During World War I, the Royal Dublin Fusiliers expand to six additional battalions and see action on the Western Front, the Mediterranean, and the Middle East. The regiment suffers heavy casualties at battles such as LeCateau and the Gallipoli landings at Helles, where only 11 of 1,100 men survive the landing. Members of the regiment are awarded three Victoria Crosses for acts of bravery during the war.
Following the establishment of the Irish Free State in 1922, the Royal Dublin Fusiliers, along with four other southern Irish regiments, is disbanded. The regiment’s history and the service of its soldiers are commemorated by the Royal Dublin Fusiliers Association, which maintains archives, exhibitions, and digitised collections of letters and records from World War I. These archives provide insight into the experiences of Irish soldiers and the conditions they face on the front lines.
The regiment is remembered for its courage and sacrifice, with dedicated websites and museum collections preserving its history, medals, and personal accounts of soldiers. The Royal Dublin Fusiliers remain a significant part of Irish military heritage, reflecting both the contributions of Irish soldiers to the British Army and the complex history of Ireland during the early 20th century.
Maude is born on May 22, 1941, in Casla, County Galway, and reared in the Irish language. Her mother, Máire Nic an Iomaire, is a school teacher, and she receives her primary education from her on a small island off the coast of Rosmuc. Her father, John Maude, is from Cill Bhriocáin township near Rosmuc. She attends secondary school at Coláiste Chroí Mhuire, Spiddal, an all-Irish language school in County Galway. She later credits one of her Irish language teachers there, Sister Ailbhe, as an early influence in cultivating her writing confidence.
Maude begins writing modern literature in Irish in secondary school and develops a rhythm of poetry closely attuned to the rhythms of the Conamara Theas dialect of Connacht Irish, spoken in her native district. Though not conventionally religious, she admits in an interview that she has a deep interest in spirituality and that this has left its mark on her poetry. She is noted as a highly effective reciter of her own verse. Géibheann is the best-known of her poems, and is studied at Leaving Certificate Higher Level Irish in the Republic of Ireland. A posthumous collected edition, Caitlín Maude, Dánta, is published in 1984, Caitlín Maude: file in 1985 in Ireland and Italy, and Coiscéim in 1985.
Maude is widely known as an actress. She acts at the university, at An Taibhdhearc in Galway and the Damer Theatre in Dublin, and is particularly successful in a production of An Triail by Máiréad Ní Ghráda at the Damer Theatre in 1964. She plays the protagonist, Máire Ní Chathasaigh, an unmarried mother who experiences family rejection, a stay in a Magdalene laundry, and ultimately murders her infant child followed by suicide. In 2017, Former Irish Minister For JusticeMáire Geoghegan-Quinn cites this performance as “pathbreaking”: “Caitlín Maude played the role, when nobody talked about the issue and when, as we know, women were still devalued, still caricatured, still incarcerated and disenfranchised if they became mothers out of wedlock.” Maude herself is a playwright and co-authors An Lasair Choille with poet Michael Hartnett.
Maude is very active in the Celtic Revival. She founds An Bonnán Buí, an Irish-speaking social club in the 1970s in Dublin. As a member of the Dublin Metropolitan Gaelgeoir community, she is active in many direct action campaigns by the language revival organization Gluaiseacht Chearta Sibhialta na Gaeltachta, including the campaign that forces the Irish State to establish a Gaelscoil (Irish-medium primary school) Scoil Santain in the suburb of Tallaght, County Dublin. A second Irish language school, Scoil Chaitlin Maude, opens in Tallaght in 1985 shortly after her death. It begins as a two-room school with 35 children and has grown to a 16 room new building serving 345 children as of 2023.
Maude is also a distinguished sean-nós singer. She makes one album in this genre, Caitlín, released in 1975 on Gael Linn Records and now available as a CD. It contains both traditional songs and a selection of readings of her poetry.
Maude marries Cathal Ó Luain in 1969. They have one child Caomhán, their son.
Maude dies of complications from cancer on June 6, 1982, at the age of 41. She is buried in Bohernabreena graveyard, which overlooks the city from the Wicklow Mountains.
In 2001, a new writers’ centre in Galway is named after her: Ionad Scríbhneoirí Chaitlín Maude, Gaillimh.
Since Maude’s death, critics in several languages have continued to study her literary works. Irish writer and The Irish Times columnist Michael Harding cites her as one of a few examples of groundbreaking women to “spin the hurt and wound of their oppression, and weave new loves songs and laments.” Irish Studies professor Sarah McKibben notes that Maude’s innovation in the poem represents an instance of recent Irish writers transgressing “literary, nationalistic, sociolinguistic and gender norms to craft new ways of writing in Irish.”
According to Louis de Paor, “Although no collection of her work was published during her lifetime, Caitlín Maude had a considerable influence on Irish language poetry and poets, including Máirtín Ó Direáin, Micheál Ó hAirtnéide, Tomás Mac Síomóin, and Nuala Ní Dhomhnaill. That influence is a measure of the dramatic force of her personality, her exemplary ingenuity and commitment to the language, and her ability as a singer to embody the emotional disturbance at the heart of a song. Her collected poems are relatively slight, including incomplete drafts and fragments, but reveal a poetic voice confident of its own authority, drawing on the spoken language of the Connemara Gaeltacht but rarely on its conventions of oral composition or, indeed, on precedents in Irish poetry in either language. The best of her work is closer to the American poetry of the 1960s in its use of looser forms that follow the rhythms of the spoken word and the sense of the poem as direct utterance without artifice, a technique requiring a high degree of linguistic precision and formal control.”
Maude’s work has also been translated into English and Spanish. Spanish language critic Pura Coloma notes that Maude’s work played a role in preserving Connemaran culture, as she “utilizes her own style to replicate the deep rhythms and tonalities of the regional voice.”
Pilkington is born to John Pilkington and Margaret Mary Pilkington (née Torsney), the second of twelve children born to the couple. Only nine of his siblings survive into adulthood. He receives his education at the local Marist Brothers convent school and the Day Trades Preparatory School. Later he is a student at the Department of Agriculture Forestry College in County Wicklow. When the Irish War of Independence begins, the college is closed and he is forced to return to Sligo. He then gains employment with Wehrly Brothers Ltd., a jewelry and watchmaking store in Sligo.
Several notable incidents occur in Pilkington’s military career. On October 25, 1920, at Moneygold, eight miles from Sligo (between Grange and Cliffoney), IRA men led by him ambush a nine-man Royal Irish Constabulary (RIC) patrol, killing four (Sergeant Patrick Perry, Constables Patrick Keown, Patrick Laffey, Patrick Lynch) and wounding two others (Constables Clarke and O’Rourke). In January 1922, he makes clear his opposition to the IRAs General Headquarters (GHQ) support for the Anglo-Irish Treaty. “We intend to cut away from this headquarters, all of you (pointing to the staff and officers of the GHQ) want to build up a Free State Army so you can march in step into the British Empire. Do it openly. We stand by the Republic.” On April 6, 1922, a meeting addressed by Arthur Griffith in Sligo, is proclaimed illegal by Pilkington, who is the local Anti-Treaty IRA divisional commander. His troops take over a number of buildings in the town. Seán Mac Eoin brings Provisional Government troops from Athlone and on the day of the meeting, he is joined by further troops led by J. J. “Ginger” O’Connell. A tense situation ensues but, at the last minute, Pilkington backs down and the meeting goes ahead. On September 4, 1922, an Anti-Treaty IRA unit under Pilkington takes the Dromhaire barracks in County Sligo after the Free State garrison surrenders.
On August 27, 1923, Pilkington runs unsuccessfully in the general election for the 4th Dáil as a Republican candidate, polling 2,089 first preference votes.
Pilkington is a prominent member of the Anti-Treaty IRA for many years, but his most important role as part of the Anti-Treaty IRA comes on April 20, 1923. The Executive of the Anti-Treaty IRA meets in Poulacappal (four miles southwest of Callan and three miles from Mullinahone). Present in addition to Pilkington (who is replacing Liam Lynch) are Frank Aiken, Sean Hyde, Sean Dowling, Bill Quirke, Tom Barry, Tom Ruane (replacing Michael Kilroy), Tom Sullivan (replacing Sean Lehane), Sean McSwiney, Tom Crofts, P. J. Ruttledge and Sean O’Meara (substitute for Séumas Robinson). Frank Aiken is elected Chief-of-Staff and an Army Council of Aiken, Pilkington and Barry is appointed. Aiken proposes that peace should be made with the Pro-Treaty Government on the basis that “the sovereignty of the Irish Nation and the integrity of its territory is inalienable.” This is passed by nine votes to two.
Pilkington becomes a Catholic priest after his foray into politics and due to the disillusionment of the Irish War of Independence. He joins the Redemptorist Order and becomes known as Father William Pilkington CSsR. He serves as a priest in the Archdiocese of Cape Town, South Africa, priest of Monmouthshire, Wales, and retires to Bishop Eton Monastery, Liverpool.
In 1954, Pilkington is guest of honour at a dinner sponsored by Clan na Gael and the IRA Veterans of America in New York City where he says he is returning to the mission fields of Africa, but he remains faithful to the All Ireland Republic. He dies at Bishop Eton Monastery on March 26, 1977, and is buried in Liverpool.
Boland is enrolled in the IRB along with his younger brothers Harry in 1904, following in the footsteps of his father. He and his brothers Harry and Ned subsequently join the Irish Volunteers when that organisation is established in 1913, serving in the same company as Arthur Griffith. When news breaks out of the Easter Rising in 1916 he immediately leaves his job, however, he is bitterly disappointed when he finds out that the order has been countermanded. When the rebellion begins in earnest on Easter Monday, he makes his way to Jacob’s Mill where he fights under Thomas MacDonagh. Following the official surrender, he is arrested and interned at Frongoch internment camp in Wales, where he comes into contact with other notable revolutionary leaders, including his brother Harry’s friend Michael Collins.
Boland is released after a general amnesty in December 1916, however, he remains involved in revolutionary circles, although he declines to rejoin the IRB, believing the organisation is no longer needed. He is arrested and imprisoned in Belfast from May to December 1918 for practising military drills in the Dublin Mountains. Meanwhile, a number of his colleagues secure their release by winning seats in the 1918 United Kingdom general election.
Boland and his brothers are opposed to the Anglo-Irish Treaty of 1921. He is Battalion Commandant of 3 Battalion, 2 Dublin Brigade (South Dublin) in Blessington, County Wicklow, but is captured early on in the Irish Civil War on July 7, 1922, and is interned until his release in July 1924. On the outside, his brother Harry dies some days after being shot, in August 1922, after two National Army officers attempt to arrest him at the Grand Hotel in Skerries, County Dublin. Boland applies to the Irish government for a service pension under the Military Service Pensions Act of 1934 and is awarded 11 and 5/12 years of service at Grade C for his service with the Irish Volunteers and the IRA between April 1, 1916 and September 30, 1923.
Following the end of the Irish Civil War, Boland helps to build up Sinn Féin as the main Republican party. While still imprisoned, he is selected to stand for Dáil Éireann as the Teachta Dála (TD) for Roscommon, Harry’s old seat, for the 1923 Irish general election, in which he is successful. He is among those in Kilmainham Gaol who go on hunger strike in October 1923. The hunger strike does not result in his release and he credits his practice of yoga with keeping him alive at the time.[3]
Boland is eventually released from the custody of the state in July 1924. Upon his release, he becomes secretary of Sinn Féin and stands on the executive of the party.
Boland is among the first in Sinn Féin to call for an end to the party’s abstentionism from DáilÉireann, believing it to be a political dead end. Party leader Éamon de Valera proposes that the party abandon this policy and take their seats in the Dáil if changes are made to the oath of allegiance to the British monarch. His proposal is defeated and de Valera and his supporters, including Boland, leave Sinn Féin. Shortly after this split, a new party emerges called Fianna Fáil, with de Valera acting as leader and the other disillusioned Republican TDs joining. Boland is vital in transferring many members from Sinn Féin to Fianna Fáil. Fianna Fáil briefly also has an abstentionist policy but in 1927 a new law forces Fianna Fáil TDs to take the oath of allegiance and take their seats in the Dáil. Fianna Fáil dismisses the oath as “an empty formula.”
Boland works alongside Seán Lemass in building up Fianna Fáil’s grassroots support and organisation, giving particular attention to the party’s rural apparatus. In the September 1927 Irish general election Fianna Fáil comes within four seats of the ruling Cumann na nGaedheal party. The latter forms a coalition of sorts with the Farmers’ Party and returns to government.
Following the 1932 Irish general election, Fianna Fáil forms a new government. Boland is appointed Government Chief Whip, a position which allows him to attend cabinet meetings but not vote at them.
Fianna Fáil remains in power with an increased mandate following the 1933 Irish general election and Boland is promoted to the position of Minister for Posts and Telegraphs. Despite being the Minister in charge of the postal service, he does not own a telephone until some time later. During his tenure, the postal service makes considerable progress. It is also during this time that the Post Office becomes a paying concern. During his time as minister, he oversees a major expansion of the telephone service in Ireland, improvements in the transmission capacity of Radio Éireann, and construction of new provincial post offices and a new central postal sorting office.
Boland is acting Minister for Justice briefly for a time when P. J. Ruttledge is ill. It is during this time that he declares the Irish Republican Army a proscribed organisation.
A cabinet reshuffle in 1936 sees Boland become Minister for Lands. The Land Act 1939 reforms land distribution, broadening the criteria by which the state can take control over undeveloped land while offering the tenant of the land more favourable terms of compensation. He is critical of the policy of the Minister for Industry and Commerce, Seán Lemass, of centralising industrial development in Dublin. He instead wishes to see a more decentralised economy based around food production. The differing viewpoint causes a rift between Boland and Lemass, but despite this Boland favoured Lemass’s policy of state intervention in the economy over Seán MacEntee‘s more laissez-faire approach.
In 1937 Boland is highly vocal during the drafting of a new constitution of Ireland by Fianna Fáil against any word which would give the Catholic Church special status, something heavily considered at the time. He declares that if the constitution elevates the position of the Catholic Church above others, it would be sectarian, anti-republican, and a hindrance to any prospects of Irish reunification. As a compromise, the term “special position” is used in the approved text of the Constitution.
Following the outbreak of World War II in 1939, known in Ireland as the Emergency, there is a cabinet reshuffle, and Boland is appointed as Minister for Justice. He takes over at a time when the IRA has once again declared war against the British state and has begun their Sabotage Campaign. He is charged with the task of crushing the organisation and preventing the IRA from drawing the Irish state into conflict with the United Kingdom. Although he always considers himself a republican, he takes a hardline against the IRA and uses his powers to order the internment of hundreds of IRA members before introducing military courts and special criminal courts.
In 1940, several imprisoned IRA members go on hunger strike but Boland refuses to grant their release. Two of the men eventually die, one of whom is the nephew of one of his Fianna Fáil colleagues. Tony D’Arcy dies at the age of 32 on April 16, 1940, as a result of a 52-day hunger strike, and Jack McNeela dies three days later after 55 days on hunger strike. These deaths spark reprisals by the IRA on the Garda Síochána. Boland subsequently introduces tougher measures by setting up a military court with the death penalty and no provision for appeal except for a review by the government. In all, twelve men are found guilty with six of them facing death and the remaining six having their sentences changed to imprisonment. Among those executed is Charlie Kerins, an acting Chief of Staff of the IRA.
As Minister of Justice, Boland is also asked to enforce policies of wartime censorship, however, finding the idea of the state censorship distasteful he establishes a censorship board to avoid accusations of bias.
During the Emergency, Boland is also responsible for the detention of several foreign agents in pursuit of Ireland’s strict policy of neutrality. During this time some 500 individuals are interned and 600 are sentenced under the newly introduced Offences against the State Act, 1939. By 1943 the IRA is in disarray, particularly after the Chief of Staff is arrested and imprisoned, leaving the organisation without leadership. Boland and Fianna Fáil feel their hardline is backed by the electorate following strong returns for the party at the 1944 Irish general election.
In 1947, Boland is among four leading Fianna Fáil figures (including de Valera) involved in the “Locke’s Distillery Scandal”, an accusation brought by Oliver J. Flanagan that foreign businessmen are bribing members of Fianna Fáil to gain the right to purchase the distillery. A tribunal of inquiry finds no evidence to support the claims, but the event taints the public’s view of Fianna Fáil.
By 1948, Fianna Fáil has been in government for an uninterrupted 16 years. With World War II finally over, the electorate seeks change and a fresh start. Arising to meet this desire is the new political party Clann na Poblachta. Led by Seán MacBride, this new party seeks to kick off a new post-war political era in Ireland, and to do this means removing Fianna Fáil from power. Many in Clann na Poblachta have republican backgrounds and in some ways, the party can be partially described as an organic reaction to Fianna Fáil and Boland’s hardline stance during the war years. Many in political circles, including inside Fianna Fáil, believe Clann na Poblachta can be a new force to reckon with.
However, de Valera always holds a reputation for being cunning in selecting the dates of general elections, and he once again cements that notion, when he calls for a general election in early 1948 before Clann na Poblachta is completely ready to contest a national election. At the 1948 Irish general election Clann na Poblachta and other Fianna Fáil opponents do well, but not as well as expected. To remove Fianna Fáil from government, every single party in the Dáil and several independents have to form the unwieldy “First Inter-Party Government.” The coalition sees Clann na Poblachta forced to work with Fine Gael, considered the traditional “enemy” of Irish republicanism. By 1951, the coalition collapses and Fianna Fáil returns to government following that year’s election, with Boland re-appointed Minister for Justice.
Boland does not seek ministerial office in 1957 when Fianna Fáil returns to power after its defeat in 1954. However, his son, Kevin, is appointed to the cabinet as Minister for Defence at the beginning of his first term in the Dáil. By this stage, Boland is beginning to be seen as an aging warhorse, with his base in Roscommon starting to slip and Fianna Fáil unhappy that he is unable to get a Fianna Fáil running mate elected alongside himself.
At the 1961 Irish general election, Boland is defeated for the first time in fourteen general election campaigns. Despite losing his Dáil seat, he subsequently secures election to Seanad Éireann. Four years later in 1965, he returns to the Seanad, this time as a nominee by the Taoiseach Seán Lemass.
In 1970, the outbreak of the Arms Crisis sees Kevin Boland resign as a Minister and as Secretary of Fianna Fáil in protest at the government’s policy on Northern Ireland and in response to the sackings of Charles Haughey and Neil Blaney from the cabinet over allegations they had arranged for weapons to be provided to the Provisional IRA. Gerald Boland, in a similar protest, resigns as a vice president and as a trustee of Fianna Fáil, although he remains a member of the party. He also articulates his loss of confidence in the leadership of TaoiseachJack Lynch.
Boland dies in Dublin at the age of 87 on January 5, 1973. He is buried in the republican plot in Glasnevin Cemetery, Glasnevin, County Dublin. His wife, Annie Boland, predeceases him in 1970. He is survived by his three daughters and four sons.
In 1910, Elvery moves to South Africa to marry Hobart Kay, FRCS. By 1916 they have settled in Port Elizabeth.
Kay is a founder member of the Eastern Province Society of Arts and Crafts. In 1924 she is elected a member of the Royal British Colonial Society of Artists. She paints and makes etchings, and in 1926 her etching Romance is bought by Mary of Teck, Queen of the United Kingdom, at the Dominion Artists’ Exhibition in London. She travels widely in South Africa and sketches as she goes, and is also commissioned to make many portraits of mayors of Port Elizabeth, many of them lost when the City Hall burns down in 1977. During World War II she is commissioned by the government to record the war on the home front, and some of her work is held in the South African National Museum of Military History. From 1927 to 1945 she produces two to four illustrations each week for The Outspan.
Kay’s largest painting is the 1937 work Surgery, showing a patient undergoing abdominal surgery (a cholecystectomy). She portrays herself as the scrub nurse and her husband Hobart as the surgeon. In preparation for this painting she visits three hospitals and observes at least two operations, making 27 pages of preliminary sketches of people and equipment used in surgery. During World War II she paints further medical paintings: Operation in a Base Hospital and Blood to Save Lives.
Kay holds one-woman exhibitions from 1922 to 1955, and retrospective exhibitions of her work are held at the Iziko South African National Gallery in 1965 and 1982.
In her early days at Port Elizabeth, Kay is a keen sailor and is described as “for a time the fastest spinnaker-hand in South Africa.”
Kay has three daughters and one son. Her daughter Joan Wright (1911-91) teaches painting at the Port Elizabeth Technical College School of Art and Design, and her daughter Marjorie Reynolds writes and publishes a biography of her mother in 1989, and a further book about the Elvery family in 1991, and also donates her mother’s collection of works and archives to the Iziko South African National Gallery as “The Kay Bequest” in 1992.
Fiach mac Aodha Ó Broin (anglicised as Feagh or Fiach MacHugh O’Byrne), the son of the chief of the O’Byrnes of the Gabhail Raghnaill, is executed in Farranerin, County Wicklow, on May 8, 1597.
His sept, a minor one, claims descent from the 11th century King of Leinster, Bran Mac Máel Mórda, and is centered at Ballinacor North in Glenmalure, a steep valley in the fastness of the Wicklow Mountains. Their chiefs style themselves as Lords of Ranalagh. The territory of the Gabhail Rabhnaill stretches from Glendalough south to the Forest of Shillelagh in Wexford and west to the borders of present-day County Carlow, an area of some 150,000 acres.
By the time of his death in 1579, O’Byrne’s father, Hugh MacShane O’Byrne, has brought his sept to prominence much to the discomfort of the senior branch of the clan, the Crioch Branagh. The Gabhaill Rabhaill has allied themselves to several leading clans in Leinster and are related by blood and marriage to the Kavanaghs, O’ Tooles, O’Connors and the O’Moores.
O’Byrne makes a name for himself as an enemy of the English. Resenting the greed and cruelty of the Elizabethan adventurers and settlers, he raids their villages and kills them or drives them out. He is appalled at the ruthless cruelty of the seneschals (Stewarts) Thomas Masterson and Sir Henry Harrington and in 1580 goes into open rebellion when Masterson summarily execute many Kavanagh clansmen.
Other clans join with O’Byrne and when James Eustace, 3rd Viscount Baltinglass, angered by the treatment of the CatholicOld English also rebells, O’Byrne joins with him. The English are appalled at this, already Munster is in turmoil as the Earl of Desmond is in rebellion and in the north the O’ Neills are moving also against the English.
An army of 3,000 men is sent into the Wicklow Mountains but O’Byrne and Eustace are waiting for them in Glenmalure. Over 800 English lose their lives at the Battle of Glenmalure and the rest flee back to Dublin. The following year the English offer terms, Eustace refuses and flees to Spain but O’Byrne and the other clan chiefs accept the terms and are pardoned.
In the following years, O’Byrne keeps a low profile. He makes no overt moves against the English, instead of holding them at bay and even giving them hostages.
In 1592, Hugh Roe O’Donnell, with brothers Art and Henry MacShane O’Neill, escapes from Dublin Castle. The breakout has been planned with the help of Hugh O’Neill, Earl of Tyrone, and the escapees fled to the safety of Glenmalure. It is a severe winter and Art dies from exposure and is buried in O’Byrne land but O’Byrne is able to transport Hugh Roe and Henry away to safety.
In January 1594, the English decide to move against O’Byrne, claiming that he is involved in treason. The Lord Deputy of Ireland Sir William Russell manages to take Ballinacor but O’Byrne and his wife Rose escape.
The English spend a long time collecting heads and plundering, they spare few. In April, Russell again goes hunting for O’Byrne who once again escapes. His wife, however, is captured and sentenced to be burned to death. The sentence is not carried out.
O’Byrne is once again forced to seek terms which he is granted for renewable 3 monthly terms. He stays quiet until September 1596 when his son successfully attacks a munitions transport and is able to overrun the English garrison that had been placed in Ballinacor.
Lord Deputy Russell spends the next year unsuccessfully scouring the country for O’Byrne. However O’ Byrne’s luck eventually runs out. A traitor in his camp gives information to Russell that O’Byrne will be in Ballinacorr on May 8, 1597. The Lord Deputy is able to surprise him and capture him in a cave. There he is hacked to death and decapitated with his own sword.
The head of O’Bryne is put on a spike at Dublin Castle then later sent to London to Queen Elizabeth. Angry that it would be even sent to England, she disdains to accept the head of such a base “Robin Hood.”
(From: “Feagh MacHugh O’Byrne 1543-1597” by Pádraig Mac Donnchadha, YourIrish.com, http://www.yourirish.com | Pictured: The armorial achievements (coat of arms, crest and motto) recorded by the Chief Herald of Ireland and the Ulster King of Arms as being awarded to Fiach MacHugh O’Byrne)
Though Gregg is instinctively conservative, his awareness of contemporary trends make him responsive to demands for change: he supports the resolution for women to hold parochial office and presents a petition to the General Synod in 1914, signed by 1,400 women. Though the motion is lost, he perseveres undaunted, and a bill for the ecclesiastical enfranchisement of women is finally carried in 1920. A unionist, he is also one of three Anglican and seventeen Catholic bishops to sign the declaration against partition in 1917, which is organised by the Catholic Bishop of Derry, Charles McHugh.
From the 1920s the Irish church is dominated by Gregg, first as Archbishop of Dublin (1920–39) and later as Archbishop of Armagh and Primate of All Ireland (1939–59). He provides stability to the church during a turbulent period of political and social change and is outspoken in defence of its interests, pragmatically espousing policies that will lead to the greater integration of the Protestant community into the new Irish state, as in his acceptance of the teaching of compulsory Irish in national schools. Despite a declining Protestant community in the south of Ireland, he maintains the unity of the church, overcoming the political division of the country into two entities. He regrets constitutional change but pledges the loyalty of the church to the Irish Free State. While recognising that the Protestant ethos is different from that of the majority of Irishmen, he maintains that “whatever our religious or political outlook may be, here is our home, and we have a right to be here.” He is elected to the first Irish Free State senate, and is subsequently consulted by Éamon de Valera, who later describes him as “a most learned and kindly gentleman, and . . . a highly valued friend,” in framing the text of the 1937 constitution. In 1949, he adapts, albeit with sadness, the state prayers to fit the republican form of government, observing that “the republic is a fact” and that “in our prayers, above all, there must be reality.”
Gregg is an able administrator, and his courage and integrity in facing difficult situations and his scholarship and devotion to the church earn him respect in the councils of the wider Anglican communion. He is known as “the churchman’s bishop” for his emphasis on doctrinal orthodoxy, ecclesiastical discipline, and loyalty to the clergy. Though conservative in his approach to church unity, he seeks closer relations between the Christian churches and frequently visits the reformed churches of the Iberian Peninsula, where a portrait plaque is unveiled in 1950 in St. John’s Church, Vila Nova de Gaia, Portugal. A baptistry in St. Paul’s Cathedral, Lisbon, is dedicated to his memory. Well known in England as a writer and preacher, he is appointed select preacher at the University of Cambridge (1916, 1930, 1936) and the University of Oxford (1946, 1947) and supports the institution of annual theological lectures at Queen’s University Belfast (QUB). His publications include Epistle of St. Clement of Rome (1899) and The Primitive Faith and Roman Catholic Developments (1909) – a minor classic which is used as a textbook for ordinands of the Church of England. He writes the introduction and notes to the revised version of the Wisdom of Solomon for the Cambridge Bible for Schools (1909) and publishes sermons and articles in religious journals. Elected Member of the Royal Irish Academy (MRIA) in 1914, he is elected to honorary fellowship in 1934 by Christ’s College, Cambridge, is awarded an honorary Doctor of Divinity (DD) in 1949 by QUB, and is created Order of the Companions of Honour (CH) in 1957.
A commanding figure, tall, thin, with raven-black hair, piercing eyes, and fine features, Gregg has an air of sacerdotal austerity, lightened on occasion by his dry sense of humour. He maintains a well regulated daily timetable and keeps a diary, writing his most personal thoughts in Greek. He makes time for recreation, a daily walk of two miles, tennis, and (from 1929) sailing, and holidays in Ireland and on the Continent. He has a great love of English literature and church music. In 1959, he retires to the Woodhouse, Rostrevor, County Down. Though incapacitated by blindness, deafness, and lameness, he never complains, and according to his wife, his life of prayer is enriched. He dies on May 2, 1961, at his home and is buried in Enniskerry, County Wicklow, beside his first wife and son.
Gregg marries Anna Alicia Jennings on November 26, 1902. They have two sons and two daughters. Anna dies in 1945. On January 22, 1947, he marries secondly Leslie Alexandra, daughter of the Rev. T. J. McEndoo, dean of Armagh, who officiates at the marriage of his daughter and of his archbishop.
(From: “Gregg, John Allen Fitzgerald” by Helen Andrews, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Byrne is Head of Communications with the Higher Education Authority (HEA) until 2019, and has been Vice-President of the National Youth Council of Ireland. In 2014, he is named as one of the European 40 Under 40, in the European Young Leaders Programme.
In January 2006, The Sun includes Byrne’s picture on the cover of its Irish edition beneath the headline “Bertie‘s FF Man in Gay Web Shame,” revealing that Byrne has a profile on the dating website Gaydar. He responds at the time, “I have not, nor have I ever, done anything illegal and I am not a hypocrite in any way. My views on gay rights issues are well known. I am not married with four children or anything like that, so there is no suggestion of hypocrisy.” His family and political career suffer as a result and he is not selected for candidacy in the 2007 Irish general election following this incident. He later describes how a journalist from The Gorey Echo first approaches him, “The first few questions were about roads. Then the journalist said, ‘Are you aware you have a profile on this dating website?'” When he confirms that the profile is his, he experiences a sleepless night before The Gorey Echo outs him locally: “I was ringing around people I knew and my parents were ringing around people … my grandmother didn’t know and a lot of my extended family and my friends didn’t know.” Gorey Echo group editor Tom Mooney defends the publication by saying he believes Byrne’s behaviour to be “unfitting of a public representative.”
Byrne contests the 2019 European Parliament election for Fianna Fail in the South constituency, having unexpectedly beaten Cork TD Billy Kelleher in the vote for the party’s nomination. However, Kelleher is later added to the ticket. Fianna Fáil then divides the constituency geographically, asking people in counties Carlow, Kilkenny, Laois, Offaly, Tipperary, Waterford, Wexford and Wicklow to vote for Byrne, and those in counties Cork, Kerry, Clare and Limerick to vote for Kelleher. Kelleher wins 11.69% of the first-preference votes (FPV) and is elected on the 17th count. Byrne wins 9.62% of the FPV, and is eliminated on the 16th count.
Byrne is elected as a TD at the 2019 Wexford by-election. Andrew Bolger is co-opted to Byrne’s seat on Wexford County Council following his election to the Dáil. His maiden speech is about housing solutions and the need to address the challenges facing Generation Rent. In an interview he says he can envisage a United Ireland where the 12th of July and Saint Patrick’s Day are public holidays and speaks about how Ireland needs to ensure Unionists feel at home in a new agreed state and that may mean addressing issues such as Ireland joining the Commonwealth.
Byrne loses his Dáil seat at the 2020 Irish general election, following what he calls “a dirty campaign.” His defeat after only 71 days makes him the TD with the second-shortest term of service, after the Anti H-Block TD Kieran Doherty, who dies on hunger strike in August 1981, only 52 days after his election.
On March 31, 2020, Byrne is elected to Seanad Éireann at the 2020 Seanad election. He is named as Fianna Fáil spokesperson on Higher Education, Innovation and Science by TaoiseachMicheál Martin in July 2020.
At the 2024 Irish general election, Byrne is elected to the Dáil. He is subsequently appointed Cathaoirleach of the Joint Committee on Artificial Intelligence.
Byrne is openly gay. As of 2020, he is single and describes politics as “almost like an addiction,” which makes relationships difficult. He lives in Gorey.
In March 2025, Byrne is injured during the theft of his phone in London.
Walker is born in Dublin, son of Cooper Walker, merchant, and educated by Thomas Ball. He suffers from asthma, which prevents him from attending college. Instead he travels to Italy, where he possibly receives some private tuition in Latin, Greek, French, Italian, and Spanish. He takes a special interest in Italian literature and Irish antiquities, and on his return to Ireland (where he is employed in the Irish treasury as third clerk in the upper department) resides in an Italianate villa, St. Valerie, on the road from Bray to Enniskerry.
In 1785, Walker is elected one of the original members of the Royal Irish Academy (RIA) and on March 17, 1786, is requested to sit on its committee of antiquities. In this capacity he submits several essays to the Academy’s Transactions. However, his best-known work is Historical Memoirs of the Irish Bards (1786). His interest in poetry, and in eighteenth-century vernacular survivals of the ancient bardic tradition, suggests important new contemporary and literary dimensions for what had previously been antiquarian and scholarly pursuits. He also breaks new ground by considering modern as well as historical Irish culture, and introduces it to an Anglo-Irish audience by providing English translations of Gaelic songs and poems.
The authorities Walker cites covers the entire range of Irish and Anglo-Irish scholarship on Irish antiquities. He includes excerpts from his correspondence with Charles O’Conor, Charles Vallancey, and Sylvester O’Halloran and carries out an extensive correspondence with Thomas Percy after he becomes Bishop of Dromore in 1782. He focuses on both poetry and music, which according to the popular eighteenth-century view has been the two traditional pursuits of the Irish bards. He presents a historical outline of their progress from the earliest times to the eighteenth century and ends with nine appendices, which are almost as lengthy as the main text. In these, his appreciation of what he considers to be the contemporary survivals of the ancient Irish bardic tradition is apparent in his including an account of Cormac Common, a blind eighteenth-century poet from Mayo, as well as a lengthy biographical notice of Turlough O’Carolan, together with translations of several of his songs. The book brings together many of the literary, scholarly, popular, Celtic, antiquarian, political, and musical dimensions of eighteenth-century Irish culture and prefigures the synthesis of literary modes, cultural theories, and musical styles that would occur in the literary productions of the United Irishmen.
Despite his linguistic skills, Walker has little knowledge of the Irish language, yet he (a member of the Anglo-Irish elite) is consistent in his praise of Gaelic culture, portraying it as sophisticated and literate and, although he highly romanticises his work, he does help to challenge negative appraisals of the Irish character. By the standards of the time it is a work of great erudition. However, today the book is judged to be of limited academic merit as Walker is severely hampered by a shortage of primary documents and by his limited grasp of the Irish language. This is illustrated by his ambiguous use of James Macpherson‘s volumes of Ossianic poems, published in the 1760s, which he quotes as authentic in the text while hinting in the footnotes that they are unreliable.
Charlotte Brooke translates three poems, and in return Walker encourages her to produce her Reliques of Irish Poetry (1789). Her work reflects Walker’s influence and she thanks him in the preface for affording her “every assistance which zeal, judgment and extensive knowledge, could give” as well as for prevailing on people to subscribe to her work and for being a subscriber himself. He is part of a literary circle that includes Edward Ledwich, Charles O’Conor, Edward Berwick, John Philpot Curran, and Henry Grattan. He also writes Historical essay on the dress of the ancient and modern Irish (1788), dedicated to his friend James Caulfeild, 1st Earl of Charlemont, for which he interviews the older generation, consults manuscripts, and even visits tombs to examine the clothing of corpses, and admits he has received copious aid from Elizabeth Rawdon, Countess of Moira. The English Review receives it warmly but Richard Gough, the reviewer for TheGentleman’s Magazine, states he is “much disappointed in the perusal of this high priced history.” Other works by Walker include “an historical essay on the Irish stage,” RIA Trans., ii (1788), Historical Memoir on Italian Tragedy (1799) and contributions to Vallancey’s Collectanea de rebus Hibernicis (Dublin, 1770–1804). In the 1790s he subscribes to Anthologia Hibernica: a monthly collection of science, belles lettres and history and in December 1794 submits an “Historical essay on the Irish stage” which surveys Irish drama from bardic times through to contemporary folk plays.
Walker dies on April 12, 1810, in Enniskerry, County Wicklow, leaving a fine gallery of pictures, a library containing Irish manuscripts, and a collection of antiquities. He is buried on April 14 in St. Mary’s Churchyard, Dublin. His memoirs of Alessandro Tassoni are published posthumously in London in 1815 (with a lengthy preface by his brother Samuel), as is the second edition of Historical Memoirs of the Irish Bards (2 vols., Dublin, 1818).
(From: “Walker, Joseph Cooper” by Rosemary Ritchie, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
In addition to Beckett’s activity as a music critic for The Irish Times, he also writes biographical articles for dictionaries, in particular for the first edition of Die Musik in Geschichte und Gegenwart. His books include studies on Franz Liszt and ballet music.
Beckett’s more ambitious musical works from the 1940s and 1950s are a Suite for Orchestra (1945), Four Higgins Songs (1946), The Falaingin Dances (1958) and a Suite of Planxties (1960) for harp and orchestra.
In 1963 Beckett moves to England, where he teaches music at various schools before returning to Ireland in 1970 to succeed A. J. Potter at the RIAM as professor of harmony and counterpoint. In the 1980s he produces a number of remarkable works such as Quartet for Strings (1980) and Dublin Symphony (1989) for narrator, chamber choir and large orchestra. While he is never a modernist, his later works nevertheless contain some advanced harmony, particularly in the quartet.
Beckett is forced to retire from the RIAM in 1985 after suffering a stroke. In 1986 he is elected a member of Aosdána and an Honorary Fellow of the RIAM in 1990. He dies in Dublin on April 3, 1996. He is buried in Rathnew Cemetery, County Wicklow.
seamus dubhghaill 