seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: A Clockwork Orange


by Leave a comment

Birth of Patrick Magee, Actor & Director

patrick-magee

Patrick George McGee, Northern Irish actor and director of stage and screen known professionally as Patrick Magee, is born on March 31, 1922, in Armagh, County Armagh, Northern Ireland. He is known for his collaborations with Samuel Beckett and Harold Pinter, as well as creating the role of the Marquis de Sade in the original stage and screen productions of Marat/Sade. He also appears in numerous horror films and in two Stanley Kubrick films, A Clockwork Orange and Barry Lyndon.

McGee is born into a middle-class family at 2 Edward Street in Armagh. The eldest of five children, he is educated at St. Patrick’s Grammar School, Armagh. He changes the spelling of his surname to Magee when he begins performing, most likely to avoid confusion with another actor.

Magee’s first stage experience in Ireland is with Anew McMaster’s touring company, performing the works of William Shakespeare. It is here that he first works with Pinter. He is then brought to London by Tyrone Guthrie for a series of Irish plays. He meets Beckett in 1957 and soon records passages from the novel Molloy and the short story From an Abandoned Work for BBC Radio. Impressed by “the cracked quality of Magee’s distinctly Irish voice,” Beckett requests copies of the tapes and writes Krapp’s Last Tape especially for the actor. First produced at the Royal Court Theatre in London on October 28, 1958, the play stars Magee and is directed by Donald McWhinnie. A televised version is later broadcast by BBC Two on November 29, 1972.

In 1964, Magee joins the Royal Shakespeare Company, after Pinter, directing his own play, The Birthday Party, specifically requests him for the role of McCann. In 1965 he appears in Peter Weiss‘s Marat/Sade, and when the play transfers to Broadway he wins a Tony Award. He also appears in the 1966 RSC production of Staircase opposite Paul Scofield.

Magee’s early film roles include Joseph Losey‘s The Criminal (1960) and The Servant (1963), the latter an adaptation scripted by Pinter. He also appears as Surgeon-Major James Henry Reynolds in Zulu (1964), Séance on a Wet Afternoon (1964), Anzio (1968), and in the film versions of Marat/Sade (1967) and The Birthday Party (1968). He is perhaps best known for his role as the victimised writer Frank Alexander, who tortures Alex DeLarge with Ludwig van Beethoven‘s music, in Stanley Kubrick’s film A Clockwork Orange (1971). His other role for Kubrick is as Redmond Barry’s mentor, the Chevalier de Balibari, in Barry Lyndon (1975).

McGee also appears in Young Winston (1972), The Final Programme (1973), Galileo (1975), Sir Henry at Rawlinson End (1980), The Monster Club and Chariots of Fire (1981) but is most often seen in horror films. These include Roger Corman‘s The Masque of Red Death (1964), and the Boris Karloff vehicle Die, Monster, Die! (1965) for AIP; The Skull (1965), Tales from the Crypt (1972), Asylum (1972), and And Now the Screaming Starts! (1973) for Amicus Productions; Demons of the Mind (1972) for Hammer Film Productions; and Walerian Borowczyk‘s Docteur Jekyll et les femmes (1981).

Patrick McGee dies of a heart attack at his flat in Fulham, London on August 14, 1982, at the age of 60, according to obituaries in The Herald and The New York Times. On July 29, 2017, a blue plaque is unveiled in Edward Street, Armagh to mark Patrick McGee’s birthplace.


by Leave a comment

Death of Patrick McGee, Actor & Director

patrick-mcgee

Patrick George McGee, Northern Irish actor and director of stage and screen known professionally as Patrick Magee, dies from a heart attack at his flat in Fulham, London on August 14, 1982. He is known for his collaborations with Samuel Beckett and Harold Pinter, as well as creating the role of the Marquis de Sade in the original stage and screen productions of Marat/Sade. He also appears in numerous horror films and in two Stanley Kubrick films, A Clockwork Orange and Barry Lyndon.

McGee is born into a middle-class family in Armagh, County Armagh, Northern Ireland on March 31, 1922. He is the first born of five children and is educated at St. Patrick’s Grammar School, Armagh.

McGee’s first stage experience in Ireland is with Anew McMaster’s touring company, performing the works of William Shakespeare. It is here that he first works with Pinter. He is then brought to London by Tyrone Guthrie for a series of Irish plays. He meets Beckett in 1957 and soon records passages from the novel Molloy and the short story From an Abandoned Work for BBC Radio. Impressed by “the cracked quality of Magee’s distinctly Irish voice,” Beckett requests copies of the tapes and writes Krapp’s Last Tape especially for the actor. First produced at the Royal Court Theatre in London on October 28, 1958, the play stars McGee and is directed by Donald McWhinnie. A televised version is later broadcast by BBC Two on November 29, 1972.

In 1964, McGee joins the Royal Shakespeare Company, after Pinter, directing his own play, The Birthday Party, specifically requests him for the role of McCann. In 1965 he appears in Peter Weiss‘s Marat/Sade, and when the play transfers to Broadway he wins a Tony Award. He also appears in the 1966 RSC production of Staircase opposite Paul Scofield.

McGee’s early film roles include Joseph Losey‘s The Criminal (1960) and The Servant (1963), the latter an adaptation scripted by Pinter. He also appears as Surgeon-Major James Henry Reynolds in Zulu (1964), Séance on a Wet Afternoon (1964), Anzio (1968), and in the film versions of Marat/Sade (1967) and The Birthday Party (1968). He is perhaps best known for his role as the victimised writer Frank Alexander, who tortures Alex DeLarge with Ludwig van Beethoven‘s music, in Stanley Kubrick’s film A Clockwork Orange (1971). His other role for Kubrick is as Redmond Barry’s mentor, the Chevalier de Balibari, in Barry Lyndon (1975).

McGee also appears in Young Winston (1972), The Final Programme (1973), Galileo (1975), Sir Henry at Rawlinson End (1980), The Monster Club and Chariots of Fire (1981) but is most often seen in horror films. These include Roger Corman‘s The Masque of Red Death (1964), and the Boris Karloff vehicle Die, Monster, Die! (1965) for AIP; The Skull (1965), Tales from the Crypt (1972), Asylum (1972), and And Now the Screaming Starts! (1973) for Amicus Productions; Demons of the Mind (1972) for Hammer Film Productions; and Walerian Borowczyk‘s Docteur Jekyll et les femmes (1981).

Patrick McGee dies from a heart attack at his flat in Fulham, London on August 14, 1982, at the age of 60, according to obituaries in The Herald and The New York Times. On July 29, 2017, a blue plaque is unveiled in Edward Street, Armagh to mark Patrick McGee’s birthplace.


by Leave a comment

Birth of U2’s The Edge, David Howell Evans

the-edge

David Howell Evans, British-born Irish musician and songwriter best known by his stage name The Edge and as the lead guitarist, keyboardist, and backing vocalist of the rock band U2, is born at the Maternity Hospital in Barking, Essex, England on August 8, 1961. A member of U2 since its inception, he has recorded 13 studio albums with the band as well as one solo record.

The Edge is raised in Ireland after the Evans family relocates there while he is still an infant. He receives his initial formal education at St. Andrew’s National School in Dublin. As a child he also receives piano and guitar lessons, and practises music with his elder brother Richard. In 1976, at Mount Temple Comprehensive School, he goes to a meeting in response to an advert posted by another pupil, Larry Mullen Jr., on the school’s noticeboard seeking musicians to form a new band with him. Among the other pupils who respond to the note are Paul Hewson (Bono) and Adam Clayton. The band goes through a number of versions before becoming known as U2 in March 1978.

U2 begins its public performance life in small venues in Dublin, occasionally playing at other venues elsewhere in Ireland. In December 1979 they perform their first concerts outside Ireland, in London, and in 1980 begin extensive touring across the British Isles. Their debut album Boy is released in 1980.

In 1981, leading up to the October Tour, Evans comes very close to leaving U2 for religious reasons, but he decides to stay. During this period, he becomes involved with a group called Shalom Tigers, in which bandmates Bono and Larry Mullen Jr. are also involved. Shortly after deciding to remain with the band, he writes a piece of music that later becomes Sunday Bloody Sunday.

U2 eventually becomes one of the most popular acts in popular music, with successful albums such as 1987’s The Joshua Tree and 1991’s Achtung Baby. Over the years, the Edge has experimented with various guitar effects and introduced influences from several genres of music into his own style, including American roots music, industrial music, and alternative rock. With U2, the Edge also plays keyboards, co-produced their 1993 record Zooropa, and occasionally contributes lyrics.

In addition to his regular role within U2, The Edge has also recorded with such artists as Johnny Cash, B. B. King, Tina Turner, Ronnie Wood, Jah Wobble, Holger Czukay, Jay-Z, and Rihanna. He has collaborated with U2 bandmate Bono on several projects, including the soundtracks to the musical Spider-Man: Turn Off the Dark and the Royal Shakespeare Company‘s London stage adaptation of A Clockwork Orange.

The Edge, Bob Ezrin, and Henry Juszkiewicz co-found Music Rising in 2005, a charity that helps provide replacement instruments for those that were lost in Hurricane Katrina. The instruments are originally only replaced for professional musicians, but they soon realise the community churches and schools need instruments as well. The charity’s slogan is “Rebuilding the Gulf Region note by note” and has helped over a hundred musicians who were affected by the hurricane. The Edge also serves on the board of The Angiogenesis Foundation, a 501(c)(3) nonprofit organisation dedicated to improving global health by advancing angiogenesis-based medicine, diets, and lifestyle.

In 2011, Rolling Stone magazine places him at number 38 on its list of “The 100 Greatest Guitarists of All Time.” In 2012, Spin ranks him 13th on their own list.