seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Mike Quill, Irish-American Trade Unionist

Michael Joseph “Red Mike” Quill, one of the founders of the Transport Workers Union of America (TWU), a union founded by subway workers in New York City that expands to represent employees in other forms of transit, is born on September 18, 1905, in Gortloughera, near Kilgarvan, County Kerry.

Quill is the seventh among five sons and three daughters of John Daniel Quill, farmer, of Gortloughera, and Margaret Quill (née Lynch), of Ballyvourney, County Cork. He attends Kilgarvan national school until early adolescence. The family has strong republican sympathies and he serves with an Irish Republican Army (IRA) flying column during the Irish Civil War.

In 1926, Quill emigrates to New York City. After a series of brief jobs, in 1929 he secures employment with the Interborough Rapid Transit Company (IRT) as a subway station change-maker. Attracted to socialism and militant industrial unionism by his reading of James Connolly, in 1933 he is one of a small group of workers seeking to initiate a trade union independent of the IRT’s complacent company union. Comprised largely of ex-IRA men linked by membership of Clan na Gael and the leftist Irish Workers’ Clubs, his group soon joins forces with a New York transit-industry organising effort by the Communist Party, resulting in the launch in April 1934 of the Transport Workers Union (TWU).

With a convivial personality and a flair for oratory, Quill quickly emerges as one of the union’s most effective organisers. During 1935 he leaves his IRT job to work full-time as union organiser. In December 1935 he is elected TWU president, a position he holds until his death. By autumn 1936 the TWU has established a solid base on the IRT, and intensifies organisation on New York’s other transit lines: subways, buses, elevated trains, and trolleys. In May 1937 the TWU affiliates with the incipient Congress of Industrial Organizations (CIO). After winning, mostly by large majorities, a series of union representation elections in May–June 1937, the TWU negotiates closed-shop contracts with various New York transit companies, obtaining for its 30,000 members substantial wage increases and benefits and a work-week reduction to forty-eight hours. The ethnic profile of the TWU, which is colloquially nicknamed “the Irish union,” reflects that of New York’s transit workforce, about half of which is Irish-born.

First elected to the New York City Council in November 1937 as candidate of the American Labor Party, Quill serves on the body intermittently until 1949. After 1940 he leads the TWU into expansion outside New York, organising in mass transit in other cities, in airlines, and in railroads. Despite modest membership numbers (135,000 by the mid-1960s), the TWU is the United States‘ largest transit union, and Quill maintains a high public profile, owing to his union’s situation in a key economic sector, its base in the country’s largest city, and the colourful and the controversial features of his personality and politics. The 1940 municipal buy-out of New York’s private subway companies and subsequent evolution of a unified civically operated transport system precipitates a lengthy TWU struggle to establish collective bargaining rights and procedures for the transport workforce as public employees. This campaign, by setting precedents for public-sector union organisation nation-wide, marks Quill’s most enduring legacy to the American labour movement.

Quill denies repeated charges that he is a Communist, while retorting that he would “rather be called a Red by the rats than a rat by the Reds.” Communists hold influential positions at all levels in the TWU until the union’s December 1948 convention, when, after months of rancorous conflict over policy, he secures the expulsion from union office of all Communist Party members. His own politics, nevertheless, remain conspicuously leftist in the America of the 1950s and 1960s, as he condemns both the McCarthyite anti-Red witch-hunt and the Vietnam War. Elected a CIO vice-president in 1950, he eschews redefinition as “a labour statesman,” and advocates a national labour party and nationalisation of major industries. A strenuous opponent of racial discrimination by employers and within trade-union structures, he actively supports the black civil rights movement. He is the only top CIO official to oppose its 1955 merger with the conservative, craft-dominated American Federation of Labor (AFL), which he accuses of “the three Rs” of raiding, racketeering, and racism.

Quill’s final battle is his most dramatic. On January 1, 1966 he defies public-sector anti-strike legislation and a court injunction and leads TWU Local 100 into the first total subway-and-bus strike in New York City history, paralysing traffic for twelve days. Arrested on January 4, Quill, who has a history of serious heart disease, collapses during admission to prison and is transferred to hospital under police custody. On January 13 the strike is settled with a 15 percent wage increase, the highest of Quill’s TWU presidency. On January 28, several days after discharge from hospital, he dies of heart failure in his home. He is interred at Gate of Heaven Cemetery in Hawthorne, New York, after a funeral Mass at St. Patrick’s Cathedral, his casket draped by the Irish tricolor.

Speaking after his death, Martin Luther King Jr. eulogises Quill with the following: “Mike Quill was a fighter for decent things all his life—Irish independence, labor organization, and racial equality. He spent his life ripping the chains of bondage off his fellow-man. When the totality of a man’s life is consumed with enriching the lives of others, this is a man the ages will remember—this is a man who has passed on but who has not died. Negroes had desperately needed men like Mike Quill who fearlessly said what was true even when it offended. That is why Negroes shall miss Mike Quill.”

Quill marries Maria Theresa O’Neill of Cahersiveen, County Kerry, in 1937. They have one son. Maria dies in 1959. He then marries Shirley Garry (née Uzin) of Brooklyn, New York, his long-serving administrative assistant, in 1961. They have no children. The Michael J. Quill Centre at Ardtully, Kilgarvan, County Kerry, houses a commemorative museum.

(From: “Quill, Michael Joseph” by Lawrence William White, Dictionary of Irish Biography, http://www.dib.ie | Pictured: Irish-American Trade Unionist Mike Quill during a visit to the White House in 1938)


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Death of John McCormack, Renowned Irish Tenor

Papal Count John Francis McCormack, KSG, KSS, KHS, Irish tenor celebrated for his performances of the operatic and popular song repertoires, and renowned for his diction and breath control, dies in Booterstown, Dublin, on September 16, 1945.

McCormack is born on June 14, 1884, in Athlone, County Westmeath, the second son and fifth of the 11 children of Andrew McCormack and his wife Hannah Watson. His parents are both from Galashiels, Scotland, and work at the Athlone Woolen Mills, where his father is a foreman. He is baptised in St. Mary’s Church, Athlone, on June 23, 1884.

McCormack receives his early education from the Marist Brothers in Athlone and later attends Summerhill College, Sligo. He sings in the choir of the old St. Peter’s Church in Athlone under his choirmaster Michael Kilkelly. When the family moves to Dublin, he sings in the choir of St. Mary’s Pro-Cathedral where he is discovered by Vincent O’Brien. In 1903 he wins the coveted gold medal of the Dublin Feis Ceoil. He marries Lily Foley in 1906 and they have two children, Cyril and Gwen.

In March 1904, McCormack becomes associated with James Joyce, who at the time has singing ambitions himself. He persuades Joyce to enter the Feis Ceoil that year, where the not yet famous writer is awarded the Bronze Medal.

Fundraising activities on his behalf enable McCormack to travel to Italy in 1905 to receive voice training by Vincenzo Sabatini, father of the novelist Rafael Sabatini, in Milan. Sabatini finds McCormack’s voice naturally tuned and concentrates on perfecting his breath control, an element that becomes part of the basis of his renown as a vocalist.

In 1906, McCormack makes his operatic début at the Teatro Chiabrera, Savona. The next year, he begins his first important operatic performance at Covent Garden in Pietro Mascagni‘s Cavalleria rusticana, becoming the theatre’s youngest principal tenor. In 1909, he begins his career in the United States.

In February 1911, McCormack plays Lieutenant Paul Merrill in the world premiere of Victor Herbert‘s opera Natoma with Mary Garden in the title role. Later that year, he tours Australia after Dame Nellie Melba engages him, then at the height of his operatic career, aged 27, as a star tenor for the Melba Grand Opera Season. He returns for concert tours in subsequent years.

By 1912, McCormack is beginning to become involved increasingly with concert performances, where his voice quality and charisma ensures that he becomes the most celebrated lyric tenor of his time. He does not, however, retire from the operatic stage until after his performance of 1923 in Monte Carlo, although by then the top notes of his voice have contracted. Famous for his extraordinary breath control, he can sing 64 notes on one breath in Mozart‘s “Il mio tesoro” from Don Giovanni, and his Handelian singing is just as impressive in this regard.

McCormack makes hundreds of recordings, his best-known and most commercially successful series of records being those for the Victor Talking Machine Company during the 1910s and 1920s. He is Victor’s most popular Red Seal recording artist after tenor Enrico Caruso. In the 1920s, he sings regularly on radio and later appears in two sound films, Song o’ My Heart (1930), playing an Irish tenor, and as himself appearing in a party scene in Wings of the Morning (1937), the first British three-strip Technicolor feature.

McCormack is one of the first artists to record the popular ballad “I Hear You Calling Me” written in 1908 by Harold Harford and Charles Marshall. He records it twice for Odeon Records starting in 1908 and a further four times for Victor between 1910 and 1927, becoming his best seller. He is the first artist to record the famous World War I song “It’s a Long Way to Tipperary” in 1914. He also records a best-selling version of another popular World War I tune, “Keep the Home Fires Burning,” in 1917. He also sings songs expressive of Irish nationalism and endorses the Irish Nationalist estrangement from the United Kingdom. He is associated particularly with the songs of Thomas Moore, notably “The Harp That Once Through Tara’s Halls,” “The Minstrel Boy,” “Believe Me If All (Those Endearing Young Charms),” and “The Last Rose of Summer.” Between 1914 and 1922, he records almost two dozen songs with violin accompaniment provided by Fritz Kreisler, with whom he also tours. He records songs of Hugo Wolf for the Hugo Wolf Society in German. In 1918, he records the song “Calling Me Home to You.”

In 1917, McCormack becomes a naturalised citizen of the United States. In June 1918, he donates $11,458 toward the U.S. World War I effort. By then, his career is a huge financial success, earning millions in his lifetime from record sales and appearances.

By 1920, Edwin Schneider has become McCormack’s accompanist and the two are “inseparable.” When Schneider retires, Gerald Moore takes over as accompanist from 1939 to 1943.

In 1927, McCormack moves into Moore Abbey, Monasterevin, County Kildare, and adopts a very opulent lifestyle by Irish standards. He also owns apartments in London and New York. He hopes that one of his racehorses, such as Golden Lullaby, would win The Derby, but this never occurs.

McCormack also purchases Runyon Canyon in Hollywood in 1930 from Carman Runyon. He sees and likes the estate while there filming Song o’ My Heart (1930), an early all-talking, all-singing picture. He uses his salary for this movie to purchase the estate and builds a mansion he calls ‘San Patrizio,’ after Saint Patrick. He and his wife live in the mansion until they return to England in 1938.

McCormack tours often, and in his absence, the mansion is often let to celebrities such as Janet Gaynor and Charles Boyer. The McCormacks make many friends in Hollywood, among them Errol Flynn, Will Rogers, John Barrymore, Basil Rathbone, Ronald Colman, Charles E. Toberman and the Dohenys. After his farewell tour of America in 1937, the McCormacks deed the estate back to Carman Runyon expecting to return to the estate at a later date. World War II intervenes and he does not return.

McCormack originally ends his career at the Royal Albert Hall in London, during 1938. However, one year after that farewell concert, he is back singing for the Red Cross and in support of the war effort. He gives concerts, tours, broadcasts and records in this capacity until 1943 when poor health finally forces him to retire permanently.

Ill with emphysema, McCormack purchases a house near the sea, “Glena,” Booterstown, Dublin. After years of increasingly poor health, and a series of infectious illnesses, including influenza and pneumonia, he dies at his home in Booterstown on September 16, 1945. He is buried in Deans Grange Cemetery, St. Patrick’s section, plot reference E/120.


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Birth of Sir Roger Casement, Diplomat & Irish Nationalist

Sir Roger Casement, in full Sir Roger David Casement, diplomat and Irish nationalist, is born on September 1, 1864, in Kingstown (now Dún Laoghaire), County Dublin. Following his execution for treason in 1916, he becomes one of the principal Irish martyrs in the revolt against British rule in Ireland.

Casement is born into an Anglo-Irish family, and lives his very early childhood at Doyle’s Cottage, Lawson Terrace, Sandycove. His father, Captain Roger Casement of the (King’s Own) Regiment of Dragoons, is the son of Hugh Casement, a Belfast shipping merchant who goes bankrupt and later moves to Australia. After the family moves to England, Casement’s mother, Anne Jephson (or Jepson), of a Dublin Anglican family, purportedly has him secretly baptised at the age of three as a Roman Catholic in Rhyl, Wales.

The family lives in England in genteel poverty. Casement’s mother dies when he is nine years old. His father takes the family back to County Antrim in Ireland to live near paternal relatives. His father dies when he is thirteen years old. He is educated at the Diocesan School, Ballymena (later the Ballymena Academy). He leaves school at 16 and goes to England to work as a clerk with Elder Dempster Lines, a Liverpool shipping company headed by Alfred Lewis Jones.

Casement is a British consul in Portuguese East Africa (1895–98), Angola (1898–1900), Congo Free State (1901–04), and Brazil (1906–11). He gains international fame for revealing atrocious cruelty in the exploitation of native labour by white traders in the Congo and the Putumayo River region of Peru. His Congo report, published in 1904, leads to a major reorganization of Belgian rule in the Congo in 1908, and his Putumayo report of 1912 earns him a knighthood, which is ultimately forfeited on June 29, 1916.

Ill health forces Casement to retire to Ireland in 1912. Although he comes from an Ulster Protestant family, he has always sympathized with the predominantly Roman Catholic Irish nationalists. Late in 1913 he helps form the National Volunteers, and in July 1914 he travels to New York City to seek American aid for that anti-British force. After World War I breaks out in August, he hopes that Germany might assist the Irish independence movement as a blow against Great Britain. On arriving in Berlin in November 1914, he finds that the German government is unwilling to risk an expedition to Ireland and that most Irish prisoners of war would refuse to join a brigade that he intends to recruit for service against England.

Later, Casement fails to obtain a loan of German army officers to lead the Irish rising planned for Easter 1916. In a vain effort to prevent the revolt, he sails for Ireland on April 12 in a German submarine. Put ashore near Tralee, County Kerry, he is arrested on April 24 and taken to London, where, on June 29, he is convicted of treason and sentenced to death. An appeal is dismissed, and he is hanged at London’s Pentonville Prison on August 3, 1916, despite attempts by influential Englishmen to secure a reprieve in view of his past services to the British government. During this time, diaries reputedly written by Casement and containing detailed descriptions of homosexual practices are circulated privately among British officials. After years of dispute over their authenticity, the diaries are made available to scholars by the British home secretary in July 1959. It is generally considered that the passages in question are in Casement’s handwriting.

In 1965 Casement’s remains are repatriated to Ireland. Despite the annulment, or withdrawal, of his knighthood in 1916, the 1965 UK Cabinet record of the repatriation decision refers to him as “Sir Roger Casement.”

Casement’s last wish is to be buried at Murlough Bay on the north coast of County Antrim, in present-day Northern Ireland, but Prime Minister Harold Wilson‘s government had released the remains only on condition that they could not be brought into Northern Ireland, as “the government feared that a reburial there could provoke Catholic celebrations and Protestant reactions.”

Casement’s remains lay in state at the Garrison Church, Arbour Hill (now Arbour Hill Prison) in Dublin for five days, close to the graves of other leaders of the 1916 Easter Rising. After a state funeral, his remains are buried with full military honours in the Republican plot in Glasnevin Cemetery in Dublin, alongside other Irish republicans and nationalists. The President of Ireland, Éamon de Valera, then the last surviving leader of the Easter Rising, attends the ceremony, along with an estimated 30,000 others.


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Birth of Susan Denham, First Female Chief Justice of Ireland

Susan Jane Denham, SC (née Gageby), Irish judge who is the first woman to hold the position of Chief Justice of Ireland (2011-17), is born in Dublin on August 22, 1945. She serves as a Judge of the Supreme Court of Ireland (1992-2017), and is the longest-serving member of the court on her retirement. She also serves as a Judge of the High Court (1991-92).

Gageby is the daughter of the former editor of The Irish Times, Douglas Gageby, the sister of another barrister, Patrick Gageby, and maternal granddaughter of Seán Lester. She is from a Church of Ireland background. She is educated at Alexandra College, Dublin, and attends Trinity College Dublin, the King’s Inns, and the Law School of Columbia University, New York City (LL.M. 1972). She is involved with the Free Legal Advice Centres while studying in Dublin and is a founder and president of the Archaeology and Folklife Society at Trinity College.

Gageby is called to the bar in July 1971 and becomes a Senior Counsel in October 1987. She is the fourth woman to enter the Inner Bar. She becomes a senior counsel on the same day as future Supreme Court colleague Mary Laffoy. She works on the Midland circuit until 1979, following which she is based in Dublin. She is involved in a number of leading cases while a junior barrister and a Senior Counsel particularly in the area of judicial review. She becomes a High Court judge in 1991.

Gageby marries paediatrician Dr. Brian Denham in 1992. Also in 1992, at the age of 47, Denham is the first woman appointed to the Supreme Court. She is considered for appointment to the role of President of the High Court in 1994, but declines to have her name put forward. She makes two dissents early on in her period on the Court. Throughout her tenure as a judge she is seen by commentators to be a “liberal” judge.

In Kelly v Hennessy in 1996, Denham outlines criteria for a court to consider the evidence of the existence of nervous shock in Ireland. In 2001, she is the sole member of the Supreme Court to dissent in TD v Minister for Education. The court overturns a decision of Peter Kelly in the High Court to direct the government to build secure care units for certain children.

From 1995 to 1998, Denham chairs the Working Group on a Courts Commission, which is responsible for a significant reform of the organisation of the courts since the foundation of the state. It leads to the establishment of the Courts Service. She is on the Interim Board of the Court Service and serves on the Board of the Court Service from its inception, and chairs the board from 2001 to 2004. She chairs the Committee on Court Practice and Procedure which recommends in 2002 the establishment of a commercial court within the High Court.

From 2006, Denham chairs the Working Group on a Court of Appeal. The report of the group is published by the government in August 2009 and recommends the establishment of a general Court of Appeal. This is ultimately established in 2014, after a referendum in 2013.

Denham is part of the Irish delegation which, with the Netherlands and Belgium, establishes the European Network of Councils for the Judiciary (ENCJ) and she continues an involvement in this Network. From January 1, 2015 to December 31, 2016, she is President of the Network of the Presidents of the Supreme Judicial Courts of the European Union which is an association of Supreme Court Presidents and Chief Justices of EU Member States.

Denham writes the judgment in McD v. L (2009), upholding the parental rights of a sperm donor.

On July 4, 2011, Denham is nominated by Taoiseach Enda Kenny to become Chief Justice of Ireland, and is appointed as Chief Justice by President Mary McAleese on July 25, 2011. She is the first woman appointed to the office and as a member of the Church of Ireland, she is the first non-Catholic to hold the position. She is also the first graduate of Trinity College Dublin to have been appointed as Chief Justices have largely been graduates of University College Dublin. She succeeds John L. Murray.

During Denham’s tenure as Chief Justice, the Supreme Court issues suspended declarations of unconstitutionality for the first time. The possibility to delay the effect of a court declaration that a piece of legislation is contrary to the Constitution is first explored by Denham in A v Governor of Arbour Hill Prison. The court first adopts this approach in N.V.H. v Minister for Justice & Equality in May 2017.

As Chief Justice, Denham oversees changes in the operations of the Supreme Court and the courts generally. She oversees the removal of the requirement for judges to wear wigs while hearing cases. In 2015, the Supreme Court sits outside Dublin for the first time since 1931, sitting in Cork. She corresponds with the Office of Public Works over the lack of heating in the Four Courts, threatening to cancel sittings if the issue is not resolved. She advocates for the inclusion of a new courtroom for the Supreme Court in plans to develop a new family court complex on Hammond Lane.

In her capacity as Chief Justice, Denham oversees the administration of the Presidential Declaration of Office at the inauguration of President Michael D. Higgins in Dublin Castle in November 2011.

Denham retires from the position in July 2017, and is succeeded by Judge Frank Clarke. She is the third-longest serving Supreme Court judge ever at the time of her retirement. In her remarks on her retirement, she draws attention to the government’s failure to institute a judicial council, having first attempted to persuade the government to establish one in 1997.

In 2019, Denham is made an honorary fellow of Trinity College Dublin, where she was a Pro-Chancellor from 1996-2010.

The Courts Service announces on August 24, 2020 that the Supreme Court has appointed Denham to review the attendance of Supreme Court judge Séamus Woulfe at a dinner organised by the Oireachtas Golf Society. She is appointed on a non-statutory basis as the relevant section in the Judicial Council Act 2019 on judicial conduct has not yet been commenced.


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Birth of Conor McPherson, Playwright, Screenwriter & Director

Conor McPherson, Irish playwright, screenwriter and director of stage and film, is born in Dublin on August 6, 1971. In recognition of his contribution to world theatre, he is awarded a doctorate of Literature, Honoris Causa, in June 2013 by the University College Dublin (UCD).

McPherson is educated at University College Dublin and begins writing his first plays there as a member of UCD Dramsoc, the college’s dramatic society, and goes on to found Fly by Night Theatre Company which produces several of his plays. He is considered one of the best contemporary Irish playwrights. His plays attract good reviews, and have been performed internationally (notably in the West End and on Broadway).

The Weir opens at the Royal Court Theatre before transferring to the West End and Broadway. It wins the Laurence Olivier Award for Best New Play for 1999.

McPherson’s 2001 play, Port Authority, tells of three interwoven lives. The play is first produced by the Gate Theatre of Dublin but premiers at the New Ambassadors Theatre in London in February 2001, before moving to the Gate Theatre in April of that year. The production is directed by McPherson himself. New York‘s Atlantic Theater Company stages a production of the play in the spring of 2008, starring Brian d’Arcy James, and Tony Award winners John Gallagher, Jr. and Jim Norton. The New York Times critic Ben Brantley says, “I found myself holding on to what these actors had to say as if I were a five-year-old at bedtime being introduced to The Arabian Nights.”

McPherson also directs his play, Dublin Carol, at the Atlantic Theater Company, New York, in 2003.

McPherson’s 2004 play Shining City opens at the Royal Court Theatre and prompts The Daily Telegraph to describe him as “the finest dramatist of his generation.” A meditation on regret, guilt and confusion, the play is set entirely within the Dublin offices of a psychiatrist who himself has psychological secrets. While much of the play takes the form of monologues delivered by a patient, the everyday stories and subtle poignancy and humour make it a riveting experience. It subsequently opens on Broadway in 2006 and is nominated for two Tony Awards, including Best Play.

In September 2006, to great critical acclaim, McPherson makes his Royal National Theatre debut as both author and director with The Seafarer at the Cottesloe Theatre, starring Karl Johnson and Jim Norton, with Ron Cook as their poker-playing, Mephistophelean guest. Norton wins an Olivier Award for his performance while McPherson is nominated for both the Olivier and Evening Standard Theatre Awards for Best Play. In October 2007 The Seafarer opens on Broadway, keeping with it most of its creative team, including McPherson as director and both Jim Norton and Conleth Hill in their respective roles, with David Morse taking over as Sharky, and Ciarán Hinds portraying Mr. Lockhart. The production on Broadway receives some positive reviews including such statements as “McPherson is quite possibly the finest playwright of his generation” from Ben Brantley at The New York Times and “Succinct, startling and eerie, and the funniest McPherson play to date” from The Observer. Norton’s performance as Richard Harkin in The Seafarer at the National Theatre wins the 2007 Best Supporting Actor Laurence Olivier Award, and he wins a Tony Award in 2008 for Best Featured Actor in a play.

McPherson writes and directs a stage adaptation of Daphne du Maurier‘s story The Birds, which opens in September 2009 at the Gate Theatre in Dublin.

In 2011 the Royal National Theatre premiers his play The Veil at the Lyttleton Theatre. Described by The Times as “a cracking fireside tale of haunting and decay,” it is set in 1822 and marks McPherson’s first foray into period drama. This vein continues with a striking new translation of August Strindberg‘s The Dance of Death premiering at the Trafalgar Studios in London at the end of 2012. His version is described as “a profoundly seminal work” by The Guardian which also managed, The Times says, to be “shockingly funny.”

The Donmar Warehouse mounts a season of McPherson’s work in 2013 with a revival of The Weir and the world premiere of The Night Alive. The Weir is hailed once again as “a modern classic” by The Daily Telegraph and “a contemporary classic” by The Guardian while The Night Alive is nominated for the Laurence Olivier Award for Best Play and described as “another triumph” by The Independent on Sunday and “a masterstroke” by Time Out.

The Night Alive transfers to the Atlantic Theatre New York, where it is awarded the New York Drama Critics’ Circle Award for Best Play 2014, and also receives Best Play nominations from the Drama Desk and Lucille Lortell Awards.

McPherson’s play Girl from the North Country, where the dramatic action is broken up by 20 songs by Bob Dylan, opens at London’s The Old Vic on July 26, 2017. The play is set in a hotel in 1934 in Duluth, Minnesota, the birthplace of Dylan. The project begins when Dylan’s office approaches McPherson and suggests creating a play using Dylan songs. The drama receives favorable reviews.

The film of his first screenplay, I Went Down, is critically acclaimed and a great commercial success. His first feature film as a director, Saltwater, wins the CICAE award for Best Film at the Berlin International Film Festival. His second feature film is The Actors, which he wrote and directed.

He is the director and co-writer of The Eclipse, a film which has its world premiere at the 2009 Tribeca Film Festival. It is picked up for distribution by Magnolia Pictures and is released in U.S. cinemas in the spring of 2010. The film subsequently wins the Melies D’Argent Award for Best European Film at the Sitges Film Festival in Spain, the world’s premier horror and fantasy genre festival. At The 2010 Irish Film and television Awards The Eclipse wins the awards for Best Film and Best Screenplay. Ciarán Hinds wins the Best Actor Award at the Tribeca Film Festival for his portrayal of Michael Farr.

In 2013, McPherson writes the last episode of Quirke. In 2020, he co-writes the feature film adaptation of the Artemis Fowl books by Eoin Colfer. In response to the COVID-19 pandemic, it is released digitally worldwide on Disney+ on June 12, 2020.


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Baptism of Mary Harris “Mother” Jones, Union Organizer & Activist

Mary G. Harris Jones, known as Mother Jones, an Irish-born American schoolteacher and dressmaker who becomes a prominent union organiser, community organiser, and activist, is baptised on August 1, 1837, in Cork, County Cork. Her exact date of birth is uncertain. She is once deemed “the most dangerous woman in America” because of her union activities.

Jones is the daughter of Richard Harris, a Roman Catholic tenant farmer and railway labourer, and Ellen (née Cotter) Harris. She and her family are victims of the Great Famine, as are many other Irish families of the time. The famine forces more than a million families, including the Harrises, to immigrate to North America when she is ten years old. She lives in the United States and Canada, where she attends and later teaches in a Roman Catholic normal school in Toronto. In the United States she teaches in a convent school in Monroe, Michigan and works as a seamstress. In 1861 she marries George Jones, an iron-moulder and labour union member in Memphis, Tennessee. After the death of her husband and their four children in a yellow fever epidemic in 1867, she relocates to Chicago, Illinois, where she becomes involved with an early industrial union, the Knights of Labor. Her seamstress shop is destroyed in the Great Chicago Fire of 1871.

In the 1890s Jones becomes known as ‘Mother’ Jones and begins a long association with socialist causes and the United Mine Workers of America. She attends the founding convention of Social Democracy of America, later known as the Cooperative Brotherhood, in 1897 and in the same year organises support and publicity for striking bituminous coal miners in West Virginia, including a children’s march and parades of farmers delivering food to the miners’ camp. These types of defiant mass action become her trademark. Notable activities include organising women in support of an 1899 anthracite coal strike in eastern Pennsylvania, directing strikes of young women working in textile mills, a 1903 ‘children’s crusade’ against child labour which includes a ninety-mile march from Philadelphia to New York City, participating in 1905 in the founding convention of the Industrial Workers of the World, a radical labour union committed to the organisation of unskilled workers, campaigning for the release of Mexican revolutionaries imprisoned in American jails, and testifying in 1915 in congressional hearings against the abuse of corporate power by Rockefeller interests.

Jones reportedly meets with James Connolly, Irish socialist and labour organiser, in New York City in 1910. She is arrested for the first time for violating a federal injunction during a miners’ strike in West Virginia in 1902. In 1904, during a Colorado miners’ campaign, she has to avoid the authorities to escape possible deportation. During a 1914 strike in Ludlow, Colorado, she is imprisoned without trial for nine weeks. In 1919 she is arrested in Pennsylvania during a steelworkers’ strike for defending freedom of speech and the right of workers to organise unions. She remains active in the labour movement and radical causes into her nineties.

During her later years, Jones lives with her friends Walter and Lillie May Burgess on their farm in what is now Adelphi, Maryland. She celebrates her self-proclaimed 100th birthday there on May 1, 1930 and is filmed making a statement for a newsreel.

Jones dies on November 30, 1930 at the Burgess farm then in Silver Spring, Maryland, though now part of Adelphi. There is a funeral Mass at St. Gabriel’s in Washington, D.C. She is buried in the Union Miners Cemetery in Mount Olive, Illinois, alongside miners who died in the 1898 Battle of Virden.

In 1932, about 15,000 Illinois mine workers gather in Mount Olive to protest against the United Mine Workers, which soon becomes the Progressive Mine Workers of America. Convinced that they have acted in the spirit of Mother Jones, the miners decide to place a proper headstone on her grave. By 1936, the miners have saved up more than $16,000 and are able to purchase “eighty tons of Minnesota pink granite, with bronze statues of two miners flanking a twenty-foot shaft featuring a bas-relief of Mother Jones at its center.” On October 11, 1936, also known as Miners’ Day, an estimated 50,000 people arrive at Mother Jones’s grave to see the new gravestone and memorial. Since then, October 11 is not only known as Miners’ Day but is also referred to and celebrated in Mount Olive as “Mother Jones’s Day.”

The farm where she died begins to advertise itself as the “Mother Jones Rest Home” in 1932, before being sold to a Baptist church in 1956. The site is now marked with a Maryland Historical Trust marker, and a nearby elementary school is named in her honor.


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Birth of Liam Redmond, Stage, Film & Television Character Actor

Liam Redmond, Irish character actor known for his stage, film and television roles, is born in Limerick, County Limerick, on July 27, 1913.

Redmond is one of four children born to cabinet-maker Thomas and Eileen Redmond. Educated at the Christian Brothers schools in Dublin, he later attends University College Dublin and initially reads medicine before moving into drama.

While Director of the Dramatic Society Redmond meets and marries the society’s secretary, Barbara MacDonagh, sister of Donagh MacDonagh and daughter of 1916 Easter Rising leader Thomas MacDonagh and Muriel Gifford. They have four children.

Redmond is invited to join the Abbey Theatre in 1935 as a producer by William Butler Yeats, the Irish poet. Yeats writes his play Death of Cú Chulainn for Redmond to star as Cú Chulainn, hero of one of Ireland’s foundational myths.

Redmond makes his acting debut at the Abbey Theatre in 1935 in Seán O’Casey‘s The Silver Tassie. His first stage appearance is in 1939 in New York City in The White Steed. After returning to Britain at the outbreak of World War II he is a regular on the London stage. He is one of the founders of the Writers’, Artists’, Actors’ and Musicians’ Association (WAAMA), a precursor of the Irish Actors’ Equity Association. His insistence that “part-time professionals” – usually civil servants who act on the side – should be paid a higher rate than professional actors for both rehearsal time and performance, effectively wiping out this class, raising the wages and fees of working actors.

Redmond stars in Broadway, among other plays starring in Paul Vincent Carroll‘s The White Steed in 1939, playing Canon McCooey in The Wayward Saint in 1955, winning the George Jean Nathan Award for Dramatic Criticism for his performance, and starring in 1968 in Joe Orton‘s Loot and Brian Friel‘s The Loves of Cass Maguire.

Redmond works in television and film throughout the 1950s to the 1980s and is regularly seen in television series such as The Avengers, Daniel Boone, The Saint and Z-Cars. He is often called upon as a character actor in various military, religious and judicial roles in films such as I See a Dark Stranger (1946), Captain Boycott (1947), High Treason (1951), The Cruel Sea (1953), The Playboy of the Western World (1962), Kid Galahad (1962), The Luck of Ginger Coffey (1964), Tobruk (1967), The Ghost and Mr. Chicken (1966) and Barry Lyndon (1975). His performance as the kindly occult expert in the cult horror film Night of the Demon (1957) is a favourite of fans of the film.

Redmond retires to Dublin and dies at age 76, after a long period of ill health, on October 28, 1989. His wife Barbara predeceases him in 1987.


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Éamon de Valera Visits Butte, Montana During His American Tour

President Éamon de Valera visits Butte, Montana, on July 25, 1919, during his American Tour of 1919-20. Montana Lieutenant Governor W. W. McDowell meets his train and rides with de Valera through the streets to where de Valera then addresses over 10,000 people who have come out to hear him. The next day, de Valera addresses a joint session of the Montana State Legislature.

De Valera’s eventful 1919 begins in Lincoln Jail and ends in New York City’s Waldorf Astoria, the largest and most luxurious hotel in the world. Smuggled aboard the SS Lapland in Liverpool in June, he sails for the United States during the closing stages of the Paris Peace Conference. As London’s Sunday Express complains in August 1919, “there is more Irish blood in America than in Ireland,” making the United States the obvious destination for a sustained propaganda and fundraising mission.

After his highly-publicised American debut at New York’s Waldorf Astoria, the self-styled “President of the Irish Republic” embarks on the first leg of what is to be an eighteen month tour of the United States. The purpose of his mission is twofold: to gain formal recognition of the Irish Republic and to raise funds via a bond issue to support the independence movement and the newly established Dáil Éireann.

Between July and August 1919, de Valera and his entourage travel over 6,000 miles from New York to San Francisco, addressing enormous crowds at dozens of venues. He fills Madison Square Garden to capacity and receives a thirty-minute standing ovation from 25,000 people in Chicago’s Wrigley Field. Twice as many people fill Boston’s Fenway Park on June 29, cheering the arrival of the “Irish Lincoln.” The Sinn Féin envoys also visit less obvious Irish communities of the period, such as Scranton, Savannah, New Orleans and Kansas City. For de Valera’s personal secretary, Seán Nunan, the public meeting in Butte, Montana is like “an election meeting at home – there were so many first-generation Irishmen working on the mines – mainly from around Allihies in West Cork.” In San Francisco de Valera dedicates a statue of Robert Emmet by Irish-born sculptor Jerome Connor in Golden Gate Park, a replica of which stands sentinel in St. Stephen’s Green in Dublin. This is one of many symbolic gestures linking the American and Irish struggles for independence played out before the flashing bulbs of the ubiquitous press photographers. On August 15 The Cork Examiner notes that the enthusiastic American exchanges “indicate that few public missionaries from other lands – possibly only Mr. Parnell – have ever had such receptions as were accorded to the Sinn Féin leader.”

De Valera’s team deserves credit for the incredible logistical triumph that is the U.S. tour. As chief organiser, Liam Mellows travels ahead to each city, ensuring a suitable reception is prepared and a venue secured for a mass meeting. Seán Nunan is de Valera’s fastidious personal secretary and Harry Boland, Sinn Féin TD for South Roscommon and Irish Republican Brotherhood (IRB) envoy, is at his side troubleshooting, speechmaking and shaking hands. As the tour progresses, de Valera’s supporting cast expands to include, Kerry-born Kathleen O’Connell who becomes de Valera’s full-time personal secretary from 1919.

The next stage of de Valera’s American odyssey begins on October 1, 1919 in Philadelphia, a city with a rich Irish heritage and rife with symbolism of America’s struggle for independence. Over the next three weeks, de Valera and his team travel from the Atlantic to the Pacific seaboard and back again, delivering seventeen major public speeches and a host of smaller ones to aggregate crowds of over half a million.

The pace is relentless as the Irish team makes its way through middle America. De Valera is received as a visiting dignitary at multiple state legislatures and presented with honorary degrees from six American universities. In line with his secondary objective to foster the interest of “wealthy men of the race in the industrial development of Ireland,” he addresses the Chambers of Commerce in a number of cities and arranges a personal meeting with Henry Ford, the son of an Irish emigrant, during his visit to Detroit in October. In the same month in Wisconsin, he is made a Chief of the Chippewa Nation, an honour he later says meant more to him than all the freedoms of all the cites he was ever given. It is not surprising that by the time they reach Denver on October 30, The Irish World reports that “the President looked tired.” Still, he musters the energy to make high profile visits to Portland, Los Angeles and San Diego before beginning the return journey to New York at the end of November.

After a short break for Christmas, the Irish team prepares for the launch of the Bond Certificate Drive. A week-long frenzy of publicity kicks off on January 17 at New York City Hall where Mayor John F. Hylan presents de Valera with the Freedom of the City. During the spring of 1920, de Valera addresses the Maryland General Assembly at Annapolis before making the swing through the southern states of America.

It is not all plain sailing for the Sinn Féin representatives in America. The tour of the west coast in late 1919 sees increasing tensions with American patriotic bodies who are critical of de Valera’s perceived pro-German stance during World War I. He is heckled during a speech in Seattle and a tricolour is ripped from his car in Portland by members of the American Legion. The trip through the southern states in the spring of 1920 coincides with rising American anti-immigration and anti-Catholic nativism. A small number of counter demonstrations are organised by right-wing Americans. Most notably, members of the Ku Klux Klan make unwelcome appearances at several rallies in the American south, making clear their opposition to de Valera’s presence.

The Irish envoys also contend with antagonism from the leaders of Friends of Irish Freedom (FOIF), the broad-based popular front of Clan na Gael headed by veteran Fenian John Devoy and Judge Daniel Cohalan. The FOIF uses its significant resources to finance de Valera’s tour and facilitate the Bond Certificate Drive, but behind the scenes there are significant personality clashes and tensions over tactics.

The increasingly public dispute comes to a head in a row over strategies at the Republican National Convention in Chicago in June 1920. Drawing on his influential political contacts, Cohalan persuades the Republican Party to include Irish self-determination in their election platform. However, much to Cohalan’s fury, de Valera leads a separate delegation to the Convention and insists on a resolution calling for recognition of the Irish Republic. The result is that two resolutions are submitted to the Platform Committee, which indicates dissension in the Irish ranks and gives the Committee the excuse to include neither in the final platform. After de Valera also fails to secure the endorsement of the Democratic convention in San Francisco in June, it is clear that the Irish question will not be a significant factor in the ensuing presidential election. Relations between the FOIF and de Valera reach a new low. In November 1920, de Valera makes the final break with the FOIF and sets up a new organisation, the American Association for the Recognition of the Irish Republic.

De Valera is in Washington, D.C. on October 25 when Terence MacSwiney dies after 74 days on hunger strike. Six days later, at the last great meeting of the American tour, 40,000 people fill New York’s Polo Grounds to commemorate MacSwiney’s death. By late November, de Valera knows that it is time to return to Ireland. Smuggled aboard SS Celtic in New York harbour on December 10, he prepares for the nine-day journey home. He had failed to obtain the recognition of the United States Government for the Republic, but his cross-continental tour and associated press coverage raised international awareness and over $5 million for the Irish cause.

(From: An article by Helene O’Keeffe that was first published in the Irish Examiner on March 24, 2020 | Photo: Eamon de Valera, center, president of the Provisional Government of the Irish Republic, in Butte, Montana, in 1919 to encourage support for Ireland’s fight for independence. Courtesy of Butte-Silver Bow Public Archives)


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Birth of John Purroy Mitchel, the 95th Mayor of New York City

John Purroy Mitchel, the 95th mayor of New York City (1914-17), is born on July 19, 1879 at Fordham, Bronx, New York City. He is remembered for his short career as leader of reform politics in New York as well as for his early death as a U.S. Army Air Service officer in the last months of World War I.

Mitchel is born to James Mitchel, a New York City fire marshal, and Mary Purroy who works as a schoolteacher until her marriage. His father is Irish, and Presbyterian in faith, the son of the famous Irish nationalist John Mitchel, and a veteran of the Confederate States Army. Two of his uncles were killed fighting for the Confederacy. His maternal grandfather, Venezuelan-born Juan Bautista Purroy, was that country’s consul in New York, which makes Mitchel the first Mayor of New York City of Latino descent. His great-grandfather, José Joaquin de Purroy, was a lawyer from Spain who settled in Venezuela. He graduates from a Catholic secondary school at Fordham Preparatory School in the late 1890s. He obtains his bachelor’s degree from Columbia College in 1899 and graduates from New York Law School in 1902 with honors. He then pursues a career as a private attorney.

In December 1906, Mitchel’s career takes flight when he is hired by family friend and New York City corporation counsel William B. Ellison to investigate the office of John F. Ahearn, borough president of Manhattan, for incompetence, waste and inefficiency. As a result, Ahearn is dismissed as borough president of Manhattan. He begins his career as assistant corporation counsel and then becomes a member of the Commissioners of Accounts, from which he investigates city departments. He gains results and recognition for his thorough and professional investigations into various city departments and high-ranking officials. Along with the help of Henry Bruère and other staff members of the Bureau of Municipal Research, he turns the insignificant Commissioners of Accounts into an administration of importance.

The young Mitchel’s reputation as a reformer garners him the support of the anti-Tammany forces. In 1909, he is elected president of the New York City Board of Aldermen, an organization similar to the current New York City Council. As president of the Board of Aldermen, he is able to enact fiscal reforms. He cuts waste and improves accounting practices. Also, he unsuccessfully fights for a municipal-owned transit system and the city sees him vote against allowing the Interborough Rapid Transit and the Brooklyn Rapid Transit companies permission to extend their existing subway and elevated lines. For a six-week period in 1910 after current Mayor William J. Gaynor is injured by a bullet wound, he serves as acting mayor. His biggest accomplishment during his short tenure is the act of neutrality during a garment industry strike.

As the mayoral election approaches in 1913, the Citizens Municipal Committee of 107 sets out to find a candidate that will give New York “a non-partisan, efficient and progressive government.” They are assisted in this endeavor by the Fusion Executive Committee, led by Joseph M. Price of the City Club of New York. After nine ballots, Mitchel is nominated as a candidate for mayor. During his campaign, he focuses on making City Hall a place of decency and honesty. He also focuses on business as he promises New Yorkers that he will modernize the administrative and financial machinery and the processes of city government.

At the age of 34, Mitchel is elected mayor on the Republican Party slate as he wins an overwhelming victory, defeating Democratic candidate Edward E. McCall by 121,000 votes, thus becoming the second youngest mayor of New York City. He is often referred to as “The Boy Mayor of New York.”

Mitchel’s administration introduces widespread reforms, particularly in the Police Department, which has long been highly corrupt and which is cleaned up by Mitchel’s Police Commissioner Arthur H. Woods. Woods is able to break up gangs and in his first year in office and he arrests more than 200 criminals. Woods also launches an attack on robbery, prostitution, pickpocketing and gambling. Woods ultimately transforms the police department into a crime-fighting machine. Mitchel aims to get rid of corruption wherever he sees it. His administration sets out to restructure and modernize New York City and its government. He is able to expand the city’s regulatory activities, runs the police department more honestly and efficiently and, much like in 1910, he maintains impartiality during garment and transportation workers strikes in 1916.

At 1:30 p.m. on April 17, 1914, Michael P. Mahoney fires a gun at the mayor as Mitchel is getting in his car to go to lunch. The bullet ricochets off a pedestrian and hits Frank Lyon Polk, New York City’s corporation counsel, in the chin.

Mitchel’s early popularity is soon diminished due to his fiscal policies and vision of education. He is heavily criticized for combining vocational and academic courses. He begins to trim the size of the Board of Education and attempts to control teachers’ salaries.

Mitchel advocates universal military training to prepare for war. In a speech at Princeton University on March 1, 1917, he describes universal military training as “the [only] truly democratic solution to the problem of preparedness on land.” His universal military training alienates New Yorkers and is not popular. Many feel he focuses too much on military patriotism and is indifferent to politics. This soon leads to a loss of support for his re-election bid in 1917.

Mitchel runs again for mayor in the highly charged wartime election of 1917. His re-election bid takes a hit as many New Yorkers feel he is socializing with the social elite, focuses too much on the economy and efficiency and his concern on military preparedness. He narrowly loses the Republican primary to William M. Bennett after a contentious recount but then runs for re-election as a pro-war Fusion candidate.

Mitchel’s main campaign theme is patriotism, with a media campaign that denounces Germans, Irish, and Jews as unpatriotic sympathizers with the enemy cause. He runs against Republican Bennett, antiwar Socialist Morris Hillquit, and the Tammany Hall Democrat John F. Hylan. Hylan ridicules and denounces Mitchel’s upper-class reform as an affront to democracy and to the voters. He wins by a landslide without taking a clear position on the war. Mitchel barely beats Hillquit for second place.

After failing to get re-elected, Mitchel joins the Air Service as a flying cadet, completing training in San Diego and obtaining the rank of major. On the morning of July 6, 1918, when returning from a short military training flight to Gerstner Field, near Lake Charles, Louisiana, his plane suddenly goes into a nose dive, causing him to fall from his plane due to an unfastened seatbelt. He plummets 500 feet to his death, his body landing in a marsh about a half mile south of the field.

Mitchel’s body is returned to Manhattan, New York City. His funeral is held at St. Patrick’s Cathedral, and he is buried in Woodlawn Cemetery in The Bronx, New York City on July 11, 1918.

Mitchel Field on Long Island is named for him in 1918. A bronze memorial plaque with his likeness is also affixed between the two stone pylons at the western end of Hamilton Hall, the main college building at Columbia University. A plaque of his likeness is on the entrance to the base of the Central Park Reservoir elevated cinder jogging track at 90th Street and Fifth Avenue entrance to Central Park. The New York City Fire Department operates a fireboat named John Purroy Mitchel from 1921 to 1966.


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Death of Francis Browne, Irish Jesuit & Photographer

Francis Patrick Mary Browne, distinguished Irish Jesuit and a prolific photographer, dies in Dublin on July 7, 1960. His best known photographs are those of the RMS Titanic and its passengers and crew taken shortly before its sinking in 1912. He is decorated as a military chaplain during World War I.

Browne is born to a wealthy family in 1880 at Buxton House, Cork, County Cork, the youngest of the eight children of James and Brigid (née Hegarty) Browne. His mother is the niece of William Hegarty, Lord Mayor of Cork, and a cousin of Sir Daniel Hegarty, the first Lord Mayor of Cork. She dies of puerperal fever eight days after his birth. After the death of his father in a swimming accident at Crosshaven on September 2, 1889, he is raised and supported by his uncle, Robert Browne, Bishop of Cloyne, who buys him his first camera shortly before the younger man embarks on a tour of Europe in 1897.

Browne spends his formative years at Bower Convent, Athlone (1888–91), Belvedere College (1891–92), Christian Brothers College, Cork (1892–1893), St. Vincent’s Castleknock College (1893–97), graduating in 1897. He goes on the aforementioned tour of Europe, where he begins taking photographs.

Upon his return to Ireland, Browne joins the Jesuits and spends two years in the novitiate at St. Stanislaus College, Tullabeg, County Offaly. He attends the Royal University of Ireland, Dublin, where he is a classmate of James Joyce, who features him as Mr. Browne the Jesuit in Finnegans Wake. In 1909, he visits Rome with his uncle and brother, a bishop and priest respectively, during which they have a private audience with Pope Pius X with the Pope allowing Browne to take his photograph. He studies theology at the Milltown Institute of Theology and Philosophy in Dublin from 1911 to 1916.

In April 1912 Browne receives a present from his uncle: a ticket for the maiden voyage of RMS Titanic from Southampton, England, to Queenstown, Ireland, via Cherbourg, France. He travels to Southampton via Liverpool and London, boarding the RMS Titanic on the afternoon of April 10, 1912. He is booked in cabin A-37 on the Promenade Deck. He takes dozens of photographs of life aboard RMS Titanic on that day and the next morning. He captures the last known images of many crew and passengers, including captain Edward J. Smith, gymnasium manager T. W. McCawley, engineer William Parr, Major Archibald Butt, writer Jacques Futrelle and numerous third-class passengers whose names are unknown.

During his voyage on the RMS Titanic, Browne is befriended by an American millionaire couple who are seated at his table in the liner’s first-class dining saloon. They offer to pay his way to New York and back in return for him spending the voyage to New York in their company. He telegraphs his superior, requesting permission, but the reply is an unambiguous “GET OFF THAT SHIP – PROVINCIAL.”

Browne leaves the RMS Titanic when she docks in Queenstown and returns to Dublin to continue his theological studies. When the news of the ship’s sinking reaches him, he realises that his photos would be of great interest, and he negotiates their sale to various newspapers and news cartels. They appear in publications around the world. The Eastman Kodak Company subsequently gives him free film for life and he often contributes to The Kodak Magazine. It is unknown what type of camera he used to shoot the famous photos aboard RMS Titanic.

After his ordination on July 31, 1915, Browne completes his theological studies. In 1916, he is sent to Europe to join the Irish Guards as a chaplain. He serves with the Guards until the spring of 1920, including service at the Battle of the Somme and at Locre, Wytschaete, Messines Ridge, Paschendaele, Ypres, Amiens and Arras in Flanders.

Browne is wounded five times during the war, once severely in a gas attack. He is awarded the Military Cross (MC) on June 4, 1917 “for distinguished service in the field”. He is awarded a bar to his MC on February 18, 1918. He is also awarded the Croix de Guerre by France.

Browne takes many photographs during his time in Europe. One, which he calls “Watch on the Rhine,” is considered a classic image of World War I. He assembles a collection of his war photographs in an album named after his most famous photograph and distributes copies to his colleagues in the Guards.

After the war, Browne returns to Dublin, where, in 1922, he is appointed superior of Gardiner Street Church in Dublin. Ill health dogs him, however, and in 1924 it is thought that he would recover more quickly in warmer climes. He is sent on an extended visit to Australia. He takes his camera along, photographing life aboard ship and in Cape Town, South Africa, where he breaks his voyage.

On his way back to Ireland, Browne visits Ceylon, Aden, Suez, Saloniki, Naples, Toulon, Gibraltar, Algeciras, and Lisbon, taking photographs of local life and events at every stop. It is estimated that he takes more than 42,000 photographs during his life.

Browne resumes office as the Superior of Saint Francis Xavier Church, Dublin, upon his return. In 1929 he is appointed to the Retreats and Mission staff of the Irish Jesuits. His work entails preaching at missions and religious retreats all over Ireland. As most of this work is necessarily performed on evenings and Sundays, he has considerable time to indulge in his hobby during the daytime. He takes photographs of many parishes and towns in Ireland, and also photographs in London and East Anglia during his ecclesiastical travels to England.

Browne dies in Dublin on July 7, 1960, and is buried in the Jesuit plot in Glasnevin Cemetery in Dublin. His negatives lay forgotten for 25 years after his death. They are found by chance in 1985 when Father Edward E. O’Donnell discovers them in a large metal trunk, once belonging to Browne, in the Irish Jesuit archives. “When the trunk was opened in 1985, people compared him to the greats like Henri Cartier-Bresson and Robert Doisneau, but his work predated theirs by decades,” archivist David Davison later recalls.

O’Donnell brings the negatives to the attention of several publishers. The RMS Titanic photographs are published in 1997 as Father Browne’s Titanic Album with text by E. E. O’Donnell (Fr. Eddie O’Donnell). In all, at least 25 volumes of Browne’s photographs have now been published. The features editor of The Sunday Times of London calls this “the photographic equivalent to the discovery of the Dead Sea Scrolls.” Many of these books have become best-sellers, the latest being the Centenary Edition of Father Browne’s Titanic Album in 2012 by Messenger Publications, Dublin.

The Irish province of the Jesuits, the owner of the negatives pursuant to Browne’s will, engage photographic restoration specialists David and Edwin Davison to preserve and catalogue the fragile and unstable negatives. The Davisons make copies of every negative and are in the process of transferring every usable image to a digital format for future generations. The Davisons later acquire the rights to the photographs and still own the rights as Davison & Associates.