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Birth of George Berkeley, Anglican Bishop of Cloyne

George Berkeley, Bishop of Cloyne of the Anglican Church of Ireland known as Bishop Berkeley, is born at his family home, Dysart Castle, near Thomastown, County Kilkenny, on March 12, 1685. He is an Anglo-Irish philosopher whose primary achievement is the advancement of a theory he calls “immaterialism” (later referred to as “subjective idealism” by others). This theory denies the existence of material substance and instead contends that familiar objects like tables and chairs are ideas perceived by the mind and, as a result, cannot exist without being perceived. He is also known for his critique of abstraction, an important premise in his argument for immaterialism.

Berkeley is the eldest son of William Berkeley, a cadet of the noble family of Berkeley whose ancestry can be traced back to the Anglo-Saxon period and who had served as feudal lords and landowners in Gloucester, England. Little is known of his mother. He is educated at Kilkenny College and attends Trinity College Dublin, where he is elected a Scholar in 1702, being awarded BA in 1704 and MA and a Fellowship in 1707. He remains at Trinity College after completion of his degree as a tutor and Greek lecturer.

Berkeley’s earliest publication is on mathematics, but the first that brings him notice is his An Essay Towards a New Theory of Vision, first published in 1709. In the essay, he examines visual distance, magnitude, position and problems of sight and touch. While this work raises much controversy at the time, its conclusions are now accepted as an established part of the theory of optics.

The next publication to appear is A Treatise Concerning the Principles of Human Knowledge in 1710, which has great success and gives him a lasting reputation, though few accept his theory that nothing exists outside the mind. This is followed in 1713 by Three Dialogues between Hylas and Philonous, in which he propounds his system of philosophy, the leading principle of which is that the world, as represented by our senses, depends for its existence on being perceived.

For this theory, the Principles gives the exposition and the Dialogues the defence. One of his main objectives is to combat the prevailing materialism of his time. The theory is largely received with ridicule, while even those such as Samuel Clarke and William Whiston, who do acknowledge his “extraordinary genius,” are nevertheless convinced that his first principles are false.

Shortly afterwards, Berkeley visits England and is received into the circle of Joseph Addison, Alexander Pope and Richard Steele. In the period between 1714 and 1720, he intersperses his academic endeavours with periods of extensive travel in Europe, including one of the most extensive Grand Tours of the length and breadth of Italy ever undertaken. In 1721, he takes holy orders in the Church of Ireland, earning his doctorate in divinity, and once again chooses to remain at Trinity College Dublin, lecturing this time in Divinity and in Hebrew. In 1721-22 he is made Dean of Dromore and, in 1724, Dean of Derry.

In 1723, following her violent quarrel with Jonathan Swift, who had been her intimate friend for many years, Esther Vanhomrigh names Berkeley her co-heir along with the barrister Robert Marshall. Her choice of legatees causes a good deal of surprise since she does not know either of them well, although Berkeley as a very young man had known her father. Swift says generously that he does not grudge Berkeley his inheritance, much of which vanishes in a lawsuit in any event. A story that Berkeley and Marshall disregarded a condition of the inheritance that they must publish the correspondence between Swift and Vanhomrigh is probably untrue.

In 1725, Berkeley begins the project of founding a college in Bermuda for training ministers and missionaries in the colony, in pursuit of which he gives up his deanery with its income of £1100.

In 1728, Berkeley marries Anne Forster, daughter of John Forster, Chief Justice of the Irish Common Pleas, and his first wife Rebecca Monck. He then goes to America on a salary of £100 per annum. He lands near Newport, Rhode Island, where he buys a plantation at Middletown – the famous “Whitehall.” He purchases several enslaved Africans to work on the plantation. He also brings John Smibert to New England, the Scottish artist he “discovered” in Italy, who is generally regarded as the founding father of American portrait painting. Meanwhile, he draws up plans for the ideal city he plans to build on Bermuda. He lives at the plantation while he waits for funds for his college to arrive. The funds, however, are not forthcoming and he leaves America and returns to London in 1732.

Berkeley and his wife have four children who survive infancy: Henry, George, William and Julia, and at least two other children who die in infancy. William’s death in 1751 is a great cause of grief to his father.

Berkeley is nominated to be the Bishop of Cloyne in the Church of Ireland on January 18, 1734. He is consecrated as such on May 19, 1734. He is the Bishop of Cloyne until his death on January 14, 1753, although he dies at Oxford.

While living in London’s Saville Street, Berkeley takes part in efforts to create a home for the city’s abandoned children. The Foundling Hospital is founded by royal charter in 1739, and Berkeley is listed as one of its original governors.

Berkeley’s last two publications are Siris: A Chain of Philosophical Reflexions and Inquiries Concerning the Virtues of Tarwater, And divers other Subjects connected together and arising one from another (1744) and Further Thoughts on Tar-water (1752). Pine tar is an effective antiseptic and disinfectant when applied to cuts on the skin, but he argues for the use of pine tar as a broad panacea for diseases. His 1744 work on tar-water sells more copies than any of his other books during Berkeley’s lifetime.

Berkeley remains at Cloyne until 1752, when he retires. With his wife and daughter Julia, he goes to Oxford to live with his son George and supervise his education. He dies soon afterwards and is buried in Christ Church Cathedral, Oxford. His affectionate disposition and genial manners make him much loved and held in warm regard by many of his contemporaries. Anne outlives her husband by many years, dying in 1786.

(Pictured: “Bishop George Berkeley,” oil on canvas portrait by John Smibert, c. 1727)


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Birth of Playwright Michael Joseph Molloy

Michael Joseph Molloy, Irish playwright, is born March 3, 1914, in Milltown, County Galway, the son of William Molloy, originally of Glenamaddy, County Galway, who runs a shop at Milltown, and Maria Molloy (née Tucker), a native of Claremorris, County Mayo, and a teacher at Milltown girls’ school.

Molloy is the fifth in a family of five boys and three girls. Two other children die at birth. He is educated at Milltown national school and St. Jarlath’s College, Tuam, County Galway, from 1927 to 1931. His father dies when he is six years old and his uncle, Sonny Tucker, becomes an important influence, encouraging his life-long habit of extensive reading. In 1931 he goes to St. Columba’s Seminary at Dalgan Park, Shrule, County Mayo, but discontinues his studies for the priesthood when he contracts tuberculosis. He undergoes several operations, has to use crutches for three years, and is left with a permanent limp. While under the care of the sanatorium in Newcastle, County Wicklow, in the late 1930s, he is encouraged by a friend to attend a performance of two plays by George Bernard Shaw, Candida and Village Wooing, at the Abbey Theatre, Dublin. He becomes a regular playgoer and is inspired to begin a career as a dramatist.

Having lived in the family home at Milltown until 1955, he takes up residence at a nearby farmhouse on the marriage of his brother Christy. Despite his handicap, he works the small farm for the rest of his life to supplement the irregular income from his plays. He never marries and is attended by his housekeeper, Agnes Johnston. He is a familiar sight as he travels around his local area on the high bicycle he had fitted with one fixed pedal. The purpose of these journeys is to collect folklore, which provides a rich body of material for his plays and which he gathers into a prose volume, though this remains unpublished and privately held.

Molloy has nine of his thirteen plays produced at the Abbey Theatre, from Old Road in 1943 to Petticoat Loose in 1979. His plays reveal him as a folklorist in the line of John Millington Synge and draw on the same mixture of Christian and pagan beliefs, but with a more sympathetic understanding of his characters’ Catholicism. There is also the same strong vein of grotesque physical humour. His accomplished one-act play The Paddy Pedlar (1953) is based on a folk tale about a man carrying the body of his dead mother around in a sack, and takes its bearings from an extraordinary amalgam of beliefs about the afterlife.

Molloy’s history plays re-create a world that shows the oppressions of colonialism on a subject race who respond with a wild anarchy mixed with subdued acceptance. His plays with a contemporary setting most often take emigration as their theme and are prophetic of later work by John B. Keane and Brian Friel. He writes in a heightened folk idiom, which only rarely loses touch with natural speech. Old Road wins an Abbey Prize and is staged in 1943 with Cyril Cusack as the young farm labourer trying to decide whether to emigrate to England or to stay in Ireland. Joseph Holloway gives a touching account of the shy author taking his curtain at this first production, who, though his lips move, is unable to say anything. The Visiting House follows in 1946, and dramatises a night of singing, dancing, and storytelling, peopled by a richly diverse cast of characters.

Molloy’s first masterpiece, The King of Friday’s Men, is launched in 1948. It takes the uncompromising theme of the droit du seigneur exercised by an eighteenth-century Anglo-Irish landlord on the most beautiful young women on his estate. His latest prey seeks to evade her fate by enticing the aged faction fighter, Bartley Dowd, to fight the landlord on her behalf. The play recreates that eighteenth-century world with colour, immediacy, and a strong sense of how the colonial system envelops all of the characters save the marginalised Bartley, who in the first production is played by the actor and author Walter Macken.

Molloy’s even greater The Wood of the Whispering follows in 1953 at the Queen’s Theatre, where the Abbey company is now playing. It is his most probing treatment of the effects of emigration, an issue of which Molloy, living in Galway, is only too aware. It is the most Beckettian of Irish plays, with its old tramp, Sanbatch Daly, and a host of older characters who are not so much eccentric as damaged in some profound way. At the play’s close Sanbatch feigns madness to gain entry to the asylum, though he is not in truth far from genuine madness. The various younger couples agree to stay and marry in Ireland rather than go their separate ways back to England. This idea of cultural renewal also underscores the importance Molloy places on the staging of his plays by amateur drama companies.

From the 1960s onwards Molloy’s plays are less readily accepted by the Abbey Theatre and a Dublin audience, but they still find a ready reception in his native place. In later works, such as Daughter from Over the Water (1963), the older characters retain their exuberance, but the younger ones seem beyond his reach. His last play, The Bachelor’s Daughter, is given its first performance by the Tuam Theatre Guild on March 3, 1985. The revival by Galway’s Druid Theatre of The Wood of the Whispering in 1983, which Molloy lives to see, is a revelation, and a reminder to the wider theatrical and academic world of the continuing importance of this playwright, not just as the ‘missing link’ between Synge and Keane but as an original in his own right.

In later years Molloy is a member of Aosdána. He dies of aortic aneurysms at Galway Hospital on May 27, 1994. He remains a committed Catholic all his life and his tombstone reads: “Woe to those who call evil good and who call good evil” (Isaiah, 5: 20).

(From: “Molloy, Michael Joseph” by Anthony Roche, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Leland Bardwell, Poet, Novelist & Playwright

Constan Olive Leland Bardwell, Irish poet, novelist, and playwright, is born Leland Hone in India on February 25, 1922. She was part of the literary scene in London and later Dublin, where she was an editor of literary magazines Hibernia and Cyphers.

Bardwell is born to Irish parents William Hone and Mary Collise and moves to Ireland at the age of two. Her father’s family are of the Anglo-Irish Hone family. She has a difficult childhood growing up in Leixlip, County Kildare. She is educated at Alexandra College and briefly studies in Switzerland. She works in a variety of jobs in Ireland and later Scotland, where, in 1948, she meets poet Michael Bardwell. The couple has two children and later separate.

Bardwell becomes a part of the literary scene of Soho in London, where she socialises with fellow writers, including Anthony Cronin, Francis Bacon, Patrick Kavanagh and Anthony Burgess. In the 1950s, she meets Fintan McLachlan, with whom she has three children, including the composer, John McLachlan. The family moves back to Dublin, where she works as a reviewer for Hibernia magazine and as a poetry editor.

From 1970 onward, Bardwell’s work is published regularly, starting with her first volume of poetry, The Mad Cyclist, which is later followed by her first novel, Girl on a Bicycle. She writes a number of plays and short stories, such as Outpatients, and her works are produced for RTÉ and the BBC. In 1984, she writes a musical play, No Regrets, based on the life of Édith Piaf. It opens at the Gaiety Theatre starring Anne Bushnell, and later tours across Ireland.

Bardwell’s work is heavily influenced by her difficult upbringing and her experiences in London and Dublin. In her memoir, A Restless Life, she describes her life as “a crescendo of madness.” She is considered an important poet by her contemporaries, who include Patrick Kavanagh, John Jordan, Paul Durcan, Macdara Woods and Michael Hartnett. On the publication of her fourth collection of poetry, The White Beach, Eilean Ni Chuilleanain states “it is good to see her work of the decades collected – it has inspired many Irish poets, male and female, and should be much more widely known,” adding that her work is “witty, full of sharp intimate honesty, full of truth and surprises.”

In 1975, Bardwell co-founds the long running literary magazine Cyphers with Eiléan Ní Chuilleanáin and Macdara Woods, and acts as a co-editor until 2012. She is the recipient of the Marten Toonder Award in 1993, and the Dede Korkut Short Story Award from Turkish PEN in 2010.

In later life, Bardwell moves to Annamakarraig in County Monaghan and later to Cloonagh in County Sligo, where in 1993 she co-founds the Scríobh Literary Festival. She is a member of the Irish artists’ association Aosdána and acts as one of Patrick Kavanagh’s literary executors.

Bardwell dies at the age of 94 in Sligo, County Sligo, on June 28, 2016.

(Photo by Pat Boran)


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Death of Sir Charles Algernon Parsons, Anglo-Irish Engineer & Scientist

Sir Charles Algernon Parsons, Anglo-Irish engineer and scientist best known for his invention of the compound steam turbine, dies on February 11, 1931, on board the steamship Duchess of Richmond while on a cruise with his wife.

Parsons is born in London on June 13, 1854, the youngest among eleven children of the famous astronomer William Parsons, 3rd Earl of Rosse, of Parsonstown (now Birr), King’s County (now County Offaly) and Mary Parsons (née Field), a Yorkshire heiress. Only four sons survive to adulthood. He is strongly influenced by his father, who encourages him to use the workshops at the Birr Castle observatory, and he is tutored at home by some of the assistant astronomers before entering Trinity College Dublin in 1871. He transfers to St. John’s College, Cambridge, and upon graduation in 1877 as eleventh wrangler in a class of thirty-six studying mathematics, he takes the unusual step for the son of an earl, of becoming a premium apprentice at the Elswick Engine and Ordnance Works of Sir William George Armstrong at Newcastle upon Tyne. In the period following this he develops a unique high-speed steam engine, and a torpedo which is powered by a gas turbine. He joins Clarke Chapman at Gateshead as a partner in 1884. In a matter of months he files patents for the world’s first effective steam turbine. These embody many novelties, but the key feature is an electricity generator rated at 6 kW and designed to run, directly coupled, at the astonishing speed of 18,000 rpm.

Parsons is not satisfied that his partners’ efforts to promote turbine development are sufficiently aggressive, and in 1889 he leaves to establish his own company, C. A. Parsons & Company, at Heaton near Newcastle upon Tyne. The price of this impetuous action is the loss of access to his original patents. He quickly establishes alternative designs and by 1892 he has built a turbo-alternator with an output of 100 kW for the Cambridge Electricity Company. Exhausting to a condenser, it has a steam consumption comparable with the best steam engines. Even his 1884 patents envisage applying turbines to marine propulsion, but it is 1893 before he can embark on the design of a suitable demonstration boat of 40 tons. By using careful tests on models, he perfects the hull shape and predicts the power requirements. At this time he recovers his 1884 patents and even wins the very rare prize of an extension for five years, which is a measure of the perceived national importance of his invention.

A syndicate is formed to raise the capital necessary to build Parsons’s turbine-powered vessel Turbinia. At the Spithead Fleet Review in 1897 she speeds among the ships of the world’s navies at 34.5 knots. In 1905 the Royal Navy decides to adopt turbines for its future warships. This example is followed by navies worldwide, from the United States to Japan. Builders of mercantile vessels follow quickly and the turbines of the Cunard liner RMS Mauretania (1906), each developing 26,000 kW, are the largest in existence at the time. The Mauretania holds the Blue Riband for the speediest Atlantic crossing until 1929, a fact that keeps Parsons’s name before the public.

The firm of C. A. Parsons (1889), which builds turbines for use on land, is privately owned, but the Parsons Marine Steam Turbine Company (1897) is a public company. Parsons also earns income from over 300 patents through the Parsons Foreign Patents Co. (1899). He readily licenses others to use his patents but he avoides costly litigation, the ruin of many inventors.

Parsons inherits an interest in optical instruments from his father. In 1890 he develops a cost-effective method for manufacturing searchlight mirrors, using sheets of plate glass and an iron mold heated in a gas furnace. During World War I he supplies most of the national requirements. In 1921 he acquires the optical instrument manufacturers Ross Ltd. and the Derby Crown Glass Company, makers of optical quality glass. In 1925 the firm of Howard Grubb, which makes large optical telescopes, is rescued from insolvency by Parsons. He believes that it is of national importance to maintain the industrial capacity to make optical equipment. Not all of his projects are commercially profitable, as for example his acoustic amplifier, dubbed the “Auxetophone,” or his attempts at synthesising diamonds, which absorbs much time and effort. In the development of his many inventions, he displays great tenacity in the face of reverses and always employs a meticulously scientific approach.

The supply of power on a large scale is revolutionised by the steam turbine. During the twenty years following the building of his first turbogenerator, Parsons remains at the forefront of promoting, building, and selling ever larger and more efficient turbines. He is not only a scientific engineer and inventor, but also a successful manufacturer and businessman. Modest and retiring in manner, his chief weakness lay in a lack of skill in managing interpersonal relationships, though this is compensated to a large extent by his integrity and loyalty. He seeks out the ablest men to run his businesses, among them several Fellows of the Royal Society (FRS). He is elected FRS himself in 1898 and is knighted in 1911. In 1927 he becomes the first engineer to be awarded the Order of Merit for his outstanding contributions to society. He is honoured by many universities and institutions in Europe and the United States.

Parsons marries Katharine Bethell, a Yorkshire woman, in 1883. They have one daughter and a son who dies on active service in 1918. He keeps a residence in London and in Northumbria.

Parsons dies on February 11, 1931, on board the steamship Duchess of Richmond while on a cruise with his wife. The cause of death is given as neuritis. A memorial service is held at Westminster Abbey on March 3, 1931. He is buried in the parish church of St. Bartholomew’s in Kirkwhelpington in Northumberland. His estate is valued at £1,214,355 gross.

A portrait of Parsons, painted by Maurice Codner, hangs in the Institution of Mechanical Engineers, London. There is also a portrait by Sir William Orpen in the Laing Art Gallery, Newcastle upon Tyne, and a portrait by Walter Stoneman in the National Portrait Gallery, London.

(From: “Parsons, Sir Charles Algernon” by W. Garrett Scaife, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Thomas Spring Rice, 1st Baron Monteagle of Brandon

Thomas Spring Rice, 1st Baron Monteagle of Brandon, PC, FRS, FGS, British Whig politician who serves as Chancellor of the Exchequer from 1835 to 1839, is born on February 8, 1790, into a notable Anglo-Irish family which owns large estates in Munster.

Spring Rice is one of the three children of Stephen Edward Rice, of Mount Trenchard House, and Catherine Spring, daughter and heiress of Thomas Spring of Ballycrispin and Castlemaine, County Kerry, a descendant of the Suffolk Spring family. He is a great grandson of Sir Stephen Rice, Chief Baron of the Irish Exchequer and a leading Jacobite Sir Maurice FitzGerald, 14th Knight of Kerry. His grandfather, Edward, converted the family from Roman Catholicism to the Anglican Church of Ireland, to save his estate from passing in gavelkind.

Spring Rice is educated at Trinity College, Cambridge, and later studies law at Lincoln’s Inn, but is not called to the Bar. His family is politically well-connected, both in Ireland and Great Britain, and he is encouraged to stand for Parliament by his father-in-law, Lord Limerick.

Spring Rice first stands for election in Limerick City in 1818 but is defeated by the Tory incumbent, John Vereker, by 300 votes. He wins the seat in 1820 and enters the House of Commons. He positions himself as a moderate unionist reformer who opposes the radical nationalist politics of Daniel O’Connell, and becomes known for his expertise on Irish and economic affairs. In 1824 he leads the committee which establishes the Ordnance Survey in Ireland.

Spring Rice’s fluent debating style in the Commons brings him to the attention of leading Whigs and he comes under the patronage of the Marquess of Lansdowne. As a result, he is made Under-Secretary of State for the Home Department under George Canning and Lord Goderich in 1827, with responsibility for Irish affairs. This requires him to accept deferral of Catholic emancipation, a policy which he strongly supports. He then serves as joint Secretary to the Treasury from 1830 to 1834 under Lord Grey. Following the Reform Act 1832, he is elected to represent Cambridge from 1832 to 1839. In June 1834, Grey appoints him Secretary of State for War and the Colonies, with a seat in the cabinet, a post he retains when Lord Melbourne becomes Prime Minister in July. A strong and vocal unionist throughout his life, he leads the Parliamentary opposition to Daniel O’Connell’s 1834 attempt to repeal the Acts of Union 1800. In a six-hour speech in the House of Commons on April 23, 1834, he suggests that Ireland should be renamed “West Britain.” In the Commons, he also champions causes such as the worldwide abolition of slavery and the introduction of state-supported education.

The Whig government falls in November 1834, after which Spring Rice attempts to be elected Speaker of the House of Commons in early 1835. When the Whigs return to power under Melbourne in April 1835, he is made Chancellor of the Exchequer. As Chancellor, he has to deal with crop failures, a depression and rebellion in North America, all of which create large deficits and put considerable strain on the government. His Church Rate Bill of 1837 is quickly abandoned and his attempt to revise the charter of the Bank of Ireland ends in humiliation. Unhappy as Chancellor, he again tries to be elected as Speaker, but fails. He is a dogmatic figure, described by Lord Melbourne as “too much given to details and possessed of no broad views.” Upon his departure from office in 1839, he has become a scapegoat for the government’s many problems. That same year he is raised to the peerage as Baron Monteagle of Brandon, in the County of Kerry, a title intended earlier for his ancestor Sir Stephen Rice. He is also Comptroller General of the Exchequer from 1835 to 1865, despite Lord Howick‘s initial opposition to the maintenance of the office. He differs from the government regarding the exchequer control over the treasury, and the abolition of the old exchequer is already determined upon when he dies.

From 1839 Spring Rice largely retires from public life, although he occasionally speaks in the House of Lords on matters generally relating to government finance and Ireland. He vehemently opposes John Russell, 1st Earl Russell‘s policy regarding the Irish famine, giving a speech in the Lords in which he says the government had “degraded our people, and you, English, now shrink from your responsibilities.”

In addition to his political career, Spring Rice is a commissioner of the state paper office, a trustee of the National Gallery and a member of the senate of the University of London and of the Queen’s University of Ireland. Between 1845 and 1847, he is President of the Royal Statistical Society. In addition, he is a Fellow of the Royal Society and a Fellow of the Geological Society of London. In May 1832 he becomes a member of James Mill‘s Political Economy Club.

Spring Rice is well regarded in Limerick, where he is seen as a compassionate landlord and a good politician. An advocate of traditional Whiggism, he strongly believes in ensuring society is protected from conflict between the upper and lower classes. Although a pious Anglican, his support for Catholic emancipation wins him the favour of many Irishmen, most of whom are Roman Catholic. He leads the campaign for better county government in Ireland at a time when many Irish nationalists are indifferent to the cause. During the Great Famine of the 1840s, he responds to the plight of his tenants with benevolence. The ameliorative measures he implements on his estates almost bankrupts the family and only the dowry from his second marriage saves his financial situation. A monument in honour of him still stands in the People’s Park in Limerick.

Even so, Spring Rice’s reputation in Ireland is not entirely favourable. In a book regarding assisted emigration from Ireland, a process in which a landlord pays for their tenants’ passage to the United States or Australia, Moran suggests that Spring Rice was engaged in the practice. In 1838, he is recorded as having “helped” a boat load of his tenants depart for North America, thereby allowing himself the use of their land. However, he is also recorded as being in support of state-assisted emigration across the British Isles, suggesting that his motivation is not necessarily selfish.

Spring Rice dies at the age of 76 on February 17, 1866. Mount Monteagle in Antarctica and Monteagle County in New South Wales are named in his honour.

(Pictured: Thomas Spring Rice, 1st Baron Monteagle of Brandon (1790-1866), contemporary portrait by George Richmond (1809-1896))


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Premiere of Oliver Goldsmith’s Play “The Good-Natur’d Man”

The Good-Natur’d Man, a play written by Oliver Goldsmith in 1768, is first performed at Central London’s Covent Garden on January 29, 1768. The play is written in the form of a comedy with Mary Bulkley as Miss Richland. It is released at the same time as Hugh Kelly‘s False Delicacy, staged at Drury Lane Theatre. The two plays go head to head, with Kelly’s proving the more popular. Goldsmith’s play is a middling success and the printed version of the play becomes popular with the reading public.

Although his birth date and year and birthplace are not known with any certainty, it is believed that Goldsmith is born on November 10, 1728, in Kilkenny West, County Westmeath. He is an Anglo-Irish essayist, poet, novelist, dramatist, and eccentric, made famous by such works as the series of essays The Citizen of the World, or, Letters from a Chinese Philosopher (1762), the poem The Deserted Village (1770), the novel The Vicar of Wakefield (1766), and the play She Stoops to Conquer (1773).

Goldsmith is the son of an Anglo-Irish clergyman, the Rev. Charles Goldsmith, curate in charge of Kilkenny West. At about the time of his birth, the family moves into a substantial house at nearby Lissoy, where he spends his childhood. Much has been recorded concerning his youth, his unhappy years as an undergraduate at Trinity College Dublin, where he received the BA degree in February 1749, and his many misadventures before he leaves Ireland in the autumn of 1752 to study in the medical school at Edinburgh. By this time his father has died, but several of his relations support him in his pursuit of a medical degree. Later on, in London, he comes to be known as Dr. Goldsmith, Doctor being the courtesy title for one who holds the Bachelor of Medicine, but he takes no degree while at Edinburgh nor, so far as anyone knows, during the two-year period when, despite his meagre funds, which are eventually exhausted, he somehow manages to make his way through Europe. The first period of his life ends with his arrival in London, bedraggled and penniless, early in 1756.

Goldsmith’s rise from total obscurity is a matter of only a few years. He works as an apothecary‘s assistant, school usher, physician, and as a hack writer, reviewing, translating, and compiling. Much of his work is for Ralph Griffiths‘s Monthly Review. It remains amazing that this young Irish vagabond, unknown, uncouth, unlearned, and unreliable, is yet able within a few years to climb from obscurity to mix with aristocrats and the intellectual elite of London. Such a rise is possible because he has one quality, soon noticed by booksellers and the public, that his fellow literary hacks do not possess – the gift of a graceful, lively, and readable style.

Goldsmith’s rise begins with the Enquiry into the Present State of Polite Learning in Europe (1759), a minor work. Soon he emerges as an essayist, in The Bee and other periodicals, and above all in his Chinese Letters. These essays are first published in the journal The Public Ledger and are collected as The Citizen of the World in 1762. The same year brings his The Life of Richard Nash. Already he is acquiring those distinguished and often helpful friends whom he alternately annoys and amuses, shocks and charms – Samuel Johnson, Sir Joshua Reynolds, Thomas Percy, David Garrick, Edmund Burke, and James Boswell.

The obscure drudge of 1759 becomes in 1764 one of the nine founder-members of the famous The Club, a select body, including Reynolds, Johnson, and Burke, which meets weekly for supper and talk. Goldsmith can now afford to live more comfortably, but his extravagance continually runs him into debt, and he is forced to undertake more hack work. He thus produces histories of England and of ancient Rome and Greece, biographies, verse anthologies, translations, and works of popular science.

Goldsmith’s premature death on April 4, 1774, may be partly due to his own misdiagnosis of a kidney infection. He is buried in Temple Church in London. A monument is originally raised to him at the site of his burial, but this is destroyed in an air raid in 1941. A monument to him survives in the centre of Ballymahon, also in Westminster Abbey with an epitaph written by Samuel Johnson.

Among Goldsmith’s papers is found the prospectus of an encyclopedia, to be called the Universal dictionary of the arts and sciences. He wishes this to be the British equivalent of the Encyclopédie and it is to include comprehensive articles by Samuel Johnson, Edmund Burke, Adam Smith, Edward Gibbon, Sir Joshua Reynolds, Sir William Jones, Charles James Fox and Dr. Charles Burney. The project, however, is not realised due to Goldsmith’s death.

(Pictured: “Mr Honeywell introduces the bailiffs to Miss Richland as his friends,”a scene from the play “The Good-Natur’d Man” by Oliver Goldsmith, oil on panel by William Powell Frith)


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Birth of Alfred Denis Godley, Scholar & Poet

Alfred Denis Godley, Anglo-Irish classical scholar and author of humorous poems is born on January 22, 1856, at Ashfield, County Cavan.

Godley is the eldest son of Rev. James Godley, rector of Carrigallen, County Leitrim, and Eliza Frances Godley (née La Touche). After attending Tilney Basset’s preparatory school in Dublin, he goes to Harrow College and Balliol College, Oxford, graduating BA in 1878. At Oxford he becomes known for his classical scholarship and wins several prizes, including the Craven scholarship and the Gaisford Prize for Greek Verse. In 1879 he is appointed assistant classical master at Bradfield College. He returns to Oxford in 1883 as tutor and fellow of Magdalen College (1883–1912). Serving as deputy public orator of Oxford (1904–06), he is elected public orator in 1910, a post he holds until his death.

Godley also enjoys renown as a writer of satiric verse and prose, beginning his literary career as a contributor to The Oxford Magazine in 1883. In 1890 he becomes its editor, and two years later publishes his first book of poems, Verses to Order (1892). Later publications include Lyra Frivola (1899), Second Strings (1902) and The Casual Ward (1912). His work is very popular and two volumes, Reliquiae (1926) and Fifty Poems (1927), are published posthumously. He also publishes numerous works of serious scholarship including Socrates and Athenian Society in His Day (1896) and Oxford in the Eighteenth Century (1908). Noted as a translator of Herodotus, Tacitus, and Horace, he serves as joint-editor of The Classical Review (1910–20). He also edits and publishes volumes of the poetry of Thomas Moore and Winthrop Mackworth Praed.

Active in political life, Godley serves as an alderman on Oxford City Council. During the Second Boer War (1899–1901) he organises volunteer forces, commanding a battalion of the 4th Oxfordshire Light Infantry (1900–05). He serves in this capacity again during World War I and is lieutenant-colonel of the Oxfordshire Volunteer Corps (1916–19). A staunch unionist, during the Home Rule Crisis, he supports the formation of the Ulster Volunteer Force (UVF) and writes some political verse, notably The Arrest, which is popular among unionists. A pioneer in the sport of mountaineering, he is a founding member of the Alpine Club and a committee member (1908–11). He is also a member of the governing body of Harrow School. Towards the end of his career he is awarded honorary doctorates from Princeton (1913) and Oxford (1919).

In 1925 Godley goes on a tour of the Levant and contracts a fever which ultimately leads to his death on June 27, 1925, at his Oxford home, 27 Norham Road. He is buried at Wolvercote Cemetery.

In 1894 Godley marries Amy Hope Cay, daughter of Charles Hope Cay, fellow of Gonville and Caius College, Cambridge. They have no children.

(From: “Godley, Alfred Denis” by David Murphy, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Arthur Wolfe, 1st Viscount Kilwarden

Arthur Wolfe, 1st Viscount Kilwarden KC, Anglo-Irish peer, politician and judge, who held office as Lord Chief Justice of Ireland, is born on January 19, 1739, at Forenaughts House, Naas, County Kildare.

Wolfe is the eighth of nine sons born to John Wolfe (1700–60) and his wife Mary (d. 1763), the only child and heiress of William Philpot, a successful merchant at Dublin. One of his brothers, Peter, is the High Sheriff of Kildare, and his first cousin Theobald is the father of the poet Charles Wolfe.

Wolfe is educated at Trinity College Dublin, where he is elected a Scholar, and at the Middle Temple in London. He is called to the Irish Bar in 1766. In 1769, he marries Anne Ruxton (1745–1804) and, after building up a successful practice, takes silk in 1778. He and Anne have four children, John, Arthur, Mariana and Elizabeth.

In 1783, Wolfe is returned as Member of Parliament for Coleraine, which he represents until 1790. In 1787, he is appointed Solicitor-General for Ireland, and is returned to Parliament for Jamestown in 1790.

Appointed Attorney-General for Ireland in 1789, Wolfe is known for his strict adherence to the forms of law, and his opposition to the arbitrary measures taken by the authorities, despite his own position in the Protestant Ascendancy. He unsuccessfully prosecutes William Drennan in 1792. In 1795, Lord Fitzwilliam, the new Lord Lieutenant of Ireland, intends to remove him from his place as Attorney-General to make way for George Ponsonby. In compensation, Wolfe’s wife is created Baroness Kilwarden on September 30, 1795. However, the recall of Fitzwilliam enables Wolfe to retain his office.

In January 1798, Wolfe is simultaneously returned to Parliament for Dublin City and Ardfert. However, he leaves the Irish House of Commons when he is appointed Chief Justice of the Kings Bench for Ireland and created Baron Kilwarden on July 3, 1798.

After the Irish Rebellion of 1798, Wolfe becomes notable for twice issuing writs of habeas corpus on behalf of Wolfe Tone, then held in military custody, but these are ignored by the army and forestalled by Tone’s suicide in prison. In 1795 he had also warned Tone and some of his associates to leave Ireland to avoid prosecution. Tone’s godfather, Theobald Wolfe of Blackhall (the father of Charles Wolfe), is Wolfe’s first cousin, and Tone may have been Theobald’s natural son. These attempts to help a political opponent are unique at the time.

After the passage of the Acts of Union 1800, which he supports, Wolfe is created Viscount Kilwarden on December 29, 1800. In 1802, he is appointed Vice-Chancellor of the University of Dublin.

In 1802 Wolfe presides over the case against Town Major Henry Charles Sirr in which the habitual abuses of power used to suppress rebellion are exposed in court.

In the same year Wolfe orders that the well-known Catholic priest Father William Gahan be imprisoned for contempt of court. In a case over the disputed will of Gahan’s friend John Butler, 12th Baron Dunboyne, the priest refuses to answer certain questions on the ground that to do so would violate the seal of the confessional, despite a ruling that the common law does not recognize the seal of the confessional as a ground for refusing to give evidence. The judge apparently feels some sympathy for Gahan’s predicament, as he is released from prison after only a few days.

During the Irish rebellion of 1803, Wolfe, who had never been forgiven by the United Irishmen for the execution of William Orr, is clearly in great danger. On the night of July 23, 1803, the approach of the Kildare rebels induces him to leave his residence, Newlands House, in the suburbs of Dublin, with his daughter Elizabeth and his nephew, Rev. Richard Wolfe. Believing that he will be safer among the crowd, he orders his driver to proceed by way of Thomas Street in the city centre. However, the street is occupied by Robert Emmet‘s rebels. Unwisely, when challenged, he gives his name and office, and he is rapidly dragged from his carriage and stabbed repeatedly with pikes. His nephew is murdered in a similar fashion, while Elizabeth is allowed to escape to Dublin Castle, where she raises the alarm. When the rebels are suppressed, Wolfe is found to be still alive and is carried to a watch-house, where he dies shortly thereafter. His last words, spoken in reply to a soldier who called for the death of his murderers, are “Murder must be punished; but let no man suffer for my death, but on a fair trial, and by the laws of his country.”

Wolfe is succeeded by his eldest son John Wolfe, 2nd Viscount Kilwarden. Neither John nor his younger brother Arthur, who dies in 1805, have male issue, and on John’s death in 1830 the title becomes extinct.

(Pictured: Portrait of Lord Chief Justice of Ireland, Arthur Wolfe (later Viscount Kilwarden) by Hugh Douglas Hamilton, between 1797 and 1800, Gallery of the Masters)


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Death of Simon Luttrell, 1st Earl of Carhampton

Simon Luttrell, 1st Earl of Carhampton, Anglo-Irish politician who sits in the House of Commons of Great Britain from 1754 to 1780, dies on January 14, 1787.

Luttrell is born in 1713, the second son of Henry Luttrell, of Luttrellstown Castle (whose family had held Luttrellstown Castle and the demesne and adjoining lands since the land had been granted to Sir Geoffrey de Luterel in about 1210 by King John of England) and his wife Elizabeth Jones. His father is a noted commander in the Jacobite Irish Army between 1689 and 1691. He later receives a pardon from the Williamite authorities and is accused by his former Jacobite comrades of having betrayed them. He is murdered when his sedan chair is attacked in Dublin on October 22, 1717.

Luttrell serves as a Member of Parliament in the House of Commons of Great Britain for four constituencies: Mitchell (1755–1761), Wigan (1761–1768), Weobley (1768–1774) and Stockbridge (1774–1780).

On October 13, 1768, Luttrell is created Baron Irnham of Luttrellstown in the Peerage of Ireland. As his title is an Irish peerage, he is able to keep his seat in the British House of Commons. He is elevated to the title of Viscount Carhampton on January 9, 1781 and is made Earl of Carhampton on June 23, 1785. He lives at Four Oaks Hall, Four Oaks, Sutton Coldfield, from 1751 to 1766.

On January 22, 1735 Luttrell marries Judith Maria Lawes, daughter of Sir Nicholas Lawes, Governor of Jamaica and Elizabeth Cotton (née Lawley), by whom he has eight children:

Luttrell’s rakish behaviour earns him the nickname “King of Hell,” with “Hell” being a district of Dublin notorious for its brothels. He reputedly starts the courtesan Mary Nesbitt in her career by seducing her.

Luttrell dies at Four Oaks, Warwick, England, on January 14, 1787. He is buried at Kingsbury, Warwick, England.


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Birth of Clare Marsh, Still Life & Portrait Artist

Clare Marsh, still life and portrait artist, is born Emily Cecil Clare Marsh on January 13, 1875, at New Court, Bray, County Wicklow, the house of her maternal grandfather, Andrew McCullagh, a wine merchant.

Marsh’s parents are Arthur and Rachel Marsh (née McCullagh). She has four siblings. Her family is descended from the Anglo-Irish aristocracy, specifically from Francis Marsh of Edgeworth, Gloucestershire, with his wife the great-aunt of James II‘s first wife. The family later moves to Raheen, Clondalkin, and later to Cappaghmore, Clondalkin. There is little information about her early life although she is involved in the suffrage movement.

Marsh meets Mary Swanzy at Mary Manning‘s art classes, with Swanzy remembering Marsh as being from “a background of impecuniosity, which did not apparently worry them in spite of a more affluent upbringing.” She is influenced artistically by her aunt and John Butler Yeats, with whom she becomes close friends. In the summer of 1898, Yeats paints Marsh’s portrait at Manning’s studio. She is more drawn to the work of Yeats than of his son, Jack, and models her portraits on that of the older Yeats. He mentors her, encouraging her to see other artists’ work as much as possible and saying “to produce a picture will force you to think.” He urges her to paint more industriously. She exhibits with the Royal Hibernian Academy (RHA) for the first time in 1900 with East wind effect and Roses. Yeats later claims that Marsh helped him with “line drawing or sketching, by putting him on the track of bulk drawing.”

Alongside Manning’s classes, Marsh takes night classes in sculpture with John Hughes and Oliver Sheppard at the Metropolitan School of Art. Aside from a trip to Paris in 1910 or 1911, she is taught exclusively in Dublin throughout her 20s. She takes a course at Norman Garstin‘s studio in Penzance, and stays in North Wales in 1914, painting two Trearddur Bay scenes. She paints still life and portraits, including one of Lily Yeats. It appears that her portraits of children and dogs are popular based on her submitted works to the RHA, exhibiting without a break from 1900 to 1921. The Hugh Lane Gallery holds her portrait of Lord Ashbourne, which demonstrates her painting style of loose brush strokes with an air of informality. Yeats suggests that she spend some time in the United States, where he is living at the time. She spends two months in New York City, staying with cousins at White Plains and then moves into a room neighbouring that of Yeats in Petitpas. Her uncle strongly disproves of this living arrangement, so she leaves and returns to Ireland in January 1912, which upsets Yeats greatly.

Upon her return from New York, Marsh starts holding classes at her studio at South Anne Street which Swanzy recalls are “well liked and always full,” with Susan Yeats becoming a pupil. She becomes the Professor of Fine Arts at Alexandra College in 1916. In the same year, she paints the fires and destruction of the 1916 Easter Rising. She paints a portrait of Jack Butler Yeats in 1918, which is now held by the Highlanes Gallery. John Butler Yeats later sympathises with her in a letter that she and other women are not elected members of the RHA. Knowing that Yeats is in financial difficulty, she sells some of his drawings and sends the money to him. It appears that over time, she works more with colour, as demonstrated in her portrait of Susan Yeats. Her final paintings are night studies, some of which show a possible influence from Swanzy with whom she shares a studio in the autumn of 1920. She is also believed to be one of the founding members of the Society of Dublin Painters.

Marsh dies on May 5, 1923. A posthumous exhibition of her work is held in October 1923. Due to her early death, she largely falls into obscurity until one of her works is included in the 1987 “Irish Women Artists from the Eighteenth Century to the Present Day” exhibition and publication from the National Gallery of Ireland. The National Gallery of Ireland holds a selection of sketches and paintings by Marsh, and a sketch of her by Swanzy. She is included in an exhibition of art by women artists at the Highlanes Gallery in 2012.

(Pictured: “Self-Portrait” by Clare Marsh, oil on canvas, circa 1900, National Gallery of Ireland)