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Tag Archives: William Macready


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Birth of James Sheridan Knowles, Dramatist & Actor

James Sheridan Knowles, Irish dramatist and actor, is born in Cork, County Cork, on May 12, 1784. A relative of Richard Brinsley Sheridan, he enjoys success writing plays for the leading West End theatres. Later in his career he also produces several novels.

Knowles’s father is the lexicographer James Knowles, cousin of Richard Brinsley Sheridan. The family moves to London in 1793, and at the age of fourteen he publishes a ballad entitled The Welsh Harper, which, set to music, is very popular. His talents secure him the friendship of William Hazlitt, who introduces him to Charles Lamb and Samuel Taylor Coleridge. He serves for some time in the Wiltshire and afterwards in the Tower Hamlets militia, leaving the service to become a pupil of Dr. Robert Willan. He obtains the degree of M.D. and is appointed vaccinator to the Jennerian Society.

Although Dr. Willan offers him a share in his practice, Knowles decides to give up medicine for the stage, making his first appearance as an actor probably at Bath, and plays Hamlet at the Crow Street Theatre, Dublin. At Wexford he marries, in October 1809, Maria Charteris, an actress from the Edinburgh Theatre. In 1810, he writes Leo, a successful play in which Edmund Kean appears. Another play, Brian Boroihme, written for the Belfast Theatre in the next year, attracts crowds. Nevertheless, his earnings are so small that he is obliged to become assistant to his father at the Royal Belfast Academical Institution. In 1817 he moves from Belfast to Glasgow, where, besides keeping a flourishing school, he continues to write for the stage.

Knowles first important success is Caius Gracchus, produced at the Belfast Theatre in 1815. His Virginius, written for William Charles Macready, is first performed in 1820 at Covent Garden. In William Tell (1825), he writes for Macready one of his favourite parts. His best-known play, The Hunchback, is produced at Covent Garden in 1832, and he wins praise acting in the work as Master Walter. The Wife is brought out at the same theatre in 1833. The Daughter, better known as The Wrecker’s Daughter, in 1836, and The Love Chase in 1837. His 1839 play Love is praised by Mary Shelley for its “inspiring situations founded on sentiment and passion.” His second wife is the actress, Emma Knowles.

In his later years Knowles forsakes the stage for the pulpit and, as a Baptist preacher, attracts large audiences at Exeter Hall and elsewhere. He publishes two polemical works: the Rock of Rome and the Idol Demolished by Its Own Priests in both of which he combats the special doctrines of the Roman Catholic Church. He is for some years in the receipt of an annual pension of £200, bestowed by Sir Robert Peel in 1849. In old age he befriends the young Edmund Gosse, whom he introduces to Shakespeare. He makes a happy appearance in Gosse’s Father and Son.

Knowles dies at Torquay on November 30, 1862. He is buried under a huge tomb at the summit of the Glasgow Necropolis.

A full list of the works of Knowles and of the various notices of him can be found in The Life of James Sheridan Knowles (1872), privately printed by his son, Richard Brinsley Knowles (1820–1882), who is well known as a journalist. It is translated into German.


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Death of Gerald Griffin, Novelist, Poet & Playwright

Gerald Griffin (Irish: Gearóid Ó Gríofa), Irish novelist, poet and playwright, dies of typhus fever on June 12, 1840. His novel The Collegians is the basis of Dion Boucicault‘s play The Colleen Bawn, or The Brides of Garryowen. Feeling he is “wasting his time” writing fiction, he joins the Congregation of Christian Brothers, a Catholic religious congregation founded by Edmund Ignatius Rice, to teach the children of the poor.

Griffin is born in Limerick, County Limerick, on December 12, 1803, the youngest son of thirteen children of a substantial Catholic farming family. Patrick Griffin, his father, also makes a living through brewing, and he participates as one of Henry Grattan‘s Irish Volunteers (18th century). His mother comes from the ancient O’Brien dynasty, and first introduces him to English literature. When he is aged seven, the family moves to Fairy Lawn, a house near Loghill, County Clare, which sits on a hill above the bank of the Shannon Estuary, about twenty-seven miles from Limerick. Here he has an idyllic childhood and receives a classical education.

In 1820 the family at Fairy Lawn is broken up. The parents with several of the children emigrate to the United States and settle in Pennsylvania. Griffin, with one brother and two sisters, is left behind under the care of his elder brother William, a practicing physician in Adare, County Limerick. He meets John Banim in Limerick. Inspired by the successful production of Banim’s play Damon and Pythias (1821), Griffin, at nineteen years of age, moves to London in 1823. After an unsuccessful attempt at becoming a playwright, he endures years of poverty in London, managing only to scrape by through writing reviews for periodicals and newspapers. At the end of two years he obtains steady employment in the publishing house as reader and reviser of manuscripts, and in a short time becomes frequent contributor to some of the leading periodicals and magazines. His early pieces in The Literary Gazette vividly describe the rural setting of his childhood, recount Irish folklore, translate the Celtic Irish language for the English readers, and, as Robert Lee Wolff observes, “waxed richly sardonic about Irishmen who tried to be more English than the English.”

Griffin’s Holland-Tide or Munster Popular Tales is published by Simpkin & Marshall in 1827. Holland-Tide is a collection of seven short stories, all of which are told in the house of a hospitable Munster farmer during All Hallows’ Eve in Munster. Holland-Tide establishes his reputation and he returns to Ireland, where he writes Tales of the Munster Festivals in Pallaskenry to which his brother William has moved.

Experience leads Griffin to modify his expectations in relation to literary work, and, with a view to the legal profession, he enters the University of London as a law student, but in a short time removes to Dublin for the study of ancient Irish history, preparatory to his work The Invasion, which is published in 1832. This work has a good sale and is highly praised by scholars, but never becomes popular.

With the exception of a tour through Scotland and a short trip on the European continent, Griffin lives with his brother, keeping up to some extent his literary labours. By 1833, he is increasingly concerned that he is wasting his time, and begins to devote himself to teaching the poor children of the neighborhood. In 1838, hes all of his unpublished manuscripts and joins the Congregation of Christian Brothers, a Catholic religious order which has as its special aim the education of children of the poor. Writing to an old friend he says he feels a great deal happier in the practice of this daily routine than he ever did while roving about the great city, absorbed in the modest project of rivaling Shakespeare and throwing Scott in the shade. In June 1839, he is transferred from Dublin to Cork, where he dies of typhus fever at the age of thirty-six on June 12, 1840.

Griffin’s play Gisippus is produced posthumously at Theatre Royal, Drury Lane on February 23, 1842 by William Macready, and it runs to a second edition in print.

One of Griffin’s most famous works is The Collegians, a novel based on a trial that he had reported on, involving the murder of a young Irish Catholic girl (Ellen Hanley) by a Protestant Anglo-Irish man (John Scanlon). The novel is later adapted for the stage as The Colleen Bawn by Dion Boucicault.

Griffin has a street named after him in Limerick and another in Cork. Loughill/Ballyhahill GAA club in west Limerick plays under the name of Gerald Griffins.

(Pictured: “Portrait of Gerald Griffin (1803-1840), Poet and Novelist,” painting by Richard Rothwell (1800-1868), National Gallery of Ireland)