seamus dubhghaill

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Tag Archives: France


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Assassination of Field Marshal Sir Henry Hughes Wilson

Field Marshal Sir Henry Hughes Wilson is shot and killed by two Irish Republican Army (IRA) men in London on June 22, 1922.

Wilson is born in County Longford and a long-time opponent of the Irish Home Rule movement. He joins the British army in 1884 and sees action during the Boer War. He is assigned to British army headquarters during the infamous Curragh incident and supports the near-mutiny of British officers who refuse to lead troops against Ulster opponents of home rule. He serves in France during the World War I and, when the war ends, continues his staunch support of the Unionist cause while serving as Chief of General Staff. He is a strong supporter of the coercion tactics of the British in Ireland during the Irish War of Independence, even suggesting that the leaders of Sinn Féin be executed. He leaves the army when David Lloyd George decides not to renew his term as chief of staff and is elected Member of Parliament (MP) for North Down as a Conservative in 1922. In Parliament, he urges even stronger coercion methods than those then being carried out by the Black and Tans.

On June 22, 1922, two London-based volunteers of the Irish Republican Army, Reginald Dunne and Joseph O’Sullivan, assassinate Wilson outside his house at 36 Eaton Place at approximately 2:20 PM. He is in full uniform as he is returning from unveiling the Great Eastern Railway War Memorial at Liverpool Street station at 1:00 PM. He has six wounds, two of them fatal wounds to the chest.

Stories later circulate that the first shot misses but rather than taking shelter in the house, he draws his sword and advances on his attackers, who are able to shoot and kill him. These stories often stress that he dies a martyr. His housemaid testifies that she found his drawn sword lying by his side. These details do not feature in the witness accounts by Reginald Dunne, which is smuggled out of prison, the inquest testimony of one of two road menders working nearby, and the taxi driver who had just dropped Wilson off. One of the road mender’s accounts, as published in the Daily Mail, mentions Wilson turning on his attackers with the words “you cowardly swine!” but this is believed to be a possible embellishment by the newspaper.

Two police officers and a chauffeur are also shot as the men attempt to avoid capture. They are then surrounded by a crowd and arrested by other policemen after a struggle. Dunne and O’Sullivan are convicted of murder and hanged on August 10, 1922. On the day Wilson’s killers were hanged, Currygrane, the family homesite in Ballinalee, County Longford is burned to the ground, possibly as a reprisal although possibly as an unrelated part of the unrest in that county.

Wilson’s widow blames the government for his death and is only persuaded to allow government representation at the funeral on the grounds that not to do so would be disrespectful to the King. Wilson’s funeral is a public affair attended by David Lloyd George and the cabinet, Ferdinand Foch, Robert Nivelle and Maxime Weygand from France as well as many of his former army colleagues including John French, Nevil Macready, Douglas Haig and William Robertson. He is buried in the crypt of St. Paul’s Cathedral in London.


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Birth of Brian Coffey, Poet & Publisher

Brian Coffey, Irish poet and publisher, is born in Dún Laoghaire, County Dublin on June 8, 1905. His work is informed by his Catholicism and by his background in science and philosophy, and his connection to surrealism. For these reasons, he is seen as being closer to an intellectual European Catholic tradition than to mainstream Irish Catholic culture.

Coffey attends the Mount St. Benedict boarding school in Gorey, County Wexford from 1917 to 1919 and then Clongowes Wood College, in Clane, County Kildare from 1919 until 1922. In 1923, he goes to France to study for the Bachelor’s degree in Classical Studies at the Institution St. Vincent, Senlis, Oise. While still at college, Coffey begins writing poetry. He publishes his first poems in University College Dublin‘s The National Student under the pseudonym Coeuvre.

In the early 1930s, Coffey moves to Paris where he studies Physical Chemistry under Jean Baptiste Perrin, who won the Nobel Prize for Physics in 1926. He completes these studies in 1933, and his Three Poems is printed in Paris by Jeanette Monnier that same year. In 1934 he enters the Institut Catholique de Paris to work with the noted French philosopher Jacques Maritain, taking his licentiate examination in 1936. He then moves to London for a time and contributes reviews and a poem to T.S. Eliot‘s The Criterion magazine. He returns to Paris in 1937 as an exchange student to work on his doctoral thesis on the idea of order in the work of Thomas Aquinas. In 1938, Coffey’s second volume of poetry, Third Person, is published by George Reavey‘s Europa Press.

During the war, Coffey teaches in schools in London and Yorkshire, leaving his young family in Dublin. After the war, he returns to Paris and completes his doctoral thesis. The family then moves so that Coffey can take up a teaching post at the Jesuit Saint Louis University.

By the early 1950s, Coffey becomes uncomfortable for a number of reasons, including the nature of his work, his distance from Ireland and the pressures that inevitably come to bear on an academic who has previously associated with well-known left-wing writers in Paris. For these reasons, he resigns in 1952.

In 1952, Coffey returns to live in London and, from 1973, Southampton. He begins again to publish his poetry and translations, mainly of French poetry. The first work in English to appear after this period of silence is Missouri Sequence, apparently begun in St. Louis but first appearing in the University Review, later known as the Irish University Review, in 1962.

Over the next decade or so, he publishes regularly in the University Review. He also sets up his own publishing enterprise, Advent Press, which publishes work by himself and by younger writers he wants to support.

Brian Coffey dies at the age of 89 on April 14, 1995, and is buried in Southampton, England.


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Birth of Fighter Pilot George Edward Henry McElroy

Captain George Edward Henry McElroy, a leading Irish-born fighter pilot of the Royal Flying Corps and Royal Air Force during World War I, is born at Donnybrook, County Dublin, on May 14, 1893. He is credited with 47 aerial victories.

McElroy enlists promptly at the start of World War I in August 1914, and is shipped out to France two months later. He is serving as a corporal in the Motor Cyclist Section of the Royal Engineers when he is first commissioned as a second lieutenant on May 9, 1915. While serving in the Royal Irish Regiment he is severely affected by mustard gas and is sent home to recuperate. He is in Dublin in April 1916, during the Easter Rising, and is ordered to help quell the insurrection. McElroy refuses to fire upon his fellow Irishmen, and is transferred to a southerly garrison away from home.

On June 1, 1916 McElroy relinquishes his commission in the Royal Irish Regiment when awarded a cadetship at the Royal Military Academy, Woolwich, from which he graduates on February 28, 1917, and is commissioned as a second lieutenant in the Royal Garrison Artillery.

McElroy is promptly seconded to the Royal Flying Corps, being trained as a pilot at the Central Flying School at Upavon, and is appointed a flying officer on June 28. On July 27 his commission is backdated to February 9, 1916, and he is promoted to lieutenant on August 9. On August 15 he joins No. 40 Squadron RFC, where he benefits from mentoring by Edward “Mick” Mannock. He originally flies a Nieuport 17, but with no success in battle. By the year’s end McElroy is flying Royal Aircraft Factory S.E.5s and claims his first victory on December 28.

An extremely aggressive dog-fighter who ignores often overwhelming odds, McElroy’s score soon grows rapidly. He shoots down two German aircraft in January 1918, and by February 18 has run his string up to eleven. At that point, he is appointed a flight commander with the temporary rank of captain and transferred to No. 24 Squadron RFC. He continues to steadily accrue victories by ones and twos. By March 26, when he is awarded the Military Cross, he is up to 18 “kills.” On April 1, the Army’s Royal Flying Corps (RFC) and the Royal Naval Air Service (RNAS) are merged to form the Royal Air Force, and his squadron becomes No. 24 Squadron RAF. McElroy is injured in a landing accident on April 7 when he brushes a treetop while landing. By then he has run his score to 27. While he is sidelined with his injury, on April 22, he is awarded a bar to his Military Cross. Following his convalescence, McElroy returns to No. 40 Squadron in June, scoring three times, on the 26th, 28th, and 30th. The latter two triumphs are observation balloons. That runs his tally to thirty.

In July, he adds to his score almost daily, a third balloon busting on the 1st, followed by one of the most triumphant months in the history of fighter aviation, adding 17 victims during the month. His run of success is threatened on the 20th by a vibrating engine that entails breaking off an attack on a German two seater and a rough emergency landing that leaves him with scratches and bruises. There is a farewell luncheon that day for his friend Gwilym Hugh “Noisy” Lewis. Their mutual friend Edward “Mick” Mannock pulls McElroy aside to warn him about the hazards of following a German victim down within range of ground fire.

On July 26, Mannock is killed by ground fire. Ironically, on that same day, “McIrish” McElroy receives the second Bar to his Military Cross. He is one of only ten airmen to receive the second Bar.

McElroy’s continues apparent disregard for his own safety when flying and fighting can have only one end. On July 31, 1918, he reports destroying a Hannoversche Waggonfabrik C for his 47th victory. He then sets out again. He fails to return from this flight and is posted missing. Later it is learned that McElroy has been killed by ground fire. He is 25 years old. McElroy is interred in Plot I.C.1 at the Laventie Military Cemetery in La Gorgue, northern France.

McElroy receives the Distinguished Flying Cross posthumously on August 3, citing his shooting down 35 aeroplanes and three observation balloons. The Bar arrives still later, on September 21, and lauds his low-level attacks. In summary, he shoots down four enemy aircraft in flames and destroys 23 others, one of which he shares with other pilots. He drives down 16 enemy aircraft “out of control” and out of the fight. He also destroys three balloons.


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The Homosexuality Trial of Oscar Wilde

The trial of Oscar Wilde on charges of homosexuality, then considered a crime, begins at the Old Bailey on April 26, 1895.

With a warrant for Wilde’s arrest on charges of sodomy and gross indecency having been issued, Robbie Ross finds Wilde at the Cadogan Hotel, Knightsbridge, with Reginald Turner. Both men advise Wilde to go at once to Dover and try to get a boat to France. His mother advises him to stay and fight. Wilde, lapsing into inaction, can only say, “The train has gone. It’s too late.” Wilde is arrested for “gross indecency” under Section 11 of the Criminal Law Amendment Act 1885, a term meaning homosexual acts not amounting to buggery, an offence under a separate statute. At Wilde’s instruction, Ross and Wilde’s butler force their way into the bedroom and library of 16 Tite Street, packing some personal effects, manuscripts, and letters. Wilde is then imprisoned on remand at HM Prison Holloway where he receives daily visits from his partner, Lord Alfred Douglas.

Events move quickly and his prosecution opens on April 26, 1895. Wilde pleads not guilty. He has already begged Douglas to leave London for Paris, but Douglas complains bitterly, even wanting to give evidence. He is pressed to go and soon flees to the Hotel du Monde. Fearing persecution, Ross and many others also leave the United Kingdom during this time.

Under cross examination by Charles Gill, Wilde is at first hesitant, but then eloquently responds to Gill’s question about the meaning of “the love that dare not speak its name.” Wilde replies, “‘The love that dare not speak its name” in this century is such a great affection of an elder for a younger man as there was between David and Jonathan, such as Plato made the very basis of his philosophy, and such as you find in the sonnets of Michelangelo and Shakespeare. It is that deep spiritual affection that is as pure as it is perfect. It dictates and pervades great works of art, like those of Shakespeare and Michelangelo, and those two letters of mine, such as they are. It is in this century misunderstood, so much misunderstood that it may be described as ‘the love that dare not speak its name,’ and on that account of it I am placed where I am now. It is beautiful, it is fine, it is the noblest form of affection. There is nothing unnatural about it. It is intellectual, and it repeatedly exists between an older and a younger man, when the older man has intellect, and the younger man has all the joy, hope and glamour of life before him. That it should be so, the world does not understand. The world mocks at it, and sometimes puts one in the pillory for it.”

Wilde’s response is counter-productive in a legal sense as it only serves to reinforce the charges of homosexual behaviour. The trial ends with the jury unable to reach a verdict. Wilde’s counsel, Sir Edward Clarke, is finally able to get a magistrate to allow Wilde and his friends to post bail. The Reverend Stewart Headlam puts up most of the £5,000 surety required by the court, having disagreed with Wilde’s treatment by the press and the courts. Wilde is freed from Holloway and, shunning attention, goes into hiding at the house of Ernest and Ada Leverson, two of his firm friends. Edward Carson approaches Frank Lockwood QC, the Solicitor General and asks, “Can we not let up on the fellow now?” Lockwood answers that he would like to do so, but fears that the case has become too politicised to be dropped.

The final trial is presided over by Alfred Wills. On May 25, 1895 Wilde and Alfred Taylor are convicted of gross indecency and sentenced to two years’ hard labour. The judge describes the sentence, the maximum allowed, as “totally inadequate for a case such as this,” and that the case is “the worst case I have ever tried.” Wilde responds, “And I? May I say nothing, my Lord?” but it is drowned out by cries of “Shame” in the courtroom.

Oscar Wilde enters prison on May 25, 1895 and is released on May 18, 1897.

(Pictured: Oscar Wilde and Lord Alfred Douglas)


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Birth of John Millington Synge, Poetic Dramatist

John Millington Synge, a leading figure in the Irish Literary Revival, is born at Rathfarnham, near Dublin, on April 16, 1871. He is a poetic dramatist of great power who portrays the harsh rural conditions of the Aran Islands and the western Irish seaboard with sophisticated craftsmanship.

After studying at Trinity College and at the Royal Irish Academy of Music in Dublin, Synge pursues further studies from 1893 to 1897 in Germany, Italy, and France. In 1894 he abandons his plan to become a musician and instead concentrates on languages and literature. He meets William Butler Yeats while studying at the Sorbonne in Paris in 1896. Yeats inspires him with enthusiasm for the Irish renaissance and advises him to stop writing critical essays and instead to go to the Aran Islands and draw material from life. Already struggling against the progression of Hodgkin’s lymphoma which is untreatable at the time and eventually causes his death, Synge lives in the islands during part of each year between 1898 and 1902, observing the people and learning their language, recording his impressions in The Aran Islands (1907) and basing his one-act plays In the Shadow of the Glen and Riders to the Sea (1904) on islanders’ stories. In 1905 his first three-act play, The Well of the Saints, is produced.

Synge’s travels on the Irish west coast inspire his most famous play, The Playboy of the Western World (1907). This morbid comedy deals with the moment of glory of a peasant boy who becomes a hero in a strange village when he boasts of having just killed his father but who loses the villagers’ respect when his father turns up alive. In protest against the play’s unsentimental treatment of the Irishmen’s love for boasting and their tendency to glamorize ruffians, the audience riots at its opening at Dublin’s Abbey Theatre. Riots of Irish Americans accompany its opening in New York City in 1911, and there are further riots in Boston and Philadelphia. Synge remains associated with the Abbey Theatre, where his plays gradually win acceptance, until his death. His unfinished Deirdre of the Sorrows, a vigorous poetic dramatization of one of the great love stories of Celtic mythology, is performed there in 1910.

John Millington Synge dies at the Elpis Nursing Home in Dublin on March 24, 1909, at the age of 37, and is buried in Mount Jerome Cemetery and Crematorium, Harold’s Cross, Dublin.

In the seven plays he writes during his comparatively short career as a dramatist, Synge records the colourful and outrageous sayings, flights of fancy, eloquent invective, bawdy witticisms, and earthy phrases of the peasantry from Kerry to Donegal. In the process he creates a new, musical dramatic idiom, spoken in English but vitalized by Irish syntax, ways of thought, and imagery.


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Birth of Playwright & Poet Samuel Barclay Beckett

Samuel Barclay Beckett, avant-garde novelist, playwright, theatre director, and poet, is born on Good Friday, April 13, 1906, in Foxrock, Dublin. His father, William Frank Beckett, works in the construction business and his mother, Maria Jones Roe, is a nurse. Beckett attends Earlsfort House School in Dublin and then, at age 14, he goes to Portora Royal School, the same school attended by Oscar Wilde. He receives his Bachelor’s degree from Trinity College, Dublin in 1927. In his youth he periodically experiences severe depression keeping him in bed until mid-day. This experience later influences his writing.

In 1928, Beckett finds a welcome home in Paris where he meets and becomes a devoted student of James Joyce. In 1931, he embarks on a restless sojourn through Great Britain, France and Germany. He writes poems and stories and does odd jobs to support himself. On his journey, he comes across many individuals who inspire some of his most interesting characters.

In 1937, Beckett settles in Paris. Shortly thereafter, he is stabbed by a pimp after refusing his solicitations. While recovering in the hospital, he meets Suzanne Dechevaux-Dumesnuil, a piano student in Paris. The two become life-long companions and eventually marry. After meeting with his attacker, Beckett drops the charges, partly to avoid the publicity.

During World War II, Beckett’s Irish citizenship allows him to remain in Paris as a citizen of a neutral country. He fights in the resistance movement until 1942 when members of his group are arrested by the Gestapo. He and Suzanne flee to the unoccupied zone until the end of the war.

After the war, Beckett is awarded the Croix de Guerre for bravery during his time in the French resistance. He settles in Paris and begins his most prolific period as a writer. In five years, he writes Eleutheria, Waiting for Godot, Endgame, the novels Molloy, Malone Dies, The Unnamable, and Mercier et Camier, two books of short stories, and a book of criticism.

Beckett’s first publication, Molloy, enjoys modest sales, but more importantly praise from French critics. Soon, Waiting for Godot, achieves quick success at the small Theatre de Babylone putting Beckett in the international spotlight. The play runs for 400 performances and enjoys critical praise.

Beckett writes in both French and English, but his most well-known works, written between World War II and the 1960s, are written in French. Early on he realizes his writing has to be subjective and come from his own thoughts and experiences. His works are filled with allusions to other writers such as Dante Alighieri, René Descartes, and James Joyce. Beckett’s plays are not written along traditional lines with conventional plot and time and place references. Instead, he focuses on essential elements of the human condition in dark humorous ways. This style of writing has been called “Theater of the Absurd” by Martin Esslin, referring to poet Albert Camus’ concept of “the absurd.” The plays focus on human despair and the will to survive in a hopeless world that offers no help in understanding.

The 1960s are a period of change for Beckett. He finds great success with his plays across the world. Invitations come to attend rehearsals and performances which lead to a career as a theater director. In 1961, he secretly marries Suzanne Dechevaux-Dumesnuil who takes care of his business affairs. A commission from the BBC in 1956 leads to offers to write for radio and cinema through the 1960s.

Beckett continues to write throughout the 1970s and 1980s, mostly in a small house outside Paris. There he can give total dedication to his art evading publicity. In 1969, he is awarded the Nobel Prize in Literature, though he declines accepting it personally to avoid making a speech at the ceremonies. However, he should not be considered a recluse. He often times meets with other artists, scholars and admirers to talk about his work.

By the late 1980s, Beckett is in failing health and is moved to a small nursing home. His wife Suzanne dies in July 1989. His life is confined to a small room where he receives visitors and writes. He dies on December 22, 1989, in a hospital of respiratory problems just months after his wife.


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Death of Oliver Goldsmith, Novelist, Playwright & Poet

Oliver Goldsmith, Irish novelist, playwright, and poet best known for his novel The Vicar of Wakefield (1766), his pastoral poem The Deserted Village (1770), and his plays The Good-Natur’d Man (1768) and She Stoops to Conquer (1771, first performed in 1773), dies in London on April 4, 1774. He is thought to have written the classic children’s tale The History of Little Goody Two-Shoes (1765).

Goldsmith’s birth date and location are not known with certainty, although he reportedly tells a biographer that he was born on November 10, 1728. The location of his birthplace is either in the townland of Pallas, near Ballymahon, County Longford, where his father is the Anglican curate of the parish of Forgney, or at the residence of his maternal grandparents, at the Smith Hill House near Elphin, County Roscommon, where his grandfather Oliver Jones is a clergyman and master of the Elphin diocesan school, which is where Goldsmith studies. When Goldsmith is two years old, his father is appointed the rector of the parish of “Kilkenny West” in County Westmeath. The family moves to the parsonage at Lissoy, between Athlone and Ballymahon, and continues to live there until his father’s death in 1747.

In 1744 Goldsmith enters Trinity College, Dublin. His tutor is Theaker Wilder. Neglecting his studies in theology and law, he falls to the bottom of his class. In 1747, along with four other undergraduates, he is expelled for a riot in which they attempt to storm the Marshalsea Prison. He is graduated in 1749 as a Bachelor of Arts, but without the discipline or distinction that might have gained him entry to a profession in the church or the law. His education seems to have given him mainly a taste for fine clothes, playing cards, singing Irish airs, and playing the flute. He lives for a short time with his mother, tries various professions without success, studies medicine desultorily at the University of Edinburgh from 1752 to 1755, and sets out on a walking tour of Flanders, France, Switzerland, and Northern Italy.

Goldsmith settles in London in 1756, where he briefly holds various jobs, including an apothecary‘s assistant and an usher of a school. Perennially in debt and addicted to gambling, Goldsmith produces a massive output as a hack writer for the publishers of London, but his few painstaking works earn him the company of Samuel Johnson, with whom he is a founding member of “The Club.” There, through fellow Club member Edmund Burke, he makes the acquaintance of Sir George Savile, who later arranges a job for him at Thornhill Grammar School. The combination of his literary work and his dissolute lifestyle leads Horace Walpole to give him the epithet “inspired idiot.” During this period he uses the pseudonym “James Willington,” the name of a fellow student at Trinity, to publish his 1758 translation of the autobiography of the Huguenot Jean Marteilhe.

Goldsmith is described by contemporaries as prone to envy, a congenial but impetuous and disorganised personality who once planned to emigrate to America but failed because he missed his ship. At some point around this time he works at Thornhill Grammar School, later basing Squire Thornhill on his benefactor Sir George Savile and certainly spending time with eminent scientist Rev. John Mitchell, whom he probably knows from London. Mitchell sorely misses good company, which Goldsmith naturally provides in spades. Thomas De Quincey writes of him “All the motion of Goldsmith’s nature moved in the direction of the true, the natural, the sweet, the gentle.”

His premature death in 1774 is believed to have been partly due to his own misdiagnosis of a kidney infection. Goldsmith is buried in Temple Church in London. There is a monument to him in the centre of Ballymahon and also in Westminster Abbey with an epitaph written by Samuel Johnson.