The Irish Rebellion of 1798 has been suppressed in the east by British forces, but unrest continues in the west. The French Directory, influenced by Enlightenment ideals and shared revolutionary sympathies with the United Irishmen, see an opportunity to strike a blow against Britain and inspire Irish republicanism. The plan is to land French troops in Ireland to provide military aid to the rebels, incite a general uprising and potentially use Ireland as a staging ground for further operations against Britain.
The July 19 authorization marks the final political clearance for the operation. The first expedition is entrusted to GeneralJean Joseph Amable Humbert (pictured), a veteran of irregular warfare against the Vendéen insurgents. The force is small—about 1,025 French troops, three light field cannons, 3,000 muskets, and 400 sabres—but includes Irish allies such as Bartholomew Teeling and Fr. Henry O’Kane, who help spread the news of the landing.
On August 6, 1798, Humbert’s three frigates—La Concorde, La Franchise, and La Médée—sail from La Rochelle, taking a circuitous route to avoid British naval detection. They land at Killala Bay, County Mayo, where they quickly take control of the town, hoisting the French flag and rallying local Irish recruits.
Humbert’s landing in Killala, known locally as Bliadhan na bhFrancach (“The Year of the French”), sparks a brief but significant phase of the Rising. His forces achieve notable victories, such as the Races of Castlebar, but ultimately cannot sustain momentum against the British response. Humbert surrenders to British forces at Ballinamuck, County Longford, on September 8, 1798.
In summary, the July 19, 1798, authorization by the French Directory is the decisive political step that enables Humbert’s small but symbolic invasion of Ireland, which, though militarily limited, becomes a potent symbol of French-Irish revolutionary solidarity.
In 2002, the Irish tourism sector faces weaker-than-expected visitor figures. To address this and stimulate short-term revenue, O’Donoghue reallocates €3 million specifically for front-line marketing activities targeted at both domestic and international audiences. At the time, he has recently been appointed Minister for Arts, Sport, and Tourism, a role he holds from June 2002 to 2007.
The funds are intended to bolster promotional campaigns abroad, particularly in major overseas markets such as Britain, France, and the United States, support domestic marketing efforts to encourage local travel and spending, and focus on aggressively promoting Ireland in the British market, identified as having the highest potential return on investment for tourism.
Tourism Ireland, which operates as the official agency promoting the island of Ireland as a tourist destination, welcomes the additional funding. Chief Executive Paul O’Toole emphasizes that the investment will ensure maximum returns for the Irish tourism industry.
Before this funding boost, Irish tourism is a major economic sector. According to governmental reports from 2002, foreign exchange earnings in 2001 reach approximately €3.7 billion, domestic tourism earnings exceed €1.2 billion, and the industry supports nearly 140,000 jobs. The €3 million marketing allocation is part of a strategic effort to enhance Ireland’s international competitiveness and stimulate both short-term visitor numbers and longer-term growth.
While immediate tangible effects of this specific €3 million investment are not detailed in the sources, it reflects Ireland’s broader commitment to tourism promotion. By investing in strategic marketing campaigns in key international markets, the government aims to recover visitor numbers and strengthen Ireland’s profile as a tourist destination.
In conclusion, the July 15, 2002, announcement by Minister John O’Donoghue is a targeted move to energize Irish tourism through immediate marketing action, especially in international markets, during a period of lower-than-expected tourist arrivals.
O’Conor is an active member of parliament, an effective though not an eloquent speaker, and a leading exponent of Catholic opinion. He is deeply involved in the education question, being a critic of the queen’s colleges. In 1867 he introduces a measure to extend the industrial schools act to Ireland, which becomes law the following year. He opposes William Ewart Gladstone‘s university bill of 1873, is appointed to the intermediate education board in 1878, and in May 1879 proposes the transformation of St. Patrick’s College, Maynooth, into a chartered Catholic university. He withdraws this in July, following a government bill creating the Royal University of Ireland. He is on the senate of the university for many years, and is conferred with the honorary degree of LL.D. in 1892. A leading exponent of the Irish language, in 1878 he proposes that it be introduced into secondary schools.
O’Conor is a supporter of Isaac Butt and a keen advocate of land law reform, which leads to his proposing in 1870 the extension of Ulster tenant right to the rest of the country. His brother Denis, MP for County Sligo 1868–83, is a home ruler, but Charles is only ever described as a camp follower. The Nation (October 18, 1873) observes that he “achieved the feat of speaking for two hours at a home rule meeting in Roscommon without telling his audience if he was a home ruler.” He has concrete criticisms such as the hostility of the northern counties, and wants to be allowed to take an independent stance, but Butt strongly deprecates his ambiguity. He does stand on the home rule platform in 1874 and 1880, but his tentative sympathy does nothing to protect him from the drive by Charles Stewart Parnell to establish the Irish Parliamentary Party (IPP). In March 1880, Parnell goes to Roscommon to support his candidate James O’Kelly against O’Conor, who is a popular representative. Parnell calls him a “sample of West Britonism in Ireland . . . if you deprive him of the representation of Roscommon you strike the greatest blow that has been struck against English misgovernment in Ireland since Isaac Butt was elected for the city of Limerick,” which successfully leads to O’Conor’s being ousted. Ironically, he had briefly been Parnell’s landlord when in 1860 he rented a house near Kingstown (now Dún Laoghaire) to the recently widowed Delia Parnell and her family, including the 13-year-old Charles Stewart.
Appointed to the Bessborough commission into the workings of the 1870 land act some months later, O’Conor answers Parnell by going even further than the commission’s proposal to reform land law on the basis of the “three Fs.” He supports outright peasant proprietorship as the only effective and lasting remedy. In 1883, he makes an attempt to return to parliament as a liberal candidate for Wexford Borough, but is defeated by the home ruler Willie Redmond. Always an inveterate committee member, he spends the last twenty-five years of his life on various committees, including the parliamentary committee of 1885 and the royal commission of 1894 on the financial relations between Great Britain and Ireland. He is elected to Roscommon County Council in 1899 and is Lord Lieutenant of Roscommon from 1888 until his death. In 1881 he is sworn to the Privy Council of Ireland.
An ancestor is Charles O’Conor, the noted antiquarian, and O’Conor has his own interest in this area. He is a member of the Royal Irish Academy (RIA) from 1867 and joins the Royal Society of Antiquaries of Ireland (RSAI) in 1869, is a fellow in 1888, and president 1897–9. His antiquarian research is largely confined to his own family. In 1891, he publishes The O’Conors of Connaught, an historical memoir compiled from the manuscripts of John O’Donovan. He first marries Georgina Mary, daughter of Thomas Perry of Warwickshire, England, on April 21, 1868. Secondly he marries Ellen, daughter of John Lewis More O’Ferrall of County Longford, on September 16, 1879. He has four sons by his first marriage.
O’Conor dies at Clonalis, Castlerea, County Roscommon, on June 30, 1906. He is buried in St. Joseph’s Cemetery in Castlerea.
(From: “O’Conor, Charles Owen” by Bridget Hourican, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
The train is returning from Belfast, where King George V has just opened the first Parliament of Northern Ireland on June 22. It is part of a heavy security escort for the King, including the 10th Royal Hussars (machine gun troop) and their horses, who have been stationed at the Curragh in County Meath. Three special trains have been arranged to bring them back to Dublin, but the third is attacked.
The IRA plants a mine or detonates a bomb that partially derails the train a mile north of Adavoyle Station, between Newry and Dundalk. The derailment causes ten carriages to be thrown across an embankment, killing and injuring many soldiers and horses.
At least three British soldiers are killed (including a sergeant and a private) and twenty are wounded, some of whom later die from their injuries. The train guard, Frank Gallagher, is killed and two other railway officials are seriously injured. Reports vary about the number of horses killed. Some say over 40 horses are killed while others claim as many as 100. Many horses are shot to prevent them from being captured or causing further casualties. Soldiers reportedly weep for their dead horses, as they had served together in World War I. A local farmer and a train guard are also shot dead in the aftermath.
The attack causes an outcry in Britain, highlighting the IRA’s ability to strike high-profile military convoys. The incident underscores the vulnerability of British forces returning from political events in Ireland and is one of several such attacks during the War of Independence.
The Adavoyle ambush is remembered as a symbolic and brutal act in the conflict, combining military casualties with the killing of animals that have been comrades in war. It also illustrates the IRA’s use of railways as a strategic target during the campaign.
Today, the Adavoyle railway station is in ruins, though the Belfast-Dublin line still passes the site.
Currie becomes an active member in the Northern Ireland Civil Rights Association (NICRA). He later speaks about the effect of partition on Catholics in Northern Ireland: “Partition was used to try to cut us off from the rest of the Irish nation. Unionists did their best to stamp out our nationalism and, the educational system, to the extent it could organise it, was oriented to Britain and we were not even allowed to use names such as Séamus or Seán. When my brothers’ godparents went to register their birth, they were told no such names as Séamus or Seán existed in Northern Ireland and were asked for the English equivalent.”
Currie contests the 1979 United Kingdom general election and 1986 by-election in the Fermanagh and South Tyrone seat, but is unsuccessful on both attempts. He also is elected to the Northern Ireland Assembly in 1982 for the same seat. That Assembly, which is an attempt by the Government of the United Kingdom to reintroduce devolved power-sharing, collapses in 1986 without executive ministerial functions ever being transferred to it from the UK Secretary of State for Northern Ireland as no political agreement can be reached on power-sharing between the parties owing to nationalists abstentionism over the constituency boundaries used to elect members, and unionist opposition to the Anglo-Irish Agreement of 1985.
Following his decision to quit Northern Ireland politics, and relocate his family to County Kildare, Currie becomes actively involved in politics in the Republic of Ireland. Partly due to his long-standing doubts about the commitment of politicians in the Republic to the plight of northern nationalists, he join the Fine Gael party in 1989. He is elected as a Fine Gael TD for Dublin West at the 1989 Irish general election.
In 1990, Fine Gael selects Currie as their candidate for the 1990 Irish presidential election, running against Tánaiste and Fianna Fáil TD, Brian Lenihan Sr, and Senator Mary Robinson for the Labour Party. The 1990 election is the first contested election for the Irish Presidency in 17 years. Currie receives 267,902 first-preference votes (approximately 17%) and is eliminated on the first count. The distribution of his votes sees Mary Robinson elected as Ireland’s first female president on the second count, beating Lenihan by more than 86,000 votes.
In his 2004 autobiography All Hell will Break Loose, Currie writes about his experience of running in the presidential election, and the prejudice he faced as a nationalist from Ulster in southern politics: “What annoyed, indeed angered me most was the suggestion that because I came from the North, I was not a real Irishman … what I called the partitionist mentality … [during the election campaign] the [then Fianna Fáil] Minister for Justice [Ray Burke] said Fine Gael leader Alan Dukes ‘had to go to Tyrone to find a candidate for the presidency’ … it was hard to take, particularly from so-called republicans.”
Following his defeat in the presidential election, Currie holds his Dáil seat in Dublin West at the 1992 and 1997 Irish general elections. Following the formation of the so-called Rainbow Coalition between Fine Gael, Labour and Democratic Left, on December 20, 1994, newly appointed TaoiseachJohn Bruton appoints him as a Minister of State with responsibility for Children’s Rights at the Departments of Health, Education and Justice, becoming the first ever minister in an Irish Government with dedicated responsibility for children. He holds this post until the appointment of a new Irish Government on June 26, 1997, following the 1997 Irish general election.
At the 2002 Irish general election Currie contests the new constituency of Dublin Mid-West, and fails to be elected. He immediately announces his retirement from electoral politics. He continues to speak and campaign for civil rights across the island of Ireland and for causes he believes in, such as justice for the families of the Disappeared during the Troubles. He and his wife and family are personal friends of the family of one of the Disappeared, Columba McVeigh, from Donaghmore, County Tyrone. His daughter Emer Currie is elected in his former constituency of Dublin West at the 2024 Irish general election.
Following the deaths of Seamus Mallon and John Hume in January and August 2020 respectively, Currie becomes the last surviving founder of the SDLP.
Currie dies on November 9, 2021, at the age of 82 at his residence in Derrymullen, County Kildare. Following an initial funeral mass in Allentown, County Kildare, his remains are transferred to his original family home in Edendork, near Dungannon, County Tyrone, where a second funeral mass was celebrated at St. Malachy’s Church, Edendork. He is buried alongside his parents in the cemetery adjoining the church.
O’Connor’s father, Andrew O’Connor (1846–1924), of Lanarkshire, Scotland, is a stonecutter who becones a professional sculptor. As a teenager, he apprentices to his father, helping him to design monuments for cemeteries.
O’Connor is involved in a minor controversy in 1909 when he is commissioned to design a statue for Commodore John Barry, of the American Revolutionary-era navy. His first design is heatedly attacked by Irish American groups. He submits a second version, but it too is ultimately rejected, and the sculptor John J. Boyle received the commission.
O’Riordan is the youngest child among two sons and three daughters of Daniel O’Connell O’Riordan, a barrister and justice of the peace (JP), and Katharine O’Riordan (née O’Neil), who is her husband’s first cousin. At age of four he witnesses his mother’s death in a carriage accident. His formal education, firstly as a day student at Belvedere College, Dublin (1881–85), and secondly as a boarder at Clongowes Wood College, County Kildare (1887–88), is interrupted by ill health and periods of self-education at home, marked by omnivorous reading in his father’s library.
While engaged in military studies in Bonn, Germany (March–September 1890), preparatory to entering Royal Military Academy Sandhurst in Great Britain, he falls from a horse during riding lessons, suffering a back injury that results in permanent spinal damage, thus precluding a military career.
Left with limited means after his father’s death, O’Riordan moves to London in 1891, where, after attempting suicide, he finds work as a stage actor with the Independent Theatre Society of J. T. Grein and other companies, both in London and touring the provinces, and is noted for his interpretations of Henrik Ibsen. Active in the Irish Literary Society, where he meets W. B. Yeats, he writes fiction under the pseudonym “F. Norreys Connell,” which he also adopts for his stage work.
O’Riordan’s early publications include In the Green Park (1894), a collection of connected short stories, The House of the Strange Woman (1895), a provocative novel of sexual promiscuity in upper-class London bohemia, boycotted by some booksellers as being “morally tainted,” and several books reflecting his deep interest in all things military, most notably The pity of war (1906), a collection of Kiplingesque short stories. Largely abandoning fiction for some years to concentrate on writing for the stage, he returns to Dublin for the first time in fourteen years to direct his controversial one-act play The Piper, which opens at the Abbey Theatre on February 13, 1908. It is jeered as a slander on Irish patriots in disturbances mildly reminiscent of the “Playboy” riots thirteen months previously. The audience on the third night is placated by Yeats, who in a speech from the stage interprets the play – in which a party of rebels in the 1798 rising disdain to set sentries as they argue interminably and discursively, only to be surprised and slaughtered by yeomanry – as a satirical allegory on the fruitless debate that followed the Parnellite split. The work can more usefully be read as a meditation on the propensity of democracy to disintegrate at moments of crisis into ineffectual and dillusory demagoguery. The Piper weathers the controversy to become a frequently performed staple of the Abbey Theatre repertoire during the 1910s.
After the death of John Millington Synge, O’Riordan serves briefly as managing director of the Abbey Theatre from March 25 to July 2, 1909, during which time he produces and directs two of his own one-act plays – Time on April 1, in which he also acts, and An Imaginary Conversation on May 13 – as well as the first revival of Synge’s The Playboy of the Western World on May 27. Wearied by the repeated interferences in the theatre’s affairs by its financial backer, Annie Horniman, he resigns abruptly during her fit of pique when the actress Sara Allgood recites poetry at a private gathering of suffragettes.
O’Riordan scores a major triumph on the London stage with Captain Hannibal (1909), his adaptation of a novel by Stanley Weyman, on the proceeds of which he lives for many years. Settling permanently in London, in 1910 he purchases a house at 106 Meadvale Road, Ealing, his home for the rest of his life. Rejected by the British Army at the outset of World War I owing to his disability, after several failed attempts to secure war work he eventually goes to the front in 1918 in charge of YMCA rest huts at Étaples railway junction, where he befriends the doomed soldier poet Wilfred Owen.
O’Riordan achieves his most accomplished writing within a cycle of twelve novels, published under his own name, chronicling the experiences of several inter-connected Irish and English families from the Napoleonic Wars to the 1920s. First of the series to appear was Adam of Dublin (1920), a combined Bildungsroman and roman-à-clef of the literary revival, with vignettes of Dublin slum life, Belvedere College, and the early years of the Abbey Theatre. He follows his protagonist, Adam Quinn, through the sexual turmoil of adolescence, an itinerant acting career, and an unhappy marriage in three sequels: Adam and Caroline (1921), In London (1922), and Married life (1924). These four novels chronologically conclude the narrative of the completed cycle. The narrative commences with the “Soldier” tetralogy – Soldier Born (1927), Soldier of Waterloo (1928), Soldier’s Wife (1935), and Soldier’s End (1938) – a picaresque treatment of the multifarious and farflung experiences of David Quinn, a forebear of Adam, from an Irish childhood and English education, to the Battle of Waterloo, where he suffers horrible facial mutilation, through the Irish famine and the American Civil War, to his death at the hands of Versaillais troops during the suppression of the Paris commune. Judith Quinn (1939) and Judith’s Love (1940), about the disappointments in love and marriage of a late-Victorian Dublin woman, link the narratives of the “Adam” and “Soldier” tetralogies, while The Age of Miracles(1925) and Young Lady Dazincourt (1926) are chronologically contemporaneous with the latter “Adam” novels. Inconsistent in intention, and uneven in execution, the cycle is strongest in its evocative descriptions of Dublin, London, and other cities, with their varied social strata, in different historical periods, in the sharp-edged, witty dialogue, and in the juxtaposition of dazzling comedy and an ironic sense of tragedy.
O’Riordan continues to write successful, if lightweight, stage plays. His 1928 production of Napoleon’s Josephine features a stellar cast including Edith Evans. Among his published plays are Shakespeare’s End, and Other Irish Plays (1912), Rope Enough (1914), His Majesty’s Pleasure (1925), The King’s Wooing (1929), and Captain Falstaff and Other Plays (1935). The historical commentary Napoleon Passes (1933) reflects his abiding interest in the French emperor. President of the Irish Literary Society from 1937 to 1939, he resigns after failing to persuade his colleagues to repudiate Ireland’s wartime neutrality. Despite age, disability, and increasing reclusivity, throughout World War II he serves as an air raid warden from 1940 to 1945. Elected a fellow of the Royal Society of Literature (1945–48), he represents the society on the council of the newly formed National Book League, and is the society’s Tredegar lecturer in 1946. Charming and convivial, a witty and erudite conversationalist, he cultivates numerous literary friendships, and is an inveterate womaniser, enjoying countless intimate relationships, both sexual and platonic.
O’Riordan marries firstly Florence Derby in 1903, a nurse eight years his senior, with whom he has one son. They are estranged by the time of her death in 1923. In 1924, he marries secondly Olga Buckley, his lover since 1920, and secretary to the wife of G. K. Chesterton. They have two sons (both born before the marriage) and one daughter. Despite considerable contemporary celebrity and critical acclaim, his work compared to that of Charles Dickens and Honoré de Balzac, he has been ignored by posterity. The best of his writing, especially the “Adam” and “Soldier” novels, merit rediscovery.
O’Riordan dies at his London home on June 18, 1948, the anniversary of the Battle of Waterloo. A special O’Riordan number of the Journal of Irish Literature (September 1985), edited by his daughter Judith, includes a portrait photograph, the text of The Piper, and a detailed chronology.
(From: “O’Riordan, Conal Holmes O’Connell (‘Norreys Connell’)” by Lawrence William White and Aideen Foley, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Dillon leaves school at the age of fourteen and for seven years works as a painter and decorator, mostly in London. From an early age he is interested in art, cinema, and theatre. About 1936 he starts out as an artist.
Dillon’s Connemara landscapes provide the viewer with context, portraits of the characters who work the land, atmosphere and idiosyncratic colour interpretations. At the age of 18, he goes to London, initially working as a decorator. With the outbreak of World War II, he returns to Belfast. Over the next five years he develops as a painter in Dublin and Belfast. His works during this period are more than simple depictions of the life and people around him, they are reactions and interactions in paint.
In 1942, Dillon’s first solo exhibition is opened by his friend and fellow artist, Mainie Jellett, at The Country Shop, St. Stephen’s Green, Dublin. “Father, Forgive Them Their Sins” depicts his concerns about the new war that has broken out. Despite a growing reputation, he returns to London in 1944 to work on demolition gangs to restore his finances. In the late 1940s and during the 1950s, he finds himself favouring the town of Roundstone, County Galway. In 1951 he is introduced to Noreen Rice by her piano teacher. She has no formal training and takes Dillon and George Campbell as her mentors for decades and her work is of a similar surrealistic and primitive style.
In 1958, Dillon has the double honour of representing Ireland at the Guggenheim International, and Great Britain at the Pittsburg International Exhibition. He and his sister, Mollie, have a property on Abbey Road in 1958. They let out part of the house to Arthur Armstrong and they let a flat to Noreen Rice and her brother. He and Noreen tour junk yards to find objects like leather and string that they include in their artwork.
Dillon travels widely in Europe and teaches for brief periods in the London art schools.
In 1967, Dillon suffers a stroke and spends six weeks in hospital. From this time his work changes direction. A notion of imminent death sends his work almost into another world, a realm of dreams and paintings intimating his death. In 1968 he is back in Dublin, where he helps to design sets and costumes for Seán O’Casey‘s play Juno and the Paycock. He continues to paint and also to make tapestries, sitting at his Singersewing machine.
In 1969, Dillon pulls his artworks from the Belfast leg of the Irish Exhibition of Living Art in purported protest during the Troubles against the “arrogance of the Unionist mob.” However, he does send work to Ulster when he donates work to Sheelagh Flanagan who had organised an exhibition for the relief of victims of the Belfast riots, in October 1969. His picture is hanged alongside the donated works of T. P. Flanagan, William Scott, F. E. McWilliam, Deborah Brown and Carolyn Mulholland as well as more than twenty others. Michael Longley retorts in a further letter, “Belfast needed creativity, it needed people like Gerard Dillon.” During his last years, he is invited to be involved in a children’s art workshop in the National Gallery of Ireland.
Dillon dies of a second stroke at the age of 55 on June 14, 1971. His grave, as requested, is unmarked in Belfast’s Milltown Cemetery. Danlann Gerard Dillon/The Gerard Dillon Gallery in Cultúrlann McAdam Ó Fiaich is named in his honour.
In his biography of the artist, James White briefly touches on the artists homosexuality: “such was his religious feeling that although he was drawn to people of that type, if he once had an encounter I believe that it never occurred again.” The artist’s nephew, Martin Dillon, recalls that after his uncle’s death he found a diary entry describing a homosexual encounter with a sense of guilt, but the author Gerard Keenan insists he was “a very well-adjusted homosexual.” Reihill expands on this, pointing to a probably unrequited love for the painter Daniel O’Neill and also highlights Dillon’s association with Basil Rákóczi and The White Stag Group‘s Kenneth Hall both strong gay connections. Pictures with both overt and covert references are known.
Although O’Connell begins calling for repeal in the early 1830s, the formal Association is only established in 1840. Prior to this, candidates supporting repeal contest the 1832 United Kingdom general election and between 1835 and 1841, form an electoral pact with the Whigs. Repealer candidates, unaffiliated with the Whigs also contest the 1841 and 1847 general elections.
Following the movement’s decline in the late 1840s, nationalists, including members of the Young Ireland movement, emerge from its ranks.
Ordained in 1924, the theology in which McQuaid is trained is conservative — strongly neo-scholastic and hostile to modernism and liberalism. His hatred of the French Revolution is expressed in several pastorals and speeches throughout his career. He also regards Protestantism as a fundamental error from which Irish Catholics should be quarantined as much as possible.
Appointed Dean of Studies at Blackrock College, McQuaid becomes a prominent figure in Catholic education and chairs the Catholic Headmasters’ Association for several years. In 1931 he is appointed president of Blackrock College, in which capacity he becomes acquainted with Éamon de Valera, the future Irish Taoiseach whose sons attend the school. In 1936, while drafting a new Irish constitution, de Valera consults McQuaid, although he rejects McQuaid’s draft “One, True Church” clause which states, among other things, that the Catholic Church is the one true church in Ireland.
When McQuaid is appointed Archbishop of Dublin in 1940, the appointment of a priest from the regular clergy causes considerable surprise. Irish government archives reveal that de Valera, as is suspected at the time, presses McQuaid’s claims at the Vatican. However, it is doubtful whether the Vatican needs much persuasion. There is a dearth of potential episcopal talent and McQuaid has an outstanding reputation as a Catholic educationalist.
Once appointed, McQuaid proves to be one of the ablest administrators in the history of the Irish Church. In the first two years of his episcopate, he sets up the Catholic Social Service Conference to alleviate the poverty and distress in Dublin which is aggravated by the war, and the Catholic Social Welfare Bureau to help the thousands of Irish emigrants going to Britain for war work. These two organizations fill a much-needed gap and continue to exist after the war. The expansion of Dublin city and its suburbs during his episcopate requires the building of new churches, schools, and hospitals. Meeting these demands also necessitates a considerable increase in the number of clergies, secular and regular, whose numbers more than double in the period from 1941 to 1972.
Given his previous career, the importance McQuaid assigns to education is not surprising. He is critical of the low priority accorded to education by successive governments and is particularly critical of the poor and pay conditions of teachers. His intervention in the primary teachers’ strike in 1946 is poorly received by the government and marks the souring of his relationship with de Valera. During his episcopate the number of primary schools increases by a third while the number of secondary schools more than double but, as with social welfare, the government increasingly assumes a dominant role in education from the 1960s onwards. Almost immediately after his appointment in 1940, he takes a hardline stand against the attendance of Catholic students at Trinity College Dublin (TCD). The ban lasts until 1970, when the increase in student numbers renders it untenable and he accedes reluctantly.
McQuaid has a formidable list of achievements in health care, especially maternity and pediatric services, physical and mental handicap services, and the treatment of alcoholism. It is ironic, therefore, that the most controversial episode of his career occurs in this area — the Irish hierarchy’s rejection in 1951 of a free mother-and-child health service. This leads to the resignation of the Minister for Health, Dr. Noël Browne, and is a watershed in Church-State relations in Ireland. With Irish tuberculosis and infant mortality statistics ranking among the highest in the world, the hierarchy, and particularly McQuaid, lose considerable support by lining up with the conservative medical establishment to resist efforts at socialized medicine.
From various pastorals that McQuaid issues at the time, it is clear that he does not see the need for the Second Vatican Council. As its deliberations proceed, his unease grows, and he becomes increasingly preoccupied with the issue of episcopal power and independence that he believes are being threatened by the Council. In the areas of liturgical reform, greater lay participation, and ecumenism, he is slow in implementing the Vatican II reforms. His views on ecumenism had always been lukewarm and had led to allegations that he was anti-Protestant. His personality and policies are criticized by a more assertive Dublin laity, but being a shy, reserved man who increasingly feels the isolation of office, he never responds to such comments. In 1968 the reaction to Humanae vitae causes open rebellion in the Dublin diocese, the force of which catches him unaware. His last pastoral as archbishop in 1971 betrays his anger and bemusement at the response to Humanae vitae in Dublin.
At the age of 75, McQuaid submits his resignation to the Vatican, and it is accepted. His resignation is announced in January 1972, when he is replaced by Dermot Ryan. McQuaid dies in Loughlinstown, County Dublin, the following year on April 7, 1973. He is buried in St. Mary’s Pro-Cathedral in Dublin, the seat of the Roman Catholic Archdiocese of Dublin.
McQuaid’s substantial archives are released by the Dublin Diocesan Archives in the late 1990s. In 1999 journalist John Cooney publishes a hostile biography of McQuaid, which makes controversial allegations of sexual abuse against McQuaid. The allegations are based on tenuous evidence gathered by McQuaid’s nemesis from the 1951 Mother and Child controversy, Dr. Noël Browne, who had died in 1997. No corroborating evidence is produced or has since emerged.
seamus dubhghaill 