Ó Súilleabháin is deeply involved in Daniel O’Connell‘s Catholic emancipation movement and in relief work among the poor of County Kilkenny. He is also an avid bird watcher and a collector of manuscripts in the Irish language. His diary, published later as Cín Lae Amhlaoibh, is kept between 1827 and 1835. It remains one of the most important sources for 19th-century Irish life and one of the few surviving works from the perspective of the Roman Catholic lower and middle classes. (A translation has been published in English and an abridged and annotated edition in Irish, both edited by Tomás de Bhaldraithe.) He also composes verse and stories.
Ó Súilleabháin is born in Killarney, County Kerry. He comes to live at Callan, County Kilkenny, when he is nine years old, joining his father, Donncha Ó Súilleabháin. Father and son establish themselves as teachers in the surrounding towns. They begin by teaching under the hedges, but eventually a cabin is built as a school. He takes over the post of teacher there when his father dies in 1808. He remains a resident of Callan until his death. At the time, County Kilkenny is one of the most strongly Irish-speaking areas in Leinster.
As a teacher, Ó Súilleabháin is well versed in mathematics and Latin, and likely teaches English to a high standard. His diary shows him to have a deep interest in the natural world, and there are daily references to the weather.
Though Ó Súilleabháin is clearly a master of English, his diary is mostly in Irish, with occasional business-related entries in English, likely so that such transactions can be verified by others. He mostly eschews the archaisms favoured by other writers in Irish, writing in a fluent, flexible, colloquial style which could encompass both concision and literary elaboration. His diary shows him to be deeply involved in the life of the poor but to also be well acquainted with local notables. He is fond of occasional revelry and a good meal.
Ó Súilleabháin has an impressive collection of Irish language manuscripts, both prose and verse, which are supplemented by books. As a businessman, he deals in linen, corn and meal, and often has to make long trips to Dublin, Clonmel and Waterford.
Ó Súilleabháin marries a woman named Máire Ní Dhulachanta, not often mentioned in his diary. They have six or seven children, four of whom survive into adulthood. Her death, however, causes him great grief, and he never remarries.
Ó Súilleabháin dies on November 20, 1838, in Callan and is buried in the family plot in St. Brigid’s graveyard.
Amhlaoibh’s original manuscript is currently in the possession of the Royal Irish Academy. An edition of the complete manuscript is published as Cinnlae Amhlaoibh Uí Shúileabháin by M. McGrath in 1936-37 and an abridged and annotated edition, Cín Lae Amhlaoibh, by Tomás de Bhaldraithe in 1970–1973. A translation, The Diary of an Irish Countryman, is published by de Bhaldraithe (Mercier Press) in 1979.
(Pictured: The Seal of Milesius, the official seal of the Ó Súilleabháin Clann of Munster)
Seán Proinsias Ó Faoláin, short story writer of international repute and one of the most influential figures in 20th-century Irish culture, dies in Dublin on April 20, 1991. He is also a leading commentator and critic.
Ó Faoláin writes his first stories in the 1920s, eventually completing ninety stories over a period of sixty years. From 1929 to 1933 he lectures at the Catholic college, St. Mary’s College, at Strawberry Hill, London, during which period he writes his first two books. His first book, Midsummer Night Madness, is published in 1932. It is a collection of stories partly based on his Civil War experiences. He afterward returns to Ireland. He publishes four novels, seven additional volumes of short stories, six biographies, three travel books, a play, a memoir, a history book, translations and literary criticism, including one of the rare full-length studies of the short story, The Short Story (1948). He also writes a cultural history, The Irish, in 1947. His last short story volume, Foreign Affairs, is published in 1976. His Collected Stories is published in 1983.
Ó Faoláin produces critical studies of the novel and the short-story form, introduces texts of historical and literary merit, and contributes scores of articles, reviews, and uncollected stories to periodicals in Ireland, Britain, and the United States.
Ó Faoláin is a founder member and editor of the Irish literary periodical The Bell from 1940 to 1946. Under his editorship, The Bell participates in many key debates of the day. It also provides a crucial outlet for established and emerging writers during the lean war years. The list of contributors to The Bell include many of Ireland’s foremost writers, among them Patrick Kavanagh, Patrick Swift, Flann O’Brien, Frank O’Connor and Brendan Behan.
A recurring thread in Ó Faoláin’s work is the idea that national identities are historically produced and culturally hybrid; an additional thesis is that Irish history should be conceived in international terms, and that it should be read, in particular, in the context of social and intellectual developments across Europe.
Ó Faoláin marries Eileen Gould, a children’s book writer who publishes several books of Irish folk tales, in 1929. They have two children: Julia (1932–2020), who becomes a Booker-nominated novelist and short story writer, and Stephen (b. 1938).
Ó Faoláin dies in Dublin at the age of 91 on April 20, 1991.
Ó Faoláin is a controversial figure in his own lifetime and two of his books are banned for “indecency” in Ireland — his debut collection of short stories and his second novel, Bird Alone (1936). His legacy has proven divisive. If some consider him a social liberal cosmopolitan who challenges “proscriptive” definitions of Irish culture, others see him as a chauvinistic snob who paradoxically restricts the development of Irish writing. Proto-revisionist or nascent postcolonial, O’Faoláin has been considered both, sometimes within the same critical survey. Either way, his work is central to the evolution of a post–Literary Revival aesthetic, and his voice is one of the most prominent, and eloquent, in the fight against censorship in Ireland.
(Pictured: Portrait of Seán Ó Faoláin by Howard Coster, 1930s, National Portrait Gallery)
Josephine McNeill, Irish diplomat, is born on March 31, 1895, in Fermoy, County Cork. She is the first Irish female diplomat appointed to represent Ireland abroad in a ministerial capacity.
McNeill is born Josephine Ahearne, the daughter of shopkeeper and hotelier, James Ahearne, and his wife Ellen Ahearne (née O’Brien). She attends the Loretto Convent, Fermoy, and goes on to graduate from University College Dublin (UCD) with a BA, H.Dip.Ed. in French and German. With this she begins a teaching career, at St. Louis’ Convent, Kiltimagh, at the Ursuline Convent, Thurles, and at Scoil Íde. Scoil Íde, the female counterpart to St. Enda’s School, had been established by her friend, Louise Gavan Duffy. She is fluent in the Irish language and takes an active part in the cultural elements of the Irish independence movement, such as literature and music. She is a member of Cumann na mBan, serving as a member of the executive committee in 1921.
After the death of her husband in 1938, McNeill becomes the honorary secretary of the council of the Friends of the National Collections, as well as serving as chair of the executive committee of the Irish Countrywomen’s Association until 1950. As a member of the Department of External Affairs advisory committee on cultural relations, she writes on economic, social and cultural issues. She represents Ireland at the UNESCO general assembly in Paris in 1949.
McNeill is an active member of Clann na Poblachta from its foundation in 1946. She is appointed the minister to the Netherlands in 1950 by Seán MacBride, making her the first Irish female diplomat to represent the Republic of Ireland abroad in a ministerial capacity. This appointment is not well received by diplomats in the Department of External Affairs. Her reports from The Hague focus on the issues the Netherlands faces with decolonisation. In 1955, she becomes the minister to Sweden, going on to hold the joint appointment to Austria and Switzerland from 1956 to 1960, after which she retires. While serving in Switzerland she puts aside the resentment she feels towards Éamon de Valera based on how he had treated her husband, to sit with him during a convalescence while de Valera recovers from an eye operation.
McNeill is an amateur pianist and collects paintings and porcelains. In 1933, she publishes the Irish language book, Finnsgéalta ó India.
Boland is born on September 16, 1870, at 135 Capel Street, Dublin, to Patrick Boland, businessman, and Mary Donnelly. Following the death of his mother in 1882, he is placed with his six siblings under the guardianship of his uncle, Nicholas Donnelly, auxiliary bishop of Dublin.
Boland is educated at two private Catholic schools, the Catholic University School, Dublin, and Birmingham Oratory in Birmingham, England, where he becomes head boy. His secondary education at the two schools help give him the foundation and understanding to play an influential role in the politics of Great Britain and Ireland at the beginning of the 20th century, when he is a member of the Irish Parliamentary Party, which pursues constitutional Home Rule.
In 1892, Boland graduates with a BA from London University. He studies for a semester in Bonn, Germany, where he is a member of Bavaria Bonn, a student fraternity that is member of the Cartellverband. He studies law at Christ Church, Oxford, graduating with a BA in 1896 and MA in 1901. Although called to the Bar in 1897, he never practises.
Boland is the first Olympic champion in tennis for Great Britain and Ireland at the first modern Olympics, which take place in Athens in 1896. He visits his friend Thrasyvoulos Manos in Athens during the Olympics, and Manos, a member of the organising committee, enters Boland in the tennis tournament. He promptly wins the singles tournament, defeating Friedrich Traun of Germany in the first round, Evangelos Rallis of Greece in the second, Konstantinos Paspatis of Greece in the semifinals, and Dionysios Kasdaglis of Greece in the final.
Boland then enters the doubles event with Traun, the German runner whom he had defeated in the first round of the singles. Together, they win the doubles event. They defeat Aristidis and Konstantinos Akratopoulos of Greece in the first round, have a bye in the semifinals, and defeat Demetrios Petrokokkinos of Greece and Dimitrios Kasdaglis in the final. When the Union Jack and the German flag are run up the flagpole to honour Boland and Traun’s victory, Boland points out to the man hoisting the flags that he is Irish, adding “It [the Irish flag]’s a gold harp on a green ground, we hope.” The officials agreed to have an Irish flag prepared.
Following a visit to County Kerry, Boland becomes concerned about the lack of literacy among the native population. He also has a keen interest in the Irish Language.
Boland’s patriotic stand is well received in nationalist circles in Ireland. This and a lifelong friendship with John Redmond gain for him an invitation to stand as a candidate for the Irish Parliamentary Party in the safe seat of South Kerry, which he holds from 1900 to 1918. He is unopposed in the general elections of 1900 and 1906, and the first of 1910. In the second election of 1910 he is challenged by a local man, T. B. Cronin, who stands as an independent nationalist in the interest of William O’Brien. Boland stands down at the 1918 general election.
In 1908, Boland is appointed a member of the commission for the foundation of the National University of Ireland (NUI). From 1926 to 1947, he is General Secretary of the Catholic Truth Society. He receives a papal knighthood, becoming a Knight of St. Gregory in recognition for his work in education. In 1950, he is awarded an honorary Doctor of Law by the NUI.
Boland marries Eileen Moloney at SS Peter and Edward, Palace Street, Westminster, on October 22, 1902, the daughter of an Australian Dr. Patrick Moloney. They have one son and five daughters. His daughter Honor Crowley succeeds her husband Frederick Crowley upon his death sitting as Fianna FáilTD for South Kerry from 1945 until her death in 1966. His daughter Bridget Boland is a playwright who notably writes The Prisoner and co-writes the script for Gaslight, and, among other books, co-authors Old Wives’ Lore for Gardeners with her sister, Maureen Boland.
Gleeson is the son of Frank and Pat Gleeson. He has described himself as having been an avid reader as a child. He receives his second-level education at St. Joseph’s CBS in Fairview, Dublin, where he is a member of the school drama group. He receives his Bachelor of Arts at University College Dublin (UCD), majoring in English and Irish. After training as an actor, he works for several years as a secondary school teacher of Irish and English at the now defunct CatholicBelcamp College in north County Dublin. He works simultaneously as an actor while teaching, doing semi-professional and professional productions in Dublin and surrounding areas. He leaves the teaching profession to commit full-time to acting in 1991. In an NPR interview to promote Calvary in 2014, he states he was molested as a child by a Christian Brother in primary school but was in “no way traumatised by the incident.”
As a member of the Dublin-based Passion Machine Theatre company, Gleeson appears in several of the theatre company’s early and highly successful plays such as Brownbread (1987), written by Roddy Doyle and directed by Paul Mercier, Wasters (1985) and Home (1988), written and directed by Paul Mercier. He also writes three plays for Passion Machine: The Birdtable (1987) and Breaking Up (1988), both of which he directs, and Babies and Bathwater (1994) in which he acts. Among his other Dublin theatre work are Patrick Süskind‘s one-man play The Double Bass and John B. Keane‘s The Year of the Hiker.
In 2003, Gleeson is the voice of Hugh the Miller in an episode of the Channel 4 animated series Wilde Stories. While he portrays Irish statesman Michael Collins in The Treaty, he later portrays Collins’ close collaborator Liam Tobin in the film Michael Collins with Liam Neeson taking the role of Collins. He later goes on to portray Winston Churchill in Into the Storm, winning a Primetime Emmy Award for his performance. He plays Barty Crouch, Jr. impersonating Hogwarts professor Alastor “Mad-Eye” Moody in the fourth, and Alastor Moody himself in fifth and seventhHarry Potter films. His son Domhnall plays Bill Weasley in the seventh and eighth films.
Gleeson provides the voice of Abbot Cellach in The Secret of Kells, an animated film co-directed by Tomm Moore and Nora Twomey of Cartoon Saloon, which premieres in February 2009 at the JamesonDublin International Film Festival. He stars in the short film Six Shooter in 2006, written and directed by Martin McDonagh, which wins an Academy Award for Best Live Action Short Film. In 2008, he stars in the comedy crime film In Bruges, also written and directed by McDonagh. The film, and his performance, enjoy huge critical acclaim, earning him several award nominations, including his first Golden Globe nomination. In the movie, he plays a mentor-like figure for Colin Farrell‘s hitman. In his review of In Bruges, Roger Ebert describes the elder Gleeson as having a “noble shambles of a face and the heft of a boxer gone to seed.”
Gleeson has been married to Mary Weldon since 1982. They have four sons: Domhnall, Fergus, Brían, and Rory. Domhnall and Brían are also actors. He speaks fluent Irish and is an advocate of the promotion of the Irish language. He is a fan of the English football club Aston Villa, as is his son Domhnall.
Eoin MacNeill is the first editor of the newspaper, overseeing its publication from 1899 to 1901. In 1900, Conradh na Gaeilge takes control of the weekly bilingual paper Fáinne an Lae, when its editor goes bankrupt. Fáinne an Lae is merged with An Claidheamh Soluis under the title An Claidheamh Soluis agus Fáinne an Lae.
From 1903 to 1909 the paper is edited by Patrick Pearse, the teacher and barrister who later becomes a key figure in the Easter Rising in 1916. Under his editorship, the paper plays a prominent role in the Irish Literary Revival, publishing original literary works in both Irish and English and devoting considerable space to commentary on cultural matters. From 1909 to 1916 the editor is Seán Mac Giollarnáth.
The paper continued under the names Fáinne an Lae (1918–19, 1922–30) and Misneach (1919–22), reverting briefly to An Claidheamh Soluis in 1930–31. It ceases publication in 1931.
Mac Liammóir is born Alfred Willmore on October 25, 1899. He is born to a Protestant family living in the Kensal Green district of London.
As Alfred Willmore, he is one of the leading child actors on the English stage, in the company of Noël Coward. He appears for several seasons in Peter Pan. He studies painting at London’s Slade School of Fine Art, continuing to paint throughout his lifetime. In the 1920s he travels all over Europe. He is captivated by Irish culture and learns the Irish language which he speaks and writes fluently. He changes his name to an Irish version, presenting himself in Ireland as a descendant of Irish Catholics from Cork. Later in his life, he writes three autobiographies in Irish and translates them into English.
While acting in Ireland with the touring company of his brother-in-law Anew MacMaster, Mac Liammóir meets the man who becomes his partner and lover, Hilton Edwards. Their first meeting takes place in the Athenaeum, Enniscorthy, County Wexford. Deciding to remain in Dublin, where they live at Harcourt Terrace, the pair assists with the inaugural production of Galway‘s Irish language theatre, An Taibhdhearc. The play is Mac Liammóir’s version of the mythical story Diarmuid agus Gráinne, in which Mac Liammóir plays the lead role as Diarmuid.
Mac Liammóir and Edwards then throw themselves into their own venture, co-founding the Gate Theatre in Dublin in 1928. The Gate becomes a showcase for modern plays and design. Mac Liammóir’s set and costume designs are key elements of the Gate’s success. His many notable acting roles include Robert Emmet/The Speaker in Denis Johnston‘s The Old Lady Says “No!” and the title role in Hamlet.
In 1948, Mac Liammóir appears in the NBC television production of Great Catherine with Gertrude Lawrence. In 1951, during a break in the making of Othello, he produces Orson Welles‘s ghost-story Return to Glennascaul which is directed by Hilton Edwards. He plays Iago in Welles’s film version of Othello (1951). The following year, he goes on to play ‘Poor Tom’ in another Welles project, the TV film of King Lear (1953) for CBS.
Mac Liammóir claims when talking to Irish playwright Mary Manning, to have had a homosexual relationship with General Eoin O’Duffy, former Garda Síochána Commissioner and head of the paramilitary Blueshirts in Ireland, during the 1930s. The claim is revealed publicly by RTÉ in a documentary, The Odd Couple, broadcast in 1999. However, Mac Liammóir’s claims have not been substantiated.
Mac Liammóir’s life and artistic development are the subject of a major study by Tom Madden, The Making of an Artist. Edwards and Mac Liammóir are the subject of a biography, titled The Boys by Christopher Fitz-Simon.
Micheál Mac Liammóir dies at his and Edwards’s Dublin home, 4 Harcourt Terrace, at the age of 78 on March 6, 1978. Edwards and Mac Liammóir are buried alongside each other at St. Fintan’s Cemetery, Sutton, Dublin.
Donnelly is born in Killybrackey, near Dungannon, County Tyrone, on July 10, 1914, into a family of cattle breeders. His father, Joseph Donnelly, sells his farm in 1917 and the family moves to Dundalk and opens a greengrocer‘s shop. Joseph Donnelly becomes quite prosperous, running his shop, dealing cattle and buying and selling property in the Dundalk area. In addition to Charles, the Donnellys have five other sons and two daughters. His mother, Rose, dies in 1927, when he is 13 years old.
Donnelly receives his early education in the Christian Brothers school in Dundalk. When he is fourteen in 1928, the family moves again, this time to Dublin, where his father purchases a house on Mountjoy Square in the north inner city. He enrolls in O’Connell School on North Frederick Street but is expelled after only a few weeks. He spends the next few months wandering the streets of Dublin during school time before his father discovers what had happened. Also at this time, he meets and is befriended by radical political activists from the Irish Republican Army (IRA), the Communist Party of Ireland and the left-Republican group Saor Éire.
Donnelly’s father and aunts get him an apprenticeship with a carpenter, but he gives this up after a year to enroll in University College Dublin (UCD) in 1931, where he studies Logic, English, History and the Irish language. In university he begins writing poetry and prose for student publications but fails his first-year examinations. At this time, he also becomes deeply involved in radical left-wing and republican politics. He drops out of university in 1934, having failed his first-year exams three times and joins the radical group, the Republican Congress. There he befriends veteran republicans Frank Ryan and George Gilmore. He also becomes involved in a romantic relationship with another republican activist, Cora Hughes, Éamon de Valera‘s goddaughter and later partner of George Gilmore. In July 1934, he is arrested and imprisoned for two weeks for his role in picketing a Dublin bakery with other Congress members. After this, his father expells him from the family home and he spends a period sleeping in parks around Dublin.
The Republican Congress splits at its first annual meeting in September 1934, but the 20-year-old Donnelly is elected to the National Executive of the truncated organisation. Thereafter, he writes for the Congress newspaper on political and social questions. In January 1935, he is again arrested for assaulting a Garda at a Congress demonstration and is imprisoned for a month. In February 1935, he leaves Ireland for London. In the British capital he forms the first Republican Congress branch in London and becomes its first chairman. He finds employment variously as a dishwasher in pubs and cafes and as a reporter with an international news agency. While in London he remains a regular contributor to the Republican Congress newspaper and various left-wing publications. Together with two other poets, Leslie Daiken and Ewart Milne, he is one of the founders of a duplicated publication called Irish Front, the London journal of the Republican Congress. Daiken admits that many of the Irish Front editions are written almost entirely by Donnelly.
Eoin McNamee recalls Donnelly as “a frail looking Dublin man with a Tyrone background…he was something of an intellectual and clearly the theorist of the Irish Republican Congress in London at that time. He was well versed in Marxism, wrote for the Congress and Communist press, and frequently appeared on left-wing public platforms.”
In July 1936, on the outbreak of the Spanish Civil War, Donnelly urges the Republican Congress to send fighters to the International Brigades. He himself returns to Dublin with the intention of organising such a force. By the end of 1936, he has gone again to London and joins the Brigades. He reaches Spain on January 7, 1937, and at Albacete, meets up with an Irish contingent, led by Frank Ryan, known as the Connolly Column, who had come to Spain to fight on the Republican side. He and his comrades are attached to the American Lincoln Battalion. On February 15, after receiving only rudimentary military training, the Lincoln Battalion is thrown into the Battle of Jarama, near Madrid. Donnelly reaches the front on February 23, where he is promoted to the rank of field commander. On February 27, his unit is sent on a frontal assault on the Nationalist positions on a hill named Pingarrón. The object of the attack is to take the enemy trenches and ultimately to drive them across the Jarama River. He and his unit are pinned down by machine gun fire all day. In the evening, the Nationalists launch a counterattack.
A Canadian veteran recalls, “We ran for cover, Charlie Donnelly, the commander of an Irish company is crouched behind an olive tree. He has picked up a bunch of olives from the ground and is squeezing them. I hear him say something quietly between a lull in machine gun fire: Even the olives are bleeding.” The line later becomes famous.
A few minutes later, as his unit retreats, Donnelly is caught in a burst of gunfire. He is struck three times, in the right arm, the right side and the head. He collapses and dies instantly. His body lay on the battlefield until it is recovered by fellow Irish Brigadier Peter O’Connor on March 10. He is buried at Jarama in an unmarked grave with several of his comrades.
Written by Donnelly’s brother Joseph, a collection of his work, Charlie Donnelly: the Life and Poems, is published in 1987 by Dedalus Press. On the eve of the 71st anniversary of his death, February 26, 2008, he is commemorated with the unveiling of a plaque at his alma mater, UCD, attended by 150 people. The commemoration, organised jointly by a group of UCD students and the Donnelly family, is hosted by the School of English and also includes a lecture by Gerald Dawe on Donnelly’s life and poetry. In April 2008, the UCD branch of the Labour Party is renamed the Charlie Donnelly Branch in his honour.
Donnelly’s friend Blanaid Salkeld commemorates him in her poem “Casualties,” writing “That Charlie Donnelly small and frail/ And flushed with youth was rendered pale/ But not with fear, in what queer squalor/ Was smashed up his so-ordered valour.” A 1976 documentary about the Civil War by Cathal O’Shannon is entitled Even the Olives are Bleeding.
Donnelly is survived by a brother, Joseph, who manages to get many of his poems published in 1987; only five or six are published during his lifetime. Discussing his work, Colm Tóibín says it “mixed an Audenesque exactitude with a youthful romanticism… his poem “The Tolerance of Crows” belongs in any anthology of modern poetry.” In 1992, Donnelly has work included in Dedalus Irish Poets: An Anthology from Dedalus Press.
The idea for a new party is discussed at a meeting in Dublin on February 21, 1940, attended by 104 former officers of the pro- and anti-Treaty wings of the Irish Republican Army (IRA). The inaugural meeting of the new party takes place on March 2, 1940. Simon Donnelly, who had fought in Boland’s Mill under Éamon de Valera in the 1916 Easter Rising, the former leader of the Dublin section of the IRA, and former chief of the Irish Republican Police (IRP), is elected as president of a central committee of fifteen members. Other leaders are Seán Fitzpatrick, another Irish War of Independence veteran; Con Lehane, who had recently left the IRA; Séamus Gibbons; Tom O’Rourke; Seán Dowling, one of Rory O’Connor‘s principal lieutenants in the Irish Civil War; Colonel Roger McCorley, one of the principal IRA leaders in Belfast during the Irish War of Independence who had taken the Irish Free State side in the Irish Civil War; Frank Thornton, one of Michael Collins‘ top intelligence officers; Roger McHugh, a lecturer in English at University College Dublin (UCD) and later professor; Captain Martin Bell and Peter O’Connor.
Also in attendance at the first meeting is Seamus O’Donovan, Director of Chemicals on IRA Headquarters Staff in 1921 and architect of the IRA Sabotage Campaign in England by the IRA in 1939–40. Indeed, O’Donovan proposes several of the basic resolutions. Additionally, the meeting is attended by Eoin O’Duffy and several former leaders of the Irish Christian Front.
Many members of the Irish far-right join Córas na Poblachta including Gearóid Ó Cuinneagáin, who becomes the leader of the party’s youth wing Aicéin and goes on to found Ailtirí na hAiséirghe, Alexander McCabe, Maurice O’Connor and Reginald Eager from the Irish Friends of Germany, George Griffin, Patrick Moylett, his brother John and Joseph Andrews of the People’s National Party, Dermot Brennan of Saoirse Gaedheal, and Hugh O’Neill and Alexander Carey of Córas Gaedhealach. As a result, the party assumes a pro-German and antisemitic attitude which is frequently expressed in party functions, and Gardaí suspects Córas na Poblachta members of daubing the walls of Trinity College Dublin in antisemitic slogans following the visit of British politician Leslie Hore-Belisha to Ireland in 1941.
Socialist republicans Nora Connolly O’Brien and Helena Molony take an interest in the group. Reflecting divisions within the IRA, a minority of the party’s leaders sympathise with communism rather than fascism.
The main aim of Córas na Poblachta is the formal declaration of a Republic. It also demands that the Irish language be given greater prominence in street names, shop signs, and government documents and bank notes. It proposes to introduce national service in order that male citizens understand their responsibilities. The party’s economic policy is the statutory right to employment and a living wage. It proposes breaking the link with the British pound, the nationalisation of banks and the making of bank officials into civil servants. In the area of education, the party espouses free education for all children over primary age as a right, and university education when feasible. It also calls for the introduction of children’s allowances. In addition, Córas na Poblachta advocates for “the destruction of the Masonic Order in Ireland” and during its founding meeting reporters are told that the party will be ready to take over the government of Ireland “on either a corporate or fascist basis.”
The party has close ties with the Irish nationalist and pro-fascist party Ailtirí na hAiséirghe, whose leader, Gearóid Ó Cuinneagáin, had led Córas na Poblachta’s youth wing Aicéin until its independence is terminated in 1942. There is talk of a merger, however, while the majority of the party’s executive committee, noted by G2 to be made up of “four ex-Army men, old IRA, ex-Blueshirts and a number of IRA who had been active up until comparatively recently”, desires a combination of Ireland’s extreme nationalist movements, the three most prominent leaders, Simon Donnelly, Sean Dowling and Roger McCorley, oppose one due to the fear that the party will be submerged in a joint organisation. Ó Cuinneagáin is dismissive of Córas na Poblachta’s prospects and discussions between him and the party’s leaders reinforce their fears that Ó Cuinneagáin seeks an outright takeover by Ailtirí na hAiséirghe. Proposals for a merging of the two parties are dropped though they continue to maintain cordial relations and co-operate in the 1943 Irish general election.
The party is not successful and fails to take a seat in a by-election held shortly after the party’s foundation. The party slowly falls apart, and Tim Pat Coogan notes that: “Dissolution occurred because people tended to discuss the party rather than join it.” Importantly, the party is not supported by the hardcore of republican legitimatists, such as Brian O’Higgins, who views the IRA Army Council as the legitimate government of an existing Irish Republic. Indeed, in March 1940, O’Higgins publishes a pamphlet entitled Declare the Republic lambasting the new party as making what he regards as false promises that will be compromised on following the party’s election to the Oireachtas.
Córas na Poblachta fields candidates in the 1943 Irish General Election but none are elected, receiving a total of 3,892 votes between them.
Although a failure, Tim Pat Coogan argues Córas na Poblachta was the “nucleus” of the Clann na Poblachta party which emerges to help take power from Fianna Fáil in 1948.
(Pictured: IRA veteran Simon Donnelly who serves as President of Córas na Poblachta)
Joyce is a native Irish speaker who starts his education at a hedge school. He then attends school in Mitchelstown, County Cork.
Joyce starts work in 1845 with the Commission of National Education. He becomes a teacher and principal of the Model School, Clonmel. In 1856 he is one of fifteen teachers selected to re-organize the national school system in Ireland. Meanwhile he earns his B.A. in 1861 and M.A. in 1863 from Trinity College Dublin.
Joyce is a key cultural figure of his time. His wide interests include the Irish language, Hiberno-English, music, education, Irish literature and folklore, Irish history and antiquities, place names and much else. He produces many works on the history and culture of Ireland. His most enduring work is the pioneering The Origin and History of Irish Names of Places (first edition published in 1869). He is a member of the Royal Irish Academy.
In 1856 Joyce marries Caroline Waters of Baltinglass, County Wicklow, with whom he has two daughters and three sons, one of whom is the author Weston St. John Joyce. He dies on January 7, 1914, at his home, Barnalee, Rathmines, Dublin, and is buried two days later in Glasnevin Cemetery.
The P.W. Joyce collection at the Cregan Library in St. Patrick’s College, Drumcondra, Dublin, reflects many of Joyce’s interests and includes several rarities. These include autographed presentation copies by Joyce and his brother Robert, as well as books from Joyce’s own library. The collection also contains nine manuscripts associated with Joyce and his family members, including a manuscript in P.W. Joyce’s own hand of Echtra Cormaic itir Tairngiri agus Ceart Claíd Cormaic (Adventures of Cormac in the Land of Promise), a passage from the Book of Ballymote, which Joyce translated into English.
seamus dubhghaill 