seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Vienna


by Leave a comment

Death of Albert Rosen, Czech/Irish-Naturalized Conductor

Albert Rosen, Austrian-born and Czech/Irish-naturalised conductor associated with the National Symphony Orchestra of Ireland, the Wexford Festival Opera, the National Theatre in Prague and J. K. Tyl Theatre in Plzeň (Pilsen), dies of lung cancer in Dublin on May 23, 1997. He has a strong affinity with the works of Czech composers such as Bedřich Smetana, Antonín Dvořák, Bohuslav Martinů, and Leoš Janáček.

Rosen is born in Vienna on February 14, 1924. His mother is Czech, while his father’s family is Austrian-Jewish. After Anschluss of Austria in 1938 they move to Bratislava, and after the Slovak version of Nuremberg Laws comes to force in September 1941, he escapes discrimination and genocide via the Danube and the sea to Israel (then Mandatory Palestine). There he works in the Shaʽar_HaGolan kibbutz, manually and as an amateur chorus master, until 1945, when he returns to Bratislava.

In 1946–47 Rosen studies piano, composition and conducting at the Vienna Academy of Music with Joseph Marx and Hans Swarowsky, and continues to study conducting at the Prague Conservatory under Pavel Dědeček and Alois Klíma (1947–48). He starts his career in J. K. Tyl Theatre in Plzeň (Pilsen) as a correpetiteur, assistant conductor and chorus master (1949–52) and conductor (1953–59), participating on the production of 11 operas, 19 ballets and, as the composer of stage music, 17 dramas. In 1960 he is engaged by National Theatre in Prague, to be appointed in 1964 the chief conductor of Smetana Theatre, the National Theatre’s opera stage. He holds this position until 1971, conducting 11 ballets and 9 opera productions.

In 1965 Rosen comes to Ireland for the first time to conduct the National Symphony Orchestra (under its former name, the Radio Telefís Éireann Symphony Orchestra) at the Wexford Festival Opera. This leads to regular appearances at the festival until 1994, conducting 18 Wexford productions, more than anyone else. In 1969 he becomes the orchestra’s chief conductor, until he becomes principal guest conductor in 1981. In 1994 he is honoured with the title Conductor Laureate of the orchestra.

Rosen’s operatic repertoire includes standard works such as Carmen (Bizet), Tosca and Madama Butterfly (Puccini), Il trovatore and Don Carlos (Verdi), Lohengrin (Wagner), Lucrezia Borgia (Donizetti), Otello and L’italiana in Algeri (Rossini), Káťa Kabanová (Janáček), La Wally (Catalani), The Bartered Bride (Smetana), and Salome (Richard Strauss). He also conducted unusual works such as Smetana’s The Two Widows and The Kiss, and Dvořák’s Rusalka, The Devil and Kate and The Jacobin.

In October 1978, in Dublin and Cork, Rosen conducts the National Symphony Orchestra in only the second and third performances of André Tchaikowsky‘s 2nd Piano Concerto, Op. 4, which are the first performances with the composer as soloist. He is to record the work in 1982, again with Tchaikowsky at the piano, but the composer becomes ill and the recording is cancelled. His other work with the NSO includes standard orchestral repertoire as well as major pieces such as Olivier Messiaen‘s Turangalîla-Symphonie and Gustav Mahler‘s Symphony No. 8 (Symphony of a Thousand). In 1992, the orchestra tours ten cities in Germany, having a major success with Die Fledermaus in Stuttgart.

Rosen makes his American debut at the San Francisco Opera in 1980, in Janáček’s Jenůfa. In Australia, he is chief conductor of the West Australian Symphony Orchestra from 1983 until 1985, and the Adelaide Symphony Orchestra in 1986. He conducts the British premiere of Nikolai Rimsky-Korsakov‘s opera Christmas Eve with English National Opera in 1988. He becomes music director of the Irish National Opera in 1993.

Rosen often conducts the National Youth Orchestra of Ireland during the 1990s, in challenging works such as the tone poems and An Alpine Symphony of Richard Strauss. Other opera orchestras he conducts included those of the Welsh National Opera, Scottish Opera, Vancouver Opera, San Diego Opera, and the Dublin Grand Opera Society.

Rosen becomes an Irish citizen by naturalisation. His own conducting students include John Finucane.

Rosen dies at the age of 73 in Dublin on May 23, 1997, of lung cancer.


by Leave a comment

Birth of Composer Ian Wilson

Irish composer Ian Wilson is born in Belfast, Northern Ireland, on December 26, 1964. He has written over one hundred and fifty works, including chamber operas, concertos, string quartets, a range of orchestral and chamber music and multi-media pieces.

Wilson studies violin and piano, graduating with a Doctor of Philosophy (DPhil) in composition from Ulster University at Jordanstown in 1990, where he is a research fellow from 2000 to 2003. He is a composer-in-residence with Leitrim County Council and is music director of the Sligo New Music Festival from 2003 to 2011. He receives the Macaulay Fellowship from the Arts Council of Ireland in 1992. In 1998, he is elected to Aosdána, Ireland’s academy of creative artists. Since 2009, he has been a post-doctoral research fellow at Dundalk Institute of Technology, investigating aspects of traditional (ethnic) Irish performance practice as basis for new works of art music.

Wilson’s compositions have been performed and broadcast on six continents, and presented at festivals including the BBC Proms, Venice Biennale, ISCM World Music Days, Frankfort Book Fair and the Ultima Oslo Contemporary Music Festival and at venues such as New York City’s Carnegie Hall, London’s Royal Albert Hall and Wigmore Hall, Amsterdam’s Royal Concertgebouw and Muziekgebouw aan ‘t IJ, Vienna’s Wiener Musikverein and Tokyo’s Suntory Hall. His music has been performed by such diverse groups as the RTÉ National Symphony Orchestra, the London Mozart Players, the Irish Chamber Orchestra (ICO), the pianist Hugh Tinney and many others.

There are commercially available recordings of over fifty of Wilson’s works on labels including Diatribe Records, Riverrun, RTÉ Lyric fm, Black Box, Timbre, Guild, Meridian and Chandos Records. His music is published by Ricordi (London) and Universal Edition.


by Leave a comment

The 1918 Irish General Election & Rise of Sinn Féin

The 1918 Irish general election is the part of the 1918 United Kingdom general election which takes place in Ireland on December 14, 1918. It is a key moment in modern Irish history because it sees the overwhelming defeat of the moderate nationalist Irish Parliamentary Party (IPP), which had dominated the Irish political landscape since the 1880s, and a landslide victory for Sinn Féin. Sinn Féin had never previously stood in a general election but had won six seats in by-elections in 1917–18. The party vows in its manifesto to establish an independent Irish Republic. In Ulster, however, the Irish Unionist Alliance (IUA) is the most successful party.

In 1918, a system called plural voting is in place in both Britain and Ireland. Plural voting is a practice whereby one person might be able to vote multiple times in an election. Property and business owners can vote both in the constituency where their property lay and that in which they live, if the two are different. In the newly formed Irish Free State this system is ended by the Electoral Act 1923 and is abolished in the United Kingdom by the Representation of the People Act 1948. Plural voting remains in effect in Northern Ireland until 1969.

The 1918 election is held in the aftermath of World War I, the Easter Rising and the Conscription Crisis. It is the first general election to be held after the Representation of the People Act 1918. It is thus the first election in which women over the age of 30, and all men over the age of 21, can vote.

Sinn Féin is founded by Arthur Griffith in 1905. He believes that Irish nationalists should emulate the Ausgleich of Hungarian nationalists who, in the 19th century under Ferenc Deák, had chosen to boycott the imperial parliament in Vienna and unilaterally establish their own legislature in Budapest.

Griffith initially favours a peaceful solution based on “dual monarchy” with Britain, that is two separate states with a single head of state and a limited central government to control matters of common concern only. However, by 1918, under its new leader, Éamon de Valera, Sinn Féin has come to favour achieving separation from Britain by means of an armed uprising if necessary and the establishment of an independent republic.

In the aftermath of the 1916 Easter Rising, the party’s ranks are swelled by participants and supporters of the rebellion as they are freed from British gaols and internment camps. At its 1917 Ardfheis (annual conference) de Valera is elected leader, and the new, more radical policy is adopted.

Prior to 1916, Sinn Féin had been a fringe movement having a limited cooperative alliance with William O’Brien‘s All-for-Ireland League and enjoyed little electoral success. However, between the Easter Rising of that year and the 1918 general election, the party’s popularity increases dramatically. This is due to the failure to have the Home Rule Bill implemented when the IPP resists the partition of Ireland demanded by Ulster Unionists in 1914, 1916 and 1917, but also popular antagonism towards the British authorities created by the execution of most of the leaders of the 1916 rebels and by their botched attempt to introduce Home Rule on the conclusion of the Irish Convention linked with military conscription in Ireland (see Conscription Crisis of 1918).

Sinn Féin demonstrates its new electoral capability in four by-election successes in 1917 in which George Noble Plunkett, Joseph McGuinness, de Valera and W. T. Cosgrave are each elected, although it loses three by-elections in early 1918 before winning two more with Patrick McCartan and Arthur Griffith. In one case there are unproven allegations of electoral fraud. The party benefits from a number of factors in the 1918 elections, including demographic changes and political factors.

In the aftermath of the elections, Sinn Féin’s elected members refuse to attend the British Parliament in Westminster, and instead form a parliament in Dublin, Dáil Éireann (“Assembly of Ireland”), which declares Irish independence as a republic. The Irish War of Independence is conducted under this revolutionary government which seeks international recognition and sets about the process of state-building. The next election is part of 1921 Irish elections.

(Pictured: L to R, Éamon de Valera of Sinn Féin, Sir Edward Carson on the Irish Unionist Alliance, and John Dillon of the Irish Parliamentary Party)


by Leave a comment

Birth of Matthew Gerard Sweeney, Irish Poet

Matthew Gerard Sweeney, Irish poet, is born at Lifford, County Donegal, on October 6, 1952. His work has been translated into Dutch, Italian, Hebrew, Japanese, Latvian, Mexican Spanish, Romanian, Slovakian and German.

Growing up in Clonmany, Sweeney attends Gormanston College (1965–70). He then reads sciences at University College Dublin (1970–72). He goes on to study German and English at the Polytechnic of North London, spending a year at the University of Freiburg, before graduating with a BA Honours degree in 1978.

Sweeney meets Rosemary Barber in 1972 and they marry in 1979. Two offspring – daughter Nico and son Malvin – are produced before the couple goes their separate ways in the early 21st century. Having lived in London for many years until 2001, he separates from Rosemary and goes to live in Timișoara, Romania and Berlin. In 2007, he meets his partner, Mary Noonan, and in early 2008 he moves to Cork to live with her there.

Sweeney produces numerous collections of poetry for which he wins several awards. His novels for children include The Snow Vulture (1992) and Fox (2002). He authors a satirical thriller, co-written with John Hartley Williams, and entitled Death Comes for the Poets (2012).

As Bill Swainson, Sweeney’s editor at Allison & Busby in the 1980s, recalls: “As well as writing his own poetry, Matthew was a great encourager of poetry in others. The workshops he animated, and later the residencies he undertook, were famous for their geniality and seriousness and fun. Sometime in the late 1980s I attended one of these workshops in an upstairs room of a pub in Lamb’s Conduit Street, Bloomsbury, where the poems were circulated anonymously and carefully read and commented on by all. Around the pushed-together tables were Ruth Padel, Eva Salzman, Don Paterson, Maurice Riordan, Jo Shapcott, Lavinia Greenlaw, Michael Donaghy, Maura Dooley and Tim Dooley.” Sweeney later has residencies at the University of East Anglia and Southbank Centre, among many others. He reads at three Rotterdam Poetry Festivals, in 1998, 2003 and 2009.

According to the poet Gerard Smyth: “I always sensed that in the first instance [Sweeney] regarded himself as a European rather than an Irish poet – and rightly so: like the German Georg Trakl whom he admired he apprehended the world in a way that challenged our perceptions and commanded our attention.” Sweeney’s work has been considered “barely touched by the mainstream of English writing” and more so by the German writers Heinrich von Kleist, Georg Büchner, Franz Kafka, Günter Grass and Heinrich Böll, as well as the aforementioned Georg Trakl. According to Poetry International Web, he would be among the top five most famous Irish poets on the international scene.

Sweeney’s final year sees the publication of two new collections: My Life As A Painter (Bloodaxe Books) and King of a Rainy Country (Arc Publications), inspired by Charles Baudelaire‘s posthumously published Petits poèmes en prose.

Having been diagnosed with motor neuron disease the previous year, Sweeney dies at the age of 65 at Cork University Hospital in Wilton, Cork, on August 5, 2018, surrounded by family and friends. He continues writing up until three days before his death. In an interview shortly before his death he is quizzed on his legacy, to which he gives the response, “Mostly what awaits the poet is posthumous oblivion. Maybe there will be a young man in Hamburg, or Munich, or possibly Vienna, for whom my German translations will be for a while important – and might just contribute to him becoming a German language poet with Irish leanings.”

Among those attending a special ceremony on August 8, 2018, at the Triskel Arts Centre in Cork to celebrate Sweeney’s life are fellow poets Jo Shapcott, Thomas McCarthy, Gerry Murphy, Maurice Riordan and Padraig Rooney. On August 9, 2018, he is buried in Clonmany New Cemetery in County Donegal.


by Leave a comment

Death of Thomas McDowell, Former CEO of “The Irish Times”

Thomas Bleakley McDowell, often called T. B. McDowell or simply “the Major,” dies on September 9, 2009. He is a British Army officer and subsequently chief executive of The Irish Times for nearly 40 years.

Born in Belfast, Northern Ireland, on May 18, 1923, the only child of a Protestant and unionist couple, McDowell finishes school at the Royal Belfast Academical Institution in 1941 as World War II is under way. He is dissuaded from enlisting immediately in the British Army by his parents as his father, also named Thomas, had been gassed in World War I and suffers serious lung problems which lead to his early death in 1944. He goes instead to Queen’s University Belfast to study commerce but, a year later and still uncertain about his long-term plans, he joins the Royal Inniskilling Fusiliers, being commissioned in 1943. He goes on to join the Royal Ulster Rifles.

A knee injury during a night training exercise in Omagh makes McDowell ineligible for active military service and he becomes a weapons instructor. The accident also leads to him meeting his future wife, Margaret Telfer, the physiotherapist who treats him in hospital in Bangor, County Down.

McDowell rises to the rank of major and is part of the Allied forces in occupied Austria following the end of the war, taking part in joint patrols in Vienna with Russian, American and French officers. In the post-war period, he is given two years to finish his college course and spends a summer studying law with a tutor before passing the English bar and returning to the British Army.

After a further military posting to Edinburgh, McDowell’s legal qualification brings him to the army legal service in the War Office in London. With little prospect of further promotion and every chance of being posted abroad without his young family, he decides to leave the army. He is offered a job as legal adviser in London to James North Ltd, a company which makes protective clothing. With no experience of industry, he asks to be given a managerial role at first. The company suggests a managing position in its operations in Dublin. He slots easily into the city’s old business establishment, joining the Kildare Street Club, becoming a director of Pim’s department store, and setting his career firmly on a commercial rather than a legal path.

McDowell’s involvement with newspapers comes about through the recognition of his business acumen. He is asked by some acquaintances to take a look at the financial troubles of the Evening Mail, which is bought subsequently by The Irish Times, adding to the latter’s own financial difficulties.

McDowell is asked later by The Irish Times to see if Roy Thomson, the Canadian-born British press baron whom he had met while they both looked separately at the Evening Mail, might be interested in taking it over. Thomson passes and the company then asks McDowell himself to take charge as chief executive in 1962. Among his first actions are to close the Evening Mail and the Sunday Review, a short-lived tabloid that is ahead of its time. A year later, another problem is resolved when Douglas Gageby, who had been hired as managing director of The Irish Times shortly before McDowell’s arrival, takes over as editor.

Thus, what had begun as a slightly awkward relationship, turns into a highly successful partnership as Gageby sets about broadening the newspaper’s editorial appeal and McDowell sets it on a successful commercial course. McDowell always credits Gageby and his successors as editor with the success of the newspaper. Although he has a close relationship with editors, especially Gageby, he does not interfere in the editorial running of the newspaper.

By the early 1970s, the circulation of The Irish Times has almost doubled in a decade to 60,000 and it is making money. Some of the directors indicate an interest in selling the company. McDowell proposes instead that it be turned into a trust. It is a period when several newspapers in Ireland and Britain have changed hands or are seen as being vulnerable to takeovers. His aims are to protect the newspaper’s independence, make it as difficult as possible for anyone to take over, and formalise its aims in a guiding trust.

McDowell works on the trust document for many months, going through 28 drafts before he is satisfied with the result. The five directors of the company, including McDowell and Gageby, transfer their shares in the company to a solicitor in the autumn of 1973 in anticipation of announcing the trust at the end of that year. Further delays in finalising the trust terms result in its announcement in April 1974, on the eve of the introduction of capital gains tax. The timing gives rise to suggestions that the directors are taking their cash (£325,000 each) out of the company before the new tax takes effect. McDowell always denies that this is the case, maintaining that the timing is coincidental. He is also adamant that the motivation behind the formation of the trust itself is altruistic.

The formation of the trust leaves the newspaper with a large bank debt, used to buy out the directors/shareholders, at what turns out to be a difficult economic period after the first oil crisis hits the western world in the autumn of 1974. McDowell successfully guides The Irish Times‘ financial fortunes through the subsequent recession and into further periods of growth throughout the 1980s and 1990s.

McDowell stands down as chief executive of the company in 1997 and retires from the chairmanship of The Irish Times Trust in 2001. He is given the title President for Life in recognition of his huge contribution to the newspaper.

McDowell is a private person and never seeks or exploits the public status or limelight that goes with being a newspaper publisher. During his visit to the new The Irish Times offices on Tara Street in June 2008 for the unveiling of a portrait of him by Andrew Festing, he describes the newspaper and his family as the two loves of his life.

McDowell dies unexpectedly at the age of 87 on September 9, 2009. His funeral takes place in Whitechurch Parish Church, Rathfarnham, followed by burial in the adjoining churchyard.


by Leave a comment

Death of Charles Lever, Novelist & Raconteur

Charles James Lever, Irish novelist and raconteur, dies of heart failure on June 1, 1872, at Trieste, Italy. According to Anthony Trollope, his novels are just like his conversation.

Lever is born in Amiens Street, Dublin, on August 31, 1806. He is the second son of James Lever, an architect and builder, and is educated in private schools. His escapades at Trinity College, Dublin (1823–1828), where he earns a degree in medicine in 1831, are drawn on for the plots of some of his novels. The character Frank Webber in the novel Charles O’Malley is based on a college friend, Robert Boyle, who later becomes a clergyman. He and Boyle earn pocket-money singing ballads of their own composing in the streets of Dublin and play many other pranks which he embellishes in the novels Charles O’Malley, Con Cregan and Lord Kilgobbin.

Before seriously embarking upon his medical studies, Lever visits Canada as an unqualified surgeon on an emigrant ship. Arriving in Canada, he journeys into the backwoods, where he is affiliated to a tribe of Native Americans but has to flee because his life is in danger, as later his character Bagenal Daly does in his novel The Knight of Gwynne.

Back in Europe, Lever pretends he is a student from the University of Göttingen and travels to the University of Jena and then to Vienna. He loves German student life and several of his songs, such as “The Pope He Loved a Merry Life,” are based on student-song models. His medical degree earns him an appointment to the Board of Health in County Clare and then as a dispensary doctor in Portstewart, County Londonderry, but his conduct as a country doctor earns him the censure of the authorities.

In 1833 Lever marries his first love, Catherine Baker, and in February 1837, after varied experiences, he begins publishing The Confessions of Harry Lorrequer in the recently established Dublin University Magazine. Before Harry Lorrequer appears in volume form (1839), he has settled on the strength of a slight diplomatic connection as a fashionable physician in Brussels.

In 1842 Lever returns to Dublin to edit the Dublin University Magazine, and gathers round him a typical coterie of Irish wits. In June 1842 he welcomes William Makepeace Thackeray, the author of The Snob Papers, to Templeogue, four miles southwest of Dublin, on his Irish tour. The O’Donoghue and Arthur O’Leary (1845) make his native land an impossible place for Lever to continue in. Thackeray suggests London, but Lever requires a new field of literary observation and anecdote. His creative inspiration exhausted, he decides to renew it on the continent. In 1845 he resigns his editorship and goes back to Brussels, whence he starts upon an unlimited tour of central Europe in a family coach. Now and again, he halts for a few months, and entertains to the limit of his resources in some ducal castle or other which he hires for an off season.

Depressed in spirit as Lever is, his wit is unextinguished. He is still the delight of the salons with his stories, and in 1867, after a few years’ experience of a similar kind at La Spezia, he is cheered by a letter from Lord Derby offering him the more lucrative consulship of Trieste. The $600 annual salary does not atone to Lever for the lassitude of prolonged exile. Trieste, at first “all that I could desire,” became with characteristic abruptness “detestable and damnable.”

Lever’s depression, partly due to incipient heart disease, partly to the growing conviction that he is the victim of literary and critical conspiracy, is confirmed by the death of his wife on April 23, 1870, to whom he is tenderly attached. He visits Ireland in the following year and seems alternately in high and low spirits. Death had already given him one or two runaway knocks, and, after his return to Trieste, he fails gradually, dying suddenly, however, and almost painlessly, from heart failure on June 1, 1872 at his home, Villa Gasteiger. His daughters, one of whom, Sydney, is believed to have been the real author of A Rent in a Cloud (1869), are well provided for.


by Leave a comment

Death of William Wilde, Surgeon, Author & Father of Oscar Wilde

Sir William Robert Wills Wilde, Irish oto–ophthalmologic surgeon and the author of significant works on medicine, archaeology and folklore, particularly concerning his native Ireland dies on April 19, 1876. He is the father of poet and playwright Oscar Wilde.

Wilde is born in March 1815 at Kilkeevin, near Castlerea, County Roscommon, the youngest of the three sons and two daughters of a prominent local medical practitioner, Thomas Wills Wilde, and his wife, Amelia Flynne. His family are members of the Church of Ireland, and he is descended from a Dutchman, Colonel de Wilde, who came to Ireland with King William of Orange‘s invading army in 1690, and numerous Anglo-Irish ancestors. He receives his initial education at the Elphin Diocesan School in Elphin, County Roscommon. In 1832, he is bound as an apprentice to Abraham Colles, the pre-eminent Irish surgeon of the day, at Dr. Steevens’ Hospital in Dublin. He is also taught by the surgeons James Cusack and Sir Philip Crampton and the physician Sir Henry Marsh. He also studies at the private and highly respected school of anatomy, medicine, and surgery in Park Street (later Lincoln Place), Dublin. In 1837, he earns his medical degree from the Royal College of Surgeons in Ireland. In the same year, he embarks on an eight-month-cruise to the Holy Land with a recovering patient, visiting various cities and islands throughout the Mediterranean. Porpoises are flung on board the ship, Crusader, and Wilde dissects them. Taking notes, he eventually composes a two-volume book on the nursing habits of the creatures. Among the places he visits on this tour is Egypt. In a tomb he finds the mummified remains of a dwarf and salvages the torso to bring back to Ireland. He also collects embalmed ibises.

Once back in Ireland, Wilde publishes an article in the Dublin University Magazine suggesting that one of the “Cleopatra’s Needles” be transported to England. In 1878, one of the Needles is transported to London, and in 1880 the other one is brought to New York City‘s Central Park. In 1873 he is awarded the Cunningham Gold Medal by the Royal Irish Academy.

Wilde runs his own hospital, St. Mark’s Ophthalmic Hospital for Diseases of the Eye and Ear, in Dublin and is appointed to serve as Oculist-in-ordinary to Queen Victoria. At one point, he performs surgery on the father of another famous Irish dramatist, George Bernard Shaw.

Wilde had a very successful medical practice and is assisted in it by his natural son, Henry Wilson, who had been trained in Dublin, Vienna, Heidelberg, Berlin, and Paris. Wilson’s presence enables him to travel, and he visits Scandinavia, where he receives an honorary degree from Uppsala University, and is welcomed in Stockholm by Anders Retzius, among others. King Charles XV of Sweden confers on him the Nordstjärneorden (Order of the Polar Star). In 1853, he is appointed Surgeon Occulist in Ordinary to the Queen in Ireland, the first position of its kind, probably created for him.

Wilde is awarded a knighthood in a ceremony at Dublin Castle on January 28, 1864, more for his involvement with the Irish census than for his medical contributions, although he had been appointed medical commissioner to the Irish census in 1841. In 1845, he becomes editor of the Dublin Journal of Medical & Chemical Science, to which he contributes many articles.

Wilde marries the poet Jane Francesca Agnes Elgee on November 12, 1851, who writes and publishes under the pen name of Speranza. The couple has two sons, William (Willie) and Oscar, and a daughter, Isola Francesca, who dies in childhood.

In addition to his children with his wife, Wilde is the father of three children born out of wedlock before his marriage: Henry Wilson, born in 1838, and Emily and Mary Wilde, born in 1847 and 1849, respectively, of different parentage to Henry. He acknowledges paternity of his illegitimate children and provides for their education, but they are reared by his relatives rather than with his wife and legitimate children. Emily and Mary both die in 1871 following a Halloween party at which their dresses accidentally catch fire.

From 1855 until his death in 1876, Wilde lives at 1 Merrion Square, now the headquarters of American College Dublin. The building is named Oscar Wilde House after William Wilde’s son, who also lives at the address from 1855 until 1878. There is a plaque at 1 Merrion Square dedicated to him.

Wilde’s reputation suffers when Mary Travers, a long-term patient of his and the daughter of a colleague, claims that he had seduced her two years earlier. She writes a pamphlet crudely parodying Wilde and Lady Wilde as Dr. and Mrs. Quilp, and portraying Dr. Quilp as the rapist of a female patient anaesthetised under chloroform. She distributes the pamphlets outside the building where Wilde is about to give a public lecture. Lady Wilde complains to Mary’s father, Robert Travers, which results in Mary bringing a libel case against her. Mary Travers wins her case but is awarded a mere farthing in damages by the jury. Legal costs of £2,000 are awarded against Lady Wilde. The case is the talk of all Dublin, and Wilde’s refusal to enter the witness box during the trial is widely held against him as ungentlemanly behaviour.

From this time onwards, Wilde begins to withdraw from Dublin to the west of Ireland, where he had started in 1864 to build what becomes Moytura, his house overlooking Lough Corrib in Connemara, County Galway. His health deteriorates in 1875. He dies, likely of cancer, at the age of 61 on April 19, 1876. He is buried in Mount Jerome Cemetery in Dublin.

(Pictured: Sketch of William Wilde by J.H. Maguire, 1847)


by Leave a comment

Birth of Albert Rosen, Czech/Irish-Naturalized Conductor

Albert Rosen, Austrian-born and Czech/Irish-naturalised conductor associated with the National Symphony Orchestra of Ireland, the Wexford Festival Opera, the National Theatre in Prague and J. K. Tyl Theatre in Plzeň (Pilsen), is born in Vienna on February 14, 1924. He has a strong affinity with the works of Czech composers such as Bedřich Smetana, Antonín Dvořák, Bohuslav Martinů, and Leoš Janáček.

Rosen’s mother is Czech, while his father’s family is Austrian-Jewish. After Anschluss of Austria in 1938 they move to Bratislava, and after the Slovak version of Nuremberg Laws comes to force in September 1941, he escapes discrimination and genocide via the Danube and the sea to Israel (then Mandatory Palestine). There he works in the Shaʽar_HaGolan kibbutz, manually and as an amateur chorus master, until 1945, when he returns to Bratislava.

In 1946–47 Rosen studies piano, composition and conducting at the Vienna Academy of Music with Joseph Marx and Hans Swarowsky, and continues to study conducting at the Prague Conservatory under Pavel Dědeček and Alois Klíma (1947–48). He starts his career in J. K. Tyl Theatre in Plzeň (Pilsen) as a correpetiteur, assistant conductor and chorus master (1949–52) and conductor (1953–59), participating on the production of 11 operas, 19 ballets and, as the composer of stage music, 17 dramas. In 1960 he is engaged by National Theatre in Prague, to be appointed in 1964 the chief conductor of Smetana Theatre, the National Theatre’s opera stage. He holds this position until 1971, conducting 11 ballets and 9 opera productions.

In 1965 Rosen comes to Ireland for the first time to conduct the National Symphony Orchestra (under its former name, the Radio Telefís Éireann Symphony Orchestra) at the Wexford Festival. This leads to regular appearances at the festival until 1994, conducting 18 Wexford productions, more than anyone else. In 1969 he becomes the orchestra’s chief conductor, until he becomes principal guest conductor in 1981. In 1994 he is honoured with the title Conductor Laureate of the orchestra.

Rosen’s operatic repertoire includes standard works such as Carmen (Bizet), Tosca and Madama Butterfly (Puccini), Il trovatore and Don Carlos (Verdi), Lohengrin (Wagner), Lucrezia Borgia (Donizetti), Otello and L’italiana in Algeri (Rossini), Káťa Kabanová (Janáček), La Wally (Catalani), The Bartered Bride (Smetana), and Salome (Richard Strauss). He also conducted unusual works such as Smetana’s The Two Widows and The Kiss, and Dvořák’s Rusalka, The Devil and Kate and The Jacobin.

In October 1978, in Dublin and Cork, Rosen conducts the National Symphony Orchestra in only the second and third performances of André Tchaikowsky‘s 2nd Piano Concerto, Op. 4, which are the first performances with the composer as soloist. He is to record the work in 1982, again with Tchaikowsky at the piano, but the composer becomes ill, and the recording is cancelled. His other work with the NSO includes standard orchestral repertoire as well as major pieces such as Olivier Messiaen‘s Turangalîla-Symphonie and Gustav Mahler‘s Symphony No. 8 (Symphony of a Thousand). In 1992, the orchestra tours ten cities in Germany, having a major success with Die Fledermaus in Stuttgart.

Rosen makes his American debut at the San Francisco Opera in 1980, in Janáček’s Jenůfa. In Australia, he is chief conductor of the West Australian Symphony Orchestra from 1983 until 1985, and the Adelaide Symphony Orchestra in 1986. He conducts the British premiere of Nikolai Rimsky-Korsakov‘s opera Christmas Eve with English National Opera in 1988. He becomes music director of the Irish National Opera in 1993.

Rosen often conducts the National Youth Orchestra of Ireland during the 1990s, in challenging works such as the tone poems and An Alpine Symphony of Richard Strauss. Other opera orchestras he conducts included those of the Welsh National Opera, Scottish Opera, Vancouver Opera, San Diego Opera, and the Dublin Grand Opera Society.

Rosen becomes an Irish citizen by naturalisation. His own conducting students include John Finucane.

Rosen dies at the age of 73 in Dublin on May 23, 1997, of lung cancer.

(Pictured: Albert Rosen conducts the RTÉ Symphony Orchestra in St. Patrick’s Training College in Drumcondra, Dublin, in 1972)


by Leave a comment

The Battle of Castiglione

arthur-dillonArthur Dillon‘s regiment of the Irish Brigade of France fights at the Battle of Castiglione on September 8, 1706. The battle takes place near Castiglione delle Stiviere in Lombardy, Italy during the War of the Spanish Succession. The French army of 12,000 attacks a Hessian corps of 10,000 that is besieging the town, forcing them to retreat with heavy losses.

By the end of 1705, France and its allies control most of Northern Italy, as well as the Savoyard territories of Villefranche and the County of Savoy, now in modern-day France. The main French objective for 1706 is to capture the Savoyard capital of Turin. To prevent Imperial forces in Lombardy intervening, Louis Joseph, Duke of Vendôme, attacks at Calcinato on April 19 and drives them into the Trentino valley. On May 12, Marshall La Feuillade and an army of 48,000 men reach Turin, completing their blockade of the city on 19 June 19. The Imperial commander Prince Eugene of Savoy returns from Vienna and takes the remaining troops into the Province of Verona to await the German contingents. By early July, there are 30,000 Imperial soldiers around Verona facing 40,000 French spread between the Mincio and Adige rivers.

The French position looks very strong but defeat at Ramillies in May means Vendôme and any available troops are sent to Northern France. The siege of Turin continues and although the Hessians have not yet arrived, by mid-July Prince Eugene can no longer delay marching to its relief. Count of Médavy and 23,000 men are left to guard the Alpine passes.

The Hessians finally cross the Alps in July, under the command of Frederick of Hesse-Kassel. As they arrive too late to join Prince Eugene’s march to Turin, the Hessians are tasked with preventing Médavy disrupting his supply routes. On August 19, Frederick sends 2,000 men under Major-General Wetzel to Goito, a small town with a bridge across the Mincio and the French garrison evacuates the town. Castiglione is strongly defended and they have to wait for the heavy artillery to arrive from Arco. Frederick leaves 1,500 men outside the town with the rest positioned near Medole, allowing him to monitor Médavy’s main force at Cremona and the crossing at Goito.

The withdrawal from Goito is part of a plan by Médavy to assemble a field army without alerting Frederick by removing garrisons from key strongpoints like Cremona. He puts together a force of 8,000 infantry and 4,000 cavalry, crosses the Oglio river at Marcaria and attacks on September 8. Dividing his corps leaves Frederick outnumbered. The first assaults are repulsed but a cavalry charge led by the Irish exile Arthur Dillon catches the Hessian left wing as they are changing position and the line collapses. Médavy then turns his attention to those outside Castiglione, many of whom surrender. French casualties are estimated as 1,000 killed or wounded, the Hessians losing around 1,500 killed or wounded plus 2,500 captured.

The remainder fall back on Valeggio sul Mincio. In a letter of September 11 to John Churchill, 1st Duke of Marlborough, Frederick claims his forces were reduced by sickness but although they initially drove the French back, lack of artillery forced him to retreat.

Médavy’s victory leaves the strategic position unaltered. The Battle of Turin on September 7 had broken the siege and after Ramillies France can no longer spare the resources to continue fighting in Italy. Castiglione slightly improves their bargaining position but French garrisons in Lombardy are isolated and cannot be reinforced, their surrender being only a matter of time.

To the fury of the English and Dutch, in March 1707 Emperor Joseph signs the Convention of Milan withdrawing all French troops from Northern Italy in return for free passage back to France.

(Pictured: Arthur Dillon, Colonel of Dillon’s Regiment in the Irish Brigade of France)


by Leave a comment

Birth of Charles Lever, Novelist & Raconteur

Charles James Lever, Irish novelist and raconteur, is born in Amiens Street, Dublin, on August 31, 1806. According to Anthony Trollope, his novels were just like his conversation.

Lever is the second son of James Lever, an architect and builder, and is educated in private schools. His escapades at Trinity College, Dublin (1823–1828), where he earns a degree in medicine in 1831, are drawn on for the plots of some of his novels. The character Frank Webber in the novel Charles O’Malley is based on a college friend, Robert Boyle, who later becomes a clergyman. He and Boyle earn pocket-money singing ballads of their own composing in the streets of Dublin and play many other pranks which he embellishes in the novels Charles O’Malley, Con Cregan and Lord Kilgobbin.

Before seriously embarking upon his medical studies, Lever visits Canada as an unqualified surgeon on an emigrant ship. Arriving in Canada, he journeys into the backwoods, where he is affiliated to a tribe of Native Americans but has to flee because his life is in danger, as later his character Bagenal Daly does in his novel The Knight of Gwynne.

Back in Europe, Lever pretends he is a student from the University of Göttingen and travels to the University of Jena and then to Vienna. He loves German student life and several of his songs, such as “The Pope He Loved a Merry Life,” are based on student-song models. His medical degree earns him an appointment to the Board of Health in County Clare and then as a dispensary doctor in Portstewart, County Londonderry, but his conduct as a country doctor earns him the censure of the authorities.

In 1833 Lever marries his first love, Catherine Baker, and in February 1837, after varied experiences, he begins publishing The Confessions of Harry Lorrequer in the recently established Dublin University Magazine. Before Harry Lorrequer appears in volume form (1839), he has settled on the strength of a slight diplomatic connection as a fashionable physician in Brussels.

In 1842 Lever returns to Dublin to edit the Dublin University Magazine, and gathers round him a typical coterie of Irish wits. In June 1842 he welcomes William Makepeace Thackeray, the author of The Snob Papers, to Templeogue, four miles southwest of Dublin, on his Irish tour. The O’Donoghue and Arthur O’Leary (1845) make his native land an impossible place for Lever to continue in. Thackeray suggests London, but Lever requires a new field of literary observation and anecdote. His creative inspiration exhausted, he decides to renew it on the continent. In 1845 he resigns his editorship and goes back to Brussels, whence he starts upon an unlimited tour of central Europe in a family coach. Now and again he halts for a few months, and entertains to the limit of his resources in some ducal castle or other which he hires for an off season.

Depressed in spirit as Lever is, his wit is unextinguished. He is still the delight of the salons with his stories, and in 1867, after a few years’ experience of a similar kind at La Spezia, he is cheered by a letter from Lord Derby offering him the more lucrative consulship of Trieste. The $600 annual salary does not atone to Lever for the lassitude of prolonged exile. Trieste, at first “all that I could desire,” became with characteristic abruptness “detestable and damnable.”

Lever’s depression, partly due to incipient heart disease, partly to the growing conviction that he is the victim of literary and critical conspiracy, is confirmed by the death of his wife on April 23, 1870, to whom he is tenderly attached. He visits Ireland in the following year and seems alternately in high and low spirits. Death had already given him one or two runaway knocks, and, after his return to Trieste, he fails gradually, dying suddenly, however, and almost painlessly, from heart failure on June 1, 1872 at his home, Villa Gasteiger. His daughters, one of whom, Sydney, is believed to have been the real author of A Rent in a Cloud (1869), are well provided for.