seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Monthly Archives: September 2023


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Birth of Irish Playwright Jimmy Murphy

Irish playwright Jimmy Murphy is born to Irish parents in Salford, Lancashire, England, on September 30, 1962. He is a former writer-in-residence at the National University of Ireland, Maynooth (2000–01), a member of the Abbey Theatre’s Honorary Advisory Council, a recipient of three bursaries in literature from the Arts Council (Irish: An Chomhairle Ealaíon) and is elected a member of Aosdána in 2004.

When Murphy is six, his family returns to Dublin, settling in the South inner-city district of Islandbridge. He first goes to school in nearby Inchicore, attending the Oblate Fathers’ primary school there, then moves to Ballyfermot, a working-class heartland of suburban Dublin, in his teens. There, he attends secondary school at St. John’s De La Salle College. After failing the Irish Intermediate Certificate he leaves school to pursue an apprenticeship in painting and decorating, taking his Junior and Senior Irish Trade Certificates, and the City and Guilds of London exams at the Dublin Institute of Technology, Bolton Street.

Murphy’s stage plays include Brothers of the Brush (Dublin, The Peacock, Dublin Theatre Festival 1993), which is awarded best new Irish play; A Picture of Paradise (The Peacock, 1997); The Muesli Belt (Dublin, The Abbey Theatre, 2000); Aceldama (1998); The Kings of the Kilburn High Road (Waterford, Red Kettle Theatre Company, 2000); The Castlecomer Jukebox (Red Kettle, 2004); and What’s Left of The Flag (Theatre Upstairs at The Plough, 2010), nominated for The Irish Times Best New Play Award. His last play, with an all-female cast, The Hen Night Epiphany, premieres at the Focus Theatre, Dublin, in September 2011 and is published by Oberon Books. It has recently been translated into Hebrew.

Plays for radio include Mandarin Lime (BBC Radio 4, 1995), Peel’s Brimstone (BBC Radio 4, 1995), and The Jangle of the Keys (BBC Radio 4 1997). His awards include the Stewart Parker Trust Award in 1994. The play The Kings of the Kilburn High Road is adapted by Tommy Collins as the Irish language film Kings, and is selected as Ireland’s entry for best foreign-language film for the Academy Awards by the Irish Film & Television Academy.

Three of Murphy’s plays have been presented at the Acting Irish International Theatre Festival: Brothers of the Brush (2001 Festival, presented by the Tara Players of Winnipeg), The Kings of the Kilburn High Road (2005 Festival, first North American production, presented by the Irish Players of Rochester), and The Muesli Belt (2008 Festival, presented by the Toronto Irish Players).

A one act play, Perfida, premieres at Theatre Upstairs in July 2012. In October 2012, The Muesli Belt receives its United States premiere at the Banshee Theater, Burbank, California, and in 2013 The Hen Night Epiphany receives its U.S. premiere at the Wade James Theater, Edmonds, Washington. In June 2013 a new production of Perfidia is staged by Red Kettle Theatre Company at their new theatre in Waterford. In May 2017 his second Verabtim piece for the Abbey, looking at police corruption, A Whisper Anywhere Else, is produced at the Peacock theatre. His first Verbatim play for the Abbey, Of This Brave Time, commissioned to commemorate the 1916 Easter Rising, tours the United Kingdom in 2016 and later returns to the Peacock stage for a short run. A new full length play, The Cartographer’s Pen, commissioned to mark the centenary of the drawing of the Irish border, opens at the Town Hall Theatre, Cavan, in May 2022.

Murphy is currently living in Dublin.


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Birth of Irish Writer Gabriel Rosenstock

Gabriel Rosenstock, Irish writer who works chiefly in the Irish language, is born in Kilfinane, County Limerick, on September 29, 1949. A member of Aosdána, he is poet, playwright, haikuist, tankaist, essayist, and author/translator of over 180 books, mostly in Irish.

Rosenstock’s father, George, is a doctor and writer from Schleswig-Holstein, Germany, who serves as a medical officer with the Wehrmacht in World War II. His mother is a nurse from County Galway. He is the third of six children and the first born in Ireland. He is educated locally in Kilfinane, then in Mount Sackville, County Dublin.

Rosenstock exhibits an early interest in anarchism and is expelled from Gormanston College in County Meath and exiled to Rockwell College near Cashel, County Tipperary. Later, he attends University College Cork (UCC).

Rosenstock works for some time on the television series Anois is Arís on RTÉ, then on the weekly newspaper Anois. Until his retirement he works with An Gúm, the publications branch of Foras na Gaeilge, the North-South body which promotes the Irish language.

Although he has worked in prose, drama and translation, Rosenstock is primarily known as a poet. He has written or translated over 180 books.

Rosenstock has edited and contributed to books of haiku in Irish, English, Scots and Japanese. He is a prolific translator into Irish of international poetry (among others Ko Un, Seamus Heaney, K. Satchidanandan, Rabindranath Tagore, Muhammad Iqbal, Hilde Domin, Peter Huchel), plays (Samuel Beckett, Max Frisch, W. B. Yeats) and songs (Bob Dylan, Kate Bush, The Pogues, Leonard Cohen, Bob Marley, Van Morrison, Joni Mitchell). He also has singable Irish translations of Lieder and other art songs. His being named as Lineage Holder of Celtic Buddhism inspires the latest title in a rich output of haiku collections: Antlered Stag of Dawn (Onslaught Press, Oxford, 2015), haiku in Irish and English with translations into Japanese and Scots Lallans.

Rosenstock also writes for children, in prose and verse. Haiku Más É Do Thoil É! (An Gúm) wins the Children’s Books Judges’ Special Prize in 2015.

Rosenstock appears in the anthology Best European Fiction 2012, edited by Aleksandar Hemon, with a preface by Nicole Krauss (Dalkey Archive Press). He gives the keynote address to Haiku Canada in 2015.

Rosenstock has worked with American photographer Ron Rosenstock, Indian Photographer Debiprasad Mukherjee, Greek photographer Kon Markogiannis, Dublin photographer Jason Symes, French photographer Jean-Pierre Favreau and many more to create the new guise of a photo-haiku (or a haiga) – the interplay of visual aesthetic and literature.

Rosenstock currently resides in Dublin. His son, Tristan, is a member of the Irish traditional music quintet Téada, and impressionist/actor Mario Rosenstock is his nephew.


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Ulster Day

Ulster’s Solemn League and Covenant, commonly known as the Ulster Covenant, is signed by nearly 500,000 people on and before September 28, 1912, in protest against the Third Home Rule Bill introduced by the British Government in the same year.

The Covenant is first drafted by Thomas Sinclair, a prominent unionist and businessman from Belfast. Sir Edward Carson is the first person to sign the Covenant at Belfast City Hall with a silver pen, followed by Charles Stewart Vane-Tempest-Stewart, 6th Marquess of Londonderry (the former Lord Lieutenant of Ireland), representatives of the Protestant churches, and then by Sir James Craig. The signatories, 471,414 in all, are all against the establishment of a Home Rule parliament in Dublin. The Ulster Covenant is immortalised in Rudyard Kipling‘s poem “Ulster 1912.” On September 23, 1912, the Ulster Unionist Council votes in favour of a resolution pledging itself to the Covenant.

The Covenant has two basic parts: the Covenant itself, which is signed by men, and the Declaration, which is signed by women. In total, the Covenant is signed by 237,368 men; the Declaration, by 234,046 women. Both the Covenant and Declaration are held by the Public Record Office of Northern Ireland (PRONI). An online searchable database is available on the PRONI website.

In January 1913, the Ulster Volunteers aim to recruit 100,000 men between the ages of 17 and 65 who had signed the Covenant as a unionist militia. A British Covenant, similar to the Ulster Covenant in opposition to the Home Rule Bill, receives two million signatures in 1914.

The majority of the signatories of the Covenant are from Ulster, although the signing is also attended by several thousand southern unionists. Acknowledging this, Carson pays tribute to “my own fellow citizens from Dublin, from Wicklow, from Clare [and], yes, from Cork, rebel Cork, who are now holding the hand of Ulster,” to cheers from the crowd.

Robert James Stewart, a Presbyterian from Drum, County Monaghan, and the grandfather of Heather Humphreys, the Minister for Arts, Heritage and the Gaeltacht (2014-16) in the Republic of Ireland, is one of around 6,000 signatories in County Monaghan, where one quarter of the population is Protestant before the establishment of the Irish Free State. Almost 18,000 people sign either the Covenant or the Declaration in County Donegal.

The signature of Frederick Hugh Crawford is claimed by him to have been written in blood. However, this is disputed. Based on the results of a forensic test that he carries out in September 2012 at PRONI, Dr. Alastair Ruffell of Queen’s University Belfast asserts that he is 90% positive that the signature is not blood. Crawford’s signature is injected with a small amount of luminol. This substance reacts with iron in blood’s hemoglobin to produce a blue-white glow. The test is very sensitive and can detect tiny traces even in old samples. Crawford’s signature is still a rich red colour today which would be unlikely if it had been blood. Nevertheless, some unionists are not convinced by the evidence.

The term “Solemn League and Covenant” recalls a key historic document signed in 1643, by which the Scottish Covenanters make a political and military alliance with the leaders of the English Parliamentarians during the First English Civil War.

The Ulster Covenant is used as a template for the “Natal Covenant,” signed in 1955 by 33,000 British-descended Natalians against the nationalist South African government’s intention of declaring the Union a republic. It is signed in Durban‘s City Hall. Loosely based on Belfast’s Ulster Covenant, the Ulster scene is almost exactly reproduced.

September 28 is today known as “Ulster Day” to unionists.

(Pictured: Sir Edward Carson signing the Solemn League and Covenant)


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Prime Ministers Meet to Discuss the Ulster Crisis

Edward Heath, Prime Minister of the United Kingdom, Brian Faulkner, Prime Minister of Northern Ireland and Irish Taoiseach Jack Lynch meet at Chequers, the country house retreat of the Prime Minister of the United Kingdom, on September 27, 1971, to talk over the Ulster crisis. They meet for much of the day and continue their sessions the following day.

The meeting is held under conditions of tight secrecy. Each man has only one assistant with him and there is no briefing for the press afterward. No one expects a firm agreement on any issue of substance. The British appear to be satisfied with a promise to meet again and to keep the communication lines open.

The meeting, the first such tripartite conference since the partition of Ireland 50 years earlier, is itself a considerable accomplishment politically. Even six weeks earlier, it is considered an impossibility by most observers.

At that time, Faulkner is widely regarded as being under such heavy pressure from the right-wing of his Ulster Unionist Party (UUP) that he cannot talk with the Taoiseach. Lynch has been saying that he can meet with Faulkner only as the leader of the Unionist party, not as the Prime Minister of Northern Ireland. That is consistent with Dublin‘s view that the six counties of Ulster are part of the Republic of Ireland.

Heath also seems to have retreated from his previous position. In an angry exchange of telegrams in August, he suggests that the situation in Northern Ireland is a British affair and none of Lynch’s business. The exchange follows the decision to intern suspected members of the Irish Republican Army (IRA) in Ulster without trial. Faulkner, backed by the Heath government, begin arrests of suspects on August 9.

The interment policy arouses a bitter reaction among the Roman Catholics of Ulster, where they make up a third of the population. Lynch denounces the policy. The Catholic opposition members in the Ulster Parliament at Stormont say they will boycott all Government matters until the interned men are released.

What has softened the attitudes of the three leaders is the appalling extent of violence in Belfast and other towns in Northern Ireland since the internments began. In those seven weeks, 17 British soldiers, 36 civilians and one policeman are killed, most of them by IRA bullets and bombs.

The British Government and Faulkner offer broad changes in the constitutional setup of the Ulster regime. They talk about bringing Catholics — non‐Unionists — into the Government for the first time. But internment without trial remains an obstacle even to talking about those ideas with the main opposition group, the Social Democratic and Labor Party (SDLP). The SDLP refuses to join in a proposed conference on political reform while internment goes on.

Ideally, the British would like Lynch to use his influence with the opposition leaders. They want him to urge them to talk about political reform in return for some concession on internment, perhaps the release of some of those currently held. But any such concession might get Faulkner in trouble with his own party or arouse Protestant violence. That is always the trouble in Northern Ireland – any gesture toward one side antagonizes the other.

A new and serious problem for Heath is an apparent waning of the British public’s willingness to bear the military and social burden of Northern Ireland. A poll just before the meeting at Chequers shows that 59% want to bring all British troops home from Ulster at once.

Even Lynch, though he is pledged to the principle of a United Ireland, does not want the hasty withdrawal of British troops. That would almost certainly mean an enlargement of the present terror into civil war.

(From: 3 Prime Ministers Confer on Ulster, The New York Times, September 28, 1971)


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Birth of Novelist & Poet Annie M. P. Smithson

Annie Mary Patricia Smithson, Irish novelist, poet and Nationalist, is born into a Protestant family in Sandymount, Dublin, on September 26, 1873.

Smithson is christened Margaret Anne Jane but takes the names Anne Mary Patricia on her conversion to Catholicism. Her mother and father are first cousins, and her father dies when she is young. About 1881 her mother marries her second husband, Peter Longshaw, who owns a chemical factory in Warrington, Lancashire, England. She dislikes her stepfather and refers to him always as Mr. Longshaw. There are five children of the second marriage.

Smithson abandons her ambition to become a journalist in order to train as a nurse and a midwife. She trains in London and Edinburgh, before returning to Dublin in 1900. In 1901 she takes up a post as district nurse in Millton, County Down. There she falls in love with her colleague Dr. James Manton, a married man. Deciding that a relationship is impossible, she leaves Millton in 1906. They keep up a correspondence until her conversion, when she burns his letters.

Smithson converts to Catholicism in March 1907 and becomes a fervent Republican and Nationalist. She becomes a member of Cumann na mBan and campaigns for Sinn Féin in the 1918 Irish general election.

Smithson takes the Republican side in the Irish Civil War and nurses participants in the siege at Moran’s Hotel. In 1922 she is imprisoned by Irish Free State forces and is rescued from Mullingar prison by Linda Kearns McWhinney and Muriel MacSwiney, posing as a Red Cross delegation. Her political views lead to her resignation from the Queen’s Nurses Committee and a move into private nursing. In 1924 she writes a series of articles on child welfare work for the Evening Mail newspaper, based on her work in tenements in the Dublin Liberties, one of the poorest areas of the city, where she continues to work until 1929.

Smithson is Secretary and Organiser of the Irish Nurse Organisation from 1929 to 1942. She writes for the Irish Nurses’ Magazine and edits the Irish Nurses Union Gazette.

In 1917 Smithson publishes her first novel, Her Irish Heritage, which becomes a best-seller. It is dedicated to those who died in the Easter Rising of 1916. In all, she publishes twenty novels and two short story collections. Other successful novels include By Strange Paths and The Walk of a Queen. Many of her works are highly romantic and draw on her own life experiences, with nationalism and Catholicism featured as recurrent themes. In 1944 she publishes her autobiography, Myself – and Others.

From 1932 onwards Smithson shares a house in Rathmines, Dublin, with her stepsister and her stepsister’s family. She dies of heart failure on February 21, 1948, at 12 Richmond Hill, Dublin, and is buried in Whitechurch, Dublin.

Smithson’s novels are featured in Brian Friel‘s 1990 play Dancing at Lughnasa. Between 1989 and 1990 the Mercier Press reprints several of her works.


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Shamrock Rovers Become 1st Irish Team to Play in European Competition

League of Ireland champions Shamrock Rovers become the first Irish team to play in European soccer competition on September 25, 1957, when they welcome Manchester United “Busby Babes” to Dublin for the first of two legs in the preliminary round. It is an interesting debut as they are hammered by the pre-Munich Manchester squad.

The Munich Air Disaster, which rips the heart out of Manchester United’s star-studded team, is still five months away and Duncan Edwards, Roger Byrne, David Pegg and Tommy Taylor all line out for the English champions.

The home side features future Republic of Ireland national football team manager Liam Tuohy in their ranks while 45,000 fans show up at Dalymount Park for the match.

In his programme notes, Rovers chairman Joseph Cunningham pays tribute to their opponents. “This evening it is my privilege and pleasure on the behalf of my Co-Directors, to extend Manchester United a sincere and hearty welcome to Dublin.”

“To the men who have substantially helped to put this team on the field — Directors, Manager, Coach, Trainer, Scouts, etc. — we owe a debt.”

“In this connection I sincerely suggest that when the Manchester United team make their appearance on the field of play tonight, we would like them to know that the welcome is not only a salute to a great team, but also salute to the “Backroom Boys” who have moulded the team to its present greatness.”

The game itself sees Manchester United win out comfortably, slamming six goals past the Rovers without reply. Two weeks later, however, the Hoops manage to save some face by going down by a single goal 3-2 at Old Trafford.

Less than five months later, most of the Manchester United team is wiped out in a British European Airways (BEA) plane crash in Munich, Germany, including Dubliner Liam Whelan, who did not play against the Rovers. Of the United greats featured in the Dublin game, only Bobby Charlton survives the Munich plane crash.

(From: “#OTD in 1957 – Shamrock Rovers are the First Irish Team to Play in European Soccer Competition,” Stair na hÉireann | History of Ireland, https://stairnaheireann.net)


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Birth of John O’Callaghan, Musician & Disc Jockey

John O’Callaghan, Irish musician and disc jockey who mainly produces trance music, is born in Navan, County Meath, on September 24, 1981. He also produces music under the aliases of Joint Operations Centre, Mannix, Henrik Zuberstein, and Stenna.

O’Callaghan has collaborated with fellow Discover Recordings artists such as Bryan Kearney, Neal Scarborough (as Inertia), Thomas Bronzwaer (as Lost World), and Greg Downey as well as, more recently, trance hero Leon Bolier. His best-known tracks are “Exactly” with Bryan Kearney, “Big Sky”, in collaboration with vocalist Audrey Gallagher of the alternative metal band Scheer, and “Find Yourself” (featuring Sarah Howells). He has received remixes by trance artists such as The Thrillseekers, Sean Tyas, Gareth Emery, Cosmic Gate, Markus Schulz and Indecent Noise. He has also worked with Heatbeat and Aly & Fila.

O’Callaghan formerly has the majority of his work released on Discover Recordings, the British record label set up by John Askew. Later, his work is released by Armada Music and its sublabels — primarily on Armind and Soundpiercing. The remix of his vocal trance production “Big Sky” by Agnelli & Nelson is voted “Tune of The Year” by listeners of Armin van Buuren‘s A State of Trance radio show in 2007.

In 2008, O’Callaghan enters the DJ Magazine 100 at number 60 and picks up two awards at the Irish Dance Music Awards, winning Best Producer and Best DJ. He also becomes the first Irishman to play Trance Energy. In 2009, he rises 36 places to 24th in the DJ Magazine 100.

In addition to numerous single releases, O’Callaghan has released a live album (Discover “Live As” Volume 2) and two artist albums, Something To Live For and Never Fade Away.

Never Fade Away is released in 2009 on the Armada Music label shortly following the single release of “Find Yourself.” “Find Yourself” is tipped a future favorite on A State of Trance. The track receives recognition from many DJs, including Armin van Buuren, Tiësto, Judge Jules, Matt Hardwick and Gareth Emery. The track also receives a remix from Cosmic Gate, which makes a lot of headway in many DJs’ set lists following its release. He also releases another single from the album, “Surreal,” which includes vocals from an artist known as Jaren. In 2010, O’Callaghan starts his very own sublabel on Black Hole Recordings called Subculture.


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Death of Katherine Conolly, Hostess, Landowner & Philanthropist

Katherine Conolly, Irish political hostess, landowner, and philanthropist, dies at Castletown House, Celbridge, County Kildare, on September 23, 1752.

Katherine Conolly is born Katherine Conyngham around 1662. Her parents are Sir Albert Conyngham and Margaret (née Leslie). She is the eldest of their ten children, with one of her brother’s being Henry Conyngham. Her maternal grandfather is Henry Leslie. She marries William Conolly in 1694, Speaker of the Irish House of Commons (1715-29) and purported to be the wealthiest man in Ireland. The marriage is likely to have been a love match. The couple uses her dowry of £2,300 to purchase their first estates in County Meath. Through her connections, her husband is able to ally himself with the influential Protestant families such as the Gores, Montgomerys and Leslies. She becomes known as a political hostess, gaining a mention in a ballad detailing the 1723 Westmeath by-election.

Upon the death of her husband in 1729, Connolly inherits estates in Wales, as well as in counties Meath, Roscommon, Westmeath and Kildare. She continues to be influential in Irish public affairs, being asked for her opinions and counsel. Living on Capel Street, Dublin, and at Castletown House, County Kildare, she entertains a large circle of friends. She carries on her husband’s plan to build the residential Collegiate School, Celbridge, built from 1733 to 1737, then supports the school with £50 each year. She commissions a monument in her husband’s memory by Thomas Carter, in Kildrought Church, Celbridge. She also commissions Conolly’s Folly in 1740 and The Wonderful Barn in 1743 to generate employment in the area.

Connolly dies in Castletown House on September 23, 1752. A portrait of her by Charles Jervas still hangs there. Upon hearing of her death, Mary Delany notes that her death “is a general loss. Her table was open to all her friends of all ranks and her purse to the poor … she was clever at business, and wrote all her own letters … she was a plain and vulgar woman in her manner but had very valuable qualities.”

(Pictured: Reclining statue of Katherine Conolly by Thomas Carter, at Castletown House, Celbridge, County Kildare)


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The 36th Ryder Cup Matches Come to Ireland

The 36th Ryder Cup Matches officially open on September 22, 2006, at the Palmer North Course of the K Club in Straffan, County Kildare, west of Dublin. It is the first time golf’s premier team tournament has come to Ireland and to date it is the biggest sporting event ever staged in the country.

Europe wins by 18-1⁄2 to 9-1⁄2 points, equalling their record winning margin of two years earlier for their third consecutive win, a first for Europe. Swedish rookie Henrik Stenson makes the winning putt, just moments after Luke Donald sinks a putt to ensure Europe retains the trophy.

The K Club has two Arnold Palmer-designed championship courses and the 36th Ryder Cup is held on the Palmer North Course (also known as the Old Course). The course is a parkland course located on the banks of the River Liffey, threaded through mature woodlands on the Straffan country estate.

Domestically, Sky Sports provides live coverage of all sessions. In the United States, coverage of the first day is recorded live, but presented on tape-delay by USA Network. Bill Macatee hosts from the 18th tower. On Saturday, NBC Sports presents coverage on tape, but recorded live. NBC then airs the singles live on Sunday morning. Dan Hicks and Johnny Miller host from the 18th tower, Gary Koch and Bob Murphy call holes, while on-course reporters are Mark Rolfing, Roger Maltbie, and Dottie Pepper. To provide a European perspective, NBC uses former European team player Nick Faldo as a guest analyst on the Saturday afternoon session. Faldo had worked in the same role for NBC at the 2002 Ryder Cup, and at the time of the 2006 edition is in between jobs, having worked as an analyst for ABC Sports from 2004 to 2006, but having signed with CBS Sports for 2007 and beyond.

The Ryder Cup is a match play event, with each match worth one point. The competition format used in 2004 and 2006 is as follows:

  • Day 1 (Friday) – 4 four-ball (better ball) matches in a morning session and 4 foursome (alternate shot) matches in an afternoon session
  • Day 2 (Saturday) – 4 fourball matches in a morning session and 4 foursome matches in an afternoon session
  • Day 3 (Sunday) – 12 singles matches

With a total of 28 points, 14-1⁄2 points are required to win the Cup, and 14 points are required for the defending champion to retain the Cup. All matches are played to a maximum of 18 holes.


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Death of Frank Hall, Broadcaster, Journalist, Satirist & Film Censor

Frank Hall, Irish broadcaster, journalist, satirist and film censor, dies in Dublin on September 21, 1995. He is best remembered for his satirical revue programme Hall’s Pictorial Weekly.

Born in Newry, County Down, on February 24, 1921, Hall receives little more than a primary education as he leaves school at the age of twelve to work in a local shop. He later works as a waiter in London before moving to Dublin. On his return he joins the art department of the Irish Independent. He subsequently works with the Evening Herald where he writes a column on dance bands.

After that, Hall moves to RTÉ where he works in the newsroom. From 1964 to 1971 he presents Newsbeat, a regional news programme. He also presents The Late Late Show for the opening of the 1964 season, but his lack of success in that seat leads to the return of the previous presenter, Gay Byrne. When Newsbeat ends, he starts writing and presenting Hall’s Pictorial Weekly, a political satire show that runs for over 250 episodes until 1980. A successor show, Hall and Company, runs from 1980 until his retirement from television in 1986. He serves as spokesperson for the Irish jury in the Eurovision Song Contest 1965 and 1966.

Hall wins two Jacob’s Awards, in 1966 and 1975, for his work on Newsbeat and Hall’s Pictorial Weekly respectively.

In 1978, Hall is appointed Ireland’s national film censor. During his period as censor, he is known for his strict application of Irish censorship and his defence of family values. Among the films banned by him is Monty Python’s Life of Brian, which he describes as “offensive to Christians and to Jews as well, because it made them appear a terrible load of gobshites.”

Hall has a long running affair with a young colleague from RTÉ, though married to Aideen Kearney at the time. It is also widely accepted that he has a daughter in 1956 with RTÉ presenter Frankie Byrne, although this is disputed at the time by his family members. His relationship with Frankie Byrne is placed in the public domain in a Mint Productions programme, Dear Frankie, screened on RTÉ in January 2006. In 2010, a play written by Niamh Gleeson, also entitled Dear Frankie, opens in the Liberty Hall theatre. Later in 2012, it opens again in the Gaiety Theatre, going on to play in theatres across the country.

Hall dies of a heart attack in Dublin on September 21, 1995. He is buried in Dardistown Cemetery in Northside, Dublin.