Pery is born in Limerick, County Limerick on April 8, 1719, into one of Limerick’s most politically influential families, the elder son of the Rev. Stackpole Pery and Jane Twigge. His maternal grandfather is William Twigge, Archdeacon of Limerick.
A trained barrister, Pery becomes a member of the Irish House of Commons for the Wicklow Borough constituency in 1751. On the dissolution of the house following the death of George II, he is elected for the constituency of Limerick City and serves from 1761 until 1785, becoming Speaker of the House in 1771. In 1783, he stands also for Dungannon, however chooses to sit for Limerick City. He is considered one of the most powerful politicians in Ireland in his time, leading a faction which includes his nephew, the future Earl of Limerick, and his relatives by marriage, the Hartstonges. Following his resignation, he is created Viscount Pery, of Newtown Pery, near the City of Limerick, in the Peerage of Ireland, entitling him to a seat in the Irish House of Lords. As he has no male heirs, his title becomes extinct on his death in 1806.
Pery is also noted for his part in the history of the architecture of Limerick. In 1765, he commissions the engineer Davis Ducart to design a town plan for land that he owns on the southern edge of the existing city, which leads to the construction of the Georgian area of the city later known as Newtown Pery. He is also commemorated in the naming of Pery Square.
Pery marries Patricia (Patty) Martin of Dublin in 1756, who dies a year later, and secondly Elizabeth Vesey, daughter of John Vesey, 1st Baron Knapton, and Elizabeth Brownlow. He and Elizabeth have two daughters:
Flannery edits the Dominican bi-monthly journal entitled Doctrine and Life from 1958 to 1988, while at St. Saviour’s Priory, Dublin, where he also serves as prior from 1957 to 1960. He also edits the Religious Life Review. He publishes many English language documents on the Second Vatican Council.
Aherne is born in Limerick, County Limerick, on January 26, 1919. As a youth, he initially emerges as a prominent hurler with Treaty Sarsfields and also plays one game for Limerick. However he subsequently decides to concentrate on football and begins his senior career with Limerick United where his teammates include Davy Walsh. During World War II, he serves in the Irish Army and is stationed at Crosshaven. His impressive performances in the League of Ireland attract attention and in 1946 he is signed by Belfast Celtic.
While at Belfast Celtic, Aherne plays alongside Jackie Vernon, Billy McMillan, Robin Lawler and Johnny Campbell and helps them win the Irish Cup in 1947 and an Irish League title in 1948. He is also at Celtic during the infamous Boxing Day riot which breaks out during a game against local rivals Linfield F.C. In March 1949, he leaves Celtic and signs for Luton Town. However, in May 1949, he temporarily rejoins Celtic for their final tour before the club disbands. Together with McMillan, Campbell, Lawlor, guest player Mick O’Flanagan and manager Elisha Scott, he goes on the Celtic tour of North America. The highlight of the 10-game tour comes on May 29 when Celtic beats the reigning British champions, Scotland, 2–0.
Aherne signed for Luton Town for a fee of £6,000 and makes his English Football League debut on March 19 in a 2–1 away defeat to Tottenham Hotspur. Despite the fact he is over 30 when he joins Luton, he quickly establishes himself as a regular. He plays competitive football into his late thirties and is ever-present during the 1954–55 season when Luton wins promotion to Division One. After playing 288 games for Luton, including 267 in the league, he retires after a hairline fracture of the ankle ends his career. Even then he continues to play for a local league team, Luton Celtic, into his forties.
When Aherne begins his international career in 1946 there are in effect, two Ireland teams, chosen by two rival associations. Both associations, the Belfast-based Irish Football Association and the Dublin-based Football Association of Ireland, claim jurisdiction over the whole of Ireland and select players from the whole island. As a result, several notable Irish players from this era, including Aherne play for both teams.
Between 1946 and 1953 Aherne makes 16 appearances for the FAI XI. He makes his FAI debut in June 1946 during an Iberian tour, playing in both the 3–1 defeat to Portugal on June 16 and then helping the FAI XI gain a surprise 1–0 victory against Spain on June 23. He remains a regular in the FAI XI throughout the late 1940s and early 1950s and is featured prominently in the qualifying rounds for the 1950 FIFA World Cup. He is also a member of the FAI XI team that defeats England 2–0 at Goodison Park, becoming the first non-UK team to beat England at home.
On November 16, 1953, during a 1–1 draw with France, Aherne briefly becomes involved in controversy. Although only a friendly, the game quickly becomes heated and at one point, with Aherne chasing Raymond Kopa down the tunnel after play had been stopped for a foul. Kopa allegedly runs for his life after upsetting Aherne once too often. The FAI selectors are not impressed and Aherne is told a repeat will end his international career. As it turns out, he makes only one more appearance for the FAI XI. That comes on October 4, 1953, in 5–3 defeat against France during a qualifier for the 1954 FIFA World Cup.
Between 1946 and 1950, Aherne also makes six appearances for the IFA XI. These include two Victory Internationals played in early 1946. On February 2 at Windsor Park, he makes his debut for the IFA XI in a 3–2 defeat to Scotland. Then on May 4 he helps the IFA XI defeat Wales 1–0 at Ninian Park. On September 28, 1946, he also plays for the IFA XI in a heavy defeat to England. The highlight of his career with the IFA XI comes on October 4, 1947 when he helps them gain a 2–0 win against Scotland.
Ahern makes his last appearance for the IFA XI in a 0–0 draw with Wales on March 8, 1950. As well as being part of the 1950 British Home Championship, the game also doubles up as a qualifier for the 1950 FIFA World Cup. Aherne, together with Con Martin, Reg Ryan and Davy Walsh, is one of four players from the Republic, included in the IFA XI that day and as a result he plays for two different associations in the same FIFA World Cup tournament. This situation eventually leads to intervention by FIFA and as a result Aherne becomes one of the last four Republic-born players to play for the IFA XI.
After retiring as a player Aherne settles in Luton where he coaches the Luton Town youth team, works in the local car industry and runs a very successful licensed premises. He also continues to visit Limerick regularly and remains healthy and active until he is diagnosed with Alzheimer’s disease in the mid-1990s. He dies on December 30, 1999 at the age of 80 and is survived by his wife, Eileen, two sons, Pat and Brian, and three daughters, Maura, Trisha and Catherine.
Hogan forms the Cranberries with his brother Mike and drummer Fergal Lawler in 1989. The group recruits Dolores O’Riordan as lead singer soon after forming. The band goes on to sell in excess of 40 million records worldwide. In total, Hogan has released eight albums with the Cranberries.
The Cranberries go on a six-year hiatus from 2003 to 2009. During this time Hogan turns his focus to his own music. He begins working with programmer Matt Vaughan, who had already done work on unreleased Cranberries songs and Dolores O’Riordan’s solo material. Mono Band is born with Hogan as the sole band member. With vocals being supplied by Richard Walters, Alexandra Hamnede, Kate Havnevik, and other guest artists, he works with Cranberries’ veteran producer Stephen Street to compile a mix of 12 tracks. Working on his side project at the same time, sees their resulting debut album, Mono Band, released on May 20, 2005. He and Mono Band vocalist Richard Walters go on to form Arkitekt. Arkitekt releases two EPs at that time in 2009, working on new material.
After O’Riordan’s untimely death on January 15, 2018, Hogan confirms disbandment of the Cranberries, which occurs after the release of the posthumous album In the End in 2019, saying, “The Cranberries without Dolores just isn’t The Cranberries… we won’t replace our friend and lead singer.”
Hogan’s work independent of the Cranberries has been released on his own label, Gohan Records, and is published through Fairwood Music (UK) Ltd for the world.
Hogan also produces bands on the local music scene in Limerick. On July 10, 2009, Gohan Records releases Tonelist in collaboration with Limerick Live 95FM‘s Green and Live show. It is a collection featuring musicians in the Limerick music scene.
In 2022, Hogan debuts The Puro, a new duo alongside Brazilian singer Mell Peck.
Keating is born in Limerick, County Limerick on September 28, 1889. He studies drawing at the Limerick Technical School before a scholarship arranged by William Orpen allows him to go study at the Metropolitan School of Art in Dublin at the age of twenty. Over the next few years, he spends two weeks or so during the late summer on the Aran Islands and his many portraits of island people depict them as rugged heroic figures.
In 1914 he wins the RDS Taylor award with a painting titled The Reconciliation. The prize includes £50.00 which allows him to go to London to work as Orpen’s studio assistant in 1915. In late 1915 or early 1916, he returns to Ireland where he documents the Irish War of Independence and the subsequent Irish Civil War. Examples include Men of the South (1921–22) which shows a group of Irish Republican Army (IRA) men ready to ambush a military vehicle and An Allegory (first exhibited in 1924), in which the two opposing sides in the Irish Civil War are seen to bury the tri-colour covered coffin amid the roots of an ancient tree. The painting includes a self-portrait of the artist.
Keating is elected an Associate of the Royal Hibernian Academy (RHA) in 1918, and a full member in 1923. One of the cardinal achievements of the Irish Free State in the 1920s is the building, in partnership with Siemens, of a hydro-electric power generator at Ardnacrusha, near Limerick. Between 1926 and 1927, at his own volition, he produces a considerable number of paintings related to this scheme. He exhibits several examples of the paintings in the RHA exhibitions in 1927 and 1928. Most of the paintings are now in the collection of ESB Group.
In 1936 group of prominent Limerick politicians, artists and patrons establish the first Limerick City Collection of Art from various donations and bequests. Keating is part of this artist-led initiative to form a municipal art gallery in Limerick similar to those already in Dublin and Cork. The collection is formed primarily out of donations and bequests. As a pivotal member of the committee, Keating himself donates many works to the collection which is first exhibited as a municipal collection in the Savoy Cinema, Limerick City on November 23, 1937. It is not until 1948 that an extension to the rear of Limerick Free Library and Museum becomes the home to the City Collection as the Limerick Free Art Gallery. In 1985 the Library and Museum are transferred to larger buildings.
In 1939 Keating is commissioned to paint a mural for the Irish pavilion at the New York World’s Fair. He is President of the RHA from 1950 to 1962 and shows at the annual exhibition for 61 years from 1914. Although he is an intellectual painter in the sense that he consciously sets out to explore the visual identity of the Irish nation, and his paintings show a very idealised realism, he fears that the modern movement will bring back a decline in artistic standards. Throughout his career, he exhibits nearly 300 works at the RHA and also shows at the Oireachtas.
Seán Keating dies on December 21, 1977 at the Adelaide Hospital in Dublin and is buried at Cruagh Cemetery, Rathfarnham. The 1978 RHA Exhibition features a small memorial collection of his work.
Posthumous exhibitions of his work are mounted by The Grafton Gallery, Dublin (1986) and the Electricity Supply Board (1987). Sean Keating – The Pilgrim Soul, a documentary presented and written by his son Justin Keating, airs on RTÉ in 1996.
(Pictured: Photograph of Keating’s “An Allegory” painted between 1922 and 1924. The painting represents Keating’s own disillusionment and loss of idealism resulting from the outbreak of the Irish Civil War. The only figure of the group addressing the observer is a self-portrait of the artist.)
Buckley grows up in a rural environment and is introduced to traditional music learning the button accordion from the local player Liam Moloney when he is 9 years of age. In 1969 he moves to Dublin to study for the Teacher’s Diploma at St. Patrick’s College, Drumcondra. Here he has his first opportunity to hear live classical and modern music including contemporary and avantgarde works by Irish composers including Aloys Fleischmann, Brian Boydell, John Kinsella, and Seóirse Bodley, as well as works by international composers such as Krzysztof Penderecki. He becomes a student at the Royal Irish Academy of Music, Dublin (1969–74), studying the flute with Doris Keogh and composition with A. J. Potter and James Wilson. He continues his musical studies with Alun Hoddinott in Cardiff, Wales (1978–82), Aloys Fleischmann in Cork (M.A. in composition, 1980), and briefly with John Cage during a summer school for composers and choreographers at Guildford, Surrey, in 1981. Initially working as secondary school teacher, from 1982 he is able to work independently as a composer.
In 1983, Buckley is the co-founder, with James Wilson, of the annual Ennis Summer School for composition, which becomes an influential training ground for aspiring young Irish composers; pupils include Michael Alcorn, Rhona Clarke, and Gráinne Mulvey. He becomes a member of Aosdána in 1984. Since 2001 he has been a lecturer in music at St. Patrick’s College, Drumcondra. From the National University of Ireland at Maynooth (now Maynooth University) he receives a PhD in 2002 and a DMus in 2007.
Apart from membership in Aosdána, Buckley is honoured with the Varming Prize (1976), the Macaulay Fellowship (1978), the Arts Council‘s Composers’ Bursary (1982) and the Marten Toonder Award (1991).
Buckley’s output includes many commissions for solo instruments, chamber ensembles, choirs, bands and orchestra. His music has been widely performed and broadcast in Ireland and in more than fifty countries worldwide. He has represented Ireland at the UNESCOInternational Rostrum of Composers on five occasions and at the 1990 Prix Italia. His music has also been performed at five International Society for Contemporary Music (ISCM) festivals.
Buckley’s music does not adhere to any particular compositional school. He acknowledges the influence of Luciano Berio, Witold Lutoslawski,György Ligeti, and Olivier Messiaen. His harmonic approach is freely atonal. Structurally, there is frequently a gradual build-up from initially very limited pitch material to large formal constructions. Many compositions work towards a climax in the fourth quarter of a piece and then return to initial pitch sequences. In a number of early works he explores the Celtic myths of his native Ireland in orchestral scores such as Taller than Roman Spears (1977) and Fornocht do chonac thú (1980) and in small-scale works such as Oileáin (1979) for piano, Boireann (1983) for flute and piano, or I am Wind on Sea (1987) for mezzo-soprano and percussion. Later this aspect becomes less important for him. Works since the late 1980s display “a textural subtlety in marked contrast to the more robust sonorities explored in Buckley’s earlier keyboard works,” a “French refinement of sound, and an elevation of timbre as central characteristics” and “a concern with achieving a greater degree of formal unity” and “an exploration of analogies between sound and light.” O’Leary (2013) describes his style as “characterised by a broad harmonic idiom, contrasting consonance and dissonance in a non-tonal but strongly coloured soundworld.”
In 2010, Buckley arranges a number of Irish traditional songs for flute, some with harp, viola, percussion and string quartet. These are skilled and tasteful settings in a tonal harmonic language, quite unlike his original compositions.
Hayes is born into a family languishing in poverty. One of ten siblings, seven of Hayes’ brothers and sisters die of malnutrition and disease over a twelve-year period. The family had been evicted from Lord Cloncurry‘s estate in 1872 for non-payment of rent, forcing them into destitution. The family returns to the estate in 1894.
During the 1920s Hayes becomes an admirer of Benito Mussolini, with whom he is granted an audience during a visit to Rome in 1930. He is intrigued by corporatism and comes to believe it can uplift rural communities. Similarly, he is influenced by continental movements such as the BelgianBoerenbond league, which encourages rural inhabitants to form cooperatives.
Hayes comes to national prominence with the foundation of Muintir na Tíre in 1931, a rural development organisation which has core principles of neighbourliness, self-help and self-sufficiency. It is to act as a rural self-help group based on collective parish organisation with a strong emphasis on the teaching of the papal encyclicals Rerum novarum (1891) and Quadragesimo anno (1931). He is successfully able to draw on the power of the media, Irish newspapers and radio, to promote Muintir na Tíre and quickly becomes a figure of national prominence in doing so. In promoting and developing Muintir na Tíre Hayes resists calls in some quarters to limit the membership to Catholics, remarking “this country is becoming so Catholic it forgets to be Christian.” Nonetheless, under his leadership, there is eventually an overlap in membership between Muintir na Tíre and the Catholic fraternal organisation the Knights of Saint Columbanus.
Hayes is appointed parish priest of Bansha and Kilmoyler in County Tipperary in 1946. Due largely to his endeavours, a factory, Bansha Rural Industries, is started and enjoys some success producing preserves for the Irish home market. Bansha is to the forefront in developing many Muintir na Tíre initiatives and for a time in the 1950s enjoys the soubriquet of The Model Parish.
Hayes spearheads many initiatives including rural electrification, the “Parish Plan for Agriculture,” and the setting up of small industry in rural areas in an attempt to stop emigration. He is later made a canon of his cathedral chapter.
Hayes dies on January 30, 1957 in a Tipperary nursing home following a minor operation. His funeral in Bansha is a national occasion, attended by leaders of Church and State. His grave is at the rear of the Church of the Annunciation, Bansha. He is later commemorated on an Irish postage stamp.
Anthony Gerard Foley, Irish rugby union player and head coach of Munster, is born on October 30, 1973, in Limerick, County Limerick. He is attached to the same squad during his professional playing career. He is a member of the Munster team that wins the 2002–03 Celtic League and is the winning captain during their 2005–06 Heineken Cup success. He plays for Ireland from 1995 until 2005 and captains the squad on three occasions. He is nicknamed “Axel,” after the fictional character Axel Foley of the Beverly Hills Cop film series. His father Brendan Foley and sister Rosie Foley also play rugby for Ireland.
In March 1989, Foley leads St. Munchin’s College to victory in the Munster Schools Junior Cup. He later represents Munster and Ireland Schools on several occasions over two seasons, notably during the 1992 Irish Schools tour of New Zealand. Winning six games out of eight, Ireland narrowly loses the final game to a New Zealand side featuring Jonah Lomu. A controversial Jeff Wilson penalty-goal wins the game in the final minutes.
Foley makes his professional debut for Munster against Swansea in November 1995, a game that is also Munster’s first ever Heineken Cup fixture. He is on the Munster team that loses 8–9 to Northampton Saints in the 2000 Heineken Cup Final, and is again the runner-up when Munster loses 15–9 to Leicester Tigers in the 2002 Heineken Cup Final. He is finally on the winning side when Munster wins the 2002–03 Celtic League.
When Mick Galwey resigns as Munster captain, Foley narrowly loses to Jim Williams in a vote to decide the next captain. When Williams leaves Munster in 2005, Foley becomes the new captain, and in his first season in the position, he leads Munster to victory over Biarritz Olympique in the 2006 Heineken Cup Final. He has played in all but one of Munster’s first 78 Heineken Cup games until a shoulder injury sustained during Munster’s 21–19 victory over Leicester Tigers at Welford Road Stadium in their first game of the 2006–07 Heineken Cup causes him to miss his side’s subsequent victory over CS Bourgoin-Jallieu, as well as back-to-back games against Cardiff in December 2006.
Foley stands down as captain at the beginning of the 2007–08 season, making way for Paul O’Connell. He is dropped for Munster’s final fixtures of the 2007–08 Heineken Cup, and announces his retirement for the end of the season.
Foley captains Ireland three times: in 2001 against Samoa, and in 2002 against Romania and Georgia. His last international is against Wales in the 2005 Six Nations Championship. In total he plays in 62 matches for Ireland and scores 5 tries against England in 1995, Romania in 2001, Fiji in 2002, France in 2004, and Wales in 2004.
In March 2011, it is announced that Foley will take over as Munster forwards coach at the end of the 2011 season. He temporarily replaces Gert Smal as Ireland’s forwards coach during the 2012 Six Nations Championship, after Smal is forced to miss the remainder of the tournament with an eye condition. He signs a contract extension with Munster in May 2013. The following year it is announced that he will succeed Rob Penney as Munster’s head coach, signing a two-year contract that begins on July 1, 2014.
Foley dies in his sleep on October 16, 2016, of an acute pulmonary edema brought on by heart disease while staying at a hotel in the Paris suburb of Suresnes with the Munster squad. The team is preparing to face Racing 92 in its opening game of the 2016–17 European Rugby Champions Cup. The match is postponed as a result of his death. PresidentMichael D. Higgins and then-TaoiseachEnda Kenny make tributes to Foley, and the Irish flag flies at half mast at government buildings in Munster.
Foley is brought home to Ireland on Wednesday, October 19, 2016. His funeral takes place on Friday, October 21, 2016 at St. Flannan’s Church in Killaloe, County Clare.
On October 22, 2016, in the first game after Foley’s death, Munster beats Glasgow 38–17 at a sold-out Thomond Park. Tributes are paid to Foley before, during and after the game and the number 8 jersey is retired for the game, with CJ Stander wearing the number 24 for the occasion. Before their historic first ever win against New Zealand at Soldier Field, Chicago, on November 5, 2016, the senior Irish men’s team pays tribute to Foley by forming a figure of 8, led by Munster’s CJ Stander, Simon Zebo, Conor Murray and Donnacha Ryan, to face the All Blacks Haka. Ahead of a game against Munster on November 11, 2016, the Māori All Blacks team pays tribute to Foley by placing a jersey with his initials on the halfway line before performing a Haka. Māori captain Ash Dixon then presents the jersey to Foley’s sons. Munster goes on to win the historic game 27–14. On January 7, 2017, further tributes are paid to Foley when the rescheduled Round 1 fixture between Racing 92 and Munster takes place.
To honour Foley’s memory and contribution to European rugby, the European Professional Club Rugby (EPCR) announces that the 2016–17 European Player of the Year would receive the Anthony Foley Memorial Trophy. The trophy is commissioned with the agreement of the Foley family and Munster Rugby and it is envisaged that it will be presented to all future European Player of the Year winners.
The dying wish of Irish Republican Army (IRA) volunteerPatrick Maher is fulfilled on October 19, 2001, when his remains are brought from Dublin to his native County Limerick for burial the following day with full military honours. He is executed in Mountjoy Prison on June 7, 1921 following his alleged part in the rescue of IRA man Seán Hogan from a heavily guarded train in Knocklong, County Limerick, in May 1919, which results in the death of two Royal Irish Constabulary (RIC) officers. Maher always protests his innocence. He is 32 years old at the time of his death.
Maher, a native of County Limerick born around 1889, is hanged along with Edmond Foley for his alleged involvement in the rescue of Seán Hogan at Knocklong Railway Station on May 13, 1919 in which two RIC officers are killed.
Unlike Foley, Maher has no direct involvement in the rescue. He merely works at the station grading poultry and eggs and he is at a crossroads three miles away at the time of the ambush. He strongly protests his innocence. Two civilian juries fail to reach a verdict. He is finally convicted of involvement by a military court-martial and sentenced to death.
In a final message to other members of the IRA, Foley and Maher write:
“Fight on, struggle on, for the honour, glory and freedom of dear old Ireland. Our hearts go out to all our dear old friends. Our souls go to God at 7 o’clock in the morning and our bodies, when Ireland is free, shall go to Galbally. Our blood shall not be shed in vain for Ireland, and we have a strong presentiment, going to our God, that Ireland will soon be free and we gladly give our lives that a smile may brighten the face of ‘Dear Dark Rosaleen.’ Farewell! Farewell! Farewell!”
Maher is one of a group of men hanged and buried in Mountjoy in the period 1920–21, commonly referred to as the Forgotten Ten. In 2001 Maher and the other nine, including Kevin Barry, are exhumed and given a full State funeral. He is the only one of the Ten not to be buried in Glasnevin Cemetery, Dublin. In accordance with his wishes and those of his family, he is buried at Ladywell Graveyard in Ballylanders, County Limerick.
Three years later, O’Brien withdraws the Young Irelanders from the association. In January 1847, with Thomas Francis Meagher, he founds the Irish Confederation, although he continues to preach reconciliation until O’Connell’s death in May 1847. He is active in seeking relief from the hardships of the famine. In March 1848, he speaks out in favour of a National Guard and tries to incite a national rebellion. He is tried for sedition on May 15, 1848 but is not convicted.
On July 29, 1848, O’Brien and other Young Irelanders lead landlords and tenants in a rising in three counties, with an almost bloodless battle against police at Ballingarry, County Tipperary. In O’Brien’s subsequent trial, the jury finds him guilty of high treason. He is sentenced to be hanged, drawn, and quartered. Petitions for clemency are signed by 70,000 people in Ireland and 10,000 people in England. In Dublin on June 5, 1849, the sentences of O’Brien and other members of the Irish Confederation are commuted to transportation for life to Van Diemen’s Land (Tasmania in present-day Australia).
O’Brien attempts to escape from Maria Island off Tasmania, but is betrayed by the captain of the schooner hired for the escape. He is sent to Port Arthur where he meets up with John Mitchel.
O’Brien is a founding member of the Ossianic Society, which is founded in Dublin on St. Patrick’s Day 1853, whose aim is to further the interests of the Irish language and to publish and translate literature relating to the Fianna. He writes to his son Edward from Van Diemen’s Land, urging him to learn the Irish language. He himself studies the language and uses an Irish-language Bible, and presents to the Royal Irish Academy Irish-language manuscripts he has collected.
In 1854, after five years in Tasmania, O’Brien is released on the condition he never returns to Ireland. He settles in Brussels. In May 1856, he is granted an unconditional pardon and returns to Ireland that July. He contributes to The Nation newspaper, but plays no further part in politics.
In 1864 he visits England and Wales, with the view of rallying his failing health, but no improvement takes place and he dies in Bangor, Gwynedd, Wales on June 18, 1864.
seamus dubhghaill 