seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Helen Waddell, Poet & Playwright

helen-waddellHelen Jane Waddell, Irish poet, translator and playwright, is born in Tokyo, Japan on May 31, 1889.

Waddell is the tenth and youngest child of Hugh Waddell, a Presbyterian minister and missionary who is lecturing in the Imperial University. She spends the first eleven years of her life in Japan before her family returns to Belfast. Her mother dies shortly afterwards, and her father remarries. Hugh Waddell himself dies and leaves his younger children in the care of their stepmother. Following the marriage of her elder sister Meg, she is left at home to care for her stepmother, whose health is deteriorating by this time.

Waddell is educated at Victoria College for Girls and Queen’s University Belfast, where she studies under Professor Gregory Smith, graduating in 1911. She follows her BA with first class honours in English with a master’s degree, and in 1919 enrolls in Somerville College, Oxford, to study for her doctorate. A traveling scholarship from Lady Margaret Hall in 1923 allows her to conduct research in Paris. It is at this time that she meets her life-long friend, Maude Clarke.

Waddell is best known for bringing to light the history of the medieval goliards in her 1927 book The Wandering Scholars, and translating their Latin poetry in the companion volume Medieval Latin Lyrics. A second anthology, More Latin Lyrics, is compiled in the 1940s but not published until after her death. Her other works range widely in subject matter. For example, she also writes plays. Her first play is The Spoiled Buddha, which is performed at the Opera House, Belfast, by the Ulster Literary Society. Her The Abbe Prevost is staged in 1935. Her historical novel Peter Abelard is published in 1933. It is critically well received and becomes a bestseller.

Waddell also writes many articles for the Evening Standard, The Manchester Guardian and The Nation, and does lecturing and broadcasting.

Waddell is the assistant editor of The Nineteenth Century magazine. Among her circle of friends in London, where she is vice-president of the Irish Literary Society, are William Butler Yeats, Virginia Woolf, Rose Macaulay, Max Beerbohm and George William Russell. Her personal and professional friendship with Siegfried Sassoon apparently makes the latter’s wife suspicious. Although she never marries, she has a close relationship with her publisher, Otto Kyllmann of Constable & Company.

Waddell receives honorary degrees from Columbia, Belfast, Durham and St. Andrews and wins the Benson Medal of the Royal Society of Literature.

A serious debilitating neurological disease puts an end to her writing career in 1950. She dies in London on March 5, 1965 and is buried in Magherally churchyard, County Down, Northern Ireland. A prize-winning biography of her by the Benedictine nun Dame Felicitas Corrigan is published in 1986.


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Death of Playwright John Brendan Keane

john-brendan-keaneJohn Brendan Keane, playwright, novelist and essayist, dies in Listowel, County Kerry on May 30, 2002.

Keane is born on Church Street in Listowel on July 21, 1928, the son of a national school teacher, William B. Keane, and his wife Hannah (née Purtill). He is educated at Listowel National School and then at St. Michael’s College, Listowel. He works as a chemist’s assistant for A.H. Jones who dabbles in buying antiques. He has various jobs in the UK between 1951 and 1955 working as a street cleaner and a bartender, living in a variety of places including Northampton and London. It is while he is in Northampton that Keane is first published in an unnamed women’s magazine for which he receives £15.

After returning from the United Kingdom, Keane is a pub owner in Listowel from 1955.

Keane marries Mary O’Connor at Knocknagoshel Church on January 5, 1955 and they have four children: Billy, Conor, John and Joanna. He is an Honorary Life Member of the Royal Dublin Society from 1991, serves as president of Irish PEN and is a founder member of the Society of Irish Playwrights as well as a member of Aosdána. He is named the patron of the Listowel Players after the Listowel Drama Group fractures. He remains a prominent member of the Fine Gael party throughout his life, never being shy of political debate.

Keane cites many literary influences including Bryan MacMahon and George Fitzmaurice, fellow Kerry writers and playwrights. His personal influences are numerous but, most notably he thanks his father and his wife, Mary. He is grateful for his father’s help with early editing, allowing him access to his personal library, and encouraging him to continue his work until he is successful. He is also influenced by the local population and the patrons of his pub from which he bases some of his characters.

Keane dies on May 30, 2002 of complications from prostate cancer, which he had been battling for eight years. His death comes on the eve of the annual Listowel Writers’ Festival, a week-long event at which he had long been a dominating and avuncular presence.

Keane’s nephew is the investigative journalist Fergal Keane. His son John is a journalist with the Kilkenny People while his son Billy regularly writes a column for the Irish Independent.


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Founding of the Irish Socialist Republican Party

james-connollyThe Irish Socialist Republican Party, a small, but pivotal Irish political party, is founded on May 29, 1896 by James Connolly. Its aim is to establish an Irish workers’ republic. The party splits in 1904 following months of internal political rows.

The party is small throughout its existence. According to the ISRP historian David Lynch, the party never has more than 80 members. Upon its founding one journalist comments that the party has more syllables than members. Nevertheless, the ISRP is regarded by many Irish historians as a party of seminal importance in the early history of Irish socialism and republicanism. It is often described as the first socialist and republican party in Ireland, and the first organisation to espouse the ideology of socialist republicanism on the island. During its lifespan it only has one really active branch, the Dublin branch. There are several attempts to create branches in Cork, Belfast, Limerick, Naas, and even in northern England but they never come to much. The party establishes links with feminist and revolutionary Maud Gonne who approves of the party.

The party produces the first regular socialist paper in Ireland, the Workers’ Republic, runs candidates in local elections, represents Ireland at the Second International, and agitates over issues such as the Boer War and the commemorations of the Irish Rebellion of 1798. Politically the ISRP is before its time, putting the call for an independent “Republic” at the centre of its propaganda before Sinn Féin or other political organizations.

A public meeting held by the party is described in Irish socialist playwright Sean O’Casey‘s autobiography Drums under the Window.

Connolly, who is the full-time paid organiser for the party, subsequently leaves Ireland for the United States in 1903 following internal conflict. In fact, it seems that a combination of the petty infighting and his own poverty that causes Connolly to abandon Ireland (he returns in 1910). Connolly clashes with the party’s other leading light, E. W. Stewart, over trade union and electoral strategy. A small number of members around Stewart establish an anti-Connolly micro organisation called the Irish Socialist Labour Party. In 1904, this merges with the remains of the ISRP to form the Socialist Party of Ireland.


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Birth of Thomas Moore, Poet, Satirist & Composer

thomas-moore

Thomas Moore, poet, satirist, composer, and political propagandist, is born in Dublin on May 28, 1779. He is best remembered for the lyrics of “The Minstrel Boy” and “The Last Rose of Summer.” He is a close friend of Lord Byron and Percy Bysshe Shelley. As Lord Byron’s named literary executor, along with John Murray, Moore is responsible for burning Lord Byron’s memoirs after his death. In his lifetime he is often referred to as Anacreon Moore.

The son of a Roman Catholic wine merchant, Moore graduates from Trinity College, Dublin, in 1799 and then studies law in London. His major poetic work, Irish Melodies (1807–34), earns him an income of £500 annually for a quarter of a century. It contains such titles as “The Last Rose of Summer” and “Oft in the Stilly Night.” The Melodies, a group of 130 poems set to the music of Moore and of Sir John Stevenson and performed for London’s aristocracy, arouses sympathy and support for the Irish nationalists, among whom Moore is a popular hero.

Lalla-Rookh (1817), a narrative poem set in an atmosphere of Oriental splendour, gives Moore a reputation among his contemporaries rivaling that of Byron and Sir Walter Scott. It is perhaps the most translated poem of its time, and it earns what was until then the highest price paid by an English publisher for a poem (£3,000). His many satirical works, such as The Fudge Family in Paris (1818), portray the politics and manners of the Regency era.

In 1824 Moore becomes a participant in one of the most celebrated episodes of the Romantic era. He is the recipient of Byron’s memoirs, but he and the publisher John Murray burn them, presumably to protect Byron. He later brings out the Letters and Journals of Lord Byron (1830), in which he includes a life of the poet. His lifelong espousal of the Catholic cause leads him to produce such brilliant works as his parody of agrarian insurgency, The Memoirs of Captain Rock (1824), and his courageous biography of the revolutionary leader of the 1798 rebellion, The Life and Death of Lord Edward Fitzgerald (1831).

Moore’s personal life is dogged by tragedy including the deaths of all five of his children within his lifetime and a stroke in later life, which disables him from performances, the activity for which he is most renowned. Moore dies while being cared for by his wife, Elizabeth (nee Dyke), at Sloperton Cottage, Bromham, Wiltshire, England on February 26, 1852. His remains are in a vault at St. Nicholas churchyard, Bromham, within view of his cottage-home and beside his daughter Anastasia.

(Pictured: Thomas Moore, after a painting by Thomas Lawrence)


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The Battle of Oulart Hill

battle-of-oulart-hillThe Battle of Oulart Hill takes place on May 27, 1798 when a rebel gathering of between 4,000 and 5,000 massacre a detachment of 110 militia sent from Wexford town to stamp out the spreading rebellion in County Wexford.

When news of the long expected rising on May 23 of the Society of United Irishmen in the midlands reaches County Wexford, it is already in an unsettled condition due to fears brought by the recently instituted anti-insurgent disarmament campaign in the county. The measures used included pitchcapping, half-hanging, and house burnings to uncover rebel conspirators. The recent arrival in Wexford of the North Cork Militia, who are notorious for their brutality in the “pacification” of Ulster, terror raids by local yeomen and finally news of the massacres at Dunlavin Green, Carlow and Carnew, have the effect of drawing people together in large groups for security, especially at night.

One such group of one hundred or so gather on the evening of May 26 at The Harrow, near the parish of Boolavogue under the tutelage of Fr. John Murphy, when they encounter a patrol of about 20 yeomen on their way to the house of a suspected rebel. They burn the suspect’s dwelling but, returning empty-handed, they encounter Fr. Murphy’s band again. The patrol are pushing their way through when a skirmish begins in which they lose two of their number, the rest fleeing with news of the killings.

The reaction on both sides is rapid. Vengeful yeomanry patrols roam, burning and killing indiscriminately, while the rebels rouse the countryside and make several raids on manors and other houses holding arms, killing more loyalists and yeomen. News of the skirmish and raids has by now reached Wexford town and, on the morning of May 27, the bulk of its garrison, 110 of the North Cork militia under Colonel Foote, are ordered north to crush the nascent rebellion. They are joined en route by some 16 yeomen cavalry under Colonel Le Hunt. However, these yeomanry are of doubtful loyalty, many (including their sergeant) having joined the rebels that morning.

The militia reaches the village of Oulart at 2:00 PM on May 27. Finding a mass of “from four to five thousand combatants” occupying the high ground of Oulart hill, they rashly advance and pursue the rebels to the summit. The rebel leaders mistakenly believe a large body of yeoman cavalry is waiting to intercept their flight, so their forces desperately turn to face their enemy and kill the whole detachment in an instant, leaving only the commanding officer, Colonel Foote, and four other survivors to escape to their base at Wexford.

Foote reports that, contrary to his orders, the militia had advanced incautiously and were surrounded and overpowered by the overwhelming rebel numbers, mostly armed with pikes, and that “great numbers” of the rebels were killed.

Following the rebel victory, almost all of North Wexford joins the rebellion. Crown forces and loyalist civilians cede control of the countryside, withdrawing to towns such as Enniscorthy, Gorey and Wexford.

(Pictured: The Battle of Oulart Hill by Fr. Edward Foran OSA (1861-1938) who also designed the 1898 Monument in Oulart Village)


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The Battle of the Hill of Tara

battle-of-tara-hillThe Battle of the Hill of Tara is fought on the evening of May 26, 1798 between British forces and Irish rebels involved in the Irish Rebellion of 1798, resulting in a heavy defeat for the rebels and the end of the rebellion in County Meath.

Following the outbreak of the rebellion, signaled in Meath by the prearranged signal of the ceasing of a mail coach near Turvey hill, road blocks are posted on the Navan road. Members of the Society of United Irishmen and rebels in Meath begin to assemble at the Hill of Tara. Tara is chosen as it provides strategic control of road access to the capital of Dublin and cultural significance as the former seat of the High Kings of Ireland. Between 4,000-7,000 rebels gather at the hill. Following the outbreak of the rebellion on May 23, there are incidents of violent encounters throughout the countryside as rallying rebels make their way to Tara.

Picking up yeomanry reinforcements along the way, the combined fencible, yeoman and militia force forms up at the bottom of the hill in advance of the attack on the rebels who have established a large camp on the hill. The lack of any cannon or cavalry places the rebels at a great disadvantage despite their numbers. Disciplined volley fire and flanking cavalry action combined with withering grapeshot delivered from a 6 pounder cannon drive the rebels to within the graveyard walls at the summit. There, at dusk, the rebels make their last stand on the hill until a final grenadier assault finishes them.

The loss to the fencibles, yeomen and militia is minimal. However rebel casualties have estimates running from several hundred to several thousand dead and many wounded. Many bodies are removed during the night of the 26th and 350 dead are counted still lying on the battlefield the following day. Witnesses to the burial recollect many more bodies of those rebels who died of their wounds during the night being collected from the surrounding countryside in carts. It is noted by the witnesses that the bodies are universally disembowelled by the victors. The dead are buried in a mass grave marked by the Lia Fáil stone which is moved to mark the burial site. The defeat effectively ends the United Irishmen’s rising in Meath.

(Pictured: The high cross at the site of the Battle of the Hill of Tara, County Meath)


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The Battle of Carlow

battle-of-carlow-monumentThe Battle of Carlow takes place in Carlow, County Carlow on May 25, 1798 when Carlow rebels rise in support of the Irish Rebellion of 1798 which had begun the day before in County Kildare.

The Society of United Irishmen organisation in Carlow, led by a young brogue-maker named Mick Heydon who had taken over the leadership following the arrest of the previous leader, Peter Ivers, who was arrested with several other leading United Irishmen at Oliver Bond‘s house in March of that year, assemble on the night of May 24 and set off at dawn to attack the county town. Picking up more volunteers along the way, their numbers swell to around 1,200 and they march completely unopposed.

The attack on the town is planned to take place simultaneously from four different directions, through the four main streets. All are to converge on Potato Market.

As the various contingents advance, they are unaware that Colonel Mahon of the Ninth Dragoons has the military in the barracks and the town on the highest alert. Their every move is known to him. A strong party of military is stationed in the court house, which is now known as the Deighton Hall, situated immediately to the north of the bridge across the River Burren. Another party with two small cannon are stationed on the bridge. On Graigue bridge, there is an officer’s guard of yeomen. In Dublin Street and to the north, well-armed loyalists fill some large strong houses, but without military support, as the attack is known to be weak from that quarter. Tullow Street is left open and to all appearances undefended against what is expected to be the strongest attack of all. The trap is laid.

When the Rebels enter the town of Carlow they are joined not only by the Catholic inhabitants but also by people who have secretly arrived there during the previous day and night. A crowd of approximately two hundred people break away and march through Tullow Street but when they reach Potato Market their fortunes change.

The forewarned garrison had prepared a deadly ambush, posting men at every window and rooftop. As the rebels relax after their apparently easy victory, the concealed soldiers pour volley after volley of gunfire into the masses of exposed rebels. Taken completely by surprise, the shocked and poorly armed rebels break and flee only to run into another army ambush. The survivors try to escape by breaking through adjoining houses and cabins which are set afire by the pursuing soldiers causing the deaths of 200 of the inhabitants.

In the meantime, the County Laois Rebels, on their way to aid the Carlow rebels having heard mixed reports of the battle and hearing the fate of their comrades, decide it is too late to help and change their plans. They are led by men called Redmond and Brennan. They proceed to Ballickmoyler instead, some miles outside Carlow in County Laois and there they set fire to many loyalist houses and attack the home of John Whitty, a Protestant clergyman. Twenty-one of the Rebels are killed in the fray but despite this they eventually overcome the loyalist inhabitants.

An estimated 500 rebels and civilians are killed in the streets of the town with no reported losses to the military. Another 150 are executed in the repression over the following ten days. A local man who becomes known as “Paddy the Pointer” is reported to have helped to identify escaped rebels to the military by riding around the town and pointing them out.

A memorial, pictured above, is located at Carlow-Graigue, or Graigue-Cullen as it is now known, where remains of many of those who perished that day were flung into a mass grave.


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Birth of Creighton Hale, Irish American Actor

creighton-haleCreighton Hale, Irish American theatre, film, and television actor, is born Patrick Fitzgerald on May 24, 1882 in County Cork. His career extends more than a half-century, from the early 1900s to the end of the 1950s.

Hale is educated in Dublin and London, and later attends Ardingly College in Sussex. He immigrates to the United States in his early twenties, traveling with a troupe of actors. While starring in Charles Frohman‘s Broadway theatre production of Indian Summer, he is spotted by a representative of the Pathé film company. He eventually becomes known professionally as Creighton Hale, although the derivation of those names remains unknown. His first movie is The Exploits of Elaine in 1914. He stars in hit films such as Way Down East, Orphans of the Storm, and The Cat and the Canary.

Some believe that in 1923 Hale stars in an early pornographic “stag” film On the Beach (a.k.a. Getting His Goat and The Goat Man). In the film, three nude women agree to have sex with him, but only through a hole in a fence. Photographs of the scene clearly show that the man in the film is not Hale, but is another actor who also wears glasses.

When talkies come about, Hale’s career declines. He makes several appearances in Hal Roach‘s Our Gang series including School’s Out, Big Ears and Free Wheeling, and also plays uncredited bits in major talking films such as Larceny, Inc., The Maltese Falcon, and Casablanca.

Hale’s two sons, Creighton Hale, Jr. and Robert Lowe Hale, from his first marriage to Victoire Lowe, are adopted by Lowe’s second husband, actor John Miljan. After his divorce, Hale marries Kathleen Bering in Los Angeles in 1931.

Creighton Hale dies in South Pasadena at the age of 83 on August 9, 1965. He is buried at Duncans Mills Cemetery in Duncan Mills, Sonoma County, California.


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Birth of William Drennan, Physician, Poet & Political Radical

william-drennanWilliam Drennan, physician, poet and political radical, is born on May 23, 1754 in Belfast. He is one of the chief architects of the Society of United Irishmen and is known as the first to refer in print to Ireland as “the emerald isle” in his poem When Erin first rose.

Drennan is son the son of Reverend Thomas Drennan (1696–1768), minister of Belfast’s First Presbyterian Church on Rosemary Street. Thomas Drennan is an educated man from the University of Glasgow and is ordained to the congregation of Holywood, County Down in 1731. Drennan is heavily influenced by his father, whose religious convictions serve as the foundation for his own radical political ideas. His sister, Martha, marries fellow future United Irishman Samuel McTier in 1773.

In 1769 Drennan follows in his father’s footsteps by enrolling in the University of Glasgow where he becomes interested in the study of philosophy. In 1772 he graduates in arts and then in 1773 he commences the study of medicine at Edinburgh. After graduating in 1778 he sets up practice in Belfast, specialising in obstetrics. He is credited with being one of the earliest advocates of inoculation against smallpox and of hand washing to prevent the spread of infection. He also writes much poetry, coining the phrase “Emerald Isle” and is the founder and editor of a literary periodical, Belfast Magazine. He moves to Newry in 1783 but eventually moves to Dublin in 1789 where he quickly becomes involved in nationalist circles.

Like many other Ulster Presbyterians, Drennan is an early supporter of the American Colonies in the American Revolution and joins the Volunteers who had been formed to defend Ireland for Britain in the event of French invasion. The Volunteer movement soon becomes a powerful political force and a forum for Protestant nationalists to press for political reform in Ireland eventually assisting Henry Grattan to achieve legislative independence for the Irish parliament in 1782. However Drennan, like many other reformers, quickly becomes dismayed by the conservative and sectarian nature of the Irish parliament and in 1791 he co-founds the Society of United Irishmen with Wolfe Tone and Thomas Russell.

Drennan writes many political pamphlets for the United Irishmen and is arrested in 1794 for seditious libel, a political charge that is a major factor in driving the United Irishmen underground and into becoming a radical revolutionary party. Although he is eventually acquitted, he gradually withdraws from the United Irishmen but continues to campaign for Catholic Emancipation.

On February 8, 1800, Drennan marries Sarah Swanwick, “an English lady of some wealth” from Shropshire. They have one daughter and four sons.

Drennan settles in Belfast in 1807. In 1810 he co-founds the non-denominational Royal Belfast Academical Institution. As a poet, he is best remembered for his poem The Wake of William Orr, written in memory of a United Irishman executed by the British. Despite his links with revolutionary republicans, he gradually becomes alienated from the post-Union nationalism of the period. His abiding concern for Liberalism and post union realities make him contemplate his political ideas anew.

Drennan dies on February 5, 1820. He directs that his coffin be carried by an equal number of Catholics and Protestants with clergy from different denominations in attendance.

Drennan’s son, John Swanwick Drennan, is a noted poet who, along with his brother William Drennan, write a biography of him for Richard Davis Webb‘s A Compendium of Irish Biography. Through his daughter Sarah, who marries John Andrews of a prominent family of flax merchants, he has several notable descendants, including William Drennan Andrews, judge of the High Court of Justice in Ireland, Sir James Andrews, 1st Baronet, Lord Chief Justice of Northern Ireland, John Miller Andrews, Prime Minister of Northern Ireland, Thomas Andrews who drew up the plans for the RMS Titanic and was aboard and drowned when she sank, and Thomas Drennan, performance artist known primarily for his seminal work ‘Journey to the Centre of Drennan.’


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Death of Novelist Maria Edgeworth

maria-edgeworthMaria Edgeworth, Anglo-Irish writer known for her children’s stories and for her novels of Irish life, dies on May 22, 1849 in Edgeworthstown, County Longford.

Edgeworth is born at Black Bourton, Oxfordshire, England on January 1, 1768. She is the second child of Richard Lovell Edgeworth and Anna Maria Edgeworth (née Elers). She spends her early years with her mother’s family in England, until her mother’s death when Maria is five. When her father marries his second wife Honora Sneyd in 1773, she goes with him to his estate, Edgeworthstown, in County Longford. There, she assists her father in managing his estate. In this way she acquires the knowledge of rural economy and of the Irish peasantry that is to become the backbone of her novels.

Domestic life at Edgeworthstown is busy and happy. Encouraged by her father, Edgeworth begins her writing in the common sitting room, where the 21 other children in the family provide material and audience for her stories. She publishes them in 1796 as The Parent’s Assistant. Even the intrusive moralizing, attributed to her father’s editing, does not wholly suppress their vitality, and the children who appear in them, especially the impetuous Rosamond, are the first real children in English literature since William Shakespeare.

Her first novel, Castle Rackrent (1800), written without her father’s interference, reveals her gift for social observation, character sketch, and authentic dialogue and is free from lengthy lecturing. It establishes the genre of the “regional novel,” and its influence is enormous. Sir Walter Scott acknowledges his debt to Edgeworth in writing Waverley. Her next work, Belinda (1801), a society novel unfortunately marred by her father’s insistence on a happy ending, is particularly admired by Jane Austen.

Edgeworth never marries. She has a wide acquaintance in literary and scientific circles. Between 1809 and 1812 she publishes her Tales of Fashionable Life in six volumes. They include one of her best novels, The Absentee, which focuses attention on a great contemporary abuse in Irish society: absentee English landowning.

Before her father’s death in 1817 she publishes three more novels, two of them, Patronage (1814) and Ormond (1817), of considerable power. After 1817 she writes less. She completes her father’s Memoirs (1820) and devotes herself to the estate. She enjoys a European reputation and exchanges cordial visits with Scott. Her last years are saddened by the Irish famine of 1846, during which she works for the relief of stricken peasants.

After a visit to see her relations in Trim, Maria, now in her eighties, begins to feel heart pains and dies suddenly of a heart attack in Edgeworthstown on May 22, 1849. She is laid to rest in a vault at Edgeworthstown Church.

The feminist movement of the 1960s leads to the reprinting of her Moral Tales for Young People, 5 vol. (1801) and Letters for Literary Ladies (1795) in the 1970s. Her novels continue to be regularly reprinted in the 21st century.

(Pictured: Maria Edgeworth by John Downman, 1807)