seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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The Sack of Balbriggan

The tragic events of the sack of Balbriggan, County Dublin by Black And Tans on September 20, 1920 have left an unforgettable memory on the town.

Peter Burke, the Head Constable of the Royal Irish Constabulary (RIC), is accompanied by his brother William, a Sergeant, as they enter Smyth’s pub (now the Millrace Pub) for a drink. There are confusing accounts of what transpires there but shortly afterwards Burke is shot dead and his brother is seriously wounded.

Word quickly reaches Gormanston Camp where the Black and Tans are stationed. A large body of them arrive a short time later in two or three lorries, firing indiscriminately in the streets. They station their vehicles outside the barracks on Bridge Street. They also burn twenty houses and many families spend several nights sleeping outdoors in fear for their lives.

The Black and Tans loot the business of John Derham, a local Town Commissioner, on corner of Bridge Street and Clonard Street and they burn several local businesses and several houses including eight cottages on Clonard Street, known locally as Sinn Féin Alley.

Several licensed premises are also destroyed including Landy’s and the Gladstone Inn, now Harvest Pub and Milestone Inn. The Black and Tans are set on destroying the premises of Smyth and Co. on Railway Street however they burn down another factory, Balbriggan Sea Mills, built by the English company, Deeds Templar. Only the factory chimney remains.

Several locals are dragged into the barracks for questioning and two are murdered, Seamus Lawless, a local barber, and Sean Gibbons, a dairy farmer. A plaque on Bridge Street commemorates them. Both are buried in Balscadden cemetery. Peter Burke is buried in Glenamaddy, County Galway.

Fulham Terrace has been named in honour of the bravery of Dr. Fulham on the night along with the names given to Lawless and Gibbons Terrace in the town.

(From: “The Sack of Balbriggan, 20th September 1920,” http://www.balbriggan.info, February 20, 2020)


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Birth of Molesworth Phillips, Companion of Captain Cook

molesworth-phillipsMolesworth Phillips, sailor and companion of Captain James Cook, is born in Swords, County Dublin on August 15, 1755.

Phillips is the son of John Phillips of Swords. His father is a natural son of Richard Molesworth, 3rd Viscount Molesworth, whence Phillips acquires his Christian name. He first enters the Royal Navy, but on the advice of his friend Sir Joseph Banks he accepts a commission as second lieutenant in the Royal Marines on January 17, 1776. In this capacity he is selected to accompany Captain Cook on his last voyage, extending over nearly three years. He sails with Cook from Plymouth on July 12, 1776, and is with the marines who escort Cook when he lands at Hawaii on February 14, 1779.

In John Webber‘s painting “The Death of Captain Cook” Phillips is represented kneeling and firing at a native who is clubbing Cook. Phillips is himself wounded, but, after swimming back to the boat, he turns back and helps another wounded marine to the boats.

On November 1, 1780 Phillips is promoted to captain. On January 10, 1782 he marries Susanna Elizabeth, third daughter of Dr. Charles Burney (1726-1814), and sister of Frances Burney and of James Burney, Phillips’s friend, who, like him, had accompanied Cook on his last voyage. He has no further active service, but is promoted brevet major on March 1, 1794, and brevet lieutenant colonel on January 1, 1798. From 1784, for the sake of his wife’s health, he lives for a time at Boulogne, but after the French Revolution he resides chiefly at Mickleham, Surrey, not far from Juniper Hall, where Frances Burney entertains numbers of French emigres. From 1796 to 1799, during the alarm of a French invasion of Ireland, Phillips feels it his duty to reside on the Irish estates at Beleotton, which he had inherited from an uncle. On January 6, 1800 his wife dies.

After the Treaty of Amiens, Phillips visits France in 1802, and he is one of those who are seized by Napoleon on the renewal of the war. He is detained in France until the peace of 1814. During this detention he makes friends with the Prince of Talleyrand and other well-known Frenchmen. After his return to England he becomes acquainted with Robert Southey, Mary and Charles Lamb, who describe him as “the high-minded associate of Cook, the veteran colonel, with his lusty heart still sending cartels of defiance to old Time,” and with John Thomas Smith (1766-1833), whom he supplies with various anecdotes for his Nollekens and his Times.

Phillips dies of cholera at his house in Lambeth on September 11, 1832, and is buried in St. Margaret’s, Westminster, where an inscription commemorates him and James and Martin Burney (1788-1852).

(Pictured: Etching of Molesworth Phillips by Andrew Geddes, circa 1825, bequeathed by Frederick Leverton Harris, 1927, National Portrait Gallery, London)


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Death of Irish Artist Sarah Henrietta Purser

sarah-purser-by-john-butler-yeatsSarah Henrietta Purser, Irish artist mainly noted for her work with stained glass, dies in Dublin on August 7, 1943.

The Purser family had come to Ireland from Gloucestershire in the eighteenth century. Purser is born in Kingstown (now Dún Laoghaire) in County Dublin on March 22, 1848. She is raised in Dungarvan, County Waterford, one of the numerous children of Benjamin Purser, a prosperous flour miller and brewer, and his wife Anne Mallet. She is related to Sir Frederic William Burton, RHA (1816-1900), who is a son of Hannah Mallet. Two of her brothers, John and Louis, become professors at Trinity College Dublin. Her niece Olive Purser, daughter of her brother Alfred, is the first woman scholar at Trinity.

At thirteen Purser attends the Moravian school, Institution Evangélique de Montmirail, Switzerland where she learns to speak fluent French and begins painting. In 1873 her father’s business fails and she decides to become a full-time painter. She attends classes at the Dublin Metropolitan School of Art and joins the Dublin Sketching Club, where she is later appointed an honorary member. In 1874 she distinguishes herself in the National Competition. In 1878 she again contributes to the Royal Hibernian Academy, and for the next fifty years becomes a regular exhibitor, mainly portraits, and shows an average of three works per show.

In 1878-1879, Purser studies at the Académie Julian in Paris where she meets the German painter Louise Catherine Breslau, with whom she becomes a lifelong friend.

Purser becomes wealthy through astute investments, particularly in Guinness, for which several of her male relatives have worked over the years. She is very active in the art world in Dublin and is involved in the setting up of the Municipal Gallery of Modern Art, persuading the Irish government to provide Charlemont House in Parnell Square to house the gallery.

Purser works mostly as a portraitist. Through her talent and energy, and owing to her friendship with the Gore-Booths, she is very successful in obtaining commissions. When the Lord Lieutenant of Ireland commissions her to portray his children in 1888, his choice reflects her position as the country’s foremost portraitist. Various portraits painted by Purser are held in the National Gallery of Ireland.

Purser finances An Túr Gloine (The Tower of Glass), a stained glass cooperative, at 24 Upper Pembroke and runs it from its inauguration in 1903 until her retirement in 1940. Michael Healy is the first of a number of distinguished recruit, such as Catherine O’Brien, Evie Hone, Wilhelmina Geddes, Beatrice Elvery and Ethel Rhind. She is determined the stained glass workshop should adhere to true Arts and Crafts philosophy. An Túr Gloine archive is held in the Centre for the Study of Irish Art, National Gallery of Ireland.

Purser does not produce many items of stained glass herself. Most of the stained glass works are painted by other members of the co-operative, presumably under her direction. Two early works are St. Ita (1904) for St. Brendan’s Cathedral, Loughrea and The Good Shepard (1904) for St. Columba’s College, Dublin. Her last stained glass work is believed to be The Good Shepard and the Good Samaritan (1926) for the Church of Ireland at Killucan, County Westmeath.

Until her death Purser lives for many years in Mespil House, a Georgian mansion with beautiful plaster ceilings on Mespil Road, on the banks of the Grand Canal. Here she is “at home” every Tuesday afternoon to Dublin’s writers and artists. Her afternoon parties are a fixture of Dublin literary life.

Purser dies in Dublin on August 7, 1943 and is buried in Mount Jerome Cemetery beside her brothers John and Louis. Mespil House is demolished after her death and developed into apartments.

Purser is the second woman to sit on the Board of Governors and Guardians, National Gallery of Ireland, 1914-1943. She is made an Honorary Member of the Royal Hibernian Academy in 1890, becoming the first female Associate Member in 1923 and the first female Member in 1924. Also in 1924 she initiates the movement for the launching of the Friends of the National Collection of Ireland. Archives relating to Sarah Purser are housed in the Centre for the Study of Irish Art, National Gallery of Ireland.

(Pictured: Portrait of Sarah Purser by John Butler Yeats, c. 1880–1885)


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Birth of Mairéad Ní Mhaonaigh, Irish Fiddler & Vocalist

Compressed by jpeg-recompressMairéad Ní Mhaonaigh, Irish fiddler and lead vocalist for the Irish traditional music band Altan, is born on July 26, 1959 in Gweedore, County Donegal, where Gaeilge is her primary language and she learns her songs and tunes from her family and neighbours.

Ní Mhaonaigh’s father, Proinsias Ó Maonaigh, is a noted fiddler, song writer and school teacher and is her first main influence. Her mother, Kitty Rua is also raised in a musical house that holds frequent house dances. It is no surprise that she and her siblings, Gearóid and Anna, all play music together.

In the early 1980s, Ní Mhaonaigh qualifies as a Primary school teacher and teaches in Saint Oliver Plunkett National School in Malahide, County Dublin. She and her husband, Frankie Kennedy, record Ceol Aduaidh (Music from the North) for Irish label Gael Linn in 1983. This timeless recording is the genesis of what later becomes Altan. The recording features her brother Gearóid Ó Maonaigh on guitar, Fintan Mc Manus on bouzouki, Ciaran Curran on bouzouki and Eithne Ní Bhraonáin (now known as Enya) on keyboards. The album quietly gains praise among enthusiasts of traditional Irish music worldwide, which leads the way for a career in music.

Ní Mhaonigh’s teaching career comes to a halt after she and her husband take a career break in 1987 and formed Altan. The band goes on to become one of the most acclaimed Irish traditional bands touring the world. They record for Green Linnet Records in the United States and tour North America extensively.

In 1994, Frankie Kennedy passes away to cancer, which is a tremendous loss to Ní Mhaonigh. She continues with the band at her late husband’s request and signs to multinational record label Virgin Records London in late 1994. This marks the first traditional Irish band to be signed to a major record label and propels Altan and Ní Mhaonigh into a wider audience of followers.

Altan travels all over the world headlining shows from Tokyo, the Sydney Opera House, the Hollywood Bowl to the National Concert Hall, Dublin.

Ní Mhaonaigh, along with fronting Altan, remains close her roots between touring and returns to her native County Donegal to play, sing and teach her music to a new generation. She helps set up Cairdeas na bhFidléirí (The Fellowship / Friendship of Fiddlers) in the early 1980s to promote and preserve the fiddle music of County Donegal.

In 2009, Ní Mhaonaigh releases her first solo album, Imeall (Edge/Theshold), as a limited edition. After many years of playing with the band and numerous requests for a solo recording she finally gets time to record the album after parting with her second husband Dermot Byrne, with whom she has her daughter Nia. She tours the album between Altan commitments with her co-producer and recording engineer Manus Lunny.

The album prompts one reviewer, Paul O’Connor, to remark, “Her identified success as the leader of Altan has dominated our sense of her to the point that we aren’t cognisant of how good she is as an artist, musician, composer in her own right.”

This new focus on Ní Mhaonaigh as an artist in her own right, prompts The Donegal Association in Dublin to grant her “Donegal Person of the Year 2009” at a gala dinner in Dublin’s prestigious Burlington Hotel.

Ní Mhaonaigh is awarded the top recognition in traditional Irish music by her fellow peers in 2018, when she is awarded TG4 Gradam Ceoil’s Traditional Musician of the Year. The following year, she is honoured in her own county at the now world famous “Cup o’Tae Festival” which is held annually in Ardara, County Donegal.

Ní Mhaonaigh is also a member of String Sisters, which is a Grammy listed folk supergroup of six of the world’s leading female fiddlers. Together they have released two albums – the Grammy-longlisted Live and Between Wind and Water. She is a member of T with the Maggies, which is a vocal supergroup of Donegal singers comprised of Maighread and Tríona Ní Dhomhnaill and Moya Brennan of Clannad fame.

Recently Ní Mhaonaigh has recorded with a group of thirteen County Donegal-based female fiddlers which is called ‘SíFiddlers.’

(From: Mairéad Ní Mhaonaigh’s website, http://www.mairead.ie)


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Death of Hugh O’Neill, Earl of Tyrone

hugh-o-neillHugh O’Neill (Irish: Aodh Mór Ó Néill), the 3rd Baron Dungannon and 2nd Earl of Tyrone, dies in Rome on July 20, 1616. His career is played out against the background of the Tudor conquest of Ireland and he is best known for leading the resistance during the Nine Years’ War, the strongest threat to Tudor authority in Ireland since the revolt of Silken Thomas. The defeat of O’Neill and the conquest of his province of Ulster is the final step in the subjugation of Ireland by the English.

Although born into the powerful O’Neill dynasty of Ulster, O’Neill is fostered as a ward of the Crown in County Dublin after the assassination of his father, Matthew, in 1558. His wardship ends in 1567 and, after a visit to the court in London, he returns to Ireland in 1568 and assumes his grandfather’s title of Earl of Tyrone. By initially cooperating with the government of Queen Elizabeth I, he establishes his base of power, and in 1593 he replaces Turlough Luineach O’Neill as chieftain of the O’Neills. But his dominance in Ulster leads to a deterioration in his relations with the Crown, and skirmishes between his forces and the English in 1595 are followed by three years of fruitless negotiations between the two sides.

In 1598 O’Neill reopens hostilities. His victory over the English on August 14 in the Battle of the Yellow Ford on the River Blackwater, Ulster, the most serious defeat sustained by the English in the Irish wars, sparks a general revolt throughout the country. Pope Clement VIII lends moral support to his cause and, in September 1601, four thousand Spanish troops arrive at Kinsale, Munster, to assist the insurrection. But those reinforcements are quickly surrounded at Kinsale, and O’Neill suffers a staggering defeat in December 1601 while attempting to break the siege. He continues to resist until forced to surrender on March 30, 1603, six days after the death of Queen Elizabeth.

Elizabeth’s successor, King James I, allows O’Neill to keep most of his lands, but the chieftain soon finds that he cannot bear the loss of his former independence and prestige. In September 1607 he, with Rory O’Donnell, 1st Earl of Tyrconnell, and their followers, secretly embark on a ship bound for Spain. The vessel is blown off course and lands in Normandy. From there the refugees make their way via the Spanish Netherlands to Rome, where they are acclaimed by Pope Paul V. This “Flight of the Earls” signals the end of Gaelic Ulster and thereafter the province is rapidly Anglicized. Outlawed by the English, O’Neill lives in Rome the rest of his life. He dies there at the age of 66 on July 20, 1616. He is interred in the Spanish church of San Pietro in Montorio.


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Birth of Architect Michael Scott

michael-scottMichael Scott, Irish architect whose buildings include the Busáras building in Dublin, Cork Opera House, the Abbey Theatre and both Tullamore and Portlaoise Hospitals, is born in Drogheda on June 24, 1905.

Scott’s family originates in the province of Munster. His father, William Scott, is a school inspector from near Sneem on the Iveragh Peninsula in County Kerry. His mother is from County Cork. He is educated at Belvedere College in Dublin. There he first demonstrates his skills at painting and acting. Initially he wants to pursue a career as a painter but his father points out that it might make more financial sense to become an architect.

Scott becomes an apprentice for the sum of £375 per annum to the Dublin architectural firm Jones and Kelly. He remains there from 1923 until 1926, where he studies under Alfred E. Jones. In the evenings after work, he also attends the Metropolitan School of Art and the Abbey School of Acting, and appears in many plays there until 1927, including the first productions of Seán O’Casey’s Juno and the Paycock and The Plough and the Stars. On completing his pupilage he becomes an assistant to Charles James Dunlop and then has a brief spell as an assistant architect in the Office of Public Works.

In 1931 Scott partners with Norman D. Good to form Scott and Good, and they open an office in Dublin. They design the hospital at Tullamore (1934–1937) and Portlaoise General Hospital (1935). Between 1937 and 1938, he is the President of the Architectural Association of Ireland (AAI). He founds his company, Michael Scott Architects, in 1938. That same year he also designs his house Geragh, at Sandycove, County Dublin.

Scott’s most important pre-war commission is the Irish Pavilion for the 1939 New York World’s Fair. He produces a shamrock shaped building constructed in steel, concrete and glass. It is selected by an International jury as the best building in the show. As a result, he is presented with a silver medal for distinguished services and given honorary citizenship of the city of New York by then Mayor Fiorello H. La Guardia. Other better known architects who design national pavilions for this World Fair include Alvar Aalto of Finland and Oscar Niemeyer of Brazil.

Scott has three major commissions from the Córas Iompair Éireann CIÉ, the Inchicore Chassis Works, the Donnybrook Bus Garage and, most famously, the Dublin Central Bus Station, to be known as àras Mhic Dhiarmada or Busáras. Though initially controversial, Busáras wins Scott the Royal Institute of the Architects of Ireland Triennial Gold Medal for Architecture.

Later, Ronnie Tallon and Robin Walker become partners, and the firm is renamed Scott Tallon Walker in 1975, shortly after the firm wins the Royal Institute of British Architects (RIBA) Royal Gold Medal.

Scott, who spends most of his life living at Sandycove Point, just south of Dún Laoghaire in south Dublin, dies in Dublin on January 24, 1989 and is buried near Sneem in County Kerry.


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Birth of Pat Taaffe, National Hunt Jockey

pat-taaffePatrick “Pat” Taaffe, Irish National Hunt jockey, is born in Rathcoole, County Dublin on March 12, 1930. He famously rode Arkle to win three Cheltenham Gold Cups between 1964 and 1966.

Taaffe and Arkle, dominate National Hunt racing in the mid-1960s, winning the Irish Grand National, the King George VI Chase, two Hennessy Gold Cups, three Cheltenham Gold Cups and the Whitbread Gold Cup.

Taaffe is also a capable winner without the help of Arkle, winning a fourth Gold Cup with Fort Leney (1968), two Grand Nationals and records six Irish Nationals (1954 on Royal Approach, 1955 on Umm, 1959 on Zonda, 1961 on Fortria, 1964 on Arkle, 1966 on Flyingbolt).

Taaffe also wins the 1970 Grand National in Aintree, Liverpool on the Fred Rimell trained 15-1 shot, Gay Trip, twenty lengths clear of his nearest pursuer. After retiring as a jockey, he goes on to train Captain Christy, the 1974 Gold Cup winner. Although a brilliant horseman, the business side of training does not come naturally to him and his training career never flourishes.

Pat Taaffe dies at the age of 62 on July 7, 1992 in Royal City of Dublin Hospital of a heart condition, having previously undergone only the third heart transplant operation in Ireland (1989).


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Death of Architect Michael Scott

michael-scottMichael Scott, Irish architect whose buildings include the Busáras building in Dublin, Cork Opera House, the Abbey Theatre and both Tullamore and Portlaoise Hospitals, dies on January 24, 1989.

Scott is born in Drogheda on June 24, 1905. His family originates in the province of Munster. His father, William Scott, is a school inspector from near Sneem on the Iveragh Peninsula in County Kerry. His mother is from County Cork. He is educated at Belvedere College in Dublin. There he first demonstrates his skills at painting and acting. Initially he wants to pursue a career as a painter but his father points out that it might make more financial sense to become an architect.

Scott becomes an apprentice for the sum of £375 per annum to the Dublin architectural firm Jones and Kelly. He remains there from 1923 until 1926, where he studies under Alfred E. Jones. In the evenings after work, he also attends the Metropolitan School of Art and the Abbey School of Acting, and appears in many plays there until 1927, including the first productions of Seán O’Casey’s Juno and the Paycock and The Plough and the Stars. On completing his pupilage he becomes an assistant to Charles James Dunlop and then has a brief spell as an assistant architect in the Office of Public Works.

In 1931 Scott partners with Norman D. Good to form Scott and Good, and they open an office in Dublin. They design the hospital at Tullamore (1934–1937) and Portlaoise General Hospital (1935). Between 1937 and 1938, he is the President of the Architectural Association of Ireland (AAI). He founds his company, Michael Scott Architects, in 1938. That same year he also designs his house Geragh, at Sandycove, County Dublin.

Scott’s most important pre-war commission is the Irish Pavilion for the 1939 New York World’s Fair. He produces a shamrock shaped building constructed in steel, concrete and glass. It is selected by an International jury as the best building in the show. As a result, he is presented with a silver medal for distinguished services and given honorary citizenship of the city of New York by then Mayor Fiorello H. La Guardia. Other better known architects who design national pavilions for this World Fair include Alvar Aalto of Finland and Oscar Niemeyer of Brazil.

Scott has three major commissions from the Córas Iompair Éireann CIÉ, the Inchicore Chassis Works, the Donnybrook Bus Garage and, most famously, the Dublin Central Bus Station, to be known as àras Mhic Dhiarmada or Busáras. Though initially controversial, Busáras wins Scott the Royal Institute of the Architects of Ireland Triennial Gold Medal for Architecture.

Later, Ronnie Tallon and Robin Walker become partners, and the firm is renamed Scott Tallon Walker in 1975, shortly after the firm wins the Royal Institute of British Architects (RIBA) Royal Gold Medal.

Scott, who spends most of his life living at Sandycove Point, just south of Dún Laoghaire in south Dublin, dies in Dublin on January 24, 1989 and is buried near Sneem in County Kerry.


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Birth of Barney McKenna, Founding Member of The Dubliners

File source: https://commons.wikimedia.org/wiki/File:Barney_001.jpgBernard Noël “Banjo Barney” McKenna, Irish musician and a founding member of The Dubliners, is born on December 16, 1939 in Donnycarney, Dublin. He plays the tenor banjo, violin, mandolin, and melodeon. He is most renowned as a banjo player.

McKenna plays the banjo from an early age, initially because he cannot afford to buy the instrument of his choice, a mandolin. He is a member of The Dubliners from 1962 and is the only living member of the original formation at the time of his death. Prior to joining the Dubliners, he spends a few months in The Chieftains. In addition to his work on traditional Irish music, he also plays jazz on occasion.

McKenna uses GDAE tuning on a 19-fret tenor banjo, an octave below fiddle/mandolin and, according to musician Mick Moloney, is single-handedly responsible for making the GDAE-tuned tenor banjo the standard banjo in Irish music.

McKenna remains a great favourite with live audiences, and some of the loudest and most affectionate applause follows the tunes and songs on which he is the featured performer. He is well known for his unaccompanied renditions of songs such as “South Australia” and “I Wish I Had Someone to Love Me.” His banjo solos on tunes such as “The Maid Behind the Bar,” “The High Reel” and “The Mason’s Apron,” where he is usually accompanied by Eamonn Campbell on guitar, are often performed to cries of “C’mon Barney!” from audience or band members. Another featured spot in Dubliners performances is the mandolin duet that he plays with John Sheahan, again with Eamonn Campbell providing guitar accompaniment. As he often points out to the audience, “It’s an Irish duet, so there’s three of us going to play it.”

McKenna’s tendency to relate funny, and often only marginally believable, stories is legendary amongst Dubliners fans and friends. These anecdotes become known as Barneyisms, and his friend and former Dubliners bandmate Jim McCann collects them for the book An Obstacle Confusion: The Wonderful World of Barney McKenna.

McKenna dies unexpectedly on the morning of April 5, 2012 after collapsing in the kitchen of his home in Howth, County Dublin. He is buried at St. Loman’s Cemetery in Trim, County Meath, on April 9, 2012. Initially it is unclear whether The Dubliners will continue their 50th Anniversary Tour in the wake of McKenna’s death. However they soon confirm that they would “do their best to honour all the concert dates for the rest of the year [2012].”


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W.B. Yeats Receives Nobel Prize in Literature

william-butler-yeats-1William Butler Yeats, Irish poet and one of the foremost figures of 20th century literature, receives Nobel Prize in Literature on December 10, 1923.

Yeats is born at Sandymount in County Dublin on June 13, 1865. His father, John Butler Yeats, is a lawyer and a well-known portrait painter. He is educated in London and in Dublin, but spends his summers in the west of Ireland in the family’s summer house at Connacht. The young Yeats is very much part of the fin de siècle in London. At the same time he is active in societies that attempt an Irish literary revival. His first volume of verse appears in 1887, but in his earlier period his dramatic production outweighs his poetry both in bulk and in import.

Together with Lady Gregory, Yeats founds the Irish Literary Theatre, which later becomes the Abbey Theatre, and serves as its chief playwright until the movement is joined by John Millington Synge. His plays usually treat Irish legends and also reflect his fascination with mysticism and spiritualism. The Countess Cathleen (1892), The Land of Heart’s Desire (1894), Cathleen ni Houlihan (1902), The King’s Threshold (1904), and Deirdre (1907) are among the best known.

After 1910, Yeats’s dramatic art takes a sharp turn toward a highly poetical, static, and esoteric style. His later plays are written for small audiences. They experiment with masks, dance, and music, and are profoundly influenced by the Japanese Noh plays. Although a convinced patriot, he deplores the hatred and the bigotry of the Nationalist movement, and his poetry is full of moving protests against it. He is appointed to the Irish Senate, Seanad Éireann, in 1922.

Yeats is one of the few writers whose greatest works are actually written after the award of the Nobel Prize. Whereas he receives the Prize chiefly for his dramatic works, his significance today rests on his lyric achievement. His poetry, especially the volumes The Wild Swans at Coole (1919), Michael Robartes and the Dancer (1921), The Tower (1928), The Winding Stair and Other Poems (1933), and Last Poems and Plays (1940), make him one of the outstanding and most influential twentieth-century poets writing in English. His recurrent themes are the contrast of art and life, masks, cyclical theories of life (the symbol of the winding stairs), and the ideal of beauty and ceremony contrasting with the hubbub of modern life.

Yeats dies at the age of 73 at the Hôtel Idéal Séjour, in Menton, France, on January 28, 1939. He is buried after a discreet and private funeral at Roquebrune-Cap-Martin. In September 1948, his body is moved to the churchyard of St. Columba’s Church, Drumcliff, County Sligo, on the Irish Naval Service corvette Macha.

(From Nobel Lectures, Literature 1901-1967, Editor Horst Frenz, Elsevier Publishing Company, Amsterdam, 1969)