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Tag Archives: Richard Brinsley Sheridan


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Birth of Lord Edward FitzGerald

Lord Edward FitzGerald, Irish aristocrat who abandoned his prospects as a distinguished veteran of British service in the American Revolutionary War, and as an Irish Parliamentarian, to embrace the cause of an independent Irish republic, is born at Carton House, near Dublin, on October 15, 1763.

FitzGerald is the fifth son of James FitzGerald, 1st Duke of Leinster, and the Lady Emily Lennox, daughter of Charles Lennox, 2nd Duke of Richmond. In 1773 his father dies and his mother soon afterwards marries William Ogilvie, who had been the tutor for him and his siblings. He spends most of his childhood in Frescati House at Blackrock, Dublin, where he is tutored by Ogilvie in a manner chiefly directed to the acquisition of knowledge that will fit him for a military career.

FitzGerald joins the British Army in 1779 and then becomes aide-de-camp on the staff of Lord Rawdon in the Southern theatre of the American Revolutionary War. He is seriously wounded at the Battle of Eutaw Springs on September 8, 1781, his life being saved by an escaped slave named Tony Small. He commissions a portrait of Small by John Roberts in 1786. He frees Small and employs him to the end of his life. He is evacuated from Charleston, South Carolina in 1782 when the British forces abandon the city.

In 1783 FitzGerald visits the West Indies before returning to Ireland, where his brother, William FitzGerald, 2nd Duke of Leinster, has procured Edward’s election to the Irish Parliament as an MP for Athy, a seat he holds until 1790. In Parliament he acts with the small Opposition Irish Patriot Party group led by Henry Grattan, but takes no prominent part in debate. In the spring of 1786 he takes the then unusual step for a young nobleman of entering the Military College, Woolwich, after which he makes a tour through Spain in 1787. Dejected by unrequited love for his cousin Georgina Lennox, he sails for New Brunswick to join the 54th Regiment with the rank of Major.

In April 1789, guided by compass, FitzGerald traverses the country with a brother officer from Fredericton, New Brunswick to Quebec, falling in with Indians by the way, with whom he fraternizes. He accomplishes the journey in twenty-six days, and establishes a shorter practicable route than that hitherto followed. The route crosses the extremely rugged and heavily forested northern part of the present state of Maine. In a subsequent expedition he is formally adopted at Detroit by the Bear clan of the Mohawk with the name “Eghnidal,” and makes his way down the Mississippi River to New Orleans, whence he returns to England.

Finding that his brother has procured his election for Kildare County, a seat he holds from 1790 to 1798, and desiring to maintain political independence, FitzGerald refuses the command of an expedition against Cádiz offered him by William Pitt the Younger, and devotes himself for the next few years to the pleasures of society and to his parliamentary duties. He is on terms of intimacy with his first cousin Charles Fox, with Richard Sheridan and other leading Whigs. According to Thomas Moore, FitzGerald is only one of numerous suitors of Sheridan’s first wife, Elizabeth, whose attentions are received with favour. She conceives a child by him, a baby girl who is born on March 30, 1792.

His Whig connections, together with his transatlantic experiences, predisposed FitzGerald to sympathize with the doctrines of the French Revolution, which he embraces enthusiastically when he visits Paris in October 1792. He lodges with Thomas Paine and listens to the debates in the Convention. While in Paris, he becomes enamoured of a young girl named Pamela whom he chances to see at the theatre, and who has a striking likeness to Elizabeth Sheridan. On December 27, 1792, he and Pamela are married at Tournai, one of the witnesses being Louis Philippe, afterwards King of the French. In January 1793 the couple reaches Dublin.

Ireland is by then seething with dissent which is finding a focus in the increasingly popular and revolutionary Society of the United Irishmen, which has been forced underground by the outbreak of war between France and Britain in 1793. FitzGerald, fresh from the gallery of the Convention in Paris, returns to his seat in the Irish Parliament and immediately springs to their defence. Within a week of his return he is ordered into custody and required to apologise at the bar of the House of Commons for violently denouncing in the House a Government proclamation which Grattan had approved for the suppression of the United-Irish attempt to revive the Irish Volunteer movement with a “National Guard.” However, it is not until 1796 that he joins the United Irishmen, who by now have given up as hopeless the path of constitutional reform and whose aim, after the recall of Lord FitzWilliam in 1795, is nothing less than the establishment of an independent Irish republic.

In May 1796 Theobald Wolfe Tone is in Paris endeavouring to obtain French assistance for an insurrection in Ireland. In the same month, FitzGerald and his friend Arthur O’Connor proceed to Hamburg, where they open negotiations with the Directory through Reinhard, French minister to the Hanseatic towns. The Duke of York, meeting Pamela at Devonshire House on her way through London with her husband, tells her that his plans are known and advises that he should not go abroad. The proceedings of the conspirators at Hamburg are made known to the government in London by an informer, Samuel Turner. The result of the Hamburg negotiations is Louis Lazare Hoche‘s abortive expedition to Bantry Bay in December 1796.

In September 1797 the Government learns from the informer Leonard McNally that FitzGerald is among those directing the conspiracy of the United Irishmen, which is now quickly maturing. Thomas Reynolds, converted from a conspirator to an informer, keeps the authorities posted in what is going on, though lack of evidence produced in court delays the arrest of the ringleaders. But on March 12, 1798 Reynolds’ information leads to the seizure of a number of conspirators at the house of Oliver Bond. FitzGerald, warned by Reynolds, is not among them.

As a fellow member of the Ascendancy class, the Government are anxious to make an exception for FitzGerald, avoiding the embarrassing and dangerous consequences of his subversive activities. They communicate their willingness to spare him from the normal fate meted out to traitors. FitzGerald however refuses to desert others who cannot escape, and whom he has himself led into danger. On March 30 the government proclamation of martial law authorising the military to act as they see fit to crush the United Irishmen leads to a campaign of vicious brutality in several parts of the country.

FitzGerald’s social position makes him the most important United Irish leader still at liberty. On May 9 a reward of £1,000 is offered by Dublin Castle for his apprehension. Since the arrests at Bond’s house, he has been in hiding. The date for the rising is finally fixed for May 23 and FitzGerald awaits the day hidden by Mary Moore above her family’s inn in Thomas Street, Dublin.

Tipped off that the house is going to be raided, Moore turns to Francis Magan, a Catholic barrister and trusted sympathiser, who agrees to hide Fitzgerald. Making its way to Magan’s house on May 18, Fitzgerald’s party is challenged by Major Henry Sirr and a company of Dumbarton Fencibles. Moore escapes with Fitzgerald and takes him back to Thomas Street to the house of Nicholas Murphy.

Moore explains to Magan what had happened and, unbeknownst to her, Magan informs Dublin Castle. The Moore house is raided that day. Mary, running to warn the Leinster Directory meeting nearby in James’s Gate, receives a bayonet cut across the shoulders. That same evening Sirr storms Murphy’s house where FitzGerald is in bed suffering from a fever. Alerted by the commotion, he jumps out of bed and, ignoring the pleas of the arresting officers to surrender peacefully, he stabs one and mortally wounds the other with a dagger in a desperate attempt to escape. He is secured only after Major Sirr shoots him in the shoulder.

FitzGerald is conveyed to New Prison, Dublin where he is denied proper medical treatment. After a brief detention in Dublin Castle he is taken to Newgate Prison, Dublin where his wound, which has become infected, becomes mortally inflamed. His wife, whom the government probably has enough evidence to convict of treason, has fled the country, never to see her husband again, but FitzGerald’s brother Henry and his aunt Lady Louisa Conolly are allowed to see him in his last moments. He dies at the age of 34 on June 4, 1798, as the rebellion rages outside. He is buried the next day in the cemetery of St. Werburgh’s Church, Dublin. An Act of Attainder confiscating his property is passed as 38 Geo. 3 c. 77, but is eventually repealed in 1819.

There are Lord Edward Streets named in FitzGerald’s honour in many places in Ireland, such as Dublin, Limerick, Sligo, Kilkenny, Ballina, Ballymote, and Ballycullenbeg in County Laois. The County Roscommon GAA club Tulsk Lord Edward’s and the Geraldines P. Moran’s GAA club in Cornelscourt, Dublin, are named after him.


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Birth of Arthur O’Connor, United Irishman

Arthur O’Connor, a United Irishman who is active in seeking allies for the Irish cause in England, is born near Bandon, County Cork, on July 4, 1763.

O’Connor is born into a wealthy Irish Protestant family. Through his brother Roger O’Connor, the author of the Chronicles of Eri who shares his politics, he is an uncle to Roderic O’Connor, Francisco Burdett O’Connor, and Feargus O’Connor among others. His other two brothers, Daniel and Robert, are pro-British loyalists.

As a young man, O’Connor embraces the Republican movement early on as he is encouraged by the American Revolution overseas. After his oldest brother Daniel gets into debt, his brother Roger buys out his inheritance. The family’s political and financial conflicts are only deepened when their sister Anne commits suicide, after having been forbidden by the family from marrying a Catholic man she was in love with.

From 1790 to 1795 O’Connor is a Member of Parliament in the Irish House of Commons for Philipstown. The Irish House of Commons is part of the colonial parliament that sits in College Green, Dublin. He is also a member of the Kildare Street Club in Dublin.

In 1796, O’Connor joins the Society of United Irishmen and determines, on its platform, to contest what had been his uncle Lord Longueville’s Irish parliamentary seat in Antrim. In January 1797, to the “free electors” of the county he commends the “entire abolition of religious distinctions” and the “establishment of a National Government,” while protesting the “invasion” of the country by English and Scottish troops and the continuation of the continental war. Arrests, including his own in February for seditious libel, frustrate his attempts to canvass. With Lord Edward FitzGerald and others in the leadership in Dublin his thoughts turn to securing “fraternal” French support for a revolutionary insurrection.

While traveling to France in March 1798, O’Connor is arrested alongside Father James Coigly, a Catholic priest, and two other United Irishmen, Benjamin Binns (also of the London Corresponding Society), and John Allen. Coigly, who is found to be carrying an clear evidence of treason, an address from “The Secret Committee of England” to the French Directory, is hanged. O’Connor, able to call Charles James Fox, Francis Rawdon-Hastings, the Earl of Moria, Richard Brinsley Sheridan and other Whig luminaries to testify to his character, is acquitted but is immediately re-arrested and imprisoned at Fort George in Scotland along with his brother Roger.

O’Connor is released in 1802 under the condition of “banishment,” He travels to Paris, where he is regarded as the accredited representative of the United Irishmen by Napoleon who, in February 1804, appoints him General of Division in the French army. General Louis-Alexandre Berthier, Minister of War, directs that O’Connor is to join the expeditionary army intended for the invasion of Ireland at Brest. When the plan falls through, O’Connor retires from the army.

In 1807, although more than twice her age, O’Connor marries Alexandrine Louise Sophie de Caritat de Condorcet, known as Eliza, the daughter of the scholar the Marquis de Condorcet and Sophie de Condorcet. Following his marriage he borrows money from fellow exile William Putnam McCabe to acquire a country residence. His tardiness in repaying the debt to McCabe, whose own investments into cotton spinning in Rouen had failed, results in a lawsuit. Cathal O’Bryne suggests that the debt is behind O’Connor’s later suggestion to Richard Robert Madden that McCabe had been a double agent, a charge to which, Madden notes, the French government lends no credence.

O’Connor offers his services to Napoleon during the Hundred Days. After Napoleon’s defeat he is allowed to retire, becoming a naturalised French citizen in 1818. He supports the 1830 revolution which creates the July Monarchy, publishing a defence of events in the form of an open letter to General Gilbert du Motier, Marquis de Lafayette. After the revolution he becomes mayor of Le Bignon-Mirabeau. The rest of his life is spent composing literary works on political and social topics. He and his wife continue the efforts of her mother, who is herself an accomplished translator of Thomas Paine and Adam Smith, to publish her father’s works in twelve volumes between 1847 and 1849.

O’Connor’s wife give birth to five children, three sons and two daughters, almost all of whom predecease him. Only one son, Daniel, marries and has issue. Daniel marries Ernestine Duval du Fraville, a daughter of Laurent-Martin Duval, Baron Duval du Fraville, in 1843. She dies at Cannes in 1877.

O’Connor dies on April 25, 1852. His widow dies in 1859.

O’Connor’s descendants continue to serve as officers in the French army and still reside at Château Dubignon. Through his only surviving son, Daniel, he is a grandfather of two boys, Arthur O’Connor (1844–1909), who serves in the French army, and Fernand O’Connor (1847–1905), a Brigade General who serves in Africa and is made a Knight of the Legion of Honour. His grandson, Arthur, marries Marguerite de Ganay (1859–1940), a daughter of Emily and Etienne, Marquis de Ganay, in 1878. They have two daughters, Elisabeth O’Connor, the wife of Alexandre de La Taulotte, and Brigitte Emilie Fernande O’Connor (1880–1948), who in 1904 marries the Comte François de La Tour du Pin (1878–1914), who is killed ten years later at the First Battle of the Marne.


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Death of Brinsley MacNamara, Writer & Playwright

John Weldon (alternatively “A. E. Weldon”), Irish writer, playwright, and the registrar of the National Gallery of Ireland, dies in Dublin on February 4, 1963. He adopts the pseudonym ‘Brinsley MacNamara,’ the first name deriving from Richard Brinsley Sheridan, the second from a relative on his mother’s side, and uses it throughout his subsequent career as novelist and playwright.

Weldon is born on September 6, 1890, in Hiskinstown, Delvin, County Westmeath, the eldest son of James Weldon, a schoolteacher, originally of Ballinea, Mullingar, and Fanny Weldon (née Duncan). He attends his father’s school at Delvin until he is eighteen, and the relationship between father and son is to remain rather formal and strict.

Stimulated by the visiting fit-up theatrical companies and of news from Dublin of the Abbey Theatre, in September 1908 he takes the lead in a local staging of a political melodrama, Robert Emmet by Henry C. Mangan. The following summer he leaves for Dublin, ostensibly to become a civil servant but in fact to audition as an actor at the Abbey Theatre. His acting career with the Abbey Theatre begins in September 1910 with a role in R. J. Ryan’s The Casting-out of Martin Whelan.

MacNamara is the author of several novels, the most well-known of which is his first, The Valley of the Squinting Windows (1918), its title a byword for small-town hypocrisy and begrudgery. The work itself is an uneasy fusion of a satiric portrait of gossipy, prying women and dipsomaniacally drinking men with a naturalist tragedy in which the sins of the past repeat themselves in the lives of the younger characters. The novel’s frank treatment of sexual matters is eclipsed as a cause of offence by the unflattering portrayal of almost all the inhabitants of the fictional village called Garradrimna, a place that local people feel would be automatically identified as Delvin. In the ensuing controversy the novelist’s father, James Weldon (widely suspected of being the author), and his school are subject to boycott. His attempts to seek legal redress in 1923 are unsuccessful.

MacNamara continues to write for many years after this controversial first work, and locates most of his later fiction in Garradrimna, in the Irish Midlands. Among his plays are The Glorious Uncertainty (1923) and Look at the Heffernans! (1926). His work is part of the literature event in the art competition at the 1924 Summer Olympics in Paris.

In 1925 McNamara is appointed registrar to the National Gallery of Ireland in Dublin, a position he holds until his retirement in 1960. In 1932 he becomes one of the first members of the Irish Academy of Letters, and in 1935 joins the board of directors of the Abbey Theatre.

MacNamara marries Helena Degidon, a schoolteacher, in 1920. His later years are dogged by increasing ill health and he dies at Sir Patrick Dun’s Hospital, Dublin, on February 4, 1963.


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Birth of Fiona Shaw, Actress & Director

fiona-shawFiona Mary Shaw, accomplished classical actress and theatre and opera director, is born in Farranree, County Cork on July 10, 1958. She is best known for her role as Petunia Dursley in the Harry Potter films and her role portraying Marnie Stonebrook in the HBO series True Blood.

Shaw attends secondary school at Scoil Mhuire in Cork. She receives her degree at University College Cork. She trains at the Royal Academy of Dramatic Art (RADA) in London and is part of a ‘new wave’ of actors to emerge from the Academy. She receives much acclaim as Julia in the Royal National Theatre production of Richard Sheridan‘s The Rivals (1983).

Shaw’s theatrical roles include Celia in As You Like It (1984), Madame de Volanges in Les Liaisons Dangereuses (1985), Katherine in The Taming of the Shrew (1987), Lady Franjul in The New Inn (1987), Young Woman in Machinal (1993), for which she wins the Laurence Olivier Award for Best Actress, Winnie in Happy Days (2007), and the title roles in Electra (1988), The Good Person of Sechuan (1989), Hedda Gabler (1991), The Prime of Miss Jean Brodie (1998) and Medea (2000). She performs T. S. Eliot‘s poem The Waste Land as a one-person show at the Liberty Theatre in New York City to great acclaim in 1996, winning the Drama Desk Award for Outstanding One-Person Show for her performance.

Shaw plays Miss Morrison in the 1984 The Adventures of Sherlock Holmes episode “The Adventure of the Crooked Man” and Catherine Greenshaw in Agatha Christie’s Marple episode “Greenshaw’s Folly” in 2013.

Shaw notably plays the male lead in Richard II, directed by Deborah Warner in 1995. She has collaborated with Warner on a number of occasions, on both stage and screen. She has also worked in film and television, including My Left Foot (1989), Mountains of the Moon (1990), Three Men and a Little Lady (1990), Super Mario Bros. (1993), Undercover Blues (1993), Persuasion (1995), Jane Eyre (1996), The Butcher Boy (1997), The Avengers (1998), Gormenghast (2000), and five of the Harry Potter films in which she plays Harry Potter‘s aunt Petunia Dursley. She has a brief but key role in Brian DePalma‘s The Black Dahlia (2006).

In 2009, Shaw collaborates with Deborah Warner again, taking the lead role in Tony Kushner‘s translation of Bertolt Brecht‘s Mother Courage and Her Children. In a 2002 article for The Daily Telegraph, Rupert Christiansen describes their professional relationship as “surely one of the most richly creative partnerships in theatrical history.” Other collaborations between the two women include productions of Brecht’s The Good Woman of Szechuan and Henrik Ibsen‘s Hedda Gabler, the latter adapted for television.

Shaw appears in The Waste Land at Wilton’s Music Hall in January 2010 and in a Royal National Theatre revival of London Assurance in March 2010. In November 2010, She stars in Ibsen’s John Gabriel Borkman at the Abbey Theatre, Dublin alongside Alan Rickman and Lindsay Duncan. The play is also staged in New York’s Brooklyn Academy of Music in 2011.

Shaw appears in season four of American TV show True Blood. Her character, Marnie Stonebrook, has been described as an underachieving palm reader who is spiritually possessed by an actual witch. Her character leads a coven of necromancer witches who threaten the status quo in Bon Temps, erasing most of Eric Northman‘s memories and leaving him almost helpless when he tries to kill her and break up their coven.

In 2012, Shaw appears in the Royal National Theatre revival of Scenes from an Execution by Howard Barker.

The world’s largest solo theatre festival, United Solo Theatre Festival, recognizes her performance in The Testament of Mary on Broadway with the 2013 United Solo Special Award.

In 2018 Shaw begins portraying Carolyn Martens, head of the MI6 Russian Desk, in BBC America‘s Killing Eve, for which she wins the BAFTA Award for Best Actress in a Supporting Role in a Television Series. Later the same year, she plays a senior MI6 officer in Mrs. Wilson.


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Birth of Theatrical Producer Hilton Edwards

hilton-edwardsHilton Edwards, an English-born Irish actor, lighting designer, and theatrical producer, is born in London on February 2, 1903.

Edwards begins his career acting with the Charles Doran Shakespeare Company in 1920 in Windsor and then joins The Old Vic in London, playing in all but two of Shakespeare‘s plays before leaving the company a few years later. Trained in music, he also sings baritone roles with the Old Vic Opera company.

After touring with various companies in Britain and South Africa, Edwards goes to Ireland in 1927 for a season with Anew McMaster’s company and meets McMaster’s brother-in-law, Micheál Mac Liammóir. As he tells an interviewer once, both men want a theater of their own. Mac Liammóir wants it to be in Ireland and Edwards does not care. “I don’t care about nationalism, I care about the theater,” he says.

Edwards and Mac Liammóir co-found the Gate Theatre in Dublin in 1928. The two men’s talents are complementary. Mac Liammóir is an actor, designer, and writer. Edwards is a director, actor, producer, and lighting designer. Edwards produces and directs more than 300 plays at the Gate, ranging from the works of Aeschylus and Sophocles, Johann Wolfgang von Goethe and Henrik Ibsen to the comedies of George Bernard Shaw and Richard Brinsley Sheridan and new Irish plays, by such authors as W.B. Yeats, Brian Friel, and Mac Liammóir.

In New York City in 1948 Edwards plays in and directs John Bull’s Other Island and directs The Old Lady Says No and Where Stars Walk. In 1961 Edwards takes a two-year leave from the Gate to become the first Head of Drama at Telefís Éireann. A year later, he wins a Jacob’s Award for his television series Self Portrait.

Edwards appears in 15 films, including Captain Lightfoot (1955), David and Goliath (1960), Victim (1961), and Half a Sixpence (1967). He also writes and directs Orson Welles‘s Return to Glennascaul (1951). However, he is primarily known for his theatre work. He is nominated for a Tony Award in 1966 for Best Director of a Drama for Philadelphia, Here I Come!

Hilton Edwards dies in a Dublin hospital on November 18, 1982. Edwards and Mac Liammóir are the subject of a biography, titled The Boys by Christophor Fitz-Simon.