Smyth is a Freemason. He is raised on March 6, 1865 in Washington Lodge No. 1 in Wilmington, Delaware.
Smyth enlists in 1861 in the Union Army in an Irish American three-months regiment, the 24th Pennsylvania, and quickly makes the rank of captain. He is later commissioned as major of the 1st Delaware Infantry, a three-years regiment. He serves at the battles of Fredericksburg (following which he is promoted to lieutenant colonel and then to colonel) and Chancellorsville. During the Gettysburg campaign, he commands the 2nd Brigade, 3rd Division of the II Corps. During the Battle of Gettysburg, his men help defend Cemetery Ridge and advance to the area of the Bliss farm to oust enemy sharpshooters. He is wounded on the third day of the battle and relinquishes command briefly.
Smyth retains brigade command during the reorganization of II Corps before General Ulysses S. Grant‘s Overland Campaign. He leads the second brigade of the first division from March 25 to May 17, 1864. When Col. Samuel S. Carroll is wounded, Smyth is transferred to his command, the third brigade of second division, the Gibraltar Brigade. In October 1864, he is promoted to brigadier general during the Siege of Petersburg. He retains command of his brigade throughout the siege.
Between July 31, 1864 and August 22, 1864 and between December 23, 1864 and February 25, 1865, Smyth commands the 2nd division of the corps. On April 7, 1865 near Farmville, Virginia, he is shot through the mouth by a Confederatesniper, with the bullet shattering his cervical vertebrae and paralyzing him. He dies two days later at Burke’s Tavern, the same day Confederate General Robert E. Lee and his army surrender at Appomattox Court House.
Reid is the son of the Rev. Thomas Mayne Reid, a Presbyterian minister and later a senior clerk of the General Assembly of the Presbyterian Church in Ireland, and his wife, a daughter of the Rev. Samuel Rutherford. Educated at the Royal Belfast Academical Institution, he rebels against his father’s plans for him and decides not to pursue a career in the church. He briefly runs a school at Ballyroney before emigrating to the United States in 1839. Arriving in New Orleans, Louisiana, he finds a job as a corn factor’s clerk in the corn market. After six months he leaves because he refuses to whip slaves. Travelling across America, he works as a teacher, a clerk and an Indian-fighter, and anonymously publishes his first poem in August 1843. Later that year he meets Edgar Allan Poe in Philadelphia and the two become close friends. Poe later admits that Reid was ‘a colossal but most picturesque liar,’ but was impressed by his brilliant story-telling abilities.
With the outbreak of the Mexican-American War in 1846 Reid enlists in the 1st New York Infantry Regiment and is commissioned second lieutenant. Contributing a series of reports from the front under the pseudonym ‘Ecolier,’ he performs with great bravery in the Battle of Chapultepac on September 13, 1847. Wounded during the battle, he is promoted to first lieutenant three days later. Following his discharge from the army in 1848 he claims to have reached the rank of captain, but this is another of his inventions.
Reid’s first play, Love’s Martyr, is staged at the Walnut Street Theatre, Philadelphia, for five nights in October 1848, and the following year he publishes an embellished account of his experiences in Mexico entitled War Life. All of his works are published under the name ‘Captain Mayne Reid.’ In July 1849 he sails to England with a group of Hungarian radicals, but decides against accompanying them to the Continent. Returning briefly to Ireland, he settles in London in 1850 and writes a novel, The Rifle Rangers. It is an immediate success and is followed quickly by The Scalp Hunters (1851), The Desert Home (1852), and The Boy Hunters (1853). While in England in 1851 he meets and falls in love with a 13-year old girl, Elizabeth Hyde, daughter of his publisher, G. W. Hyde, an English aristocrat. When he discovers her age he tells her that she is ‘getting old enough to have a lover, and you must have me.’ Two years later he continues with his suit, and this time is successful as they marry in 1853. He is immensely proud of his young bride, and later writes a semi-autobiographical novel The Child Wife (1868), based on their relationship.
Establishing a reputation as one of the most popular novelists of his generation, Reid does much to enhance the romantic image of the American West. His internationally successful books include The White Chief (1855), Bush Boys (1856), Oceola (1859), and The Headless Horseman (1865), and his novel about miscegenation, The Quadroon (1856), is later plagiarised by Dion Boucicault for The Octoroon (1859). A champion croquet player, he writes a treatise on the subject in 1863.
Disaster strikes in November 1866 when Reid is declared bankrupt. He had squandered all his money on the construction of ‘The Ranche,’ a Mexican-style hacienda in England. To raise money he returns to the United States and embarks on a successful lecturing tour. Settling at Newport, Rhode Island, he writes another novel, The Helpless Hand (1868), which is a huge success and alleviates some of his difficulties. His wife hates America, however, and after he is briefly hospitalised in 1870 they decide to return to England.
Ill health, artistic doubts, and financial insecurity plagued Reid’s final years. Diagnosed with acute depression, he is unable to recapture his earlier audience and, despite a pension from the U.S. government, he struggles for money. He dies at Ross in Herefordshire on October 22, 1883 and is buried at Kensal Green Cemetery in London.
Although not regarded as an important novelist, Reid none the less has a significant influence on subsequent writers. The young Vladimir Nabokov is deeply impressed by his adventure stories, and one of his own first works is a poetic recreation of The Headless Horseman in French alexandrine. Both Robert Louis Stevenson and Arthur Conan Doyle are admirers, and politicians as diverse as Theodore Roosevelt and Leon Trotsky also make reference to his varied output. In total, Reid publishes over sixty novels, which are printed in ten languages.
Dalton is born to Irish American parents James F. and Katharine L. Dalton. The family moves back to Ireland when he is two years old. He grows up in a middle-class Catholic background in Drumcondra in North Dublin and lives at No. 8 Upper St. Columba’s Road. He is educated by the Christian Brothers at O’Connell School in North Richmond Street. He joins the nationalist militia, the Irish Volunteers, in 1913 and the following year, though only fifteen, is involved in the smuggling of arms into Ireland.
Dalton joins the British Army in 1915 for the duration of the Great War. His decision is not that unusual among Irish Volunteers, as over 20,000 of the National Volunteers join the British New Army on the urgings of Nationalist leader John Redmond. His father, however, disagrees with his son’s decision. He initially joins the 7th battalion of the Royal Dublin Fusiliers (RDF) as a temporary 2nd Lieutenant. By 1916 he is attached to the 9th Battalion, RDF, 16th (Irish) Division under Major-General William Hickie, which contains many Irish nationalist recruits.
During the Battle of the Somme in September 1916, Dalton is involved in bloody fighting during the Battle of Ginchy, in which over 4,000 Irishmen are killed or wounded. He is awarded the Military Cross for his conduct in the battle. Afterwards he is transferred to the 6th Battalion, Leinster Regiment, and sent to Thessaloniki then Palestine, where he commands a company and then supervises a sniper school in el-ʻArīsh. In 1918 he is re-deployed again to France, and in July promoted to captain, serving as an instructor.
On demobilisation in April 1919, Dalton returns to Ireland. There, finding that his younger brother Charlie had joined the IRA, he himself follows suit. He later comments on the apparent contradiction of fighting both with and against the British Army by saying that he had fought for Ireland with the British and fought for Ireland against them.
Dalton follows Collins in accepting the Anglo-Irish Treaty in 1922 and is one of the first officers, a Major General, in the new National Army established by the Irish Provisional Government of the Irish Free State. The Treaty is opposed by much of the IRA and Civil War between pro and anti-treaty factions eventually results.
Dalton is in command of troops assaulting the Four Courts in the Battle of Dublin which marks the start of the war in June 1922. At Collins’ instigation he, as Military liaison officer with the British during the truce, takes control of the two 18 pounder guns from the British that are trained on the buildings. He becomes commander of the Free State Army under Richard Mulcahy‘s direction. He is behind the Irish Free State offensive of July–August 1922 that dislodges the Anti-Treaty fighters from the towns of Munster. He proposes seaborne landings to take the Anti-Treaty positions from the rear and he commands one such naval landing that takes Cork in early August. In spite of firm loyalty to the National Army, he is critical of the Free State’s failure to follow up its victory, allowing the Anti-Treaty IRA to regroup resuming the guerrilla warfare started in 1919.
On August 22, 1922, he accompanies Collins in convoy, touring rural west Cork. The convoy is ambushed near Béal na Bláth and Collins is killed in the firefight. He had advised Collins to drive on, but Collins, who is not an experienced combat veteran, insists on stopping to fight.
Dalton is married shortly afterwards, on October 9, 1922, to Alice Shannon in Cork’s Imperial Hotel. By December 1922 he has resigned his command in the Army. He does not agree with the execution of republican prisoners that mark the latter stages of the Civil War. After briefly working as clerk of the Irish Senate, Seanad Éireann, he leaves the job to work in the movie industry.
Dalton dies in his daughter Nuala’s house in Dublin on March 4, 1978, his 80th birthday, never having seen the film that Cathal O’Shannon of RTÉ had made on his life. During the making of the film they visit the battlefields in France, Kilworth Camp in Cork, Béal Na Bláth, and other places that Dalton had not visited since his earlier years. He wishes to be buried as near as possible to his friend Michael Collins in Glasnevin Cemetery in Dublin and is buried there in March 1978 after a military funeral. None of the ruling Fianna Fáil government ministers or TDs attend.
(Pictured: Dalton photographed in lieutenant’s uniform, Royal Dublin Fusiliers, taken circa. 1914-1918)
Morrissey is the only son among eight children of Timothy Morrissey, factory worker, and Julia (or Mary) Morrissey. In 1834 the family emigrates to Canada and then the United States, settling at Troy, New York. From the age of ten he works, first in a mill, and then as an iron worker due to his size and strength. He becomes involved in various street gangs, developing a reputation as a pugilist of great strength and resolve. As leader of the Down-Town gang, he defeats six members of the rival Up-Town gang in a single afternoon in 1848. He takes work on a Hudson River steamer and marries Sarah Smith, daughter of the ship’s captain, around 1849. They have one child who dies before reaching adulthood.
In a New York saloon Morrissey challenges Charley ‘Dutch’ Duane to a prize fight and, when he is not to be found, with typical bravado he extends the challenge to everyone present. This impresses the owner, Isaiah Rynders, the Tammany Hall politician, and he employs Morrissey to help the Democratic Party, which involves intimidating voters at election time. A fistfight with gang rival Tom McCann earns him the nickname ‘Old Smoke.’ Mid-fight he is forced onto a bed of coals, but despite having his flesh burned, refuses to concede defeat. He fights his way back and beats McCann into unconsciousness. Stowing away to California to challenge other fighters, he begins a gambling house to raise money, and embarks on a privateering expedition to the Queen Charlotte Islands in a quixotic attempt to make his fortune.
In his first professional prize fight on August 21, 1852, Morrissey defeats George Thompson at Mare Island, California, in dubious circumstances, and begins calling himself the ‘champion of America.’ However, it is only on October 12, 1853 that he officially earns this title, when he wins the heavyweight championship of America in a bout at Boston Corner, New York, against Yankee Sullivan. The fight lasts thirty-seven rounds, and Morrissey has the worst of most of them, but he is awarded the contest after a free-for-all in the ring.
Increasingly involved in New York politics, Morrissey and his supporters fight street battles against the rival gang of William Poole, known as ‘Bill the Butcher,’ a Know Nothing politician later fictionalised in the film Gangs of New York (2002). On July 26, 1854 the two men fight on the docks, but Morrissey is beaten badly and forced to surrender. This marks the beginning of a bitter feud between the two parties, with heavy casualties on both sides, which climaxes on March 8, 1855 when Poole is murdered. Morrissey is indicted as a conspirator in the crime, but is soon released because of his political connections.
On October 20, 1858 Morrissey fights John C. Heenan (1835–73) in another heavyweight championship bout. Heenan breaks his hand early in the fight and is always at a disadvantage. After taking much punishment Morrissey finally makes his dominance count. There is a rematch on April 4, 1859, which Morrissey again wins, and after this he retires from the ring. Investing his prize money, he runs two saloons and a gambling house in New York. With the huge profits from his gambling empire he invests in real estate in Saratoga Springs, New York, opening the Saratoga Race Course there in 1863 which has endured to become America’s oldest major sports venue.
A political career beckons as a reward for Morrissey’s consistent support for the Democratic Party. He is elected to the United States House of Representatives in 1866 representing New York’s fifth district, is re-elected the following year, and serves until March 3, 1871. He supports PresidentAndrew Johnson against demands for his impeachment and is skeptical about the Radicals’ plans for reconstruction in the south. In his final years he serves in the New York State Senate (1875–78).
After contracting pneumonia, Morrissey dies at the Adelphi Hotel, Saratoga Springs, on May 1, 1878, and is buried at Saint Peter’s Cemetery, Troy. On the day of his funeral, flags at New York City Hall are lowered to half-mast, while the National Police Gazette declares on May 4, 1878 that “few men of our day have arisen from beginnings so discouraging to a place so high in the general esteem of the community.” His name is included in the list of ‘pioneer’ inductees in the International Boxing Hall of Fame in Canastota, New York, and each year the John Morrissey Stakes are held at Saratoga Race Course in honour of its founder.
(Pictured: John Morrissey, U.S. Representative from New York, circa 1870s, source Library of Congress)
From an early age Ford has an interest in painting and sailing, and in July 1914 moves to California, where his older brother Francis is an actor with a small film company. Adopting the name ‘Jack Ford,’ he learns his trade as a filmmaker and acts in a number of silent pictures. Reveling in his Irish heritage, he makes his director’s debut with The Tornado (1917) and follows it with more than forty movies over the next six years. On July 3, 1920, he marries Mary McBryde Smith, a former officer in the army medical corps. They meet at a party thrown by the director Rex Ingram and have one son and one daughter.
In 1921 Ford visits Ireland for the first time and later claims to have travelled on the same boat that brought Michael Collins back from the treaty negotiations. He meets his relatives at Spiddal, falls in love with the countryside, and becomes a fervent Irish nationalist. It is later claimed that he brought over funds for his cousin Martin Feeney, a member of an Irish Republican Army (IRA) flying column.
Returning to Hollywood, Ford becomes friends with the retired marshal Wyatt Earp and makes a number of commercially successful films, now as ‘John Ford’. In 1926 he directs The Shamrock Handicap, a horse-racing yarn partly set in Ireland. In 1928 he shoots Mother Machree, a movie about Irish emigration, starring Victor McLaglen, a regular collaborator. McLaglen also stars in Hangman’s House, made the same year, Ford’s first major movie about Ireland.
In 1934 Ford purchases a luxury yacht which he names the Araner after the Aran Islands. He also begins shooting The Informer, a film set in Ireland during the Irish War of Independence, and based on a short novel by Liam O’Flaherty. The picture is a major box office success and wins four Academy Awards, including Best Director. O’Flaherty is so impressed with the film that he dedicates his next book, Famine, to Ford.
In 1934 Ford visits Ireland for the second time, and approaches Seán O’Casey about directing a version of The Plough and the Stars. Released in 1936, the film stars Barry Fitzgerald as Fluther, but it is reedited by the studio, much to Ford’s fury, and is a commercial and critical flop.
In 1952 Ford returns to Ireland to film The Quiet Man, starring Wayne, McLaglen, and Maureen O’Hara. Shot at Ashford Castle, County Mayo, the picture becomes one of the most popular Irish films of all time. He is immensely proud of the work and is in tears leaving Ireland. The following year he makes Mogambo, with Clark Gable, Grace Kelly and a young English actor, Donald Sinden, who later recalls that Ford berated him personally for all the problems of Ireland from the time of William of Orange. Ford’s strong sense of Irishness is central to his character and is crucial for any understanding of his work. Back in Ireland in 1956, he shoots The Rising of the Moon, a portmanteau film for which he takes no salary, starring Tyrone Power, Cyril Cusack, and Noel Purcell. A minor film, it makes no impact at the box office.
Two of Ford’s finest movies are made in his later years. The Searchers (1956) is a powerful study of vengeance, while The Man Who Shot Liberty Valance (1962) is an elegiac revisionist western which concludes with the famous line, “When the legend becomes fact, print the legend.”
Struck with cancer in his final years, Ford dies on August 31, 1973 at his home in Palm Desert, California, and is buried at Holy Cross Cemetery, Culver City. His will disinherits his son, Michael Patrick Roper, and leaves everything to his wife, daughter, and grandchildren.
When asked to name the finest American directors, Orson Welles replies simply, “John Ford, John Ford, and John Ford.” An alcoholic, Ford is a difficult and often tyrannical director, but he makes films of extraordinary power and vision. He ranks as one of the greatest film-makers of the twentieth century. As Frank Capra concludes, “John is half-tyrant, half-revolutionary; half-saint, half-Satan; half-possible, half-impossible; half-genius, half-Irish.”
(From: “Ford, John,” contributed by Patrick M. Geoghegan, Dictionary of Irish Biography, http://www.dib.ie)
Brady leaves little record of his life before photography. Speaking to the press in the last years of his life, he states that he was born between 1822 and 1824 in Warren County, New York, near Lake George. He is the youngest of three children to Irish immigrant parents, Andrew and Samantha Julia Brady. In official documents before and during the war, however, he claims to have been born in Ireland.
At age 16, Brady moves to Saratoga, New York, where he meets portrait painter William Page and becomes Page’s student. In 1839, the two travel to Albany, New York, and then to New York City, where he continues to study painting with Page, and also with Page’s former teacher, Samuel F. B. Morse. Morse had met Louis-Jacques-Mandé Daguerre in France in 1839, and returned to the United States to enthusiastically push the new daguerreotype invention of capturing images. At first, Brady’s involvement was limited to manufacturing leather cases that hold daguerreotypes. But soon he becomes the center of the New York artistic colony that wishes to study photography. Morse opens a studio and offers classes. Brady is one of the first students.
In 1844, Brady opens his own photography studio at the corner of Broadway and Fulton Street in New York, and by 1845, he begins to exhibit his portraits of famous Americans, including the likes of Senator Daniel Webster and poet Edgar Allan Poe. In 1849, he opens a studio at 625 Pennsylvania Avenue in Washington, D.C., where he meets Juliet Handy, whom he marries in 1850 and lives with on Staten Island. His early images are daguerreotypes, and he wins many awards for his work. In the 1850s ambrotype photography becomes popular, which gives way to the albumen print, a paper photograph produced from large glass negatives most commonly used in American Civil War photography.
In 1850, Brady produces The Gallery of Illustrious Americans, a portrait collection of prominent contemporary figures. The album, which features noteworthy images including the elderly Andrew Jackson at the Hermitage, is not financially rewarding but invites increased attention to his work and artistry. In 1854, Parisian photographer André-Adolphe-Eugène Disdéri popularizes the carte de visite and these small pictures rapidly become a popular novelty, with thousands being created and sold in the United States and Europe.
At first, the effect of the American Civil War on Brady’s business is a brisk increase in sales of cartes de visite to departing soldiers. He readily markets to parents the idea of capturing their young soldiers’ images before they might be lost to war by running an ad in The New York Daily Tribune. However, he is soon taken with the idea of documenting the war itself. He first applies to an old friend, General Winfield Scott, for permission to have his photographers travel to the battle sites, and eventually, he makes his application to President Abraham Lincoln himself. Lincoln grants permission in 1861, with the proviso that Brady finance the project himself.
His efforts to document the American Civil War on a grand scale by bringing his photographic studio onto the battlefields earns Brady his place in history. His first popular photographs of the conflict are at the First Battle of Bull Run, in which he gets so close to the action that he barely avoids capture. While most of the time the battle has ceased before pictures are taken, he comes under direct fire at the First Battle of Bull Run, Petersburg, and Fredericksburg.
Brady also employs Alexander Gardner, James Gardner, Timothy H. O’Sullivan, William Pywell, George N. Barnard, Thomas C. Roche, and seventeen other men, each of whom is given a traveling darkroom, to go out and photograph scenes from the American Civil War. He generally stays in Washington, D.C., organizing his assistants and rarely visiting battlefields personally.
This may be due, at least in part, to the fact that Brady’s eyesight has begun to deteriorate in the 1850s. Many of the images in Brady’s collection are, in reality, thought to be the work of his assistants. He is criticized for failing to document the work, though it is unclear whether it is intentional or due simply to a lack of inclination to document the photographer of a specific image. Because so much of his photography is missing information, it is difficult to know not only who took the picture, but also exactly when or where it was taken.
In October 1862 Brady opens an exhibition of photographs from the Battle of Antietam in his New York gallery, titled The Dead of Antietam. Many images in this presentation are graphic photographs of corpses, a presentation new to America. This is the first time that many Americans see the realities of war in photographs, as distinct from previous “artists’ impressions.”
Brady, through his many paid assistants, takes thousands of photos of American Civil War scenes. Much of the popular understanding of the Civil War comes from these photos. There are thousands of photos in the U.S. National Archives and Records Administration and the Library of Congress taken by him and his associates. The photographs include Lincoln, Ulysses S. Grant, and soldiers in camps and battlefields. The images provide a pictorial cross reference of American Civil War history. He is not able to photograph actual battle scenes, as the photographic equipment in the day is still in the infancy of its technical development and requires that a subject be still for a clear photo to be produced.
Following the conflict, a war-weary public loses interest in seeing photos of the war, and Brady’s popularity and practice decline drastically.
During the war, Brady spends over $100,000 (equivalent to $1,691,000 in 2020) to create over 10,000 plates. He expects the U.S. government to buy the photographs when the war ends. When the government refuses to do so he is forced to sell his New York City studio and go into bankruptcy. The United States Congress grants Brady $25,000 in 1875, but he remains deeply in debt. The public was unwilling to dwell on the gruesomeness of the war after it has ended, and so private collectors are scarce.
Depressed by his financial situation and loss of eyesight, and devastated by the death of his wife in 1887, Brady dies penniless in the charity ward of Presbyterian Hospital in New York City on January 15, 1896, from complications following a streetcar accident. His funeral is financed by veterans of the 7th New York Infantry Regiment. He is buried in the Congressional Cemetery, which is located in Barney Circle, a neighborhood in the Southeast quadrant of Washington, D.C.
Brady photographs 18 of the 19 American presidents from John Quincy Adams to William McKinley. The exception is the 9th President, William Henry Harrison, who dies in office three years before Brady starts his photographic collection. He photographs Abraham Lincoln on many occasions. His Lincoln photographs have been used for the $5 bill and the Lincoln penny. One of his Lincoln photos is used by the National Bank Note Company as a model for the engraving on the 90c Lincoln Postage issue of 1869.
(Pictured: “Mathew B. Brady,” oil on canvas by Charles Loring Elliott, 1857, Metropolitan Museum of Art, New York)
Over 12 million immigrants are processed at the station that eventually closes in 1954. Third class and steerage passengers are processed at the Ellis Island station. First and Second class passengers are generally processed on the boats they arrive on as they are seen to be of lesser “risk.”
Moore arrives from County Cork aboard the Guion LinesteamshipNevada in 1892. Her brothers, Anthony and Philip, who journey with her, have just turned 15 and 12, respectively. As the first person to pass inspection at the newly opened facility, she is presented with an American $10 gold piece from an American official.
Moore’s parents, Matthew and Julia, had come to the United States in 1888 and were living at 32 Monroe Street in Manhattan. Annie marries a son of German Catholic immigrants, Joseph Augustus Schayer (1876-1960), a salesman at Manhattan’s Fulton Fish Market, with whom she has eleven children, five of whom survive to adulthood. The rest all die before the age of three.
Moore dies of heart failure on December 6, 1924 at age 47 and is buried in Calvary Cemetery, Queens. Her previously unmarked grave is identified in August 2006. On October 11, 2008, a dedication ceremony is held at Calvary which celebrates the unveiling of a marker for her grave, a Celtic cross made of Irish blue limestone.
A woman named “Annie Moore” who died near Fort Worth, Texas, in 1924 had long been thought to be the one whose arrival marked the beginning of Ellis Island. Further research, however, establishes that the Annie Moore in Texas was born in Illinois.
The Irish American Cultural Institute presents an annual Annie Moore Award “to an individual who has made significant contributions to the Irish and/or Irish American community and legacy.” She is also honored by two statues sculpted by Jeanne Rynhart. One stands at Cobh Heritage Centre (formerly Queenstown), her port of departure, and another at Ellis Island, her port of arrival. The image is meant to represent the millions who pass through Ellis Island in pursuit of the American dream.
(Pictured: Statue of Annie Moore and her brothers on the quayside in Cobh, County Cork)
Montgomery is born into a wealthy family in Swords, Dublin, on December 2, 1738. He attends Trinity College Dublin before dropping out to become a Junior Non-Commissioned Officer (NCO) in the British Army. He serves with distinction during the Seven Years’ War, more commonly known as the French and Indian War, and is promoted several times, finally attaining the rank of captain before the end of the war. He is released from duty due to his health and returns to Great Britain to recover. In Britain, he discusses politics and affiliates with the Whigs political party in Parliament, who later supports American independence. When his health finally recovers, he resigns his commission from the British Army and moves to New York, settling into the life of a farmer. On July 24, 1773, he marries Janet Livingston, who is from an anti-British patriot family. He continues to cement his beliefs and begins to identify as an “American” rather than a “Briton.”
Eventually, Montgomery’s political beliefs turn into political action. In May 1775, he is elected as one of the ten deputies to represent Dutchess County in the New York Provincial Congress and is chosen to organize the militias and defenses of New York. After George Washington is chosen to be the commander of the Continental Army in June of the same year, the New York Provincial Congress is asked to choose two people for the rank major general and brigadier general for service in the new army. Philip Schuyler is appointed to the rank of major general. Montgomery protests the promotion, arguing that Schuyler does not have enough combat experience to be an effective leader. Later, the New York Provincial Congress appoints Montgomery as brigadier general because of his military experience. General Washington personally appoints the reluctant Montgomery to be Schuyler’s second in command. This move is just in time as Schuyler falls ill during at the start of the invasion of Canada, thus giving Montgomery control of the campaign.
Once in command, Montgomery begins a successful campaign in Canada as General Benedict Arnold is marching through the wilderness of modern-day Maine to meet him in Quebec. He captures numerous strongpoints and eventually the city of Montreal falls to the Patriots. His numerous victories and kind treatment of British prisoners take a toll on the Patriot militias under his command, who demand rest and the same provisions given to the British prisoners. The commanding general is reluctant to lead his soldiers, who he has seen as undisciplined. It takes a personal letter from General Washington to reassure him that there is insubordination and lack of discipline all throughout the Continental Army and that resignation is not the answer. Nevertheless, he continues to Quebec to meet Arnold and his army.
When Montgomery and his men arrive outside Quebec, his force consists of some 300 men compared to Arnold’s 1,000 men. Now a major general, he establishes siege lines around the city of Quebec and demands the surrender of the defenders within. The terms of surrender are rejected numerous times, leaving him and Arnold with no other choice but to assault the city. He hopes that snow will hide the movement of his troops, thus, he plans on waiting for snowfall in order to attack. General Arnold, however, is worried about his men. A December 31 enlistment expiration is looming, that could drastically reduce the size of the assaulting force. Montgomery discovers waiting for the right time is not an option and coordinates an attack for the early hours of December 31, 1775. That morning, Montgomery leads a group of his men toward the interior of Quebec. With sword drawn and lantern out, the Patriots advance toward a blockhouse where the British and Canadian defenders notice this movement and let loose a volley of grapeshot and muskets, which instantly kills Montgomery and the men close to him.
Montgomery’s body is discovered after the failed attacks by the Continentals. The British defenders of Quebec bring his body to General Guy Carleton, who orders it be buried with respect and dignity. He is laid to rest in Quebec on January 4, 1776. News of his death causes widespread mourning, both in America and in the British Isles. Many Patriots elevate his status to a hero and martyr for independence and the American cause, while British members of parliament, especially the Whigs, use his death to mark the failures in the British response to the insurrection in their colonies. In July 1818 his remains are reinterred in New York.
Rowan comes to the United States at the age of ten and lives in Piqua, Ohio. He is a graduate of Miami University and is appointed as a midshipman in the U.S. Navy on February 1, 1826 at the age of seventeen. Later, he takes an active role in the Mexican–American War, serving as executive officer of the sloop-of-warUSS Cyane during the capture of Monterey, California on July 7, 1846, and in the occupation of both San Diego and Los Angeles. In January 1847 he leads a provisional battalion, with the nominal rank of major, of seven companies of naval infantry (along with a company of artillery and a company of sappers and miners) for the recapture of Los Angeles.
Commissioned rear admiral on July 25, 1866, Rowan serves as commandant of the Norfolk Naval Shipyard until 1867, when he assumes command of the Asiatic Squadron. Returning in 1870, he is appointed vice admiral, following the death of Admiral David Farragut and the promotion of Vice Admiral David Dixon Porter in August of that year. In December 1870 he reaches the mandatory retirement age of 62 but, like admirals Farragut and Porter before him, he is allowed to remain on active duty.
In 1882 Rowan is elected as a First Class Companion of the District of Columbia Commander of the Military Order of the Loyal Legion of the United States (MOLLUS). He is assigned MOLLUS insignia number 2510. His son, Hamilton Rowan, an officer in the United States Army, is elected as a Second Class Companion of MOLLUS and becomes a First Class Companion upon his father’s death.
Rowan dies at the age of 81 in Washington, D.C. on March 31, 1890.
In 1836, Minty’s father, also named Robert, is promoted to lieutenant in the 1st West India Regiment of Foot, which is a regiment of black enlisted men with white officers. The whole family leaves Ireland and travels with him through Minty’s later childhood and teenage years. They move all around the Caribbean and West Africa ultimately being sent to Sierra Leone.
Minty’s father becomes judge advocate general in Jamaica in 1846 but dies after falling victim to yellow fever in 1848. Though he is only 17 at the time, he is allowed to take over his father’s commission in the regiment. After serving five years in the regiment he resigns his commission, possibly because he nearly becomes a victim of a tropical disease himself.
Minty immigrates to Ontario, Canada, where his mother and the family had moved after his father’s death. He is hired by the Great Western Railroad Company at a time when the railroad business is exploding in both the United States and Canada. He is involved with railroads for the rest of his life, with time out for the American Civil War.
Minty is honorably mustered out of the Union Army on April 15, 1865 at Nashville, Tennessee, and becomes a successful railroad executive in his post-war career. He dies at the age of 74 on August 24, 1906, in Jerome, Arizona. He is buried at Aultorest Memorial Park in Ogden, Utah.
seamus dubhghaill 