Kelly resumes his role as colonel of his regiment as more senior officers return to the brigade. However, with the death of Colonel Richard Byrnes at the Battle of Cold Harbor in 1864, he again commands the brigade. At the age of 42, he dies during the Siege of Petersburg on June 16, 1864 when he is shot through the head while leading the Irish Brigade forward against Confederate earthworks. His body is recovered and sent back to New York for his funeral. He is buried in Calvary Cemetery in Woodside, Queens, New York.
During the night of June 8–9, 1862, Brig. Gen.Charles S. Winder‘s Stonewall Brigade is withdrawn from its forward position near Bogota, a large house owned by Gabriel Jones, and rejoins Jackson’s division at Port Republic. Winder’s brigade is assigned the task of spearheading the assault against Union Army forces east of the river. Brig. Gen. Isaac R. Trimble‘s brigade and elements of Col. John M. Patton, Jr.’s, are left to delay Maj. Gen. John C. Frémont‘s Union forces at Cross Keys, while the rest of Maj. Gen. Richard S. Ewell‘s division march to Port Republic to be in position to support Winder’s attack.
Brig. Gen. Erastus B. Tyler‘s brigade joins Col. Samuel S. Carroll‘s brigade north of Lewiston on the Luray Road. The rest of Brig. Gen. James Shields‘s (a native of County Tyrone) division is strung out along the muddy roads back to Luray. General Tyler, in command on the field, advances at dawn on June 9 to the vicinity of Lewiston. He anchors the left of his line on a battery positioned on the Lewiston Coaling, extending his infantry west along Lewiston Lane to the South Fork near the site of Lewis’s Mill. The right and center are supported by artillery, 16 guns in all.
Winder’s brigade crosses the river by 5:00 AM and deploys to attack east across the bottomland. He sends two regiments, the 2nd Virginia Infantry and 4th Virginia Infantry, into the woods to flank the Union line and assault the Coaling. When the main Confederate battle line advances, it comes under heavy fire from the Union artillery and is soon pinned down. Confederate batteries are brought forward onto the plain but are outgunned and forced to seek safer positions. Ewell’s brigades are hurried forward to cross the river. Seeing the strength of the Union artillery at the Coaling, Jackson sends Richard Taylor‘s brigade, including the famed Louisiana Tigers, to the right into the woods to support the flanking column that is attempting to advance through the thick underbrush.
Winder’s brigade renews its assault on the Union right and center, taking heavy casualties. General Tyler moves two regiments from the Coaling to his right and launches a counterattack, driving Confederate forces back nearly half a mile. While this is occurring, the first Confederate regiments probe the defenses of the Coaling, but are repulsed.
Finding resistance fiercer than anticipated, Jackson orders the last of Ewell’s forces still north of Port Republic to cross the rivers and burn the North Fork bridge. These reinforcements begin to reach Winder, strengthening his line and stopping the Union counterattack. Taylor’s brigade reaches a position in the woods across from the Coaling and launches a fierce attack, which carries the hill, capturing five guns. Tyler immediately responds with a counterattack, using his reserves. These regiments, in hand-to-hand fighting, retake the position. Taylor shifts a regiment to the far right to outflank the Union battle line. The Confederate attack again surges forward to capture the Coaling. Five captured guns are turned against the rest of the Union line. With the loss of the Coaling, the Union position along Lewiston Lane becomes untenable, and Tyler orders a withdrawal about 10:30 AM. Jackson orders a general advance.
William B. Taliaferro‘s fresh Confederate brigade arrives from Port Republic and presses the retreating Federals for several miles north along the Luray Road, taking several hundred prisoners. The Confederate army is left in possession of the field. Shortly after noon, Frémont’s army begins to deploy on the west bank of the South Fork, too late to aid Tyler’s defeated command, and watches helplessly from across the rain-swollen river. Frémont deploys artillery on the high bluffs to harass the Confederate forces. Jackson gradually withdraws along a narrow road through the woods and concentrates his army in the vicinity of Mt. Vernon Furnace. Jackson expects Frémont to cross the river and attack him on the following day, but during the night Frémont withdraws toward Harrisonburg.
The Civil War Trust, a division of the American Battlefield Trust, and its partners have acquired and preserved 947 acres of the Port Republic battlefield in seven transactions since 1988. The battlefield is located about three miles east of Port Republic at U.S. Route 340 and Ore Bank Road. It retains its wartime agrarian appearance. The Port Republic Battle Monument is on Ore Bank Road beside the site of The Coaling, a key battlefield feature. The Coaling is the first land acquisition of the modern Civil War battlefield preservation movement. The 8.55-acre site is donated to the Trust’s forerunner, the Association for the Preservation of Civil War Sites by the Lee-Jackson Foundation in 1988.
Bourke serves as an aide to GeneralGeorge Crook in the Apache Wars from 1872 to 1883. As Crook’s aide, he has the opportunity to witness every facet of life in the Old West — the battles, wildlife, the internal squabbling among the military, the Indian Agency, settlers, and Native Americans.
During his time as aide to General Crook during the Apache Wars, Bourke keeps journals of his observations that are later published as On the Border with Crook. This book is considered one of the best firsthand accounts of frontier army life, as Bourke gives equal time to both the soldier and the Native American. Within it, he describes the landscape, Army life on long campaigns, and his observations of the Native Americans. His passages recount General Crook’s meetings with Sitting Bull, Crazy Horse, and Geronimo as the General attempts to sign peace treaties and relocate tribes to reservations. He provides considerable detail of towns and their citizens in the Southwest, specifically the Arizona Territory.
In 1881 Bourke is a guest of the Zuni tribe, where he is allowed to attend the ceremony of a Newekwe priest. His report of this experience is published in 1888 as The use of human odure and human urine in rites of a religious or semi religious character among various nations.
Bourke marries Mary F. Horbach of Omaha, Nebraska, on July 25, 1883. They have three daughters together.
John Bourke dies in the Polyclinic Hospital in Philadelphia on June 8, 1896, and is buried at Arlington National Cemetery. His wife is buried beside him after her death.
Lonergan immigrates to the United States with his family in 1848. It is said that the Lonergans were on the run from the Great Famine, as well as British oppression. Settling in Vermont, he works alongside his father as a cooper.
In 1862, Lonergan forms a company of fellow Vermont Irishmen to volunteer to fight the Confederates. He does so with the mindset to gain more military skill to help the cause of Irish freedom. He is also leader of the Vermont branch of the Fenian Brotherhood, a forerunner to the Irish Republican Army.
Lonergan serves for the Union Army in two stages, 1862-1863 and 1865. Serving as the captain of Company A, 13th Vermont Infantry, his efforts on July 2, 1863 at the Battle of Gettysburg earn him the Medal of Honor, which cites him for “Gallantry in the recapture of four guns and the capture of two additional guns from the enemy; also the capture of a number of prisoners.”
Following his services in the Civil War, Lonergan helps organize a pair of failed raids into Canada from staging areas in St. Albans. The Fenians’ quixotic aim is to pressure Britain, which rules Canada as a colony, to surrender control of Ireland.
Lonergan dies in Montreal, Quebec, Canada on August 6, 1902. In 2013, a memorial is erected to him in Burlington, Vermont.
James Augustine Healy, American Roman Catholic priest and the second bishop of Portland, Maine, is born on April 6, 1830 in Macon, Georgia to a multiracial slave mother and Irish immigrant father. He is the first bishop in the United States of any known African descent. When he is ordained in 1854, his multiracial ancestry is not widely known outside his mentors in the Catholic Church.
Healy is the eldest of ten siblings of Michael Morris Healy, an Irish immigrant planter from County Roscommon, and his common law wife Eliza Smith (sometimes recorded as Clark), a multiracial enslaved African American. He achieves many “firsts” in United States history. He is credited with greatly expanding the Catholic church in Maine at a time of increased Irish immigration. He also serves Abenaki people and many parishioners of French Canadian descent who were traditionally Catholic. He speaks both English and French.
Beginning in 1837, like many other wealthy planters with mixed-race children, Michael Healy starts sending his sons to school in the North. James, along with brothers Hugh and Patrick, goes to Quaker schools in Flushing, New York, and Burlington, New Jersey. Later they each attend the newly opened College of the Holy Cross in Worcester, Massachusetts. He graduates as valedictorian of the college’s first graduating class in 1849.
Following graduation, Healy wishes to enter the priesthood. He cannot study at the Jesuit novitiate in Maryland, as it is a slave state. With the help of John Bernard Fitzpatrick, he enters a Sulpicianseminary in Montreal. In 1852, he transfers to study at Saint-Sulpice Seminary in Paris, working toward a doctorate and a career as a seminary professor. After a change of heart, he decides to become a pastor. On June 10, 1854, he is ordained at Notre-Dame de Paris as a priest to serve in Boston, Massachusetts. He is the first African American to be ordained a Roman Catholic priest although at the time he identifies as and is accepted as white Irish Catholic.
When Healy returns to the United States, he becomes an assistant pastor in Boston. He serves the Archbishop, who helps establish his standing in the church. In 1866 he becomes the pastor of St. James Church, the largest Catholic congregation in Boston. In 1874 when the Boston legislature is considering taxation of churches, he defends Catholic institutions as vital organizations that help the state both socially and financially. He also condemns certain laws that are generally enforced only on Catholic institutions. He founds several Catholic charitable institutions to care for the many poor Irish immigrants who had arrived during the Great Famine years.
Healy’s success in the public sphere leads to his appointment by Pope Pius IX to the position of second bishop of Portland, Maine. He is consecrated as Bishop of Portland on June 2, 1875, becoming the first African American to be consecrated a Catholic bishop. For 25 years he governs his large diocese, supervising also the founding of the Diocese of Manchester, New Hampshire, when it is split from Portland in 1885. During his time in Maine, which is a period of extensive immigration from Catholic countries, he oversees the establishment of 60 new churches, 68 missions, 18 convents, and 18 schools. During that period, he also serves his Abenaki and French Canadian parishioners.
Healy is the only member of the American Catholic hierarchy to excommunicate men who joined the Knights of Labor, a national union, which reaches its peak of power in 1886.
Mallon is presumed to have infected 51 people, three of whom die, over the course of her career as a cook. She is twice forcibly isolated by public health authorities and dies after a total of nearly three decades in isolation.
Mallon is born on September 23, 1869, in Cookstown, County Tyrone in what is now Northern Ireland. She immigrates to the United States in 1883 at the age of fifteen and lives with her aunt and uncle.
From 1900 to 1907, Mallon works as a cook in the New York City area for seven families. In 1900, she works in Mamaroneck, New York, where, within two weeks of her employment, residents develop typhoid fever. In 1901, she moves to Manhattan, where members of the family for whom she works develop fevers and diarrhea, and the laundress dies. Mallon then goes to work for a lawyer but leaves after seven of the eight people in that household become ill.
In 1906, Mallon takes a position in Oyster Bay, Long Island, and within two weeks ten of the eleven family members are hospitalized with typhoid. She changes jobs again and similar occurrences happen in three more households. She works as a cook for the family of a wealthy New York banker, Charles Henry Warren. When the Warrens rent a house in Oyster Bay for the summer of 1906, Mallon goes along as well. From August 27 to September 3, six of the eleven people in the family come down with typhoid fever. The disease at that time is “unusual” in Oyster Bay, according to three medical doctors who practice there. Mallon is subsequently hired by other families and outbreaks follow her.
In late 1906, one family hires a typhoid researcher named George Soper to investigate. Soper publishes the results on June 15, 1907, in the Journal of the American Medical Association. He believes Mallon might be the source of the outbreak but she repeatedly turns him away.
Mallon attracts so much media attention that she is called “Typhoid Mary” in a 1908 issue of the Journal of the American Medical Association. Later, in a textbook that defines typhoid fever, she is again called “Typhoid Mary.”
The New York City Health Inspector determines her to be a carrier. Under sections 1169 and 1170 of the Greater New York Charter, Mallon is held in isolation for three years at a clinic located on North Brother Island.
Upon her release, Mallon is given a job as a laundress. In 1915, Mallon starts another major outbreak, this time at Sloane Hospital for Women in New York City. Twenty-five people are infected and two die. She again leaves, but the police are able to locate and arrest her when she brings food to a friend on Long Island. After arresting her, public health authorities return her to quarantine on North Brother Island on March 27, 1915.
Mallon spends the rest of her life in quarantine at the Riverside Hospital. Six years before her death, she is paralyzed by a stroke. She dies in North Brother Island, East River, New York, on November 11, 1938 of pneumonia. An autopsy finds evidence of live typhoid bacteria in her gallbladder. Mallon’s body is cremated and her ashes are buried at Saint Raymond’s Cemetery in the Bronx.
William Vincent Wallace, Irish composer and musician, is born at Colbeck Street, Waterford, County Waterford on March 11, 1812. In his day, he is famous on three continents as a double virtuoso on violin and piano. Nowadays, he is mainly remembered as an opera composer of note, with key works such as Maritana (1845) and Lurline (1847/60), but he also writes a large amount of piano music that is much in vogue in the 19th century.
Wallace’s father, Spencer Wallace of County Mayo, becomes a regimental bandmaster with the North Mayo Militia based in Ballina. William is born while the regiment is stationed for one year in Waterford. The family returns to Ballina in 1816 and he spends his formative years there, taking an active part in his father’s band and already composing pieces by the age of nine for the band recitals.
Under the tuition of his father and uncle, Wallace writes pieces for the bands and orchestras of his native area. He becomes accomplished in playing various band instruments before the family leaves the Army in 1826, moving from Waterford to Dublin, and becoming active in music in the capital. He learns to play several instruments as a boy, including the violin, clarinet, organ, and piano. In 1830, at the age of 18, he becomes organist of the Roman Catholic Cathedral at Thurles, County Tipperary, and teaches music at the Ursuline Convent there. He falls in love with a pupil, Isabella Kelly, whose father consents to their marriage in 1832 on condition that Wallace become a Roman Catholic. The couple soon moves to Dublin where he is employed as a violinist at the Theatre Royal.
Economic conditions in Dublin deteriorate after the Acts of Union 1800 and the whole Wallace family decides to emigrate to Australia in 1835. Wallace’s party first lands at Hobart, Tasmania in late October, where they stay several months before moving on to Sydney in January 1836. The Wallaces open the first Australian music academy in April. Wallace has already given many celebrity concerts in Sydney, and, being the first virtuoso to visit the Colony, becomes known as the “Australian Paganini.” He is also active in the business of importing pianos from London, but his main activity involves many recitals in and around Sydney under the patronage of the Governor, General Sir Richard Bourke. The most significant musical events of this period are two large oratorio concerts on behalf of the organ fund at St. Mary’s Cathedral in Sydney in 1836 and 1838, which he directs, and which utilize all the available musical talent of the Colony, including the recently formed Philharmonic [Choral] Society.
In 1838, Wallace separates from his wife, and begins a roving career that takes him around the globe. In 1841, he conducts a season of Italian opera in Mexico City. Moving on to the United States, he stays in New Orleans for some years, where he is feted as a virtuoso on violin and piano, before reaching New York City, where he is equally celebrated, and publishes his first compositions (1843–44).
Wallace arrives in London in 1845 and makes various appearances as a pianist. In November of that year, his opera Maritana is performed at the Theatre Royal, Drury Lane with great success, and is later presented internationally. Maritana is followed by Matilda of Hungary (1847), Lurline (1847/60), The Amber Witch (1861), Love’s Triumph (1862) and The Desert Flower (1863). He also publishes numerous compositions for the piano.
In New York in 1843–1844, Wallace is associated with the early concert seasons of the New York Philharmonic Society, and in 1853 is elected an Honorary (Life) Member of the Society. In 1854, he becomes an American citizen after a marriage in New York to German-born pianist Hélène Stoepel, sister of composer Robert Stoepel. In later years, having returned to Europe for the premieres of his later operas, he develops a heart condition for which he receives treatment in Paris in 1864. He dies in poor circumstances at the Château de Bagen, Sauveterre-de-Comminges, in the Haute Garonne on October 12, 1865. He is buried in Kensal Green Cemetery, London.
(Pictured: William Vincent Wallace. Undated portrait by Mathew Brady, New York City, Library of Congress)
Sheridan is the third child of six by John and Mary Meenagh Sheridan, immigrants from the parish of Killinkere, County Cavan. Fully grown, he reaches only 5 feet 5 inches in height, a stature that leads to the nickname “Little Phil.” Abraham Lincoln describes his appearance in a famous anecdote, “A brown, chunky little chap, with a long body, short legs, not enough neck to hang him, and such long arms that if his ankles itch he can scratch them without stooping.”
Sheridan’s career is noted for his rapid rise to major general and his close association with General-in-chiefUlysses S. Grant, who transfers Sheridan from command of an infantry division in the Western Theater to lead the Cavalry Corps of the Army of the Potomac in the East. In 1864, he defeats Confederate forces in the Shenandoah Valley and his destruction of the economic infrastructure of the Valley, called “The Burning” by residents, is one of the first uses of scorched earth tactics in the war. In 1865, his cavalry pursues General Robert E. Lee and is instrumental in forcing his surrender at Appomattox Court House.
In later years, Sheridan fights in the Indian Wars of the Great Plains. Comanche Chief Tosahwi reputedly tells Sheridan in 1869, “Me, Tosahwi; me good Injun,” to which Sheridan supposedly replies, “The only good Indians I ever saw were dead.” Sheridan denies he had ever made the statement. Biographer Roy Morris Jr. states that, nevertheless, popular history credits Sheridan with saying “The only good Indian is a dead Indian.” This variation “has been used by friends and enemies ever since to characterize and castigate his Indian-fighting career.” In Bury My Heart at Wounded Knee, Dee Brown attributes the quote to Sheridan but does not provide documentation to support his contention, so the quote may be more apocryphal than real.
Both as a soldier and private citizen, Sheridan is instrumental in the development and protection of Yellowstone National Park. The protection of the Yellowstone area is Sheridan’s personal crusade. He authorizes Lieutenant Gustavus Doane to escort the Washburn Expedition in 1870 and for Captain John W. Barlow to escort the Hayden Expedition in 1871. Barlow names Mount Sheridan, a peak overlooking Heart Lake in Yellowstone, for the general in 1871. As early as 1875, Sheridan promotes military control of the area to prevent the destruction of natural formations and wildlife.
In 1883, Sheridan is appointed general-in-chief of the U.S. Army, and in 1888 he is promoted to the rank of General of the Army during the term of President Grover Cleveland. Sheridan serves as the ninth president of the National Rifle Association.
Sheridan suffers a series of massive heart attacks two months after sending his memoirs to the publisher. After his first heart attack, the U.S. Congress quickly passes legislation to promote him to general and he receives the news from a congressional delegation with joy, despite his pain. His family moves him from the heat of Washington, D.C. and he dies of heart failure in his summer cottage in the Nonquitt section of Dartmouth, Massachusetts on August 5, 1888.
His body is returned to Washington and he is buried on a hillside facing the capital city near Arlington House in Arlington National Cemetery. The burial helps elevate Arlington to national prominence.
Augustus Saint-Gaudens, sculptor of the statue for the Charles Stewart Parnell monument which is installed at the North end of Dublin‘s O’Connell Street in 1911, is born in Dublin on March 1, 1848. He is generally acknowledged to be the foremost American sculptor of the late 19th century, noted for his evocative memorial statues and for the subtle modeling of his low reliefs.
Saint-Gaudens is born to a French father and an Irish mother. His family moves to New York City when he is an infant and at age 13 he is apprenticed to a cameo cutter. He earns his living at this craft, while studying at night at Cooper Union (1861–65) and the National Academy of Design (1865–66) in New York. In 1867 he travels to Paris and is admitted to the École des Beaux-Arts. Along with Olin Levi Warner and Howard Roberts, he is one of the first Americans to study sculpture in Paris. Late in 1870 he sets out for Rome, where, still supporting himself by cameo cutting, he works for two years copying famous antique statues on commission. He also starts to create his first imaginative compositions during this period.
After 1875 Saint-Gaudens settles in New York, where he befriends and collaborates with a circle of men who form the nucleus of an American artistic renaissance. The group includes the architects Henry Hobson Richardson, Stanford White, and Charles Follen McKim and the painter John La Farge. The most important work of Saint-Gaudens’s early career is the monument to AdmiralDavid Farragut (1880, Madison Square Garden, New York), the base of which is designed by White.
From 1880 to 1897 Saint-Gaudens executes most of the well-known works that gain him his great reputation and many honours. Working with La Farge, in 1881 he creates two caryatids for a fireplace in Cornelius Vanderbilt’s residence. In 1887 he begins the Amor Caritas, which, with variations, preoccupies him from about 1880 to 1898, and also a statue of a standing Abraham Lincoln (Lincoln Park, Chicago). The memorial to Marian Hooper Adams (1891) in Rock Creek Cemetery, Washington, D.C., is considered by many to be his greatest work. In 1897 he completes a monument in Boston depicting Robert Gould Shaw, colonel of an African American regiment in the American Civil War. The statue is remarkable for its expression of movement. Shortly thereafter, he leaves for Paris, where, over the next three years, he prepares his final major public sculpture, the Sherman Monument (1903), which is eventually erected in Grand Army Plaza in New York.
Saint-Gaudens also makes many medallions, originally as a diversion from more serious tasks. These works show the influence of Renaissance medals as well as his early cameos. Among them are designs for U.S. coins and a considerable number of portraits. His autobiography, The Reminiscences of Augustus Saint-Gaudens, is published in 1913.
In 1888, Connor emigrates to Holyoke, Massachusetts. His father is a stonemason, which leads to Connor’s jobs in New York as a sign painter, stonecutter, bronze founder and machinist. Inspired by his father’s work and his own experience, he would steal his father’s chisels as a child and carve figures into rocks.
Connor joins the Roycroft arts community in 1899 where he assists with blacksmithing and later starts creating terracotta busts and reliefs. Eventually he is recognized as Roycroft’s sculptor-in-residence.
After four years at Roycroft, Connor then works with Gustav Stickley and becomes well known as a sculptor being commissioned to create civic commissions in bronze for placement in Washington, D.C., Syracuse, East Aurora, New York, San Francisco, and in his native Ireland. In 1910, he establishes his own studio in Washington, D.C. From 1902 until his death, he produces scores of designs ranging from small portrait heads to relief panels to large civic commissions realized in bronze.
Connor is a self-taught artist who is highly regarded in the United States where most of his public works can be seen. He appears to be heavily influenced by the work of Irish American sculptor Augustus Saint-Gaudens. He uses the human figure to give expression to emotions, values and ideals. Many of the commissions he receives are for civic memorials and secular figures which he casts in bronze, a pronounced departure from the Irish tradition of stone carved, church sponsored works.
Connor’s best known work is Nuns of the Battlefield located at the intersection of Rhode Island Avenue NW, M Street and Connecticut Avenue NW in Washington, D.C. It serves as a tribute to the over six hundreds nuns who nursed soldiers of both armies during the American Civil War, and is one of two monuments in the District that represent women’s roles in the Civil War. The sculpture is authorized by the United States Congress on March 29, 1918 with the agreement that the government will not fund it. The Ancient Order of Hibernians raises $50,000 for the project and Connor is selected since he focuses on Irish Catholic themes, being one himself. Connor, however, ends up suing the Order for nonpayment.
Connor works in the United States until 1925 at which time he moves to Dublin and opens his own studio but suffers from lack of financial support and patrons. In 1926 he is contacted by Roycroft and asked to design and cast a statue of Elbert Hubbard who, with his wife Alice, had died in the sinking of the RMS Lusitania. It is unveiled in 1930 and today stands on the lawn of East Aurora’s Middle School across the street from the Roycroft Chapel building.
While working on the Hubbard statue, Connor receives a commission to create a memorial for all the RMS Lusitania victims. It is to be erected in Cobh, County Cork where many of the victims are buried. The project is initiated by the New York Memorial Committee, headed by William Henry Vanderbilt whose father, Alfred Gwynne Vanderbilt, perished on the RMS Lusitania. He dies before the memorial is completed and based on Connor’s design its installation falls to another Irish artist.
Jerome Connor dies on August 21, 1943 of heart failure and reputably in poverty. There is a now a “Jerome Connor Place” in Dublin and around the corner there is a plaque in his honour on Infirmary Road, overlooking Dublin’s Phoenix Park, his favourite place.
Colonel Patrick Kelly of the Union Army‘s Irish Brigade (The Fighting Irish) dies on June 16, 1864 at the Siege of Petersburg during the American Civil War while leading the Irish Brigade forward against a Confederate position.
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