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Birth of Cecil King, Painter & Collector

Cecil King, painter and collector, is born on February 22, 1921, at Rathdrum, County Wicklow.

King is the son of Henry King, businessman, of Rathdrum, and Susan King (née Crowe). He is educated at the Church of Ireland Ranelagh School, Athlone, and at Mountjoy School, Clontarf, Dublin (1936–39). Subsequently he joins the printing firm of W. & S. McGowan in Dundalk, where he goes on to become a director. During the 1940s his interest in amateur drama leads him to take classes at the Gaiety School of Acting in Dublin, where his fellow students include Milo O’Shea and Eamonn Andrews. Around this time, he is also involved in An Óige (the Irish Youth Hostel Association), in which he serves as honorary national secretary and honorary treasurer. This involvement leads him to travel extensively from the late 1940s around Europe, where he visits many major art museums and galleries.

King begins to acquire works of art, by both European and Irish artists, and by the mid-1950s he has amassed one of the most important collections of modern art in Ireland. Around 1954 he himself begins to paint, under the guidance of Barbara Warren and the English artist Neville Johnson. In his early work he focuses on urban scenes, often based on the area of Ringsend, Dublin, where he uses subdued tones to produce poetic images of a sombre mood. Even here his interest in the formal qualities of painting – such as the flatness of the picture surface and the juxtaposition of areas of colour on it, which becomes a defining feature of his art – is evident. In 1964 he leaves his successful business career behind in order to devote himself entirely to art, a bold move considering the limited audience for modern art that exists in Ireland at the time. In his own words he recalls how “Painting was what I wanted to do, I realised I didn’t need a car. I could do without an awful lot of things.” (Sunday Independent, November 7, 1982)

By this time, King is working in a fully abstract style. However, he still draws his inspiration from the external world, particularly the milieu of the circus. A painting such as Trapeze (1976; Allied Irish Bank collection) shows how he responds to acrobatic performance, not in any literal or figurative sense, but to the tensions and balances inherent within it. The overall effect is to convey to the viewer the essence of anticipation of the performance. Indeed, his works can create an almost physical sense of involvement on the part of the viewer. This is especially true of his Berlin Suite, a series of screen-prints produced as a result of a visit to East Berlin and published by Editions Alecto of London (1970). He is also inspired to produce a number of paintings on this theme of the claustrophobia of the divided city. Ultimately, he aspires to create works which, with their economy and restraint, achieve a meticulously balanced harmony. This concern leads him, in such works as the Baggot Street Series, to move away from even the most veiled figurative references, evidence for the fact that he constantly strives to further his artistic explorations.

King often works seven days a week. This quiet determination contributes in no small part to the international standing he soon achieves, as does his prolific record as an exhibitor. Writing a foreword to an exhibition of his work at Kilkenny in 1975, the critic William Packer finds that King’s art “confounds the expectations we might have of Irish art, for it is far from local in ambition, accomplishment, and seriousness.” He mounts over twenty-five one-man exhibitions and contributes to a large number of group shows in Ireland and abroad. A significant proportion of his output is to be found in galleries in Europe and the United States, including the Museum of Modern Art, New York, and the Tate Gallery, London. He is also represented in the major public and corporate collections in Ireland, such as the Irish Museum of Modern Art, Ulster Museum, Trinity College Dublin (TCD), Crawford Municipal Gallery, Dublin City Gallery The Hugh Lane, Arts Council, Aer Lingus, Bank of Ireland, Allied Irish Bank, and ESB. In fact, King, with his hard-edge abstract style, is one of the very few artists working in Ireland at the time whose work is comparable to that of the major (principally American) international exponents of abstraction. The term “hard-edge,” applied to King’s style, may however belie the subtlety he could achieve in terms of his handling of colour and texture. This is particularly true of his works in the media of pastel and tapestry, while his last paintings show a tendency towards more expressive brushwork and a more complex approach to colour.

King enjoys a happy relationship with Oliver Dowling from 1960 to the time of his death, at Dún Laoghaire, County Dublin, on April 7, 1986, having suffered a heart attack just three days before an exhibition of his work is due to open in Dublin at the Oliver Dowling Gallery. His legacy is not alone artistic: he also makes a significant contribution to the promotion of modern art in Ireland in his capacity as a member of the organising committee for the Rosc exhibition since its inception in the 1960s, where his wide knowledge of international art is much respected. A member of Aosdána, he twice serves as commissioner for the Department of Foreign Affairs cultural committee. He is also generous in his encouragement of young artists, whose work he regularly adds to his own collection.

(From: “King, Cecil” by Rebecca Minch, Dictionary of Irish Biography, http://www.dib.ie, May 2012 | Pictured: Abstract, Oil on Canvas by Cecil King)


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Death of Thekla Beere, Irish Civil Servant

Thekla Beere, an Irish civil servant who chairs Ireland’s Commission on the Status of Women in 1970 and is secretary of the Department of Transport and Power, dies on February 19, 1991, in Killiney, County Dublin. She is the first woman to lead a government department in Ireland.

Beere is born on June 20, 1901, in Kilmore, Columbkille, near Granard, County Longford, one of two daughters of the Rev. Francis John Armstrong Beere, Church of Ireland vicar of Streete, County Westmeath, and Lucie Beere (née Potterton). She attends Alexandra College in Milltown, Dublin, and does a moderatorship in Legal and Political Sciences and an LL.B. at Trinity College Dublin.

Beere joins the Civil Service of the Republic of Ireland in 1924 and works initially in the Statistics Branch. In 1925, she wins a Rockefeller Foundation scholarship and travels extensively in the United States before resuming her Civil Service career. From 1939, she works in the Department of Industry and Commerce where during The Emergency, as World War II is known in Ireland, she works in the area of supply with Minister Seán Lemass. She becomes Assistant Secretary of that Department in 1953. She is the first woman to achieve the rank of Department Secretary, the highest-ranking post in a government department, doing so at the Department of Transport and Power in 1959. President Mary McAleese calls her the “ultimate civil servant.”

Trinity College Dublin confers an honorary doctorate of Doctor of Laws upon her in 1960. After her retirement in 1967 she is active in public life, serving as a governor of Alexandra College and as a director of The Irish Times. She is requested by the Government to chair the Commission on the Status of Women in 1970 and the Beere Report is presented to the Minister for Finance in December 1972. The report provides a model for change in equal pay, the Civil Service marriage bar (which requires female civil servants to resign from their position upon marriage) and the widow’s pension. Her name is mentioned as a possible candidate for the Irish presidency in 1976.

Beere has a lifelong interest in the proceedings of the Statistical and Social Inquiry Society of Ireland and serves as its President. She is a Governor of The Irish Times Trust and chairwoman of the International Labour Organization office in Geneva, Switzerland. She is a member of the organising committee, which on May 7, 1931, sets up An Óige (the Irish Youth Hostel Association), of which she is President from 1968 to 1974. She also has an extensive interest in the arts, in particular the paintings of Cecil King.

Beere dies on February 19, 1991, in Killiney, County Dublin. She never marries but has a 40-year companionship with businessman JJ O’Leary.


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Death of Maurice Walsh, Author of “The Quiet Man”

Maurice Walsh, Irish novelist best known for the short story The Quiet Man which is later made into an Oscar-winning movie, dies on February 18, 1964, in Blackrock, Dublin.

Walsh is born on April 21, 1879, in Ballydonoghue near Listowel, County Kerry, the third child of ten and the first son born to John Walsh, a local farmer, and his wife Elizabeth Buckley who live in a three-room thatched farmhouse. John Walsh’s main interests are books and horses and he himself does little work about the farm, preferring to have a hired man. The most famous of these hired men is Paddy Bawn Enright, whose name is immortalised by Walsh in his story The Quiet Man, although the name is not used in the later motion picture. John Walsh passes on to his son not only a love of books but also legends and folk tales that are later featured of many of Walsh’s books.

Walsh goes to school in Lisselton, a mile or so up the road from Ballydonoghue, and later goes to St. Michael’s College in Listowel to prepare for the Civil Service entrance examination. He enters the service on July 2, 1901, as an Assistant Revenue Officer in the Customs and Excise Service. He is posted to Scotland before the year is out and, although he subsequently has a number of postings outside Scotland, he spends most of his time there while in the British service.

Walsh has a life-long interest in writing and, during his early years in Scotland, this interest starts to bear fruit. He submits some of his stories and has two published in the Irish Emerald in 1908. Later that year, on August 8, 1908, Walsh marries Caroline Begg in Dufftown, Banffshire, Scotland.

When the Irish Free State is formed in 1922, Walsh transfers to its excise service and moves to Dublin. Fighting is still going on there at the time and he leaves his family in Scotland until it is safe for them to join him in 1923. The story The Key Above the Door is written during the months of separation although it is not published until some years later, appearing first in Chambers’ Edinburgh Journal as a serial between December 1925 and May 1926 and then in book form, published by W & R Chambers Ltd., in July 1926.

Sales of Walsh’s books grow steadily, especially in the wake of an unsolicited and generous letter from J. M. Barrie, the creator of Peter Pan, praising The Key Above the Door, which Chambers is subsequently able to use on dust covers of Walsh’s books.

Walsh retires from government service in 1933 but his success as a writer continues. In that same year he sells a story to The Saturday Evening Post, then a well-known weekly magazine published in the United States. That story, later to be incorporated in the collection of stories published under the title Green Rushes, is The Quiet Man.

Director John Ford reads the story in 1933 and soon purchases the rights to it for $10. Walsh is paid another $2,500 when Republic Pictures buys the idea and receives a final payment of $3,750 when the film is actually made. Filming commences on June 7, 1951, with John Wayne and Maureen O’Hara in the leading roles. All of the outdoor scenes are shot on location in County Mayo and County Galway. The inside scenes are filmed in late July at the Republic Studios in Hollywood. The Quiet Man wins the Academy Award for Best Director for John Ford, his fourth, and for Best Cinematography.

Walsh becomes President of the Irish branch of PEN International in 1938 and visits the United States for an international meeting that year as the Irish delegate. His wife Caroline is able to accompany him although she has been in failing health for some years and ultimately dies in January 1941. Walsh himself dies on February 18, 1964, in Blackrock, a suburb of Dublin, and is buried in the Esker cemetery at Lucan, County Dublin. President Éamon de Valera attended Walsh’s funeral Mass.

In 2013, The Quiet Man is selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.”


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Death of Aengus Fanning, Journalist & Editor of the Sunday Independent

Aengus Fanning, Irish journalist and editor of the Sunday Independent from 1984 until his death, dies on January 17, 2012, following a battle with lung cancer. He is also a former editor of farming for the Irish Independent. He is listed at number 31 on a list of “most influential people” in Irish society compiled for Village magazine.

Fanning is born on April 22, 1944, in the family home at Cloonbeg Terrace, Tralee, County Kerry, the fourth child among five sons and one daughter of Arnold (‘Paddy’) Fanning, a teacher, and his wife Clara (née Connell). Originally from Rostrevor, County Down, his mother is born a Presbyterian and converts to Catholicism to marry his father, though neither is religious. His father is a noted organiser of local theatrical productions, having written a one-act play, Vigil, which is staged in the Abbey Theatre in 1929.

Fanning has a keen interest in sport, having represented Kerry in Gaelic football in his youth. He is also passionate about cricket. He also plays the clarinet, and is a jazz fan. He is a graduate of University College Cork (UCC).

In May 1964 Fanning is hired as a reporter by his uncle, James Fanning, the owner of the Midland Tribune in Birr, County Offaly, and pursues an unglamorous beat covering court sittings, local authority meetings and GAA matches. Needing a better salary to start a family, he joins Independent Newspapers (IN) in Dublin as a general reporter in May 1969, and soon after marries Mary O’Brien from Streamstown, County Offaly. They settle in Dún Laoghaire, County Dublin, and have three sons.

Fanning covers the Northern Ireland troubles during 1969–70, before reporting increasingly on farming matters, becoming the IN group’s agricultural correspondent in 1973, as Ireland’s European Economic Community (EEC) accession sparks a farming boom. He is made head of news analysis at the Irish Independent in 1982, improving the op-ed page and using it to advocate more market-driven economic policies.

Fanning is appointed editor of the mid-to-upmarket Sunday Independent in 1984 from. Under his leadership, the newspaper adopts what Irish newspaper historian John Horgan calls a “new emphasis on pungent opinion columns, gossip and fashion” which results in the paper overtaking its main rival, The Sunday Press. For a time, his deputy editor is journalist Anne Harris.

In a 1993 interview with Ivor Kenny in the book Talking to Ourselves, Fanning describes himself as a classical liberal who is opposed to both Ulster loyalist and Provisional Irish Republican Army terrorism. He also expresses a strong advocacy of the free market, arguing that the goal of a good newspaper is to be as commercially successful as possible:

“If three or four papers out of 15 are successful and the others are not, they might say they’re not driven by the market, they have some higher vocation: to serve the public interest or some pompous stuff like that. That’s how they feel good about themselves. Fair enough, if that’s how they want to explain the world. It’s a grand excuse for relative failure… I think we live or die by the market, it will always win through.”

Fanning recruits a number of noted writers to contribute to the newspaper, including historians Conor Cruise O’Brien and Ronan Fanning, journalists Shane Ross and Gene Kerrigan, poet Anthony Cronin and novelist Colm Tóibín. However, his editorship is not without controversy. The columns published by Eamon Dunphy and Terry Keane draw criticism. Michael Foley notes some Irish commentators criticised Fanning’s Sunday Independent, claiming the newspaper was publishing “a mix of sleaze and prurience.”

Fanning also defends the controversial Mary Ellen Synon, who calls the Paralympics games “perverse.” One of the more bizarre incidents occurs in 2001 when he is involved in a fisticuffs with a colleague at the newspaper – operations editor Campbell Spray.

Diagnosed with lung cancer in April 2011, Fanning spends his last months undergoing treatment in St. Vincent’s University Hospital, Dublin, dying there on January 17, 2012, at the age of 69. His remains are cremated at Mount Jerome Crematorium.

Anne Harris, Fanning’s second wife, succeeds him as editor and lasts three years. As well as pioneering changes in the domestic print media’s role, Fanning’s Sunday Independent led Irish society’s turn towards free market hedonism, catching the public mood better than its more conventionally liberal rivals by rendering this cultural transformation in an exuberant, somewhat parodied form, and without regard for lingering post-Catholic inhibitions.


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Death of Elizabeth Corbet Yeats, Educator & Publisher

Elizabeth Corbet Yeats, known as Lolly, Anglo-Irish educator and publisher, dies on January 16, 1940. She works as an art teacher and publishes several books on art and is a founder of Dun Emer Press which publishes several works by her brother, W. B. Yeats. She is the first commercial printer in Ireland to work exclusively with hand presses.

Yeats is born at 23 Fitzroy Road, London, on March 11, 1868. She is the daughter of the Irish artist John Butler Yeats and Susan Yeats (née Pollexfen). She is sister to W. B., Jack and Susan Mary “Lily” Yeats. From the age of four she lives in Merville, Sligo, at the home of her grandfather William Pollexfen. In November 1874 her family moves to 14 Edith Villas, West Kensington, London. Her governess is Martha Jowitt from 1876 until 1879 before the family moves to Bedford Park, Chiswick, in 1878.

Yeats returns to Howth, County Dublin, in 1881. She enrolls, with her sister Susan, in the Dublin Metropolitan School of Art in 1883 and takes classes at the Royal Dublin Society.

The family moves to Eardley Crescent, South Kensington, London, in 1886. While there Yeats starts to write fiction and publishes a homemade magazine, The Pleiades, with six friends, contributing “Story without a plot” to the Christmas 1888 issue. In addition, she publishes “Scamp and three friends” in The Vegetarian.

Yeats also attends the Chiswick School of Art with her sister Susan and brother Jack Butler Yeats, learning “Freehand drawing in all its branches, practical Geometry and perspective, pottery and tile painting, design for decorative purposes.”

In the 1890s Yeats lives at 3 Blenheim Road, Bedford Park, London, and trains as a kindergarten teacher at the Froebel College in Bedford, Bedfordshire. She undertakes her teaching practice at the Bedford Park High School. In 1892, when her training is completed, she teaches as a visiting art mistress at the Froebel Society, Chiswick High School and the Central Foundation School.

Yeats earns a good income from lecturing and publication of four popular painting manuals: Brushwork (1896), Brushwork Studies of Flowers, Fruits and Animals (1898), Brushwork Copy Book (1899), and Elementary Brushwork Studies (1900).

Yeats trains and works as an art teacher and is a member of William Morris‘s circle in London before her family returns to Dublin in 1900. She writes and creates the artwork for Elementary Brush-Work Studies (1900), an educational book that teaches young children the technique of painting flowers and plants using her simple method. At the suggestion of Emery Walker, who works with Morris on the Kelmscott Press, she studies printing with the Women’s Printing Society in London.

In Dublin, Yeats accepts the invitation to join Evelyn Gleeson to form the Dun Emer Guild along with Lily, who is an embroiderer. She manages the Dun Emer Press from 1902 with a printing press acquired from a provincial newspaper. The Press is located at Runnymede, the house of Evelyn Gleeson. This is set up with the intention of training young women in bookbinding and printing as well as embroidery and weaving. In 1903 she starts printing and Dun Emer’s first book is W. B. Yeats’s In the Seven Woods (1903).

Despite being a gifted printer, the costings exceed the quality of work that Yeats produces with the result that the press is often at risk financially. Eleven books, decorated with pastels by George William Russell, appear under the Dun Emer imprint produced from a first-floor room. She has several disagreements with her brother William over his directions as literary editor. She also dislikes Evelyn Gleeson. In October 1906 she travels to New York to advertise her products but publishes Dun Emer’s last book, William’s Discoveries (1907), in late November when she returns to Dublin.

After many years of strained relations between the Yeats sisters and Evelyn Gleeson, their business relationship is finally ended. Subsequently, in 1908, Lolly and her brother William start the Cuala Press, publishing over 70 books including 48 by the poet. Yeats manages the press while her sister Lily controls the embroidery section. Cuala continues to be a family strain. Their father, John Butler Yeats, has to castigate his son William for sending overtly critical letters to his sisters about the press. However, Cuala produces magnificent books: W. B. Yeats’ The Green Helmet and Other Poems (1910) and a series of Broadsides (published 1908–15, with illustrations from Jack Yeats).

Yeats works with Cuala Press until just before her death in Dublin on January 16, 1940, after a diagnosis of high blood pressure and heart trouble.

(Pictured: “Elizabeth Corbet Yeats” by Jack Butler Yeats, oil on canvas, circa 1899, National Gallery of Ireland)


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Birth of Rory O’Connor, Irish Republican Revolutionary

Rory O’Connor (Irish: Ruairí Ó Conchubhair), Irish republican revolutionary, is born in Kildare Street, Dublin, on November 28, 1883.

O’Connor is educated in St. Mary’s College, Dublin, and then in Clongowes Wood College, County Kildare, a public school run by the Jesuit order. It is also attended by the man who later condemns O’Connor to death, his close friend Kevin O’Higgins. He studies experimental physics, logic, and metaphysics. He also attends the College of Science, Merrion Street. He takes a BA (1906) and receives a B.Eng (1911). In 1910, he takes his Bachelor of Engineering and Bachelor of Arts degrees at University College Dublin (UCD), then known as the National University. Prominent in the university’s Literary and Historical Society, he advocates militant constitutional nationalism as one of the many society members active in the Young Ireland branch of the United Irish League.

O’Connor goes to work as a railway engineer, then he moves to Canada where he is an engineer in the Canadian Pacific Railway and Canadian Northern Railway, being responsible for the construction of 1,500 miles (2,400 km) of railroad. He returns to Ireland in 1915 at Joseph Plunkett‘s request and works for Dublin Corporation as a civil engineer. He joins the Catholic nationalist organisation the Ancient Order of Hibernians and serves in the Easter Rising in 1916 in the GPO as an intelligence officer. He is wounded by a sniper during reconnaissance at the Royal College of Surgeons.

During the subsequent Irish War of Independence (1919-21) O’Connor is Director of Engineering of the Irish Republican Army (IRA), a military organisation descended from the Irish Volunteers. The specialist skills of engineering and signaling are essential to the development of the 5th Battalion, Dublin Brigade. Its men are forbidden frontline duty as their contribution is regarded as vital, their number too small. But units only expand on an incremental local basis, disappointing General Richard Mulcahy.

O’Connor is also involved in the Republican breakout from Strangeways Prison in Manchester, England, on October 25, 1919. Michael Collins takes a particular interest in the escape, and actually visits Austin Stack in the prison under a false name to finalise the arrangements. IRA men hold up traffic while a ladder is propped up against the outside of a prison wall. In all six prisoners escape, among them Piaras Beaslaí.

O’Connor refuses to accept the Anglo-Irish Treaty of 1921, which establishes the Irish Free State. It is ratified by a narrow vote in Dáil Éireann, the Irish parliament. He and many like him feel that the Treaty copper-fastens the partition of the six counties of Northern Ireland and undermines the Irish Republic declared in 1916.

On January 10, a meeting is held at O’Connor’s home in Monkstown, Dublin. In attendance are all senior anti-Treaty IRA officers except Liam Mellows. O’Connor is appointed to chair this grouping, known as the Republican Military Council. It is agreed that an IRA convention should be called without delay; failing this, a separate GHQ will be formed. At a further meeting in O’Connor’s office on March 20, a temporary IRA GHQ staff is elected under Liam Lynch as chief of staff. O’Connor remains in charge of engineering.

On March 26, 1922, the anti-Treaty officers of the IRA hold a convention in Dublin, in which they reject the Treaty and repudiate the authority of the Dáil. However, they are prepared to discuss a way forward. The convention meets again on April 9. It creates a new army constitution and places the army under a newly elected executive of 16 men, including O’Connor, that are to choose an army council and headquarters staff. Asked by a journalist if this development means the anti-Treatyites ware proposing a “military dictatorship” in Ireland, O’Connor replies, “You can take it that way if you want.”

On April 14, 1922, O’Connor is one of a number of IRA leaders in a 200-strong force that occupies the Four Courts building in the centre of Dublin in defiance of the Provisional Government. They intend to provoke the British troops, who are still in the country, into attacking them, which they believe will restart the war with Britain and re-unite the IRA against their common enemy. They also occupy other smaller buildings regarded as being associated with the former British administration, such as the Ballast Office and the Freemasons‘ Hall in Molesworth Street, but the Four Courts remains the focus of interest. On June 15, O’Connor sends out men to collect the rifles that belong to the mutineers of the Civic Guards.

Michael Collins tries desperately to persuade the IRA men to leave the Four Courts. At the Third IRA Convention on June 18, the Executive is split over whether the Irish Government should demand that all British troops leave within 72 hours. A motion to this effect, opposed by Lynch, is narrowly defeated, whereupon O’Connor and others leave the meeting to set up a separate GHQ. The IRA effectively splits into two factions opposed to the government.

On June 22, 1922, Sir Henry Wilson is assassinated in London by two IRA men, Reginald Dunne and Joseph O’Sullivan, each a former British soldier. Some now argue that this was done on the orders of Michael Collins, who had been a close friend of Dunne’s in the London Irish Republican Brotherhood (IRB). Prime Minister David Lloyd George writes an angry letter to Collins, which includes the line “…still less can Mr. Rory O’Connor be permitted to remain his followers and his arsenal in open rebellion in the heart of Dublin… organizing and sending out from this centre enterprises of murder not only in the area of your Government…”

On June 28, 1922, after the Four Courts garrison has kidnapped J. J. “Ginger” O’Connell, a general in the National Army, Collins gives orders for the shelling of the Four Courts with borrowed artillery lent by Winston Churchill. The shelling leads to the Four Courts catching fire, damaging parts of the building in addition to destroying numerous government documents. O’Connor is one of 130 men that surrender on June 30, some of whom are arrested and imprisoned in Mountjoy Prison. This incident marks the official start of the Irish Civil War, as fighting breaks out openly around the country between pro- and anti-Treaty factions.

On December 8, 1922, along with three other republicans, Liam Mellows, Richard Barrett and Joe McKelvey, captured with the fall of the Four Courts, O’Connor is executed by firing squad in reprisal for the anti-Treaty IRA’s killing of Free State Teachta Dála (TD) Sean Hales. The execution order is signed by Kevin O’Higgins. O’Connor had been best man at O’Higgins’s wedding on October 27, 1921. Their deaths remain a symbol of the bitterness and division of the Irish Civil War. O’Connor, one of 77 republicans executed by the Provisional Government, is seen as a martyr by the Republican movement in Ireland.

On O’Connor’s execution, the equestrienne Joan de Sales La Terriere, a close friend of his, names her son in his honour. “Rory O’Connor Place” in Arklow is named in his honour. There is also a pub in Crumlin, Dublin, named after him and a housing estate near Dún Laoghaire, County Dublin, called “Rory O’Connor Park.” A Sinn Féin cumann (UCD) is named after him.

(Pictured: Rory O’Connor addressing members of the IRA’s Dublin City Brigade at Smithfield, April 1922)


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Birth of Feargal Quinn, Businessman, Politician & TV Personality

Feargal Quinn, Irish businessman, politician and television personality, is born in Dublin on November 27, 1936. He is the founder of the Superquinn supermarket chain and serves as a Senator in Seanad Éireann representing the National University of Ireland constituency from 1993 to 2016.

Quinn’s father, Eamonn, founds a grocery brand and later the Red Island resort in Skerries, Dublin. He is a first cousin of Labour Party politician Ruairi Quinn and of Lochlann Quinn, former chairman of Allied Irish Banks (AIB). He is educated at Newbridge College and is a commerce graduate of University College Dublin (UCD). He builds a career in business and later takes on a range of public service roles.

Quinn founds the national supermarket chain Superquinn (originally Quinn’s Supermarkets), of which he remains non-executive president for some years after his family sells out their interest in August 2005 for over €400 million. Superquinn is known for its focus on customer service and pioneers a number of innovations, including Ireland’s first supermarket loyalty card in 1993, SuperClub. It also introduces self-scanning of goods by customers in a number of its outlets. Superquinn becomes the first supermarket in the world to guarantee the absolute traceability of all its beef from pasture to plate, using DNA TraceBack, a system developed at Trinity College, Dublin by IdentiGEN.

Quinn becomes the chairman of the Interim Board for Posts and serves as chairman of its successor An Post (the Irish postal administration) until 1989. He also serves on several other public authorities and boards. From 1993 to 1998, he chairs the steering committee which oversees the development of the Leaving Certificate Applied. In 2006, he is appointed an Adjunct Professor in Marketing at National University of Ireland Galway. He is also chairman of Springboard Ireland.

Quinn is a former President of EuroCommerce, the Brussels-based organisation which represents the retail, wholesale and international trade sectors in Europe. He also serves on the board of directors of CIES, the Food Business Forum based in Paris, as well as the American-based Food Marketing Institute.

In 2009, Quinn works with independent shops and helps them to revamp, modernise and stave off stiff competition from multi-national retailers. It airs as RTÉ‘s six-part television series, Feargal Quinn’s Retail Therapy. A second series airs in 2011, and a third series airs in 2012. In 2011, he fronts RTÉ’s Local Heroes campaign in Drogheda, County Louth, which is an assembled team of experts to kick-start the local economy. It airs as RTÉ One‘s six-part television series, Local Heroes – A Town Fights Back.

Quinn is first elected as a senator in 1993 from the National University of Ireland constituency and is re-elected in 1997, 2002, 2007 and 2011. He is a member of the Joint Oireachtas Committee on European Affairs, the Joint Committee on Finance and Public Service and is an Oireachtas member of the National Economic and Social Forum, along with the Joint Committee on Jobs and Innovation.

Quinn is one of the co-founders and is a driving force behind Democracy Matters – a civil society group that is formed to oppose the Government’s plans to abolish Seanad Éireann. In May 2013, with Senators Katherine Zappone and Mary Ann O’Brien, he introduces the Seanad Bill 2013 to reform the system of electing the elected members of Seanad Éireann (as provided for in Article 18.10 of the Constitution of Ireland) through a one-person, one vote franchise. The Seanad Bill 2013 succeeds in being passed at Second Stage in the Seanad. During the Seanad abolition referendum campaign, the Bill demonstrates to the electorate, in a very palpable way, that reform of the Seanad is achievable if they vote for its retention. In a referendum held in October 2013 on the Abolition of Seanad Éireann, the people vote to retain the Seanad by 51.7%.

In 2014, Quinn reveals that since being first elected to Seanad Éireann, he has donated his entire salary to charity and in more recent years he has refused to accept any salary. In March 2015, he opposes the Marriage Equality bill in the Seanad, and votes ‘No’ in the referendum. He serves as Chairman of the Independent Alliance. He does not contest the 2016 Seanad election.

Quinn is the recipient of five honorary doctorates from education institutions, including NUI Galway in 2006, a papal knighthood along with a fellowship and the French Ordre National du Mérite. He shares with Oprah Winfrey the 2006 “Listener of the Year” award of the International Listening Association.

Quinn dies peacefully at his home in Howth, County Dublin, on April 24, 2019, following a short illness. His funeral Mass takes place at St. Fintan’s Church in Sutton, north County Dublin. In attendance is President Michael D. Higgins, a representative for Taoiseach Leo Varadkar, Minister for Children Katherine Zappone, Senator Michael McDowell, and a host of other current and former politicians, business figures, and past colleagues of the “Superquinn family.” Fittingly, the coffin is carried from the church to the tune of Frank Sinatra’s “My Way.”


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Birth of Novelist Pamela Hinkson

Pamela Hinkson, novelist, is born on November 19, 1900, in Ealing, London, England, the only daughter among five children of Katharine Tynan Hinkson, novelist and poet, and Henry Albert Hinkson, a novelist, barrister, and classical scholar.

Married in 1893, Hinkson’s parents initially settle in England, where he studies law and is called to the Inner Temple in 1902. After suffering the loss of their first two sons in infancy, they have two more sons in addition to their daughter, Pamela. During this time her mother earns the main family income, and it is likely that she determines their return to Ireland in 1911. The Hinksons initially settle in Dalkey, County Dublin, before moving to a house called Clarebeg in Shankill. When Henry Hinkson is appointed resident magistrate for south Mayo (Castlebar) in October 1914, the family moves to Claremorris, County Mayo.

Hinkson is educated privately in England and on the Continent, and in Ireland attends a local convent day-school. She is exposed to her mother’s literary milieu which includes prominent writers of the Irish revival, including George William Russell, James Stephens, and Padraic Colum. Her mother’s memoir, The Years of the Shadow (1919), recalls Pamela’s developing talent for writing poetry and her predilection for war themes, as evidenced by The Blind Soldier, one of her first published poems. By the time she turns her hand to short stories, her earnings from writing enable her to buy the latest fashions.

Two key events that consumed Hinkson’s life and later spark her creativity are World War I and the Easter Rising. H. G. Wells describes in the foreword to his war novel Mr. Britling Sees It Through (1916) a conversation he had with her when she was 12, recalling how she had boldly set him straight on the “Irish question.” Her parents send her away to boarding school in County Wicklow in the hope that she will be distracted from her gloomy preoccupations, which are accentuated by the absence of her brothers, serving in the British Army. After the war she is deeply concerned by the redundancy experienced by demobilised and often maimed soldiers and contributes to the welfare work of the Irish servicemen’s Shamrock Club in London. These issues inform two early novels, The Victors (1925) and Harvest (1926), both written in the guise of an ex-serviceman under the pseudonym “Peter Deane.” By masking her identity, she avoids the possibility of her works being discredited because of her gender and lack of first-hand experience of war. Subsequently she writes under her own name for thirty years.

In contrast to her close relationship with her mother, Hinkson deeply dislikes her father. With the exception of her beloved brother Giles A. Hinckson, a correspondent for The Times in Buenos Aires and Santiago, she never meets a man who matches her high ideals. Though briefly engaged to be married, she is ultimately disillusioned by all men, dismissing them as she had her father. After his death early in 1919, she and her mother are left in financial difficulties, and have to resort to friends and boarding houses for accommodation. Without the financial means to embark on a university degree, she remains at her mother’s side. Though she continues to write, she leads a somewhat stifled life. From 1922 onwards they spend several years on the Continent.

Hinkson’s first novel, The End of All Dreams (1923), addresses the decline of the “big house” amid the revolutionary upheavals of recent Irish history, a theme to which she returns in later works, such as The Deeply Rooted (1935) and her last book, The Lonely Bride (1951). During the 1920s she writes much girls’ school fiction, while her novel Wind from the West (1930) is informed by a period spent in France, where she works as a governess. Her transcription of the memoirs of Lady Fingall (Elizabeth Burke-Plunkett), published under the title Seventy Years Young (1937), illustrates the decline of the Anglo-Irish ascendancy. Informed by war and the Irish troubles, her novels characteristically are solemn, and reflect her ambivalent relationship with Ireland. Inspired by the Irish landscape, but never an ardent supporter of Irish independence, she maintains an abiding attachment to England.

The death of Hinkson’s mother in 1931 is a devastating blow that triggers her most forceful and first truly successful novel, The Ladies’ Road (1932). Documenting the lives of the Irish and English ascendancies before, during, and after World War I, this novel, without being explicitly autobiographical, contains many motifs that resonate with her own life story. When published in the United States in 1946 it proves a massive success, selling 100,000 copies in the Penguin Books edition, a rare feat for a World War I novel appearing immediately after World War II. Other notable works are The Light on Ireland (1935) and her sketches of Irish life, Irish Gold (1939), written while she lodges with friends near Lough Derg, County Tipperary.

Hinkson’s visit to India in the late 1930s as a guest of the viceroy, which she recounts in Indian Harvest (1941), results in her appointment to the Ministry of Information in London (1939–45). She lectures on India in the United States during World War II, and also lectures to British troops and local audiences in Germany (1946–47), broadcasts on radio, and contributes to The Observer, The Spectator, New Statesman, The Manchester Guardian, and Time and Tide. Her novel Golden Rose (1944), written in London during The Blitz, romanticises the British colonial presence in India. Forthright in the expression of her numerous strongly held opinions, she argues ardently and controversially for women’s rights, animal welfare, and retention of Northern Ireland in the UK. Devout in her Catholicism, she is none the less critical of certain Catholic precepts.

Hinkson returns to Ireland in 1959 where she suffers poor health for twenty years until her death in Dublin on May 26, 1982.

(From: “Hinkson, Pamela” by Jessica March, Dictionary of Irish Biography, http://www.dib.ie)


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Death of Composer Brian Patrick Boydell

Brian Patrick Boydell, Irish composer whose works include orchestral pieces, chamber music, and songs, dies on November 8, 2000. He is Professor of Music at Trinity College Dublin for 20 years, founder of the Dowland Consort, conductor of the Dublin Orchestral Players, and a prolific broadcaster and writer on musical matters. He was also a prolific musicologist specialising in 18th-century Irish musical history.

Boydell is born on March 17, 1917, in Howth, County Dublin, into a prosperous Anglo-Irish family. His father James runs the family maltings business while his mother, Eileen Collins, is one of the first women graduates of Trinity College. Following their son’s birth, the Boydells move from Howth and live in a succession of rented houses before settling in Shankill, County Dublin. The young Boydell begins his formal education at Monkstown Park in Dublin and is subsequently sent to the Dragon School at Oxford, England. From there he goes to Rugby School, where he comes under the influence of Kenneth Stubbs, the music master. Although he later speaks of his resentment at the anti-Irish attitude he experiences at Rugby, he appreciates the very good education in science and music he receives there.

Having completed his secondary education, Boydell spends the summer of 1935 developing his musical knowledge at Heidelberg, Germany, where he writes his first songs and also studies organ. He wins a choral scholarship to Clare College, Cambridge, where, perhaps through parental pressure, he studies natural science, graduating in 1938 with a first-class degree.

However, his love of music leads him next to the Royal College of Music where he studies composition under Patrick Hadley, Herbert Howells and Vaughan Williams. Already a good pianist, he also becomes a proficient oboe player during this time.

Upon the outbreak of World War II, Boydell returns to Dublin and achieves further academic success in 1942 with a Bachelor of Music degree from Trinity College. He also takes further lessons in composition from John F. Larchet.

Boydell’s busy working life combines teaching, performing and composing. Following a brief stint in his father’s business, he plunges himself into Dublin’s classical music scene. In 1943, he succeeds Havelock Nelson as conductor of the Dublin Orchestral Players, beginning an association with the amateur orchestra that endures for a quarter of a century (until 1966). In 1944, he is appointed Professor of Singing at the Royal Irish Academy of Music, a position he holds for eight years. Along with fellow composers Edgar M. Deale, Aloys Fleischmann, and Frederick May he founds the Music Association of Ireland in 1948 as a vehicle to promote classical music throughout the country.

Boydell’s interest in Renaissance music, in particular the madrigal, leads in 1959 to founding the Dowland Consort, a vocal ensemble with which he performs for many years and records an LP. In 1962, having obtained a Doctorate in Music, he is appointed Professor of Music at Trinity College, a position he holds until 1982. He immediately revamps the course making it more relevant to the second half of the twentieth century. He also finds time to sit on the Arts Council throughout the 1960s, 70s, and early 80s.

Boydell’s communication skills combined with his infectious enthusiasm makes him a natural broadcaster. The appeal of his programmes on the history and performance of music, first on RTÉ Radio 1 and later on Telefís Éireann, go beyond a specialist audience and are, for many people, their introduction to a new world of aural pleasure.

Boydell has many interests beyond music. As a surrealist painter in the 1940s, having taken lessons from Mainie Jellett, he is a member of The White Stag Group. He is also passionate about cars and photography.

Following retirement from Trinity as Fellow Emeritus, Boydell devotes himself to musical scholarship, writing two books on the music of 18th century Dublin. He also contributes to The New Grove Dictionary of Music and Musicians.

Boydell dies at his home in Howth on November 8, 2000, at the age of 83 and in the company of his wife of 56 years, Mary (née Jones) and their sons, Cormac and Barra. A third son, Marnac, predeceases him.

Boydell is awarded several honorary titles in recognition of his services to music, including the Honorary Doctorate of Music from the National University of Ireland (1974), the Order of Merit of the Italian Republic (1983), the election to Aosdána, Ireland’s academy of creative artists (1984), and Honorary Fellowship of the Royal Irish Academy of Music (1990).


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The Murder of Henry Luttrell, Career Soldier

Henry Luttrell, Irish soldier known for his service in the Jacobite cause, is murdered in Dublin on October 22, 1717, a case that has never been solved. A career soldier, he serves James II in England until his overthrow in 1688. In Ireland he continues to fight for James, reaching the rank of General in the Irish Army.

Luttrell is born in 1655, the second son of Thomas Luttrell of Luttrellstown Castle in County Dublin, an Irish landowner of Catholic heritage. He spends his early life on the Continent, where he kills the so-called 3rd Viscount Purbeck in a duel at Liège.

In England Luttrell is commissioned a Captain in Princess Anne of Denmark‘s Regiment of Foot in 1685 and in 1686 is given command of the 4th Troop of Horse Grenadier Guards. During the Glorious Revolution he fights under Patrick Sarsfield at the Wincanton Skirmish in November 1688. At a time when many officers of the English Army defect to William of Orange, he remains loyal to James II.

Following the disintegration of the English Army and William’s capture of London, Luttrell goes to Ireland. He joins the Irish Army under the command of Richard Talbot, 1st Earl of Tyrconnell, which has remained loyal to James and is undergoing a major expansion. He and other Catholic officers flock to the army, while Protestants are purged. Protestant inhabitants in Ireland rise, proclaiming their loyalty to William of Orange. While an uprising at Bandon in County Cork is quickly put down, a lengthy Siege of Derry begins. He is given command of a cavalry regiment. He also sits in the Patriot Parliament called by King James, as a representative for County Carlow.

In 1689 Luttrell is made Governor of Sligo, which had recently been recaptured from the enemy by Patrick Sarsfield. He immediately sets about improving the town’s fortifications. He is a friend and supporter of Sarsfield, and backs his policy of continued resistance following the Jacobite defeat the Battle of the Boyne in 1690.

Luttrell’s precipitate withdrawal with the cavalry of the left flank at the Battle of Aughrim gives rise to suspicions of disloyalty. During the Siege of Limerick, he is found to be in correspondence with the besiegers, and scarcely escapes hanging, bringing his regiment of horse over to the Williamite side after the surrender of the city. As a reward, he receives the forfeited estates of his elder brother, Simon Luttrell, including Luttrellstown, and is made a major general in the Dutch army.

Luttrell attempts to deprive his brother’s widow, Catherine, of her jointure by discreditable means, but is ultimately obliged to yield it to her.

On October 13, 1704, Luttrell marries Elizabeth Jones and has two sons: Robert Luttrell (d. 1727), and Simon Luttrell, 1st Earl of Carhampton (1713–1787).

Luttrell is shot and mortally wounded in his sedan chair on the night of October 21, 1717, on the Blind-quay in Dublin as he is proceeding from Lucas’ Coffee House on Cork-hill to his house in Stafford Street. He dies the following day, at the age of sixty-three. Despite large rewards, the murderers are never apprehended.

His grandson, Henry Luttrell, 2nd Earl of Carhampton, sells Luttrellstown Castle which the family had owned for almost 600 years in 1800. After Luttrellstown Castle is sold Luttrell’s grave is opened and the skull smashed.

(Pictured: Depiction of the Battle of Aughrim (1691) by John Mulvany (c. 1839 – 1906). Luttrell’s conduct during the 1691 battle becomes a subject of historical debate.)