Hogan’s father is a wheelwright and musician who also crafts flutes and fiddles, instruments Hogan himself plays. He and his family endure the hardships of the Great Famine (1845–1852), an experience he later reflects upon in his poetry. In his youth, he works at Russell’s Mill and Lock Quay, later joining Limerick Corporation. In 1858, he marries Ann Lynch, with whom he has no children.
Hogan’s first poems appears in Irish language newspapers such as The Anglo-Celt, The Irishman, The Nation, The Munster News, and the Limerick Leader. His debut collection, Lays and Legends of Thomond, is published in Limerick in 1861, with a larger Dublin edition in 1867. He also gains fame for a series of satirical poems lampooning prominent Limerick figures, which achieves enormous circulation and causes a sensation at the time. A new edition of his Lays and Legends is published in Dublin in 1880.
In September 1886, Hogan emigrates to New York, where, already hampered by failing eyesight, he fails to make a living for himself as a poet and soon finds himself in financial difficulties. Having received assistance from friends in Limerick, he returns to Ireland in 1889.
Hogan dies on April 19, 1899, at Limerick and is buried in Mount St. Lawrence Cemetery.
Hogan’s work remains a significant part of Irish literary history. In 2005, a life-size statue (pictured) of him is erected at King John’s Castle Plaza in Limerick to honor his memory.
In 1880, while living in Bordentown, New Jersey, Parnell becomes active in fundraising for the Land League in the United States. Her 1880 pamphlet The Hovels of Ireland explains the Irish land crisis to American audiences, and she also works for the Famine Relief Fund in New York.
By October 1880, Parnell has taken the initiative to launch a Ladies’ Land League in New York. This is an auxiliary group aimed at supporting the Irish National Land League’s work, especially after its leaders become at risk of imprisonment. The New York committee she sets up is part of a broader plan by Michael Davitt to ensure the movement can continue if male leaders are jailed. Davitt and the League’s treasurer, Patrick Egan, later persuade the Central Committee to formally establish the Ladies’ Land League in Dublin on January 31, 1881, with Anna Parnell as its first president.
The Ladies’ Land League quickly becomes the first political association of Irish women, organizing branches in Ireland, Britain, the United States, Canada, Australia, and New Zealand. They maintain a detailed “Book of Kells” register of estates, tenants, and evictions, and provide financial and material aid to evicted tenants, including erecting prefabricated huts when possible. Their work is both political and humanitarian, challenging gender norms while maintaining a public image of respectability.
Fanny Parnell’s October 1880 launch in New York is thus a key early step in mobilizing Irish American women for the Land War, laying the groundwork for the League’s transnational activism and its role in sustaining the movement during its most turbulent years.
Sullivan is the son of Michael Sullivan from Abbeydorney, County Kerry, and Catherine Kelly from Drum, County Roscommon. He attends public schools in his native Boston, attending the Dwight Grammar School and performing well academically. His parents aspire for their son to enter the priesthood as a Catholic priest. To this end he enrolls at Boston College, but his passion for sports leads him to abandon formal education for professional baseball and later boxing. He quickly gains a reputation for raw power and aggression, earning the nickname “The Boston Strong Boy” during exhibition tours.
Sullivan holds the gloved heavyweight title from 1882 to 1892, with a record of 41–1–3 and 33 knockouts.
Sullivan’s fights are widely covered by newspapers, helping to launch modern sports journalism in the United States. He is one of the highest-paid athletes of his era, earning over $75,000 for a single bout. His “I can lick any man in the house” challenge becomes a symbol of Irish American defiance and determination.
After retiring in 1892, Sullivan opens the John L. Sullivan’s Theatre in New York City. He marries Annie Bates Lord in 1883 and has one daughter, Helen. He struggles with alcohol after his defeat to James J. Corbett in 1892 but later lectures against alcoholism. He dies at the age of 59 on February 2, 1918, in Abington, Plymouth County, Massachusetts. He is buried at Mount Calvary Cemetery in Roslindale, Suffolk County, Massachusetts.
Sullivan’s career transforms boxing from an underground, often illegal pastime into a national spectacle. He remains a cultural icon, celebrated in literature, film, and sports history.
O’Connell is one of eleven children of farmer John O’Connell and Mary Ann O’Connell (née O’Sullivan). She is educated in County Kerry, and emigrates to Chicago in 1904 where she trains to be a secretary. She leaves a well-paid commercial job in 1912 to become secretary to the American delegation of the Gaelic League in New York City. She works closely with Thomas Ashe and Diarmuid Lynch on fund-raising and handles their secret Irish Republican Brotherhood (IRB) correspondence. She returns to Ireland briefly in 1915 to attend the Gaelic League Oireachtas na Gaeilge and ardfheis, voting in favour of the politicisation of the organisation. During the same visit she brings money and messages to the Irish Volunteers from John Devoy. She attends the New York Irish Race Convention, going on to work for the Friends of Irish Freedom. In this position she organises and collects for the “victory fund” for Irish independence. She is also a typist for Clan na Gael. After the 1916 Easter Rising, she becomes a member of Cumann na mBan in the United States, raising money for the widows and children of those killed or wounded during the Rising. It is through this work that she becomes a close friend of Arthur Griffith and his family.
Éamon de Valera requests that O’Connell join his “consular staff” on October 2, 1919, to support his tour of the United States. She works closely with him during this tour, traveling with him, assisting with speeches and dealing with his private and public correspondence. She is privy to secrets of the independence movement due to handling Harry Boland‘s correspondence as well. In November 1920, she returns to Ireland with de Valera and goes into hiding immediately. From February 1921 she lives at his secret headquarters at Strand Road, living in dangerous conditions until a truce is called in the Irish War of Independence. After this she lives with de Valera at Dr. Farnan’s house at Merrion Square and later in Blackrock. On June 22, 1921, she is arrested with him, and they are both released the next day. She is a member of the delegation that meets David Lloyd George in July 1921, and shares de Valera’s opposition to the Anglo-Irish Treaty. She joins de Valera and her sister Teresa in Suffolk Street in June 1922 when the Irish Civil War breaks out.
When fighting ends in Dublin in July 1922, she travels south, working closely with Dorothy Macardle, Robert Brennan, and Erskine Childers establishing a publicity department and publishing Poblacht na hÉireann. In September 1922, she returns to Dublin, and goes into hiding at 11 Upper Mount Street. She is a loyal follower of de Valera throughout the civil war, and is present at his arrest in Ennis in August 1923. She acts as his messenger and agent during his imprisonment, working with him on an Irish translation of shorthand which they later abandon. During this time she also works for the Sinn FéinTD for Mayo NorthP. J. Ruttledge.
O’Connell is present at the first meeting of the provisional organising committee of de Valera’s new political party, Fianna Fáil. During this time she continues to travel with de Valera, nationally and internationally. There are rumours regarding the nature of their relationship, leading to de Valera vehemently denying any impropriety in Dáil Éireann in 1928. The letter between O’Connell and de Valera’s wife, Sinéad, are cited as evidence there is no intimate relationship between O’Connell and de Valera. She resigns from her permanent civil service position of personal secretary to the Taoiseach when de Valera is defeated in 1948, returning in 1951 when he regains power. For her involvement in the Irish War of Independence, she is awarded an Irish military pension.
Colles is born in Dublin around 1739. He emigrates to the American colonies before the American Revolutionary War, where he becomes known for his skills in engineering, surveying, and mathematics. His education and early interests equip him for projects requiring practical application of technical knowledge in a colonial context.
Colles is best remembered for his work in designing and constructing water supply systems, such as aqueducts and canals. In New York City, he proposes plans to improve the city’s water distribution, anticipating modern municipal water infrastructure.
Colles also works extensively as a surveyor and cartographer. One of his major projects is a comprehensive survey of roads, settlements, and natural features across parts of New York State, aimed at promoting economic development and providing practical maps for settlers and entrepreneurs. These maps are notable for their detail and practical utility in an era when accurate geographic information is scarce.
In addition to engineering, Colles is an innovator in education and public information. He seeks to publish a tourist map of New York State, combining cartographic detail with travel guidance. Later in life, he develops ideas for mechanical inventions, such as improvements to water-lifting devices and surveying instruments, although many of his designs remain conceptual or are implemented only on a limited scale.
Colles is remembered as a forward-thinking engineer who attempted to bring systematic planning and technological innovation to the early United States. His work in surveying and water systems helped lay the groundwork for later infrastructural developments and inspired future engineers. Despite facing financial difficulties and limited recognition during his lifetime, his contributions reflect the blend of practical engineering and visionary thinking that characterized American technical pioneers of his era.
Colles’s maps and published plans remain valuable records of early American geography and urban planning, illustrating both the challenges and ambitions of post-colonial infrastructure development.
McCarthy’s early career was meteoric: his first book, An outline of Irish history from the earliest times, appears in 1883 and is a fast-moving, strongly worded, nationalist sketch of Irish history. This is followed by a heavy-handed dramatic poem, Serapion (1883), about the early Christian era. In June of the following year he is returned as the Home Rule LeagueMP for Athlone on the death of the sitting member, and also publishes, to excellent reviews, England under Gladstone, which runs to a second edition within a year. In November 1884, his first play, The Candidate, is an overnight success in the Criterion Theatre in London. Its plot is thin but the humour and political badinage ensures it a long run.
At the 1885 United Kingdom general election McCarthy is elected nationalist MP for Newry, and he holds this seat until 1892. In the two years after his election he writes a number of novels, translates works from Persian, and writes Ireland Since the Union (1887), which is well researched, nationalist and impassioned in tone, showing a flair for biographical sketches. During this period he is known for his good attendance in the House of Commons though he does not speak much – throughout his life he is more an observer than a participator – and he is said by William O’Brien to conceal “under the gentlest of exteriors the fire of the ‘Spirit of the Nation’ ballad” (New Ireland Review, 523). In London he is well known for his controversial drama reviews in The Gentleman’s Magazine and the Sunday Sun, and in Dublin for his numerous verse and prose contributions to United Ireland. Although he makes a name for himself as a brilliant young man, he never fulfills his early promise.
In later years McCarthy continues to publish prolifically but produces only ephemeral works, and his parliamentary attendance slackens off. His political commitment is soured possibly by the party’s split in 1890. He originally sides with Charles Stewart Parnell, emphasizing in a speech on December 1, 1890, that he believes in the old-fashioned theory of personal loyalty to a leader. However, five days later he causes a minor drama by rising at the last minute to follow his father and the forty-three other anti-Parnellites, claiming that he feels he must abide by the decision of the majority. Two years later he leaves politics for good without standing in the 1892 United Kingdom general election. A sympathetic profile of him in the New Ireland Review in 1894 remarks that “no man of equal talents made so slight an impression on the political world.”
Thereafter McCarthy has less involvement in Irish affairs and writes no more Irish history books, though his novels continue to have Irish themes. He lives in London in Putney Common, and continues to travel widely. In 1894, he marries in some haste a popular comic actress, Cecilia Loftus, and the event is widely reported in the English press. However, the marriage is dissolved in the United States five years later. In 1908, his second marriage is to Loullie, daughter of Henry Killick of Budapest. He continues to enjoy success as a dramatist and has five plays, four sketches, and three duologues performed in London in the 1890s. However, he concentrates increasingly on historical fiction, which he produces at breakneck speed. In the first decade of the twentieth century he writes over twelve novels based on periods in English, Italian, French, and Irish history. The Illustrious O’Hagan (1906), The O’Flynn (1910), and The King Over the Water (1911) pointedly contradict English stereotypes of the “stage Irishman.” The Fair Irish Maid (1911) is an allegory of the Irish Parliamentary Party‘s political marriage to the ordinary Irish people rather than to the Anglo-Irishascendancy.
McCarthy dies at home in Putney on March 20, 1936 aged 79, although his obituaries all put his age at 75.
(From: “McCarthy, Justin Huntly” by Bridget Hourican, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Brennan is the second of two children to Patrick Brennan of the Catholic parish of Beauparc and Catherine Brennan (née Rourke). Little is recorded of his early education, but he develops a reputation as an intelligent and articulate public speaker. At age 18, he begins working as a clerk at Murtagh Bros., a Dublin-based bakery, alongside his uncle James Rourke. Through his connections with Patrick Egan, he and his uncle join the Irish Republican Brotherhood (IRB) and become active in election campaigns and nationalist organizing.
By 1877–1878, Brennan has become the civil secretary of the Leinster IRB and honorary secretary of the Dublin Mechanics Institute. In 1879, he plays an instrumental role in establishing the Land League of Mayo, acting alongside Michael Davitt and Patrick Egan. When the Irish National Land League is formally founded in October 1879, Brennan is appointed assistant secretary, effectively helping manage the League’s operations and campaigns for tenant farmers.
Brennan is known for his eloquence at public rallies, often linking land agitation to Irish nationalist objectives and espousing radical, egalitarian ideas. During the Land League’s activities, he faces trial for encouraging non-payment of rent but is not convicted. He later takes on the duties of national secretary after Davitt’s arrest and authorizes the issuance of the “No Rent Manifesto” from Kilmainham Gaol in 1881, a pivotal document in Ireland’s land struggle.
Following internal shifts in Irish nationalist politics and limitations placed on his influence by Charles Stewart Parnell, Brennan emigrates to the United States. He works for Patrick Ford’s Irish World newspaper in New York City, critiquing aspects of the Irish Parliamentary Party (IPP) and emphasizing non-violent republican principles. By 1883, he settles in Omaha, Nebraska, partnering with Patrick Egan in the Omaha Mortgage Company, specializing in real estate, investment, and insurance. He becomes a respected businessman and seeks to maintain connections with the Irish American nationalist community.
Brennan never marries and eventually dedicates himself to business in Omaha. He passes away on December 19, 1912, in Omaha, Nebraska, having left a lasting impact on Irish land reform efforts and the nationalist movement. He is buried in Holy Sepulchre Cemetery in Omaha.
Brennan is remembered as a founder and key administrator of the Irish National Land League, a signatory of the “No Rent Manifesto,” and a prominent voice in the Irish republican movement. His advocacy helps shape the course of land reform in Ireland and fosters Irish nationalist sentiment both domestically and among the diaspora.
Sources confirm that his activism, speeches, and organizational skill were central to the Land League’s influence, and he remains a notable figure in 19th-century Irish political history.
Mitchel, a writer for The Nation and founder of his own journal, United Irishman, openly preaches rebellion against England. Convicted of treason in 1848, he is sentenced to fourteen years transportation in Van Diemen’s Land (Tasmania). In 1853, he escapes to the United States, where he publishes his Jail Journal. While in the United States, he is editor of the Richmond Examiner and a strong advocate of Confederate rights and champions slavery. He is imprisoned for several months following the end of the American Civil War.
Mitchel’s return visit to Ireland is prompted by political developments in the Irish Parliamentary Party (IPP), which has nominated him for seats in Cork City and Tipperary without informing him. His well-known skepticism toward constitutional “moral force” agitation makes it uncertain whether he will accept the nomination, but the nomination proceeds anyway.
Mitchel’s return is unexpected, yet is met with public acclaim. Upon arriving in Queenstown (now Cobh, County Cork), he is met by a large crowd, and when he reaches Cork, a procession of ten thousand people escorts him to his hotel. This demonstrates the respect and support he still commands among Irish nationalists, despite his exile in the United States since 1853.
Mitchel then goes to Newry, his native town, where he stays for a few months to recuperate his health and await any opportunity to be elected to Parliament. However, no parliamentary vacancy arises during his stay, and he eventually returns to New York City in October 1872.
Mitchel’s return is part of a pattern of political activity in his later years. In 1875, he is again nominated for Tipperary, elected without opposition, and declared an abstentionistMP — but his election is overturned by the British government on the grounds of his previous felony conviction. He dies in March 1875 in Dromolane, County Down, in the same house where he was born.
In summary, July 25, 1872, marks the beginning of a brief but politically charged visit to Ireland for John Mitchel, a figure remembered for his uncompromising republican stance and his role in the Young Ireland movement.
On July 14, 1910, the Irish Socialist Federation (ISF) in New York City hosts a farewell dinner for James Connolly, marking the end of his time as its leader. This event is a significant moment in his career, as he had been instrumental in founding the Federation on March 29, 1907, and has been its driving force in organizing Irish socialist and trade union activity in the United States.
By 1910, Connolly has been active in the socialist movement in the United States for several years. He initially joins the Socialist Labor Party of America but becomes a full-time organizer for the Industrial Workers of the World (IWW) from 1905 to 1910, aligning with its syndicalist approach. His work with the Irish Socialist Federation has been central to building a network of Irish workers in America, linking them to socialist principles and Irish nationalist aspirations.
The July 14, 1910, dinner is a public acknowledgment of Connolly’s contributions and a symbolic send-off as he prepares to return to Ireland. Upon his return, he takes on a major role in the Irish Transport and General Workers Union (ITGWU), first in Belfast and then in Dublin, and later becomes acting General Secretary and Commandant of the Irish Citizen Army (ICA).
The political and labor impact of the event underscores Connolly’s growing influence in both the Irish socialist movement abroad and the domestic labor struggle. It reflects the Federation’s commitment to supporting Irish socialist leaders and their work in the United States and Ireland. It is also remembers as a key moment in Connolly’s transition from U.S. organizer to a central figure in the Irish labor and republican movements.
In short, the July 14, 1910, farewell dinner is both a personal farewell and a political milestone, highlighting Connolly’s role as a bridge between Irish socialism in the United States and the emerging labor and republican movements in Ireland.
Sheridan begins exhibiting in the late 1950s, participating in the annual Living Art exhibitions and the Biennale de Paris in 1960. He wins the Carroll Prize for Painting in 1965 and 1969. Initially focused on abstract landscapes, his work evolves to include conceptual, performance, and installation art, integrating multimedia elements. Notable works include Everybody Should Get Stones (1975) and On Reflection (2001).
Sheridan is also deeply engaged in the international art scene. He represents Ireland at the 1962 UNESCO Convention of Young Painters in Paris and contributes to avant-garde movements in Australia, including serving as the first Professor of Conceptual Arts in Sydney during the 1970s. He directs the Experimental Art Foundation in Adelaide from 1975 to 1980, introducing experimental and post-object art to Australian audiences.
From 1980 to 2002, Sheridan serves as Director of the National College of Art and Design (NCAD) in Dublin, with a four-year hiatus to direct the Perth Institute of Contemporary Arts in Australia. His leadership shapes art education in Ireland and helps modernize institutional structures, curricula, and multimedia practices.
Sheridan is also a member of Aosdána, an elite Irish association of artists, and a committee member of Rosc, an important art exhibition initiative in Ireland.
Sheridan’s early works consist of abstract and lyrical landscapes, which later expand to include conceptual and performance art, often engaging audience participation and multimedia formats. He is known for his wit, charisma, and generosity as both a teacher and an arts administrator, influencing a generation of artists in Ireland and Australia.
Sheridan’s art is represented in major institutions, including the Irish Museum of Modern Art and the Centro de Arte Moderna Gulbenkian in Lisbon, with numerous works having been sold at auction, achieving prices up to $7,624 USD for pieces like Window. Retrospectives of his work are held at the Royal Hibernian Academy in Dublin in 2001, accompanied by publications that compile his artistic philosophy and contributions.
Sheridan is married to Liz Murphy, and they have five children. His commitment to both art and education continues throughout his life until he dies on July 12, 2006, in Perth, Western Australia. Paul Durcan writes a poem in his honour after his death.
In summary, Sheridan’s career spans painting, performance, installation, and education. His innovative approach, international influence, and dedication to teaching and institutional development mark him as a pivotal figure in postwar and contemporary Irish art.
