The Act is enacted during the reign of King George I, amid the consolidation of Whig influence after the Hanoverian succession. It addresses long-standing grievances of Irish Dissenters, whose position has been precarious despite the English Toleration Act 1688, which does not fully protect them in Ireland due to the dominance of the Anglican Church in Dublin’s parliament.
Proponents, especially Presbyterians in Ulster, seek to depenalize nonconformist worship and education. The Act is also framed as a measure to bolster Protestant unity against the Catholic population, which remains subject to severe penal laws.
Key provisions of the Act include:
Exemption from certain penalties: Dissenters are relieved of punitive obligations to attend Anglican services or adhere to established church rituals.
Freedom of worship: Dissenters can maintain separate places of worship without fear of prosecution for nonconformity.
Education rights: The Act allows Dissenters to establish and staff schools, though it does not grant full civil equality.
Limitations: Nonconformists remain barred from holding public offices, corporations, and universities due to the sacramental test.
The Toleration Act marks a pivotal step toward depenalizing nonconformist worship in Ireland. It facilitates the growth of Presbyterian institutions in Ulster, contributing to the province’s economic and cultural distinctiveness. However, it does not resolve deeper tensions within the Protestant establishment, where concessions to Dissenters are seen by some as undermining ecclesiastical authority.
In summary, the Toleration Act 1719 is a partial but significant liberalization of religious law in Ireland, offering Protestant dissenters practical freedom of worship and education while preserving many restrictions. It reflects both genuine religious reform and political strategy in the early 18th century, shaping Protestant–Catholic relations and the development of dissenting communities in Ireland.
The LFA is established to promote and organize association football in the Irish province of Leinster, an area outside the traditional Ulster heartlands of the sport. The founding meeting is attended by representatives of five football clubs: Dublin University A.F.C., Bohemian F.C., Leinster Nomads A.F.C., Montpelier F.C., and St. Helen’s School F.C. Rev. Canon Morley of St. Helen’s School chairs the meeting, and Dudley T. Hussey of Bohemians is appointed the first honorary secretary.
Shortly after its creation, the LFA affiliates with the Belfast-based Irish Football Association (IFA), which donates £50 to support the new association. The LFA quickly organizes its first Leinster Senior Cup in the 1892–93 season, with Leinster Nomads defeating Dublin University 2–1 in the inaugural final. Soon after, the Leinster Senior League is formed, featuring clubs such as Bohemians, Britannia, Dublin University, Leinster Nomads, Phoenix, and Montpelier.
The primary aim of the LFA is to foster football in Leinster at a time when the sport is largely concentrated in Ulster. It becomes a key driver in promoting amateur and youth football, organizing leagues, and holding cup competitions for clubs across the province.
The LFA eventually becomes disaffiliated from the IFA in 1921 due to disputes over perceived Belfast bias, Sunday matches, and differences in focus between amateur and professional football. This leads directly to the establishment of the Football Association of Ireland (FAI) in September 1921, in which the LFA plays a leading role.
In summary, the Leinster Football Association’s founding in 1892 marks the beginning of organized football governance in southern Ireland, overseeing competitions and nurturing clubs outside Ulster, and its establishment remains a key milestone in Irish football history.
On October 23, 1662, the Parliament of Ireland passes an act ordering that October 23 be observed annually as a day of thanksgiving for what it describes as deliverance from the Irish Rebellion of 1641. This rebellion, which began on the same date in 1641, was led by Irish Catholics against English and Protestant rule, and it triggered widespread violence, massacres, and deepened sectarian divisions.
The 1641 Rising started with a planned coup by Irish gentry and military officers to end English domination, restore confiscated Catholic lands, and secure Irish self-government. It quickly escalated into the Irish Confederate Wars (1641–1653), part of the wider Wars of the Three Kingdoms. The conflict saw large-scale expulsions and killings of Protestant settlers, especially in Ulster, and the creation of an alternative Catholic-led government in Kilkenny.
By 1662, the Parliament of Ireland’s act institutionalizes the memory of the uprising in a way that reinforces Protestant identity. For over a century, Protestant churches across Ireland hold annual services on October 23 to commemorate their survival and to frame the rebellion as evidence of Catholic disloyalty. This state-sponsored remembrance becomes a symbolic cornerstone of Protestant identity in Ireland throughout the 18th century.
The observance is formalized with a form of divine service to be used on the day, and notices are issued for congregations to gather for thanksgiving services. The act thus not only commemorates a historical event but also serves as a political and religious statement, embedding the memory of the 1641 Rising into the Protestant cultural and political consciousness of Ireland.
Grattan, a leading Irish WhigMP and a key figure in the Irish Parliament’s push for greater autonomy from Britain, has long advocated for reform of the penal laws that exclude Catholics from political life. His motion seeks to remove the legal barriers preventing Catholics from being elected to Parliament, a move that would significantly alter the balance of power in Ireland.
Although the motion fails, it is part of a broader wave of reformist debate in the late 18th century. Grattan’s efforts lay the groundwork for later Catholic emancipation campaigns, culminating in the Roman Catholic Relief Act of 1829, which finally allows Catholics to sit in Parliament.
The debate is documented in the Report of Debates in the House of Commons of Ireland, session 1796–7, which records Grattan’s motion alongside other contentious issues of the time, such as the suspension of the Habeas Corpus Act and disarming Ulster.
In summary, on October 17, 1796, Henry Grattan’s Catholic emancipation motion is defeated in the Irish House of Commons, underscoring the resistance to Catholic political rights in Ireland at the time, but also marking an early step in the long struggle for reform.
Watt is born on November 4, 1853, to Samuel Watt of Thornhill House, then on the northern outskirts of Derry, and his wife Jane Newman, daughter of Captain Robert Newman, R.N.. He is educated at Foyle College in Derry and then at home by tutors. The Watt family are Ulster Scots gentry who had arrived at Claragh, on the outskirts of Ramelton in the north of County Donegal, during the Plantation of Ulster.
Watt is the owner of Watt’s Distillery, located on Abbey Street in the Bogside in Derry, one of the largest distilleries in Ireland, and the creator of many whiskies, including the famous Tyrconnell, which he names after his racehorse that wins the National Produce Stakes against the odds of 100 to 1. The horse itself is named after Tyrconnell (Irish: Tír Chonaill), the ancient túath or Gaelic kingdom that once covered most of what is now County Donegal in the west of Ulster.
During industrial unrest in 1921, brought about by World War I, prohibition in the United States, and the Irish War of Independence, Watt’s workers at the distillery in Derry are made redundant after challenging his authority. He is said to have stood on a barrel outside the gates to his distillery in the Bogside, while the workers are on strike, and shouted, “Well men, I shall put it to you like this …what is it to be? Will you open the gates?” To which the workers retorted, “The gates stay shut!” This prompts Watt to reply, “Shut they are, and shut they shall remain!” He subsequently closes down Watt’s Distillery, at great economic expense to Derry and neighbouring areas of County Donegal.
On October 7, 1875, Watt marries Violet Flora de Burgh, daughter of George de Burgh and Constance Matthews, with whom he had four sons and two daughters.
Watt serves as High Sheriff of County Londonderry from 1886 to 1887. He is a member of Boodle’s. He dies at Easton Hall in Lincolnshire, where he lives in England after he left Ireland. Easton Hall is later demolished in 1951.
Annesley is a prominent figure in Irish politics during the late 1690s. Initially aligned with the Whig faction, he later moves closer to Tory interests, particularly in his opposition to Catholic influence and the growing presence of ScottishPresbyterians in Ulster. His political stance and actions in the Irish Parliament draw criticism from certain factions.
The “Report of the Commissioners” is a formal parliamentary document produced by a committee tasked with examining Ireland’s governance, economic conditions, and political tensions. Annesley’s involvement in drafting or presenting parts of this report is seen by some as politically damaging or controversial. The exact nature of his contribution is not fully detailed in surviving records, but it is sufficient to trigger his expulsion.
The early 1700s in Ireland are marked by ongoing sectarian tensions between Protestants and Catholics, political maneuvering between Whig and Tory factions in the Irish Parliament and economic hardship and poor governance conditions, which are themes in the commissioners’ report.
Annesley’s expulsion reflects the sensitivity of political discourse in Ireland at the time, where even well-intentioned inquiries can be used to target opponents.
Following his expulsion, Annesley continues his political career in England, being returned as MP for Preston in 1705 and later for Westbury. He remains active in Parliament until 1734, when he does not stand for re-election in the 1734 British general election.
In summary, on September 28, 1703, Francis Annesley is expelled from the Irish House of Commons for his part in the “Report of the Commissioners,” a move that underscores the political risks of engaging in sensitive parliamentary inquiries during a volatile period in Irish history.
The Battle of Castlebar takes place on August 27, 1798. A combined force of about 800 French troops under GeneralJean Joseph Amable Humbert and 2,000 United Irishmen rebels defeat a much larger British Crown force of 3,000 to 5,000 men led by General Gerard Lake. The French, though exhausted from long marches, exploit the disorganisation of Lake’s militia-heavy army, routing it in what becomes known as the “Castlebar Races” or “Races of Castlebar.” The British suffer heavy casualties — around 400 killed or wounded and 800 captured, while the French lose about 200 to 220.
The victory at Castlebar is a significant boost to the rebels, but it also alarms the British government. Cornwallis, commanding the Crown forces in the west, is tasked with reasserting control and preventing further advances into Ulster. By September 4, he has moved from Tuam to threaten Castlebar, aiming to recapture the town and disrupt Humbert’s plans to push north into County Sligo and beyond.
Anticipating Cornwallis’s move, Humbert evacuates Castlebar with his remaining troops — roughly 800 French soldiers and 1,000 Irish insurgents — and marches north into County Sligo. His objective is to ignite further rebellion in Ulster, continuing the momentum of the short-lived “Republic of Connacht.” This evacuation leaves the town vulnerable to British reoccupation.
While Humbert’s force is retreating, fresh risings broke out in counties Longford and Westmeath, showing the insurrection’s reach. However, these uprisings are ultimately suppressed, and the British, under commanders like Cornwallis, work to mop up rebel strongholds across Ireland.
In summary, on September 4, 1798, Cornwallis’s advance from Tuam is a direct response to the rebel victory at Castlebar, aiming to regain a key rebel-held town and halt Humbert’s northern push. The move reflects the British strategy of localized offensives to counter the momentum of the Irish Rebellion of 1798.
(Pictured: Charles Cornwallis, 1st Marquess Cornwallis)
The Coalition Government, led by Prime MinisterDavid Lloyd George, is in power from 1918 to 1922 following the end of World War I, continuing the wartime alliance that has included Liberals and Conservatives. By 1920, the Cabinet is navigating Spain’s post-war reconstruction, the political unrest in Ireland, social welfare issues, and economic stabilization following wartime disruption. This period also sees preparation for negotiations over Germany’s reparations and engagement with international diplomacy after the Treaty of Versailles.
The Coalition Cabinet keeps detailed minutes and memoranda, which are recorded in the CAB 23 series as “Cabinet Conclusions,” starting from November 1919 into the interwar years. These records summarize discussions and decisions but are not verbatim transcriptions.
While the specific agenda for July 23 is not directly cited in the sources, relevant Cabinet business during July 1920 includes:
Reconstruction and Post-War Economy: Addressing unemployment, social welfare of returning servicemen, and government budgetary priorities.
International Diplomacy and Reparations: Review of ongoing negotiations concerning German reparations after World War I, potentially preparing for discussions later in London and Paris.
Regarding Ireland, the Cabinet is divided on how to proceed. Some Liberal ministers and Dublin Castle officials are in favour of offering dominion status to Ireland. Conservative ministers argue that the Government must crush the insurgency and proceed with the Government of Ireland Bill. Debate continues after the meeting, with Walter Long warning of “the gravest consequences in Ulster” if the Government changes course.
In summary, the Coalition Cabinet convenes on July 23, 1920, in the context of post-war governance, with ministers like Lloyd George, Bonar Law, Curzon, Balfour, and Churchill participating. While exact meeting details require consulting official CAB series records, the issues at hand involve post-World War I economic recovery, Irish affairs, and international obligations stemming from the Treaty of Versailles.
(Pictured: Prime Minister of the United Kingdom David Lloyd George)
Currie becomes an active member in the Northern Ireland Civil Rights Association (NICRA). He later speaks about the effect of partition on Catholics in Northern Ireland: “Partition was used to try to cut us off from the rest of the Irish nation. Unionists did their best to stamp out our nationalism and, the educational system, to the extent it could organise it, was oriented to Britain and we were not even allowed to use names such as Séamus or Seán. When my brothers’ godparents went to register their birth, they were told no such names as Séamus or Seán existed in Northern Ireland and were asked for the English equivalent.”
Currie contests the 1979 United Kingdom general election and 1986 by-election in the Fermanagh and South Tyrone seat, but is unsuccessful on both attempts. He also is elected to the Northern Ireland Assembly in 1982 for the same seat. That Assembly, which is an attempt by the Government of the United Kingdom to reintroduce devolved power-sharing, collapses in 1986 without executive ministerial functions ever being transferred to it from the UK Secretary of State for Northern Ireland as no political agreement can be reached on power-sharing between the parties owing to nationalists abstentionism over the constituency boundaries used to elect members, and unionist opposition to the Anglo-Irish Agreement of 1985.
Following his decision to quit Northern Ireland politics, and relocate his family to County Kildare, Currie becomes actively involved in politics in the Republic of Ireland. Partly due to his long-standing doubts about the commitment of politicians in the Republic to the plight of northern nationalists, he join the Fine Gael party in 1989. He is elected as a Fine Gael TD for Dublin West at the 1989 Irish general election.
In 1990, Fine Gael selects Currie as their candidate for the 1990 Irish presidential election, running against Tánaiste and Fianna Fáil TD, Brian Lenihan Sr, and Senator Mary Robinson for the Labour Party. The 1990 election is the first contested election for the Irish Presidency in 17 years. Currie receives 267,902 first-preference votes (approximately 17%) and is eliminated on the first count. The distribution of his votes sees Mary Robinson elected as Ireland’s first female president on the second count, beating Lenihan by more than 86,000 votes.
In his 2004 autobiography All Hell will Break Loose, Currie writes about his experience of running in the presidential election, and the prejudice he faced as a nationalist from Ulster in southern politics: “What annoyed, indeed angered me most was the suggestion that because I came from the North, I was not a real Irishman … what I called the partitionist mentality … [during the election campaign] the [then Fianna Fáil] Minister for Justice [Ray Burke] said Fine Gael leader Alan Dukes ‘had to go to Tyrone to find a candidate for the presidency’ … it was hard to take, particularly from so-called republicans.”
Following his defeat in the presidential election, Currie holds his Dáil seat in Dublin West at the 1992 and 1997 Irish general elections. Following the formation of the so-called Rainbow Coalition between Fine Gael, Labour and Democratic Left, on December 20, 1994, newly appointed TaoiseachJohn Bruton appoints him as a Minister of State with responsibility for Children’s Rights at the Departments of Health, Education and Justice, becoming the first ever minister in an Irish Government with dedicated responsibility for children. He holds this post until the appointment of a new Irish Government on June 26, 1997, following the 1997 Irish general election.
At the 2002 Irish general election Currie contests the new constituency of Dublin Mid-West, and fails to be elected. He immediately announces his retirement from electoral politics. He continues to speak and campaign for civil rights across the island of Ireland and for causes he believes in, such as justice for the families of the Disappeared during the Troubles. He and his wife and family are personal friends of the family of one of the Disappeared, Columba McVeigh, from Donaghmore, County Tyrone. His daughter Emer Currie is elected in his former constituency of Dublin West at the 2024 Irish general election.
Following the deaths of Seamus Mallon and John Hume in January and August 2020 respectively, Currie becomes the last surviving founder of the SDLP.
Currie dies on November 9, 2021, at the age of 82 at his residence in Derrymullen, County Kildare. Following an initial funeral mass in Allentown, County Kildare, his remains are transferred to his original family home in Edendork, near Dungannon, County Tyrone, where a second funeral mass was celebrated at St. Malachy’s Church, Edendork. He is buried alongside his parents in the cemetery adjoining the church.
Dillon leaves school at the age of fourteen and for seven years works as a painter and decorator, mostly in London. From an early age he is interested in art, cinema, and theatre. About 1936 he starts out as an artist.
Dillon’s Connemara landscapes provide the viewer with context, portraits of the characters who work the land, atmosphere and idiosyncratic colour interpretations. At the age of 18, he goes to London, initially working as a decorator. With the outbreak of World War II, he returns to Belfast. Over the next five years he develops as a painter in Dublin and Belfast. His works during this period are more than simple depictions of the life and people around him, they are reactions and interactions in paint.
In 1942, Dillon’s first solo exhibition is opened by his friend and fellow artist, Mainie Jellett, at The Country Shop, St. Stephen’s Green, Dublin. “Father, Forgive Them Their Sins” depicts his concerns about the new war that has broken out. Despite a growing reputation, he returns to London in 1944 to work on demolition gangs to restore his finances. In the late 1940s and during the 1950s, he finds himself favouring the town of Roundstone, County Galway. In 1951 he is introduced to Noreen Rice by her piano teacher. She has no formal training and takes Dillon and George Campbell as her mentors for decades and her work is of a similar surrealistic and primitive style.
In 1958, Dillon has the double honour of representing Ireland at the Guggenheim International, and Great Britain at the Pittsburg International Exhibition. He and his sister, Mollie, have a property on Abbey Road in 1958. They let out part of the house to Arthur Armstrong and they let a flat to Noreen Rice and her brother. He and Noreen tour junk yards to find objects like leather and string that they include in their artwork.
Dillon travels widely in Europe and teaches for brief periods in the London art schools.
In 1967, Dillon suffers a stroke and spends six weeks in hospital. From this time his work changes direction. A notion of imminent death sends his work almost into another world, a realm of dreams and paintings intimating his death. In 1968 he is back in Dublin, where he helps to design sets and costumes for Seán O’Casey‘s play Juno and the Paycock. He continues to paint and also to make tapestries, sitting at his Singersewing machine.
In 1969, Dillon pulls his artworks from the Belfast leg of the Irish Exhibition of Living Art in purported protest during the Troubles against the “arrogance of the Unionist mob.” However, he does send work to Ulster when he donates work to Sheelagh Flanagan who had organised an exhibition for the relief of victims of the Belfast riots, in October 1969. His picture is hanged alongside the donated works of T. P. Flanagan, William Scott, F. E. McWilliam, Deborah Brown and Carolyn Mulholland as well as more than twenty others. Michael Longley retorts in a further letter, “Belfast needed creativity, it needed people like Gerard Dillon.” During his last years, he is invited to be involved in a children’s art workshop in the National Gallery of Ireland.
Dillon dies of a second stroke at the age of 55 on June 14, 1971. His grave, as requested, is unmarked in Belfast’s Milltown Cemetery. Danlann Gerard Dillon/The Gerard Dillon Gallery in Cultúrlann McAdam Ó Fiaich is named in his honour.
In his biography of the artist, James White briefly touches on the artists homosexuality: “such was his religious feeling that although he was drawn to people of that type, if he once had an encounter I believe that it never occurred again.” The artist’s nephew, Martin Dillon, recalls that after his uncle’s death he found a diary entry describing a homosexual encounter with a sense of guilt, but the author Gerard Keenan insists he was “a very well-adjusted homosexual.” Reihill expands on this, pointing to a probably unrequited love for the painter Daniel O’Neill and also highlights Dillon’s association with Basil Rákóczi and The White Stag Group‘s Kenneth Hall both strong gay connections. Pictures with both overt and covert references are known.
