seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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First Production by the Gate Theatre Company

gate-theatreThe Gate Theatre Company of Dublin produces its first play, Henrik Ibsen‘s Peer Gynt, in the Peacock Theatre on October 13, 1928.

The Gate Theatre is founded in 1928 by Hilton Edwards and Micheál Mac Liammóir. During their first season, the company presents seven plays, including Eugene O’Neill‘s The Hairy Ape and Oscar Wilde‘s Salome. Their productions are innovative and experimental and they offer Dublin audiences an introduction to the world of European and American theatre as well as classics from the modern and Irish repertoire. It is at the Gate that Orson Welles, James Mason, Geraldine Fitzgerald and Michael Gambon begin their prodigious acting careers.

The company plays for two seasons at the Peacock Theatre and then on Christmas Eve 1929, in Groome’s Hotel, a lease is signed for the 18th Century Rotunda Annex, the “Upper Concert Hall,” the Gate’s present home, with Johann Wolfgang von Goethe‘s Faust opening on February 17, 1930.

In 1931, the newly established Gate Theatre runs into financial difficulties and Edward Pakenham, 6th Earl of Longford and Christine Longford, Countess of Longford provide financial support. The Longfords work with Edwards and MacLiammóir at the Gate until 1936, then a split develops and two separate companies are formed and play at the Gate Theatre for six months each. The companies also tour for six months until the death of Lord Longford in 1961.

During this period Edwards and MacLiammóir (Gate Theatre Productions) run shows in Dublin’s Gaiety Theatre and tour productions to Europe, Egypt and North America.

From the 1980s onwards the Gate Theatre, under the directorship of Michael Colgan, cements its international relationship, touring plays around the world for audiences from Beijing to New York. The theatre establishes unique relationships with leading contemporary playwrights including Samuel Beckett, Harold Pinter and Brian Friel. The first ever Beckett Festival is produced, presenting all 19 of the stage plays over a three week period. The first ever festival of Pinter’s plays follows, along with many premieres and productions of Friel’s work including the acclaimed production of Faith Healer with Ralph Fiennes which wins a Tony Award on Broadway.

With the generous support of funders, the fabric of the building is restored and renovated under the guidance of Ronnie Tallon and Scott, Tallon Walker Architects. This includes the provision of a new wing, which incorporates a studio space, The Gate Studio, for rehearsals and workshops, offering practitioners an opportunity to develop and nurture creativity.

On April 3, 2017, Selina Cartmell becomes Director of the Gate Theatre. As a freelance artist, she has directed a diverse range of work from Greek tragedy and Shakespeare, to international work and contemporary Irish drama. In 2004, she establishes Dublin-based Siren Productions, a multi-award-winning company conceived to innovate the classics and create relevant and dynamic new work, integrating theatre, dance, visual arts, architecture, film and music. Her productions have been nominated for thirty five theatre awards, winning ten, including three for best director.


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Death of English Actress Ellen Kean

LEAD Technologies Inc. V1.01Ellen Kean, one of the finest English actresses of her day, dies in Bayswater, City of Westminster, England on August 20, 1880. She is known as Ellen Tree until her marriage in 1842, after which she is known both privately and professionally as Mrs. Charles Kean and always appears in productions together with her husband.

Kean is born Eleanora Tree in Ireland on December 12, 1805, the third of four daughters of Cornelius Tree, an official of the East India Company in London. Her three sisters become actresses, but, unlike Ellen, retire from the stage when they marry. Her professional stage debut is in a musical version of Twelfth Night in London in 1822 as Olivia alongside her sister Maria as Viola. She gains experience touring in the provinces, and from 1826 is a regular member of the companies at the Theatre Royal, Drury Lane and Theatre Royal Haymarket, making a success in The Wonder and The Youthful Queen. At the Royal Opera House at Covent Garden she takes on the roles of William Shakespeare‘s Romeo to the Juliet of Fanny Kemble, Françoise de Foix in Francis I, and Lady Townley in The Provoked Husband.

In 1832, by now established as a leading actress, Tree accepts an engagement in Hamburg, Germany, where a junior member of the company is Charles Kean. He had made an undistinguished debut at Drury Lane in 1827, and he and Tree had acted together in 1828 in a play called Lovers’ Vows and later in Othello. In the German season they fall in love, but are persuaded by family and friends not to marry in haste. Tree returns to London and resumes her successful West End career, including a considerable success in Ion in another breeches role. At the end of 1836, Tree goes to the United States, where she tours in Shakespeare for more than three years, playing heroines such as Rosalind, Viola and Beatrice, among other roles. By the time of her return to England in 1839, she has made a profit of £12,000 on the tour, equivalent to at least £1 million in modern terms.

By 1841 Charles Kean has established himself as a successful actor, and he and Tree appear together in Romeo and Juliet at the Theatre Royal Haymarket. They are married the next year, and she at once switches her professional name from Ellen Tree to Mrs. Charles Kean. For the next nine years they appear together at the Haymarket, making a joint visit to the United States in 1846. In 1850, Kean takes over the management of the Princess’s Theatre in London. The Times called this “the most important period of Mrs. Kean’s career…. Hitherto she had been the Rosalind and the Viola of the stage; henceforward her name was to be associated with characters of a more matronly type” in roles including Lady Macbeth and Gertrude in Hamlet. The same writer also credits her for “the good taste and artistic completeness” of Kean’s productions. Ellen Terry, who makes her first stage appearance as the boy Mamillius in The Winter’s Tale, remembers Kean “as Hermione wearing a Greek wreath round her head and a crinoline with many layers of petticoats.”

Charles Kean dies in 1868, and his widow retires from the stage, living quietly in Bayswater, in the City of Westminster, where she dies at the age of 73 on August 20, 1880. The Times in its obituary says, “Mrs. Kean is not to be numbered with the greatest votaries of the English stage, but her acting was distinguished by considerable power, tenderness and refinement.” She is buried in a vault alongside her husband at Catherington, Hampshire.

(Pictured: “Charles Kean and Wife Ellen Tree” by Mathew Brady Studio (1844-1894), modern albumen print from wet plate collodion negative, National Portrait Gallery, Smithsonian Institution)


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Death of Patrick McGee, Actor & Director

patrick-mcgeePatrick George McGee, Northern Irish actor and director of stage and screen known professionally as Patrick Magee, dies from a heart attack at his flat in Fulham, London on August 14, 1982. He is known for his collaborations with Samuel Beckett and Harold Pinter, as well as creating the role of the Marquis de Sade in the original stage and screen productions of Marat/Sade. He also appears in numerous horror films and in two Stanley Kubrick films, A Clockwork Orange and Barry Lyndon.

McGee is born into a middle-class family in Armagh, County Armagh, Northern Ireland on March 31, 1922. He is the first born of five children and is educated at St. Patrick’s Grammar School, Armagh.

McGee’s first stage experience in Ireland is with Anew McMaster’s touring company, performing the works of William Shakespeare. It is here that he first works with Pinter. He is then brought to London by Tyrone Guthrie for a series of Irish plays. He meets Beckett in 1957 and soon records passages from the novel Molloy and the short story From an Abandoned Work for BBC Radio. Impressed by “the cracked quality of Magee’s distinctly Irish voice,” Beckett requests copies of the tapes and writes Krapp’s Last Tape especially for the actor. First produced at the Royal Court Theatre in London on October 28, 1958, the play stars McGee and is directed by Donald McWhinnie. A televised version is later broadcast by BBC Two on November 29, 1972.

In 1964, McGee joins the Royal Shakespeare Company, after Pinter, directing his own play, The Birthday Party, specifically requests him for the role of McCann. In 1965 he appears in Peter Weiss‘s Marat/Sade, and when the play transfers to Broadway he wins a Tony Award. He also appears in the 1966 RSC production of Staircase opposite Paul Scofield.

McGee’s early film roles include Joseph Losey‘s The Criminal (1960) and The Servant (1963), the latter an adaptation scripted by Pinter. He also appears as Surgeon-Major James Henry Reynolds in Zulu (1964), Séance on a Wet Afternoon (1964), Anzio (1968), and in the film versions of Marat/Sade (1967) and The Birthday Party (1968). He is perhaps best known for his role as the victimised writer Frank Alexander, who tortures Alex DeLarge with Ludwig van Beethoven‘s music, in Stanley Kubrick’s film A Clockwork Orange (1971). His other role for Kubrick is as Redmond Barry’s mentor, the Chevalier de Balibari, in Barry Lyndon (1975).

McGee also appears in Young Winston (1972), The Final Programme (1973), Galileo (1975), Sir Henry at Rawlinson End (1980), The Monster Club and Chariots of Fire (1981), but is most often seen in horror films. These include Roger Corman‘s The Masque of Red Death (1964), and the Boris Karloff vehicle Die, Monster, Die! (1965) for AIP; The Skull (1965), Tales from the Crypt (1972), Asylum (1972), and And Now the Screaming Starts! (1973) for Amicus Productions; Demons of the Mind (1972) for Hammer Film Productions; and Walerian Borowczyk‘s Docteur Jekyll et les femmes (1981).

Patrick McGee dies from a heart attack at his flat in Fulham, London on August 14, 1982 at the age of 60, according to obituaries in The Herald and The New York Times. On July 29, 2017 a blue plaque is unveiled in Edward Street, Armagh to mark Patrick McGee’s birthplace.


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Birth of John Kells Ingram, Economist & Poet

CREATOR: gd-jpeg v1.0 (using IJG JPEG v62), quality = 90John Kells Ingram, economist and poet who starts his career as a mathematician, is born into an Ulster Scots family on July 7, 1823 at the Rectory of Templecarne (Aghnahoo), just south of Pettigo, County Donegal. He has been co-credited, along with John William Stubbs, with introducing the geometric concept of inversive geometry.

Ingram enters Trinity College, Dublin on October 13, 1837. He is elected a Scholar of Trinity College in 1840, graduates with a BA in mathematics in 1842, and is awarded an MA in 1850. In 1852 he becomes a professor of oratory at Trinity and writes extensively on Shakespeare. He shows considerable promise in both mathematics and classics and achieves early popularity as a poet. He has a distinguished career at Trinity, spanning over fifty-five years, as a student, fellow and professor, successively of Oratory, English Literature, Jurisprudence and Greek, subsequently becoming the College Librarian and ultimately its Vice Provost.

One evening in March 1843 Ingram writes a poem for which he is best remembered, a political ballad called “The Memory of the Dead” in honour of the Irish Rebellion of 1798 led by the Society of United Irishmen. The poem is published anonymously on April 1, 1843 in Thomas Davis‘s The Nation newspaper although its authorship is an open secret in Dublin. It is set to music for voice and piano in 1845 by John Edward Pigot and becomes a popular Irish nationalist anthem. It is one of the best-known of Irish Republican songs and is often played by the piper at Republican funerals.

In 1847 Ingram helps to found the Statistical and Social Inquiry Society of Ireland. His early economic writings deal mainly with the Poor Law, which in theory is supposed to provide relief for the poor but in reality does little to alleviate the distress in Ireland. Strongly influenced by the French sociologist Auguste Comte, he rejects the more isolated approach of classical economics which builds on the assumption that people try to do the best they can. Instead he seeks to develop a unified theory of economics along the lines of Comtean positivist philosophy, which seeks ways for economic policies to contribute to the good of society. His writings on this topic include the essay “Present Position and Prospects of Political Economy” (1878) and A History of Political Economy (1888).

John Kells Ingram dies on May 1, 1907 in his home at 38 Upper Mount Street, Dublin, where he had lived since 1884. He is buried in Mount Jerome Cemetery.


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Death of Novelist Maria Edgeworth

maria-edgeworthMaria Edgeworth, Anglo-Irish writer known for her children’s stories and for her novels of Irish life, dies on May 22, 1849 in Edgeworthstown, County Longford.

Edgeworth is born at Black Bourton, Oxfordshire, England on January 1, 1768. She is the second child of Richard Lovell Edgeworth and Anna Maria Edgeworth (née Elers). She spends her early years with her mother’s family in England, until her mother’s death when Maria is five. When her father marries his second wife Honora Sneyd in 1773, she goes with him to his estate, Edgeworthstown, in County Longford. There, she assists her father in managing his estate. In this way she acquires the knowledge of rural economy and of the Irish peasantry that is to become the backbone of her novels.

Domestic life at Edgeworthstown is busy and happy. Encouraged by her father, Edgeworth begins her writing in the common sitting room, where the 21 other children in the family provide material and audience for her stories. She publishes them in 1796 as The Parent’s Assistant. Even the intrusive moralizing, attributed to her father’s editing, does not wholly suppress their vitality, and the children who appear in them, especially the impetuous Rosamond, are the first real children in English literature since William Shakespeare.

Her first novel, Castle Rackrent (1800), written without her father’s interference, reveals her gift for social observation, character sketch, and authentic dialogue and is free from lengthy lecturing. It establishes the genre of the “regional novel,” and its influence is enormous. Sir Walter Scott acknowledges his debt to Edgeworth in writing Waverley. Her next work, Belinda (1801), a society novel unfortunately marred by her father’s insistence on a happy ending, is particularly admired by Jane Austen.

Edgeworth never marries. She has a wide acquaintance in literary and scientific circles. Between 1809 and 1812 she publishes her Tales of Fashionable Life in six volumes. They include one of her best novels, The Absentee, which focuses attention on a great contemporary abuse in Irish society: absentee English landowning.

Before her father’s death in 1817 she publishes three more novels, two of them, Patronage (1814) and Ormond (1817), of considerable power. After 1817 she writes less. She completes her father’s Memoirs (1820) and devotes herself to the estate. She enjoys a European reputation and exchanges cordial visits with Scott. Her last years are saddened by the Irish famine of 1846, during which she works for the relief of stricken peasants.

After a visit to see her relations in Trim, Maria, now in her eighties, begins to feel heart pains and dies suddenly of a heart attack in Edgeworthstown on May 22, 1849. She is laid to rest in a vault at Edgeworthstown Church.

The feminist movement of the 1960s leads to the reprinting of her Moral Tales for Young People, 5 vol. (1801) and Letters for Literary Ladies (1795) in the 1970s. Her novels continue to be regularly reprinted in the 21st century.

(Pictured: Maria Edgeworth by John Downman, 1807)


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Birth of Kenneth Branagh, Actor, Director & Producer

kenneth-branaghSir Kenneth Charles Branagh, British actor, director, producer, and screenwriter, is born in Belfast on December 10, 1960.

Branagh is the middle of three children of working-class Protestant parents Frances (née Harper) and William Branagh, a plumber and joiner who runs a company that specialises in fitting partitions and suspended ceilings. He lives in the Tiger’s Bay area of the city and is educated at Grove Primary School.

At the age of nine, Branagh moves with his family to Reading, Berkshire, England, to escape the Troubles. He is educated at Whiteknights Primary School, then Meadway School, Tilehurst, where he appears in school productions such as Toad of Toad Hall and Oh, What a Lovely War!. He attends the amateur Reading Cine & Video Society (now called Reading Film & Video Makers) as a member and is a keen member of Progress Theatre for whom he is now the patron. He goes on to train at the Royal Academy of Dramatic Art in London and in 2015 succeeds Richard Attenborough as its president.

Branagh has both directed and starred in several film adaptations of William Shakespeare‘s plays, including Henry V (1989) (for which he was nominated for the Academy Award for Best Actor and Academy Award for Best Director), Much Ado About Nothing (1993), Othello (1995), Hamlet (1996) (for which he was nominated for the Academy Award for Best Adapted Screenplay), Love’s Labour’s Lost (2000), and As You Like It (2006).

Branagh stars in numerous other films and television series including Fortunes of War (1987), Woody Allen‘s Celebrity (1998), Wild Wild West (1999), The Road to El Dorado (2000), Conspiracy (2001), Harry Potter and the Chamber of Secrets (2002), Warm Springs (2005), as Major General Henning von Tresckow in Valkyrie (2008), The Boat That Rocked (2009), Wallander (2008–2016), My Week with Marilyn (2011) as Sir Laurence Olivier (nominated for Academy Award for Best Supporting Actor), and as Royal Navy Commander Bolton in the action-thriller Dunkirk (2017). He directs such films as Dead Again (1991), in which he also stars, Swan Song (1992) (nominated for Academy Award for Best Live Action Short Film), Mary Shelley’s Frankenstein (1994) in which he also stars, The Magic Flute (2006), Sleuth (2007), the blockbuster superhero film Thor (2011), the action thriller Jack Ryan: Shadow Recruit (2014) in which he also co-stars, the live-action film Cinderella (2015), and the mystery drama adaptation of Agatha Christie‘s Murder on the Orient Express (2017), in which he also stars as Hercule Poirot.

Branagh narrates the series Cold War (1998), the BBC documentary miniseries Walking with Dinosaurs (1999), Walking with Beasts (2001) and Walking with Monsters (2005). He has been nominated for five Academy Awards, five Golden Globe Awards, and has won three BAFTAs, and an Emmy Award. He is appointed a Knight Bachelor in the 2012 Birthday Honours and is knighted on November 9, 2012. He is awarded the Freedom of the City of his native city of Belfast in January 2018.


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Birth of Novelist Shan Fadh Bullock

shan-fadh-bullockNovelist Shan Fadh Bullock is born on May 17, 1865 at Inisherk, County Fermanagh just outside the County Cavan border near Belturbet. His works include fourteen novels set in Ulster and he is admired by James Matthew Barrie and Thomas Hardy.

Bullock’s father, Thomas Bullock, is a strict man who has eleven children and drives several to emigration because of his stern demeanour. Thomas Bullock works on the Crom Castle estate which runs along the Cavan/Fermanagh border and has both Catholic and Protestant workers. Protestant workers have the prime jobs and are employed as craftsmen and supervisors while Catholics work in the outer area of the estate at unskilled jobs. Folk memories of the Battle of Newtownbutler in 1689 remain long in the memory in the area where up to 1,500 Jacobite troops are hacked down or drowned in Upper Lough Erne when pursued by the Williamite cavalry. Many of the Williamite army is drawn from the local Protestant population.

Bullock is educated at Crom estate primary school run by the Church of Ireland and Farra School near Bunbrosna, County Westmeath. He fails the entrance exams at the University of Dublin. He tries his hand at farming but finds he is not suited. He moves to London in 1883 and becomes a Civil Service clerk. He takes to journalism to supplement his salary and publishes his first book of stories, The Awkward squads, in 1893. His stories are centered on Irish Catholic and Protestant small farmers and labourers and their struggles and tensions. He marries Emma Mitchell in 1899 and they have a son and daughter.

Bullock is well respected in literary circles but his books are never successful enough for him to become a full time writer. He says that the English are not interested in Irish stories and that there is no reading public in Ireland. He dislikes Orange sectarianism and is ambivalent to Irish nationalism. His novel The Red Leaguers looks at sectarianism conflict and Robert Thorne examines the lives of London clerks which is a popular theme at the time. His last and best novel The Loughsiders is published in 1924 and is the story of a conniving smallholder based on William Shakespeare’s Richard III.

Shan Bullock’s wife dies in 1922. He spends the final years of his life in Sutton, Surrey and dies there on February 27, 1935.