

The book is less well received in some Scottish circles, where there exists a movement to write Celtic history based upon Scottish origins. When James Macpherson publishes a spurious story in 1761 about having found an ancient Gaelic (and Scottish) cycle of poems by a certain “Ossian“, among the critics who rejects it as false is O’Conor, as an inclusion in the 1766 rewrite of his 1753 work. While the issue was laid to public rest by others, notably Samuel Johnson, the issue is laid to intellectual rest by O’Conor in 1775, with the publication of his Dissertation on the origin and antiquities of the antient Scots. The fact that the issue occurs provides O’Conor the opportunity to establish Ireland as the source of Gaelic culture in the minds of the non-Irish general public.

O’Conor’s later life is that of the respected dean of Irish historians. He continues to write as always in favour of ideas that he favours and are consistent with the historical record, and against any and all ideas that are inconsistent with the historical record, including those of other Irish historians. Such is his esteemed reputation that even those whom he challenges would include his challenges in the next edition of their own books. He continues to collect, study, and annotate Irish manuscripts. Upon his death in Bellanagare, County Roscommon on July 1, 1791, his collection becomes the first part of the Annals of the Four Masters at the Stowe Library. In 1883 these are returned to the Royal Irish Academy library.

His unfinished History of Ireland, that Johnson had encouraged in 1777, is destroyed on his instructions at his death.


by Leave a comment

Death of Máire Ni Scolai, Singer & Actress

maire-ni-scolaiMáire Ni Scolai, Irish language singer and actress, dies on June 29, 1985.

Ní Scolaí is born in May 24, 1909 in Dublin. She is the daughter of Michael Scully, a commercial traveler and Mary Scully (née Kavanagh). She attends the Central Model Schools, were she learns Irish through the pilot Irish language courses. She studies Irish further at Ring College, County Waterford. She moves to Galway with her sister Mona as a young adult, and begins teaching Irish singing and dancing. With the Irish language theatre, An Taibhdhearc, she plays a number of leading roles. In Micheál Mac Liammóir‘s 1928 production of Diarmaid agus Gráinne, she plays Gráinne.

Ní Scolaí’s interpretation of traditional Irish songs gains her fame, and she sings many times on 2RN as well as radio in France, Italy, the United States and the United Kingdom. She trains as a mezzo-soprano and licentiate of the Trinity College of Music, London, and is noted as one of the few people who combines classical music with sean-nós singing successfully. She wins awards at feiseanna such as Feis Chonnacht and Feis Shligigh, later becoming a judge. She is also an award winner at Aonach Tailteann, as well at the Welsh Eisteddfod, the Scottish mòd, the Manx Tynwald, and the Breton Bretagne celebrations. She performs at London’s Covent Garden and Queen’s Hall. She travels around Gaeltacht areas in Ireland to collect and save songs that might have otherwise been lost. The traditional singers she collects from included Cáit Uí Chonláin in Spiddal and Labhras “Binn” Ó Cadhla. HMV records and releases her performances of Seacht ndolas na Maighduine Mhuire, Caoineadh na dtrí Muire, and Eibhlín a Rún.

On September 9, 1931 she marries Liam Ó Buachalla at University Church, St. Stephen’s Green, Dublin. She dies on June 29, 1985, and is buried in Galway.

(Pictured: Ciarán Mac Mathúna and Máire Ní Scolaí (1976))