In addition to Beckett’s activity as a music critic for The Irish Times, he also writes biographical articles for dictionaries, in particular for the first edition of Die Musik in Geschichte und Gegenwart. His books include studies on Franz Liszt and ballet music.
Beckett’s more ambitious musical works from the 1940s and 1950s are a Suite for Orchestra (1945), Four Higgins Songs (1946), The Falaingin Dances (1958) and a Suite of Planxties (1960) for harp and orchestra.
In 1963 Beckett moves to England, where he teaches music at various schools before returning to Ireland in 1970 to succeed A. J. Potter at the RIAM as professor of harmony and counterpoint. In the 1980s he produces a number of remarkable works such as Quartet for Strings (1980) and Dublin Symphony (1989) for narrator, chamber choir and large orchestra. While he is never a modernist, his later works nevertheless contain some advanced harmony, particularly in the quartet.
Beckett is forced to retire from the RIAM in 1985 after suffering a stroke. In 1986 he is elected a member of Aosdána and an Honorary Fellow of the RIAM in 1990. He dies in Dublin on April 3, 1996.
Doyle studies piano from the age of nine. After leaving school he attends the Royal Irish Academy of Music for three years, studying composing, during which time he is awarded two composition scholarships. He also studies at the Institute of Sonology at Utrecht University in the Netherlands and the Finnish Radio Experimental Music Studio on scholarships.
As a performer Doyle begins as a drummer with the groups Supply Demand and Curve and Jazz Therapy, playing free improvisatory and fusion music. He releases his first LP, Oizzo No, in 1975, and his second, Thalia, in 1978 on CBS Classics. Rapid Eye Movements (1981) is his third LP, and his attempt at a “masterpiece before the age of thirty.”
Doyle begins his magnum opus, Babel, in 1989, a 5-CD set that takes ten years to compose. Each track corresponds to a ‘room’ or place within an imagined giant tower city, a kind of aural virtual reality. It celebrates the multiplicity of musical language. One hundred three pieces of music are composed for it and he works with 48 collaborators. From 2002 to 2007 he works on the three-volume electronic work Passades. Twenty-seven albums of his music have been released. He has also composed scores for several films including Budawanny, Pigs and the documentary Atlantean by Bob Quinn.
In 2013 Doyle founds META Productions with opera director Eric Fraad, committed to exploring new forms of opera for the 21st century. Their first production is the electronic opera Heresy. Originally titled The Death by Fire of Giordano Bruno, a 40-minute ‘in development’ version is performed as part of a fully staged concert of his works at both the Kilkenny Arts Festival and in the Dublin Theatre Festival 2013. The two hour Heresy is presented as part of ‘Project 50’, a season of work celebrating 50 years of Project Arts Centre in November 2016. The opera is based on episodes from the life and works of Giordano Bruno. It is broadcast on RTÉ Lyric fm in September 2017 and released as a double album on Heresy records in 2018. Recent album releases are The Thousand Year Old Boy (2013), Time Machine (2015), Frail Things In Eternal Places (2016), and The Heresy Ostraca (2019).
Doyle founds the music theatre company Operating Theatre with Irish actress Olwen Fouéré. They produce many important site-specific productions, including Passades, Here Lies and Angel/Babel, all featuring his music as an equal partner in the theatrical environment. Operating Theatre performs in conventional and site-specific venues in Ireland, England, the Netherlands, France, Venezuela and the United States and releases several records. With Icontact Dance Company, he produces Tower of Babel – Delusional Architecture, featuring as much of Babel as he has composed by that point. This work is originally performed in a whole wing of the Irish Museum of Modern Art in 1992. Arguably his most famous theatre work is the music he wrote and performs on piano onstage for the Steven Berkoff version of the Oscar Wilde play Salome which plays in Dublin‘s Gate Theatre, in London‘s West End and on three world tours. The Irish Times notes that “his name is revered in the realm of theatre.”
Doyle’s works Four Sketches and All the Rage are awarded second and first prizes in the Dublin Symphony Orchestra composition competition in 1970 and 1974 respectively. He has won the Programme Music Prize (1997) and the Magisterium Award (2007) at the Bourges International Electro-Acoustic Music Competition in Bourges, France. He also receives the Irish Arts Council‘s Marten Toonder Award in 2000 in recognition of his innovative work as a composer. He is a member of Aosdána, and has recently been made Adjunct Professor of Music at Trinity College Dublin.
PresidentMichael D. Higgins confers the honour of Saoi on Doyle on August 16, 2019 by placing a gold torc around his neck. This is the highest honour of Aosdána that can be bestowed by fellow Aosdána members. No more than seven living members can be so honoured at one time. The Irish Times describes his album Chalant – Memento Mori as “a richly rewarding work that runs the full, glorious gamut of human emotion.” It is Album of the Week on March 30, 2012 in the same paper.
Sebastian Barry, novelist, playwright and poet, is born in Dublin on July 5, 1955. He is noted for his lyrical literary writing style and is considered one of Ireland’s finest writers. He is named Laureate for Irish Fiction, 2019–2021.
Barry starts his literary career with the novel Macker’s Garden in 1982. This is followed by several books of poetry and a further novel, The Engine of Owl-Light (1987), before his career as a playwright begins with his first play produced in the Abbey Theatre, Boss Grady’s Boys (1988).
Both The Steward of Christendom and the novel The Whereabouts of Eneas McNulty, are about the dislocations, physical and otherwise, of loyalist Irish people during the political upheavals of the early 20th century. The title character of the latter work is a young man forced to leave Ireland by his former friends in the aftermath of the Irish War of Independence.
Barry has been twice shortlisted for the Man Booker Prize for his novels A Long Long Way (2005) and The Secret Scripture (2008), the latter of which wins the 2008 Costa Book of the Year and the James Tait Black Memorial Prize. His fifth novel, On Canaan’s Side (2011), is longlisted for the 2011 Man Booker Prize and wins the 2012 Walter Scott Prize. In January 2017, he is awarded the Costa Book of the Year prize for Days Without End (2016), becoming the first novelist to win the prestigious prize twice. The novel also wins The Walter Scott Prize and The Independent Booksellers’ Prize, and is longlisted for the Man Booker Prize 2017.
In 2001, Barry establishes his personal and professional archive at the Harry Ransom Center. More than sixty boxes of papers document his diverse writing career and range of creative output which includes drawings, poetry, short stories, novels, essays, and scripts.
Joss Lynam, Irish civil engineer who is well known as a mountaineer, hillwalker, orienteer, writer and sports administrator, is born James Perry O’Flaherty Lynam in London on June 29, 1924. He is one of Ireland’s most influential figures in outdoor activities.
Lynam is born to Irish parents Edward and Martha (née Perry), both Galway natives. He and his older sister, Biddy, are both raised in London where his father works as curator of maps in the British Museum. This is where he is first introduced to orienteering and cartography. The family frequently returns to the west coast of Ireland to holiday. Here he finds his love for mountaineering and climbs his first mountain, Knocknarea in County Sligo, with his aunt.
Lynam is a civil engineer by profession but devotes most of his life developing the sport of mountaineering in Ireland. He climbs extensively in Ireland, Great Britain, the Alps and in India. He is leader, or deputy leader, of expeditions to Greenland, the Andes, Kashmir, Tian Shan, Garhwal, Tibet and India, including the 1987 expedition to Changtse, that is the forerunner to the successful first Irish ascent of Mount Everest in 1993.
With his involvement in developing adventure sport in Ireland Lynam is active in promoting access and developing waymarked trails. He is involved in the creation and administration of the Federation of Mountaineering Clubs in Ireland (now Mountaineering Ireland), the Association for Adventure Sports, Bord Oiliúint Sléibhte (Irish Mountain Training Board), Tiglin (National Outdoor Training Centre), Outdoor Education Ireland, and Cospóir (now Sport Ireland) and the National Waymarked Ways Advisory Committee (part of Sport Ireland).
Lynam is a founder member of the Irish Mountaineering Club (IMC) serving as president from 1982-1984. He is also a founder member of both the Irish Orienteers and Three Rock Orienteering club. He is president of the Union Internationale des Associations d’Alpinisme‘s expeditions commission in the 1990s.
Lynam writes and edits many guide books on walking and climbing in Ireland and helps create and is editor of The Mountain Log (the journal of Mountaineering Ireland).
In 2001, Lynam is awarded an honorary degree from Trinity College Dublin in acknowledgment of his volunteer work and remarkable achievements. He celebrates his 80th birthday by climbing the Paradise Lost Route and then goes on to abseil down Winder’s Slab for his 82nd birthday, both routes in Dalkey Quarry. Both climbs are to raise funds for cancer research, as he had been undergoing chemotherapy for Hodgkin’s Disease.
After Lynam’s death, his two daughters, Clodagh and Ruth, donate his papers to his alma mater, Trinity College Dublin. These papers cover a vast range of topics such as his life and career, family, childhood, experience of war, his involvement with different mountaineering clubs, and his many writings. The collection also contains photos and slides that he captures himself of landscapes and mountaineering, and consists of maps that are collected by him and his father. There is so much material in the collection that it takes a year for the collection to be catalogued by an archivist.
Lynam’s ashes are scattered by his daughters over the Knocknarea Mountain on the February 12, 2011, being the first mountain he climbed. The Lynam Lecture is introduced in 2011 by Mountaineering Ireland in his memory and his achievements in climbing, hillwalking and mountaineering in Ireland and around the world. Every December the Lynam Lecture is held by leading national and international mountaineers and discusses the development and future of mountaineering in Ireland. Past speakers include Ines Papert, Frank Nugent and Paddy O’Leary.
William Parsons, 3rd Earl of Rosse, Anglo-Irishastronomer, naturalist, and engineer, is born in York, England on June 17, 1800. He is President of the Royal Society (UK), the most important association of naturalists in the world in the nineteenth century. He builds several giant telescopes. His 72-inch telescope, built in 1845 and colloquially known as the “Leviathan of Parsonstown,” is the world’s largest telescope, in terms of aperture size, until the early 20th century. From April 1807 until February 1841, he is styled as Baron Oxmantown.
Parsons marries Mary Field, daughter of John Wilmer Field, on April 14, 1836. They have thirteen children, of which four sons survive to adulthood: Lawrence, 4th Earl of Rosse, Rev. Randal Parsons, the Hon. Richard Clere Parsons, and the Hon. Sir Charles Algernon Parsons.
During the 1840s, Parsons has the Leviathan of Parsonstown built, a 72-inch telescope at Birr Castle, Parsonstown, County Offaly. He has to invent many of the techniques he uses for constructing the Leviathan, both because its size is without precedent and because earlier telescope builders had guarded their secrets or had not published their methods. Details of the metal, casting, grinding and polishing of the 3-ton ‘speculum’ are presented in 1844 at the Belfast Natural History Society. His telescope is considered a marvelous technical and architectural achievement, and images of it are circulated widely within the British commonwealth. Building of the Leviathan begins in 1842 and it is first used in 1845, with regular use waiting another two years due to the Great Famine. Using this telescope he sees and catalogues a large number of nebulae, including a number that would later be recognised as galaxies.
Parsons performs astronomical studies and discovers the spiral nature of some nebulas, today known to be spiral galaxies. His telescope Leviathan is the first to reveal the spiral structure of M51, a galaxy nicknamed later as the “Whirlpool Galaxy,” and his drawings of it closely resemble modern photographs.
Parsons’s son publishes his father’s findings, including the discovery of 226 New General Catalogue of Nebulae and Clusters of Stars (NGC) objects in the publication Observations of Nebulae and Clusters of Stars Made With the Six-foot and Three-foot Reflectors at Birr Castle From the Year 1848 up to the Year 1878, Scientific Transactions of the Royal Dublin Society Vol. II, 1878.
Bloomsday is a commemoration and celebration of the life of Irish writer James Joyce, observed annually in Dublin and elsewhere on June 16, the day his novel Ulysses (1922) takes place in 1904, the date of his first outing with his wife-to-be, Nora Barnacle, and named after its protagonist Leopold Bloom.
The first mention of such a celebration is found in a letter by Joyce to Miss Weaver of June 27, 1924, which refers to “a group of people who observe what they call Bloom’s day – 16 June.”
The day involves a range of cultural activities, including Ulysses readings and dramatisations, pub crawls and other events, some of it hosted by the James Joyce Centre in North Great George’s Street. Enthusiasts often dress in Edwardian costume to celebrate Bloomsday, and retrace Bloom’s route around Dublin via landmarks such as Davy Byrne’s pub. Hard-core devotees have even been known to hold marathon readings of the entire novel, some lasting up to 36 hours.
The James Joyce Tower and Museum at Sandycove, site of the opening chapter of Ulysses, hosts many free activities around Bloomsday including theatrical performances, musical events, tours of the iconic tower and readings from Joyce’s masterpiece.
In 1954, on the 50th anniversary of the events in the novel, artist, critic, publican and founder of Envoy magazine, John Ryan, and the novelistBrian O’Nolan organise what is to be a daylong pilgrimage along the Ulysses route. They are joined by Patrick Kavanagh, Anthony Cronin, Tom Joyce (Joyce’s cousin, representing the family interest) and A. J. Leventhal, a lecturer in French at Trinity College, Dublin. Ryan engages two horse-drawn cabs, of the old-fashioned sort, in which in Ulysses Mr. Bloom and his friends drive to Paddy Dignam’s funeral. The party are assigned roles from the novel. They plan to travel around the city through the day, starting at the Martello tower at Sandycove where the novel begins, visiting in turn the scenes of the novel, ending at night in what had once been the brothel quarter of the city, the area which Joyce called Nighttown. The pilgrimage is abandoned halfway through when the weary pilgrims succumb to inebriation and rancour at the Bailey pub in the city centre, which Ryan owns at the time, and at which in 1967 he installs the door to No. 7 Eccles Street (Leopold Bloom’s front door), having rescued it from demolition. A Bloomsday record of 1954, informally filmed by John Ryan, follows this pilgrimage.
A five-month-long festival, ReJoyce Dublin 2004, takes place in Dublin between April 1 and August 31, 2004. On the Sunday before the 100th “anniversary” of the fictional events described in the book, 10,000 people in Dublin are treated to a free, open-air, full Irish breakfast on O’Connell Street consisting of sausages, rashers, toast, beans, and black and white puddings.
The 2006 Bloomsday festivities are cancelled, the day coinciding with the funeral of former TaoiseachCharles Haughey.
(Pictured: Firstbloom (L to R) John Ryan, Anthony Cronin, Brian O’Nolan, Patrick Kavanagh and Tom Joyce (James Joyce’s cousin); Sandymount, 1954)
Deane is educated at Trinity College, Dublin, from 1845 to 1849. On January 29, 1850, he marries Henrietta Manly, daughter of Joseph H. Manly of Ferney, County Cork. He and his wife have several children.
Deane’s work on the conservation of St. Canice’s Cathedral, Kilkenny, is less successful and brings him into conflict with the dean and chapter, and in particular with the treasurer James Graves. It is possibly his interest in the restoration of medieval buildings which leads to his appointment as the first Inspector of National Monuments under the Irish Board of Works after the disestablishment of the Church of Ireland brought ruined buildings under their care. His work includes St. Cronan’s Church, Roscrea, County Tipperary.
In contemporary circles, Deane’s partner Woodward is seen as the creative influence behind the business, and their practice suffers after his early death on May 15, 1861. Nevertheless, Deane continues to work with his son, Thomas Manly Deane, designing the National Museum of Ireland and National Library of Ireland in Kildare Street, Dublin. He is knighted in 1890.
On November 8, 1899, Deane dies suddenly in his office on St. Stephen’s Green, into which he had only just moved. He is buried in Deans Grange Cemetery, where his son Thomas designs and erects a cross in his memory.
Scott is the third son of Thomas Scott of Scottsborough, County Tipperary, and his wife Rachel, daughter of Mark Prim of Johnswell, County Kilkenny. His parents are cousins, being two of the grandchildren of Nicholas Purcell, 13th Baron of Loughmoe. His elder brother is the uncle of Bernard Phelan, who establishes Château Phélan Ségur, and Dean John Scott, who first plants the gardens open to the public at Ballyin, County Waterford and marries a niece of Scott’s political ally, Henry Grattan.
While at Kilkenny College, Scott stands up to the tormentor of a boy named Hugh Carleton, who grows up to be Viscount Carleton of Clare. They become firm friends, and Carleton’s father, then known as the “King of Cork,” due to his wealth and influence, invites him to their home and becomes his patron. In 1756, Carleton sends both the young men off, with equal allowances, to study at Trinity College, Dublin and then the Middle Temple in London. On being called to the Irish bar in 1765, Scott’s eloquence secures him a position that enables him to pay £300 a year to his patron, Francis Carleton, who through a series of disappointments has been declared bankrupt. He continues to gratefully support his patron until Hugh Carleton is financially able to insist that he take up the payments to his father. Scott in later life turns against Carleton, describing him in his diary as a “worthless wretch.”
Admitted to King’s Inns in 1765, Scott is entitled to practice as a barrister. In 1769 he is elected as the Member of Parliament for Mullingar, a seat he holds until 1783. The following year he is made a King’s Counsel (KC). In 1772 he is Counsel to the Board of Revenue and in 1774 is appointed Solicitor-General for Ireland (1774–1777). Three years later, he is elected a Privy Councillor and Attorney-General for Ireland (1774–1783). He is dismissed from the latter position in 1782 for refusing to acknowledge the right of England to legislate for Ireland. In 1775, he is awarded an honorary degree of Doctor of Law (LL.D.) by Trinity College, Dublin. He holds the office of Prime Serjeant-at-Law of Ireland between 1777 and 1782. He is Clerk of the Pleas of the Court of the Exchequer in 1783 and is elected Member of Parliament for Portarlington between 1783 and 1784.
In 1784, Scott is created 1st Baron Earlsfort of Lisson-Earl, County Tipperary, following his appointment to Lord Chief Justice of the King’s Bench. In 1789 he is created 1st Viscount Clonmel, of Clonmel, County Tipperary and in 1793 is created 1st Earl of Clonmel. By the 1790s he has an annual income of £20,000. Due to heavy drinking and overeating he becomes seriously overweight, and this no doubt contributes to his early death, although his diary shows that he makes frequent efforts to live a more temperate life. Drinking also produces the red face which earns him the nickname “Copper-faced Jack.”
In 1768, Scott marries the widowed Catherine Anna Maria Roe, daughter of Thomas Mathew, of Earl Landaff and sister of Francis Mathew, 1st Earl Landaff. She dies in 1771. In 1779, he marries Margaret Lawless, daughter and eventual heiress of banker Patrick Lawless of Dublin. He leaves a son and heir and a daughter by his second marriage.
Scott lives at Clonmell House, 17 Harcourt Street, Dublin. He also keeps a country residence, Temple Hill House, in County Dublin. Clonmell Street in Dublin is named in his honour, as is Earlsfort Terrace, also in Dublin. He also gains a reputation of being an experienced duelist.
In 1797, in the last conversation he would have with his wife’s cousin, Valentine Lawless, 2nd Baron Cloncurry, he exclaims, “My dear Val, I have been a fortunate man in life. I am a Chief Justice and an Earl; but, believe me, I would rather be beginning the world as a young (chimney) sweep.” He dies at the age of 58 the following year on May 23, 1798.
(Pictured: John Scott, 1st Earl of Clonmell, oil on canvas by Gilbert Charles Stuart)
Edgeworth is the son of Richard Edgeworth senior, and great-grandson of Sir Salathiel Lovell through his mother, Jane Lovell, granddaughter of Sir Salathiel. The Edgeworth family comes to Ireland in the 1580s. He is descended from Francis Edgeworth, appointed joint Clerk of the Crown and Hanaper in 1606, who inherits a fortune from his brother Edward Edgeworth, Bishop of Down and Connor.
A Trinity College, Dublin and Corpus Christi College, Oxford alumnus, Edgeworth is credited for creating, among other inventions, a machine to measure the size of a plot of land. He also makes strides in developing educational methods. He anticipates the caterpillar track with an invention that he plays around with for forty years but never successfully develops. He describes it as a “cart that carries its own road.”
Edgeworth is married four times, including both Honora Sneyd and Frances Beaufort, older sister of Francis Beaufort of the Royal Navy. He is the father of 22 children by his four wives. Beaufort and he install a semaphore line for Ireland. He is a member of the Lunar Society of Birmingham. The Lunar Society evolves through various degrees of organization over a period of years, but is only ever an informal group. No constitution, minutes, publications or membership lists survive from any period, and evidence of its existence and activities is found only in the correspondence and notes of those associated with it. Dates given for the society range from sometime before 1760 to it still operating as late as 1813. Fourteen individuals have been identified as having verifiably attended Lunar Society meetings regularly over a long period during its most productive time: these are Matthew Boulton, Erasmus Darwin, Thomas Day, Richard Lovell Edgeworth, Samuel Galton, Jr., James Keir, Joseph Priestley, William Small, Jonathan Stokes, James Watt, Josiah Wedgwood, John Whitehurst and William Withering.
Trevor is born to a middle-class, Anglo-IrishProtestant family. They move several times to other provincial towns, including Skibbereen, Tipperary, Youghal and Enniscorthy, as a result of his father’s work as a bank official. He is educated at St. Columba’s College, Dublin, and at Trinity College, Dublin, from which he receives a degree in history. He works as a sculptor under the name Trevor Cox after his graduation from Trinity College, supplementing his income by teaching. He marries Jane Ryan in 1952 and emigrates to Great Britain two years later, working as a copywriter for an advertising agency. It is during this time that he and his wife have their first son.
Trevor’s first novel, A Standard of Behaviour, is published in 1958 by Hutchinson of London, but has little critical success. He later disowns this work and, according to his obituary in The Irish Times, “refused to have it republished.” It was, in fact, republished in 1982 and in 1989.
In 1964, at the age of 36, Trevor wins the Hawthornden Prize for Literature for The Old Boys. The win encourages him to become a full-time writer. He and his family then move to Devon in South West England, where he resides until his death. In 2002, he makes honorary KBE for services to literature. Despite having spent most of his life in England, he considers himself to be “Irish in every vein.”
Trevor writes several collections of short stories that are well received. His short stories often follow a Chekhovian pattern. The characters in his work are typically marginalised members of society. The works of James Joyce influence his short-story writing, and “the odour of ashpits and old weeds and offal” can be detected in his work, but the overall impression is not of gloominess since, particularly in his early work, his wry humour offers the reader a tragicomic version of the world. He adapts much of his work for stage, television and radio. In 1990, Fools of Fortune is made into a film directed by Pat O’Connor, along with a 1999 film adaptation of Felicia’s Journey, which is directed by Atom Egoyan.
Trevor’s stories are set in both England and Ireland. They range from black comedies to tales based on Irish history and politics. His early books are peopled by eccentrics who speak in a pedantically formal manner and engage in hilariously comic activities that are recounted by a detached narrative voice. Instead of one central figure, the novels feature several protagonists of equal importance, drawn together by an institutional setting, which acts as a convergence point for their individual stories. The later novels are thematically and technically more complex. The operation of grace in the world is explored, and several narrative voices are used to view the same events from different angles.
