O’Rourke makes his debut on the inter-county scene when he is picked for the Meath minor team. He later joins the under-21 side but enjoys little success in these grades. He makes his senior debut during the 1975-1976 league. Over the course of the next twenty years he is a regular member of the starting fifteen and wins back-to-back All-Ireland medals in 1987 and 1988. He also wins five Leinster Senior Football Championship medals, three National Football League titles and is named Texaco Footballer of the Year in 1991. He plays his last game for Meath in July 1995.
In retirement from playing O’Rourke combines his teaching career with a new position as a sports broadcaster. His media career begins with RTÉ where he has worked as a studio analyst with the flagship programme The Sunday Game for over twenty-five years. He also writes a weekly column for the Sunday Independent.
O’Connor, who claims royal descent from the ancient kings of Ireland, practices law but exchanges law for politics when he is elected to the British House of Commons as Member of Parliament for County Cork, as a Repeal candidate rather than a Whig. Unseated in 1835, he turns to radical agitation in England, although he continues to press Irish grievances and to seek Irish support. As a result of his humour, invective, and energy, he becomes the best known Chartist leader and the movement’s most popular speaker. His journal, The Northern Star, founded in 1837, gains a wide circulation.
O’Connor’s methods and views alienate other Chartist leaders, particularly William Lovett, but in 1841, after spending a year in prison for seditious libel, he acquires undisputed leadership of the Chartists. Failing to lead the movement to victory and vacillating in his attitude toward the middle class and toward the People’s Charter, a six-point bill drafted and published in May 1838, he begins to lose power, although he is remarkably elected to Parliament for Nottingham in 1847, defeating Thomas Benjamin Hobhouse.
The failure of the People’s Charter in 1848 marks the beginning of the end for O’Connor, whose egocentricity is already bordering on madness. In the spring of 1852 he visits the United States, where his behaviour leaves no doubt that he is not a well man. It is possible that he is in the early stages of general paralysis of the insane, brought on by syphilis.
In the House of Commons in 1852 O’Connor strikes three fellow MPs, one of them Sir Benjamin Hall, a vocal critic of the Land Plan. Arrested by the Deputy Sergeant-at-Arms, he is sent by his sister to Dr. Thomas Harrington Tuke‘s private Manor House Asylum in Chiswick, where he remains until 1854, when he is removed to his sister’s house. He dies on August 30, 1855 at 18 Albert Terrace, Notting Hill Gate. He is buried in Kensal Green Cemetery on September 10. No fewer than 40,000 people witness the funeral procession. Most Chartists prefer to remember his strengths rather than his shortcomings.
(Pictured: Stipple engraving portrait of the Chartist leader Feargus Edward O’Connor by an unknown artist, mid 19th century, published in the Northern Star in December 1837)
Yeats’s early style is that of an illustrator. He only begins to work regularly in oils in 1906. His early pictures are simple lyrical depictions of landscapes and figures, predominantly from the west of Ireland, especially of his boyhood home of Sligo, County Sligo. His work contains elements of Romanticism.
From around 1920, Yeats develops into an intensely Expressionist artist, moving from illustration to Symbolism. He is sympathetic to the Irish Republican cause, but not politically active. However, he believes that “a painter must be part of the land and of the life he paints,” and his own artistic development, as a Modernist and Expressionist, helps articulate a modern Dublin of the 20th century, partly by depicting specifically Irish subjects, but also by doing so in the light of universal themes such as the loneliness of the individual, and the universality of the plight of man. Samuel Beckett writes that “Yeats is with the great of our time… because he brings light, as only the great dare to bring light, to the issueless predicament of existence.” The Marxist art critic and author John Berger also pays tribute to Yeats from a very different perspective, praising the artist as a “great painter” with a “sense of the future, an awareness of the possibility of a world other than the one we know.”
Yeats’s favourite subjects included the Irish landscape, horses, circus and travelling players. His early paintings and drawings are distinguished by an energetic simplicity of line and colour, his later paintings by an extremely vigorous and experimental treatment of often thickly applied paint. He frequently abandons the brush altogether, applying paint in a variety of different ways, and is deeply interested in the expressive power of colour. Despite his position as the most important Irish artist of the 20th century (and the first to sell for over £1m), he takes no pupils and allows no one to watch him work, so he remains a unique figure. The artist closest to him in style is his friend, the Austrian painter, Oskar Kokoschka.
Besides painting, Yeats has a significant interest in theatre and in literature. He is a close friend of Samuel Beckett. He designs sets for the Abbey Theatre, and three of his own plays are also produced there. He writes novels in a stream of consciousness style that James Joyce acknowledges, and also many essays. His literary works include The Careless Flower, The Amaranthers, Ah Well, A Romance in Perpetuity, And To You Also, and The Charmed Life. Yeats’s paintings usually bear poetic and evocative titles. Indeed, his father recognizes that Jack is a far better painter than he, and also believes that “some day I will be remembered as the father of a great poet, and the poet is Jack.” He is elected a member of the Royal Hibernian Academy in 1916. He dies in Dublin on March 28, 1957, and is buried in Mount Jerome Cemetery.
In 1826, the family moves to Abington, County Limerick, where Le Fanu’s father takes up his second rectorship. Le Fanu uses his father’s library to educate himself and by the age of fifteen he was writing poetry.
The disorders of the Tithe War (1831–1836) affect the region in 1832 and the following year the family temporarily moves back to Dublin, where Le Fanu works on a Government commission. Although Thomas Le Fanu tries to live as though he is well-off, the family is in constant financial difficulty. At his death, Thomas has almost nothing to leave to his sons and the family has to sell his library to pay off some of his debts.
In 1856 the family moves from Warrington Place to the house of his wife Susanna’s parents at 18 Merrion Square. His personal life becomes difficult at this time, as his wife suffers from increasing neurotic symptoms. She suffers from anxiety after the deaths of several close relatives, including her father two years previous. In April 1858, Susanna suffers a “hysterical attack” and dies the following day. She is buried in the Bennett family vault in Mount Jerome Cemetery beside her father and brothers. He does not write any fiction from this point until the death of his mother in 1861.
He becomes the editor and proprietor of the Dublin University Magazine in 1861 and begins to take advantage of double publication, first serializing in the Dublin University Magazine, then revising for the English market. He publishes both The House by the Churchyard and Wylder’s Hand in this manner. After lukewarm reviews of The House by the Churchyard, which is set in the Phoenix Park area of Dublin, Le Fanu signs a contract with Richard Bentley, his London publisher, which specifies that future novels be stories “of an English subject and of modern times,” a step Bentley thinks necessary for Le Fanu to satisfy the English audience. Le Fanu succeeds in this aim in 1864, with the publication of Uncle Silas, which is set in Derbyshire. In his very last short stories, however, Le Fanu returns to Irish folklore as an inspiration and encourages his friend Patrick Kennedy to contribute folklore to the Dublin University Magazine.
Le Fanu dies in his native Dublin on February 7, 1873, at the age of 58. Today there is a road and a park in Ballyfermot, near his childhood home in south-west Dublin, named after him.
Lord Louis Mountbatten is killed on August 27, 1979 when Provisional Irish Republican Army (IRA) terrorists detonate a 50-pound bomb hidden on his fishing vessel, Shadow V. Mountbatten, a war hero, elder statesman, and second cousin of Queen Elizabeth II, is spending the day with his family in Donegal Bay off Ireland’s northwest coast when the bomb explodes. Three others are killed in the attack, including Mountbatten’s 14-year-old grandson, Nicholas. Later that day, an IRA bombing attack on land kills 18 British paratroopers in County Down, Northern Ireland in what becomes known as the Warrenpoint ambush.
The assassination of Mountbatten is the first blow struck against the British royal family by the IRA during its long terrorist campaign to drive the British out of Northern Ireland and unite it with the Republic of Ireland to the south. The attack hardens the hearts of many British against the IRA and convinces Prime MinisterMargaret Thatcher’s government to take a hardline stance against the terrorist organization.
Made Governor and then Lord-Lieutenant of the Isle of Wight in his retirement, Mountbatten is a respected and beloved member of the royal family. His assassination is perhaps the most shocking of all horrors inflicted by the IRA against the United Kingdom. In addition to his grandson Nicholas, 15-year-old boat hand Paul Maxwell and the Dowager Lady Brabourne, Nicholas’ grandmother, are also killed. Mountbatten’s grandson Timothy, Nicholas’ twin brother, is injured as is his daughter, Lady Brabourne, and the twins’ father, Lord Brabourne.
The IRA immediately claims responsibility for the attack, saying it detonated the bomb by remote control from the coast. It also takes responsibility for the same-day bombing attack against British troops in County Down, which claims eighteen lives.
IRA member Thomas McMahon is later arrested and convicted of preparing and planting the bomb that destroyed Mountbatten’s boat. A near-legend in the IRA, he is a leader of the IRA’s notorious South Armagh Brigade, which kills more than 100 British soldiers. He is one of the first IRA members to be sent to Libya to train with detonators and timing devices and is an expert in explosives. Authorities believe the Mountbatten assassination is the work of many people, but McMahon is the only individual convicted. Sentenced to life in prison, he is released in 1998 along with other IRA and Unionist terrorists under a controversial provision of the Good Friday Agreement.
(From: This Day In History: Mountbatten killed by IRA, by the editors of History.com, July 21, 2010, http://www.history.com)
Fitzsimons is born in Ireland in 1741. In the mid-1750s his family immigrates to Philadelphia, where his father dies soon thereafter. He has enough education that he begins work as a clerk in a mercantile house. He marries Catherine Meade on November 23, 1761 and forms a business partnership with her brother George. Their firm, which specializes in the West Indies trade, operates successfully for over 41 years.
The firm is soon hit by the new revenue measures created to help support the finances of the British Empire, including the much reviled Stamp Act of 1765. Concerned with these ideas, Fitzsimons becomes active in the Irish merchant community in Philadelphia. He is a founding member of the Friendly Sons of St. Patrick in 1771 and later, in 1774, a steering committee organized to protest the Coercive Acts.
When Pennsylvania begins mobilizing and organizing a militia to fight the British, Fitzsimons is soon involved. He serves as captain of a company of home guards under the command of Colonel John Caldwalader. Initially his company serves as part of the soldiers who man posts along the New Jersey coast. His unit later serves as part of the reserve at the Battle of Trenton in 1776. Later in the war, he served on the Pennsylvania Council of Safety and heads a board to oversee the newly formed Pennsylvania Navy.
After the Constitution is established, he serves in the first three sessions of the House of Representatives as a Federalist, where he favors protective tariffs and a strong navy, co-drafting the Naval Act of 1794 authorizing the original six frigates of the United States Navy. He fails to win re-election in 1794. This was partially attributed to public opinion turning against the Federalist Party over the forceful suppression of the Whiskey Rebellion. Although he never holds elective office again, he serves in 1798 as head of the committee of merchants overseeing the subscription-loan to build a warship at private expense for use in the Quasi-War.
In 1948 Moore emigrates to Canada to work as a reporter for the Montreal Gazette, and becomes a Canadian citizen. While eventually making his primary residence in California, he continues to live part of each year in Canada up to his death.
Moore writes his first novels in Canada. His earliest novels are thrillers, published under his own name or using the pseudonyms Bernard Mara or Michael Bryan. His first novel outside the genre, Judith Hearne, remains among his most highly regarded. The book is rejected by ten American publishers before being accepted by a British publisher. It is made into a film, with British actress Maggie Smith playing the lonely spinster who is the book/film’s title character.
Some of Moore’s novels feature staunchly anti-doctrinaire and anti-clerical themes, and in particular he speaks strongly about the effect of the Church on life in Ireland. A recurring theme in his novels is the concept of the Catholic priesthood. On several occasions he explores the idea of a priest losing his faith. At the same time, several of his novels are deeply sympathetic and affirming portrayals of the struggles of faith and religious commitment, Black Robe most prominently.
Moore dies at his Malibu home, which is celebrated in Seamus Heaney‘s poem Remembering Malibu, on January 11, 1999 from pulmonary fibrosis. His widow, Jean, lives on in the house until it is destroyed in 2018 in the Woolsey Fire.
At the time of his death, Moore is working on a novel about the 19th-century French symbolist poet Arthur Rimbaud. His last published work before his death is an essay entitled “Going Home.” It is a reflection inspired by a visit he made to the grave in Connemara of his family friend, the Irish nationalist Bulmer Hobson. The essay is commissioned by Granta and published in The New York Times on February 7, 1999.
In 1670, despite his status as a wanted man, Blood returns to England. On the night of December 6, 1670, he and his accomplices attack Ormonde while he travels St. James’s Street. Ormonde is dragged from his coach and taken on horseback along Piccadilly with the intention of hanging him at Tyburn. The gang pins a paper to Ormonde’s chest spelling out their reasons for his capture and murder. Ormonde succeeds in freeing himself and escapes. Due to the secrecy of the plot, Blood is not suspected of the crime.
Blood does not lie low for long, and within six months he makes his notorious attempt to steal the Crown Jewels. After weeks of deception, on May 9, 1671, he convinces Talbot Edwards, the newly appointed Master of the Jewel House, to show the jewels to him, his supposed nephew, and two of his friends while they wait for a dinner that Mrs. Edwards is providing. The jewel keeper’s apartment is in Martin Tower above a basement where the jewels are kept behind a metal grille. Reports suggest that Blood’s accomplices carried canes that concealed rapier blades, daggers, and pocket pistols. They enter the Jewel House, leaving one of the men to supposedly stand watch outside while the others joined Edwards and Blood. The door is closed and a cloak is thrown over Edwards, who is struck with a mallet, knocked to the floor, bound, gagged and stabbed to subdue him.
As Blood and his gang flee to their horses waiting at St. Catherine’s Gate, they fire on the warders who attempt to stop them, wounding one. As they run along the Tower wharf it is said they join the calls for alarm to confuse the guards until they are chased down by Captain Beckman, brother-in-law of the younger Edwards. Although Blood shoots at him, he misses and is captured before reaching the Iron Gate. The Jewels are recovered although several stones are missing and others are loose.
Following his capture, Blood refuses to answer to anyone but the King and is consequently taken to the palace in chains, where he is questioned by King Charles, Prince Rupert and others. To the disgust of Ormonde, Blood is not only pardoned but also given land in Ireland worth £500 a year. The reasons for the King’s pardon are unknown although speculation abounds.
In 1679 Blood falls into dispute with the Duke of Buckingham, his former patron, and Buckingham sues him for £10,000, for insulting remarks Blood had made about his character. In the proceedings that follow, Blood is convicted by the King’s Bench in 1680 and granted bail, although he never pays the damages.
Blood is released from prison in July 1680 but falls into a coma by August 22. He dies on August 24 at his home in Bowling Alley, Westminster. His body is buried in the churchyard of St. Margaret’s Church (now Christchurch Gardens) near St. James’s Park. It is believed that his body was exhumed by the authorities for confirmation as, such was his reputation for trickery, it is suspected he might have faked his death and funeral to avoid paying his debt to Buckingham.
Rocha moves to Ireland after graduating from the Croydon School of Art, London. Known for his hand-crafting, beading and appliqué to garments, he first establishes a name for himself with his Chinatown label in Dublin in the 1980s and later designing clothing for both men and women in the Irish high street stores A Wear and their luxury stores Brown Thomas. He designs a range of cut crystal stemware and vases for Waterford Crystal in collaboration with glass designer Marcus Notley, until that firm’s closure in 2008. The brand relaunches in 2010 and Rocha’s crystal product ranges become available again.
By 1993, Rocha is named Designer of the Year at the British Fashion Awards. He runs his own “John Rocha,” “John Rocha Jeans,” “Rocha John Rocha” and “John Rocha Jewellery” labels alongside a diffusion clothing, homeware and accessories label for the department store Debenhams. He also designs the interiors of the Morrison Hotel in Dublin and the Orion Building in Birmingham. He is awarded the ‘Special Award’ at the Ernst & Young Irish Entrepreneur of the Year Awards 2008 which takes place in the City West Hotel in Dublin on October 23, 2008.
Rocha continues to produce a ‘pret-a-porter’ womenswear and menswear range which he showcases twice annually at the British Fashion Council sponsored London Fashion Week (February & September). His John Rocha lifestyle boutique opens on Dover Street, London, in 2006. His design business, operating as Three Moon Design, is located at Dublin’s Ely Place with a turnover of €200 million per year.
In 2014 Rocha showcases another Spring/Summer collection at London Fashion Week and announces his retirement from the event, stating, “At this point in my life I want to live by my calendar and not the Fashion Week calendar. Stopping allows me to do that.”
Rocha is made a Commander of the Order of the British Empire (CBE) in 2002 for his contributions to the British fashion industry. In April 2015 he is awarded the Outstanding Achievement in Art & Design at The Asian Awards.
Carey is also the first non-UK player and the first Irishman to captain a winning team in both an FA Cup Final and the First Division. Like his contemporary Con Martin, he is an extremely versatile footballer and plays in nine different positions throughout his career. He even plays in goal for United on one occasion.
(Pictured: Manchester United captain Johnny Carey is carried on the shoulders of his teammates, after they win the FA Cup final of 1948 against Blackpool. Date: April 24, 1948)