seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Death of Aengus Fanning, Journalist & Editor of the Sunday Independent

Aengus Fanning, Irish journalist and editor of the Sunday Independent from 1984 until his death, dies on January 17, 2012, following a battle with lung cancer. He is also a former editor of farming for the Irish Independent. He is listed at number 31 on a list of “most influential people” in Irish society compiled for Village magazine.

Fanning is born on April 22, 1944, in the family home at Cloonbeg Terrace, Tralee, County Kerry, the fourth child among five sons and one daughter of Arnold (‘Paddy’) Fanning, a teacher, and his wife Clara (née Connell). Originally from Rostrevor, County Down, his mother is born a Presbyterian and converts to Catholicism to marry his father, though neither is religious. His father is a noted organiser of local theatrical productions, having written a one-act play, Vigil, which is staged in the Abbey Theatre in 1929.

Fanning has a keen interest in sport, having represented Kerry in Gaelic football in his youth. He is also passionate about cricket. He also plays the clarinet, and is a jazz fan. He is a graduate of University College Cork (UCC).

In May 1964 Fanning is hired as a reporter by his uncle, James Fanning, the owner of the Midland Tribune in Birr, County Offaly, and pursues an unglamorous beat covering court sittings, local authority meetings and GAA matches. Needing a better salary to start a family, he joins Independent Newspapers (IN) in Dublin as a general reporter in May 1969, and soon after marries Mary O’Brien from Streamstown, County Offaly. They settle in Dún Laoghaire, County Dublin, and have three sons.

Fanning covers the Northern Ireland troubles during 1969–70, before reporting increasingly on farming matters, becoming the IN group’s agricultural correspondent in 1973, as Ireland’s European Economic Community (EEC) accession sparks a farming boom. He is made head of news analysis at the Irish Independent in 1982, improving the op-ed page and using it to advocate more market-driven economic policies.

Fanning is appointed editor of the mid-to-upmarket Sunday Independent in 1984 from. Under his leadership, the newspaper adopts what Irish newspaper historian John Horgan calls a “new emphasis on pungent opinion columns, gossip and fashion” which results in the paper overtaking its main rival, The Sunday Press. For a time, his deputy editor is journalist Anne Harris.

In a 1993 interview with Ivor Kenny in the book Talking to Ourselves, Fanning describes himself as a classical liberal who is opposed to both Ulster loyalist and Provisional Irish Republican Army terrorism. He also expresses a strong advocacy of the free market, arguing that the goal of a good newspaper is to be as commercially successful as possible:

“If three or four papers out of 15 are successful and the others are not, they might say they’re not driven by the market, they have some higher vocation: to serve the public interest or some pompous stuff like that. That’s how they feel good about themselves. Fair enough, if that’s how they want to explain the world. It’s a grand excuse for relative failure… I think we live or die by the market, it will always win through.”

Fanning recruits a number of noted writers to contribute to the newspaper, including historians Conor Cruise O’Brien and Ronan Fanning, journalists Shane Ross and Gene Kerrigan, poet Anthony Cronin and novelist Colm Tóibín. However, his editorship is not without controversy. The columns published by Eamon Dunphy and Terry Keane draw criticism. Michael Foley notes some Irish commentators criticised Fanning’s Sunday Independent, claiming the newspaper was publishing “a mix of sleaze and prurience.”

Fanning also defends the controversial Mary Ellen Synon, who calls the Paralympics games “perverse.” One of the more bizarre incidents occurs in 2001 when he is involved in a fisticuffs with a colleague at the newspaper – operations editor Campbell Spray.

Diagnosed with lung cancer in April 2011, Fanning spends his last months undergoing treatment in St. Vincent’s University Hospital, Dublin, dying there on January 17, 2012, at the age of 69. His remains are cremated at Mount Jerome Crematorium.

Anne Harris, Fanning’s second wife, succeeds him as editor and lasts three years. As well as pioneering changes in the domestic print media’s role, Fanning’s Sunday Independent led Irish society’s turn towards free market hedonism, catching the public mood better than its more conventionally liberal rivals by rendering this cultural transformation in an exuberant, somewhat parodied form, and without regard for lingering post-Catholic inhibitions.


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Birth of Aengus Finucane, Roman Catholic Missionary

Aengus Finucane, Roman Catholic missionary of the Spiritan Fathers order, is born on April 26, 1932, in Limerick, County Limerick. He organizes food shipments from Ireland to the Igbo people during the Nigerian Civil War. His younger brother, Jack Finucane, also becomes a Holy Ghost priest, and a sister of theirs becomes a nun.

Finucane is educated by the Congregation of Christian Brothers until 1950. He joins the Holy Ghost Fathers in Kimmage Manor, and studies Philosophy, Theology and Education at University College Dublin. He is ordained in Clonliffe College in 1958.

Finucane contributes humanitarian aid during the Nigerian Civil War (also known as the “Nigerian-Biafran War”), from 1967 to 1970. The Nigerian government had blocked food supplies to the successionist state of Biafra causing starvation in the country. This is reported on international television stations and receives worldwide condemnation.

In an effort to save the population from starvation, Finucane organizes food to be sent through makeshift airstrips, including one at Uli, Bafaria, and cargo trips with other Dublin-based workers. This leads to the formation of the organisation Concern Worldwide in 1968. He works with Concern for 41 years and views his mission as “love in action.”

Finucane is banished from Nigeria in January 1970. Following this, he gains a diploma in development studies and a Master of Arts degree in Third World poverty studies from the Swansea University. In 1971, he is again giving food supplies to the population during the operations which are ongoing in Bangladesh and flies often with Mother Teresa during the drop-offs.

The United Nations High Commissioner for Refugees (UNHCR) invites Finucane to lead a survey of people displaced in Southeast Asia. During the 1980s and 1990s he leads Concern Worldwide, becoming involved in the response to famine in Ethiopia, Sudan, Somalia and Rwanda. While in Somalia, he is in a convoy that is attacked and results in the death of nurse Valerie Place.

Finucane dies of cancer at the age of 77 on October 6, 2009 in a Dublin Spiritan Fathers’ nursing home in Kimmage Manor. His funeral is held at the Church of the Holy Spirit, Kimmage and is attended by hundreds. The Minister for Foreign Affairs, Micheál Martin, and Minister for Overseas Development, Peter Power, dub him as a “tireless force for good across the globe for more than four decades.” He is buried at Dardistown Cemetery, in the Spiritan plot.

Finucane’s biography, Aengus Finucane: In the Heart of Concern, written by Deirdre Purcell is published by New Island Books in January 2015.


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Birth of Albert Rosen, Czech/Irish-Naturalized Conductor

Albert Rosen, Austrian-born and Czech/Irish-naturalised conductor associated with the National Symphony Orchestra of Ireland, the Wexford Festival Opera, the National Theatre in Prague and J. K. Tyl Theatre in Plzeň (Pilsen), is born in Vienna on February 14, 1924. He has a strong affinity with the works of Czech composers such as Bedřich Smetana, Antonín Dvořák, Bohuslav Martinů, and Leoš Janáček.

Rosen’s mother is Czech, while his father’s family is Austrian-Jewish. After Anschluss of Austria in 1938 they move to Bratislava, and after the Slovak version of Nuremberg Laws comes to force in September 1941, he escapes discrimination and genocide via the Danube and the sea to Israel (then Mandatory Palestine). There he works in the Shaʽar_HaGolan kibbutz, manually and as an amateur chorus master, until 1945, when he returns to Bratislava.

In 1946–47 Rosen studies piano, composition and conducting at the Vienna Academy of Music with Joseph Marx and Hans Swarowsky, and continues to study conducting at the Prague Conservatory under Pavel Dědeček and Alois Klíma (1947–48). He starts his career in J. K. Tyl Theatre in Plzeň (Pilsen) as a correpetiteur, assistant conductor and chorus master (1949–52) and conductor (1953–59), participating on the production of 11 operas, 19 ballets and, as the composer of stage music, 17 dramas. In 1960 he is engaged by National Theatre in Prague, to be appointed in 1964 the chief conductor of Smetana Theatre, the National Theatre’s opera stage. He holds this position until 1971, conducting 11 ballets and 9 opera productions.

In 1965 Rosen comes to Ireland for the first time to conduct the National Symphony Orchestra (under its former name, the Radio Telefís Éireann Symphony Orchestra) at the Wexford Festival. This leads to regular appearances at the festival until 1994, conducting 18 Wexford productions, more than anyone else. In 1969 he becomes the orchestra’s chief conductor, until he becomes principal guest conductor in 1981. In 1994 he is honoured with the title Conductor Laureate of the orchestra.

Rosen’s operatic repertoire includes standard works such as Carmen (Bizet), Tosca and Madama Butterfly (Puccini), Il trovatore and Don Carlos (Verdi), Lohengrin (Wagner), Lucrezia Borgia (Donizetti), Otello and L’italiana in Algeri (Rossini), Káťa Kabanová (Janáček), La Wally (Catalani), The Bartered Bride (Smetana), and Salome (Richard Strauss). He also conducted unusual works such as Smetana’s The Two Widows and The Kiss, and Dvořák’s Rusalka, The Devil and Kate and The Jacobin.

In October 1978, in Dublin and Cork, Rosen conducts the National Symphony Orchestra in only the second and third performances of André Tchaikowsky‘s 2nd Piano Concerto, Op. 4, which are the first performances with the composer as soloist. He is to record the work in 1982, again with Tchaikowsky at the piano, but the composer becomes ill and the recording is cancelled. His other work with the NSO includes standard orchestral repertoire as well as major pieces such as Olivier Messiaen‘s Turangalîla-Symphonie and Gustav Mahler‘s Symphony No. 8 (Symphony of a Thousand). In 1992, the orchestra tours ten cities in Germany, having a major success with Die Fledermaus in Stuttgart.

Rosen makes his American debut at the San Francisco Opera in 1980, in Janáček’s Jenůfa. In Australia, he is chief conductor of the West Australian Symphony Orchestra from 1983 until 1985, and the Adelaide Symphony Orchestra in 1986. He conducts the British premiere of Nikolai Rimsky-Korsakov‘s opera Christmas Eve with English National Opera in 1988. He becomes music director of the Irish National Opera in 1993.

Rosen often conducts the National Youth Orchestra of Ireland during the 1990s, in challenging works such as the tone poems and An Alpine Symphony of Richard Strauss. Other opera orchestras he conducts included those of the Welsh National Opera, Scottish Opera, Vancouver Opera, San Diego Opera, and the Dublin Grand Opera Society.

Rosen becomes an Irish citizen by naturalisation. His own conducting students include John Finucane.

Rosen dies at the age of 73 in Dublin on May 23, 1997, of lung cancer.

(Pictured: Albert Rosen conducts the RTÉ Symphony Orchestra in St. Patrick’s Training College in Drumcondra, Dublin, in 1972)


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Death of Irish Folk Musician Tommy Makem

Thomas “Tommy” Makem, internationally celebrated Irish folk musician, artist, poet and storyteller, dies in Dover, New Hampshire, on August 1, 2007, following a lengthy battle with lung cancer.

Makem is born in Keady, County Armagh, on November 4, 1932. He is best known as a member of The Clancy Brothers and Tommy Makem. He plays the long-necked 5-string banjo, tin whistle, low whistle, guitar, bodhrán and bagpipes, and sings in a distinctive baritone. He is sometimes known as “The Bard of Armagh,” taken from a traditional song of the same name, and “The Godfather of Irish Music.”

Makem’s mother, Sarah Makem, is an important source of traditional Irish music, who is visited and recorded by, among others, Diane Guggenheim Hamilton, Jean Ritchie, Peter Kennedy and Sean O’Boyle. His father, Peter Makem, is a fiddler who also plays the bass drum in a local pipe band named “Oliver Plunkett,” after a Roman Catholic martyr of the reign of Charles II of England. His brother and sister are folk musicians as well. Makem, from the age of eight, is member of the St. Patrick’s church choir for 15 years where he sings Gregorian chant and motets. He does not learn to read music but he makes it in his “own way.”

Makem starts to work at 14 as a clerk in a garage and later he works for a while as a barman at Mone’s Bar, a local pub, and as a local correspondent for The Armagh Observer.

Makem emigrates to the United States in 1955, carrying his few possessions and a set of bagpipes from his time in a pipe band. Arriving in Dover, New Hampshire, he works at Kidder Press, where his hand was accidentally crushed by a press in 1956. With his arm in a sling, he leaves Dover for New York City to pursue an acting career.

The Clancys and Makem are signed to Columbia Records in 1961. The same year, at the Newport Folk Festival, Makem and Joan Baez are named the most promising newcomers on the American folk scene. During the 1960s, the Clancy Brothers and Tommy Makem perform sellout concerts at such venues as Carnegie Hall, and make television appearances on shows like The Ed Sullivan Show and The Tonight Show. The group performs for President John F. Kennedy. They also play in smaller venues such as the Gate of Horn in Chicago. They appear jointly in the UK Albums Chart in April 1966, when Isn’t It Grand Boys reaches number 22.

Makem leaves the group in 1969 to pursue a solo career. In 1975, he and Liam Clancy are both booked to play a folk festival in Cleveland, Ohio, and are persuaded to do a set together. Thereafter they often perform as Makem and Clancy, recording several albums together. He once again goes solo in 1988. Throughout the 1970s and 1980s he performs both solo and with Liam Clancy on The Irish Rovers‘ various television shows, which are filming in Canada and Ireland.

In the 1980s and 1990s, Makem is a principal in a well-known Irish music venue in New York, “Tommy Makem’s Irish Pavilion.” This East 57th Street club is a prominent and well-loved performance spot for a wide range of musicians. Among the performers and visitors are Paddy Reilly, Joe Burke, and Ronnie Gilbert. Makem is a regular performer, often solo and often as part of Makem and Clancy, particularly in the late fall and holiday season. The club is also used for warm-up performances in the weeks before the 1984 reunion concert of The Clancy Brothers and Tommy Makem at Lincoln Center for the Performing Arts. In addition, the after-party for Bob Dylan‘s legendary 30th Anniversary Concert Celebration at Madison Square Garden in 1992 is held at the Irish Pavilion.

In 1997 Makem writes a book, Tommy Makem’s Secret Ireland, and in 1999 premiers a one-man theatre show, Invasions and Legacies, in New York. His career includes various other acting, video, composition, and writing credits. He also establishes the Tommy Makem International Festival of Song in South Armagh in 2000.

Tommy Makem dies in Dover, New Hampshire, on August 1, 2007, following a lengthy battle with lung cancer. He continues to record and perform until very close to the end. Paying tribute to him after his death, Liam Clancy says, “He was my brother in every way.” He is buried next to his wife at New Saint Mary Cemetery in Dover.


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Birth of Elizabeth Bowen, Novelist & Short Story Writer

Elizabeth Dorothea Cole Bowen CBE, Anglo-Irish novelist and short story writer notable for her fiction about life in wartime London, is born at 15 Herbert Place in Dublin on June 7, 1899.

Bowen is baptised in St. Stephen’s Church on Upper Mount Street. Her parents, Henry Charles Cole Bowen and Florence (née Colley) Bowen, later bring her to Bowen’s Court at Farahy, near Kildorrery, County Cork, where she spends her summers. When her father becomes mentally ill in 1907, she and her mother move to England, eventually settling in Hythe. After her mother dies in 1912 she is raised by her aunts. She is educated at Downe House School under the headship of Olive Willis. After some time at art school in London she decides that her talent lay in writing. She mixes with the Bloomsbury Group, becoming good friends with Rose Macaulay who helps her seek out a publisher for her first book, a collection of short stories entitled Encounters (1923).

In 1923 Bowen marries Alan Cameron, an educational administrator who subsequently works for the BBC. The marriage has been described as “a sexless but contented union.” She has various extra-marital relationships, including one with Charles Ritchie, a Canadian diplomat seven years her junior, which lasts over thirty years. She also has an affair with the Irish writer Seán Ó Faoláin and a relationship with the American poet May Sarton. She and her husband first live near Oxford, where they socialize with Maurice Bowra, John Buchan and Susan Buchan, and where she writes her early novels, including The Last September (1929). Following the publication of To the North (1932) they move to 2 Clarence Terrace, Regent’s Park, London, where she writes The House in Paris (1935) and The Death of the Heart (1938). In 1937, she becomes a member of the Irish Academy of Letters.[3]

In 1930 Bowen becomes the first (and only) woman to inherit Bowen’s Court, but remains based in England, making frequent visits to Ireland. During World War II she works for the British Ministry of Information, reporting on Irish opinion, particularly on the issue of neutrality. Her political views tend towards Burkean conservatism. During and after the war she writes among the greatest expressions of life in wartime London, The Demon Lover and Other Stories (1945) and The Heat of the Day (1948). She is awarded the CBE the same year.

Bowen’s husband retires in 1952 and they settle in Bowen’s Court, where he dies a few months later. Many writers visit her at Bowen’s Court from 1930 onwards, including Virginia Woolf, Eudora Welty, Carson McCullers, Iris Murdoch, and the historian Veronica Wedgwood. For years Bowen struggles to keep the house going, lecturing in the United States to earn money. In 1957 her portrait is painted at Bowen’s Court by her friend, painter Patrick Hennessy. She travels to Italy in 1958 to research and prepare A Time in Rome (1960), but by the following year she is forced to sell her beloved Bowen’s Court, which is demolished in 1960. In the following months, she writes for CBS the narrative of the documentary titled Ireland the Tear and the Smile which is realized in collaboration with Robert Monks as cameraman and associate producer. After spending some years without a permanent home, she finally settles at “Carbery”, Church Hill, Hythe, in 1965.

Bowen’s final novel, Eva Trout, or Changing Scenes (1968), wins the James Tait Black Memorial Prize in 1969 and is shortlisted for the Man Booker Prize in 1970. Subsequently, she is a judge that awards the 1972 Man Booker Prize to John Berger for G. She spends Christmas 1972 at Kinsale, County Cork with her friends, Major Stephen Vernon and his wife, Lady Ursula, daughter of Hugh Grosvenor, 2nd Duke of Westminster, but is hospitalised upon her return. Here she is visited by Cyril Connolly, Lady Ursula Vernon, Isaiah Berlin, Rosamund Lehmann, and her literary agent, Spencer Curtis Brown, among others.

In 1972 Bowen develops lung cancer. She dies at the age of 73 in University College Hospital in London on February 22, 1973. She is buried with her husband in St. Colman’s churchyard in Farahy, close to the gates of Bowen’s Court, where there is a memorial plaque to the author at the entrance to St. Colman’s Church, where a commemoration of her life is held annually.


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Birth of Gerald O’Donovan, Priest & Writer

CREATOR: gd-jpeg v1.0 (using IJG JPEG v62), default qualityGerald O’Donovan, Irish priest and writer born Jeremiah Donovan, is born in Kilkeel, County Down  on July 15, 1871.

O’Donovan is the son of a pier builder. He attends Ardnaree College in Killala and St. Patrick’s College, Maynooth. He leaves Maynooth after ordination for the Diocese of Clonfert in 1895 and is appointed as a Roman Catholic priest to Loughrea, County Galway between 1896 and 1904. He is an enthusiastic advocate of the Gaelic League and the Irish Cooperative Association, and promotes his views in articles and lectures. His literary friends include Lady Gregory, W. B. Yeats and George Moore. He is in charge of decorating St. Brendan’s Cathedral, Loughrea in 1901, the financing provided by O’Donovan’s close friend Edward Martyn. He quit Loughrea in 1904 after the arrival of a new bishop, Thomas O’Dea.

O’Donovan moves to London but, failing to find work as a priest, he leaves the Catholic priesthood in May 1908. He becomes a subwarden at Toynbee Hall in the East End in March 1910. In October that year, he marries Florence Emily Beryl Verschoyle (1886–1968), the daughter of an Irish Protestant colonel fifteen years his junior. They have three children, two daughters and a son.

In 1913, O’Donovan publishes his first and best known novel, Father Ralph, which draws in large part on his own life. Around this time he changes his first name from Jeremiah to Gerald. Another novel titled Waiting is published in 1914. He joins the war effort in 1915, and rises to become head of the Italian section at the Ministry of Information in 1918. There he meets his secretary and future lover, English novelist Rose Macaulay.

O’Donovan publishes a few more novels after the war: How They Did It (1920), Conquest (1920), Vocations (1921), and The Holy Tree (1922). The clandestine affair with Macaulay continues for nearly two decades. In 1939, the pair are on holiday in the Lake District when they meet with a motoring accident, which damages O’Donovan’s health. He dies of cancer in Albury, Surrey three years later, on July 26, 1942. His letters to Macaulay had been destroyed the previous year when her flat in Central London was bombed during the Blitz.

In her novel The Towers of Trebizond, Macaulay features a woman character (Laurie) torn between her attraction to Christianity and her adulterous love for a married man. This is considered to reflect the author’s relationship with O’Donovan.


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Birth of Ewart Milne, Irish Poet

ewart-milneEwart Milne, Irish poet, is born in Dublin on May 25, 1903, He describes himself on various book jackets as “a sailor before the mast, ambulance driver and courier during the Spanish Civil War, a land worker and estate manager in England during and after World War II” and also “an enthusiast for lost causes – national, political, social and merely human.”

Milne is born of English and Welsh-Irish parents and is educated at Christchurch Cathedral Grammar School. In 1920 he signs on as a seaman and works on boats, off and on, until 1935. During the 1930s he begins writing and has his first poems published in 1935.

The background to the Spanish Civil War contributes to Milne’s political awakening and he comes to England to work as a voluntary administrator for the Spanish Medical Aid Committee in London, for whom he often acts as a medical courier. He also was once unwillingly involved in an arms deal while visiting Spain on their behalf.

After Spanish Medical Aid Committee is wound up, Milne returns to Ireland but remains politically active in support of the campaign for the release of Frank Ryan, the leader of the Connolly Column of Irish volunteers on the Republican side, who had been captured and imprisoned in Spain. At one point he takes part in a delegation to Westminster seeking Labour Party support for this. In August 1938 he is reported in The Worker’s Republic as being one of the twelve member committee of the James Connolly Irish club in London.

During his time in England and Spain, Milne gets to know the left-leaning poets who support the Republican cause, including W. H. Auden, Stephen Spender and Cecil Day-Lewis. In 1938 his first collection of poems, Forty North Fifty West, is published in Dublin, followed by two others in 1940 and 1941. Having taken a pro-British line in neutral Ireland, he is informed by Karl Petersen, the German press attaché in Dublin, that he is on the Nazi death list. This convinces him to help in the British war effort and he returns to England with the help of John Betjeman, then working at the British embassy in Ireland.

Between 1942–1962 Milne is resident in England and an active presence on the English literary scene. In particular he becomes associated with the poets grouped around the magazine Nine, edited by Peter Russell and Ian Fletcher. He and his wife Thelma also back the young Irish poet Patrick Galvin when he launches his own magazine, Chanticleer. This generous encouragement of younger writers is later extended to several others, including John F. Deane, Gerald Dawe and Maurice Scully.

Milne regards his return to Dublin in 1962 as a disaster, as his four-year stay is overshadowed by quarrels with the establishment, the discovery of betrayal by a friend and the death of his wife from lung cancer. The misery of those events is recorded in Time Stopped (1967). The artistic frustration of the time also results in the poems included in Cantata Under Orion (1976). Returning to England in 1966, he settles in Bedford. Politically he remains involved and speaks alongside Auberon Waugh at the rally on behalf of Biafra in 1968, but his views move further to the right in later years. He writes to The Irish Times on April 13, 1976, saying that he has been “taken in by Stalin and that Leninism is Satanism.” He also sides with the Loyalist position in the Ulster conflict. He dies in Bedford of a heart attack on January 14, 1987.

Milne is twice married, first to Kathleen Ida Bradner in 1927, by whom he has two sons; then in 1948 to Thelma Dobson, by whom he has two more sons.

(Pictured: A portrait of Ewart Milne by Cecil F. Salkkeld, as it appears in Milne’s book Forty North Fifty West)


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Clare O’Leary Climbs Mount Everest

clare-o-learyClare O’Leary, Irish gastroenterologist, mountain climber and adventurer, becomes the first Irishwoman to successfully climb Mount Everest on May 18, 2004. She is accompanied by veteran mountaineer, Pat Falvey, who also sets a record by becoming the first Irishman to climb Everest from both sides.

O’Leary is born in 1972. She develops an interest in medicine, and cancer in particular, when her uncle dies from lung cancer during her childhood. After graduating from University College Cork, she spends over ten years training and working at the Cork University Hospital.

O’Leary makes her name in mountaineering in 2004, when she becomes the first Irish woman to reach the summit of Mount Everest, having failed on her first attempt in 2003 due to gastroenteritis. She climbs as a member of the Wyeth Irish Everest Expedition, led by Falvey. She also becomes the first Irish woman to ascend the Himalayan peak Ama Dablam and to climb the Seven Summits — the highest mountains on each continent. In 2008, she joins the Beyond Endurance expedition led by Falvey to the South Pole, making her the first woman to successfully ski to the South Pole.

In 2012, O’Leary and Mike O’Shea set out on an ongoing series of expeditions that they call the Ice Project. Their aim is to cross all of the world’s largest ice caps. Some of these expeditions include crossings of the Northern Patagonian Ice Field, the Greenland ice sheet, and Lake Baikal. In 2014, they attempt to ski to the North Pole after their first attempt in 2012 is cancelled due to a logistics problem, hoping to be the first Irish people to reach the North Pole. This attempt also has to be abandoned after they are injured in a sled accident.

In 2013, the railway path between Bandon and Innishannon in County Cork is named the Dr. Clare O’Leary Walk to commemorate her achievements. In November 2018, she is awarded an honorary doctorate by National University of Ireland Galway.

O’Leary lives in Clonmel, and is in a relationship with O’Shea. She currently works as a consultant gastroenterologist and general physician at South Tipperary General Hospital. She is also a patron of the Cork University Hospital Charity.


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Birth of Alistair Cooke, Journalist & Broadcaster

alistair-cookeAlistair Cooke, British journalist, television personality, and broadcaster, who describes himself as a “Lancastrian Irishman,” is born in Salford, Lancashire, England on November 20, 1908. He is best known for his lively and insightful interpretations of American history and culture.

The son of Samuel Cooke, a Wesleyan Methodist lay preacher, and Mary Elizabeth (Byrne) from County Sligo, He is educated at Blackpool Grammar School, Blackpool and wins a scholarship to Jesus College, Cambridge, where he gains an honours degree in English. Later he wins a Commonwealth Fund fellowship to study in the United States, first at Yale University (1932–33), then at Harvard University (1933–34). His cross-country travels during the summers of these years have a profound influence on his professional life.

Following a brief period as a scriptwriter in Hollywood, Cooke returns to England to become a film critic for the British Broadcasting Corporation (BBC) and later serves as London correspondent for the National Broadcasting Company (NBC) of the United States. In 1937 he returns to the United States, settles in New York City, and becomes an American citizen in 1941.

From the late 1930s, Cooke reports and comments on American affairs for BBC Radio and several major British newspapers. His weekly 15-minute program, Letter from America, broadcast from 1946 to 2004, is one of the longest-running series on radio. The texts of many broadcasts are collected in One Man’s America (1952) and Talk About America (1968). From 1956 to 1961 he hosts and narrates the weekly television “magazine” Omnibus, which wins numerous broadcasting awards.

Cooke’s interpretation of the American experience culminates in his BBC-produced television series America: A Personal History of the United States (1972–1973). In thirteen installments, filmed on location throughout the United States, he surveys some 500 years of American history in an eclectic and personal but highly coherent narrative. Alistair Cooke’s America (1973), the book based on the award-winning program, is a best-seller in the United States. From the 1970s to the early 1990s, as host of Masterpiece Theatre, he serves as an interpreter of British culture through the presentation of BBC dramatic television programming to American audiences.

Cooke’s other works include the critical biography Douglas Fairbanks: The Making of a Screen Actor (1940), Generation on Trial: The USA v. Alger Hiss (1950), based on his coverage of a celebrated Congressional investigation, The Vintage Mencken (1955), The Patient Has the Floor (1986), America Observed (1988), Memories of the Great and the Good (2000) and, with Robert Cameron, The Americans (1977).

On March 2, 2004, at the age of 95, following advice from his doctors, Cooke announces his retirement from Letter from America—after 58 years, the longest-running speech radio show in the world.

Alistair Cooke dies at midnight on March 30, 2004 at his home in New York City. He had been ill with heart disease, but dies of lung cancer, which had spread to his bones. He is cremated and his ashes are clandestinely scattered by his family in New York’s Central Park.


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Death of Siobhán McKenna, Stage & Screen Actress

Siobhán McKenna, Irish stage and screen actress, dies of lung cancer on November 16, 1986, in Dublin.

McKenna is born Siobhán Giollamhuire Nic Cionnaith into a Catholic and nationalist family in Belfast on May 24, 1923. She grows up in Galway, where her father is Professor of Mathematics at University College Galway, and in County Monaghan, speaking fluent Irish. She is still in her teens when she becomes a member of an amateur Gaelic theatre group and makes her stage debut at Galway’s Gaelic theatre, the Taibhdhearc na Gaillimhe, in 1940.

McKenna is remembered for her English language performances at the Abbey Theatre in Dublin where she eventually stars in what many consider her finest role in the George Bernard Shaw play, Saint Joan.

While performing at the Abbey Theatre in the 1940s, she meets actor Denis O’Dea, whom she marries in 1946. Until 1970 they live in Richmond Street South, Dublin. They have one child, a son Donnacha O’Dea, who swims for Ireland at the 1968 Summer Olympics and later wins a World Series of Poker bracelet in 1998.

In 1947, McKenna makes her debut on the London stage in The Chalk Garden. She reprises the role on Broadway in 1955, for which she receives a Tony Award nomination for “Best Actress in a Leading Role, Drama.” In 1956, she appears in the Cambridge Drama Festival production of Saint Joan at the Off-Broadway Phoenix Theatre. Theatre critic Elliot Norton calls her performance the finest portrayal of Joan of Arc in memory. Siobhán McKenna’s popularity earns her the cover of Life magazine. She receives a second Tony Best Actress nomination for her role in the 1958 play, The Rope Dancers, in which she stars with Art Carney and Joan Blondell.

Although primarily a stage actress, McKenna appears in a number of made-for-television films and dramas. She also appears in several motion pictures such as King of Kings in 1961, as the Virgin Mary. In 1964, she performs in Of Human Bondage and the following year in Doctor Zhivago. She also appears in the miniseries The Last Days of Pompeii as Fortunata, wife of Gaius, played by Laurence Olivier. She stars in the title role of the Tales of the Unexpected episode “The Landlady.”

McKenna is awarded the Gold Medal of the Éire Society of Boston, for having “significantly fulfilled the ideals of the Éire Society, in particular, spreading awareness of the cultural achievements of the Irish people.”

Siobhán McKenna’s final stage appearance comes in the 1985 play Bailegangaire for the Druid Theatre Company. Despite surgery, she dies of lung cancer on November 16, 1986, in Dublin, at 63 years of age. She is buried at Rahoon Cemetery in County Galway.

In 1988, two years after her death, McKenna is inducted into the American Theater Hall of Fame. The Siobhán McKenna Theatre in Cultúrlann McAdam Ó Fiaich, in her native Belfast is named in her honour.