Brennan is the second of two children to Patrick Brennan of the Catholic parish of Beauparc and Catherine Brennan (née Rourke). Little is recorded of his early education, but he develops a reputation as an intelligent and articulate public speaker. At age 18, he begins working as a clerk at Murtagh Bros., a Dublin-based bakery, alongside his uncle James Rourke. Through his connections with Patrick Egan, he and his uncle join the Irish Republican Brotherhood (IRB) and become active in election campaigns and nationalist organizing.
By 1877–1878, Brennan has become the civil secretary of the Leinster IRB and honorary secretary of the Dublin Mechanics Institute. In 1879, he plays an instrumental role in establishing the Land League of Mayo, acting alongside Michael Davitt and Patrick Egan. When the Irish National Land League is formally founded in October 1879, Brennan is appointed assistant secretary, effectively helping manage the League’s operations and campaigns for tenant farmers.
Brennan is known for his eloquence at public rallies, often linking land agitation to Irish nationalist objectives and espousing radical, egalitarian ideas. During the Land League’s activities, he faces trial for encouraging non-payment of rent but is not convicted. He later takes on the duties of national secretary after Davitt’s arrest and authorizes the issuance of the “No Rent Manifesto” from Kilmainham Gaol in 1881, a pivotal document in Ireland’s land struggle.
Following internal shifts in Irish nationalist politics and limitations placed on his influence by Charles Stewart Parnell, Brennan emigrates to the United States. He works for Patrick Ford’s Irish World newspaper in New York City, critiquing aspects of the Irish Parliamentary Party (IPP) and emphasizing non-violent republican principles. By 1883, he settles in Omaha, Nebraska, partnering with Patrick Egan in the Omaha Mortgage Company, specializing in real estate, investment, and insurance. He becomes a respected businessman and seeks to maintain connections with the Irish American nationalist community.
Brennan never marries and eventually dedicates himself to business in Omaha. He passes away on December 19, 1912, in Omaha, Nebraska, having left a lasting impact on Irish land reform efforts and the nationalist movement. He is buried in Holy Sepulchre Cemetery in Omaha.
Brennan is remembered as a founder and key administrator of the Irish National Land League, a signatory of the “No Rent Manifesto,” and a prominent voice in the Irish republican movement. His advocacy helps shape the course of land reform in Ireland and fosters Irish nationalist sentiment both domestically and among the diaspora.
Sources confirm that his activism, speeches, and organizational skill were central to the Land League’s influence, and he remains a notable figure in 19th-century Irish political history.
Mitchel, a writer for The Nation and founder of his own journal, United Irishman, openly preaches rebellion against England. Convicted of treason in 1848, he is sentenced to fourteen years transportation in Van Diemen’s Land (Tasmania). In 1853, he escapes to the United States, where he publishes his Jail Journal. While in the United States, he is editor of the Richmond Examiner and a strong advocate of Confederate rights and champions slavery. He is imprisoned for several months following the end of the American Civil War.
Mitchel’s return visit to Ireland is prompted by political developments in the Irish Parliamentary Party (IPP), which has nominated him for seats in Cork City and Tipperary without informing him. His well-known skepticism toward constitutional “moral force” agitation makes it uncertain whether he will accept the nomination, but the nomination proceeds anyway.
Mitchel’s return is unexpected, yet is met with public acclaim. Upon arriving in Queenstown (now Cobh, County Cork), he is met by a large crowd, and when he reaches Cork, a procession of ten thousand people escorts him to his hotel. This demonstrates the respect and support he still commands among Irish nationalists, despite his exile in the United States since 1853.
Mitchel then goes to Newry, his native town, where he stays for a few months to recuperate his health and await any opportunity to be elected to Parliament. However, no parliamentary vacancy arises during his stay, and he eventually returns to New York City in October 1872.
Mitchel’s return is part of a pattern of political activity in his later years. In 1875, he is again nominated for Tipperary, elected without opposition, and declared an abstentionistMP — but his election is overturned by the British government on the grounds of his previous felony conviction. He dies in March 1875 in Dromolane, County Down, in the same house where he was born.
In summary, July 25, 1872, marks the beginning of a brief but politically charged visit to Ireland for John Mitchel, a figure remembered for his uncompromising republican stance and his role in the Young Ireland movement.
On July 14, 1910, the Irish Socialist Federation (ISF) in New York City hosts a farewell dinner for James Connolly, marking the end of his time as its leader. This event is a significant moment in his career, as he had been instrumental in founding the Federation on March 29, 1907, and has been its driving force in organizing Irish socialist and trade union activity in the United States.
By 1910, Connolly has been active in the socialist movement in the United States for several years. He initially joins the Socialist Labor Party of America but becomes a full-time organizer for the Industrial Workers of the World (IWW) from 1905 to 1910, aligning with its syndicalist approach. His work with the Irish Socialist Federation has been central to building a network of Irish workers in America, linking them to socialist principles and Irish nationalist aspirations.
The July 14, 1910, dinner is a public acknowledgment of Connolly’s contributions and a symbolic send-off as he prepares to return to Ireland. Upon his return, he takes on a major role in the Irish Transport and General Workers Union (ITGWU), first in Belfast and then in Dublin, and later becomes acting General Secretary and Commandant of the Irish Citizen Army (ICA).
The political and labor impact of the event underscores Connolly’s growing influence in both the Irish socialist movement abroad and the domestic labor struggle. It reflects the Federation’s commitment to supporting Irish socialist leaders and their work in the United States and Ireland. It is also remembers as a key moment in Connolly’s transition from U.S. organizer to a central figure in the Irish labor and republican movements.
In short, the July 14, 1910, farewell dinner is both a personal farewell and a political milestone, highlighting Connolly’s role as a bridge between Irish socialism in the United States and the emerging labor and republican movements in Ireland.
Sheridan begins exhibiting in the late 1950s, participating in the annual Living Art exhibitions and the Biennale de Paris in 1960. He wins the Carroll Prize for Painting in 1965 and 1969. Initially focused on abstract landscapes, his work evolves to include conceptual, performance, and installation art, integrating multimedia elements. Notable works include Everybody Should Get Stones (1975) and On Reflection (2001).
Sheridan is also deeply engaged in the international art scene. He represents Ireland at the 1962 UNESCO Convention of Young Painters in Paris and contributes to avant-garde movements in Australia, including serving as the first Professor of Conceptual Arts in Sydney during the 1970s. He directs the Experimental Art Foundation in Adelaide from 1975 to 1980, introducing experimental and post-object art to Australian audiences.
From 1980 to 2002, Sheridan serves as Director of the National College of Art and Design (NCAD) in Dublin, with a four-year hiatus to direct the Perth Institute of Contemporary Arts in Australia. His leadership shapes art education in Ireland and helps modernize institutional structures, curricula, and multimedia practices.
Sheridan is also a member of Aosdána, an elite Irish association of artists, and a committee member of Rosc, an important art exhibition initiative in Ireland.
Sheridan’s early works consist of abstract and lyrical landscapes, which later expand to include conceptual and performance art, often engaging audience participation and multimedia formats. He is known for his wit, charisma, and generosity as both a teacher and an arts administrator, influencing a generation of artists in Ireland and Australia.
Sheridan’s art is represented in major institutions, including the Irish Museum of Modern Art and the Centro de Arte Moderna Gulbenkian in Lisbon, with numerous works having been sold at auction, achieving prices up to $7,624 USD for pieces like Window. Retrospectives of his work are held at the Royal Hibernian Academy in Dublin in 2001, accompanied by publications that compile his artistic philosophy and contributions.
Sheridan is married to Liz Murphy, and they have five children. His commitment to both art and education continues throughout his life until he dies on July 12, 2006, in Perth, Western Australia. Paul Durcan writes a poem in his honour after his death.
In summary, Sheridan’s career spans painting, performance, installation, and education. His innovative approach, international influence, and dedication to teaching and institutional development mark him as a pivotal figure in postwar and contemporary Irish art.
As part of the 2008 Cork Midsummer Festival, 1,100 volunteers gather on the grounds of Blarney Castle in the early hours of Tuesday, June 17, 2008, and strip naked to have their picture taken at the famous location.
The occasion is the first shoot in Ireland by the American photographic artist Spencer Tunick, who has already made quite a name for himself shooting large groups of naked people in public spaces in New York City, Montreal, London and Amsterdam.
Like many of Tunick’s projects, the event in Cork comes about by invitation. “It was Mary McCarthy, the art curator at Dublin Docklands, who contacted me first,” says Tunick, via Zoom from his office in New York, of the organiser who is director of the Crawford Art Gallery in Cork. “Mary thought to make it a two-city project, in Cork and Dublin, and brought Cork Midsummer Festival on board. People think I can choose where I want to work, but it’s not as if I can get up and say, ‘hmm, I want to photograph 1,000 people in a volcanic crater in Hawaii.’ In reality, I need a team on the other side, helping me. And it was Mary who established that team in Ireland.”
McCarthy’s crew works with Tunick on selecting locations for his shoots. Blarney Castle appeals to Tunick. “When you think of a castle, you think of swords, you think of dreams, you think of battle and war,” he says. “But you might also think of the rose. I tried to combine a lot of different ideas or fantasies about the castle and connect them to the body. But there were also a lot of grounds around the castle, so I could have different set-ups and positions to shoot in.”
When Cork Midsummer Festival puts out a call for volunteers, it is inundated with applications. Those chosen are of all ages, and from all walks of life. “I think sometimes people associate my live works with young people. But there’s often a lot of people over 50, and into their 80s, at this great unifying event that touches on the idea of group photo gatherings from the 1920s. When you see a big haul of people lined up, undressed of course, it combines group portraiture with abstraction and the naked body.”
At Blarney Castle, beginning around 5:30 a.m., he shoots the crowd in a variety of poses on the castle lawns, facing toward and away from the camera, then lying on their backs as they each held a single rose aloft (pictured above), red for the women and white for the men. He then photographs a small number on their knees in the river that runs through the grounds, and a smaller number again kissing the Blarney Stone. Some participants see the photo shoot as an opportunity to challenge the general disapproval of nakedness that prevails in the Ireland of their youth. Others see it as a way to make peace with their body image.
Later that morning, Tunick photographs about 50 naked volunteers covered in foam at White Street Carpark in Cork city centre. “As a kid, I was always fascinated by the bubble scene in Willie Wonka and the Chocolate Factory, the film,” says Tunick. “So, I wanted, in a whimsical and surreal way, to amplify my memories of that. But I also wanted to work with the history of the area, so I infused Murphy’s beer into four bubble machines and created a snow globe effect with the nudes. That was beautiful.”
Looking back on the photographs, one is struck by how most of the bodies are white. If it is true that Cork has become far more ethnically diverse city since that day in 2008, one must also wonder if Tunick’s call for volunteers appealed to a certain demographic. “I always ask the organisers to do community outreach in different areas, so we can get more colour and ethnicities into the work,” he says. “But sometimes it doesn’t really resonate, and sometimes the population is not there, you know. And often, where that population exists, it might not be connected to the body in contemporary art. But I’ve always tried, and now I insist that the organisers make an extra effort.”
Tunick’s shoots at Blarney Castle and White Street attract lavish coverage in the media, a reflection perhaps on how they coincide with a change in the public perception of nudity. The project would almost certainly have caused an uproar even twenty years previously. Participants describe a sense of joy and liberation. “This was definitely pre-Instagram, right? And now when we’re on Instagram, we think the whole world is accepting of nudity in public, but back then, there was not that same outlet for my images. But there was that documentation by the press, and through that, I think people realised that something had happened that went against the grain in a positive way.”
Four days later, Tunick photographs 2,500 naked volunteers on the South Wall in Dublin. Again, the event attracts headlines, but already, it seems, the culture has moved on, and there is not quite that same element of surprise and delight as there had been in Cork.
Tunick has done many projects since. Some of his favourites include those in Kingston upon Hull in 2016 and on the Dead Sea in 2011 and again in 2021. “I like working with props. In Cork, I used roses and beer foam. But now I like working with body paint. In Hull, we covered around 4,000 people in four shades of blue. The blues were those of the water I saw in a number of paintings in the Maritime Museum in the city. I asked Pantone to replicate the colours, and those were the blues we used. Not many people know that.”
“My projects in the Dead Sea were partly about showing how the salt in the water could elevate the body. That created a very interesting, otherworldly effect in the photographs. But they also aimed to raise awareness of how the Dead Sea is disappearing because of irrigation to serve the need for drinking water by adjoining countries such as Israel and Jordan. It’s a very difficult situation.”
Many photographers find their work curtailed by pandemic restrictions of the early 2020s. Tunick too is forced to postpone photographing groups of people on location, but he does find a way to go on creating. “An art collective called Studio 333 in Mexico asked me if I wanted to do group works on video chats, and offered to manage it technically. So we started making group works with people from all walks of life, all around the world. We had someone in Saudi Arabia posing with someone in Israel. We had people in Australia, people in Europe, people all over the world. I think the only place we weren’t able to work with was Antarctica, but who knows? Maybe that’s in the future.” The resulting images are published online, on Tunick and Studio 333’s websites and social media accounts, under the collective title ”Stay Apart Together.”
As for the future, Tunick would love to work in Ireland again, he says. “It’s always been my dream to do a work in Northern Ireland, maybe with 100 or 200 people on the Giant’s Causeway? I can’t have too many, because then you wouldn’t see the rocks. Northern Ireland, the Giant’s Causeway… that project’s been on my mind for a long time, so hopefully some museum or curator will invite me to do it.”
(From: “Cork in 50 Artworks, No 49: Spencer Tunick’s nude installation at Blarney Castle” by Marc O’Sullivan, Irish Examiner, http://www.irishexaminer.com, April 11, 2022 | Pictured: Blarney Castle with the crowd assembled by Spencer Tunick)
Antisell is born in Dublin on January 16, 1817, the youngest son of Thomas Christopher Antisell KC (home circuit) and Margaret (née) Daly. He attends the Dublin School of Medicine, the Apothecaries’ Hall of Ireland, and the Royal College of Surgeons of England in London, graduating from the latter with an MD in November 1839. He studies chemistry in Paris and Berlin in 1844. Upon his return to Dublin in 1845, he secures a lectureship in botany at the Peter St. School of Medicine, teaching there until 1848. After this, he opens a clinic at his residence of 25 Richmond Street, Portobello. He works as an assistant to Robert Kane, and between 1845 and 1847, produces textbooks on Irish geology and chemistry. He becomes a member of the Royal Dublin Society (RDS) in 1844.
Antisell is a member of the Young Ireland movement of the 1840s, and joins the Irish Confederation in 1847. With a group of five friends in the republican movement, including Richard D’Alton Williams and Kevin O’Doherty, he sets up a short-lived revolutionary newspaper, The Irish Tribune, in June 1848 to take the place of the suppressed United Irishman, founded by John Mitchel. The paper is closed down on the grounds of sedition in July 1848 after just five issues. Following the closure of the paper, he emigrates to the United States, arriving in New York City on November 22, 1848. Some sources claim this departure is to evade arrest or charges relating to sedition. Although he is no longer politically active following his departure from Ireland, he is a close friend of John Mitchel and his family. He marries his first wife, Eliza Ann Nowlan, in 1841. She dies shortly after their arrival in the United States.
Antisell sets up and operates a clinic and medical laboratory in New York City from 1848 to 1854, while also lecturing in chemistry in a number of medical colleges in Massachusetts and Vermont. He takes up a post as expedition geologist and botanist on state surveys in southern Arizona, New Mexico, and California, working primarily with Lt. John Parke investigating the proposed routes for the Southern Pacific Railroad from 1854 to 1856. His work on the geology of the region adds to greater understanding of the science in America. In 1856, he is employed as chief examiner in the U.S. Patent Office in Washington, D.C., with responsibility for chemical inventions. This work allows him to also lecture in chemistry at Georgetown University, eventually covering other subjects such as toxicology, military surgery, physiology, hygiene, and pathology, over the periods 1858 to 1869, and 1880 to 1882.
Breaking with Mitchel who, as defender of slavery, supports the southern secessionist cause, Antisell serves in the Union Army during the American Civil War. He is a brigade surgeon in the United States Volunteers from 1861, and later the medical director of the 12th army corps. He concludes his service as surgeon-in-charge of Harewood Hospital, Washington, D.C., in October 1865, being granted a brevet commission as colonel. From 1866 to 1871, he is chief chemist in the U.S. Department of Agriculture. He marries his second wife, Marion Stuart Forsyth from Detroit, in 1854. They go on to have twelve children, six daughters and six sons.
Antisell is one of several scientists that are hired in 1871 as foreign government advisors to work in Hokkaido in northern Japan under Horace Capron. He is selected for his strong background in chemistry coupled with geology. However, he disagrees with Capron on whether or not Hokkaido’s severe winter climate will hinder development, and he also comes into conflict with the Japanese government over his salary. As a result, Hokkaido Colonisation Office hires another geologist, and Antisell’s report is excluded in the 1875 compilation of official reports. He serves his remaining time in Japan as a chemist for the Ministry of Finance, where he develops inks used for the printing of paper currency. For his services, he is awarded the Order of the Rising Sun by Emperor Meiji before his departure in 1876.
Upon returning to the United States, Antisell is conferred with a PhD in 1876 by Georgetown University, and once again takes up duties at the Patent Office, remaining there until his retirement. He publishes widely in numerous journals on topics such as agricultural chemistry, botany, oceanography, city sanitation, and animal disease, but he does not publish a significant treatise.
Antisell dies in Washington, D.C., on June 14, 1893, and is buried in the Congressional Cemetery.
John Dudley Digges, Irish stage actor, director, and producer as well as a film actor, is born in Ranelagh, Dublin, on June 9, 1879. Although he gains his initial theatre training and acting experience in Ireland, the vast majority of his career is spent in the United States, where over the span of 43 years he works in hundreds of stage productions and performs in over 50 films.
Digges is the child of James Digges and Catherine Forsythe. He becomes acquainted with theatre directors William and Frank Fay and takes an interest in acting. He joins W. G. Fay’s Irish National Dramatic Company, along with others including Máire Nic Shiubhlaigh, James H. Cousins, Frederick Ryan and Maire Quinn (who becomes his wife). Their first production, Cathleen Ni Houlihan, with Maud Gonne in the lead role, and Déirdre, is on April 2, 1902. The company, which has no funds to speak of, acquires a couple of bare rooms at 34 Lower Camden Street, which with the help of friends from Irish-revival societies they turn into a small theatre. However, this proves too small for the plays they are planning to stage. They rehearse at the Coffee Palace in Westmoreland Street and also use the Molesworth Hall for productions.
In 1903, the playwrights and most of the actors and staff from these productions go on to form the Irish National Theatre Society, which has its registered offices in Camden Street. The society founds the Abbey Theatre.
Digges goes to the United States with a group of fellow-actors in 1904, and becomes successful as both actor and producer. He is stage manager for a time to both Charles Frohman and George Arliss, and by the 1920s he has become a notable performer on Broadway. One of his best-known roles there is as Ficsur in the original 1921 production of Ferenc Molnár‘s Liliom (later adapted into the musical Carousel by Rodgers and Hammerstein). In 1924, in Woodstock, New York, he founds the Maverick Theater with the assistance of Hervey White, who had established the Maverick Arts Colony. He is also artistic director of a company that includes Helen Hayes and Edward G. Robinson.
Digges expands his career into films by 1929, and over nearly two decades he performs in more than 50 films, including the original pre-Hays Code adaptation of The Maltese Falcon (1931). He Is cast in that feature as Casper Gutman, the character later portrayed by Sydney Greenstreet in the 1941 version. In The Invisible Man (1933) he plays the Chief Detective who plots to capture the title character, opposite the unseen Claude Rains. He plays the role of the Heavenly Examiner in both the original Broadway production and the 1930 screen version of Sutton Vane‘s Outward Bound. He also works as a director on Broadway.
Digges marries only once, to Irish actress Maire Quinn. The couple wed on August 27, 1907, in New York City and remain together until Maire’s death in August 1947. On October 24, 1947, just two months after his wife’s death, he dies of a stroke in his Manhattan apartment at 1 West 64th Street. He is survived by three siblings, all living in Ireland: a sister, Mrs. Mai Gannen, and two brothers, James and Ernst. Following a requiem mass at Blessed Sacrament Roman Catholic Church on October 28, he is buried next to his wife at Gate of Heaven Cemetery in Hawthorne, New York.
(Pictured: Digges as Boss Mangan in the 1920 Broadway production Heartbreak House, which he also directs)
Pilkington is born to John Pilkington and Margaret Mary Pilkington (née Torsney), the second of twelve children born to the couple. Only nine of his siblings survive into adulthood. He receives his education at the local Marist Brothers convent school and the Day Trades Preparatory School. Later he is a student at the Department of Agriculture Forestry College in County Wicklow. When the Irish War of Independence begins, the college is closed and he is forced to return to Sligo. He then gains employment with Wehrly Brothers Ltd., a jewelry and watchmaking store in Sligo.
Several notable incidents occur in Pilkington’s military career. On October 25, 1920, at Moneygold, eight miles from Sligo (between Grange and Cliffoney), IRA men led by him ambush a nine-man Royal Irish Constabulary (RIC) patrol, killing four (Sergeant Patrick Perry, Constables Patrick Keown, Patrick Laffey, Patrick Lynch) and wounding two others (Constables Clarke and O’Rourke). In January 1922, he makes clear his opposition to the IRAs General Headquarters (GHQ) support for the Anglo-Irish Treaty. “We intend to cut away from this headquarters, all of you (pointing to the staff and officers of the GHQ) want to build up a Free State Army so you can march in step into the British Empire. Do it openly. We stand by the Republic.” On April 6, 1922, a meeting addressed by Arthur Griffith in Sligo, is proclaimed illegal by Pilkington, who is the local Anti-Treaty IRA divisional commander. His troops take over a number of buildings in the town. Seán Mac Eoin brings Provisional Government troops from Athlone and on the day of the meeting, he is joined by further troops led by J. J. “Ginger” O’Connell. A tense situation ensues but, at the last minute, Pilkington backs down and the meeting goes ahead. On September 4, 1922, an Anti-Treaty IRA unit under Pilkington takes the Dromhaire barracks in County Sligo after the Free State garrison surrenders.
On August 27, 1923, Pilkington runs unsuccessfully in the general election for the 4th Dáil as a Republican candidate, polling 2,089 first preference votes.
Pilkington is a prominent member of the Anti-Treaty IRA for many years, but his most important role as part of the Anti-Treaty IRA comes on April 20, 1923. The Executive of the Anti-Treaty IRA meets in Poulacappal (four miles southwest of Callan and three miles from Mullinahone). Present in addition to Pilkington (who is replacing Liam Lynch) are Frank Aiken, Sean Hyde, Sean Dowling, Bill Quirke, Tom Barry, Tom Ruane (replacing Michael Kilroy), Tom Sullivan (replacing Sean Lehane), Sean McSwiney, Tom Crofts, P. J. Ruttledge and Sean O’Meara (substitute for Séumas Robinson). Frank Aiken is elected Chief-of-Staff and an Army Council of Aiken, Pilkington and Barry is appointed. Aiken proposes that peace should be made with the Pro-Treaty Government on the basis that “the sovereignty of the Irish Nation and the integrity of its territory is inalienable.” This is passed by nine votes to two.
Pilkington becomes a Catholic priest after his foray into politics and due to the disillusionment of the Irish War of Independence. He joins the Redemptorist Order and becomes known as Father William Pilkington CSsR. He serves as a priest in the Archdiocese of Cape Town, South Africa, priest of Monmouthshire, Wales, and retires to Bishop Eton Monastery, Liverpool.
In 1954, Pilkington is guest of honour at a dinner sponsored by Clan na Gael and the IRA Veterans of America in New York City where he says he is returning to the mission fields of Africa, but he remains faithful to the All Ireland Republic. He dies at Bishop Eton Monastery on March 26, 1977, and is buried in Liverpool.
Boland is enrolled in the IRB along with his younger brothers Harry in 1904, following in the footsteps of his father. He and his brothers Harry and Ned subsequently join the Irish Volunteers when that organisation is established in 1913, serving in the same company as Arthur Griffith. When news breaks out of the Easter Rising in 1916 he immediately leaves his job, however, he is bitterly disappointed when he finds out that the order has been countermanded. When the rebellion begins in earnest on Easter Monday, he makes his way to Jacob’s Mill where he fights under Thomas MacDonagh. Following the official surrender, he is arrested and interned at Frongoch internment camp in Wales, where he comes into contact with other notable revolutionary leaders, including his brother Harry’s friend Michael Collins.
Boland is released after a general amnesty in December 1916, however, he remains involved in revolutionary circles, although he declines to rejoin the IRB, believing the organisation is no longer needed. He is arrested and imprisoned in Belfast from May to December 1918 for practising military drills in the Dublin Mountains. Meanwhile, a number of his colleagues secure their release by winning seats in the 1918 United Kingdom general election.
Boland and his brothers are opposed to the Anglo-Irish Treaty of 1921. He is Battalion Commandant of 3 Battalion, 2 Dublin Brigade (South Dublin) in Blessington, County Wicklow, but is captured early on in the Irish Civil War on July 7, 1922, and is interned until his release in July 1924. On the outside, his brother Harry dies some days after being shot, in August 1922, after two National Army officers attempt to arrest him at the Grand Hotel in Skerries, County Dublin. Boland applies to the Irish government for a service pension under the Military Service Pensions Act of 1934 and is awarded 11 and 5/12 years of service at Grade C for his service with the Irish Volunteers and the IRA between April 1, 1916 and September 30, 1923.
Following the end of the Irish Civil War, Boland helps to build up Sinn Féin as the main Republican party. While still imprisoned, he is selected to stand for Dáil Éireann as the Teachta Dála (TD) for Roscommon, Harry’s old seat, for the 1923 Irish general election, in which he is successful. He is among those in Kilmainham Gaol who go on hunger strike in October 1923. The hunger strike does not result in his release and he credits his practice of yoga with keeping him alive at the time.[3]
Boland is eventually released from the custody of the state in July 1924. Upon his release, he becomes secretary of Sinn Féin and stands on the executive of the party.
Boland is among the first in Sinn Féin to call for an end to the party’s abstentionism from DáilÉireann, believing it to be a political dead end. Party leader Éamon de Valera proposes that the party abandon this policy and take their seats in the Dáil if changes are made to the oath of allegiance to the British monarch. His proposal is defeated and de Valera and his supporters, including Boland, leave Sinn Féin. Shortly after this split, a new party emerges called Fianna Fáil, with de Valera acting as leader and the other disillusioned Republican TDs joining. Boland is vital in transferring many members from Sinn Féin to Fianna Fáil. Fianna Fáil briefly also has an abstentionist policy but in 1927 a new law forces Fianna Fáil TDs to take the oath of allegiance and take their seats in the Dáil. Fianna Fáil dismisses the oath as “an empty formula.”
Boland works alongside Seán Lemass in building up Fianna Fáil’s grassroots support and organisation, giving particular attention to the party’s rural apparatus. In the September 1927 Irish general election Fianna Fáil comes within four seats of the ruling Cumann na nGaedheal party. The latter forms a coalition of sorts with the Farmers’ Party and returns to government.
Following the 1932 Irish general election, Fianna Fáil forms a new government. Boland is appointed Government Chief Whip, a position which allows him to attend cabinet meetings but not vote at them.
Fianna Fáil remains in power with an increased mandate following the 1933 Irish general election and Boland is promoted to the position of Minister for Posts and Telegraphs. Despite being the Minister in charge of the postal service, he does not own a telephone until some time later. During his tenure, the postal service makes considerable progress. It is also during this time that the Post Office becomes a paying concern. During his time as minister, he oversees a major expansion of the telephone service in Ireland, improvements in the transmission capacity of Radio Éireann, and construction of new provincial post offices and a new central postal sorting office.
Boland is acting Minister for Justice briefly for a time when P. J. Ruttledge is ill. It is during this time that he declares the Irish Republican Army a proscribed organisation.
A cabinet reshuffle in 1936 sees Boland become Minister for Lands. The Land Act 1939 reforms land distribution, broadening the criteria by which the state can take control over undeveloped land while offering the tenant of the land more favourable terms of compensation. He is critical of the policy of the Minister for Industry and Commerce, Seán Lemass, of centralising industrial development in Dublin. He instead wishes to see a more decentralised economy based around food production. The differing viewpoint causes a rift between Boland and Lemass, but despite this Boland favoured Lemass’s policy of state intervention in the economy over Seán MacEntee‘s more laissez-faire approach.
In 1937 Boland is highly vocal during the drafting of a new constitution of Ireland by Fianna Fáil against any word which would give the Catholic Church special status, something heavily considered at the time. He declares that if the constitution elevates the position of the Catholic Church above others, it would be sectarian, anti-republican, and a hindrance to any prospects of Irish reunification. As a compromise, the term “special position” is used in the approved text of the Constitution.
Following the outbreak of World War II in 1939, known in Ireland as the Emergency, there is a cabinet reshuffle, and Boland is appointed as Minister for Justice. He takes over at a time when the IRA has once again declared war against the British state and has begun their Sabotage Campaign. He is charged with the task of crushing the organisation and preventing the IRA from drawing the Irish state into conflict with the United Kingdom. Although he always considers himself a republican, he takes a hardline against the IRA and uses his powers to order the internment of hundreds of IRA members before introducing military courts and special criminal courts.
In 1940, several imprisoned IRA members go on hunger strike but Boland refuses to grant their release. Two of the men eventually die, one of whom is the nephew of one of his Fianna Fáil colleagues. Tony D’Arcy dies at the age of 32 on April 16, 1940, as a result of a 52-day hunger strike, and Jack McNeela dies three days later after 55 days on hunger strike. These deaths spark reprisals by the IRA on the Garda Síochána. Boland subsequently introduces tougher measures by setting up a military court with the death penalty and no provision for appeal except for a review by the government. In all, twelve men are found guilty with six of them facing death and the remaining six having their sentences changed to imprisonment. Among those executed is Charlie Kerins, an acting Chief of Staff of the IRA.
As Minister of Justice, Boland is also asked to enforce policies of wartime censorship, however, finding the idea of the state censorship distasteful he establishes a censorship board to avoid accusations of bias.
During the Emergency, Boland is also responsible for the detention of several foreign agents in pursuit of Ireland’s strict policy of neutrality. During this time some 500 individuals are interned and 600 are sentenced under the newly introduced Offences against the State Act, 1939. By 1943 the IRA is in disarray, particularly after the Chief of Staff is arrested and imprisoned, leaving the organisation without leadership. Boland and Fianna Fáil feel their hardline is backed by the electorate following strong returns for the party at the 1944 Irish general election.
In 1947, Boland is among four leading Fianna Fáil figures (including de Valera) involved in the “Locke’s Distillery Scandal”, an accusation brought by Oliver J. Flanagan that foreign businessmen are bribing members of Fianna Fáil to gain the right to purchase the distillery. A tribunal of inquiry finds no evidence to support the claims, but the event taints the public’s view of Fianna Fáil.
By 1948, Fianna Fáil has been in government for an uninterrupted 16 years. With World War II finally over, the electorate seeks change and a fresh start. Arising to meet this desire is the new political party Clann na Poblachta. Led by Seán MacBride, this new party seeks to kick off a new post-war political era in Ireland, and to do this means removing Fianna Fáil from power. Many in Clann na Poblachta have republican backgrounds and in some ways, the party can be partially described as an organic reaction to Fianna Fáil and Boland’s hardline stance during the war years. Many in political circles, including inside Fianna Fáil, believe Clann na Poblachta can be a new force to reckon with.
However, de Valera always holds a reputation for being cunning in selecting the dates of general elections, and he once again cements that notion, when he calls for a general election in early 1948 before Clann na Poblachta is completely ready to contest a national election. At the 1948 Irish general election Clann na Poblachta and other Fianna Fáil opponents do well, but not as well as expected. To remove Fianna Fáil from government, every single party in the Dáil and several independents have to form the unwieldy “First Inter-Party Government.” The coalition sees Clann na Poblachta forced to work with Fine Gael, considered the traditional “enemy” of Irish republicanism. By 1951, the coalition collapses and Fianna Fáil returns to government following that year’s election, with Boland re-appointed Minister for Justice.
Boland does not seek ministerial office in 1957 when Fianna Fáil returns to power after its defeat in 1954. However, his son, Kevin, is appointed to the cabinet as Minister for Defence at the beginning of his first term in the Dáil. By this stage, Boland is beginning to be seen as an aging warhorse, with his base in Roscommon starting to slip and Fianna Fáil unhappy that he is unable to get a Fianna Fáil running mate elected alongside himself.
At the 1961 Irish general election, Boland is defeated for the first time in fourteen general election campaigns. Despite losing his Dáil seat, he subsequently secures election to Seanad Éireann. Four years later in 1965, he returns to the Seanad, this time as a nominee by the Taoiseach Seán Lemass.
In 1970, the outbreak of the Arms Crisis sees Kevin Boland resign as a Minister and as Secretary of Fianna Fáil in protest at the government’s policy on Northern Ireland and in response to the sackings of Charles Haughey and Neil Blaney from the cabinet over allegations they had arranged for weapons to be provided to the Provisional IRA. Gerald Boland, in a similar protest, resigns as a vice president and as a trustee of Fianna Fáil, although he remains a member of the party. He also articulates his loss of confidence in the leadership of TaoiseachJack Lynch.
Boland dies in Dublin at the age of 87 on January 5, 1973. He is buried in the republican plot in Glasnevin Cemetery, Glasnevin, County Dublin. His wife, Annie Boland, predeceases him in 1970. He is survived by his three daughters and four sons.
Whyte is born on April 30, 1928, in Penang, Malaysia. His father is manager of a rubber plantation on the mainland. His family leaves Malaysia and returns to Europe when he is three, eventually settling in Rostrevor, County Down, Northern Ireland. The Whytes are a well-known County Down family recorded in the area since at least 1713. The family is said to have come to Ireland from South Wales with Strongbow in 1170 and settled in Leinster. He is educated locally, at Ampleforth College and Oriel College Oxford, from which he takes a degree in Modern History in 1949. Continuing studies some two years later he is awarded a B.Litt degree for further research, which is to form the nebula of his first book which is published in 1958.
Whyte undertakes national service during the 1950s and works as a history teacher in his old school before being appointed lecturer in Modern History at Makerere University, Uganda. In 1962, he returns to Ireland having been appointed first “lecturer in empirical politics” at the then expanding University College Dublin (UCD). In 1966, he weds fellow academic Dr. Jean Murray and moves to Queen’s University Belfast (QUB) to undertake further studies.
In his book, Preventing the Future: Why Was Ireland So Poor for So Long?, Whyte’s successor as Professor of Politics at UCD, Tom Garvin, gives an account as to the clerical politics prevalent at the time at UCD which causes Whyte’s untimely departure:
A little later, in 1966, McQuaid provoked, possibly unintentionally, the resignation of John Whyte, a distinguished Catholic political scientist, from University College Dublin’s Department of Ethics and Politics. This resignation and move to Belfast on Whyte’s part in 1966 almost certainly was the unintended result of an extraordinary piece of clerical interference and bullying that rebounded upon McQuaid and on UCD. Whyte was in the midst of writing his standard history of the Catholic Church in independent Ireland, later published in 1969; at McQuaid’s apparent instigation, his professor and head of Department attempted to forbid him from continuing with this work. The irony was that the resultant scholarly book, finished in Belfast rather than Dublin, deeply underestimated clerical power in the Irish state and gave the Catholic Church a rather easy ride. Another irony was that Whyte, as a Roman Catholic historian and political scientist, was apparently rather favoured by McQuaid. However in 1966 bishops didn’t know they needed friends. Whyte was to come back to UCD and was professor of Ethics and Politics between 1984 and 1990. In a very real sense, McQuaid was the patriarchal and eccentric governor of Dublin Archdiocese, where one-third of the stat’s population lived; he attempted to run an urban society of a million people as though it were a large feudal community.
At Queen’s, Whyte spends seventeen years as lecturer and reader, and from 1982 Professor of Irish Politics during which he seeks to bring together political scientists from across the island and develop an All-Ireland political science fellowship. From 1973 to 1974 he works at as a research fellow at Harvard University’s Centre for International Affairs, and in 1975 he helps lead a team of researchers investigating the Northern Ireland conflict, then at its height. He also works as research fellow at the Netherlands Institute for Advanced Studies during the late 1970s and is elected Member of the Royal Irish Academy (RIA) in 1977, serving as Vice-President from 1989 to 1990.
In 1984, Whyte returns to University College Dublin, then faced with stringent fiscal cuts and wider problems in Irish third-level education. In his second period at UCD, he leads the Department, which he now heads, through a troubled period of financial cuts while supervising a reorganisation of the undergraduate curriculum. In his last years at UCD he completes his seminal work, the widely regarded Interpreting Northern Ireland. He finishes correcting the proofs and compiling the index of this work only a week before his death. While en route to an academic conference at Airley House, Virginia, he collapses at John F. Kennedy International Airport, New York, is taken to a local hospital, and dies there on May 16, 1990. He is survived by his wife, two sons, and one daughter.
Following his death, Whyte’s family, friends, and colleagues set up the John Whyte Trust Fund to continue Whyte’s work, honour his memory and encourage “informed dialogue and interaction at graduate level among people who are likely to be leaders and opinion-shapers.” To date the fund has awarded one fully paid scholarship and a number of part-paid scholarships as well as essay prizes annually. The fund also hosts an annual John Whyte Memorial Lecture. Speakers have included Paul Bew and Brendan O’Leary.
seamus dubhghaill 