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The Execution of Fenian Michael Barrett

Michael Barrett, Irish activist and a member of the Fenians, is executed on May 26, 1868, for his part in the Clerkenwell Gaol explosion in December 1867. From all the evidence, it is likely he is not guilty. He is the last man to be publicly hanged in England.

Barrett is born in 1841 in Drumnagreshial in the Ederney area of County Fermanagh. As a young man and in search of work, he moves to Glasgow where, at the age of 27, he joins the Irish Republican Brotherhood (IRB), often referred to as Fenians. In the 1860s, the IRB is a political movement that dominates Irish Republican politics and defies the Catholic Church, middle-class nationalists who advocate milder approaches and Irish Unionists. Tens of thousands of Irishmen in both Ireland and Great Britain are recruited into its ranks.

The Clerkenwell bombing is the most infamous action carried out by the Fenians in mainland Britain. It results in a long-lived backlash that foments much hostility against the Irish community in Britain.

The events that lead up to the bombing start with the arrest in November 1867 of Ricard O’Sullivan Burke, a senior Fenian arms agent who planned the “prison-van escape” in Manchester a few months earlier. O’Sullivan-Burke is subsequently imprisoned on remand in the Middlesex House of Detention, Clerkenwell. On December 13, an attempt to rescue him is made by blowing a hole in the prison wall. The explosion is seriously misjudged. It demolishes not only a large section of the wall, but also a number of tenement houses opposite in Corporation Lane (now Corporation Row), killing 12 people and wounding up to 120 more.

The bombing has a traumatic effect on British working-class opinion. The radical, Charles Bradlaugh, condemns the incident in his newspaper, the National Reformer, as an act “calculated to destroy all sympathy, and to evoke the opposition of all classes.”

The day before the explosion, Prime Minister Benjamin Disraeli bans all political demonstrations in London in an attempt to put a stop to the weekly meetings and marches that are being held in support of the Fenians. He fears that the ban might be challenged, but the explosion has the effect of turning public opinion in his favour.

Months earlier, Barrett had been arrested in Glasgow for illegally discharging a firearm and allegedly false evidence is used to implicate him in the Clerkenwell Prison explosion. In court, he produces witnesses who testify that he had been in Scotland on the date of the incident. The main case against him rests on the evidence of Patrick Mullany, a Dubliner known to have given false testimony before and whose price is a free passage to Australia, who tells the court that Barrett had informed him that he had carried out the explosion with an accomplice by the name of Murphy. After two hours of deliberation the jury pronounces Barrett guilty. On being asked if he has anything to say before sentence is passed, he delivers an emotional speech from the dock.

Many people, including a number of radical MPs, press for clemency. In Fermanagh, Barrett’s aged mother walks several miles in the snow to appeal to the local Irish Conservative Party MP, Captain Mervyn Edward Archdale, a staunch Orangeman, who rejects her.

Barrett is executed outside the walls of Newgate Prison on May 26, 1868, before a crowd of two thousand who boo, jeer and sing “Rule, Britannia!” and “Champagne Charlie” as his body drops. His execution is the last public hanging to take place in England. The hangman is William Calcraft.

Until their transfer to the City of London Cemetery, Barrett’s remains lay for 35 years in a lime grave inside the walls of Newgate Prison. When the prison is demolished in 1903 his remains are taken to their present resting place. Today the grave is a place of Fenian pilgrimage and is marked by a small plaque.

After the explosion, the Prime Minister Disraeli advocates the suspension of the Habeas Corpus Act 1862 in Great Britain, as is already the case in Ireland. Greater security measures are quickly introduced. Thousands of special constables are enrolled to aid the police and at Scotland Yard a special secret service department is established to meet the Fenian threat. Although a number of people are arrested and brought to trial, Barrett is the only one to receive the death sentence.

Within days of the explosion, the Liberal Party leader, William Ewart Gladstone, then in opposition, announces his concern about Irish Nationalist grievances and says that it is the duty of the British people to remove them. Later, he says that it is the Fenian action at Clerkenwell that turned his mind towards Home Rule. When Gladstone discovers at Hawarden later that year that Queen Victoria had invited him to form a government he famously states, “my mission is to pacify Ireland.”


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Birth of Shelah Richards, Actress, Manager, Director & Producer

Shelah Geraldine Richards, Irish actress, manager, director and producer, is born in Dublin on May 23, 1903.

Richards is born to John William Richards, a lawyer, and Adelaide Roper, suffragist who had chained herself to the railings in St. Stephen’s Green. She goes to school at Alexandra College, Dublin, and after that she attends a finishing school in Paris. Though her family is not in the arts, her godmother is Beatrice Elvery. Shes attends Elvery’s salons with her parents as a child. She meets W. B. Yeats when she is sixteen. Her niece, Geraldine Fitzgerald, daughter of her sister, Edith Catherine Richards, is also one of Ireland’s pre-eminent actresses.

Richards’s acting career starts while attending the Dublin drama league and she is asked at short notice to replace Eileen Crowe in Juno and the Paycock, playing the role of Mary Boyle in the Abbey Theatre production. Richards gets the role of Nora Clithero in the 1926 production of The Plough and the Stars, Seán O’Casey‘s next production. This role means that she ends up with police protection for the duration of the run due to the disturbances the play engenders. Another important role is to take on playing the lead in The Player Queen by Yeats. Maire O’Neill had previously made the role her own and Yeats had let no one perform the part since then so taking on such a challenge is intimidating. Richards continues to take on leading roles with the Abbey Theatre but in 1926 she also begins to direct.

On December 28, 1928, Richards marries playwright Denis Johnston in St. Anne’s Church in Dublin. She tours the United States with the Abbey players in 1932 and with the Irish Players in the mid 1930s. A role in 1938 in Molly Keane‘s Spring Meeting starring Gladys Cooper and A. E. Matthews takes her to Broadway in New York City. War in Europe breaks out while the run is still going on and Richards is advised to stay in the United States. However, by then she has two children, producer Micheal and novelist Jennifer Johnston, so she returns to Dublin. There she runs her own theater company at the Olympia Theatre with Nigel Heseltine. Her marriage to Johnston, broken in 1938, ends with divorce in February 1945.

Richards next challenge is to take over the Abbey School of Acting. During her time there one of the designers she works with is Louis le Brocquy. With Siobhán McKenna she produces The Playboy of the Western World in Edinburgh to huge success allowing her to stage it in London and Dublin and later in Toronto‘s Library Theater. She brings Marcel Marceau to Dublin for the first time. She continues to act and has some film roles.

In 1961 Ireland launches its first television service, Raidió Teilifís Éireann. Richards is one of the first producers, recommended to the station by Hilton Edwards. She is one of the few women in the new station. The first Irish play produced during the opening week is directed by her and she is nominated for a Best Actress award in another production, Inquiry at Lisieux. She works as producer on a wide number of programs for the station including documentaries, soap operas and religious programming. Both Tolka Row and The Riordans are produced by her as well as Denis Johnston’s The Moon on the Yellow River, George Bernard Shaw‘s Arms and the Man and John Millington Synge‘s Riders to the Sea.

Richards retires from her RTÉ career in the early 1970s though she continues to raise funds for the Gate Theatre through the Edwards–MacLiammóir Playhouse Society. In 1983, for her 80th birthday, the Abbey puts on a party for her which includes a special rendition of “Nora” from The Plough and the Stars. Richards is the last living member of the original 1926 cast. The song is repeated at her funeral in 1985. She died in Ballybrack, County Dublin, on January 19, 1985. Her funeral is held in St. Anne’s Church in Dublin and she is cremated in Glasnevin Cemetery.


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Death of Maurice Fitzmaurice FitzGerald, 2nd Lord of Offaly

Maurice Fitzmaurice FitzGerald, 2nd Lord of Offaly, a Norman in Ireland peer, soldier, and Justiciar of Ireland from 1232 to 1245, dies on May 20, 1257, at the Franciscan Friary of South Abbey in Youghal, County Cork. He musters many armies against the Irish, and due to his harsh methods as Justiciar, he receives criticism from King Henry III of England.

FitzGerald is born in Ireland in 1194, the son of Gerald FitzMaurice, 1st Lord of Offaly, and Eve de Bermingham. He succeeds to the title of Lord of Offaly on January 15, 1204, and is invested as a knight in July 1217, at the age of 33. In 1224, he founds South Abbey, Youghal, the proto-friary of the Irish Province of the Observant Franciscans, dedicated to Saint Nicholas. He is summoned to London to accompany King Henry III of England to Poitou and Gascony in October 1229. He is appointed Justiciar of Ireland in September 1232 and holds the post until 1245. His reputation is marred by rumours that he had contrived the death of Richard Marshal, 3rd Earl of Pembroke in 1234. He meets Marshal at the Battle of the Curragh on April 1, where Marshal is wounded and dies shortly after. It is rumoured that Marshal had been betrayed. FitzGerald then proceeds to London, where he takes an oath before Henry III, that he is innocent of any participation in Marshal’s death. In 1253, he founds Sligo Abbey, a Dominican convent in Sligo, to house a community of monks to say prayers for Earl Marshal’s soul.

In February 1235, the King criticises FitzGerald for his proceedings in office and describes him as “little pleasant, nay, beyond measure harsh in executing the King’s mandates.” The same year, he takes part in the subjugation of Connacht. In the years 1241 and 1242, and later in 1246, 1247, and 1248 he musters armies against the Irish. In 1247, he invades Tír Chonaill and fights the combined forces of Cenél Conaill and Cenél nEógain at the Battle of Ballyshannon. According to various Irish annals, three eminent lords fall in battle against him: Maol Seachlainn Ó Domhnaill, King of Tír Chonaill, An Giolla Muinealach Ó Baoighill, and Mac Somhairle, King of Argyll (a man seemingly identical to Ruaidhrí mac Raghnaill).

In 1245, FitzGerald is dismissed from his post as Justiciar as a result of tardiness in sending the King assistance in the latter’s military campaigns in Wales. His successor is John FitzGeoffrey. That same year he lays the foundations for Sligo Castle. In 1250, he holds both the office of Member of the Council of Ireland and Commissioner of the Treasury. He also founds the Franciscan Friary at Youghal; hence his nickname of an Brathair, which is Irish for The Friar. He is at the English royal court in January 1252, and receives an urgent summons from King Henry in January 1254.

He married Juliana de Grenville and by her, they have four sons:

In 1257, FitzGerald and his Norman army engage the forces led by Gofraidh Ó Domhnaill, King of Tír Chonaill, at the Battle of Creadran Cille, in Cairbre Drom Cliabh, now the northern part of County Sligo. The two men fight each other in single combat and both are gravely wounded. FitzGerald dies of his injuries at South Abbey, wearing the habit of the Franciscans, on May 20, 1257, aged 63 years. In the Annals of the Four Masters, 1257, his death is described thus: “Maurice FitzGerald for some time Lord Justice of Ireland and the destroyer of the Irish, died.” (In Irish this reads as: “Muiris macGerailt lustis Ereann re h-edh diosccaoilteach Gaoidheal d’écc”.)

Upon FitzGerald’s death, the properties of Lea, Rathangan, and Geashill pass to his grandson Maurice, son of Gerald FitzMaurice, who dies in 1243.

FitzGerald is succeeded as Lord of Offaly by his son, Maurice FitzGerald, 3rd Lord of Offaly, rather than the rightful successor, his grandson, Maurice, son of his eldest son, Gerald.


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Birth of Herbert Hughes, Composer, Music Critic, Collector & Arranger

Herbert Hughes, Irish composer, music critic and a collector and arranger of Irish folksongs, is born in Belfast on May 16, 1882. He was the father of Spike Hughes.

Hughes is raised in Belfast but completes his formal music education at the Royal College of Music, London, where he studies with Charles Villiers Stanford and Charles Wood, graduating in 1901. Subsequently, he works as a music critic, notably for The Daily Telegraph from 1911 to 1932.

Described as having an “ardent and self-confident manner,” Hughes is first heard of in an Irish musical capacity (beyond being honorary organist at St. Peter’s Church on Antrim Road at the age of fourteen) collecting traditional airs and transcribing folksongs in North Donegal in August 1903 with his brother Fred, Francis Joseph Bigger, and John Patrick Campbell. Dedicated to seeking out and recording such ancient melodies as are yet to be found in the more remote glens and valleys of Ulster, he produces Songs of Uladh (1904) with Joseph Campbell, illustrated by his brother John and paid for by Bigger. Throughout his career, he collects and arranges hundreds of traditional melodies and publishes many of them in his own unique arrangements. Three of his best-known works are the celebrated songs, My Lagan Love, She Moved Through the Fair, and Down by the Salley Gardens, which are published as part of his four collections of Irish Country Songs, his key achievement. These are written in collaborations with the poets Joseph Campbell and Padraic Colum, and W. B. Yeats himself. A dispute with Hamilton Harty over copyright on My Lagan Love is pursued on Bigger’s advice, but fails.

Hughes has a unique approach to arranging Irish traditional music. He calls upon the influence of the French impressionist Claude Debussy in his approach to harmony: “Musical art is gradually releasing itself from the tyranny of the tempered scale. […] and if we examine the work of the modern French school, notably that of M. Claude Debussy, it will be seen that the tendency is to break the bonds of this old slave-driver and return to the freedom of primitive scales.” He regards arrangements as an independent art form on an equal level with original composition: “[…] under his [i.e. the arranger’s] hands it is definitively transmuted into an art-song, an art-song of its own generation.” His folksong arrangements have been sung all across the English-speaking world. John McCormack and Kathleen Ferrier are the first to record them on gramophone records.

An admirer of James Joyce‘s poetry, Hughes in 1933 edits The Joyce-Book, a volume of settings of Joyce’s poetry, with 13 pieces by 13 composers including, besides Hughes himself, Arnold Bax, Arthur Bliss, Herbert Howells, John Ireland, and non-British composers such as George Antheil, Edgardo Carducci-Agustini, and Albert Roussel. The large-format, blue-cloth covered volume has since become a collector’s item.

Hughes also composes a limited amount of original chamber music (a violin sonata is mentioned in a letter to Hughes from Bernard van Dieren dated April 4, 1932), and some scores for the stage (like And So to Bed by James Bernard Fagan) and film. Hughes and John Robert Monsell also create songs for a musical version of Richard Brinsley Sheridan‘s The Rivals called Rivals!, which is staged at the Kingsway Theatre in London in October 1935 by Vladimir Rosing and runs for 86 performances.

Married to Lillian Florence (known as Meena) Meacham and Suzanne McKernan, Hughes has three children: Patrick, known professionally as Spike Hughes, Angela and Helena. He dies in Brighton, England, at the relatively early age of fifty-four on May 1, 1937.


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Birth of Evelyn Gleeson, Designer & Co-founder of Dun Emer Press

Evelyn Gleeson, English embroidery, carpet, and tapestry designer, is born on May 15, 1855, in Knutsford, Cheshire, England. Along with Elizabeth and Lily Yeats, she establishes the Dun Emer Press.

Gleeson is the daughter of Irish-born Edward Moloney Gleeson, a medical doctor, and Harriet (née Simpson), from Bolton, Lancashire. Her father has a practice in Knutsford but on a trip to Ireland he is struck by the poverty and unemployment and, with the advice of his brother-in-law, a textile manufacturer in Lancashire, he founds the Athlone Woollen Mills in 1859, investing all his money in the project. The family moves to Athlone in 1863 but Gleeson is educated in England, where she trains as a teacher. She later studies portraiture in London at the Atelier Ludovici from 1890–92. She goes on to study design with Alexander Millar, a follower of William Morris, who believes she has an exceptional aptitude for colour-blending. Many of her designs are bought by the exclusive Templeton Carpets of Glasgow.

Gleeson takes a keen interest in Irish affairs and, as a member of the Gaelic League and the Irish Literary Society, mixes with the Yeats family and the Irish artistic circle in London, and is inspired by the Gaelic revival in art and literature. She is also involved in the suffrage movement and is chairwoman of the Pioneer Club, a women’s club in London. In 1900, an opportunity arises to make a practical contribution to the Irish renaissance and the emancipation of Irish women. She is suffering from ill-health but her friend Augustine Henry, botanist and linguist, suggests she move away from the London smog to Ireland and open a craft centre with his financial assistance. She seizes the opportunity and discusses her plans with her friends the Yeats sisters, Elizabeth and Lily, who are talented craftswomen and have direct contact with William Morris and his followers. They have no money to contribute to the venture but are enthusiastic and can offer their skills and provide contacts. She seeks advice from W. B. and Jack Yeats, from Henry, who loans her £500, and from her cousin, T. P. Gill, secretary of the Department of Agriculture and Technical Instruction.

During the summer of 1902 Gleeson finds a suitable house in Dundrum, County Dublin, ten minutes from the railway station. The house, originally called Runnymede, is renamed Dun Emer, after the wife of Cú-Chulainn, renowned for her craft skills. The printing press arrives in November 1902, and soon three craft industries are in operation. Lily Yeats runs the embroidery section, since she had trained with Morris’s daughter May. Elizabeth Yeats operates the press, having learned printing at the Women’s Printing Society in London. Gleeson manages the weaving and tapestry, and looks after the financial affairs of the industries. W. B. Yeats acts as literary adviser, an arrangement that often causes friction, and Gleeson’s sister, Constance McCormack, is also involved.

Local girls are employed and trained, and the industries seek to use the best of Irish materials to make beautiful, high-quality, lasting products of original design. Church patronage accounts for most of their orders and, in 1902–03, Loughrea cathedral commissions twenty-four embroidered banners portraying Irish saints. They also make vestments, traditional dresses, drapes, cushions and other items, all beautifully crafted and mostly employing Celtic design. The first book published is In the Seven Woods (1903), by W. B. Yeats, cased in full Irish linen.

Gleeson is in demand as an adjudicator in craft competitions around the country and at Feis na nGleann in 1904 she praises the workmanship of the entries but is critical of the lack of teaching in design. She gives lectures and tries to raise the status of craftwork from household occupation to competitive industry. There are tensions with the Yeats sisters, who complain that she is bad-tempered and arrogant. In truth she had taken on too much of a financial burden, even with the support of grants, and she is anxious to repay her debt to Augustine Henry, which he is prepared to forego. The sisters snub her, and omit her name in an interview about Dun Emer in the magazine House Beautiful. Millar, her design teacher in London, likens the omission to Hamlet without the prince. In 1904, it is decided to split the industries on a cooperative basis: Dun Emer Guild Ltd. under Gleeson and Dun Emer Industries Ltd. under the Yeats sisters.

Work continues, and the guild and industries exhibit separately at the Royal Dublin Society (RDS) and other craft competitions. In 1907, the National Museum of Ireland commissions a copy of a Flemish tapestry. It takes far longer than anticipated to complete, but the result is beautiful and is exhibited at the Arts and Crafts Society of Ireland in 1910. The guild wins a silver medal at the Milan International exhibition in 1906. The guild and industries both show work at the New York exhibition of 1908. The guild alone shows work in Boston. By now cooperation has turned to rivalry, and there is a final split as the Yeats sisters leave, taking the printing press with them to their house in Churchtown, Dublin. Gleeson writes off a debt of £185 owed to her, on condition that they do not use the name Dun Emer.

The business thrives at Dundrum, with her niece Katherine (Kitty) MacCormack and Augustine Henry’s niece, May Kerley, assisting with design. Later they move the workshops to Hardwicke Street, Dublin. In 1909, Gleeson becomes one of the first members of the Guild of Irish Art Workers and is made master in 1917. The Irish Women Workers’ Union commissions a banner from her about 1919, and, among numerous other notable successes, a Dun Emer carpet is presented to Pope Pius XI in 1932, the year of the Eucharistic Congress of Dublin.

Gleeson dies at the age of 89 at Dun Emer on February 20, 1944, with Kitty carrying on the Guild after her death. The final home of Dun Emer is a shop on Harcourt Street, Dublin, which finally closes in 1964.

(From: “Gleeson, Evelyn” by Ruth Devine, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of James Sheridan Knowles, Dramatist & Actor

James Sheridan Knowles, Irish dramatist and actor, is born in Cork, County Cork, on May 12, 1784. A relative of Richard Brinsley Sheridan, he enjoys success writing plays for the leading West End theatres. Later in his career he also produces several novels.

Knowles’s father is the lexicographer James Knowles, cousin of Richard Brinsley Sheridan. The family moves to London in 1793, and at the age of fourteen he publishes a ballad entitled The Welsh Harper, which, set to music, is very popular. His talents secure him the friendship of William Hazlitt, who introduces him to Charles Lamb and Samuel Taylor Coleridge. He serves for some time in the Wiltshire and afterwards in the Tower Hamlets militia, leaving the service to become a pupil of Dr. Robert Willan. He obtains the degree of M.D., and is appointed vaccinator to the Jennerian Society.

Although Dr. Willan offers him a share in his practice, Knowles decides to give up medicine for the stage, making his first appearance as an actor probably at Bath, and plays Hamlet at the Crow Street Theatre, Dublin. At Wexford he marries, in October 1809, Maria Charteris, an actress from the Edinburgh Theatre. In 1810, he writes Leo, a successful play in which Edmund Kean appears. Another play, Brian Boroihme, written for the Belfast Theatre in the next year, attracts crowds. Nevertheless, his earnings are so small that he is obliged to become assistant to his father at the Royal Belfast Academical Institution. In 1817 he moves from Belfast to Glasgow, where, besides keeping a flourishing school, he continues to write for the stage.

Knowles first important success is Caius Gracchus, produced at the Belfast Theatre in 1815. His Virginius, written for William Charles Macready, is first performed in 1820 at Covent Garden. In William Tell (1825), he writes for Macready one of his favourite parts. His best-known play, The Hunchback, is produced at Covent Garden in 1832, and he wins praise acting in the work as Master Walter. The Wife is brought out at the same theatre in 1833. The Daughter, better known as The Wrecker’s Daughter, in 1836, and The Love Chase in 1837. His 1839 play Love is praised by Mary Shelley for its “inspiring situations founded on sentiment and passion.” His second wife is the actress Emma Knowles.

In his later years Knowles forsakes the stage for the pulpit and, as a Baptist preacher, attracts large audiences at Exeter Hall and elsewhere. He publishes two polemical works: the Rock of Rome and the Idol Demolished by Its Own Priests in both of which he combats the special doctrines of the Roman Catholic Church. He is for some years in the receipt of an annual pension of £200, bestowed by Sir Robert Peel in 1849. In old age he befriends the young Edmund Gosse, whom he introduces to Shakespeare. He makes a happy appearance in Gosse’s Father and Son.

Knowles dies at Torquay on November 30, 1862. He is buried under a huge tomb at the summit of the Glasgow Necropolis.

A full list of the works of Knowles and of the various notices of him can be found in The Life of James Sheridan Knowles (1872), privately printed by his son, Richard Brinsley Knowles (1820–1882), who is well known as a journalist. It is translated into German.


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Birth of Eleanor Charlotte Butler, Recluse of Llangollen

Eleanor Charlotte Butler, recluse of Llangollen, is born in Cambrai, France, on May 11, 1739.

Butler is the youngest daughter of Walter Butler of Garryricken, County Tipperary, and his wife, Ellen (née Morres), of Latargh, County Tipperary. Her family are members of the old Catholic gentry, and her father is the sole lineal representative of James Butler, 2nd Duke of Ormonde. In 1740 her family returns to the Garryricken estate, where she spends part of her childhood. She is educated by the English Benedictine nuns of the convent of Our Lady of Consolation in Cambrai, where her Jacobite grand-aunt is a pensioner. Reared in the liberal and anti-clerical environment at Cambrai, she is open about her opposition to Irish Catholicism. She is also well read in literature.

By the time Butler returns to Ireland, her brother John had claimed the family titles and was recognised as 16th Earl of Ormond. Though he never uses the title, his sisters are recognised as the daughters of an earl. As the family is impoverished, and she is not disposed to marriage, a decade is passed in unhappiness. Then, in 1768, the thirteen-year-old Sarah Ponsonby arrives in Kilkenny to attend a local school. Following her visit to the Butler home at Kilkenny Castle, and despite the difference in age, the two form an immediate friendship and corresponded secretly, having discovered their mutual interest in the arts and Rousseau‘s ideal of pastoral retirement.

Ponsonby, upon finishing school, is sent to live with relatives at nearby Woodstock Estate, and there is subject to the uninvited attention of a middle-aged guardian. Butler is discontented with her life and the prospects of her family’s wish to send her back to Cambrai, so the two plan to leave their difficulties behind and settle in England. In their first attempt to flee in March 1778, they leave for Waterford disguised as men and wielding pistols, but their families manage to catch up with them. Butler is then sent to the home of her brother-in-law, Thomas ‘Monarch’ Kavanagh of Borris, County Carlow, but makes a second, successful attempt and runs away to find Ponsonby at Woodstock Estate. Her persistence wins out when both families finally capitulate and accepted their plans to live together.

Butler and Ponsonby set out for Wales in May 1778 and, after an extensive tour of Wales and Shropshire, eventually settle in Llangollen Vale, where they rent a cottage which is renamed Plas Newydd. They are accompanied by Mary Carryll, a former servant of the Woodstock household, who remains in their service until her death in 1809. Having made a deliberate decision to retire from the world, they spend the greater part of their days corresponding with friends, reading, building up a large library and making alterations to Plas Newydd, which takes on a fashionable Gothic look. Their garden, landscaped under their direction, becomes a popular attraction for visitors. Butler meticulously records their daily routine in a series of journals, some of which are now lost.

Their seclusion, eccentricities, semi-masculine dress and short-cropped powdered hair gain them notoriety, and it becomes fashionable to call on them. Their numerous and illustrious visitors include Hester Lynch Piozzi, Charles and Erasmus Darwin, Sir Walter Scott, Sir Arthur Wellesley, the Duke of Gloucester and Josiah Wedgwood. In 1792 they entertain Stéphanie Caroline Anne Syms, later that year to become the wife of Lord Edward FitzGerald, and her mother, Madame de Genlis. Following the arrest of Edward FitzGerald in 1798, Stéphanie and her suite flee to London and on May 27 pass through Llangollen, where the events in Dublin are already known. On hearing that she is staying in the local inn, Butler and Ponsonby invite her to call in. However, when she wishes to stay for the day, their apprehension of Jacobinism leads them to persuade her “principally for her own sake and a little for [our] own to proceed as fast and as incognito as possible for London.”

Both Anna Seward and William Wordsworth, who stay at Plas Newydd, write poems celebrating their friendship, and Lord Byron sends them a copy of The Corsair. Owing to her support of the Bourbons, Butler is sent the Croix St. Louis, which she wears about her neck. Though generally considered a hospitable couple, Seward, who is a good friend, admits that the “incessant homage” they received could make Butler “haughty and imperious,” while Lady Lonsdale thinks her “very clever, very odd.” Their celebrity does have its drawbacks: an article in the General Evening Post of July 24, 1790, entitled “Extraordinary female affection,” suggests indirectly that their relationship is unnatural. Butler is particularly angered by this publicity and appeals to Edmund Burke for legal advice. Their retirement is also continually dogged by financial difficulties. They live mainly off their respective allowances and Butler’s royal pension (granted through the influence of Lady Frances Douglas), but spend beyond their means and are often in debt. To add to their problems, Butler receives no mention in her father’s will. However, the Gothic eccentricities of their cottage, which they succeed over time in purchasing, and garden attract even the interest of Queen Charlotte.

Though it is claimed that neither woman spends a night away from Plas Newydd, in January 1786 they stay with their friends, the Barretts of Oswestry, and that September they visit Sir Henry Bridgeman of Weston Park, near Staffordshire. In June 1797 they take their only holiday, at the coastal resort of Barmouth. Despite their isolation they are well informed about international events and society gossip. The Irish serjeant-at-law Charles Kendal Bushe recalls how they gave him all the news of Dublin, London, Cheltenham, and Paris.

In later years Butler’s eyesight deteriorates, preventing her from keeping her journal. She is secretly painted as an old woman with Ponsonby by Lady Mary Leighton and sketched by Lady Henrietta Delamere. A distinctive, anonymous silhouette shows the two generously proportioned women in traditional riding habits (National Portrait Gallery, London). Butler dies on June 2, 1829, and is buried alongside Carryll at Llangollen church. Sarah Ponsonby is subsequently buried with them.

(From: “Butler, Lady (Charlotte) Eleanor” by Frances Clarke, Dictionary of Irish Biography, http://www.dib.ie)


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Charles, the Prince of Wales, Visits Omagh

Charles, the Prince of Wales, visits Omagh, County Tyrone, Northern Ireland, on May 5, 1999, and meets with relatives of those killed in the August 15, 1998 car bombing and some of the young people who were injured.

The prince has a private meeting with a group of those injured and bereaved in the August attack on the Northern Ireland market town, which left 29 dead. It fulfills a promise he made to the people of the town when he visited it three days after the bombing by the Real Irish Republican Army (IRA).

After his meeting with residents at the offices of Omagh District Council, the prince says, “I was determined to come back today to see how all of you were faring after all the terrible things you have had to go through.”

Referring to the IRA assassination of his uncle, Lord Mountbatten, he says, “Having experienced myself a relative who was blown to smithereens, I can well understand how these poor people must feel.” He adds that there is enormous concern and care across the world, and many who have given generously to the Omagh Fund, which organisers say has topped £4.5m.

Before visiting the site of the bombing and the regeneration scheme, the prince says the rebuilding plans are bringing “new life, new meaning and new hope back to this really remarkable community.”

“It always was a remarkable community, it still is. You set a wonderful example to many other communities, not only in Northern Ireland but in other parts of the world who also have suffered so traumatically,” the prince says.

Speaking about his visit to Soho following the Admiral Duncan pub bombing by neo-Nazi David Copeland the previous Friday (April 30, 1999), he adds, “I am sure your experiences will be of enormous help to those people in London who have shared with you yet another tragedy in another horrible bombing.”

Marion Radford, who was injured in the Omagh bombing and whose 16-year-old son Alan died, says, “Visits like this help, just to know people care. I found this helpful, I found him a very nice person, he does care and was a sympathetic listener.”

(From: “UK Prince returns to Omagh,” BBC News, http://www.bbc.news.com, May 5, 1999)


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Birth of F. E. McWilliam, Surrealist Sculptor

Frederick Edward McWilliam CBE RA, Northern Irish surrealist sculptor, is born in Banbridge, County Down, on April 30, 1909. He works chiefly in stone, wood and bronze. His style of work consists of sculptures of the human form contorted into strange positions, often described as modern and surreal.

McWilliam is the son of Dr. William McWilliam, a local general practitioner. Growing up in Banbridge has a great influence on his work. He makes references to furniture makers such as Carson the Cooper and Proctors in his letters to his friend, Marjorie Burnett.

McWilliam attends Campbell College in Belfast and later attends Belfast College of Art from 1926. After 1928, he continues to study at the Slade School of Fine Art in London. He originally intends to become a painter, but influenced by Alfred Horace Gerrard, head of the sculpture department at the Slade, and by Henry Moore whom he meets there, he turns to sculpture. He receives the Robert Ross Leaving Scholarship which enables him and his wife, Beth (née Crowther), to travel to Paris where he visits the studio of Constantin Brâncuși.

During the first year of World War II, he joins the Royal Air Force and is stationed in England for four years where he is engaged in interpreting aerial reconnaissance photographs. He is then posted to India. While there he teaches art in the Hindu Art School in New Delhi.

After his return from India, McWilliam teaches for a year at the Chelsea School of Art. He is then invited by A. H. Gerrard to teach sculpture at the Slade. He continues in this post until 1968.

The 1950s see McWilliam receive many commissions including the Four Seasons Group for the Festival of Britain exhibition in 1951. A major commission in 1957 is Princess Macha for Altnagelvin Area Hospital in Waterside, Derry.

During the Northern Ireland Troubles McWilliam produces a series of bronzes in 1972 and 1973 known as Women of Belfast in response to the bombing at the Abercorn Tea-Rooms.

In 1964 McWilliam is awarded an Honorary Doctor of Letters from Queen’s University Belfast. In 1966 he is appointed CBE and in 1971 he wins the Oireachtas Gold Medal. He is represented in many public collections, including the Museum of Modern Art in New York City and Tate Britain in London. In 1984 the National Self-Portrait Gallery purchases a McWilliam self-portrait amongst acquisitions from fellow Northerners Brian Ballard, Brian Ferran and T. P. Flanagan.

The Arts Council of Northern Ireland organises a retrospective of his work in 1981 and a second retrospective is shown at the Tate Gallery in 1989 for his 80th birthday.

McWilliam continues carving up to his death. He dies of cancer in London on May 13, 1992.

In September 2009 Banbridge District Council opens a gallery and studio dedicated to the work of and named after McWilliam.


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Birth of Harry Boland, Politician & President of the Irish Republican Brotherhood

Harry Boland, Irish republican politician who serves as President of the Irish Republican Brotherhood (IRB) from 1919 to 1920, is born at 6 Dalymount Terrace, Phibsborough, Dublin, on April 27, 1887. He serves as a Teachta Dála (TD) from 1918 to 1922.

Boland is the son of Irish Republican Brotherhood member James Boland and Kate Woods. He was active in GAA circles in early life, and referees the 1914 All-Ireland Senior Football Championship Final. He joins the IRB at the same time as his older brother Gerald in 1904, following in the footsteps of his father, uncle and probably grandfather. He is educated at the Synge Street CBS, but hads a personality clash with one of the brothers so he refuses to carry on his attendance at the school. He then goes to De la Salle College, County Laois, as a novice.

Boland later joins the Irish Volunteers along with Gerry and his younger brother Ned. They take an active part in the Easter Rising of 1916.

At the 1918 Irish general election, Boland is elected as an MP for South Roscommon. In line with all the Sinn Féin MPs elected at that election, he does not take his seat in the British House of Commons but withdraws to sit in the declared independent Dáil Éireann (the First Dáil) and is named by Éamon de Valera as special envoy to the United States, a role his uncle Jack had played 25 years earlier. He leaves Ireland for the United States along with de Valera as part of a campaign to raise awareness and support for their cause in America. He negotiates a loan of $20,000 from the Irish Republic to the Russian Soviet Federative Socialist Republic through the head of the Soviet Bureau, Ludwig Martens, using some Russian jewelry as collateral. These jewels are transferred to Ireland when he returns. His sister Kathleen and her mother are entrusted with the safekeeping of jewels.

During the Irish War of Independence (1919-21), Boland operates alongside Michael Collins, who is a close friend.

At the 1921 Irish elections, Boland is elected to the Second Dáil as one of the TDs for the Mayo South–Roscommon South. He opposes the Anglo-Irish Treaty. In the ensuing Irish Civil War (1922-23), he sides with the Anti-Treaty Irish Republican Army.

In the 1922 Irish general election, Boland is re-elected to the Dáil representing Mayo South–Roscommon South. Six weeks later, on July 31, he is shot by soldiers of the National Army when they attempt to arrest him at the Skerries Grand Hotel. Two officers enter his room and, although unarmed, he is shot and mortally wounded during a struggle.

The following day, August 1, 1922, Boland dies in St. Vincent’s Hospital in Dublin. As he lay dying, he refuses to give the name of his attacker to his sister, Kathleen. He is buried at Glasnevin Cemetery. The service takes place from the Whitefriar Street Carmelite Church. The hearse is followed by Cumann na mBan, Clan na Gael and the Irish Citizen Army women’s section.

Boland’s death affects Collins and possibly spurs him toward peace negotiations with Éamon de Valera.

Boland’s brother, Gerald Boland, is a prominent member of Fianna Fáil and later serves as Minister for Justice. His nephew, Kevin Boland, serves as a Minister until he resigns in solidarity with the two ministers, Charles Haughey and Neil Blaney, who are sacked from the government in May 1970 during the Arms Crisis. Kevin Boland’s resignation from Fianna Fáil and the subsequent loss of his seat marks the end of an era for the Boland political dynasty.

Boland’s nephew, Harry Boland, is a basketball player who competes in the 1948 Summer Olympics in London. He dies on December 18, 2013, at the age of 88.

In the 1991 TV movie The Treaty, Boland is portrayed by Malcolm Douglas. In the 1996 film Michael Collins, he is portrayed by American actor Aidan Quinn. The film is criticised for fictionalising both Boland’s death and Collins’ life.