Roddy Doyle, novelist, dramatist and screenwriter known for his unvarnished depiction of the working class in Ireland, is born in Dublin on May 8, 1958. His distinctively Irish settings, style, mood, and phrasing make him a favourite fiction writer in his own country as well as overseas.
Doyle grows up in a middle-class family in Kilbarrack. His mother, Ita Bolger Doyle, is a first cousin of the short story writer Maeve Brennan. After majoring in English and geography at University College Dublin, he teaches those subjects for fourteen years at Greendale Community School, a Dublin grade school. During the summer break of his third year of teaching, he begins writing seriously. In the early 1980s he writes a heavily political satire, Your Granny’s a Hunger Striker, but it is never published.
Doyle publishes the first editions of his comedy The Commitments (1987; film 1991) through his own company, King Farouk, until a London-based publisher takes over. The work is the first installment of his internationally acclaimed The Barrytown Trilogy novels, which also include The Snapper (1990; film 1993), and The Van (1991; film 1996). The series centres on the ups and downs of the never-say-die Rabbitte family, who temper the bleakness of life in an Irish slum with familial love and understanding.
Doyle’s fourth novel, Paddy Clarke Ha Ha Ha (1993), wins the 1993 Booker Prize. Set in the 1960s in a fictional working-class area of northern Dublin, the book examines the cruelty inflicted upon children by other children. The protagonist, 10-year-old Paddy Clarke, fears his classmates’ ostracism, especially after the breakup of his parents’ marriage. In 1994 he writes the BBC miniseries Family, which generates heated controversy throughout conservative Ireland. The program sheds harsh light on a family’s struggle with domestic violence and alcoholism and portrays the bleaker side of life in a housing project, the same venue he had used in the more comedic Barrytown novels. The Woman Who Walked into Doors (1996) and its sequel, Paula Spencer (2006), concern the ramifications of domestic abuse and alcoholism.
A Star Called Henry (1999) centres on an Irish Republican Army (IRA) soldier named Henry Smart and his adventures during the Easter Rising. Smart’s further adventures are detailed in Oh, Play That Thing (2004), which follows him as he journeys through the United States, and The Dead Republic (2010), which chronicles his return to Ireland. In Smile (2017) a lonely middle-aged man looks back on his life, especially his troubled childhood. His next novel, Love (2020), follows two old friends as they spend a night drinking and looking back at their lives. The Deportees and Other Stories (2007), Bullfighting (2011), and Life Without Children (2021) are short-story collections. He also writes a number of books for children, including Wilderness (2007) and A Greyhound of a Girl (2011).
In 1987 Doyle marries Belinda Moller, granddaughter of former Irish PresidentErskine Childers. They have three children – Rory, Jack and Kate.
In the television series Father Ted, the character Father Dougal Maguire‘s unusual sudden use of (mild) profanities, such as saying “I wouldn’t know, Ted, you big bollocks!,” is blamed on his having “been reading those Roddy Doyle books again.”
Patrick John Hillery, Irish politician and the sixth President of Ireland, dies in Glasnevin, Dublin, at the age of 84 on April 12, 2008, following a short illness. He serves two terms in the presidency and, though widely seen as a somewhat lacklustre President, is credited with bringing stability and dignity to the office. He also wins widespread admiration when it emerges that he has withstood political pressure from his own Fianna Fáil party during a political crisis in 1982.
Following Ireland’s successful entry into the European Economic Community in 1973, Hillery is rewarded by becoming the first Irishman to serve on the European Commission, serving until 1976 when he becomes President. In 1976 the Fine Gael–Labour Party National Coalition under Liam Cosgrave informs him that he is not being re-appointed to the Commission. He considers returning to medicine, however fate takes a turn when Minister for DefencePaddy Donegan launches a ferocious verbal attack on President Cearbhall Ó Dálaigh, calling him “a thundering disgrace” for referring anti-terrorist legislation to the courts to test its constitutionality. When a furious President Ó Dálaigh resigns, a deeply reluctant Hillery agrees to become the Fianna Fáil candidate for the presidency. Fine Gael and Labour decide it is unwise to put up a candidate in light of the row over Ó Dálaigh’s resignation. As a result, Hillery is elected unopposed, becoming President of Ireland on December 3, 1976.
When Hillery’s term of office ends in September 1983, he indicates that he does not intend to seek a second term, but he changes his mind when all three political parties plead with him to reconsider. He is returned for a further seven years without an electoral contest. After leaving office in 1990, he retires from politics.
Hillery’s two terms as president, from 1976 to 1990, end before the 1998 Good Friday Agreement, which sets terms for an end to violence in Northern Ireland. But he acts at crucial moments as an emollient influence on the republic’s policies toward the north, and sets a tone that helps pave the way for eventual peace.
Patrick Hillery dies on April 12, 2008 in his Dublin home following a short illness. His family agrees to a full state funeral for the former president. He is buried at St. Fintan’s Cemetery, Sutton, near Dublin. In the graveside oration, TánaisteBrian Cowen says Hillery was “A humble man of simple tastes, he has been variously described as honourable, decent, intelligent, courteous, warm and engaging. He was all of those things and more.”
Adrian Hardiman, Irish judge who serves as a Judge of the Supreme Court of Ireland from 2000 to 2016, dies in Portobello, Dublin, on March 7, 2016. He writes a number of important judgments while serving on the Court. He also presides, as does each Supreme Court judge on a rotating basis, over the Court of Criminal Appeal.
Hardiman joins Fianna Fáil while a student in University College Dublin, and stands unsuccessfully for the party in the local elections in Dún Laoghaire in 1985. In 1985, he becomes a founder member of the Progressive Democrats, but leaves the party when he is appointed to the Supreme Court. He remains very friendly with the former party leader and ex-Tánaiste, Michael McDowell, who is a close friend at college, a fellow founding member of the party, and best man at his wedding.
Hardiman is called to the Irish Bar in 1974 and receives the rare honour of being appointed directly from the Bar to Ireland’s highest court. Prior to his elevation to the Supreme Court in 2000, he has a successful practice as a barrister, focusing on criminal law and defamation.
Politically, Hardiman supports the liberal side in Ireland’s debates over abortion, being active in the “anti-amendment” campaign during the 1982 Abortion Referendum and later represents the Well Woman Centre in the early 1990s. After his death, he is described by Joan Burton as a liberal on social issues. But he could be an outspoken opponent of Political Correctness, such as when he rejects the Equality Authority‘s attempt to force Portmarnock Golf Club to accept women as full members. He also believes that certain decisions, such as those involving public spending, are better left to elected politicians rather than unelected judges, regardless of how unpopular that might sometimes be in the media (which he tends to hold in low esteem) and among what he describes as the “chattering classes.”
Hardiman’s concern for individual rights is not confined to Ireland. In February 2016, he criticizes what he describes as the radical undermining of the presumption of innocence, especially in sex cases, by the methods used in the UK‘s Operation Yewtree inquiry into historical sex allegations against celebrities, and he also criticizes “experienced lawyer” and then United States presidential candidate Hillary Clinton for allegedly declaring in January that “every accuser was to be believed, only to amend her view when asked if it applied to women who had made allegations against her husband”, former U.S. PresidentBill Clinton.
In a tribute following his death in 2016, PresidentMichael D. Higgins says Justice Hardiman “was one of the great legal minds of his generation”, who was “always committed to the ideals of public service.” He is described as a “colossus of the legal world” by Chief JusticeSusan Denham.
One commentator writes that “Hardiman’s greatest contribution …was the steadfast defence of civil liberties and individual rights” and that “He was a champion of defendants’ rights and a bulwark against any attempt by the Garda Síochána to abuse its powers.”
Conway is the eldest of four sons and five daughters of Patrick Joseph Conway and Annie Conway (née Donnelly). His father, a self-employed house-painter, also has a paint shop in Kent Street off Royal Avenue. His mother, who survives her son, is born in Carlingford, County Louth. He attends Boundary Street Primary School, St. Mary’s CBS (now St. Mary’s CBGS Belfast). His academic successes are crowned by a scholarship to Queen’s University Belfast. He decides to study for the diocesan priesthood. In 1933 he is conferred with an honours BA in English literature, and goes on to read a distinguished course in theology at St. Patrick’s College, Maynooth.
Conway is ordained on June 20, 1937 and awarded a DD (1938). On November 12, 1938 he enters the Pontifical Irish College in Rome, and in 1941 he receives the DCL degree at the Pontifical Gregorian University. When Italy enters World War II in June 1940 he returns to Belfast to take up duty in the Diocese of Down and Connor. He is appointed to teach English and Latin in St. Malachy’s College in Belfast, but after one year he is named professor of moral theology and canon law in Maynooth. He contributes regular ‘Canon law replies’ to the Irish Ecclesiastical Record, which are later collected as Problems in canon law (1950), the only book published by him.
In 1957 Conway becomes vice-president of Maynooth, and in 1958, he is named Ireland’s youngest bishop, Titular Bishop of Neve, and auxiliary bishop to Cardinal John D’Alton, Archbishop of Armagh and Primate of All Ireland. He is consecrated in St. Patrick’s Cathedral, Armagh on July 27, 1958. He serves as administrator of St. Patrick’s Church, Dundalk, for the next five years, gaining valuable pastoral experience, and also uses these years to familiarise himself with his new diocese, especially its geography. On the death of D’Alton, he is chosen to succeed him in September 1963, and is enthroned on September 25 in St. Patrick’s Cathedral, Armagh by the apostolic nuncio, Archbishop Sensi. At the end of 1964, Pope Paul VI chooses him as Ireland’s seventh residential cardinal, and he receives the red hat in the public consistory of February 22, 1965.
The thirteen-odd years of Conway’s ministry as primate are dominated firstly by the Second Vatican Council and secondly by the Troubles in Northern Ireland. His primary concern is the church, to steer it through testing times. He is a very active bishop in a diocese of 160,000 Catholics, with fifty-seven parishes and some 167 priests. He carries the burden alone until 1974 when he is given an auxiliary in the person of his secretary, Fr. Francis Lenny (1928–78). Two new parishes are created, five new churches are built, and many others are renovated to meet the requirements of liturgical reform. Twenty new schools are also provided. He attends all four sessions of the Vatican council (1962–65), as auxiliary bishop and as primate. On October 9, 1963 he addresses the assembly, making a plea that the council might not be so concerned with weightier matters as to neglect to speak about priests. He also makes contributions on the topics of mixed marriages, Catholic schools, and the laity. On the topic of education, he is convinced that integrated schools will not solve Northern Ireland’s problems.
Conway represents the Irish Catholic Bishops’ Conference at each assembly of the Synod of Bishops in Rome, at first with Bishop Michael Browne of the Diocese of Galway and Kilmacduagh, his former professor in Maynooth, and later with the Archbishop of Dublin, Dermot Ryan. With Cardinals Jean-Marie Villot and Pericle Felici, he is chairman of the first synod in 1969, a signal honour conferred on him by Pope Paul VI. He addresses the assembly, opposing the ordination of married men as a move that would release a flood of applications from around the world for dispensations from priestly celibacy. His experience of violence in Northern Ireland is reflected in contributions he makes to later synod assemblies, especially in 1971 and 1974.
Apart from the synod, Conway travels a few times each year to Rome for meetings of the three Roman congregations on which he is called to serve (those of bishops, catholic education, and the evangelisation of peoples) and the commission for the revision of the code of canon law. He also travels further afield in a representative capacity to the International Eucharistic Congress at Bogotá, also attended by Pope Paul VI, and to Madras (1972), where he acts as papal legate for the centenary celebrations in honour of St. Thomas. In 1966 he is invited by the bishops of Poland to join in celebrations for the millennium of Catholicism in that country, but is refused an entry visa by the Polish government. In January 1973 he feels obliged to forgo participation in the Melbourne eucharistic congress because of the troubled situation at home. Within Ireland he accepts invitations to become a freeman of Cork and Galway (1965) and of Wexford (1966). In 1976 the National University of Ireland (NUI) confers on him an honorary LL.D.
Conway is acknowledged as an able and diligent chairman of the Irish Catholic Bishops’ Conference. The core problem in the early years is how to lead the Irish church into the difficult new era that follows the council. He shows exceptional leadership qualities in the manner in which he promotes firm but gentle progress, avoiding sudden trauma and divisions. A major event in his term as Archbishop of Armagh, and one that gives him much satisfaction, is the canonization of Oliver Plunkett, his martyred predecessor, in the holy year 1975. He follows with great interest the final stages of the cause from 1968, and is greatly disappointed when grounded by his doctors six weeks before the event. He does however take part, concelebrating with Pope Paul VI at the ceremony on October 12, 1975. He also presides the following evening at the first mass of thanksgiving in the Lateran Basilica, receiving a tumultuous applause from the thousands of Irish present.
More than anything else, the Troubles in Northern Ireland occupy Conway during the second half of his term as archbishop and primate. He is the leading spokesman of the Catholic cause, but never fails to condemn atrocities wherever the responsibility lay. He brands as ‘monsters’ the terrorist bombers on both sides. In 1971 he denounces internment without trial, and the following year he is mainly responsible for highlighting the ill-treatment and even torture of prisoners in Northern Ireland. He repudiates the idea that the conflict is religious in nature, emphasising its social and political dimensions, and is openly critical of the British government over conditions in Long Kesh Detention Centre, and of ‘the cloak of almost total silence’ surrounding violence against the Catholic community.
In January 1977 Conway undergoes surgery in a Dublin hospital, and almost immediately comes to know that he is terminally ill. It is the best-kept secret in Ireland until close to the end. On March 29, he writes to his fellow bishops informing them that the prognosis regarding his health is ‘not good, in fact . . . very bad,’ and that he is perfectly reconciled to God’s will. He is still able to work at his desk until Good Friday, April 8, 1977.
Conway dies in Armagh on Low Sunday night, April 17, 1977. Seven countries are represented at his funeral by six cardinals and many bishops. The apostolic nuncio, the bishops of Ireland, the president and Taoiseach, six Irish government ministers, and the Secretary of State for Northern Ireland are also among the mourners. The cardinal is laid to rest in St. Patrick’s Cathedral Cemetery, Armagh. The red hat received from Pope Paul VI is suspended from the ceiling of the Lady chapel, joining those of his four immediate predecessors.
(From: “Conway, John William,” Dictionary of Irish Biography, http://www.dib.ie, contributed by J. J. Hanley)
O’Toole makes his motion picture debut in Kidnapped in 1960 and two years later becomes an international star for his portrayal of T.E. Lawrence in David Lean’s epic Lawrence of Arabia (1962). In 1964 he plays Henry II of England in Becket, and he has the title role in Lord Jim (1965). He appears as Henry II again in The Lion in Winter (1968), a film notable for the witty verbal sparring matches between O’Toole and costar Katharine Hepburn. The Ruling Class (1972), a controversial black comedy that has become a cult classic, casts O’Toole as a schizophrenic English earl with a messiah complex.
Personal problems contribute to a decline in his popularity during the 1970s, but he makes a strong comeback in the early 1980s with three well-received efforts. He portrays a duplicitous and domineering movie director in The Stunt Man (1980), and his performance as the Roman commander Lucius Flavius Silva in the acclaimed television miniseries Masada (1981) is hailed as one of the finest of his career. His most popular vehicle during this period is My Favorite Year (1982), an affectionate satire on the early days of television, in which he plays Alan Swann, a faded Errol Flynn-type swashbuckling screen star with a penchant for tippling and troublemaking.
O’Toole subsequently maintains his status with fine performances in such films as the Oscar-winning The Last Emperor (1987), the cult favourite Wings of Fame (1989), and Fairy Tale: A True Story (1997), in which he portrays Sir Arthur Conan Doyle. Notable screen roles in the 21st century included King Priam in the historical epic Troy (2004), an aging romantic in Venus (2006), the voice of a haughty food critic in the animated Ratatouille (2007), and a priest in the historical drama For Greater Glory (2012). In addition, in 2008 he portrays Pope Paul III in the TV series The Tudors.
In 1992 O’Toole publishes a lively memoir, Loitering with Intent: The Child. A second volume, Loitering with Intent: The Apprentice, appears in 1996. He is nominated for an Academy Award eight times — for Lawrence of Arabia, Becket, The Lion in Winter, Goodbye, Mr. Chips (1969), The Ruling Class, The Stunt Man, My Favorite Year, and Venus — but never wins. In 2003 he is awarded an honorary Oscar. He receives an Emmy Award for his performance as Bishop Pierre Cauchon in the television miniseries Joan of Arc (1999).
O’Toole dies on December 14, 2013 at Wellington Hospital in St. John’s Wood, London, at the age of 81. His funeral is held at Golders Green Crematorium in London on December 21, 2013, where his body is cremated in a wicker coffin. His ashes are planned to be taken to Connemara, Ireland. They are kept at the residence of the President of Ireland, Áras an Uachtaráin, by President Michael D. Higgins, an old friend of O’Toole. His family has stated their intention to fulfill his wishes and take his ashes to the west of Ireland.
One of five children born to Archibald McNeill, a Roman Catholic working class “baker, sailor and merchant,” and his wife, Rosetta (née McAuley) McNeill, McNeill is the brother of nationalist leader Eoin MacNeill. He serves as a high-ranking member of the Indian Civil Service in Calcutta.
When the first Governor-General of the Irish Free State, Tim Healy, retires in December 1927, McNeill is proposed as his replacement by the Irish government of W. T. Cosgrave and duly appointed by King George V as Governor-General of the Irish Free State.
In office, McNeill clashes with the King’s Private Secretary when he insists on following the constitutional advice of his Irish ministers, rather than that of the Palace, in procedures relating to the receipt of Letters of Credence accrediting ambassadors to the King in Ireland. He also refuses to attend ceremonies in Trinity College, Dublin, when some elements in the college try to ensure that the old British national anthemGod Save the King is played, rather than the new Irish anthem, Amhrán na bhFiann.
However, McNeill’s tact is not reciprocated by de Valera’s government, and some of its ministers seek to humiliate him as the King’s representative by withdrawing the Irish Army‘s band from playing at functions he attends and demanding he withdraw invitations to visitors to meet him. In one notorious incident in April, two ministers, Seán T. O’Kelly (a future President of Ireland) and Frank Aiken, publicly walk out of a diplomatic function when McNeill, there as the guest of the French ambassador, arrives. In a fury, McNeill writes to de Valera demanding an apology for this treatment. When none is forthcoming, apart from an ambiguous message from de Valera that could be interpreted as partially blaming McNeill for attending functions at which ministers would be present, he publishes his correspondence with de Valera, even though de Valera had formally advised him not to do so. De Valera then demands that George V dismiss him.
The King engineers a compromise, whereby de Valera withdraws his dismissal request and McNeill, who is due to retire at the end of 1932, will push forward his retirement date by a month or so. McNeill, at the King’s request, resigns on November 1, 1932.
Cyril James Cusack, Irish actor who appears in numerous films and television productions in a career lasting more than 70 years, dies in Chiswick, London, England on October 7, 1993. In 2020, he is listed at number 14 on The Irish Times‘s list of Ireland’s greatest film actors.
Cusack is born in Durban, Natal, South Africa, on November 26, 1910. His mother, Alice Violet (née Cole), is an English Cockney actress and chorus girl, and his father, James Walter Cusack, is an Irish mounted policeman in the Colony of Natal, South Africa. His parents separate when he is young and his mother takes him to England, and then to Ireland. His mother and her partner, Brefni O’Rorke, join the O’Brien and Ireland Players.
Cusack makes his first stage performance at the age of seven. He is educated at Newbridge College in Newbridge, County Kildare, then reads law at University College Dublin. He leaves without a degree and joins the Abbey Theatre in 1932. Between then and 1945, he performs in over 60 productions, particularly excelling in the plays of Seán O’Casey. He also performs Irish playwright Teresa Deevy‘s plays Katie Roche and The King of Spain’s Daughter. In 1932 he also joins the Gate Theatre company, appearing with them in many notable productions over the years. In 1947, he forms his own company and stages productions in Dublin, Paris and New York.
In 1963, Cusack joins the Royal Shakespeare Company in London and appears there for several seasons. By this stage he has established a successful career in films, which had started at the age of eight. Also in 1963, he wins a Jacob’s Award for his performance in the Telefís Éireann production of Triptych. He receives honorary degrees in 1977 and 1980 from the National University of Ireland (NUI) and the University of Dublin respectively.
Cusack, who is bilingual in English and Irish, has a leading role in the controversial Irish language film Poitín (1977). He is also offered the role of the First Doctor in Doctor Who.
Cusack’s last stage performance is in Anton Chekhov‘s Three Sisters (1990), in which three of his daughters play the sisters.
Cusack is twice married, firstly to Mary Margaret “Maureen” Kiely (1920–1977), on April 5, 1945. Together they have five children: Paul (1946), Sinéad (1948), Sorcha (1949), Niamh (1959), and Pádraig (1962). He and his second wife, Mary Rose Cunningham (1979–1993), have one daughter, Catherine (1968).
In later life, Cusack becomes a campaigner for conservative causes in Ireland, notably in his opposition to abortion, where he becomes a frequent letter-writer to the main liberal Irish newspaper, The Irish Times. Regarding his Catholic faith, he comments “Religion promotes the divine discontent within oneself, so that one tries to make oneself a better person and draw oneself closer to God.” His religious credentials come under scrutiny following his death and the revelation that he had been unfaithful in his first marriage, with a long-term mistress, Mary Rose Cunningham. He marries Cunningham following his first wife’s death.
On October 7, 1993, Cusack dies at the age of 82 at home in Chiswick, Greater London, from amyotrophic lateral sclerosis (ALS). His acting career had lasted 75 years.
Barry is first elected to Dáil Éireann as a Fine Gael Teachta Dála (TD) for the Cork City South-East constituency at the 1969 Irish general election. He goes go on to win a Dáil seat at eight successive general elections, changing constituency to Cork City in 1977 and Cork South-Central in 1981. When Fine Gael comes to power following the 1973 Irish general election, he is appointed Minister for Transport and Power. In 1976, he becomes Minister for Education. In 1979, after Garret FitzGerald becomes leader of Fine Gael, he is elected deputy leader. From June 1981 to March 1982, he serves as Minister for the Environment.
From December 1982 to 1987, Barry is Minister for Foreign Affairs. In this capacity he is heavily involved in the negotiations which result in the 1985 Anglo-Irish Agreement. He also becomes the first joint chairman of the Anglo-Irish Intergovernmental Conference, established under the Agreement by the Irish and British governments. Following the Labour Party‘s withdrawal from the coalition government in 1987, he becomes Tánaiste, for a brief period. He is the first member of Fine Gael to hold the office of Tánaiste.
When FitzGerald resigns as Fine Gael leader after the 1987 Irish general election, Barry is one of three candidates, along with Alan Dukes and John Bruton, who contest the party leadership. Dukes is the eventual victor.
Barry dies in Cork at the age of 88 on August 26, 2016 following a short illness. Irish PresidentMichael D. Higgins says Barry will be deeply missed. “His view of Irish history was a long one and he brought all that wisdom to bear in his contributions to achieving the Anglo-Irish Agreement. As a person he was immensely popular across all parties and, of course, he had a deep commitment to Cork city and its heritage.”
Valerie Hamilton, Hon. Lady Goulding, Irish senator and campaigner for disabled people, dies in a Dublin nursing home on July 28, 2003. She, alongside Kathleen O’Rourke, sets up the Central Remedial Clinic (CRC) in 1951 which is now the largest organisation in Ireland looking after people with physical disabilities. She served as a member of Seanad Éireann from 1977 to 1981.
Hamilton’s father is a British lawyer and politician, and becomes chief legal adviser to Edward VIII during the Abdication Crisis in 1936. She acts as her father’s secretary and courier during the crisis, carrying letters between the King and Prime MinisterStanley Baldwin.
In 1951, Lady Goulding co-founds, with Kathleen O’Rourke, the Central Remedial Clinic located in a couple of rooms in central Dublin to provide non-residential care for disabled people. The Clinic later moves to a purpose building in Clontarf in 1968, where it is located today. The Clinic’s foundation initiates a revolution in the treatment of physical disability and rapidly grows to by far the largest centre dealing with the needs of disabled people. She remains chairman and managing director of the CRC until 1984.
Lady Goulding dies at the age of 84 in a nursing home in Dublin on July 28, 2003. She is predeceased by her husband in 1982, but is survived by her sons, the eldest of whom, Sir William Goulding, known as Lingard Goulding, serves as Headmaster of Headfort School in County Meath. The other sons are Hamilton and Timothy, who is a founding member of the experimental Irish folk group Dr. Strangely Strange.
Doyle studies piano from the age of nine. After leaving school he attends the Royal Irish Academy of Music for three years, studying composing, during which time he is awarded two composition scholarships. He also studies at the Institute of Sonology at Utrecht University in the Netherlands and the Finnish Radio Experimental Music Studio on scholarships.
As a performer Doyle begins as a drummer with the groups Supply Demand and Curve and Jazz Therapy, playing free improvisatory and fusion music. He releases his first LP, Oizzo No, in 1975, and his second, Thalia, in 1978 on CBS Classics. Rapid Eye Movements (1981) is his third LP, and his attempt at a “masterpiece before the age of thirty.”
Doyle begins his magnum opus, Babel, in 1989, a 5-CD set that takes ten years to compose. Each track corresponds to a ‘room’ or place within an imagined giant tower city, a kind of aural virtual reality. It celebrates the multiplicity of musical language. One hundred three pieces of music are composed for it and he works with 48 collaborators. From 2002 to 2007 he works on the three-volume electronic work Passades. Twenty-seven albums of his music have been released. He has also composed scores for several films including Budawanny, Pigs and the documentary Atlantean by Bob Quinn.
In 2013 Doyle founds META Productions with opera director Eric Fraad, committed to exploring new forms of opera for the 21st century. Their first production is the electronic opera Heresy. Originally titled The Death by Fire of Giordano Bruno, a 40-minute ‘in development’ version is performed as part of a fully staged concert of his works at both the Kilkenny Arts Festival and in the Dublin Theatre Festival 2013. The two hour Heresy is presented as part of ‘Project 50’, a season of work celebrating 50 years of Project Arts Centre in November 2016. The opera is based on episodes from the life and works of Giordano Bruno. It is broadcast on RTÉ Lyric fm in September 2017 and released as a double album on Heresy records in 2018. Recent album releases are The Thousand Year Old Boy (2013), Time Machine (2015), Frail Things In Eternal Places (2016), and The Heresy Ostraca (2019).
Doyle founds the music theatre company Operating Theatre with Irish actress Olwen Fouéré. They produce many important site-specific productions, including Passades, Here Lies and Angel/Babel, all featuring his music as an equal partner in the theatrical environment. Operating Theatre performs in conventional and site-specific venues in Ireland, England, the Netherlands, France, Venezuela and the United States and releases several records. With Icontact Dance Company, he produces Tower of Babel – Delusional Architecture, featuring as much of Babel as he has composed by that point. This work is originally performed in a whole wing of the Irish Museum of Modern Art in 1992. Arguably his most famous theatre work is the music he wrote and performs on piano onstage for the Steven Berkoff version of the Oscar Wilde play Salome which plays in Dublin‘s Gate Theatre, in London‘s West End and on three world tours. The Irish Times notes that “his name is revered in the realm of theatre.”
Doyle’s works Four Sketches and All the Rage are awarded second and first prizes in the Dublin Symphony Orchestra composition competition in 1970 and 1974 respectively. He has won the Programme Music Prize (1997) and the Magisterium Award (2007) at the Bourges International Electro-Acoustic Music Competition in Bourges, France. He also receives the Irish Arts Council‘s Marten Toonder Award in 2000 in recognition of his innovative work as a composer. He is a member of Aosdána, and has recently been made Adjunct Professor of Music at Trinity College Dublin.
PresidentMichael D. Higgins confers the honour of Saoi on Doyle on August 16, 2019 by placing a gold torc around his neck. This is the highest honour of Aosdána that can be bestowed by fellow Aosdána members. No more than seven living members can be so honoured at one time. The Irish Times describes his album Chalant – Memento Mori as “a richly rewarding work that runs the full, glorious gamut of human emotion.” It is Album of the Week on March 30, 2012 in the same paper.
seamus dubhghaill 