seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Kitty Kiernan, Fiancée of Michael Collins

Catherine Brigid “Kitty” Kiernan, Irish woman widely known as the fiancée of Irish revolutionary leader and Chairman of the Provisional Government of the Irish Free State, Michael Collins, is born on January 26, 1892, in Granard, County Longford.

Kiernan is born to Peter Kiernan and Bridget (née Dawson). She is educated at Loreto Convent, County Wicklow. Hers is a very comfortably-off merchant family with five sisters and one brother. Her parents enjoy a happy marriage, and life in the Kiernan home is joyous until Kitty reaches her teens. On November 27, 1907, her sister, Elizabeth Mary (a twin), dies at the age of eighteen of pulmonary tuberculosis, while Elizabeth’s twin sister, Rose, apparently dies the same year in Davos, Switzerland, which would also indicate tuberculosis as a cause of death. Her mother dies on November 29, 1908 of apoplexy, while her father dies almost exactly a year later, on November 9, 1909, of pneumonia. The Kiernan family owns the Greville Arms Hotel in the town, as well as a grocery shop, a hardware store, a timber and undertaking business and also a bar. Around the corner from the hotel they operate a bakery which supplies the town and most of the surrounding countryside. All the family works in one capacity or another.

Michael Collins, one of the principal founders of the independent Irish state, is introduced to the vivacious Kiernan sisters by his cousin Gearóid O’Sullivan, who is already dating Maud Kiernan. Collins initially falls for the captivating Helen Kiernan, but she is already engaged to someone else. He then turns his interests to Kitty, who has already captured the interest of Collins’ friend Harry Boland. However, it is Collins to whom Kitty becomes engaged, with plans to marry Collins in a November 1922 double ceremony to include the nuptials of Maud and Gearóid. Collins’ assassination four months earlier, on August 22, 1922, near Béal na Bláth, County Cork, results in a single wedding taking place.

On June 10, 1925, Kiernan marries Felix Cronin, who is Quartermaster General in the Irish Army. They have two sons, Felix Jnr. and Michael Collins Cronin. Felix Jnr. and his son Rex are interred with his parents in Glasnevin Cemetery.

Kiernan dies, aged 52, of a cerebral hemorrhage on July 24, 1945, and her grave is close to that of Collins. Felix Cronin dies suddenly on October 22, 1961, while playing golf at Woodbrook Golf Club and is also buried in Glasnevin.

Kiernan and Michael Collins keep up a lengthy correspondence and while Collins is in London during the Anglo-Irish Treaty negotiations, he writes to her every day. The bulk of these letters are written between 1919 and 1922, and through their almost daily contact emerges a picture of the dreams and aspirations of the man often called Ireland’s “lost leader” and the woman with whom he wanted to share a “normal” life. These letters are the subject of a book written by Leon Ó Broin entitled In Great Haste. In 2000, some of the 300 letters sent by Kiernan and Collins to each other go on permanent display at the Cork Public Museum. These letters give a great insight into her attitude to life and into the political events of this time.

Former Fine Gael minister Peter Barry donates his collection of historic letters to the Lord Mayor of Cork, on behalf of the municipal museum. The collection, purchased from the Cronin family in 1995, is conserved at the Delmas bindery at Marsh’s Library in Dublin. The letters are also catalogued and then returned to the Cork Public Museum. The Peter Barry collection also contains letters from Harry Boland, a friend of Collins and former suitor of Kiernan.

In the 1996 film Michael Collins, Kiernan is played by American actress Julia Roberts though some reviewers are critical of the character’s development.

A number of Irish pubs are named in memory of Kiernan, such as one in Donnycarney, Dublin, one in Waterford, and one in the Bay Ridge section of Brooklyn in New York. A similar pub in Linz, Austria is closed in 2009.


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Birth of Clare Marsh, Still Life & Portrait Artist

Clare Marsh, still life and portrait artist, is born Emily Cecil Clare Marsh on January 13, 1875, at New Court, Bray, County Wicklow, the house of her maternal grandfather, Andrew McCullagh, a wine merchant.

Marsh’s parents are Arthur and Rachel Marsh (née McCullagh). She has four siblings. Her family is descended from the Anglo-Irish aristocracy, specifically from Francis Marsh of Edgeworth, Gloucestershire, with his wife the great-aunt of James II‘s first wife. The family later moves to Raheen, Clondalkin, and later to Cappaghmore, Clondalkin. There is little information about her early life although she is involved in the suffrage movement.

Marsh meets Mary Swanzy at Mary Manning‘s art classes, with Swanzy remembering Marsh as being from “a background of impecuniosity, which did not apparently worry them in spite of a more affluent upbringing.” She is influenced artistically by her aunt and John Butler Yeats, with whom she becomes close friends. In the summer of 1898, Yeats paints Marsh’s portrait at Manning’s studio. She is more drawn to the work of Yeats than of his son, Jack, and models her portraits on that of the older Yeats. He mentors her, encouraging her to see other artists’ work as much as possible and saying “to produce a picture will force you to think.” He urges her to paint more industriously. She exhibits with the Royal Hibernian Academy (RHA) for the first time in 1900 with East wind effect and Roses. Yeats later claims that Marsh helped him with “line drawing or sketching, by putting him on the track of bulk drawing.”

Alongside Manning’s classes, Marsh takes night classes in sculpture with John Hughes and Oliver Sheppard at the Metropolitan School of Art. Aside from a trip to Paris in 1910 or 1911, she is taught exclusively in Dublin throughout her 20s. She takes a course at Norman Garstin‘s studio in Penzance, and stays in North Wales in 1914, painting two Trearddur Bay scenes. She paints still life and portraits, including one of Lily Yeats. It appears that her portraits of children and dogs are popular based on her submitted works to the RHA, exhibiting without a break from 1900 to 1921. The Hugh Lane Gallery holds her portrait of Lord Ashbourne, which demonstrates her painting style of loose brush strokes with an air of informality. Yeats suggests that she spend some time in the United States, where he is living at the time. She spends two months in New York City, staying with cousins at White Plains and then moves into a room neighbouring that of Yeats in Petitpas. Her uncle strongly disproves of this living arrangement, so she leaves and returns to Ireland in January 1912, which upsets Yeats greatly.

Upon her return from New York, Marsh starts holding classes at her studio at South Anne Street which Swanzy recalls are “well liked and always full,” with Susan Yeats becoming a pupil. She becomes the Professor of Fine Arts at Alexandra College in 1916. In the same year, she paints the fires and destruction of the 1916 Easter Rising. She paints a portrait of Jack Butler Yeats in 1918, which is now held by the Highlanes Gallery. John Butler Yeats later sympathises with her in a letter that she and other women are not elected members of the RHA. Knowing that Yeats is in financial difficulty, she sells some of his drawings and sends the money to him. It appears that over time, she works more with colour, as demonstrated in her portrait of Susan Yeats. Her final paintings are night studies, some of which show a possible influence from Swanzy with whom she shares a studio in the autumn of 1920. She is also believed to be one of the founding members of the Society of Dublin Painters.

Marsh dies on May 5, 1923. A posthumous exhibition of her work is held in October 1923. Due to her early death, she largely falls into obscurity until one of her works is included in the 1987 “Irish Women Artists from the Eighteenth Century to the Present Day” exhibition and publication from the National Gallery of Ireland. The National Gallery of Ireland holds a selection of sketches and paintings by Marsh, and a sketch of her by Swanzy. She is included in an exhibition of art by women artists at the Highlanes Gallery in 2012.

(Pictured: “Self-Portrait” by Clare Marsh, oil on canvas, circa 1900, National Gallery of Ireland)


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Birth of Novelist Pamela Hinkson

Pamela Hinkson, novelist, is born on November 19, 1900, in Ealing, London, England, the only daughter among five children of Katharine Tynan Hinkson, novelist and poet, and Henry Albert Hinkson, a novelist, barrister, and classical scholar.

Married in 1893, Hinkson’s parents initially settle in England, where he studies law and is called to the Inner Temple in 1902. After suffering the loss of their first two sons in infancy, they have two more sons in addition to their daughter, Pamela. During this time her mother earns the main family income, and it is likely that she determines their return to Ireland in 1911. The Hinksons initially settle in Dalkey, County Dublin, before moving to a house called Clarebeg in Shankill. When Henry Hinkson is appointed resident magistrate for south Mayo (Castlebar) in October 1914, the family moves to Claremorris, County Mayo.

Hinkson is educated privately in England and on the Continent, and in Ireland attends a local convent day-school. She is exposed to her mother’s literary milieu which includes prominent writers of the Irish revival, including George William Russell, James Stephens, and Padraic Colum. Her mother’s memoir, The Years of the Shadow (1919), recalls Pamela’s developing talent for writing poetry and her predilection for war themes, as evidenced by The Blind Soldier, one of her first published poems. By the time she turns her hand to short stories, her earnings from writing enable her to buy the latest fashions.

Two key events that consumed Hinkson’s life and later spark her creativity are World War I and the Easter Rising. H. G. Wells describes in the foreword to his war novel Mr. Britling Sees It Through (1916) a conversation he had with her when she was 12, recalling how she had boldly set him straight on the “Irish question.” Her parents send her away to boarding school in County Wicklow in the hope that she will be distracted from her gloomy preoccupations, which are accentuated by the absence of her brothers, serving in the British Army. After the war she is deeply concerned by the redundancy experienced by demobilised and often maimed soldiers and contributes to the welfare work of the Irish servicemen’s Shamrock Club in London. These issues inform two early novels, The Victors (1925) and Harvest (1926), both written in the guise of an ex-serviceman under the pseudonym “Peter Deane.” By masking her identity, she avoids the possibility of her works being discredited because of her gender and lack of first-hand experience of war. Subsequently she writes under her own name for thirty years.

In contrast to her close relationship with her mother, Hinkson deeply dislikes her father. With the exception of her beloved brother Giles A. Hinckson, a correspondent for The Times in Buenos Aires and Santiago, she never meets a man who matches her high ideals. Though briefly engaged to be married, she is ultimately disillusioned by all men, dismissing them as she had her father. After his death early in 1919, she and her mother are left in financial difficulties, and have to resort to friends and boarding houses for accommodation. Without the financial means to embark on a university degree, she remains at her mother’s side. Though she continues to write, she leads a somewhat stifled life. From 1922 onwards they spend several years on the Continent.

Hinkson’s first novel, The End of All Dreams (1923), addresses the decline of the “big house” amid the revolutionary upheavals of recent Irish history, a theme to which she returns in later works, such as The Deeply Rooted (1935) and her last book, The Lonely Bride (1951). During the 1920s she writes much girls’ school fiction, while her novel Wind from the West (1930) is informed by a period spent in France, where she works as a governess. Her transcription of the memoirs of Lady Fingall (Elizabeth Burke-Plunkett), published under the title Seventy Years Young (1937), illustrates the decline of the Anglo-Irish ascendancy. Informed by war and the Irish troubles, her novels characteristically are solemn, and reflect her ambivalent relationship with Ireland. Inspired by the Irish landscape, but never an ardent supporter of Irish independence, she maintains an abiding attachment to England.

The death of Hinkson’s mother in 1931 is a devastating blow that triggers her most forceful and first truly successful novel, The Ladies’ Road (1932). Documenting the lives of the Irish and English ascendancies before, during, and after World War I, this novel, without being explicitly autobiographical, contains many motifs that resonate with her own life story. When published in the United States in 1946 it proves a massive success, selling 100,000 copies in the Penguin Books edition, a rare feat for a World War I novel appearing immediately after World War II. Other notable works are The Light on Ireland (1935) and her sketches of Irish life, Irish Gold (1939), written while she lodges with friends near Lough Derg, County Tipperary.

Hinkson’s visit to India in the late 1930s as a guest of the viceroy, which she recounts in Indian Harvest (1941), results in her appointment to the Ministry of Information in London (1939–45). She lectures on India in the United States during World War II, and also lectures to British troops and local audiences in Germany (1946–47), broadcasts on radio, and contributes to The Observer, The Spectator, New Statesman, The Manchester Guardian, and Time and Tide. Her novel Golden Rose (1944), written in London during The Blitz, romanticises the British colonial presence in India. Forthright in the expression of her numerous strongly held opinions, she argues ardently and controversially for women’s rights, animal welfare, and retention of Northern Ireland in the UK. Devout in her Catholicism, she is none the less critical of certain Catholic precepts.

Hinkson returns to Ireland in 1959 where she suffers poor health for twenty years until her death in Dublin on May 26, 1982.

(From: “Hinkson, Pamela” by Jessica March, Dictionary of Irish Biography, http://www.dib.ie)


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The Battle of Glenmalure

The Battle of Glenmalure (Irish: Cath Ghleann Molúra) takes place in Glenmalure, a steep U-shaped glacial valley in County Wicklow that is surrounded by forests and bogs, on August 25, 1580, during the Desmond Rebellions. A Catholic army of united Irish clans from the Wicklow Mountains led by Fiach MacHugh O’Byrne and James Eustace, 3rd Viscount Baltinglass of the Pale, defeat an English army under Arthur Grey, 14th Baron Grey de Wilton, at Clan O’Byrne‘s mountain stronghold of Glenmalure.

Grey had landed in Ireland with reinforcements from England to put down the rebellion. His strategy is to meet O’Byrne’s threat to the English heartland of Dublin and the Pale by attacking through the highlands to the south of the city. Against the advice of veteran commanders, he chooses to lead his army (around 3,000 strong) through lowland Kildare and into the Wicklow Mountains, with the aim of taking the fastness at Balinacor in the Glenmalure Valley.

While climbing the steep slopes of the valley, the inexperienced English soldiers are ambushed by the Irish who were hiding in the woods. The English are sniped at for a long period of time before their discipline collapses and they turn and flee down the valley. It is at this point that most of their casualties occur, as the Irish leave their cover and fall upon the English with swords, spears, and axes. Hundreds of English soldiers are cut down by the pursuing Irish as they try to escape the field. The remaining English have to fight a rearguard action for several miles until they reach the town of Rathdrum.

Irish sources state that around 800 English soldiers are killed, though the English put their losses at 360 dead. Among those killed is Peter Carew, cousin of his namesake colonist who had made claims to, and won, large tracts of land in southern Ireland. The remainder of the English force retreat to lowland Wicklow and from there to Dublin. However, the following year, when offered terms, most of the Irish soldiers, including O’Byrne, come in and surrender. The exception is Baltinglass, who flees to France.

The battle is commemorated in the folk song “Follow Me Up to Carlow.”

(Pictured: “Battle of Glenmalure 1580 Wicklow,” painting by Val Byrne)


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Death of Robert Barton, Nationalist & Anglo-Irish Politician

Robert Childers Barton, Anglo-Irish politician, Irish nationalist and farmer who participates in the negotiations leading up to the signature of the Anglo-Irish Treaty, dies in Annamoe, County Wicklow, on August 10, 1975. His father is Charles William Barton and his mother is Agnes Alexandra Frances Childers. His wife is Rachel Warren of Boston, daughter of Fiske Warren. His double first cousin and close friend is the English-born Irish writer Erskine Childers.

Barton is born in Annamoe on March 14, 1881, into a wealthy Irish Protestant land-owning family, namely of Glendalough House. His two younger brothers, Erskine and Thomas, die while serving in the British Army during World War I. He is educated in England at Rugby School and the University of Oxford and becomes an officer in the Royal Dublin Fusiliers on the outbreak of World War I. He is stationed in Dublin during the 1916 Easter Rising and comes into contact with many of its imprisoned leaders in the aftermath while on duty at Richmond Barracks. He resigns his commission in protest at the heavy-handed British government suppression of the revolt. He then joins the Irish Republican Brotherhood (IRB).

At the 1918 Irish general election to the British House of Commons, Barton is elected as the Sinn Féin member for West Wicklow. In common with all Sinn Féin members, he boycotts the Westminster parliament and sits instead in Dáil Éireann (the First Dáil). Arrested in February 1919 for sedition, he escapes from Mountjoy Prison on Saint Patrick’s Day, leaving a note to the governor explaining that, owing to the discomfort of his cell, he felt compelled to leave, and requests the governor to keep his luggage until he sends for it. He is appointed as Director of Agriculture in the Dáil Ministry in April 1919. He is recaptured in January 1920 and sentenced to three years’ imprisonment, but is released under the general amnesty of July 1921.

In May of that year, prior to his release, Barton is elected as a Sinn Féin member for Kildare–Wicklow in the 1921 Irish election to the House of Commons of Southern Ireland. Once again all Sinn Féin members boycott this parliament, sitting as the Second Dáil. In August 1921, he is appointed to cabinet as Secretary for Economic Affairs.

Barton is one of the Irish plenipotentiaries to travel to London for the Anglo-Irish Treaty negotiations. His cousin is a secretary to the delegation. He reluctantly signs the Treaty on December 6, 1921, defending it “as the lesser of two outrages forced upon me and between which I had to choose.”

Although he had signed the Treaty and voted for it in the Dáil, Barton stands in the 1922 Irish general election for Anti-Treaty Sinn Féin, the only TD who had voted for the Treaty to do so, and wins a seat in the Third Dáil. In common with other Anti-Treaty TDs, he does not take his seat. In October 1922 he is appointed Minister for Economic Affairs in Éamon de Valera‘s “Emergency Government,” a shadow government in opposition to the Provisional Government and the later Executive Council of the Irish Free State. His memoir of this period is completed in 1954, and can be seen on the Bureau of Military History website. He is arrested and interned for most of the war at the Curragh Camp.

Barton is defeated at the 1923 Irish general election and retires from politics for the law, practicing as a barrister. He later becomes a judge. He is chairman of the Agricultural Credit Corporation from 1934 to 1954. He dies at home in County Wicklow on August 10, 1975, at the age of 94, the last surviving signatory of the Anglo-Irish Treaty. Éamon de Valera dies only nineteen days later, on August 29, 1975.

Glendalough House, run by Barton for over 70 years right up until his death, is still considered one of Ireland’s most notable properties, alongside nearby Powerscourt Estate. The house is the center of numerous political meetings and gatherings from 1910 to 1922. It has also been featured as a location in many large Hollywood films including Excalibur, Saving Private Ryan and Braveheart.


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Birth of George Campbell, Artist & Writer

George Campbell, Irish artist and writer, is born on July 29, 1917, in Arklow, County Wicklow. Although he grows up in Belfast, Northern Ireland, he spends much of his adult life living and painting in Spain and Dublin.

Campbell is the son of Matthew Arthur Campbell (1866-1925), caterer, and Gretta Campbell (née Bowen) (1880-1981). He attends boarding school at Masonic Orphan Boys’ School at Clonskeagh, Dublin, before moving to Belfast to live with his widowed mother and family.

Campbell is working in an aircraft factory at the time of the Belfast Blitz, and begins to paint, taking the bomb-damage as his subject. He is one of the founders of the Irish Exhibition of Living Art in 1943. In the same year, along with his brother Arthur (1909-94), he publishes a sixteen page book entitled Ulster in Black and White, that includes drawings from the two brothers and their close contemporaries Maurice Wilks and Patricia Webb. Owing to the success of the original publication, the brothers then publish Now in Ulster (1944), an anthology of short stories, essays and poetry by young Belfast writers.

Campbell holds a joint exhibition at the William Mol Gallery, Belfast, with his brother Arthur in 1944. In the same year he also shows with Gerard Dillon at the Portadown gallery of John Lamb. In 1946 he shows with the Victor Waddington Gallery in Dublin, where he is to return on a number of occasions. The Council for the Encouragement of Art and Music hosts a solo exhibition in 1949 where he is to show twice more, in 1952 and 1960. He wins £500 at the first Council for the Encouragement of Music and the Arts (CEMA) Open Painting Competition at the Ulster Museum in 1962. Campbell also shows in one-man exhibitions with the Arts Council of Northern Ireland in 1966 and 1972.

After the war Campbell becomes increasingly interested in Spain. In 1946 he comes to know Spaniards who had settled in Dublin, and when in London paints visiting Spanish dancers in their traditional costume. He first visits Spain in 1951, encouraged by his friendship with Gerard Dillon and “an interest in bohemian characters.” He lives there for six months almost every year throughout much of the following twenty-five years.

Campbell makes stained glass windows for the Cathedral of Our Lady Assumed into Heaven and St Nicholas in Galway. He also plays flamenco guitar. A member of the Royal Hibernian Academy, he wins the Douglas Hyde Gold Medal in 1966 and the Oireachtas Prize for Landscape in 1969. The Spanish government makes him a Knight Commander of Spain in 1978.

Campbell dies in Dublin on May 18, 1979, and is buried at St. Kevin’s Cemetery in Glendalough, County Wicklow. He is survived by his wife Margaret, his mother, and two brothers, Arthur and Stanley. After his death the Arts Council of Northern Ireland and An Chomhairle Ealáion join with the Instituto Cervantes to initiate the George Campbell Memorial Travel Award. In May 2017, Arklow Municipal District Council unveils two plaques at St. Patrick’s Terrace, Arklow, marking Campbell’s birthplace and the centennial of his birth.

Campbell’s work forms part of many private and public art collections, including Queen’s University Belfast, Ulster Museum, Irish Museum of Modern Art, Hugh Lane Gallery, The National Self-Portrait Collection of Ireland, and Municipal Museum of Antequera, Málaga.

(Pictured: “Three Nuns” by George Campbell)


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Birth of Charles Patrick Meehan, Priest & Historian

Charles Patrick Meehan, priest and historian, is born on July 12, 1812 at 141 Great Britain Street (now Parnell Street), Dublin.

Meehan’s father, a native of Manorhamilton, County Leitrim, is a prosperous farmer at Ballymahon, County Longford. He receives his early education in a hedge school and from a local curate at Ballymahon. In 1828 he enters the Pontifical Irish College in Rome, where he is a brilliant student, acquiring fluency in several languages. As a child he had loved to listen to stories of the Flight of the Earls and the Flight of the Wild Geese, and during his time in Rome he discovers the neglected graves of Hugh O’Neill and Hugh O’Donnell in the church of San Pietro in Montorio. He begins his lifelong research on the seventeenth century by locating and transcribing hitherto unstudied documents held in Roman repositories. Ordained in 1835, he is appointed curate at Rathdrum, County Wicklow in August and five months later is transferred to the parish of Saints Michael and John, Dublin. He is an excellent preacher and a strong advocate of temperance, and zealously discharges his parish duties.

A supporter of Daniel O’Connell and the repeal movement, Meehan is particularly attracted by the ideals of Young Ireland, and becomes friendly with the principal writers of The Nation, especially Charles Gavan Duffy and James Clarence Mangan. He is Mangan’s confessor, and attends his deathbed in 1849. The Young Irelanders often meet in his presbytery in Lower Exchange Street. From 1842 he contributes occasional verse and translations to The Nation using the pseudonym ‘Clericus’ and the initials ‘C. P. M.’ He defends the Young Irelanders from accusations of irreligion. During the debates on physical force in Conciliation Hall in July 1846 he supports the Young Ireland position and is shouted down by O’Connellites.

He secedes with the Young Irelanders from the Repeal Association and becomes a member of their Irish Confederation on its foundation in January 1847. Later that year he becomes president of the St. Patrick’s Confederate Club, and delivers lectures to it on Irish history. A strong believer in the importance of history in creating national pride and awareness, he contributes The Confederation of Kilkenny (1846) and a translation of Daniel O’Daly, The Geraldines, their Rise, Increase and Ruin (1847) to The Nation‘s Library of Ireland historical series. He publishes a translation, with a valuable introduction and notes, of John Lynch‘s Latin life of Francis Kirwan, bishop of Killala 1645–61, as Portrait of a Christian Bishop (1848). In 1848 he resigns his presidency of the St. Patrick’s Confederate Club in the hope of becoming librarian or professor of modern languages at Queen’s College Galway, but is unsuccessful.

For the rest of his life Meehan devotes himself to parish work and historical research, occasionally publishing articles and poems in the Hibernian Magazine and Irish Catholic Magazine. He also edits six volumes of the second series of James Duffy‘s Duffy’s Hibernian Magazine (1862–65). Having acquired a vast store of anecdotes and curious information from his researches, he is an interesting companion who loves the company of poets and scholars and forms friendships with many young nationalist writers, including Denis Florence MacCarthy, John Keegan Casey and John Francis O’Donnell.

Most of Meehan’s research is devoted to Irish history, but he occasionally tackles other subjects, such as his translation from the Italian of Vincenzo Marchese’s Lives of the most eminent sculptors and architects of the order of St Dominic (2 vols, 1852). Although his work is marked by a strong sympathy for Catholicism and Irish nationalism, he is among the more scholarly historians associated with the Young Ireland movement. He is elected Member of the Royal Irish Academy (MRIA) in February 1865. Gavan Duffy lauds his efforts and ranks him with the great patriotic clerical scholars of the past who had devoted their lives to the study of Irish history.

Meehan repeatedly takes the opportunity to amend and expand his published works, producing revised editions of The Geraldines (as The Geraldines, their Rise, Increase and Ruin (reprinted 1878)), Confederation of Kilkenny (1882), and Lynch’s Life of Kirwan (1884). His other important publications are The Fate and Fortunes of the Earls of Tyrone (Hugh O’Neill) and Tyrconnel (Rory O’Donel), their flight from Ireland and death in exile (1868), and Rise and Fall of the Irish Franciscan Monasteries and Memoirs of the Irish Hierarchy in the Seventeenth Century (1870). He edits the essays of the Young Irelanders in The Spirit of the Nation (1882) and publishes editions of the poetry of Mangan in The Poets and Poetry of Munster (1883), with an important biographical memoir. His last scholarly work is to re-edit Literary Remains of the United Irishmen (1887) to include material left in manuscript by Richard R. Madden.

A small man, Meehan always wears a monocle attached to a silk ribbon, a tall silk hat, and a stout blackthorn stick. He suffers badly from indigestion for most of his life, and this aggravates a testy personality and a waspish tongue. He regularly falls out with friends, and few parishioners are foolhardy enough to brave his confessional. He retains strong anti-English views all his life. In the 1880s he encounters the young Arthur Griffith pulling down a union flag from a lamppost in Dublin, and astounds the boy by congratulating rather than chastising him. His Young Ireland nationalism and irascible personality ensure that he never progresses beyond the position of curate in his forty-five years at Saints Michael and John. Here, he works alongside Fr. James Healy, a renowned wit, and the two men delight in trading caustic remarks. Healy is present at Meehan’s deathbed and admits to brushing away a tear – the only thing, he remarks, that had been brushed in that room for many years.

Meehan dies on March 14, 1890 at his presbytery in Dublin, and is buried in Glasnevin Cemetery. He is survived by two brothers, one of whom is also a priest. He is commemorated by a mural tablet erected by his parishioners in the church of Saints Michael and John.

(From: “Meehan, Charles Patrick” by James Quinn and Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie)


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Death of A. J. Potter, Irish Composer & Teacher

Archibald James (Archie) Potter, Irish composer and teacher who writes hundreds of works including operas, a mass, and four ballets, as well as orchestral and chamber music, dies suddenly in Greystones, County Wicklow, on July 5, 1980.

Potter is born in Belfast on September 22, 1918 to a Presbyterian family who, oddly, lives on the Falls Road, a republican (Catholic) stronghold. His father is a church organist and piano tuner who has been blind since childhood. His mother is, in Potter’s own words, “a raging alcoholic.” He escapes a rather grim childhood when he goes to live with an aunt in Kent, England.

Possessed of a good voice and natural musical ability, Potter is accepted as a treble by the world-famous choir of All Saints, Margaret Street. In 1933, after four years as a chorister, he is sent to Clifton College, Bristol. From there he goes to the Royal College of Music on a scholarship and studies composition under Vaughan Williams. While at the Royal College he wins the Cobbett prize for chamber music.

World War II interrupts Potter’s music education, and he leaves college to serve with the London Irish Rifles in Europe and the Far East. After the war he settles in Dublin, where he continues his studies at Trinity College, Dublin, gaining a Doctorate in Music in 1953.

Potter had already started composing chamber and vocal music before the war. Now, established in Dublin, he chooses the orchestra as his principal means of expression. His early pieces, such as Rhapsody under a High Sky and Overture to a Kitchen Comedy, show that he has absorbed Vaughan Williams’ pastoral style and his love of folk music. In 1952, both pieces are awarded Radio Éireann‘s “Carolan Prize” for orchestral composition by the adjudicator Arnold Bax. A year later Potter repeats this success when his Concerto da Chiesa, a concerto for piano and orchestra, also wins the Carolan Prize.

In 1955 Potter is appointed Professor of Composition at the Royal Irish Academy of Music, where he becomes an effective administrator and inspiring teacher.

In the 1960s, Potter turns to ballet, writing four orchestral scores for the Cork Ballet company. The first of these, Careless Love, becomes the composer’s own favourite of all his compositions. Several years later, following a successful battle with alcoholism, he writes what some regard as his magnum opus, Sinfonia “de Profundis” (1969). The première is given at the Gaiety Theatre, Dublin on March 23, 1969 in a performance by the RTÉ Symphony Orchestra under the baton of Albert Rosen. The Irish Times refers to the concert as a “major national event.” In December 1969, he receives a Jacob’s Award for the composition.

Potter’s last substantial work, an opera entitled The Wedding, receives its first public performance in Dublin in 1981, almost a year after his death.

Potter dies suddenly at his home in Greystones, County Wicklow on July 5, 1980, at the age of 61. He is buried in the nearby Redford cemetery.


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The Battle of Ballyellis

The Battle of Ballyellis, a clash during the Irish Rebellion of 1798, takes place on June 30, 1798. The battle is between a surviving column of the dispersed Wexford rebel army and pursuing British forces. It is the last Irish victory in the most violent Irish rebellion in modern history with at least 10,000 killed in a campaign that sees appalling atrocities inflicted by English and Irish.

The British victory at the Battle of Vinegar Hill on June 21 had denied the rebels static bases of operation but had not finished the rebellion and at least three major columns of rebels are operating throughout the southeast, moving outwards from County Wexford in an effort to spread and revive the rebellion.

One such column, numbering about 1,000 but accompanied by a number of women and juveniles, is mobile in north County Wexford, continually altering course to elude combined movements of pursuing British forces. The column is led by Joseph Holt, and under his command Denis Taaffe. It heads in the direction of Carnew, County Wicklow, toward the security offered by its mountain ranges when one of its foraging parties is intercepted and destroyed by a cavalry patrol. It quickly becomes evident to the British authorities that this party is a detachment from the main body of rebels. A mounted force of 200 troops consisting of Ancient Britons, dragoons, and three yeomanry corps, assemble near the neighbourhood of Monaseed to begin a pursuit of the rebels.

However, the approaching British are spotted and a force of rebels then moves ahead of the main force to prepare an ambush at the townland of Ballyellis. The spot chosen is behind a curve in the road flanked by high ditches and estate walls. Wagons are placed on the road and access points cut into the ditches. The main force arrives and deploys itself behind the wagons, on the wall and ditches with a small force left to stand on the road ahead of the barricades standing to face and lure in the approaching soldiers.

Upon spotting the small force standing on the road, the pursuing British quicken their pace and charge forward, assuming that they are facing only the rearguard of the fleeing column. Upon reaching the turn, they are met by a barrage of gunfire and are hemmed in by the rebels on three sides. As more mounted troops arrive they press their comrades further into the trap making effective manoeuvre impossible and many are easily picked off by the long pikes of the rebels.

The rear-ranks quickly flee with a few more soldiers escaping by jumping their mounts over the ditch. The rebels organise a relentless pursuit of the soldiers who are tracked and killed through the adjoining fields. At the end of the action about 120 troops, including a French émigré, and two officers are killed with no rebel casualties.

The news of this rebel victory comes as a shock to the authorities in Dublin Castle who had assumed that the offensive capabilities of the rebels had been finished at the Battle of Vinegar Hill. Reports of the defeat are downplayed and the scale of losses withheld from the general public, but the military now recognises Wicklow as the main theatre of rebel operations and begins to transfer troops there in anticipation of a new anti-insurgency campaign.


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Birth of Mary O’Rourke, Former Fianna Fáil Politician

Mary O’Rourke (née Lenihan), former Fianna Fáil politician, is born in Athlone, County Westmeath, on May 31, 1937.

O’Rourke is educated at St. Peter’s in Athlone, Loreto Bray Convent in County Wicklow, University College Dublin and St. Patrick’s College, Maynooth. She works as a secondary school teacher before beginning her political career.

O’Rourke begins her political career in local politics, serving on Athlone Urban District Council between 1974 and 1987 and on Westmeath County Council between 1979 and 1987. She is elected to Seanad Éireann in 1981 as a Senator for the Cultural and Educational Panel. She stands unsuccessfully for the Dáil at the February 1982 Irish general election, but is subsequently re-elected to the Seanad. At the November 1982 Irish general election, she is first elected to Dáil Éireann as a Fianna Fáil TD for the Longford–Westmeath constituency, and from 1992 for the new Westmeath constituency.

In 1987, O’Rourke is appointed Minister for Education by Charles Haughey. She and her brother, Brian Lenihan Snr, become the first brother and sister in Irish history to serve in the same cabinet. In the November 1991 cabinet reshuffle, she becomes Minister for Health. In February 1992, Charles Haughey resigns as Taoiseach and Fianna Fáil leader and she contests the subsequent leadership election along with Michael Woods and Albert Reynolds. Reynolds wins the election and she is subsequently dropped from her ministerial position, but is appointed to a junior ministry as Minister of State for Labour Affairs at the Departments of Industry and Commerce, and later Enterprise and Employment.

In 1994, Bertie Ahern becomes party leader and he appoints O’Rourke as deputy leader of Fianna Fáil, serving in the position until 2002. Following Ahern’s election as Taoiseach in June 1997, she becomes Minister for Public Enterprise, holding this position until she loses her Dáil seat at the 2002 Irish general election. This follows a vote management strategy from Fianna Fáil head office which restricts her from campaigning in her traditional areas around Kilbeggan, in an attempt to win 2 of the 3 seats in Westmeath. The loss of her Dáil seat is also attributed to her association with and the championing of, the privatisation of Telecom Éireann, which proves a financial disaster for many small investors, due to the share price falling radically, post privatisation. During this term as Minister, she also becomes the subject of public criticism by Ryanair chief executive Michael O’Leary. Following the loss of her Dáil seat, she is nominated to Seanad Éireann as a Senator by Taoiseach Bertie Ahern where she becomes Leader of the Seanad and leader of Fianna Fáil in the Seanad.

In January 2006, O’Rourke receives the party nomination to stand at the 2007 Irish general election. She narrowly defeats her nearest rival and Dáil election running mate, Kevin “Boxer” Moran of Athlone Town Council, causing a controversy when she thanks her election team for working “like blacks.” She is re-elected to the Dáil at the May 2007 Irish general election, with her highest ever vote.

In November 2008, during a march against the re-introduction of college fees, students from the Athlone Institute of Technology lay a funeral wreath at the door of O’Rourke’s constituency office. The card in the wreath states “Sincere sympathies on the death of free fees. We will remember this.” She describes the act as “heinous.” The wreath is placed there because she is not speaking at a rally against the fees.

In July 2010, O’Rourke concedes that she does not expect the party to be in power after the next general election. On RTÉ Radio‘s Today with Pat Kenny programme, she says the government is taking tough decisions to steer the country through the financial crisis and this will make it easy for the opposition. She says there is a general air of “crossness” within the Fianna Fáil party over their standing in the polls, but nobody is harboring leadership ambitions to challenge Brian Cowen.

In November 2010, O’Rourke says there is then more to unite her party and Fine Gael than to divide them. She points to the common approach of the two parties to Northern Ireland, Europe and the current financial crisis. In an address to the 1916–1921 Club in Dublin Castle, she says that most voters no longer defined themselves in terms of Civil War politics.

O’Rourke’s senior years lead her to often being referred to as the “Mammy of the Dáil.”

O’Rourke contests the 2011 Irish general election, but is defeated on the poll. She had been critical of former Taoiseach Brian Cowen, saying that he should have resigned after his infamous “congested” radio interview. She supports the attack on Cowen by her nephew, former Finance Minister Brian Lenihan Jnr, who says he is “disappointed” by Cowen’s performance and he had to provide the leadership when the Taoiseach did not.

As well as being a well-known politician, O’Rourke makes regular appearances in the media in a non-political capacity. She has been a contestant on RTÉ‘s reality series Celebrity Bainisteoir, as well as other shows such as Sex & Sensibility. She has guest presented Tonight with Vincent Browne.

In 2012, Just Mary: My Memoir is published. It wins the 2012 Irish Book Award in the “Listeners’ Choice” category.

O’Rourke comes from a strong political family, her father Patrick Lenihan serves as a TD for Longford–Westmeath from 1965 to 1970. Her brother Brian Lenihan is a senior government Minister and Tánaiste. Another brother, Paddy Lenihan, is a County Councillor in Roscommon, but resigns from Fianna Fáil in 1983 and becomes associated with Neil Blaney‘s Independent Fianna Fáil party. Two of her nephews, Brian Lenihan Jnr and Conor Lenihan, both sons of her brother Brian, serve as Ministers. Brian Lenihan Jnr is the Minister for Finance. Conor Lenihan is a Minister of State.

O’Rourke is widowed in January 2001, following the death of her husband, Enda. She has two sons. Aengus O’Rourke, her adopted son, runs for Athlone Town Council in 2009. The other son, Feargal O’Rourke, becomes Managing Partner of PricewaterhouseCoopers in Ireland in 2015 and is considered the “grand architect” of the Double Irish tax system, a major contributor to Ireland’s economic success in attracting U.S. multinationals to Ireland.