seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Danube (river)


by Leave a comment

Death of Albert Rosen, Czech/Irish-Naturalized Conductor

Albert Rosen, Austrian-born and Czech/Irish-naturalised conductor associated with the National Symphony Orchestra of Ireland, the Wexford Festival Opera, the National Theatre in Prague and J. K. Tyl Theatre in Plzeň (Pilsen), dies of lung cancer in Dublin on May 23, 1997. He has a strong affinity with the works of Czech composers such as Bedřich Smetana, Antonín Dvořák, Bohuslav Martinů, and Leoš Janáček.

Rosen is born in Vienna on February 14, 1924. His mother is Czech, while his father’s family is Austrian-Jewish. After Anschluss of Austria in 1938 they move to Bratislava, and after the Slovak version of Nuremberg Laws comes to force in September 1941, he escapes discrimination and genocide via the Danube and the sea to Israel (then Mandatory Palestine). There he works in the Shaʽar_HaGolan kibbutz, manually and as an amateur chorus master, until 1945, when he returns to Bratislava.

In 1946–47 Rosen studies piano, composition and conducting at the Vienna Academy of Music with Joseph Marx and Hans Swarowsky, and continues to study conducting at the Prague Conservatory under Pavel Dědeček and Alois Klíma (1947–48). He starts his career in J. K. Tyl Theatre in Plzeň (Pilsen) as a correpetiteur, assistant conductor and chorus master (1949–52) and conductor (1953–59), participating on the production of 11 operas, 19 ballets and, as the composer of stage music, 17 dramas. In 1960 he is engaged by National Theatre in Prague, to be appointed in 1964 the chief conductor of Smetana Theatre, the National Theatre’s opera stage. He holds this position until 1971, conducting 11 ballets and 9 opera productions.

In 1965 Rosen comes to Ireland for the first time to conduct the National Symphony Orchestra (under its former name, the Radio Telefís Éireann Symphony Orchestra) at the Wexford Festival Opera. This leads to regular appearances at the festival until 1994, conducting 18 Wexford productions, more than anyone else. In 1969 he becomes the orchestra’s chief conductor, until he becomes principal guest conductor in 1981. In 1994 he is honoured with the title Conductor Laureate of the orchestra.

Rosen’s operatic repertoire includes standard works such as Carmen (Bizet), Tosca and Madama Butterfly (Puccini), Il trovatore and Don Carlos (Verdi), Lohengrin (Wagner), Lucrezia Borgia (Donizetti), Otello and L’italiana in Algeri (Rossini), Káťa Kabanová (Janáček), La Wally (Catalani), The Bartered Bride (Smetana), and Salome (Richard Strauss). He also conducted unusual works such as Smetana’s The Two Widows and The Kiss, and Dvořák’s Rusalka, The Devil and Kate and The Jacobin.

In October 1978, in Dublin and Cork, Rosen conducts the National Symphony Orchestra in only the second and third performances of André Tchaikowsky‘s 2nd Piano Concerto, Op. 4, which are the first performances with the composer as soloist. He is to record the work in 1982, again with Tchaikowsky at the piano, but the composer becomes ill and the recording is cancelled. His other work with the NSO includes standard orchestral repertoire as well as major pieces such as Olivier Messiaen‘s Turangalîla-Symphonie and Gustav Mahler‘s Symphony No. 8 (Symphony of a Thousand). In 1992, the orchestra tours ten cities in Germany, having a major success with Die Fledermaus in Stuttgart.

Rosen makes his American debut at the San Francisco Opera in 1980, in Janáček’s Jenůfa. In Australia, he is chief conductor of the West Australian Symphony Orchestra from 1983 until 1985, and the Adelaide Symphony Orchestra in 1986. He conducts the British premiere of Nikolai Rimsky-Korsakov‘s opera Christmas Eve with English National Opera in 1988. He becomes music director of the Irish National Opera in 1993.

Rosen often conducts the National Youth Orchestra of Ireland during the 1990s, in challenging works such as the tone poems and An Alpine Symphony of Richard Strauss. Other opera orchestras he conducts included those of the Welsh National Opera, Scottish Opera, Vancouver Opera, San Diego Opera, and the Dublin Grand Opera Society.

Rosen becomes an Irish citizen by naturalisation. His own conducting students include John Finucane.

Rosen dies at the age of 73 in Dublin on May 23, 1997, of lung cancer.


by Leave a comment

Birth of Albert Rosen, Czech/Irish-Naturalized Conductor

Albert Rosen, Austrian-born and Czech/Irish-naturalised conductor associated with the National Symphony Orchestra of Ireland, the Wexford Festival Opera, the National Theatre in Prague and J. K. Tyl Theatre in Plzeň (Pilsen), is born in Vienna on February 14, 1924. He has a strong affinity with the works of Czech composers such as Bedřich Smetana, Antonín Dvořák, Bohuslav Martinů, and Leoš Janáček.

Rosen’s mother is Czech, while his father’s family is Austrian-Jewish. After Anschluss of Austria in 1938 they move to Bratislava, and after the Slovak version of Nuremberg Laws comes to force in September 1941, he escapes discrimination and genocide via the Danube and the sea to Israel (then Mandatory Palestine). There he works in the Shaʽar_HaGolan kibbutz, manually and as an amateur chorus master, until 1945, when he returns to Bratislava.

In 1946–47 Rosen studies piano, composition and conducting at the Vienna Academy of Music with Joseph Marx and Hans Swarowsky, and continues to study conducting at the Prague Conservatory under Pavel Dědeček and Alois Klíma (1947–48). He starts his career in J. K. Tyl Theatre in Plzeň (Pilsen) as a correpetiteur, assistant conductor and chorus master (1949–52) and conductor (1953–59), participating on the production of 11 operas, 19 ballets and, as the composer of stage music, 17 dramas. In 1960 he is engaged by National Theatre in Prague, to be appointed in 1964 the chief conductor of Smetana Theatre, the National Theatre’s opera stage. He holds this position until 1971, conducting 11 ballets and 9 opera productions.

In 1965 Rosen comes to Ireland for the first time to conduct the National Symphony Orchestra (under its former name, the Radio Telefís Éireann Symphony Orchestra) at the Wexford Festival. This leads to regular appearances at the festival until 1994, conducting 18 Wexford productions, more than anyone else. In 1969 he becomes the orchestra’s chief conductor, until he becomes principal guest conductor in 1981. In 1994 he is honoured with the title Conductor Laureate of the orchestra.

Rosen’s operatic repertoire includes standard works such as Carmen (Bizet), Tosca and Madama Butterfly (Puccini), Il trovatore and Don Carlos (Verdi), Lohengrin (Wagner), Lucrezia Borgia (Donizetti), Otello and L’italiana in Algeri (Rossini), Káťa Kabanová (Janáček), La Wally (Catalani), The Bartered Bride (Smetana), and Salome (Richard Strauss). He also conducted unusual works such as Smetana’s The Two Widows and The Kiss, and Dvořák’s Rusalka, The Devil and Kate and The Jacobin.

In October 1978, in Dublin and Cork, Rosen conducts the National Symphony Orchestra in only the second and third performances of André Tchaikowsky‘s 2nd Piano Concerto, Op. 4, which are the first performances with the composer as soloist. He is to record the work in 1982, again with Tchaikowsky at the piano, but the composer becomes ill, and the recording is cancelled. His other work with the NSO includes standard orchestral repertoire as well as major pieces such as Olivier Messiaen‘s Turangalîla-Symphonie and Gustav Mahler‘s Symphony No. 8 (Symphony of a Thousand). In 1992, the orchestra tours ten cities in Germany, having a major success with Die Fledermaus in Stuttgart.

Rosen makes his American debut at the San Francisco Opera in 1980, in Janáček’s Jenůfa. In Australia, he is chief conductor of the West Australian Symphony Orchestra from 1983 until 1985, and the Adelaide Symphony Orchestra in 1986. He conducts the British premiere of Nikolai Rimsky-Korsakov‘s opera Christmas Eve with English National Opera in 1988. He becomes music director of the Irish National Opera in 1993.

Rosen often conducts the National Youth Orchestra of Ireland during the 1990s, in challenging works such as the tone poems and An Alpine Symphony of Richard Strauss. Other opera orchestras he conducts included those of the Welsh National Opera, Scottish Opera, Vancouver Opera, San Diego Opera, and the Dublin Grand Opera Society.

Rosen becomes an Irish citizen by naturalisation. His own conducting students include John Finucane.

Rosen dies at the age of 73 in Dublin on May 23, 1997, of lung cancer.

(Pictured: Albert Rosen conducts the RTÉ Symphony Orchestra in St. Patrick’s Training College in Drumcondra, Dublin, in 1972)


by Leave a comment

The Battle of Blenheim

battle-of-blenheim

The Irish Brigade of France fights at the Battle of Blenheim, a major battle of the War of the Spanish Succession, on August 13, 1704. The overwhelming Allied victory ensures the safety of Vienna from the Franco-Bavarian army, thus preventing the collapse of the Grand Alliance.

Louis XIV of France seeks to knock Leopold I, Holy Roman Emperor, out of the war by seizing Vienna, the Habsburg capital, and gain a favourable peace settlement. The dangers to Vienna are considerable as Maximilian II Emanuel, Elector of Bavaria and Marshal of France Ferdinand de Marsin‘s forces in Bavaria threaten from the west and Marshal Louis Joseph, Duke of Vendôme‘s large army in northern Italy poses a serious danger with a potential offensive through the Brenner Pass. Vienna is also under pressure from Francis II Rákóczi‘s Hungarian revolt from its eastern approaches. Realising the danger, the John Churchill, 1st Duke of Marlborough resolves to alleviate the peril to Vienna by marching his forces south from Bedburg and help maintain Emperor Leopold within the Grand Alliance.

A combination of deception and skilled administration, designed to conceal his true destination from friend and foe alike, enables Marlborough to march 250 miles unhindered from the Low Countries to the River Danube in five weeks. After securing Donauwörth on the Danube, Marlborough seeks to engage the Elector’s and Marsin’s army before Marshal Camille d’Hostun, duc de Tallard can bring reinforcements through the Black Forest. However, with the Franco-Bavarian commanders reluctant to fight until their numbers are deemed sufficient, the duke enacts a policy of plundering in Bavaria designed to force the issue. The tactic proves unsuccessful, but when Tallard arrives to bolster the Elector’s army, and Prince Eugene of Savoy arrives with reinforcements for the Allies, the two armies finally meet on the banks of the Danube in and around the small village of Blindheim, from which the English “Blenheim” is derived.

Blenheim is one of the battles that alters the course of the war, which until then was leaning for Louis’ coalition, and ends French plans of knocking the emperor out of the war. France suffers as many as 38,000 casualties including the commander-in-chief, Marshal Tallard, who is taken captive to England. Before the 1704 campaign ends, the Allies have taken Landau, and the towns of Trier and Traben-Trarbach on the Moselle in preparation for the following year’s campaign into France itself. The offensive never materialises as the Grand Alliance’s army has to depart the Moselle to defend Liège from a French counteroffensive. The war would rage on for another decade.

(Pictured: The Duke of Marlborough Signing the Despatch at Blenheim. Oil by Robert Alexander Hillingford)


by Leave a comment

Birth of Januarius MacGahan, Journalist & Correspondent

januarius-macgahan

Januarius Aloysius MacGahan, American journalist and war correspondent for the New York Herald and The Daily News, is born near New Lexington, Ohio on June 12, 1844. His articles describing the massacre of Bulgarian civilians by Turkish soldiers and irregular volunteers in 1876 creates public outrage in Europe and are a major factor in preventing Britain from supporting Turkey in the Russo–Turkish War of 1877–78, which leads to Bulgaria gaining independence from the Ottoman Empire.

MacGahan’s father is an immigrant from Ireland who had served on the Northumberland, the ship which took Napoleon into exile on Saint Helena. He moves to St. Louis, where he briefly works as a teacher and as a journalist. There he meets his cousin, General Philip Sheridan, an American Civil War hero also of Irish parentage, who convinces him to study law in Europe. He sails to Brussels in December 1868.

MacGahan does not get a law degree, but he discovers that he has a gift for languages, learning French and German. He runs short of money and is about to return to America in 1870 when the Franco-Prussian War breaks out. Sheridan happens to be an observer with the German Army, and he uses his influence to persuade the European editor of the New York Herald to hire MacGahan as a war correspondent with the French Army.

MacGahan’s vivid articles from the front lines describing the stunning defeat of the French Army win him a large following, and many of his dispatches to the Herald are reprinted by European newspapers. When the war ends, he interviews French leader Léon Gambetta and Victor Hugo and, in March 1871, he hurries to Paris and is one of the first foreign correspondents to report on the uprising of the Paris Commune. He is arrested by the French military and nearly executed and is only rescued through the intervention of the U.S. Minister to France Elihu B. Washburne.

In 1871 MacGahan is assigned as the Herald‘s correspondent to Saint Petersburg. He learns Russian, mingles with the Russian military and nobility, covers the Russian tour of General William Tecumseh Sherman and meets his future wife, Varvara Elagina, whom he marries in 1873. In 1874 he spends ten months in Spain, covering the Third Carlist War.

In 1876 MacGahan quarrels with James Gordon Bennett Jr., the publisher of the New York Herald, and leaves the newspaper. He is invited by his friend, Eugene Schuyler, the American Consul-General in Constantinople, to investigate reports of large-scale atrocities committed by the Turkish Army following the failure of an attempted uprising by Bulgarian nationalists in April 1876. He obtains a commission from The Daily News, then the leading liberal newspaper in England, and leaves for Bulgaria on July 23, 1876.

MacGahan reports that the Turkish soldiers have forced some of the villagers into the church, then the church is burned, and survivors tortured to learn where they have hidden their treasures. He says that of a population of seven thousand, only two thousand survive. According to his account, fifty-eight villages in Bulgaria are destroyed, five monasteries demolished, and fifteen thousand people in all massacred. These reports, published first in The Daily News, and then in other papers, cause widespread popular outrage against Turkey in Britain. The government of British Prime Minister Benjamin Disraeli, a supporter of Turkey, tries to minimize the massacres and says that the Bulgarians are equally to blame, but his arguments are refuted by the newspaper accounts of MacGahan.

In the wake of the massacres and atrocities committed by the Ottoman forces during the suppression of the April Uprising, as well as centuries-long conflicts between Russia and Turkey in Crimea, the Russian Government, stirred by anti-Turkish and Pan-Slavism sentiment, prepare to invade the Ottoman Empire, and declare war on it on April 24, 1877. The Turkish Government of Sultan Abdul Hamid II appeals for help to Britain, its traditional ally against Russia, but the British government responds that it cannot intervene “because of the state of public feeling.”

MacGahan is assigned as a war correspondent for The Daily News and, thanks to his friendship with General Skobelev, the Russian commander, rides with the first units of the Russian Army as it crosses the Danube into Bulgaria. He covers all the major battles of the Russo–Turkish War, including the Siege of Plevna and the Battle of Shipka Pass. He reports on the final defeat of the Turkish armies and is present at the signing of the Treaty of San Stefano, which ends the war.

MacGahan is in Constantinople, preparing to travel to Berlin for the conference that determines the final borders of Bulgaria, when he catches typhoid fever. He dies on June 9, 1878, and is buried in the Greek cemetery, in the presence of diplomats, war correspondents, and General Skobelev. Five years later his body is returned to the United States and reburied in New Lexington and a statue is erected in his honor by a society of Bulgarian Americans.